Elysian Fields Quotes

They told me to take a streetcar named Desire and then transfer to one called Cemeteries and ride six blocks and get off at - Elysian Fields!

Nothing remains but desire, and desire comes howling down Elysian Fields like a mistral.

Claire "The Elysian Fields Guest House? Why didn't he just call it the Vestibule to Hell?" Dean "Because that would be bad for business?" From Summon the Keeper

I long ago became convinced that the most reliable source for arcane and obscure and seemingly unobtainable information does not lie with the government or law enforcement agencies. Apparently neither the CIA nor the military intelligence apparatus inside the Pentagon had even a slight inkling of the Soviet Union's impending collapse, right up to the moment the Kremlin's leaders were trying to cut deals for their memoirs with New York publishers. Or, if a person really wishes a lesson in the subjective nature of official information, he can always call the IRS and ask for help with his tax forms, then call back a half hour later and ask the same questions to a different representative. So where do you go to find a researcher who is intelligent, imaginative, skilled in the use of computers, devoted to discovering the truth, and knowledgeable about science, technology, history, and literature, and who usually works for dirt and gets credit for nothing? After lunch I drove to the city library on Main and asked the reference librarian to find what she could on Junior Crudup.

Keeping up with him would require running, and there is no dignity in running after any man for any reason, injured or not.

Faith, to my mind, is a stiffening process, a sort of mental starch, which ought to be applied as sparingly as possible. I dislike the stuff. I do not believe in it, for its own sake, at all... My lawgivers are Erasmus and Montaigne, not Moses and St Paul. My temple stands not upon Mount Moriah but in the Elysian Field where even the immoral are admitted. My motto is 'Lord, I disbelieve — help thou my unbelief.

In the stillness of my mind , I surrender to a place I call "my own"....Where everything that I see ,is real ,and every thing that I don't ,doesn't exist! Yet , in that very stillness I find my mind drifting in search of solace and when I open my eyes ,I find myself in the Elysian Fields of my existence !

T IME'S a circumference Whereof the segment of our station seems A long straight line from nothing into naught. Therefore we say " progress, " " infinity " — Dull words whose object Hangs in the air of error and delights Our boyish minds ahunt for butterflies. For aspiration studies not the sky But looks for stars; the victories of faith Are soldiered none the less with certainties, And all the multitudinous armies decked With banners blown ahead and flute before March not to the desert or th' Elysian fields, But in the track of some discovery, The grip and cognizance of something true, Which won resolves a better distribution Between the dreaming mind and real truth. I cannot understand you. 'T is because You lean over my meaning's edge and feel A dizziness of the things I have not said.

We'd all mourn for a while, but at the end of the day we were a tough lot, and we'd survive.

They told me to take a street-car named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at—Elysian Fields!

The beauty of cathedrals, churches, marriage, heaven and the Elysian fields will forever be ingrained in my head as the beauty these eyes lost the chance to see but the beauty of the poppy fields near the French countryside will forever be the one my eyes will never regret witnessing.

Her degree at least that of Princess, for she is my Queen and mistress; her beauty superhuman, for in her are realized all the impossible and chimerical attributes of beauty which poets give to their ladies; that her hair is gold; her forehead the Elysian fields; her eyebrows rainbows; her eyes suns; her cheeks roses; her lips coral; her teeth pearls; her neck alabaster; her breast marble; her hands ivory; she is white as snow; and those parts which modesty has veiled from human sight are such, I think and believe, that discreet reflection can extol them, but make no comparison.

I arrived always at the same, disquieting place: the history of Western exploration in the New World in every quarter is a confrontation with an image of distant wealth. Gold, furs, timber, whales, the Elysian Fields, the control of trade routes to the Orient—it all had to be verified, acquired, processed, allocated, and defended. And these far-flung enterprises had to be profitable, or be made to seem profitable, or be financed until they were. The task was wild, extraordinary. And it was complicated by the fact that people were living in North America when we arrived. Their title to the wealth had to be extinguished.

As to her rank, she should be at the very least a princess, seeing that she is my lady and my queen. Her beauty is superhuman, for in it are realized all the impossible and chimerical attributes that poets are accustomed to give their fair ones. Her locks are golden, her brow the Elysian Fields, her eyebrows rainbows, her eyes suns, her cheeks roses, her lips coral, her teeth pearls, her neck alabaster, her bosom marble, her hands ivory, her complexion snow-white. As for those parts which modesty keeps covered from the human sight, it is my opinion that, discreetly considered, they are only to be extolled and not compared to any other.

The fight wasn’t over,” I said through gritted teeth. “I’d have won it.” Probably. “Right,” he said. “And something just flew past your window. It was oinking.

We’re going to call him Mr. Adorable. No, we’re going to call him Snuggs,

her rank must be at least that of a princess, since she is my queen and lady, and her beauty superhuman, since all the impossible and fanciful attributes of beauty which the poets apply to their ladies are verified in her; for her hairs are gold, her forehead Elysian fields, her eyebrows rainbows, her eyes suns, her cheeks roses, her lips coral, her teeth pearls, her neck alabaster, her bosom marble, her hands ivory, her fairness snow, and what modesty conceals from sight such,

her name is Dulcinea, her kingdom, Toboso, which is in La Mancha, her condition must be that of princess, at the very least, for she is my queen and lady, and her beauty is supernatural, for in it one finds the reality of all the impossible and chimerical aspects of beauty which poets attribute to their ladies: her tresses are gold, her forehead Elysian fields, her eyebrows the arches of heaven, her eyes suns, her cheeks roses, her lips coral, her teeth pearls, her neck alabaster, her bosom marble, her hands ivory, her skin white as snow, and the parts that modesty hides from human eyes are such, or so I believe and understand, that the most discerning consideration can only praise them but not compare them.

Only last Sunday, when poor wretches were gay—within the walls playing with children among the clipped trees and the statues in the Palace Garden; walking, a score abreast, in the Elysian Fields, made more Elysian by performing dogs and wooden horses; between whiles filtering (a few) through the gloomy Cathedral of Our Lady to say a word or two at the base of a pillar within flare of a rusty little gridiron-full of gusty little tapers; without the walls encompassing Paris with dancing, love-making, wine-drinking, tobacco-smoking, tomb-visiting, billiard card and domino playing, quack-doctoring, and much murderous refuse, animate and inanimate—only last Sunday, my Lady, in the desolation of Boredom and the clutch of Giant Despair, almost hated her own maid for being in spirits. She cannot, therefore, go too fast from Paris. Weariness of soul lies before her, as it lies behind—her Ariel has put a girdle of it round the whole earth, and it cannot be unclasped—but the imperfect remedy is always to fly from the last place where it has been experienced. Fling Paris back into the distance, then, exchanging it for endless avenues and cross-avenues of wintry trees! And, when next beheld, let it be some leagues away, with the Gate of the Star a white speck glittering in the sun, and the city a mere mound in a plain—two dark square towers rising out of it, and light and shadow descending on it aslant, like the angels in Jacob's dream!

I cannot say positively whether my sweet enemy is pleased or not that the world should know I serve her; I can only say in answer to what has been so courteously asked of me, that her name is Dulcinea, her country El Toboso, a village of La Mancha, her rank must be at least that of a princess, since she is my queen and lady, and her beauty superhuman, since all the impossible and fanciful attributes of beauty which the poets apply to their ladies are verified in her; for her hairs are gold, her forehead Elysian fields, her eyebrows rainbows, her eyes suns, her cheeks roses, her lips coral, her teeth pearls, her neck alabaster, her bosom marble, her hands ivory, her fairness snow, and what modesty conceals from sight such, I think and imagine, as rational reflection can only extol, not compare.

When a p-person dies, they g-go to the underworld where they’ll b-be judged on their lives and s-s-sent to either the Elysian F-Fields, which is like h-heaven, I sup-suppose. The river of for-forgetfulness, Lethe, where a soul d-drinks to forget their l-life, enabling them to be re-reborn. Or if a soul has l-lived a b-bad life, they’d be sent to T-Tartarus, which is like what y-you think of as Hell, the worst p-place p-possible. Hades r-rules over the whole thing, m-making sure it all g-goes r-right.

You're wicked - nothing but a wicked woman! The scrawniest cat in the stable looks after her young better than you. Why don't you think of him? He's little . . . What does he know of the world and of death? What's he thinking while you're lying hrere like a statue, weeping and wailing? Anyone would think you were the first widow in the history of the world and that no one had ever lost a husband before. Well, you aren't. What you are is selfish and lazy, and if Hector can see you from the Elysian Fields, he'll be in torment at the way you're treating his child. His child. The moment he's dead, the moment he's no longer here, you change completely. Where's the old Andromache? I know it's not my place, but you've been the only mother I ever knew, and how do you think I feel, when you push me away and won't talk to me, and won't listen, and won't let me hold you when you cry? I feel useless and stupid and I wish I could leave this sad place and go back to the Blood Room. There at least they have the kind of wounds I know how to do something about . . .

Sic Vita I am a parcel of vain strivings tied By a chance bond together, Dangling this way and that, their links Were made so loose and wide, Methinks, For milder weather. A bunch of violets without their roots, And sorrel intermixed, Encircled by a wisp of straw Once coiled about their shoots, The law By which I'm fixed. A nosegay which Time clutched from out Those fair Elysian fields, With weeds and broken stems, in haste, Doth make the rabble rout That waste The day he yields. And here I bloom for a short hour unseen, Drinking my juices up, With no root in the land To keep my branches green, But stand In a bare cup. Some tender buds were left upon my stem In mimicry of life, But ah! the children will not know, Till time has withered them, The woe With which they're rife. But now I see I was not plucked for naught, And after in life's vase Of glass set while I might survive, But by a kind hand brought Alive To a strange place. That stock thus thinned will soon redeem its hours, And by another year, Such as God knows, with freer air, More fruits and fairer flowers Will bear, While I droop here.

He (the immigrant father) would walk by proxy in the Elysian fields of liberal learning.

Saturday, September 17, 2005: Today in New Orleans, a traffic light worked. Someone watered flowers. And anyone with the means to get online could have heard Dr. Joy’s voice wafting in the dry wind, a sound of grace, comfort and familiarity here in the saddest and loneliest place in the world.” Chris Rose, The Times-Picayune

I always hated it when TV reporters stuck a microphone in the faces of people who'd just lost a home or a loved one, wanting to know how they felt. They felt like shit. They hurt, and they didn't know how they were going to get through the night. They wanted to scream and cry and hit the guy with the microphone.

In the early centuries Rome’s dead had been cremated; now, usually, they were buried, though some obstinate conservatives preferred combustion. In either case, the remains were placed in a tomb that became an altar of worship upon which pious descendants periodically placed some flowers and a little food. Here, as in Greece and the Far East, the stability of morals and society was secured by the worship of ancestors and by the belief that somewhere their spirits survived and watched. If they were very great and good, the dead, in Hellenized Roman mythology, passed to the Elysian Fields, or the Islands of the Blessed; nearly all, however, descended into the earth, to the shadowy realm of Orcus and Pluto. Pluto, the Roman form of the Greek god Hades, was armed with a mallet to stun the dead; Orcus (our ogre) was the monster who then devoured the corpse. Because Pluto was the most exalted of the underground deities, and because the earth was the ultimate source of wealth and often the repository of accumulated food and goods, he was worshiped also as the god of riches and plutocrats; and his wife Proserpina—the strayed daughter of Ceres—became the goddess of the germinating corn. Sometimes the Roman Hell was conceived as a place of punishment;72 in most cases it was pictured as the abode of half-formless shades that had been men, not distinguished from one another by reward or punishment, but all equally suffering eternal darkness and final anonymity. There at last, said Lucian, one would find democracy.73

His spirit was sweeping like the wind over Elysian Fields and flashing into point after point on celestial quail.

Or is it because he believes that God himself is present here at the corner of Elysian Fields and Bons Enfants?

Persephone is staring at herself in the mirror. Persephone is staring at her younger self in the mirror. A girl in a meadow. Like a ghost or a dream. Close enough to touch. Persephone drops her torches and reaches her hand through the mirror, feels the familiar breeze of the Elysian Fields, smells the flowers of the dead. She takes the girl’s hand. “You still have so much life in front of you,” Persephone says. She feels a tinge of jealousy but she doesn’t speak it. “You’re going to be amazing.” “It’s time for me to leave now, isn’t it?” the girl asks. Persephone nods solemnly. The girl sulks. She turns her back to the mirror, eyes searching for the path home. “One thing before you go,” Persephone says. She steps out into the sun, onto the field, wild hair and black robes billowing behind her. She pulls the girl tightly to her chest. I love you. And I miss you. And I will be missing you forever, girl.

that their shades would find their way underground to a comfortable pitch in the Elysian Fields,

That's a hole in the dike, isn't it?

Most of the guys who did us dirt are gone. I let it be known that I'm not in the OK Corral business anymore. It makes life a lot easier.

The few, so cleans’d, to these abodes repair,’ ” he finally said in a quiet voice. “ ‘And breathe, in ample fields, the soft Elysian air. Then are they happy, when by length of time, The scurf is worn away of each committed crime; No speck is left of their habitual stains, But the pure ether of the soul remains.

In your care I will be released from my worries” (CIL 11.137). In a few brief sentences, this man’s colorful life, during which he passed from freedom to slavery to freedom and ultimately to prosperity, is memorialized. An aspect of life that these tombstones bring to light is the strong emotions that tied together spouses, family members, and friends. One grave marker records a husband’s grief for his young wife: “To the eternal memory of Blandina Martiola, a most blameless girl, who lived eighteen years, nine months, five days. Pompeius Catussa, a Sequanian citizen and a plasterer, dedicates this monument to his wife, who was incomparable and very kind to him. She lived with him five years, six months, eighteen days without any shadow of a fault. You who read this, go bathe in the baths of Apollo as I used to do with my wife. I wish I still could” (CIL 1.1983). The affection that some parents felt for their children is also reflected in these inscriptions: “Spirits who live in the underworld, lead innocent Magnilla through the groves and the Elysian Fields directly to your places of rest. She was snatched away in her eighth year by cruel fate while she was still enjoying the tender time of childhood. She was beautiful and sensitive, clever, elegant, sweet, and charming beyond her years. This poor child who was deprived of her life so quickly must be mourned with perpetual lament and tears” (CIL 6.21846). Some Romans seemed more concerned with ensuring that their bodies would lie undisturbed after death than with recording their accomplishments while alive. An inscription of this type states: “Gaius Tullius Hesper had this tomb built for himself, as a place where his bones might be laid. If anyone damages them or removes them from here, may he live in great physical pain for a long time, and when he dies, may the gods of the underworld deny entrance to his spirit” (CIL 6.36467). Some tombstones offer comments that perhaps preserve something of their authors’ temperaments. One terse inscription observes: “I was not. I was. I am not. I care not” (CIL 5.2893). Finally, a man who clearly enjoyed life left a tombstone that included the statement: “Baths, wine, and sex ruin our bodies. But what makes life worth living except baths, wine, and sex?” (CIL 6.15258). Perhaps one of the greatest values of these tombstones is the manner in which they record the actual feelings of individuals, and demonstrate the universality across time, cultures, and geography of basic emotions such as love, hate, jealousy, and pride. They also preserve one of the most complicated yet subtle characteristics of human beings—our enjoyment of humor. Many of the messages were plainly drafted to amuse and entertain the reader, and the fact that some of them can still do so after 2,000 years is one of the best testimonials to the humanity shared by the people of the ancient and the modern worlds.

A large lantern appeared in one of Charun's hands. It glowed, illuminating him, me, and the immediate area. I saw him all the better for it, a tall rangy man, dressed in black jeans and a black and red plaid western shirt. He also wore snakeskin cowboy boots. Never had I imagined Charun, the Ferryman of the River Styx, dressed like that. He should be riding off into the sunset; not ferrying souls to the Elysian Fields.

The neural-channeling devices attached to your head allow access to the temporal lobe . . . you can have anything you’d like. You have but to imagine it. This is, for the time being, your Elysian Fields. Endorphins and oxytocins, the psychological roots for contentment and pleasure, are released in any manner of ways: drink, drugs, pain, exercise or . . . orgasm.

But every longtime cop will tell you that the criminals who scared him most were the ones who looked and talked like the rest of us and committed deeds that no one, absolutely no one, ever wants to have knowledge of.

I drove to the bar Theodosha had called from and parked on the street. The bar was a gray, dismal place, ensconced like a broken matchbox under a dying oak tree, its only indication of gaiety a neon beer sign that flickered in one window. She was at a table in back, the glow of the jukebox lighting her face and the deep blackness of her hair. She tipped a collins glass to her mouth, her eyes locked on mine. “Let me take you home,” I said. “No, thanks,” she replied. “Getting swacked?” “Merchie and I had another fight. He says he can’t take my pretensions anymore. I love the word ‘pretensions.’” “That doesn’t mean you have to get drunk,” I said. “You’re right. I can get drunk for any reason I choose,” she replied, and took another hit from the glass. Then she added incongruously, “You once asked Merchie what he was doing in Afghanistan. The answer is he wasn’t in Afghanistan. He was in one of those other God-forsaken Stone Age countries to the north, helping build American airbases to protect American oil interests. Merchie says they’re going to make a fortune. All for the red, white, and blue.” “Who is they?” But her eyes were empty now, her concentration and anger temporarily spent. I glanced at the surroundings, the dour men sitting at the bar, a black woman sleeping with her head on a table, a parolee putting moves on a twenty-year-old junkie and mother of two children who was waiting for her connection. These were the people we cycled in and out of the system for decades, without beneficial influence or purpose of any kind that was detectable. “Let’s clear up one thing. Your old man came looking for trouble at the club today. I didn’t start it,” I said. “Go to a meeting, Dave. You’re a drag,” she said. “Give your guff to Merchie,” I said, and got up to leave. “I would. Except he’s probably banging his newest flop in the hay. And the saddest thing is I can’t blame him.” “I think I’m going to ease on out of this. Take care of yourself, kiddo,” I said. “Fuck that ‘kiddo’ stuff. I loved you and you were too stupid to know it.” I walked back outside into a misting rain and the clean smell of the night. I walked past a house where people were fighting behind the shades. I heard doors slamming, the sound of either a car backfiring or gunshots on another street, a siren wailing in the distance. On the corner I saw an expensive automobile pull to the curb and a black kid emerge from the darkness, wearing a skintight bandanna on his head. The driver of the car, a white man, exchanged money for something in the black kid’s hand. Welcome to the twenty-first century, I thought. I opened my truck door, then noticed the sag on the frame and glanced at the right rear tire. It was totally flat, the steel rim buried deep in the folds of collapsed rubber. I dropped the tailgate, pulled the jack and lug wrench out of the toolbox that was arc-welded to the bed of the truck, and fitted the jack under the frame. Just as I had pumped the flat tire clear of the puddle it rested in, I heard footsteps crunch on the gravel behind me. Out of the corner of my eye, I saw a short, thick billy club whip through the air. Just before it exploded across the side of my head, my eyes seemed to close like a camera lens on a haystack that smelled of damp-rot and unwashed hair and old shoes. I was sure as I slipped into unconsciousness that I was inside an ephemeral dream from which I would soon awake.

And beyond the Elysian Fields and the Garden of Eden I will look for the path that leads to your heart.

You hate rich people, Dave.

New Orleans wasn't a city. It was an outdoor mental asylum located on top of a giant sponge.

Jolie Blon,” the most haunting and unforgettable lament I have ever heard.

past Louis Armstrong Park, a place no white person in his right mind enters either day or night,

From the heights of Olympus, Aesculapius contemplated the miseries of the human condition. Out of mercy, he granted men divine knowledge of the art of medicine, to give dignity to the indignity of mortality. He repeated tirelessly: let no one be hurt, for his mortal workers, believing themselves to be gods, would adorn themselves in temples of blood, bones and flesh. At the end, he begged the bards to sing to the workers about the importance of the good and forgotten medical philosophy that precedes the intervention. They went mad, said Aesculapius, because they hid the rustic foundations of the temple only to highlight the beauty of the perfect forms of the upper parts. The divinity went mad and cried out from the Elysian Fields, together with Socrates: They place the supposed and false objectivity and supposed perfection of the method before the sovereignty of doubt, methodical and providential. If it were otherwise, we would still have to believe in myths and in the method.

You belong with me. In the Elysian Fields with Aether or the depths of Tartarus with Kaohs—you will always be mine. Always.

The word criminal is more an emotional than legal term. Go to any U.S. post office and view the faces on the wanted posters. Like Dick Tracy caricatures, they stare out of the black-and-white photographs often taken in late-night booking rooms—unshaved, pig snouted, rodent eyed, hare lipped, reassuring us that human evil is always recognizable and that consequently we will never be its victim. But

But every longtime cop will tell you that the criminals who scared him most were the ones who looked and talked like the rest of us and committed deeds that no one, absolutely no one, ever wants to have knowledge of. Five