Elvis Sayings And Quotes

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I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck. I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods (American Gods, #1))
If the gospel isn't good news for everybody, then it isn't good news for anybody. And this is because the most powerful things happen when the church surrenders its desire to convert people and convince them to join. It is when the church gives itself away in radical acts of service and compassion, expecting nothing in return, that the way of Jesus is most vividly put on display. To do this, the church must stop thinking about everybody primarily in categories of in or out, saved or not, believer or nonbeliever. Besides the fact that these terms are offensive to those who are the "un" and "non", they work against Jesus' teachings about how we are to treat each other. Jesus commanded us to love our neighbor, and our neighbor can be anybody. We are all created in the image of God, and we are all sacred, valuable creations of God. Everybody matters. To treat people differently based on who believes what is to fail to respect the image of God in everyone. As the book of James says, "God shows no favoritism." So we don't either.
Rob Bell
It's the damage that we do and never know. It's the words that we don't say that scare me so.
Elvis Costello
Adults always wonder what to say and how to say it when they're talking to a child. You want to be wise, but all you are is a child yourself in a larger body. Nothing is ever what it seems. The things that you think you know are never certain. I know that now. I wish that I didn't, but I do.
Robert Crais (The Last Detective (Elvis Cole, #9))
She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.
Bret Easton Ellis (Less Than Zero)
[The Bible] has to be interpreted. And if it isn’t interpreted, then it can’t be put into action. So if we are serious about following God, then we have to interpret the Bible. It is not possible to simply do what the Bible says. We must first make decisions about what it means at this time, in this place, for these people.
Rob Bell (Velvet Elvis: Repainting the Christian Faith)
Woss the matter with you?” asked Big Ted, irritably. “Go on. Press ‘D.’ Elvis Presley died in 1976.” I DON’T CARE WHAT IT SAYS, said the tall biker in the helmet, I NEVER LAID A FINGER ON HIM.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
I am the foremost collector of velvet Elvii in the city of Chicago," I said at once. "Elvii?" Marcone inquired. "The plural would be Elvises, I guess," I said. "But if I say that too often, I start muttering to myself and calling things 'my precious,' so I usually go with the Latin plural.
Jim Butcher (Death Masks (The Dresden Files, #5))
Could it be that God was an extra-terrestrial? What do we mean when we say that heaven is in the clouds? From Jesus Christ to Elvis Presley, every culture tells us of high-flying bird men who zoom around the world creating magnificent works of art and choosing willing followers to share in the eternal glory from beyond the stars. Can all these related phenomena merely be dismissed as coincidence?
Erich von Däniken (Chariots of The Gods)
TAKING CARE OF BUSINESS...guess Elvis use to say it alot and had necklaces made with initials TCB
Elvis Presley
Wise men say, only fools rush in. But I can't help, falling in love with you.
Elvis Presley
But it's easier to say 'I love you', than 'Yours, sincerely' I suppose.
Elvis Costello
Body Electric" Elvis is my daddy, Marilyn’s my mother, Jesus is my bestest friend. We don’t need nobody 'Cause we got each other, Or at least I pretend. We get down every Friday night, Dancin’ and grindin’ in the pale moonlight. Grand Ole Opry, we're feelin’ alright, Mary prays the rosary for my broken mind. (I said don't worry about it) [Chorus:] I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. Whitman is my daddy, Monaco’s my mother, Diamonds are my bestest friend. Heaven is my baby, suicide’s her father, Opulence is the end. We get down every Friday night, Dancin’ and grindin’ in the pale moonlight. Grand Ole Opry, we're feelin’ alright, Mary prays the rosary for my broken mind. (I said don't worry about it) [Chorus:] I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. My clothes still smell like you, And all the photographs say you’re still young. I pretend I’m not hurt And go about the world like I’m havin’ fun. We get crazy every Friday night, Drop it like it’s hot in the pale moonlight. Grand Ole Opry, feelin' all right Mary's swayin’ softly to her heart's delight. I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. I sing the body electric, baby. I sing the body electric, baby. I sing the body electric, baby.
Lana Del Rey
I remember the revelation it was to me when I realized I'd rather be smart in the way Elvis Presley was than in the way, say, Ludwig Wittgenstein was. The thing was, you could imagine you could be smart like Wittgenstein by just thinking hard enough, but Elvis just had it. It was almost spiritual. A kind of grace.
Richard Hell
Sometimes I wish that I could stop you from talking, when I hear the silly things that you say.
Elvis Costello
Freedom of speech means you can say whatever you want. What you can't do is lie and expect not to be held accountable for it. Not all opinions are equal. And some things happened, just like we say they do. Slavery happened, the Black Death happened. The Earth is round, the ice caps are melting, and Elvis is not alive.
-Deborah Lipstadt, Denial: Holocaust History on Trial
Every second we have with these fine animals is a blessing. No creature, human or otherwise, will love you with such devotion, or trust you so fully. Remember this, Officer James. These dogs will lay their precious hearts bare to you, and hold back no part for themselves. Can anyone else in your pathetic excuse for a life say the same? Such trust is a gift from God Almighty above, so best you be worthy.
Robert Crais (The Promise (Elvis Cole, #16; Joe Pike, #5; Scott James & Maggie, #2))
I was watching while you're dancing away, our love got fractured in the echo and sway. How come everybody wants to be your friend? You know that it still hurts me just to say it.
Elvis Costello
The jukebox changed to Elvis’s “Don’t Be Cruel,” and Tinsley smiled her patented Carmichael smile, the one that seemed to say, I’m holding all the cards, but be honored that I’ve let you play.
Cecily von Ziegesar (Lucky (It Girl, #5))
I hear they're givin' you a bad reputation just because you've never been denied. You try to say you've done it all before, baby, you know that you just get tired. Yet everybody loves you so much, girl, I just don't know how you stand the strain. Oh, I, I'm the one who's here tonight, and I don't wanna do it all in vain.
Elvis Costello
Though many strive to hide their human libidinousness from themselves and each other, being a force of nature, it breaks through. Lots of uptight, proper Americans were scandalized by the way Elvis moved his hips when he sang "rock and roll." But how many realized what the phrase rock and roll meant? Cultural historian Michael Ventura, investigating the roots of African-American music, found that rock 'n' roll was a term that originated in the juke joints of the South. Long in use by the time Elvis appeared, Ventura explains the phrase "hadn't meant the name of a music, it meant 'to fuck.' 'Rock,' by itself, has pretty much meant that, in those circles, since the twenties at least." By the mid-1950s, when the phrase was becoming widely used in mainstream culture, Ventura says the disc jockeys "either didn't know what they were saying or were too sly to admit what they knew.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
Is this man your hunka hunka burning love?” Elvis asked. Myrna laughed. “I’ll say.” “Does this woman have you all shook up?” Elvis asked. Brian grinned. “Yeah, she does.
Olivia Cunning (Sinners at the Altar (Sinners on Tour, #6))
Pigeon?” “Yeah?” A few moments passed, and then he sighed. “Nothing.” Travis hesitated. “I can’t shake this feeling,” he said under his breath. “What do you mean? Like a bad feeling?” I said, suddenly nervous. He turned to me with concern in his eyes, “I have this crazy feeling that once we get home, I’m going to wake up. Like none of this was real.” I slid my arms around his waist, running my hands up the lean muscles of his back. “Is that what you’re worried about?” He looked down to his wrist, and then glanced to the thick silver band on his left finger. “I just can’t shake the feeling that the bubble’s going to burst, and I’m going to be lying in my bed alone, wishing you were there with me.” “I don’t know what I’m going to do with you, Trav! I’ve dumped someone for you—twice—I’ve picked up and went to Vegas with you—twice—I’ve literally gone through hell and back, married you and branded myself with your name. I’m running out of ideas to prove to you that I’m yours.” A small smile graced his lips. “I love it when you say that.” “That I’m yours?” I asked. I leaned up on the balls of my feet, pressing my lips against his. “I. Am. Yours. Mrs. Travis Maddox, forever and always.” His small smile faded as he looked at the boarding gate and then down to me. “I’m gonna fuck it up, Pigeon. You’re gonna get sick of my shit.” I laughed. “I’m sick of your shit, now. I still married you.” “I thought once we got married, that I’d feel a little more reassured about losing you. But I feel like if I get on that plane….” “Travis? I love you. Let’s go home.” His eyebrows pulled in. “You won’t leave me, right? Even when I’m a pain in the ass?” “I vowed in front of God…and Elvis…that I wouldn’t, didn’t I?” His frown lightened a bit. “This is forever?” One corner of my mouth turned up. “Would it make you feel better if we made a wager?” “What kind of husband would I be if I bet against my own marriage?” I smiled. “The stupid kind. Didn’t you listen to your dad when he told you not to bet against me?” He raised an eyebrow. “So you’re that sure, huh? You’d bet on it?” I wrapped my arms around his neck and smiled against his lips. “I’d bet my first born. That’s how sure I am.” And then the peace returned. “You can’t be that sure,” he said, the anxiousness absent from his voice. I raised an eyebrow, and my mouth pulled to one side. “Wanna bet?
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
During the Cold War of the 1950s, American spies were issued eyeglasses with thick, clunky frames. If captured, they were trained to casually chew the curved earpieces, where fatal doses of cyanide were cast inside the plastic. It's these same horn-rimmed suicide glasses, the wrangler says, that inspired the look of Buddy Holly and Elvis Costello. All those young hipsters wearing death on their nose.
Chuck Palahniuk (Snuff)
I looked like an ad for Banana Republic. Maybe Banana Republic would give me a job. They could put my picture in their little catalog and under it they could say: Elvis Cole, famous detective, outfitted for his latest adventure in rugged inner-city climes!
Robert Crais (Stalking The Angel (Elvis Cole, #2))
You’re the only woman for me, Mariya. I’ve waited patiently while building my empire, and now that I’m the head of –” I catch myself before saying Italian mafia in front of Elvis. “Now that I’m at the top, there’s only one thing missing from my life.” I step closer to her as I admit, “You.” My thumb brushes over the diamond on her finger. “Everything I have, everything I am, is yours, Mariya.
Michelle Heard (Chosen By A Sinner (Sinners #4))
If you threw Elvis and a scarecrow in a blender, topped the whole thing off with Seagram's 7 and pressed dice, you would make my dad. He's got tar black hair and shoulder blades that cut through his undershirt like clipped wings. He looks like a gray-skinned, skinny-rat cowboy and I would be lying if I didn't say that I am, maybe sorta kinda, keep it secret, in love with him. And you would be, too, you would, if you met him before drink number five or six. Just meet him then. Get lost before things get ugly.
Andrea Portes (Hick)
What can you say about a society that says that God is dead and Elvis is alive?
Irv Kupcinet
I could say it was the nights when I was lonely and you were the only one who'd talk. I could tell you that I like your sensitivity, when you know it's the way that you walk.
Elvis Costello
Making your own T-shirts? Don't you have people for that?" I asked. "Like professionals?" "Well,I usually travel with an army of professional T-shirt makers, but today I thought I'd go it alone." Jack didn't take his eyes off me as Cole spoke. I wasn't sure he was even listening,or aware Cole was there. "What are the screens for?" I asked. "Elvis Presley as a corpse.You wanna come look?" Cole gave me a grin as if he'd just asked if I wanted to see rainbows being made. "You had me at 'corpse.'" Jack chuckled. "Saying good-bye here. Remember?" I turned to Jack, rose up on my tiptoes, and kissed his lips lightly. "Two weeks,Jack. It'll fly by." I started to back up,but Jack grabbed my hand and pulled me close. "No you don't," he said. "The corpse can wait." He gave me a kiss that was not quite appropriate for public view,and I would've been embarrassed if I hadn't lost the ability to think straight. His arms reached around my back,and he pulled me in tight against him so that my feet were barely touching the ground. And things started disappearing around us,just like they did every time Jack kissed me. He pulled back. "What were you saying about two weeks?" "That it will feel like forever," I said, breathless. "That's better." Jack lowered his head so his forehead was touching mine. "Miss you." "Miss you too," I whispered.
Brodi Ashton (Everneath (Everneath, #1))
Piercings in his ears, nose and lip revealed his edgy nature. He was casual in faded blue jeans and a black t-shirt that hugged his well-muscled chest in all of the right places. His eyes were a deep, drowning blue. His hair was slightly spiky and bedroom messy with just a hint of the early Elvis style. To say that I found him attractive would be putting it lightly. He was absolutely gorgeous.
Trina M. Lee (Once Bitten (Alexa O'Brien, Huntress, #1))
Dad says that Elvis Presley lived in Memphis and was a musician (not that you would know that from the crap songs that Dad sings). Anyway, he was a musician and Masimo is a musician, ergo Memphis must be somewhere that musicians hang out.
Louise Rennison (Then He Ate My Boy Entrancers (Confessions of Georgia Nicolson, #6))
When passing a certain field near the railroad tracks John Allen Cooke, a black former truck driver, often points to it saying: "This is where I used to see Elvis laying around. Killing time. He was real quiet. Thinking about his music, I guess...
Elaine Dundy (Elvis and Gladys (Southern Icons Series))
Elvis didn’t know what El Mago expected him to say. It seemed to him that when you’ve been sharing meals and assignments with a dude for months on end that you owe it to the guy to at least try and get him some help and not let him die like a dog in the street.
Silvia Moreno-Garcia (Velvet Was the Night)
I ain't no saint, but I've tried never to do anything that would hurt my family or offend God...I figure all any kid needs is hope and the feeling he or she belongs. If I could do or say anything that would give some kid that feeling, I would believe I had contributed something to the world.
-Elvis commenting to a reporter 1950's.
Still, as a kid, History Repeats Itself terrified me, mostly because I was a God-fearing child. And I mean that literally. God scared me stiff, what with the turning human beings into salt and getting them swallowed up by whales, plus the locusts and famines and, not least, making sure his own kid gets nailed to death onto wood. Every time someone would die — a cousin or grandparent or Elvis — some relative preacher would there-there it away by saying that God has a plan, and we simply have no way of knowing what that plan is. But we did know. We learned about His plan every week at Sunday school. It’s called Armageddon!
Sarah Vowell (Assassination Vacation)
John, you don’t like me.” “I’ve never said I didn’t like you.” “You don’t have to say it. You just look at me and I know it’s true.” His brows drew together. “How do I look at you?” She sat back. “You scowl and frown at me as if I’d done something tacky, like scratch myself in public.” He smiled. “That bad, huh?” “Yes.” “What if I promise not to scowl at you?” “I don’t think that’s a promise you can keep. You are a very moody person.” He removed one hand from his pocket and placed it over the even pleats of his shirt. “I’m very easygoing.” Georgeanne rolled her eyes. “And Elvis is alive and raising minks somewhere in Nebraska.
Rachel Gibson (Simply Irresistible (Chinooks Hockey Team, #1))
Did I ever tell you about my first wife?” asked Gil. “No.” Troy didn’t know that his friend had been married before Françoise. “Did she collect hats, too?” “She collected favors.” Not knowing quite what to say to that, Troy said nothing. “That’s the secret to women,” Gil told him as they made their way through the dark forest. “What they collect.
Paula Munier (Blind Search (Mercy and Elvis Mysteries #2))
Eternal life then is a certain kind of life I am living more and more now and will go on forever.17 I am living more and more in connection with God, and I will live connected with God forever. This has huge implications for when I do stumble, when I sin and the old person comes back from the dead for a few moments. I admit it. I confess it. I thank God I am forgiven. I make amends with anyone who has been affected by my actions. And then I move on. Not because sin isn’t serious, but because I am taking seriously who God says I am. The point isn’t my failure; it is God’s success in remaking me into the person he originally intended me to be. God’s strength, not mine. God’s power, not mine.
Rob Bell (Velvet Elvis: Repainting the Christian Faith)
short piece headlined “Elvis Died of Constipation” had run as the site’s lead story (and its middle and last story) under the category Constipation News. Why didn’t the colonic inertia theory come up earlier? Nichopoulos says that at the time, he had never heard of it. Nor had the gastroenterologist who treated Presley in the 1970s. “Nobody knew about it back then,” Nichopoulos says.
Mary Roach (Gulp: Adventures on the Alimentary Canal)
Throughout the meal Lucy would grin with the knowledge of her secret, and I would ask, “What?” and she would say, “You’ll see.” Then everyone stopped looking at Johnny Depp and turned toward the door. Lucy grinned wider, and I looked, too. Joe came over, gliding across the floor as the room parted for him. Tall men in sleeveless sweatshirts and dark glasses and brilliant red tattoos tend to stand out in Spago. Even Johnny Depp was looking.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
Other children might have made drawings for him to stick on his fridge, but Alicia isn’t keen on drawing, so the puck marks in the plaster of his wall have become much the same thing: small marks in time that say someone you love grew up here. It started with Sune teaching her how to play hockey but it went on with him teaching her everything else you need to know in life: tying shoelaces and chanting times tables and listening to Elvis Presley.
Fredrik Backman (The Winners (Beartown, #3))
The good news is that I think you have to stop when you have children, because you know that whoever you give birth to wouldn't be there if you'd made different choices. And when Elvis is born, or Felix, or Tallulah, or whoever, you and I are going to look at them and say, fuck, I'm glad you're here, and not someone else, and whatever choices you made led you to that person, your little person, and so the past becomes perfect. The future can always change, but not the past.
Emma Straub (All Adults Here)
I can believe things that are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen—I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of causal chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone who claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
Elvis Jr. watches you with considerable gravitas. He is a piercingly cute carajito. He has all these mosquito bites on his legs and an old scab on his head no one can explain to you. You are suddenly overcome with the urge to cover him with your arms, with your whole body. Later, Elvis Sr. fills you in on the Plan. I’ll bring him over to the States in a few years. I’ll tell the wife he was an accident, a one-time thing when I was drunk and I didn’t find out about it until now. And that’s going to work? It will work out, he says testily. Bro, your wife ain’t going to buy that. And what the fuck do you know? Elvis says. It ain’t like your shit ever works.
Junot Díaz (This Is How You Lose Her)
Turner let the work speak for itself. Harper wanted to be certain about Elwood's comfort with his new detail. 'You don't look surprised,' the young white man said. 'It has to end up somewhere,' Elwood responded. 'How things are done. Spencer tells me where to go, and he kicks it up to Director Hardee.' Harper fiddled the dial after more rock and roll: Elvis popped up again. He was everywhere. 'It used to be worse in the old days,' Harper said, 'from what my aunt says. But the state cracked down and now we lay off the south-campus stuff.' Meaning, they old sold the black students' supplies. 'We had this god old boy who used to run Nickel, Roberts, who would've sold the air you breathe if he could've. Now that was a crook!' 'Beats cleaning the toilets,' Turner said. 'Beats cutting grass, if you ask me.' It was nice to be out, and Elwood said so.
Colson Whitehead (The Nickel Boys)
And thank God, because the world needed changing. I grew up in fifties Britain and, before Elvis, before rock and roll, fifties Britain was a pretty grim place. I didn’t mind living in Pinner – I’ve never been one of those rock stars who was motivated by a burning desire to escape the suburbs, I quite liked it there – but the whole country was in a bad place. It was furtive and fearful and judgemental. It was a world of people peeping around their curtains with sour expressions, of girls being sent away because they’d Got Into Trouble. When I think of fifties Britain, I think of sitting on the stairs of our house, listening to my mum’s brother, Uncle Reg, trying to talk her out of getting divorced from my dad: ‘You can’t get divorced! What will people think?’ At one point, I distinctly remember him using the phrase ‘what will the neighbours say?’ It
Elton John (Me)
Bad lovers face to face in the morning Shy apologies and polite regrets Slow dances that left no warning of Outraged glances and indiscreet yawning Good manners and bad breath get you nowhere Even presidents have newspaper lovers Ministers go crawling under covers She's no angel He's no saint They're all covered up with white washed grease paint And you say... Chorus: The teacher never told you anything but white lies But you never see the lies And you believe Oh you know you have been captured You feel so civilized And you look so pretty in your new lace sleeves The salty lips of the socialite sisters With their continental fingers that have never seen working blisters Oh I know they've got their problems I wish I was one of them They say daddy's coming home soon With his sergeant stripes and his Empire mug and spoon No more fast buck And when are they gonna learn their lesson When are they gonna stop all of these victory processions And you say...
Elvis Costello
And thank God, because the world needed changing. I grew up in fifties Britain and, before Elvis, before rock and roll, fifties Britain was a pretty grim place. I didn’t mind living in Pinner – I’ve never been one of those rock stars who was motivated by a burning desire to escape the suburbs, I quite liked it there – but the whole country was in a bad place. It was furtive and fearful and judgemental. It was a world of people peeping around their curtains with sour expressions, of girls being sent away because they’d Got Into Trouble. When I think of fifties Britain, I think of sitting on the stairs of our house, listening to my mum’s brother, Uncle Reg, trying to talk her out of getting divorced from my dad: ‘You can’t get divorced! What will people think?’ At one point, I distinctly remember him using the phrase ‘what will the neighbours say?’ It wasn’t Uncle Reg’s fault. That was just the mindset of the times: that happiness was somehow less important than keeping up appearances.
Elton John (Me)
Allyn Ferguson, who worked with the Carpenters in the early 1970s, witnessed the downhill slide of many artists, even legends like Elvis Presley and Frank Sinatra. “It happens to everybody,” he says. “It has nothing to do with the people themselves. They’re doing the same thing they always did. The public gets tired of them. It’s a strange thing how the American public is not only fickle, but they respond to a lot of different things that are not musical at all, like the publicity and the attention that everybody’s giving them. It’s like a mob mentality. When the idol starts to have the image disappear, American fans just move on to the next one. That’s a part of show business. We have a great term in showbiz—everybody’s a ‘star fucker,’ which means if you’re not a star anymore everybody just turns their back. It’s very fleeting, and there are tragedies. I think Karen was one of those tragedies, and I could name dozens of other people who can’t deal with the fact that it’s not like it used to be.
Randy L. Schmidt (Little Girl Blue: The Life of Karen Carpenter)
You know what I’ve been thinking about?” Rachel asked, extending her hand to get snuffled by Boo Boo again, a true glutton for attention, as most of the goats were. “All the people I could have married. Not that anyone else asked me! But all the strangers I could have chosen to have a baby with. Like, Sliding Doors, but with my life, instead of Gwyneth Paltrow. Is that the most depressing thing you’ve ever heard?” Porter shook her head. “Yes. I mean, no, it’s not the most depressing thing I’ve ever heard. It’s my entire life. It’s also a fun game to play for other people. The good news is that I think you have to stop when you have children, because you know that whoever you give birth to wouldn’t be there if you’d made different choices. And when Elvis is born, or Felix, or Tallulah, or whoever, you and I are going to look at them and say, fuck, I’m glad you’re here, and not someone else, and whatever choices you made led you to that person, your little person, and so the past becomes perfect. The future can always change, but not the past.
Emma Straub (All Adults Here)
Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolf Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person… or, more properly, as a Person. Here are some people who have not written books, telling what they did… and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies.
Stephen King (Pet Sematary)
New Rule: Democrats must get in touch with their inner asshole. I refer to the case of Van Jones, the man the Obama administration hired to find jobs for Americans in the new green industries. Seems like a smart thing to do in a recession, but Van Jones got fired because he got caught on tape saying Republicans are assholes. And they call it news! Now, I know I'm supposed to be all reinjected with yes-we-can-fever after the big health-care speech, and it was a great speech--when Black Elvis gets jiggy with his teleprompter, there is none better. But here's the thing: Muhammad Ali also had a way with words, but it helped enormously that he could also punch guys in the face. It bothers me that Obama didn't say a word in defense of Jones and basically fired him when Glenn Beck told him to. Just like dropped "end-of-life counseling" from health-care reform because Sarah Palin said it meant "death panels" on her Facebook page. Crazy morons make up things for Obama to do, and he does it. Same thing with the speech to schools this week, where the president attempted merely to tell children to work hard and wash their hands, and Cracker Nation reacted as if he was trying to hire the Black Panthers to hand out grenades in homeroom. Of course, the White House immediately capitulated. "No students will be forced to view the speech" a White House spokesperson assured a panicked nation. Isn't that like admitting that the president might be doing something unseemly? What a bunch of cowards. If the White House had any balls, they'd say, "He's giving a speech on the importance of staying in school, and if you jackasses don't show it to every damn kid, we're cutting off your federal education funding tomorrow." The Democrats just never learn: Americans don't really care which side of an issue you're on as long as you don't act like pussies When Van Jones called the Republicans assholes, he was paying them a compliment. He was talking about how they can get things done even when they're in the minority, as opposed to the Democrats , who can't seem to get anything done even when they control both houses of Congress, the presidency, and Bruce Springsteen. I love Obama's civility, his desire to work with his enemies; it's positively Christlike. In college, he was probably the guy at the dorm parties who made sure the stoners shared their pot with the jocks. But we don't need that guy now. We need an asshole. Mr. President, there are some people who are never going to like you. That's why they voted for the old guy and Carrie's mom. You're not going to win them over. Stand up for the seventy percent of Americans who aren't crazy. And speaking of that seventy percent, when are we going to actually show up in all this? Tomorrow Glenn Beck's army of zombie retirees descending on Washington. It's the Million Moron March, although they won't get a million, of course, because many will be confused and drive to Washington state--but they will make news. Because people who take to the streets always do. They're at the town hall screaming at the congressman; we're on the couch screaming at the TV. Especially in this age of Twitters and blogs and Snuggies, it's a statement to just leave the house. But leave the house we must, because this is our last best shot for a long time to get the sort of serious health-care reform that would make the United States the envy of several African nations.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolf Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person… or, more properly, as a Person. Here are some people who have not written books, telling what they did… and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies. The man who cremated William Holden. The man who encased the body of Alexander the Great in gold so it would not rot. The men who mummified the Pharaohs. Death is a mystery, and burial is a secret.
Stephen King (Pet Sematary)
Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolph Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person . . . or, more properly, as a Person. Here are some people who have not written books, telling what they did . . . and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies. The man who cremated William Holden. The man who encased the body of Alexander the Great in gold so it would not rot. The men who mummified the Pharaohs. Death is a mystery, and burial is a secret.
Stephen King (Pet Sematary)
«It's not easy to believe.» «I» she told him, «I can believe anything. You have no idea what I can believe.» «Really?» «I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in "War of the Worlds". I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kind of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.»
Neil Gaiman (American Gods (American Gods, #1))
I can believe that things are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen – I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe life is a game, that life is a cruel joke, and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
I," she told him, "can believe anything. You have no idea what I can believe." "Really?" "I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in this universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you're alive and that you might as well lie back and enjoy it." She stopped, out of breath. Shadow almost took his hands off the wheel to applaud.
Neil Gaiman (American Gods)
Basically, Sam Phillips recorded Bill Haley, Johnny Cash, and all those other Memphis guys; Chuck Berry played the top two strings; Elvis appeared on The Ed Sullivan Show above the waist; the Beatles made all the girls squirm by singing about wanting to hold their “hands”; Ray Davies got lost in a sunset; Pete Townshend smashed his guitar; Brian Wilson heard magic in his head and made it come out of a studio; the Rolling Stones urinated on a garage door; and then (skipping a bit) you’ve got Joey Levine and Chapman-Chinn and Mott the Hoople and Iggy and the Runaways and KISS and the Pink Fairies and Rick Nielsen and Jonathan Richman and Johnny Ramone and Lemmy and the Young brothers and Cook and Jones and Pete Shelley and Feargal Sharkey and Rob Halford … and Foghat. You get what I’m saying. It didn’t happen in a vacuum, but it did happen, and now here we are in the aftermath.
Frank Portman (King Dork Approximately (King Dork Series Book 2))
day, the trigger was an older woman with deep wrinkles. To this day, I cannot be certain about what caused her to react so strongly. Perhaps she had used up her patience simmering in the sun for hours at the back of the line. Perhaps she had some desperately hungry grandchildren who she needed to get back to. It is impossible to know exactly what happened. But after she received her allocation of wheat, she broke the established rules of the feeding site and moved toward Bubba. She looked up at him and unleashed a verbal attack. Bubba, as gentle as ever, simply smiled at her. The more he smiled, the angrier she got. I noticed the commotion when our Somali guards suddenly tensed and turned toward the disturbance. All I could see was Bubba, head and shoulders above a gathering crowd, seemingly unperturbed, and smiling down at someone. His patient response only fueled the woman’s rage. I heard her sound of fury long before I spotted the source when she launched a long stream of vile curses at Bubba. Thankfully, he didn’t understand a word that she was saying. It was now possible to understand her complaint. She was upset about the quality of the “animal feed” that was being distributed for human consumption. She was probably right in her assessment of the food. These were surplus agricultural products that United Nations contributing members didn’t want, couldn’t sell, and had no other use for. As this hulking American continued to smile, the woman realized that she was not communicating. Now, furious and frustrated, she bent down, set her plastic bag on the ground, grabbed two fistfuls of dirty, broken wheat, grain dust, dirt and chaff. She straightened to her full height and flung the filthy mixture as hard as she could into Bubba’s face. The crowd was deathly silent as I heard a series of loud metallic clicks that indicated that an entire squad of American soldiers had instinctively locked and loaded all weapons in readiness for whatever might happen next. Everything felt frozen in time as everyone waited and watched for Bubba’s reaction. A Somali man might have beaten the woman for such a public insult—and he would have considered his action and his anger entirely justified. I knew that Bubba had traveled half-way around the world at his own expense to spend three months of personal vacation time to help hurting people. And this was the thanks that he received? He was hot, sweaty, and drained beyond exhaustion—and he had just been publicly embarrassed. He had every reason to be absolutely livid. Instead, he raised one hand to rub the grit out of his eyes, and then he gave the woman one more big smile. At that point, he began to sing. And what he sang wasn’t just any song. She didn’t understand the words, of course. But she, and the entire crowd, stood in silent amazement as Bubba belted out the words to the 1950’s Elvis Presley rock-n-roll classic: You ain’t nothin’ but a hound dog Cryin’ all the time You ain’t nothin’ but a hound dog Cryin’ all the time Well, you ain’t never caught a rabbit And you ain’t no friend of mine. By the time he started singing the next verse, the old woman had turned and stomped off in frustration, angrily plowing a path through the now-smiling crowd of Somalis to make her escape. Watching her go, Bubba raised his voice to send her off with rousing rendition of the final verse: Well they said you was high-classed Well, that was just a lie Ya know they said you was high-classed Well, that was just a lie Well, you ain’t never caught a rabbit And you ain’t no friend of mine.
Nik Ripken (The Insanity of God: A True Story of Faith Resurrected)
Elvis Presley died in 1976." I DON'T CARE WHAT IT SAYS, said the tall biker in the helmet, I NEVER LAID A FINGER ON HIM.
Terry Pratchett
The best way to avoid buying a biased Bible is to see who sponsored the translation and notes. The sponsor is usually spelled out in the introduction. (If it’s not, don’t use it.) Study notes by interdenominational (representing many different denominations within a particular faith) or ecumenical (representing many different faiths) committees are usually safe. But study notes sponsored by, say, The Church of Elvis Sightings
Jeffrey Geoghegan (The Bible For Dummies®, Mini Edition)
She fell silent for a time, then slowly looked at me. “She was just so lonely, you know? It was painful. I told her to try one of those online matchmaking services. I pushed. Women like Amy can be—” She searched for the right word, but wasn’t pleased with the result. “—persuaded. I talked her into it.” “You think this is your fault.” “Isn’t it? I badgered. I nagged. She started swapping emails with someone. This is how I know there’s a man. I was thrilled and I wanted to know all about him, but she wouldn’t say anything. Don’t you find that weird? I think it’s weird. She told me he was interesting. She told me she liked him. And now here we are.” “Maybe
Robert Crais (The Promise (Elvis Cole, #16; Joe Pike, #5; Scott James & Maggie, #2))
The line went dead as I checked the mirror. The blue Dodge was back, but didn’t stay long. It appeared twice more, never closer than three or four cars, and I never picked out the cars that replaced it. I wouldn’t have known the Dodge was following me if they hadn’t jumped the red. Jumping the red had cost them. I passed UCLA and the National Cemetery in Westwood, and reached Brentwood when Pike texted. HERE Pike, saying he was ready. 12OUT Me, saying I was twelve minutes away. Kenter Canyon was a narrow box canyon in the foothills of Brentwood above Sunset. The canyon was dense with upscale homes, but higher, beyond the houses, the hills were undeveloped, and thick with scrub oak and brush. Unpaved roads and trails had been cut for fire crews, and were open to hikers and runners. Pike and I ran the trails often, and knew the canyon well. A single, innocuous residential street led into the canyon, and appeared to be the only way to enter or leave. Smaller streets branched and re-branched from this larger street as it wound its way higher, but the smaller streets appeared trapped in the canyon. This wasn’t true, but the convoluted route using these smaller back streets wasn’t easily found. Pike and I knew this way, and another, but I was betting the tail cops behind me didn’t, and wouldn’t, until I was already gone. I
Robert Crais (The Promise (Elvis Cole, #16; Joe Pike, #5; Scott James & Maggie, #2))
I’m required to read this admonition. Your silence can be deemed as insubordination and lead to administrative discipline, which could result in your discharge or removal from office. You understand what this means?” “Yes, sir.” Do what we say, or we can fire you. VanMeter placed a printed form and a pen on the table. “This is an acknowledgment you received the admonition. Sign and date here. If you refuse to sign, I’ll mark the space ‘refused,’ and sign as the witnessing supervisor. Up to you.” Scott signed. Ignacio
Robert Crais (The Promise (Elvis Cole, #16; Joe Pike, #5; Scott James & Maggie, #2))
She spoke in a fast rush. “Can’t talk. Meet me in forty minutes. Say where.” Forty minutes. Not half an hour or an hour. Forty. Like we were Ukrainian spies. We
Robert Crais (The Promise (Elvis Cole, #16; Joe Pike, #5; Scott James & Maggie, #2))
Elvis wanting to play house with his sex and swagger scared the pee-waddin out Mama George, as Glenn would one day say.
Randy Thornhorn (The Kestrel Waters: A Tale of Love and Devil)
As he said it, the girl’s door opened and Larkin stepped out. She was puffy with sleep, and still wore only the bra and the tiny green thong. She didn’t look so wild. Pike touched his lips with a finger. Shh. Larkin blinked sleepily at him, then went into the bathroom. Bud said, “You’re killing me, Joe. Jesus, where are you?” “We’re good. Why is everyone so upset?” Pike, having fun. “You dropped off the world, is why! You’re supposed to take care of her, yes, but you can’t just disappear. The feds, they’re—” Pike interrupted. “How many people know I have her?” “What are you asking? What are you saying, asking that?” “You, your boys in their nice silk suits, the feds, her family? Someone hit my home this morning, Bud, so your leak is still leaking. Trust is in short supply.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
The girl came out of the kitchen with the pot. She looked confused as she held up the pot, her expression saying what in hell is this? Pike raised a finger, telling her to wait, then checked his watch. It was now thirteen minutes before eight.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
Stay clear of anyone—other than a clergyman—who refers to God more than once in an hour One sees a growing number of professional moralists who appear on TV telling people what God wants of them. If these folks are right about God, it is splendid news, and one should follow them as if they were Moses. If, however, they have misinterpreted God's wishes—about political candidates, free expression, human reproduction, and other issues on which He is said to be communicating His opinions to a select few—or if these professional moralists have mistaken God's voice for, say, Elvis's, then paying attention to them may only lead to divine trouble. Better to play it safe and avoid such people. The danger in hanging around them is that God may be tired of listening to them misrepresent Him and decide to revert to His old bad-tempered tricks with locusts and floods. Of course, this being the 21st century, He may have refined His arsenal so that He can pick off only the offenders and leave the rest of us unharmed. But I would not count on this. God is good, but He may not be that good. ***
Roger Rosenblatt (Rules for Aging: A Wry and Witty Guide to Life)
Cole sensed Pike didn’t want to talk in front of the girl, so he gave her the smile again. “Why don’t you use the shower while I make something to eat?” Larkin glanced back at him, and Cole read a new vibe. She gave him the same crooked smile she had made in the drive, only now she was telling him he could say and do nothing that would surprise her, affect her, or impress her, here in his little house that wasn’t so bad. Like a challenge, Cole thought; or maybe a test. She said, “Why don’t I eat first? The Pikester won’t feed me. He only wants sex.” Cole said, “He’s like that with me, too, but we’ve learned to adjust.” Larkin blinked once, then burst out laughing. Cole said, “One point, me; zero, you. Take the shower or wait on the deck. Either way, we don’t want you around while we talk.” She chose the shower.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
In the desert. How you looked at your father. Not looking to see him, but to see if he was paying attention. He was focused on Bud and his lawyer and me, so you would say something outrageous to get his attention. You needed to have him see you.” She glanced out the window. “I don’t care if he sees me or not.” “Not now maybe, but once. You wouldn’t need it so badly if you didn’t care.” She looked back at him, and now the line between her brows had softened. “And you can see all that by watching me?” “By seeing you. There’s a difference.” “And how is it you see so clearly?” Pike thought about whether or not he wanted to answer. Pike was a private man. He never talked about himself, and didn’t care much for people who did, but he figured the girl had a right to ask. “My folks and I would be watching TV, my mom and dad and me, or we’d be eating, and something would set him off. My old man would knock the hell out of me. Or her. I learned to watch for the signs. How his shoulders bunched, the way his lips pressed together, how much booze he poured. Half an inch more in the glass, he was ready to go. Little things tell you. You see them, you’re okay. You miss them, you go to the hospital. You learn to watch.” She was silent, and when Pike glanced over, her face was sad.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
Jack met Kwan’s eyes, glanced away, then looked back. Jack nodded once, kind of like saying hi, but Kwan did not respond. His lean face was all planes and angles, and as warm as a granite mask. He also had a split lip and a heavy purple bruise on his cheek from the guards. Jack
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
Terrio and Deets left without a word. The chief followed them, and the woman Pike had seen in the backseat of Terrio’s car on the day they told him about Frank entered and closed the door. Blue blazer over a white shirt. Dark gray slacks. An angry slash for a mouth. She studied Pike as if he were a lab specimen, then glanced up at the camera, hanging patiently from the ceiling. She went to the camera, unplugged it, then turned back to Pike. She held up a federal badge. “Kelly Walsh. I’m with the ATF. Do you remember me?” Pike nodded. “Good. Now that we’ve met, you’re going to do exactly what I say.” As if she had no doubt it was so. Part Three It’s Personal
Robert Crais (The First Rule (Elvis Cole, #13; Joe Pike, #2))
Try to reserve judgment—as I have learned to do for the most part. Unless you’ve walked in that person’s shoes, you don’t know what you would do in any given circumstance. I was too desperately, devotedly, blindly in love to say no and move on. I understand better now why some people stay on in relationships that might not be healthy or fulfilling. There are so many things that keep you there, not the least of which is the deep, abiding love you feel for that person, the history you share, and the hope that things will get better. Today I am far more realistic, seasoned, and decidedly stronger and more independent, and I would never stay in a relationship that caused me such pain again. But
Linda Thompson (A Little Thing Called Life: On Loving Elvis Presley, Bruce Jenner, and Songs in Between)
Pike said, “What were they saying?” “Couldn’t hear, but it’s an easy guess. The nephew here just lost two hundred thousand and a boatload of workers. They probably weren’t talking about a promotion.” Their next stop was a large two-level strip mall on Vermont. The strip mall was in the final stages of being remodeled, with a club and a restaurant taking up most of the upper level and what looked like another bar and a karaoke lounge on the lower level. A large sign in Korean script and English hung across the front of the karaoke lounge: OPENING SOON. Stone
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
Pike said, “What were they saying?” “Couldn’t hear, but it’s an easy guess. The nephew here just lost two hundred thousand and a boatload of workers. They probably weren’t talking about a promotion.” Their next stop was a large two-level strip mall on Vermont. The strip mall was in the final stages of being remodeled, with a club and a restaurant taking up most of the upper level and what looked like another bar and a karaoke lounge on the lower level. A large sign in Korean script and English hung across the front of the karaoke lounge: OPENING SOON. Stone said, “Y’see? This is what I was talking about. You can’t open for business without the right staff.” I liked it. Under construction was good. Opening soon was good. The more pressure Park felt to recover his people, the more desperately he would look for ways to do so. We stopped at two more strip malls and a large commercial building on Western Avenue. Park met people at each site, and toured the properties as if checking their progress, but no one looked happy, especially Park. One
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
Q-Tip (who produced “One Love”) says, reflecting on the importance of Illmatic. “You had rap before Rakim, like, you could do Rakim A.D., you know what I’m saying? There was rap before Rakim and rap after Rakim. So he’s like, when it comes to lyricism and when it comes to influence, if you’re drawing that analogy, he’s like Elvis, you know what I’m saying? And in terms of the innovation of what he did, Nas is like Dylan.
Matthew Gasteier (Nas's Illmatic)
Forty-two minutes later, keys worked the lock, the door swung open, and Lucas Worley came halfway through the door before seeing me. He was carrying a newspaper and a Starbucks cup. He looked surprised, but he hadn’t yet seen the dope on the table. “What the fuck is this? Who are you?” “Come inside and close the door, Luke. Can I call you Luke? Or is it Lucas? Lucas seems pretentious.” He was a little bit taller than he had looked in the car. His eyes were bright and sharp, and he spoke quickly. You could tell he was used to talking. You could tell he was used to saying bright things and having them appreciated, and you could tell that he thought he was brighter than he really was. Probably where the smugness came from. He said, “Maybe I’m confused. Isn’t this my house? Isn’t that my sofa? The only thing that doesn’t seem to belong here is you.” Showing attitude.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
Joe shifted in his seat. “Reality begins changing.” Lucy crossed her arms and leaned forward. “Are you saying that Jonathan stays away from it?” “Sure. He’s got Truly. He’s got Kerris. He’s hidden by layers of people. Jonathan Green’s experience is that he has the ability to face twelve people and persuade them to accept the facts as he describes them. More often than not, the reality he constructs is false, but his entire experience is that he is able to convince a jury that this false interpretation is real.” Lucy sighed. “That’s what makes a great defense attorney.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
Twenty-eight days after the towers, Pike and I finished sealing the deck. It was slick and gleaming and smelled of marine-grade varnish. After the varnish had cured, we put the deck chairs and the Weber and the little table back and sat in the sun drinking cold Falstaff. We sat for awhile, and then Pike said, “Say something.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
She didn’t say anything for a time, and then she said, “Well, in this case the powers that be are probably right.” I nodded, but she probably couldn’t see it. “I don’t believe Truly had a secret agreement with Teddy Martin. Green fabricated that, just as he fabricated the business about Pritzik and Richards.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
She said, “What did Joe want?” “The daughter of a friend of his is missing. He wants me to help check it out.” Lucy looked up at me, her face now serious. “A child?” “He didn’t say. You mind if I go?” She glanced at the couch again. “You’ll do anything to avoid this couch, won’t you?” “Yeah. I hate that damned couch.” Lucy laughed, then looked into my eyes again. “I’d mind if you didn’t go. Take a shower and go save the world.
Robert Crais (L.A. Requiem (Elvis Cole, #8))
She looked at our hands, twined there in her lap. “I know you want to help me through this. You already have, and I’m grateful, but you can’t help me anymore.” She tugged at my hand, and when I looked over I think she was trying not to cry. “I will not have my life defined by triangles. It’s not fair to you, and it’s not fair to me. Richard is my mistake, and I have to live with it.” I didn’t know what to say.
Robert Crais (Indigo Slam (Elvis Cole, #7))
He pursed his lips as if wrestling with how much he wanted to say, then finally told me. “Have you seen news accounts of the mass graves found south of the border?” I nodded. Mass graves containing scores of murder victims were sometimes found, and were so horrific they made national news in the U.S. He said, “These were immigrants abducted for ransom, Mr. Cole. Bajadores leave no witnesses. Let us hold a good thought until we know more.” I thanked Mr. Locano for his help, and went out to my car. I wanted to talk with Pike about what he had found, but Starkey called as I got into my car. “I
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
Ramos walked away. “Two.” “Got him.” Pike stayed with Cole and Park, letting Stone pick up Ramos. They had designated Park as Target One and Ramos as Target Two. Jon was on Two. If the meet went bad, Jon would drop Ramos and Pike would drop Park. They would then lay down suppressing fire so Cole could escape. If Cole was killed or wounded, they would terminate everyone in the tow yard. “What I’m saying is, I know time is of the essence an’ all that, but trusting these people to get him inside and keep their pieholes shut is what we in the trade call ‘dubious.’ Two and his boys mounting up. Hasta luego, shitbirds.” “Rog.
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
A young Latin guy with thick shoulders and dull eyes came out when I stopped, as if he had been waiting. “You the magazine guy?” The magazine guy. “That’s right. Elvis Cole. I have a ten o’clock with Ms. Morales.” “I gotta unlock the gate. See the empty spot where it says Delivery? Park there. You might want to put up the top and lock it.” “Think it’ll be safe?” That would be me, flashing the ironic smile at their overkill battlestar security. “For sure. They only steal clean cars.” That would be him, putting me in my place. He shook his head sadly as I drove past. “I
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
The cheery woman was coming toward me from the adjoining yard as if she had been standing at the corner of the house there, waiting. She was maybe five-eight, and dark the way you’re dark when you spend a lot of time in the sun running and working out and playing sports. I made her for her early- to mid-thirties, but the lines around her eyes and mouth were deep. Probably from all the sun. She was wearing designer jeans like the black guy and Reebok court shoes and a loose linen top that she would probably cover with a linen sport coat if it weren’t so hot. Stylish and attractive, even with the Browning 9mm clipped to her right hip. She badged me with an LAPD detective shield as she approached, still cheery with the smile, and I recognized her just before she said, “Mr. Cole, my name is Angela Rossi. The detective in the gray suit would like to ask you a few questions.” She glanced at the guy in the bad suit and I followed her look just as she knew I would, and when I did she stepped close and threw an overhand with a black leather sap, trying for the side of my head. Sucker shot. I picked up her move and tried to twist out of the way, but she was good and fast and I caught most of the sap on my right cheek with a blossom of pain. The guy in the suit yelled, “Hey!” and the black guy grunted, “Shit!” like they were surprised, too. Rossi followed the sap with a hard knee, but it caught me in the thigh instead of the groin, and then the older guy was there, wedging himself between us, forcing her away and saying, “Dammit, Rossi, you want another beef in your file? Is that what you want?
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
I looked at the Pinocchio clock, and gave it Stan Laurel. “Isn’t this a fine development?” Pinocchio’s eyes went from side to side, but he didn’t say anything. He never does.
Robert Crais (Indigo Slam (Elvis Cole, #7))
By nine o’clock the next morning I had gained some measure of control over the sappy grin and was once more feeling focused, productive, and ready to swing into investigative action. Sappy grins are fine in your personal life but somehow seem less than professional when one is representing the Big Green Defense Machine. Credibility, as they say, is everything.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
Despite his affluence, Donald’s tastes were often plebeian. In the waning months of the Eisenhower administration, in a culture defined by conformity, Donald used the record player in his dorm room mostly to listen to Elvis Presley and Johnny Mathis albums. Sometimes, Donald would screw an ultraviolet lightbulb into the overhead socket and announce to his roommate that it was time to tan. “We’re going to the beach,” he’d say. As
Michael Kranish (Trump Revealed: The Definitive Biography of the 45th President)
If everything you say sounds like the beginning of an argument, it is easy for someone to miss the joke and look for the smart remark, where only the heartfelt word is written.
Elvis Costello (Unfaithful Music & Disappearing Ink)
Dumpling is the kind of dog that makes people on the street do double- and triple-takes and ask in astonished voices, "What kind of dog IS that?!" His head is way too small for his thick, solid body, and his legs are too spindly. His eyes point away from each other like a chameleon. One side of his mouth curls up a little, half-Elvis, half palsy-victim, and his tongue has a tendency to stick out just a smidgen on that side. He was found as a puppy running down the median of a local highway, and I adopted him from PAWS five years ago, after he had been there for nearly a year. He is, without a doubt, the best thing that ever happened to me. My girlfriend Bennie says it looks like he was assembled by a disgruntled committee. Barry calls him a random collection of dog bits. My mom, in a classic ESL moment, asked upon meeting him, "He has the Jack Daniels in him, leetle bit, no?' I was going to correct her and say Jack Russell, but when you look at him, he does look a little bit like he has the Jack Daniels in him. My oldest nephew, Alex, who watches too much Family Guy and idolizes Stewie, took one look, and then turned to me in all seriousness and said in that weird almost-British accent, "Aunt Alana, precisely what brand of dog is that?" I replied, equally seriously, that he was a purebred Westphalian Stoat Hound. When the kid learns how to Google, I'm going to lose major cool aunt points. Dumpling tilts his head back and licks the underside of my chin, wallowing in love. "Dog, you are going to be the death of me. You have got to let me sleep sometime." These words are barely out of my mouth, when he leaps up and starts barking, in a powerful growly baritone that belies his small stature.
Stacey Ballis (Off the Menu)
When Elvis died, a camera crew went into Jerry’s dressing room and he said, ‘I’m glad. Now I’ll be able to show them who is the King’. He wasn’t thinking – he didn’t realise that 50 million viewers would hear him say that.
Spencer Leigh (Elvis Presley: Caught in a Trap)
The old man was quiet for several seconds. “I guess she let those boys have it. That would’ve been something to see, wouldn’t it? This little girl cutting them down. That how you see it?” “An outside player might be involved. The person who interfered with our first attempt.” “Ah.” The ah sounded sarcastic and harsh. “This is how Mr. Hicks explains it?” “It’s possible.” The old man went silent again. Riley didn’t know what to say, so he let the silence ride. The old man finally finished thinking and filled the silence himself.
Robert Crais (A Dangerous Man (Elvis Cole, #18; Joe Pike, #7))
If you are asked about your work and you're a programmer, say you're a mail sorter down at the Post Office. They're not going to ask you about the latest Elvis stamp.
Lance Henderson (Tor and the Deep Web: Bitcoin, DarkNet & Cryptocurrency (2 in 1 Book): Encryption & Online Privacy for Beginners)
Who the hell is that?” Chase barks. He watches Pete’s prideful swagger all the way down the aisle until he disappears from sight. Chase looks down at me. I shrug. “He’s a friend.” “Since when do you have friends like that?” he asks. He steps toward me, and I step back, until my back is against the shelves behind me. I don’t like to be cornered, but Chase has no way of knowing that. I skitter to the side so that I’m not hemmed in. “Friends like what?” I ask. I know he’s referring to the tattoos. Pete walks by the end of the aisle and waves at us, and then he winks at me. A grin tugs at my lips. I shrug again. “He’s really very nice.” “Where did you meet him?” I can tell the truth or I can lie. But then I hear Pete one aisle over as he starts to sing the lyrics to Elvis Presley’s “Jailhouse Rock.” I grin. I can’t help it. “He’s helping out at the camp this week,” I say instead of the truth. Well, it’s sort of the truth. “Where’s he from?” Chase asks. “New York City,” I say. Pete’s song changes from Elvis to AC/DC’s “Jailbreak.” I laugh out loud this time. I can’t help it. “Your dad’s all right with you hanging out with him?” My dad is covered in tattoos, too, but most of his are hidden by his clothing. “He likes Pete,” I say. “I do, too.” Chase puts one arm on the shelf behind me and leans toward my body. I dodge him again, and he looks crossly at me. “Don’t box me in,” I warn. He holds up both hands like he’s surrendering to the cops. But he still looks curious. “So, about tomorrow,” he says. “I can’t,” I blurt out. I think I hear a quickly hissed, “Yes!” from the other side of the aisle, but I can’t be sure. Chase touches my elbow, and it makes my skin crawl. I pull my elbow back. “Don’t touch me,” I say. Suddenly, Pete’s striding down the aisle toward us. His expression is thunderous, and I step in front of him so that he has to run into me instead of pummeling Chase like I’m guessing he wants to do. I lay a hand on his chest. “You ready to go?” I ask. He looks down at me, his eyes asking if I’m all right. His hand lands on my waist and slides around my back, pulling me flush against him. He’s testing me. And I don’t want to fight him. I admit it. Chase makes my skin crawl, and Pete makes my skin tingle. It’s not an altogether pleasant sensation, but only because I can’t control it. He holds me close, one hand on the center of my back, and the other full of breath mints and assorted sundries. He steps toward Chase, and Pete and I are so close together that I have to step backward when he steps forward. I repeat my question. “You get everything?” He finally looks down at me. “I got everything I need,” he says. His tone is polite but clear and soft as butter.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Elvis starts to sing “Viva Las Vegas” as Sam and I walk side by side down the aisle. I cover my mouth and laugh. “I want you to repeat after me, Sam,” Elvis says. He lifts one corner of his lip in that classic snarl. “I, Sam, promise you, Peck, never to step on your blue suede shoes. I promise never to leave you at Heartbreak Hotel. I promise to be your hunka-hunka burning love, forever and ever, amen.” “Wait,” Sam says. “That’s Randy Travis. Not Elvis.” “Close enough,” Elvis says. Sam rolls his hips like Elvis did when he repeats the words. I can’t stop laughing. I laugh so hard that I have to wipe tears from my eyes. But I don’t feel bad, because Emily is doing the same thing. And the rest of the brothers and their wives are laughing it up too. “Now you, Peck,” Elvis says. He swivels his hips and someone does a rim shot on a set of drums. “I, Peck, solemnly swear to love you tender for the rest of my life, and never leave you with a suspicious mind.” I repeat the words. I barely stutter, and it warms my heart when I realize that. Suddenly, Elvis gets serious. “Dearly beloved, we are gathered here today…” Sam’s eyes meet mine, and he takes my hands. I pass my flowers to one of my sisters and look up at him. We recite the official vows, and I have to blink hard to get through them, particularly when I look at the TV screen and see Marta crying into her handkerchief. “Who gives this woman to be married?” Elvis asks. Emilio’s voice rings out. “Her mother and I.” This time, a hot tear tracks down my cheek and Sam very gently wipes it away. “You okay?” he whispers. “I now pronounce you husband and wife,” Elvis declares. “Now let’s have a little less conversation and a really big kiss.” He swivels his hips again and I laugh through my tears. Sam
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
Elvis starts to sing “Viva Las Vegas” as Sam and I walk side by side down the aisle. I cover my mouth and laugh. “I want you to repeat after me, Sam,” Elvis says. He lifts one corner of his lip in that classic snarl. “I, Sam, promise you, Peck, never to step on your blue suede shoes. I promise never to leave you at Heartbreak Hotel. I promise to be your hunka-hunka burning love, forever and ever, amen.” “Wait,” Sam says. “That’s Randy Travis. Not Elvis.” “Close enough,” Elvis says. Sam rolls his hips like Elvis did when he repeats the words. I can’t stop laughing. I laugh so hard that I have to wipe tears from my eyes. But I don’t feel bad, because Emily is doing the same thing. And the rest of the brothers and their wives are laughing it up too. “Now you, Peck,” Elvis says. He swivels his hips and someone does a rim shot on a set of drums. “I, Peck, solemnly swear to love you tender for the rest of my life, and never leave you with a suspicious mind.” I
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
Hey, cupcake!” I say, like I just had a great idea. She laughs. “Hey, Sam.” “We need to get married.” She lifts her head. “What?” “We’re in Vegas. We can get married by an Elvis impersonator.” I press my hands together like I’m praying. “Pretty please,” I beg. She laughs again. I don’t think she’s aware that I’m serious. “I’m serious. Totally.” I stare into her dark eyes. “Why?” I start to tick items off on my fingers. “One—I love you. Two—I don’t want to be apart from you anymore. Three—we just had sex, and if you refuse to marry me, I’ll think you just used me for my body.” I snake a hand beneath the covers and lay it on her belly. “Not that I’m complaining.” I tick off one more item. “And four—you punched me in the nose, so you have to marry me. It’s a rule.” She giggles. “It is, huh?” “Yep. So, what do you say?” I toss the covers back and press my lips to her belly. She holds my head there for a second, and then her belly jiggles with laughter. “Can I shower first?” I look up and see that she’s grinning at me. “Seriously?” I ask. She nods. “Yeah.” I
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))