Em Forster The Machine Stops Quotes

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You talk as if a god had made the Machine," cried the other. "I believe that you pray to it when you are unhappy. Men made it, do not forget that. Great men, but men. The Machine is much, but not everything.
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E.M. Forster (The Machine Stops)
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Man is the measure. That was my first lesson. Man's feet are the measure for distance, his hands are the measure for ownership, his body is the measure for all that is lovable and desirable and strong.
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E.M. Forster (The Machine Stops)
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Vashti was seized with the terrors of direct experience. She shrank back into the room, and the wall closed up again.
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E.M. Forster (The Machine Stops)
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Few travelled in these days, for, thanks to the advance of science, the earth was exactly alike all over. Rapid intercourse, from which the previous civilization had hoped so much, had ended by defeating itself. What was the good of going to Peking when it was just like Shrewsbury? Why return to Shrewsbury when it would all be like Peking? Men seldom moved their bodies; all unrest was concentrated in the soul.
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E.M. Forster (The Machine Stops)
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Night and day, wind and storm, tide and earthquake, impeded man no longer. He had harnessed Leviathan. All the old literature, with its praise of Nature, and its fear of Nature, rang false as the prattle of a child.
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E.M. Forster (The Machine Stops)
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And of course she had studied the civilization that had immediately preceded her own - the civilization that had mistaken the functions of the system, and had used it for bringing people to things, instead of for bringing things to people. Those funny old days, when men went for change of air instead of changing the air in their rooms!
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E.M. Forster (The Machine Stops)
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No one confessed the Machine was out of hand. Year by year it was served with increased efficiency and decreased intelligence. The better a man knew his own duties upon it, the less he understood the duties of his neighbor, and in all the world there was not one who understood the monster as a whole. Those master brains had perished.
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E.M. Forster (The Machine Stops)
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Let your ideas be second-hand, and if possible tenth-hand, for then they will be far removed from that disturbing element - direct observation. Do not learn anything about this subject of mine - the French Revolution. Learn instead what I think that Enicharmon thought Urizen thought Gutch thought Ho-Yung thought Chi-Bo-Sing thought Lafcadio Hearn thought Carlyle thought Mirabeau said about the French Revolution.
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E.M. Forster (The Machine Stops)
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Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives is the Machine? We created the Machine, to do our will, but we cannot make it do our will now. It has robbed us of the sense of space and of the sense of touch, it has blurred every human relation and narrowed down love to a carnal act, it has paralyzed our bodies and our wills, and now it compels us to worship it. The Machine develops - but not on our lies. The Machine proceeds - but not to our goal. We only exist as the blood corpuscles that course through its arteries, and if it could work without us, it would let us die.
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E.M. Forster (The Machine Stops)
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Man, the flower of all flesh, the noblest of all creatures visible, man who had once made god in his image, and had mirrored his strength on the constellations, beautiful naked man was dying, strangled in the garments that he had woven. Century after century had he toiled, and here was his reward. Truly the garment had seemed heavenly at first, shot with colours of culture, sewn with the threads of self-denial. And heavenly it had been so long as man could shed it at will and live by the essence that is his soul, and the essence, equally divine, that is his body.
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E.M. Forster (The Machine Stops)
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Man's feet are the measure for distance, his hands are the measure for ownership, his body is the measure for all that is lovable and desirable and strong.
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E.M. Forster (The Machine Stops)
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I want to see you not through the machine,' said Kuno. 'I want to speak to you not through the wearisome machine.
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E.M. Forster (The Machine Stops)
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Men seldom moved their bodies; all unrest was concentrated in the soul.
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E.M. Forster (The Machine Stops)
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And in time there will come a generation that has got beyond facts, beyond impressions, a generation absolutely colourless, a generation seraphically free from taint of personality, which will see the French Revolution not as it happened, nor as they would like it to have happened, but as it would have happened, had it taken place in the days of the Machine.
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E.M. Forster (The Machine Stops)
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Those funny old days, when men went for change of air instead of changing the air in their rooms! And
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E.M. Forster (The Machine Stops)
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They described the strange feeling of peace that came over them when they handled the Book of the Machine, the pleasure that it was to repeat certain numerals out of it, however little meaning those numerals conveyed to the outward ear, the ecstasy of touching a button, however unimportant, or of ringing an electric bell, however superfluously.
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E.M. Forster (The Machine Stops)
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The Machine hums! Did you know that? Its hum penetrates our blood, and may even guide our thoughts. Who knows! I was getting beyond its power.
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E.M. Forster (The Machine Stops)
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You only care about the things that you can use, and therefore arrange them in the following order: Money, supremely useful; intellect, rather useful; imagination, of no use at all.
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E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
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Learn instead what I think that Enicharmon thought Urizen thought Gutch thought Ho–Yung thought Chi–Bo–Sing thought LafcadioHearn thought Carlyle thought Mirabeau said about the French Revolution.
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E.M. Forster (The Machine Stops)
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To attribute these two great developments to the Central Committee, is to take a very narrow view of civilization. The Central Committee announced the developments, it is true, but they were no more the cause of them than were the kings of the imperialistic period the cause of war.
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E.M. Forster (The Machine Stops and Other Stories)
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In the dawn of the world our weakly must be exposed on Mount Taygetus, in its twilight our strong will suffer euthanasia, that the Machine may progress, that the Machine may progress, that the Machine may progress eternally.
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E.M. Forster (The Machine Stops)
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The clumsy system of public gatherings had been long since abandoned; neither Vashti nor her audience stirred from their rooms. Seated in her armchair she spoke, while they in their armchairs heard her, fairly well, and saw her, fairly well.
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E.M. Forster (The Machine Stops)
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Then she broke down, for with the cessation of activity came an unexpected terror β€”silence. She had never known silence, and the coming of it nearly killed her β€”it did kill many thousands of people outright. Ever since her birth she had been surrounded by the steady hum. It was to the ear what artificial air was to the lungs, and agonizing pains shot across her head. And scarcely knowing what she did, she stumbled forward and pressed the unfamiliar button, the one that opened the door of her cell.
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E.M. Forster (The Machine Stops)
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You, who have just crossed the Roof of the World, will not want to hear an account of the little hills that I saw β€” low, colorless hills. But to me they were living and the turf that covered them was a skin, under which their muscles rippled, and I felt that those hills had called with incalculable force to men in the past, and that men had loved them. Now they sleep β€” perhaps for ever. They commune with humanity in dreams.
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E.M. Forster (The Machine Stops)
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It is the vice of a vulgar mind to be thrilled by bigness, to think that a thousand square miles are a thousand times more wonderful than one square mile, and that a million square miles are almost the same as heaven. That is not imagination. No, it kills it.
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E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
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Then she generated the light, and the sight of her room, flooded with radiance and studded with electric buttons, revived her. There were buttons and switches everywhere – buttons to call for food for music, for clothing. There was the hot-bath button, by pressure of which a basin of (imitation) marble rose out of the floor, filled to the brim with a warm deodorized liquid. There was the cold-bath button. There was the button that produced literature. And there were of course the buttons by which she communicated with her friends. The room, though it contained nothing, was in touch with all that she cared for in the world.
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E.M. Forster (The Machine Stops)
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The second great development was the re-establishment of religion.
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E.M. Forster (The Machine Stops)
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Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives is the Machine? We created the Machine, to do our will, but we cannot make it do our will now. It has robbed us of the sense of space and of the sense of touch, it has blurred every human relation and narrowed down love to a carnal act, it has paralysed our bodies and our wills, and now it compels us to worship it. The Machine develops β€” but not on our lines. The Machine proceeds β€” but not to our goal. We only exist as the blood corpuscles that course through its arteries, and if it could work without us, it would let us die.
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E.M. Forster (The Machine Stops)
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By these days it was a demerit to be muscular. Each infant was examined at birth, and all who promised undue strength were destroyed. Humanitarians may protest, but it would have been no true kindness to let an athlete live; he would never have been happy in that state of life to which the Machine had called him; he would have yearned for trees to climb, rivers to bathe in, meadows and hills against which he might measure his body. Man must be adapted to his surroundings, must he not?
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E.M. Forster (The Machine Stops)
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You and I and the Wilcoxes stand upon money as upon islands. It is so firm beneath our feet that we forget its very existence. It's only when we see some one near us tottering that we realise all that an independent income means. Last night, when we were talking up here round the fire, I began to think that the very soul of the world is economic, and that the lowest abyss is not the absence of love, but the absence of coin.
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E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
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The imponderable bloom, declared by a discredited philosophy to be the actual essence of intercourse, was rightly ignored by the Machine, just as the imponderable bloom of the grape was ignored by the manufacturers of artificial fruit. Something "good enough" had long since been accepted by our race.
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E.M. Forster (The Machine Stops)
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At this she grew angry. β€˜I worship nothing!’ she cried. β€˜I am most advanced. I don’t think you irreligious, for there is no such thing as religion left. All the fear and the superstition that existed once have been destroyed by the Machine. I only meant that to find out a way of your own was----Besides, there is no new way out.
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E.M. Forster (The Machine Stops)
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Time passed, and they resented the defects no longer. The defects had not been remedied, but the human tissues in that latter day had become so subservient, that they readily adapted themselves to every caprice of the Machine. The sigh at the crises of the Brisbane symphony no longer irritated Vashti; she accepted it as part of the melody. The jarring noise, whether in the head or in the wall, was no longer resented by her friend. And so with the mouldy artificial fruit, so with the bath water that began to stink, so with the defective rhymes that the poetry machine had taken to emit. All were bitterly complained of at first, and then acquiesced in and forgotten. Things went from bad to worse unchallenged.
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E.M. Forster (The Machine Stops)
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We created the Machine, to do our will, but we cannot make it do our will now. It was robbed us of the sense of space and of the sense of touch, it has blurred every human relation... it has paralysed our bodies and our wills, and now it compels us to worship it... The Machine proceeds--but not to our goal.. if it could work without us, it would let us die
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E.M. Forster (The Machine Stops and Other Stories)
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Something 'good enough' had long since been accepted by our race.
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E.M. Forster (The Machine Stops)
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A funeral is not death, any more than baptism is birth or marriage union. All three are the clumsy devices,
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E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
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And in time’ – his voice rose – β€˜there will come a generation that had got beyond facts, beyond impressions, a generation absolutely colourless, a generation
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E.M. Forster (The Machine Stops)
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a feeling that terrestrial facts must be ignored, and that the abolition of respirators was a positive gain.
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E.M. Forster (The Machine Stops)
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Then she switched off her correspondents, for it was time to deliver her lecture on Australian music. The clumsy system of public gatherings had been long since abandoned; neither
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E.M. Forster (The Machine Stops)
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Few travelled in these days, for, thanks to the advance of science, the earth was exactly alike all over.
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E.M. Forster (The Machine Stops)
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there's never any great risk as long as you have money." "Oh, shame! What a shocking speech!" "Money pads the edges of things," said Miss Schlegel. "God help those who have none.
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E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
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La MΓ‘quina es mucho, pero no lo es todo. Ahora veo a algo que se parece a ti en esta placa, pero no te veo a ti. Oigo algo que se parece a ti en este telΓ©fono, pero no te oigo a ti.
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E.M. Forster (The Machine Stops)
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Actual life is full of false clues and sign-posts that lead nowhere. With infinite effort we nerve ourselves for a crisis that never comes. The most successful career must show a waste of strength that might have removed mountains, and the most unsuccessful is not that of the man who is taken unprepared, but of him who has prepared and is never taken. On a tragedy of that kind our national morality is duly silent. It assumes that preparation against danger is in itself a good, and that men, like nations, are the better for staggering through life fully armed.
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E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
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It occurred to him, as he glided over the whispering lagoons, that the power of Nature could not be shortened by the folly, nor her beauty altogether saddened by the misery of such as Leonard.
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E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
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Beware of first-hand ideas!” exclaimed one of the most advanced of them. β€œFirst-hand ideas do not really exist. They are but the physical impressions produced by love and fear, and on this gross foundation who could erect a philosophy? Let your ideas be second-hand, and if possible tenth-hand, for then they will be far removed from that disturbing element β€” direct observation. Do not learn anything about this subject of mine β€” the French Revolution.Learn instead what I think that Enicharmon thought Urizen thought Gutch thought Ho-Yung thought Chi-Bo-Sing thought Lafcadio Hearn thought Carlyle thought Mirabeau said about the French Revolution. Through the medium of these ten great minds, the blood that was shed at Paris and the windows that were broken at Versailles will be clarified to an idea which you may employ most profitably in your daily lives. But be sure that the intermediates are many and varied, for in history one authority exists to counteract another. Urizen must counteract the scepticism of Ho-Yung and Enicharmon, I must myself counteract the impetuosity of Gutch. You who listen to me are in a better position to judge about the French Revolution than I am. Your descendants will be even in a better position than you, for they will learn what you think I think, and yet another intermediate will be added to the chain. And in time” β€” his voice rose β€” β€œthere will come a generation that had got beyond facts, beyond impressions, a generation absolutely colourless, a generation β€˜seraphically free From taint of personality,’ which will see the French Revolution not as it happened, nor as they would like it to have happened, but as it would have happened, had it taken place in the days of the Machine.
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E.M. Forster (The Machine Stops)
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How dare Schlegels despise Wilcoxes, when it takes all sorts to make a world? "Don't brood too much," she wrote to Helen, "on the superiority of the unseen to the seen. It's true, but to brood on it is medieval. Our business is not to contrast the two, but to reconcile them.
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E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
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The Machine is much, but it is not everything. I see something like you in this plate, but I do not see you. I hear something like you through this telephone, but I do not hear you. That is why I want you to come. Pay me a visit, so that we can meet face to face, and talk about the hopes that are in my mind.
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E.M. Forster (The Machine Stops)
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Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives is the Machine? We created the Machine, to do our will, but we cannot make it do our will now. It has robbed us of the sense of space and of the sense of touch, it has blurred every human relation and narrowed down love to a carnal act, it has paralysed our bodies and our wills, and now it compels us to worship it. The Machine develops – but not on our lines. The Machine proceeds – but not to our goal. We only exist as the blood corpuscles that course through its arteries, and if it could work without us, it would let us die.
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E.M. Forster (The Machine Stops)
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Those who had long worshipped silently, now began to talk. They described the strange feeling of peace that came over them when they handled the Book of the Machine, the pleasure that it was to repeat certain numerals out of it, however little meaning those numerals conveyed to the outward ear, the ecstasy of touching a button, however unimportant, or of ringing an electric bell, however superfluously. "The Machine," they exclaimed, "feeds us and clothes us and houses us; through it we speak to one another, through it we see one another, in it we have our being. The Machine is the friend of ideas and the enemy of superstition: the Machine is omnipotent, eternal; blessed is the Machine.
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E.M. Forster (The Machine Stops)
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Time passed, and they resented the defects no longer. The defects had not been remedied, but the human tissues in the latter day had become so subservient, that they readily adapted themselves to every caprice of the Machine.....All were bitterly complained of at first, and then acquiesced in and forgotten. Things went from bad to worse unchallenged.
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E.M. Forster (The Machine Stops)
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They had all passed up that narrow, rich staircase at Wickham Place to some ample room, whither he could never follow them, not if he read for ten hours a day. Oh, it was no good, this continual aspiration. Some are born cultured; the rest had better go in for whatever comes easy. To see life steadily and to see it whole was not for the likes of him.
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E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
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And so with the mouldy artificial fruit, so with the bath water that began to stink, so with the defective rhymes that the poetry machine had taken to emit. All were bitterly complained of at first, and then acquiesced in and forgotten. Things went from bad to worse unchallenged. It was otherwise with the failure of the sleeping apparatus. That was a more serious stoppage.
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E.M. Forster (The Machine Stops)
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Creamos la MΓ‘quina para que actuase segΓΊn nuestra voluntad, pero ya no somos capaces de hacer que la MΓ‘quina se someta a ella. Nos ha robado el sentido del espacio y el sentido del tacto, ha disuelto las relaciones humanas y ha reducido el amor a un mero acto carnal, ha paralizado nuestros cuerpos y nuestra voluntad y ahora nos conmina a adorarla. La MΓ‘quina se desarrolla, pero no a nuestro servicio.
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E.M. Forster (The Machine Stops)
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The poor cannot always reach those whom they want to love, and they can hardly ever escape from those whom they love no longer. We rich can. Imagine the tragedy last June, if Helen and Paul Wilcox had been poor people, and couldn't invoke railways and motor-cars to part them." "That's more like Socialism," said Mrs. Munt suspiciously. "Call it what you like. I call it going through life with one's hand spread open on the table. I'm tired of these rich people who pretend to be poor, and think it shows a nice mind to ignore the piles of money that keep their feet above the waves. I stand each year upon six hundred pounds, and Helen upon the same, and Tibby will stand upon eight, and as fast as our pounds crumble away into the sea they are renewed--from the sea, yes, from the sea. And all our thoughts are the thoughts of six-hundred-pounders, and all our speeches; and because we don't want to steal umbrellas ourselves, we forget that below the sea people do want to steal them and do steal them sometimes, and that what's a joke up here is down there reality.
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E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
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But imagine the evenings," exclaimed her aunt, pointing to the Mansions with the spout of the watering can. "Turn the electric light on here or there, and it's almost the same room. One evening they may forget to draw their blinds down, and you'll see them; and the next, you yours, and they'll see you. Impossible to sit out on the balconies. Impossible to water the plants, or even speak. Imagine going out of the front-door, and they come out opposite at the same moment. And yet you tell me that plans are unnecessary, and you'd rather risk it." "I hope to risk things all my life.
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E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
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This long letter is because I'm writing before breakfast. Oh, the beautiful vine leaves! The house is covered with a vine. I looked out earlier, and Mrs. Wilcox was already in the garden. No wonder she sometimes looks tired. She was watching the large red poppies come out. Then she walked off the lawn to the meadow, whose corner to the right I can just see. Trail, trail, went her long dress over the sopping grass, and she came back with her hands full of the hay that was cut yesterday - I suppose for rabbits or something, as she kept on smelling it. The air here is delicious. Later on I heard the noise of croquet balls, and looked out again, and it was Charles Wilcox practising; they are keen on all games. Presently he started sneezing and had to stop. Then I hear more clicketing, and it is Mr. Wilcox practising, and then, "a-tissue, a-tissue": he has to stop too. Then Evie comes out, and does some calisthenic exercises on a machine that is tacked to a greengage-tree - they put everything to use - and then she says "a-tissue," and in she goes. And finally Mrs. Wilcox reappears, trail, trail, still smelling hay and looking at the flowers. I inflict all this on you because once you said that life is sometimes life and sometimes only a drama, and one must learn to distinguish t'other from which, and up to now I have always put that down as "Meg's clever nonsense.
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E.M. Forster (Howards End)
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By these days it was a demerit to be muscular. Each infant was examined at birth, and all who promised undue strength were destroyed. Humanitarians may protest, but it would have been no true kindness to let an athlete live; he would never have been happy in that state of life to which the Machine had called him; he would have yearned for trees to climb, rivers to bathe in, meadows and hills against which he might measure his body. Man must be adapted to his surroundings, must he not? In the dawn of the world our weakly must be exposed on Mount Taygetus, in its twilight our strong will suffer euthanasia, that the Machine may progress, that the Machine may progress, that the Machine may progress eternally.
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E.M. Forster (The Machine Stops)
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You know that we have lost the sense of space. We say β€œspace is annihilated”, but we have annihilated not space, but the sense thereof. We have lost a part of ourselves. I determined to recover it, and I began by walking up and down the platform of the railway outside my room. Up and down, until I was tired, and so did recapture the meaning of β€œNear” and β€œFar”. β€œNear” is a place to which I can get quickly on my feet, not a place to which the train or the air-ship will take me quickly. β€œFar” is a place to which I cannot get quickly on my feet; the vomitory is β€œfar”, though I could be there in thirty-eight seconds by summoning the train. Man is the measure. That was my first lesson. Man's feet are the measure for distance, his hands are the measure for ownership, his body is the measure for all that is lovable and desirable and strong. ...Man is the measure.
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E.M. Forster
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Paul and his mother, ripple and great wave, had flowed into her life and ebbed out of it for ever. The ripple had left no traces behind; the wave had strewn at her feet fragments torn from the unknown. A curious seeker, she stood for a while at the verge of the sea that tells so little, but tells a little, and watched the outgoing of this last tremendous tide. Her friend had vanished in agony, but not, she believed, in degradation. Her withdrawal had hinted at other things besides disease and pain. Some leave our life with tears, others with an insane frigidity; Mrs. Wilcox had taken the middle course, which only rarer natures can pursue. She had kept proportion. She had told a little of her grim secret to her friends, but not too much; she had shut up her heart--almost, but not entirely. It is thus, if there is any rule, that we ought to die--neither as victim nor as fanatic, but as the seafarer who can greet with an equal eye the deep that he is entering, and the shore that he must leave.
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E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
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Man, the flower of all flesh, the noblest of all creatures visible, man who had once made god in his image, and had mirrored his strength on the constellations, beautiful naked man was dying, strangled in the garments that he had woven. β€”E.M. Forster, The Machine Stops (1909)
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Shannon Vallor (The AI Mirror: How to Reclaim Our Humanity in an Age of Machine Thinking)