Embarrassing Love Quotes

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Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
Bob Marley
It’s lovely loving, isn’t it? In fact, I find it almost better, because being loved sometimes embarrasses me, but loving is a gift.
Sheila Hancock
Embarrassed someone would see you and think you’re capable of reading?” “I do have a reputation to maintain.” “And what a lovely reputation that is.
Jennifer L. Armentrout (Onyx (Lux, #2))
Were you in love with him?' 'Yes,' I say, simply. James and I put each other through the kind of reckless passions Gwendolyn once talked about, joy and anger and desire and despair. After all that, was it really so strange? I am no longer baffled or amazed or embarrassed by it. 'Yes, I was.' It's not the whole truth. The whole truth is, I'm in love with him still.
M.L. Rio (If We Were Villains)
The lovely flowers embarrass me. They make me regret I am not a bee...
Emily Dickinson
people who say its a long story, mean it's a stupid short one that they are too embarrassed and couldn't be bothered to tell
Cecelia Ahern (Love, Rosie)
Say you’ll marry me when I come back or, before God, I won’t go. I’ll stay around here and play a guitar under your window every night and sing at the top of my voice and compromise you, so you’ll have to marry me to save your reputation.
Margaret Mitchell (Gone with the Wind)
I'm not leaving, Kitten. You're going to do this." My mouth opened as did the door behind us. Stomach dropping, I turned to see Mom standing there in all her fuzzy-bunny pajama glory. Oh, for the love of God.
Jennifer L. Armentrout (Obsidian (Lux, #1))
If you are offended by a belief that says you can’t have your own definition of God, be alarmed at yourself! The implications are humbling, if not embarrassing.
Randy Loubier
I already told you. You are the love of my life. You are mine, Jacks of the Hollow. And you’re not going to be the end of me.” “But you were dying.” “No,” she said, a little embarrassed. “I just forgot to breathe.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
Part of me loves and respects men so desperately, and part of me thinks they are so embarrassingly incompetent at life and in love. You have to teach them the very basics of emotional literacy. You have to teach them how to be there for you, and part of me feels tender toward them and gentle, and part of me is so afraid of them, afraid of any more violation.
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
In his extreme youth Stoner had thought of love as an absolute state of being to which, if one were lucky, one might find access; in his maturity he had decided it was the heaven of a false religion, toward which one ought to gaze with an amused disbelief, a gently familiar contempt, and an embarrassed nostalgia. Now in his middle age he began to know that it was neither a state of grace nor an illusion; he saw it as a human act of becoming, a condition that was invented and modified moment by moment and day by day, by the will and the intelligence and the heart.
John Williams (Stoner)
You think I don't know about wrong love, June? You think I don't understand embarrassing love?
Carol Rifka Brunt (Tell the Wolves I'm Home)
Wait. This was the first lesson I had learned about love. The day drags along, you make thousands of plans, you imagine every possible conversation, you promise to change your behavior in certain ways -- and you feel more and more anxious until your loved one arrives. But by then, you don't know what to say. The hours of waiting have been transformed into tension, the tension has become fear, and the fear makes you embarrassed about showing affection.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, Every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe... it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is... just... moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope.
Greg Behrendt
It’s the way he had a cup of tea waiting for me when I woke up. It’s the way he turned on his laptop especially for me to look up all my Internet horoscopes and helped me choose the best one. He knows all the crappy, embarrassing bits about me that I normally try to hide from any man for as long as possible… and he loves me anyway.
Sophie Kinsella (Can You Keep a Secret?)
In a word, literature is my Utopia. Here I am not disfranchised. No barrier of the senses shuts me out from the sweet, gracious discourse of my book-friends. They talk to me without embarrassment or awkwardness. The things I have learned and the things I have been taught seem of ridiculously little importance compared with their "large loves and heavenly charities.
Helen Keller (The Story of My Life)
Wait a second," Four says. I turn toward him, wondering which version of Four I'll see now-the one who scolds me, or the one who climbs Ferris wheels with me. He smiles a little, but the smile doesn't spread to his eyes, which look less tense and worried. "You belong here, you know that?" he says. "You belong with us. It'll be over soon, so just hold on, okay?" He scratches behind his ear and looks away, like he's embarrassed by what he said. I stare at him. I feel my heartbeat everywhere, even in my toes. I feel like doing something bold, but I could just as easily walk away. I am not sure which option is smarter, or better. I am not sure that I care. I reach out and take his hand. His fingers slide between mine. I can't breathe. I stare up at him, and he stares down at me. For a long moment, we stay that way. Then I pull my hand away and run after Uriah and Lynn and Marlene. Maybe now he thinks I'm stupid, or strange. Maybe it was worth it.
Veronica Roth (Divergent (Divergent, #1))
His eyes are open, watching my flushed face, my ragged breathing. I try to stop myself from making embarrassing noises. It’s more intimate than the way he’s touching me, to be looked at like that. I hate that he knows what he’s doing and I don’t. I hate being vulnerable. I hate that I throw my head back, baring my throat. I hate the way I cling to him, the nails of one hand digging into his back, my thoughts splintering, and the single last thing in my head: that I like him better than I’ve ever liked anyone and that of all the things he’s ever done to me, making me like him so much is by far the worst.
Holly Black (The Wicked King (The Folk of the Air, #2))
How to seperate the humiliation from the loss, that's the catch. You can never be sure if what tortures you is the pain of being without someone you love or the embarrassment of admitting that you have been rejected.
Stephen Fry (Making History)
Once when I had remarked on the affection quite often found between cat and dog, my friend replied, "Yes. But I bet no dog would ever confess it to the other dogs.
C.S. Lewis (The Four Loves)
I think if you like somebody you have to tell them. It might be embarrassing to say it, but you will never regret stepping up. I know from personal experience, however, that you should not keep telling a girl that you like her after she tells you she isn't into it. You should not keep riding your bike by her house either.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
I want to propose a toast!" Taking a spoon he noisily tapped it against the crystal glass.  "Everyone!" He thundered, the large amount of whiskey he had consumed making him reckless.  "To Victor,  Ste. Genevieve's own inventor and my best friend, all the happiness in the world!"  The happy crowd shouted their approval.  "And to the ever, ever fair beauty Celena..." His voice cracking under the strain, and he wondered if he should stop now, before he embarrassed himself, before he made some horrible declaration.
Barbara Sontheimer (Victor's Blessing)
If you’re not careful,” I said, brushing imaginary wrinkles off the front of my riding habit and breeches, hoping the flush in my cheeks would come across as anger and not embarrassment, “you’ll be the one dragged here in bits and pieces.” Thomas tilted my chin up with a finger, his intent gaze setting my skin aflame. “I do love it when you speak so maliciously, Wadsworth. Gives my heart a bit of a rush.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
I love how he sometimes gets embarrassed by the mushy stuff between us and then his voice gets all gruff and he tickles me or kisses me to shut us both up. Boy, do we ever kiss. We make out like champions.
Cynthia Hand
The moment she was cursed, I lost her. Once it wears off- soon- she will be embarrassed to remember things that she said, things she did, things like this. No matter how solid she feels in my arms, she is made of smoke.
Holly Black (Red Glove (Curse Workers, #2))
Nico, you can do this," Jason said. "It might be embarrassing, but it's for the scepter." Nico didn't look convinced. In fact he looked like he was going to be sick. But he squared his shoulders and nodded. "You're right. I- I'm not afraid of a love god." Favonius beamed. "Excellent! Would you like a snack before you go?
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Intelligent people know they are intelligent. They also know that one person cannot know all, hence a person is not stupid simply because he is ignorant of one thing or another. They know that, to another intelligent person, they will not appear stupid in asking for an explanation of what they do not know, and so their ignorance on any particular issue does not become an embarrassment.
Lynsay Sands (Love Is Blind)
Ninety percent of true love is acute, ear-burning embarrassment.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
When two people were in love you had to leave them to it. Especially when you weren't in love and wished that you were. That could embarrass. That could hurt.
Irvine Welsh (Ecstasy)
It is unearned love--the love that goes before, that greets us on the way. It's the help you receive when you have no bright ideas left, when you are empty and desperate and have discovered that your best thinking and most charming charm have failed you. Grace is the light or electricity or juice or breeze that takes you from that isolated place and puts you with others who are as startled and embarrassed and eventually grateful as you are to be there.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
Out of love for mankind, and out of despair at my embarrassing situation, seeing that I had accomplished nothing and was unable to make anything easier than it had already been made, and moved by a genuine interest in those who make everything easy, I conceived it as my task to create difficulties everywhere.
Søren Kierkegaard
They carried all the emotional baggage of men who might die. Grief, terror, love, longing--these were intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight. They carried shameful memories. They carried the common secret of cowardice.... Men killed, and died, because they were embarrassed not to.
Tim O'Brien (The Things They Carried)
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together. In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page: I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me. Tonight, this strange interior gesture of friendship—the lending of a hand from me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page. Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND… I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
Elizabeth Gilbert
Isabella Swan?” He looked up at me through his impossibly long lashes, his golden eyes soft but, somehow, still scorching. “I promise to love you forever—every single day of forever. Will you marry me?” There were many things I wanted to say, some of them not nice at all, and others more disgustingly gooey and romantic than he probably dreamed I was capable of. Rather than embarrass myself with either, I whispered, “Yes.” “Thank you,” he said simply. He took my left hand and kissed each of my fingertips before he kissed the ring that was now mine.
Stephenie Meyer (Eclipse)
I know all about love that's too big to stay in a tiny bucket. Splashing out all over the place in the most embarrassing way possible.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I would appreciate it if you would stop… stop… ogling me like that," she hissed, tugging her very modest neckline higher. "It is very embarrassing." She folded her arms across her breasts defensively. He tried to look contrite. "It wasn't me," he confessed. "It was my eyes. They are bold and easily led and have no sense of propriety.
Anne Gracie (The Perfect Rake (The Merridew Sisters, #1))
The day drags along, you make thousands of plans, you imagine every possible conversation, you promise to change your behavior in certain ways–and you feel more and more anxious until your loved one arrives. But by then, you don't know what to say. The hours of waiting have been transformed into tension, the tension has become fear, and the fear makes you embarrassed about showing affection.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
Are you kidding?" She looked at me as if I'd just dropped from the moon. Her cheeks were bright red. "What's the problem now?" I demanded. "Me, go with you to the...the 'Thrill Ride of Love'? How embarrassing is that? What if somebody saw me?" "Who's going to see you?" But my face was burning now, too. Leave it to a girl to make everything complicated. "Fine," I told her. "I'll do it myself." But when I started down the side of the pool, she followed me, muttering about how boys always messed things up.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians #1))
I write to find strength. I write to become the person that hides inside me. I write to light the way through the darkness for others. I write to be seen and heard. I write to be near those I love. I write by accident, promptings, purposefully and anywhere there is paper. I write because my heart speaks a different language that someone needs to hear. I write past the embarrassment of exposure. I write because hypocrisy doesn’t need answers, rather it needs questions to heal. I write myself out of nightmares. I write because I am nostalgic, romantic and demand happy endings. I write to remember. I write knowing conversations don’t always take place. I write because speaking can’t be reread. I write to sooth a mind that races. I write because you can play on the page like a child left alone in the sand. I write because my emotions belong to the moon; high tide, low tide. I write knowing I will fall on my words, but no one will say it was for very long. I write because I want to paint the world the way I see love should be. I write to provide a legacy. I write to make sense out of senselessness. I write knowing I will be killed by my own words, stabbed by critics, crucified by both misunderstanding and understanding. I write for the haters, the lovers, the lonely, the brokenhearted and the dreamers. I write because one day someone will tell me that my emotions were not a waste of time. I write because God loves stories. I write because one day I will be gone, but what I believed and felt will live on.
Shannon L. Alder
If I gaze at my beloved she may feel embarrassed and if I do not, she will feel neglected. I can see the stars reflecting in the calm water of her face but if I look away I lose my clarity.
Jalal ad-Din Muhammad ar-Rumi
Why do you look?” I mutter. I half expect Magiano to tease me, spitting back one of his sarcastic phrases. But he doesn’t smile. “We are drawn to stories," he says in a soft voice, “and every scar carries one.” He lifts a hand and places his palm gently against the ruined side of my face, covering the scar. I look down, embarrassed now. Instinctively, I reach up to brush some of my hair over my face—only to remember that I no longer have long locks. “Hiding it makes you more beautiful,” Magiano says. Then he takes his hand away, exposing my scar again. “But revealing it makes you you.” He nods at me. “So wear it proudly.
Marie Lu (The Rose Society (The Young Elites, #2))
When I come back, the club is packed. There's hardly any standing room. Anna snagged a wooden bar stool, one of the few seats here. St. Clair stands close to her, facing her, and he smoothes the platinum stripe in her hair. She pulls him even closer by the top of his jeans, one finger tucked inside. It's an intimate gesture. I'm embarrassed to watch, but I can't look away. He kisses her slowly and deeply. They don't care that anyone could watch. Or maybe they've forgotten they aren't alone. When they break apart, Anna says something that makes him fall into silly, boyish laughter. For some reason, that's the moment that makes me turn away. Something about their love is painful.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
I hope the two of you will descend from your love bubble long enough to learn something today," he sniped cuttingly and the other kids snickered. Embarrassed, I ducked my head to avoid eye contact with them. "It's all right, sir," Xavier replied. "The bubble's been engineered to allow us to learn from within it.
Alexandra Adornetto (Hades (Halo, #2))
Keep thinking back about what Mum said about being real and the Velveteen Rabbit book (though frankly have had enough trouble with rabbits in this particular house). My favorite book, she claims of which I have no memory was about how little kids get one toy that they love more than all the others, and even when its fur has been rubbed off, and it's gone saggy with bits missing, the little child still thinks it's the most beautiful toy in the world, and can't bear to be parted from it. That's how it works, when people really love each other, Mum whispered on the way out in the Debenhams lift, as if she was confessing some hideous and embarrassing secret. But, the thing is, darling, it doesn't happen to ones who have sharp edges, or break if they get dropped, or ones made of silly synthetic stuff that doesn't last. You have to be brave and let the other person know who you are and what you feel.
Helen Fielding (Bridget Jones: The Edge of Reason (Bridget Jones, #2))
Anyway." I cleared my throat loudly. "Thank you again for the beautiful necklace. It's perfect, and I love it. Where did you find it? I've never seen anything like it before." It was his turn to look embarrassed and he ducked his head. "That's because I made it." He peeked up at me, and my heart melted. Am I dreaming? This has to be a dream. "You made it?" Something wet hit my cheek and I brushed it away, impatiently waiting for his answer. "Yeah," he said shyly. "I did.
Jessica Verday (The Hollow (The Hollow, #1))
A dog — a dog teaches us so much about love. Wordless, imperfect love; love that is constant, love that is simple goodness, love that forgives not only bad singing and embarrassments, but misunderstandings and harsh words. Love that sits and stays and stays and stays, until it finally becomes its own forever. Love, stronger than death. A dog is a four-legged reminder that love comes and time passes and then your heart breaks.
Deb Caletti (The Story of Us)
We hear a great deal about the rudeness of the ris- ing generation. I am an oldster myself and might be expected to take the oldsters' side, but in fact I have been far more impressed by the bad manners of par- ents to children than by those of children to parents. Who has not been the embarrassed guest at family meals where the father or mother treated their grown-up offspring with an incivility which, offered to any other young people, would simply have termi- nated the acquaintance? Dogmatic assertions on mat- ters which the children understand and their elders don't, ruthless interruptions, flat contradictions, ridicule of things the young take seriously some- times of their religion insulting references to their friends, all provide an easy answer to the question "Why are they always out? Why do they like every house better than their home?" Who does not prefer civility to barbarism?
C.S. Lewis (The Four Loves)
Their eyes met then, and it was like they forgot that anyone else was in the room. It was just them. I understood the kind of connection they had. I had it with Daeomon, but I wondered if we looked as love-struck as they did. "You do," Archer commented softly. Ah, well, that was kind of embarrassing. "Yes, it is," he added.
Jennifer L. Armentrout (Opposition (Lux, #5))
Maybe they would look at each other and feel some odd yearning, but neither of them would know why. They would want to stop, but they would be embarrassed, and neither would know what to say. They would go their separate ways. Who knew? Maybe that happened every day to people who'd once loved each other.
Ann Brashares (My Name Is Memory)
We don’t have to take other people’s behaviors as reflections of our self-worth. We don’t have to be embarrassed if someone we love chooses to behave inappropriately. It’s normal to react that way, but we don’t have to continue to feel embarrassed and less than if someone else continues to behave inappropriately. Each person is responsible for his or her behavior.
Melody Beattie (Codependent No More: How to Stop Controlling Others and Start Caring for Yourself)
And then . . . we’re going to get in my car.” I waited for him to elaborate on a destination. “And?” He gently kissed the nape of my neck. “What do you think?” I couldn’t help a small gasp of delight. “Oh, wow.” “I know, right? I was racking my brain for the best present ever, and then I realized that nothing was going to rock your world more than you and me in your favorite place in the entire world.” I swallowed. “I’m kind of embarrassed at how excited I am about that.” Never had I guessed my love of cars would play a role in my sex life. Eddie was right. Something had happened to me. “It’s okay, Sage. We’ve all got our turn-ons.” “You kind of ruined the surprise, though.” “Nah. It’s part of the gift: you getting to think about it for the next three days.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Often the narcissist believes that other people are "faking it", leveraging emotional displays to achieve a goal. He is convinced that their ostensible "feelings" are grounded in ulterior, non-emotional motives. Faced with other people's genuine emotions, the narcissist becomes suspicious and embarrassed. He feels compelled to avoid emotion-tinged situations, or worse, experiences surges of almost uncontrollable aggression in the presence of expressed sentiments. They remind him how imperfect he is and how poorly equipped.
Sam Vaknin (Malignant Self-Love: Narcissism Revisited)
I'm in love with you, Kylie." He looked almost embarrassed by the admission. He jumped up, took one step away, then swung around and faced her again. "I don't expect you to say it back and I don't think this will change your mind about anything. But you deserved to know. And I needed to tell you because.....I've never felt this way before-for anyone.
C.C. Hunter (Taken at Dusk (Shadow Falls, #3))
THE DEATH OF LEOPOLD GURSKY Leopold Gursky started dying on August 18, 1920. He died learning to walk. He died standing at the blackboard. And once, also, carrying a heavy tray. He died practicing a new way to sign his name. Opening a window. Washing his genitals in the bath. He died alone, because he was too embarrassed to phone anyone. Or he died thinking about Alma. Or when he chose not to.
Nicole Krauss (The History of Love)
In retrospect, I'm embarrassed by how little effort on his part it took for me to come back or stay. I was so desperate for him to love me, to want me, to fight for me that I was literally grateful for any mere scrap of effort. I'd made so many excuses for his inability to treat me well that even the smallest gesture was amplified in my head. After years of this, I finally got my head out of my ass and realized that aside from feeling insecure and fragile about the state of my relationship all the time, we also wanted entirely different things out of life!
Greg Behrendt (It's Called a Breakup Because It's Broken: The Smart Girl's Break-Up Buddy)
He takes two steps back. Closer to the portal. I can't stop myself. "Ben," I call. And I'm not even embarrassed about how helpless my voice sounds. Don't go. "I'll come back for you." He takes another step back. "I promise." Stay. "Janelle Tenner," he says. "I will always fucking love you." And then he takes one more step back. Into the portal. And the blackness swallows him whole.
Elizabeth Norris (Unraveling (Unraveling, #1))
In movies, it's all beautifully choreographed, set to an increasingly dramatic soundtrack. In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again. But here's the truth: In movies, it's never half so lovely as it is here and now with Jase.
Huntley Fitzpatrick (My Life Next Door)
As we experience this love, there is a temptation at times to become hostile to our earlier understandings, feeling embarrassed that we were so "simple" or "naive," or "brainwashed" or whatever terms arise when we haven't come to terms with our own story. These past understandings aren't to be denied or dismissed; they're to be embraced. Those experiences belong. Love demands that they belong. That's where we were at that point in our life and God met us there. Those moments were necessary for us to arrive here, at this place at this time, as we are. Love frees us to embrace all of our history, the history in which all things are being made new.
Rob Bell (Love Wins: A Book About Heaven, Hell, and the Fate of Every Person Who Ever Lived)
He was lounging in a cubicle beside an outdated computer, hands shoved into the pockets of his faded jeans. A wavy lock of hair covered his forehead, brushing against thick lashes. His lips curled into a half smile. “I was wondering if you were ever going to find me.” He made no move to clear up any space in the tiny 6x6 hole. I dropped my bag outside the walls and hopped up on the desk opposite him. “Embarrassed someone would see you and think you’re capable of reading?” “I do have a reputation to maintain.” “And what a lovely reputation that is.” He stretched out his legs so that his feet were under mine. “So what did you want to talk about”—his voice lowered to a deep, sexy whisper—“in private?” I shivered—and it had nothing to do with the temperature. “Not what you’re hoping.” Daemon gave me a sexy smirk.
Jennifer L. Armentrout (Onyx (Lux, #2))
I can give you honesty, monogamy, and more passion than you can stand, but not love. That emotion died in me long ago, as I suspect you already know.” I took a deep breath, fighting a twinge that made no sense because he was right. I had guessed that about him. “Good,” I replied in a steady voice. “I was worried that you’d turn into one of those obsessed, emo movie vampires, and that would be embarrassing for both of us.” His laughter rang out before changing into something rougher and infinitely more sensual. Emerald overtook his gaze once again. “Enough talk,” he muttered, and lowered his head.
Jeaniene Frost (Once Burned (Night Prince, #1))
It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Perhaps you should put me down?” suggested Nina. Reality crashed in on Matthias—the guards’ knowing looks, Zoya and Genya in the doorway, and the fact that in the course of kissing Nina Zenik with a year’s worth of pent-up desire, he had lifted her clear off her feet. A tide of embarrassment flooded through him. What Fjerdan did such a thing? Gently, he released his hold on her magnificent thighs and let her slide to the ground. “Shameless ,” Nina whispered, and he felt his cheeks go red. Zoya rolled her eyes. “We’re making a deal with a pair of love-struck teenagers.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worship—just so long as those prayers are sincere. I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light. The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite." But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while? That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.
Elizabeth Gilbert (Eat, Pray, Love)
This looks like the red room of pain,” she says.  My mouth drops open. My little prude has been expanding her reading horizons. I choke on my laugh, and a couple of people turn to look at us. I narrow my eyes.  “You read Fifty?” I ask quietly. She blushes. Amazing! — the woman is capable of blushing.  “Everyone was reading it,” she says, defensively. Then she looks up at me with big eyes.  “You?”  “I wanted to see what all the hype was about.” She does that blink, blink, blink thing with her eyelashes.  “Did you pick up any new techniques?” she says, without looking at me. I squeeze her hand. “Would you like to try me out and see?” She turns her face away, pressing her lips together — horribly embarrassed. 
Tarryn Fisher (Thief (Love Me with Lies, #3))
I picked up a fallen branch and struck a tree with it. Apples fell from the tree. The rope around one of the skeletons gave way and it fell to the ground. It lay there, crumpled and bent in ridiculous angles. I wondered if the person who the skeleton used to live inside would be embarrassed if he or she could see themselves now. I looked around the area but didn’t see any ghosts. Why would I see a ghost? They didn’t exist. Still, I looked a second time.
Eli Wilde (Orchard of Skeletons)
It’s all about our egos. She felt she was on the edge of understanding something important. They could fall in love with fresh, new people, or they could have the courage and humility to tear off some essential layer of themselves and reveal to each other a whole new level of otherness, a level far beyond what sort of music they liked. It seemed to her everyone had too much self-protective pride to truly strip down to their souls in front of their long-term partners. It was easier to pretend there was nothing more to know, to fall into an easygoing companionship. It was almost embarrassing to be truly intimate with your spouse; how could you watch someone floss one minute, and the next minute share your deepest passion or most ridiculous, trite little fears? It was almost easier to talk about that sort of thing before you’d shared a bathroom and a bank account and argued over the packing of the dishwasher.
Liane Moriarty (The Husband's Secret)
Humanity i love you because you would rather black the boots of success than enquire whose soul dangles from his watch-chain which would be embarrassing for both parties and because you unflinchingly applaud all songs containing the words country home and mother when sung at the old howard Humanity i love you because when you're hard up you pawn your intelligence to buy a drink and when you're flush pride keeps you from the pawn shops and because you are continually committing nuisances but more especially in your own house Humanity i love you because you are perpetually putting the secret of life in your pants and forgetting it's there and sitting down on it and because you are forever making poems in the lap of death Humanity i hate you
E.E. Cummings
Marilla felt more embarrassed than ever. She had intended to teach Anne the childish classic, "Now I lay me down to sleep." But she had, as I have told you, the glimmerings of a sense of humor--which is simply another name for a sense of the fitness of things; and it suddenly occurred to her that simple little prayer, sacred to the white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing about God's love, since she had never had it translated to her through the medium of human love.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
When did they stop putting toys in cereal boxes? When I was little, I remember wandering the cereal aisle (which surely is as American a phenomenon as fireworks on the Fourth of July) and picking my breakfast food based on what the reward was: a Frisbee with the Trix rabbit's face emblazoned on the front. Holographic stickers with the Lucky Charms leprechaun. A mystery decoder wheel. I could suffer through raisin bran for a month if it meant I got a magic ring at the end. I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA. Here's a secret: those mothers don't exist. Most of us-even if we'd never confess-are suffering through the raisin bran in the hopes of a glimpse of that magic ring. I look very good on paper. I have a family, and I write a newspaper column. In real life, I have to pick superglue out of the carpet, rarely remember to defrost for dinner, and plan to have BECAUSE I SAID SO engraved on my tombstone. Real mothers wonder why experts who write for Parents and Good Housekeeping-and, dare I say it, the Burlington Free Press-seem to have their acts together all the time when they themselves can barely keep their heads above the stormy seas of parenthood. Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's car, and say, "Great. Maybe YOU can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed. If parenting is the box of raisin bran, then real mothers know the ratio of flakes to fun is severely imbalanced. For every moment that your child confides in you, or tells you he loves you, or does something unprompted to protect his brother that you happen to witness, there are many more moments of chaos, error, and self-doubt. Real mothers may not speak the heresy, but they sometimes secretly wish they'd chosen something for breakfast other than this endless cereal. Real mothers worry that other mothers will find that magic ring, whereas they'll be looking and looking for ages. Rest easy, real mothers. The very fact that you worry about being a good mom means that you already are one.
Jodi Picoult (House Rules)
I asked him did he really love New York or was he just wearing the shirt. He smiled, like he was nervous. I could tell he didn't understand, which made me feel guilty for speaking English, for some reason. I pointed at his shirt. "Do? You? Really? Love? New York?" He said, "New York?" I said, "Your. Shirt." He looked at his shirt. I pointed at the N and said "New," and the Y and said "York." He looked confused or embarrassed, or surprised, or maybe even mad. I couldn't tell what he was feeling, because I couldn't speak the language of his feelings. "I not know was New York. In Chinese, ny mean 'you.' Thought was 'I love you.'" It was then that I noticed the "I♥NY" poster on the wall, and the "I♥NY" flag over the door, and the "I♥NY" dishtowels, and the "I♥NY" lunchbox on the kitchen table. I asked him, "Well, then why do you love everybody so much?
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
He turned to leave, then hesitated. "One more thing." He walked up to me. "I've also been thinking about your declaration of undying love or whatever." "I didn't - it wasn't -" He clamped his hands on the sides of my gooey face and kissed me. I had to wonder: was it possible to dissolve into chocolate on a molecular level and melt into a puddle on the carpet? Because that's how I felt. I'm pretty sure Valhalla had to resurrect me several times during the course of that kiss. Otherwise, I don't know how I was still in one piece when Alex finally pulled away. He studied me critically, his brown and amber eyes taking me in. He had a chocolate moustache and goatee now, and chocolate down the front of his sweater vest. I'll be honest. A small part of my brain thought, Alex is male right now. I have just been kissed by a dude. How do I feel about that? The rest of my brain answered: I have just been kissed by Alex Fierro. I am absolutely great with that. In fact, I might have done something typically embarrassing and stupid, like making the aforementioned declaration of undying love, but Alex spared me. "Eh." He shrugged. "I'll keep thinking about it. I'll get back to you. In the meantime, definitely take that shower." He left, whistling a tune that might have been a Frank Sinatra song from the elevator, "Fly Me to the Moon".
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Q.Why don't you write about nice people? Haven't you ever known any nice people in your life? A.My theory about nice people is so simple that I am embarrassed to say it. Q.Please say it. A.Well, I've never met one that I couldn't love if I completely knew him and understood him, and in my work I have at least tried to arrive at knowledge and understanding. I don't believe in 'original sin'. I don't believe in 'guilt'. I don't believe in villains or heroes - only right or wrong ways that individuals have taken, not by choice but by necessity or by certain still-uncomprehended influences in themselves, their circumstances, and their antecedents. This is so simple I'm ashamed to say it, but I'm sure it's true. In fact, I would bet my life on it! And that's why I don't understand why our propaganda machines are always trying to teach us, to persuade us, to hate and fear other people on the same little world that we live in. Why don't we meet these people and get to know them as I try to meet and know people in my plays?
Tennessee Williams
Marry your best friend. I do not say that lightly. Really, truly find the strongest, happiest friendship in the person you fall in love with. Someone who speaks highly of you. Someone you can laugh with. The kind of laughs that make your belly ache, and your nose snort. The embarrassing, earnest, healing kind of laughs. Wit is important. Life is too short not to love someone who lets you be a fool with them. Make sure they are somebody who lets you cry, too. Despair will come. Find someone that you want to be there with you through those times. Most importantly, marry the one that makes passion, love, and madness combine and course through you. A love that will never dilute - even when the waters get deep, and dark.
N'tima
West Wind #2 You are young. So you know everything. You leap into the boat and begin rowing. But listen to me. Without fanfare, without embarrassment, without any doubt, I talk directly to your soul. Listen to me. Lift the oars from the water, let your arms rest, and your heart, and heart’s little intelligence, and listen to me. There is life without love. It is not worth a bent penny, or a scuffed shoe. It is not worth the body of a dead dog nine days unburied. When you hear, a mile away and still out of sight, the churn of the water as it begins to swirl and roil, fretting around the sharp rocks – when you hear that unmistakable pounding – when you feel the mist on your mouth and sense ahead the embattlement, the long falls plunging and steaming – then row, row for your life toward it.
Mary Oliver (West Wind)
Do you know what it was like kissing Holly and looking up to see you?" "What?" "You said to begin anywhere." But I hadn't expected that as a beginning, middle or end. I felt my cheeks getting warm. "I guess it was pretty embarrassing for both of us," I said, and walked ahead of him so he wouldn't see my face. "I know, I just kept staring at you." "What were you thinking?" "I don't remember." "Don't you start using that line," he chided. "Then don't ask me, Nick." Did he suspect how I felt. He caught me and turned me around to face him. I focused on his shirt. "Okay," he said quietly, "I'll tell you what I was thinking. I couldn't believe that I, who was never going to get hooked, had fallen in love with a girl who didn't want to date, and she was watching me kiss somebody else." I glanced up. "Your turn, brave girl. What were you thinking?" "That Holly looked beautiful in your arms and that you didn't pull away from her the way you had pulled away from me when I kissed you." He drew me to him. "I'm not pulling away again," he said holding me close.
Elizabeth Chandler (Dark Secrets 1 (Dark Secrets, #1-2))
Mario'd fallen in love with the first Madam Psychosis programs because he felt like he was listening to someone sad read out loud from yellow letters she'd taken out of a shoebox on a rainy P.M, stuff about heartbreak and people you loved dying and U.S. woe, stuff that was real. It is increasingly hard to find valid art that is about stuff that is real in this way. The older Mario gets, the more confused he gets about the fact that everyone at E.T.A. over the age of about Kent Blott finds stuff that's really real uncomfortable and they get embarrassed. It's like there's some rule that real stuff can only get mentioned if everybody rolls their eyes or laughs in a way that isn't happy.
David Foster Wallace (Infinite Jest)
Paul D did not answer because she didn't expect or want him to, but he did know what she meant. Listening to the doves in Alfred, Georgia, and having neither the right nor the permission to enjoy it because in that place mist, doves, sunlight, copper dirt, moon - everything belonged to the men who had the guns. Little men, some of them, big men too, each one of whom he could snap like a twig if he wanted to. Men who knew that their manhood lay in their guns and were not even embarrassed by the knowledge that without fox would laugh at them. And these "men" who made even vixen laugh could, if you let them, stop you from hearing doves or loving moonlight. So you protected yourself and loved small. Picked the tiniest stars out of the sky to own; lay down with head twisted in order to see the loved one over the rim of the trench before you slept. Stole shy glances at her between the trees at chain-up. Glass blades, salamanders, spiders, woodpeckers, beetles, a kingdom of ants. Anything bigger wouldn't do. A woman, a child, a brother - a big love like that would split you wide open in Alfred, Georgia. He knew exactly what she meant: to get to a place where you could love anything you chose - not to need permission for desire - well now, THAT was freedom.
Toni Morrison (Beloved)
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
Stephanie Klein (Straight Up and Dirty)
Some years ago, there was a lovely philosopher of science and journalist in Italy named Giulio Giorello, and he did an interview with me. And I don’t know if he wrote it or not, but the headline in Corriere della Sera when it was published was "Sì, abbiamo un'anima. Ma è fatta di tanti piccoli robot – "Yes, we have a soul, but it’s made of lots of tiny robots." And I thought, exactly. That’s the view. Yes, we have a soul, but in what sense? In the sense that our brains, unlike the brains even of dogs and cats and chimpanzees and dolphins, our brains have functional structures that give our brains powers that no other brains have - powers of look-ahead, primarily. We can understand our position in the world, we can see the future, we can understand where we came from. We know that we’re here. No buffalo knows it’s a buffalo, but we jolly well know that we’re members of Homo sapiens, and it’s the knowledge that we have and the can-do, our capacity to think ahead and to reflect and to evaluate and to evaluate our evaluations, and evaluate the grounds for our evaluations. It’s this expandable capacity to represent reasons that we have that gives us a soul. But what’s it made of? It’s made of neurons. It’s made of lots of tiny robots. And we can actually explain the structure and operation of that kind of soul, whereas an eternal, immortal, immaterial soul is just a metaphysical rug under which you sweep your embarrassment for not having any explanation.
Daniel C. Dennett
There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were. In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
Katherine Center (Everyone is Beautiful)
I guess that isn't the right word," she said. She was used to apologizing for her use of language. She had been encouraged to do a lot of that in school. Most white people in Midland City were insecure when they spoke, so they kept their sentences short and their words simple, in order to keep embarrassing mistakes to a minimum. Dwayne certainly did that. Patty certainly did that. This was because their English teachers would wince and cover their ears and give them flunking grades and so on whenever they failed to speak like English aristocrats before the First World War. Also: they were told that they were unworthy to speak or write their language if they couldn't love or understand incomprehensible novels and poems and plays about people long ago and far away, such as Ivanhoe.
Kurt Vonnegut Jr. (Breakfast of Champions)
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?" The word sprang from my lips without thought. "No!" "Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?" I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste." I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public. And I'd said it on live television. I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely. "Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?" I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face. He really wanted to know. And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him. A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life. "Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject." I saw Maxon swallow, and I lowered my eyes. "America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell." I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
Kiera Cass (The Selection (The Selection, #1))
Well, I'm glad you're so amused," I said, running my fingers across the railing. Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it." Hmm. He was almost being funny. "So...about what you said...," he started tentatively. "Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes. He laughed once. "The part about me being good..." "Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress. "I appreciate you making things look authentic, but you didn't need to go that far." My head snapped up. How could he think that? "Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more." He was quiet, but there was a small smile on his face. "Thank you," he finally said. "Anytime." Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony. "Huh?" "Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly. I had to laugh. No such thing would happen in y world. "he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice. "Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times. "Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you." I hit his arm. "Shut up, Maxon." "I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity. "I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting. "No, I don't suppose you can help it.
Kiera Cass (The Selection (The Selection, #1))
What did you see when you died?" He has that tenative half smile, like he's almost embarrassed by what he's saying. "Because I'm guessing it wasn't the Sea of Tranquility." And when I look at him, I'm not so sure it wasn't. “Where did you go?" His voice drops just slightly and loses even the suggestion of a smile. He's watching me like he's not sure he's allowed to ask the question, and he's not even sure he wants the answer. I can almost see his grandfather's words and Josh's doubts about them swimming in his head. On every side of me are the lights and the tools and the wood and the boots and the boy I want to see forever. And if the my Sea of Tranquility were real, it would be this place, here, with him. I don't say anything right away, because I just want one minute to look at his face before I give him my last secret. And then I tell him. "Your garage.
Katja Millay (The Sea of Tranquility)
After three glasses, Cynthia flung the windows open and announced, “Zac Efron, I love you!” to the whole of Chelsea, while Lesley was crouched head down over the lavatory bowl throwing up, Maggie had made Sarah a declaration of love (“you’re sho, sho beautiful, marry me!”), and Sarah was shedding floods of tears without knowing why. It hit me worst of all. I had jumped on Cynthia’s bed and was bawling out “Breaking Free” in an endless loop. When Cynthia’s father came into the room, I’d held Cynthia’s hairbrush up to him like a microphone and called out, “Sing alone, baldie! Get those hips swinging!” Although the next day I couldn’t even being to explain why myself. After that embarrassing episode, Lesley and I had decided to give the demon drink a wide berth in future (we gave Cynthia’s father a wide berth as well for a couple of months), and we had stuck to that resolution.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
You're good at this,' she murmured. 'Do you often travel with girls who've been flayed?' That earned her a soft laugh. 'No.' Then quietly, as he ran a cloth along her lower back, just below the dip in her waist. 'Would you be jealous if I did?' I'm not a jealous person was what Evangeline intended to say, but instead the words 'of course' came out. Jacks laughed, louder this time. Embarrassment surged through her. 'That's not what I meant to say.' 'It's all right. I'd probably kill another man if I found him with you like this.' Jacks' hands pressed harder as they went to her shoulders and, one by one, ripped off the sleeves of her dress so that what remained of the gown completely fell away. She made a sound somewhere between a squeal and a gasp. 'What that really necessary?' 'No, but everyone should have their clothes ripped off at some point.' She imagined Jacks was mostly trying to distract her from all the pain, yet she blushed all the way from her cheeks to her chest. Out of the corner of her eye, she thought she saw him smile. And for a second, nothing hurt.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
If you will thank me," he replied, "let it be for yourself alone. That the wish of giving happiness to you might add force to the other inducements which led me on, I shall not attempt to deny. But your family owe me nothing. Much as I respect them, I believe I thought only of you." Elizabeth was too much embarrassed to say a word. After a short pause, her companion added, "You are too generous to trifle with me. If your feelings are still what they were last April, tell me so at once. My affections and wishes are unchanged; but one word from you will silence me on this subject for ever." Elizabeth, feeling all the more than common awkwardness and anxiety of his situation, now forced herself to speak; and immediately, though not very fluently, gave him to understand that her sentiments had undergone so material a change since the period to which he alluded, as to make her receive with gratitude and pleasure his present assurances.The happiness which this reply produced was such as he had probably never felt before, and he expressed himself on the occasion as sensibly and as warmly as a man violently in love can be supposed to do.
Jane Austen (Pride and Prejudice)
Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in." "Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“whatever that is.” “My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him . . . I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle. “Yes, love?” "I would think,” she continued,” ‘Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
THE DAY YOU READ THIS On this day, you read something that moved you and made you realise there were no more fears to fear. No tears to cry. No head to hang in shame. That every time you thought you’d offended someone, it was all just in your head and really, they love you with all their heart and nothing will ever change that. That everyone and everything lives on inside you. That that doesn’t make any of it any less real. That soft touches will change you and stay with you longer than hard ones. That being alone means you’re free. That old lovers miss you and new lovers want you and the one you’re with is the one you’re meant to be with. That the tingles running down your arms are angel feathers and they whisper in your ear, constantly, if you choose to hear them. That everything you want to happen, will happen, if you decide you want it enough. That every time you think a sad thought, you can think a happy one instead. That you control that completely. That the people who make you laugh are more beautiful than beautiful people. That you laugh more than you cry. That crying is good for you. That the people you hate wish you would stop and you do too. That your friends are reflections of the best parts of you. That you are more than the sum total of the things you know and how you react to them. That dancing is sometimes more important than listening to the music. That the most embarrassing, awkward moments of your life are only remembered by you and no one else. That no one judges you when you walk into a room and all they really want to know, is if you’re judging them. That what you make and what you do with your time is more important than you’ll ever fathom and should be treated as such. That the difference between a job and art is passion. That neither defines who you are. That talking to strangers is how you make friends. That bad days end but a smile can go around the world. That life contradicts itself, constantly. That that’s why it’s worth living. That the difference between pain and love is time. That love is only as real as you want it to be. That if you feel good, you look good but it doesn’t always work the other way around. That the sun will rise each day and it’s up to you each day if you match it. That nothing matters up until this point. That what you decide now, in this moment, will change the future. Forever. That rain is beautiful. And so are you.
pleasefindthis (I Wrote This For You)
What - what - what are you doing?" he demanded. "I am almost six hundred years old," Magnus claimed, and Ragnor snorted, since Magnus changed his age to suit himself every few weeks. Magnus swept on. "It does seem about time to learn a musical instrument." He flourished his new prize, a little stringed instrument that looked like a cousin of the lute that the lute was embarrassed to be related to. "It's called a charango. I am planning to become a charanguista!" "I wouldn't call that an instrument of music," Ragnor observed sourly. "An instrument of torture, perhaps." Magnus cradled the charango in his arms as if it were an easily offended baby. "It's a beautiful and very unique instrument! The sound box is made from an armadillo. Well, a dried armadillo shell." "That explains the sound you're making," said Ragnor. "Like a lost, hungry armadillo." "You are just jealous," Magnus remarked calmly. "Because you do not have the soul of a true artiste like myself." "Oh, I am positively green with envy," Ragnor snapped. "Come now, Ragnor. That's not fair," said Magnus. "You know I love it when you make jokes about your complexion." Magnus refused to be affected by Ragnor's cruel judgments. He regarded his fellow warlock with a lofty stare of superb indifference, raised his charango, and began to play again his defiant, beautiful tune. They both heard the staccato thump of frantically running feet from within the house, the swish of skirts, and then Catarina came rushing out into the courtyard. Her white hair was falling loose about her shoulders, and her face was the picture of alarm. "Magnus, Ragnor, I heard a cat making a most unearthly noise," she exclaimed. "From the sound of it, the poor creature must be direly sick. You have to help me find it!" Ragnor immediately collapsed with hysterical laughter on his windowsill. Magnus stared at Catarina for a moment, until he saw her lips twitch. "You are conspiring against me and my art," he declared. "You are a pack of conspirators." He began to play again. Catarina stopped him by putting a hand on his arm. "No, but seriously, Magnus," she said. "That noise is appalling." Magnus sighed. "Every warlock's a critic." "Why are you doing this?" "I have already explained myself to Ragnor. I wish to become proficient with a musical instrument. I have decided to devote myself to the art of the charanguista, and I wish to hear no more petty objections." "If we are all making lists of things we wish to hear no more . . . ," Ragnor murmured. Catarina, however, was smiling. "I see," she said. "Madam, you do not see." "I do. I see it all most clearly," Catarina assured him. "What is her name?" "I resent your implication," Magnus said. "There is no woman in the case. I am married to my music!" "Oh, all right," Catarina said. "What's his name, then?" His name was Imasu Morales, and he was gorgeous.
Cassandra Clare (The Bane Chronicles)
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling" It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face. The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith) Being alone has nothing to do with how many people are around. (J.R. Moehringer) You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way. At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words. The dream was obviously a sign: he was too enticing to resist. Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it. I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night. Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened. Because I'm So uncool and so afraid. If there was a clue, that meant the mystery was still intact I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding. This was not a haystack. We were people, and people had ways of finding eachother. It was one of those moments when you feel the future so much that is humbles the present. Don't worry. It's your embarrassment at not having the thought that counts. You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately. Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head You should never wish for wishful thinking
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Maybe I was just flattering myself, thinking I'd be worth some sort of risk. Not that I'd wish that on anyone!" he clarified. "I don't mean that. It just...I don't know. Don't you all see everything I'm risking?" "Umm, no. You're here with your family to give you advice, and we all live around your schedule. Everything about your life stays the same, and ours changed overnight. What in the world could you possibly be risking?" Maxon looked shocked. "America, I might have my family, but imagine how embarrassing it is to have your parents watch as you attempt to date for the first time. And not just your parents-the whole country! Worse than that, it's not even a normal style of dating. "And living around my schedule? When I'm not with you all, I'm organizing troops, making laws, perfecting budgets...and all on my own these days, while my father watches me stumble in my own stupidity because I have none of his experience. And then, when I inevitably do things in a way he wouldn't, he goes and corrects my mistakes. And while I'm trying to do all this work, you-the girls, I mean-are all I can think about. I'm excited and terrified by the lot of you!" He was using his hands more than I'd ever seen, whipping them in the air and running them through his hair. "And you think my life isn't changing? What do you think my chances might be of finding a soul mate in the group of you? I'll be lucky if I can just find someone who'll be able to stand me for the rest of our lives. What if I've already sent her home because I was relying on some sort of spark I didn't feel? What if she's waiting to leave me at the first sign of adversity? What if I don't find anyone at all? What do I do then, America?" His speech had started out angered and impassioned, but by the end his questions weren't rhetorical anymore. He really wanted to know: What was he going to do if no one here was even close to being someone he could love? Though that didn't even seem to be his main concern; he was more worried that no one would love him. "Actually, Maxon, I think you will find your soul mate here. Honestly." "Really?" His voice charged with hope at my prediction. "Absolutely." I put a hand on his shoulder. He seemed to be comforted by that touch alone. I wondered how often people simply touched him. "If your life is as upside down as you say it is, then she has to be here somewhere. In my experience, true love is usually the most inconvenient kind.
Kiera Cass (The Selection (The Selection, #1))
Each person is born with an unencumbered spot, free of expectation and regret, free of ambition and embarrassment, free of fear and worry; an umbilical spot of grace where we were each first touched by God. It is this spot of grace that issues peace. Psychologists call this spot the Psyche, Theologians call it the Soul, Jung calls it the Seat of the Unconscious, Hindu masters call it Atman, Buddhists call it Dharma, Rilke calls it Inwardness, Sufis call it Qalb, and Jesus calls it the Center of our Love. To know this spot of Inwardness is to know who we are, not by surface markers of identity, not by where we work or what we wear or how we like to be addressed, but by feeling our place in relation to the Infinite and by inhabiting it. This is a hard lifelong task, for the nature of becoming is a constant filming over of where we begin, while the nature of being is a constant erosion of what is not essential. Each of us lives in the midst of this ongoing tension, growing tarnished or covered over, only to be worn back to that incorruptible spot of grace at our core. When the film is worn through, we have moments of enlightenment, moments of wholeness, moments of Satori as the Zen sages term it, moments of clear living when inner meets outer, moments of full integrity of being, moments of complete Oneness. And whether the film is a veil of culture, of memory, of mental or religious training, of trauma or sophistication, the removal of that film and the restoration of that timeless spot of grace is the goal of all therapy and education. Regardless of subject matter, this is the only thing worth teaching: how to uncover that original center and how to live there once it is restored. We call the filming over a deadening of heart, and the process of return, whether brought about through suffering or love, is how we unlearn our way back to God
Mark Nepo (Unlearning Back to God: Essays on Inwardness, 1985-2005)
I wrote the word: love. I did consider using another one. It's a curious notion, love; difficult to identify and define. There are so many degrees and variations. I could have contented myself with saying that I was smitten (and it is true that Thomas knew how to make me weaken), or infatuated (he could conquer, clatter, even bewitch like no one else), or obsessed (he often provoked a mixture of bewilderment and excitement, turning everything upside down), or seduced (once he caught me in his net, there was so no escaping), or taken with (I was stupidly joyful, I could heat up over nothing), or even blinded (anything that embarrassed me, I pushed to the side, minimizing his defects, putting his good qualities on a pedestal), or disturbed (no longer was I ever quite myself), which would have had less positive connotations. I could have explained it away as a mere affection, having a 'crush,' an explanation vague enough to mean anything. But those would just have been words. The truth, the brutal truth, was that I was in love. Enough to use the right word. All the same, I wondered if this could be a complete invention. As you already know, I invented stories all the time, with so much authenticity that people usually ended up believing me sometimes even I was no longer able to disentangle the true from the false). Could I have made this story up from scratch? Could I have turned an erotic obsession into a passion? Yes, it's possible.
Philippe Besson (Lie With Me)
Here was intellectual life, he thought, and here was beauty, warm and wonderful as he had never dreamed it could be. He forgot himself and stared at her with hungry eyes. Here was something to live for, to win to, to fight for—ay, and die for. The books were true. There were such women in the world. She was one of them. She lent wings to his imagination, and great, luminous canvases spread themselves before him whereon loomed vague, gigantic figures of love and romance, and of heroic deeds for woman’s sake—for a pale woman, a flower of gold. And through the swaying, palpitant vision, as through a fairy mirage, he stared at the real woman, sitting there and talking of literature and art. He listened as well, but he stared, unconscious of the fixity of his gaze or of the fact that all that was essentially masculine in his nature was shining in his eyes. But she, who knew little of the world of men, being a woman, was keenly aware of his burning eyes. She had never had men look at her in such fashion, and it embarrassed her. She stumbled and halted in her utterance. The thread of argument slipped from her. He frightened her, and at the same time it was strangely pleasant to be so looked upon. Her training warned her of peril and of wrong, subtle, mysterious, luring; while her instincts rang clarion-voiced through her being, impelling her to hurdle caste and place and gain to this traveller from another world, to this uncouth young fellow with lacerated hands and a line of raw red caused by the unaccustomed linen at his throat, who, all too evidently, was soiled and tainted by ungracious existence. She was clean, and her cleanness revolted; but she was woman, and she was just beginning to learn the paradox of woman.
Jack London (Martin Eden)
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
Alan Beck
Well, my dear sisters, the gospel is the good news that can free us from guilt. We know that Jesus experienced the totality of mortal existence in Gethsemane. It's our faith that he experienced everything- absolutely everything. Sometimes we don't think through the implications of that belief. We talk in great generalities about the sins of all humankind, about the suffering of the entire human family. But we don't experience pain in generalities. We experience it individually. That means he knows what it felt like when your mother died of cancer- how it was for your mother, how it still is for you. He knows what it felt like to lose the student body election. He knows that moment when the brakes locked and the car started to skid. He experienced the slave ship sailing from Ghana toward Virginia. He experienced the gas chambers at Dachau. He experienced Napalm in Vietnam. He knows about drug addiction and alcoholism. Let me go further. There is nothing you have experienced as a woman that he does not also know and recognize. On a profound level, he understands the hunger to hold your baby that sustains you through pregnancy. He understands both the physical pain of giving birth and the immense joy. He knows about PMS and cramps and menopause. He understands about rape and infertility and abortion. His last recorded words to his disciples were, "And, lo, I am with you always, even unto the end of the world." (Matthew 28:20) He understands your mother-pain when your five-year-old leaves for kindergarten, when a bully picks on your fifth-grader, when your daughter calls to say that the new baby has Down syndrome. He knows your mother-rage when a trusted babysitter sexually abuses your two-year-old, when someone gives your thirteen-year-old drugs, when someone seduces your seventeen-year-old. He knows the pain you live with when you come home to a quiet apartment where the only children are visitors, when you hear that your former husband and his new wife were sealed in the temple last week, when your fiftieth wedding anniversary rolls around and your husband has been dead for two years. He knows all that. He's been there. He's been lower than all that. He's not waiting for us to be perfect. Perfect people don't need a Savior. He came to save his people in their imperfections. He is the Lord of the living, and the living make mistakes. He's not embarrassed by us, angry at us, or shocked. He wants us in our brokenness, in our unhappiness, in our guilt and our grief. You know that people who live above a certain latitude and experience very long winter nights can become depressed and even suicidal, because something in our bodies requires whole spectrum light for a certain number of hours a day. Our spiritual requirement for light is just as desperate and as deep as our physical need for light. Jesus is the light of the world. We know that this world is a dark place sometimes, but we need not walk in darkness. The people who sit in darkness have seen a great light, and the people who walk in darkness can have a bright companion. We need him, and He is ready to come to us, if we'll open the door and let him.
Chieko N. Okazaki
Stop that Stuart," Patty said as Stuart struggled with the suitcases, which were too heavy for him, she thought. (Almost everything was way too heavy for Stuart.)" Just put those down. Besides," Patty said, "where will you go? You don't have anyplace to go." But Stuart took her hand and held it for a moment against his closed eyes, and despite the many occasions when Patty had wanted him to go, and the several occasions when she had tried to make him go, despite the fact that he was at his most enragingly pathetic, for once she could think of nothing, nothing at all that he could be trying to shame her into or shame her out of, and so it occurred to her that this he would really leave---that he was simply saying good-bye. All along, Patty had been unaware that time is as adhesive as love, and that the more time you spend with someone the greater the likelihood of finding yourself with a permanent sort of thing to deal with that people casually refer to as "friendship," as if that were the end of the matter,when the truth is that even if "your friend" does something annoying, or if you and "your friend" decided that you hate each other, or if "your friend" moves away and you lose each other's address, you still have a friendship, and although it can change shape, look different in different lights, become an embarrassment or an encumbrance or a sorrow, it can't simply cease to have existed, no matter how far into the past it sinks, so attempts to disavow or destroy it will not merely constitute betrayals of friendship but, more practically, are bound to be fruitless, causing damage only to the humans involved rather than to that gummy jungle(friendship)in which those humans have entrapped themselves, so if sometime in the future you're not going to want to have been a particular person's friend, or if you're not going to want to have had that particular friendship you and that person can make with one another, then don't be friends with that person at all, don't talk to that person, don't go anywhere near that person, because as soon as you start to see something from that person's point of view (which, inevitably, will be as soon as you stand next to that person) common ground is sure to slide under your feet.
Deborah Eisenberg (The Stories (So Far))
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))