Elvis And Me Quotes

We've searched our database for all the quotes and captions related to Elvis And Me. Here they are! All 100 of them:

I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck. I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods (American Gods, #1))
His eyebrows pulled in. “You won’t leave me, right? Even when I’m a pain in the ass?” “I vowed in front of God – and Elvis – that I wouldn’t, didn’t I?
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Your kisses lift me higher...like the sweet song of a choir. You light my morning sky, with burning love.
Elvis Presley
As far as I'm concerned the last good man went when Elvis died.
Jennifer Crusie (Bet Me)
Until we meet again, may God bless you as he has blessed me.
Elvis Presley
It's the damage that we do and never know. It's the words that we don't say that scare me so.
Elvis Costello
At this point, a spaceship could land on Main Street and Elvis could saunter out singing "Love Me Tender," and I wouldn't be surprised
Michele Bardsley (Come Hell or High Water (Broken Heart, #6))
She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.
Bret Easton Ellis (Less Than Zero)
Of all the spirits I have seen, only Elvis and Mr. Sinatra are able to manifest in the garments of their choice. Others haunt me always in whatever they were wearing when they died. This is one reason I will never attend a costume party dressed as the traditional symbol of the New Year, in nothing buy a diaper and a top hat. Welcomed into either Hell or Heaven, I do not want to cross the threshold to the sound of demonic or angelic laughter. ~Odd Thomas
Dean Koontz (Odd Hours (Odd Thomas, #4))
Wonder of wonders, the box had Elvis. Immediately the bar seemed a better place. She fed in coins and then punched the keys for "Hound Dog." Too bad Elvis had never recorded one called "Dickhead.
Jennifer Crusie (Bet Me)
Stalking the Angel [Joe]"I could off anybody in this place five times over." [Elvis]"Could you off someone and get away with you here?" [Joe]Head shake. "I'm too good even for me.
Robert Crais (Stalking the Angel (Elvis Cole, #2))
If I am frightened then I can hide it If I am crying, I'll call it laughter If I am haunted, I'll call it my imaginary friend If I am bleeding I'll call it wine But if you leave me then I am broken And if I'm broken then only death remains
Elvis Costello
Elvis!" Min shoved herself off the couch to shoo him away. "Stay away from there. There's broken glass." "He did that on purpose," David said, outraged. "Yes, David, the cat is plotting against you." Min fished the base out of the water and glass shards and put it on the table. Then she went to get her wastebasket and began to put the glass pieces in it.
Jennifer Crusie (Bet Me)
I'd like to think they're staring at me because of my white-hot animal magnetism, but I'm not Elvis. I'm Lobster Boy, hear me roar.
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
Gemma Davidson,” she answered, her voice as groggy as I felt. “Where are you?” I asked. “Who is this?” “Elvis.” “What time is it?” “Hammer time?” “Charley.” “Did you text me? Did your car break down?” “No and no. Why are you doing this to me?” She was funny. “Check your cell.” I heard a loud, sleepy sigh, some rustling of sheets, then, “It won’t come on.” “Not at all?” “No. What did you do to it?” “I ate it for breakfast. Check the battery compartment.” “Where the hell is that?” “Um, behind the battery door.” “Are you punking me?” I heard her fumbling with the phone. “Gem, if I was going to punk you, I wouldn't simply turn off your phone. I would pour honey in your hair while you slept. Or, you know, something like that.” “That was you?” she asked, appalled.
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
Don't start me talking I could talk all night My mind goes sleepwalking While I'm putting the world to right.
Elvis Costello
Think about some of the words that are used in these kinds of discussions, one of the most common being the phrase “open-minded.” Often the person with spiritual convictions is seen as close-minded and others are seen as open-minded. What is fascinating to me is that at the center of the Christian faith is the assumption that this life isn’t all there is. That there is more to life than the material. That existence is not limited to what we can see, touch, measure, taste, hear, and observe. One of the central assertions of the Christian worldview is that there is “more” – Those who oppose this insist that this is all there is, that only what we can measure and observe and see with our eyes is real. There is nothing else. Which perspective is more “closed-minded?” Which perspective is more “open?
Rob Bell (Velvet Elvis: Repainting the Christian Faith)
I met Elvis in your woods one night,” Terry said. One of the EMTs had given him a shot, and I thought it was beginning to work. “I knew I was nuts then. He was telling me how much he liked cats. I told him I was a dog person, myself.
Charlaine Harris (Dead Reckoning (Sookie Stackhouse, #11))
I always used to love singing. The first song I knew all the words to was ‘Girl of My Best Friend’ by Elvis. My dad introduced me to his music, and when I got given a karaoke machine by my granddad, my cousin and I recorded a load of Elvis tracks. I wish I still had them so I could have a listen.
One Direction (Dare to Dream: Life as One Direction (100% Official))
We followed the bondage Bobbsey Twins across the crowded dance floor. Those leather shorts were an adventure from behind, let me tell you. And the pictures of Elvis decorating the walls were an education, too. It wasn’t often you ran into a bondage/Elvis/ whorehouse-themed vampire club.
Charlaine Harris (Dead Reckoning (Sookie Stackhouse, #11))
I have been told that I need to believe in Jesus. Which is a good thing. But what I am learning is that Jesus believes in me.
Rob Bell (Velvet Elvis: Repainting the Christian Faith)
I was like Elvis "The Pelvis" Presley on Ed Sullivan, I tells ya, punished for the crime of being sexy. (him on the telly , me in a dingy alley... any analogy will break down under scrutiny.)
Russell Brand (My Booky Wook)
I'm telling you this because you didn't ask. I've got it all here, growing like a tumor in my throat. I'm telling you because if I don't, I will choke on it. Everybody knows what happened, but nobody asks. And Elvis the EMT doesn't count because when he asked, he didn't even listen to me answer because he was listening to my sister's heart not beat with his stethoscope. I want to tell. It's mine to tell. Even if you didn't ask, you have to hear it.
Adrienne Maria Vrettos (Skin)
I remember the revelation it was to me when I realized I'd rather be smart in the way Elvis Presley was than in the way, say, Ludwig Wittgenstein was. The thing was, you could imagine you could be smart like Wittgenstein by just thinking hard enough, but Elvis just had it. It was almost spiritual. A kind of grace.
Richard Hell
So when it comes to Elvis and Joe, I have to trust my instincts, because they’ve gotten me here. And I have to write what I believe in, what I find moving.
Robert Crais
I have a vague memory of this one conversation we had in that room about a passage that Elvis had underlined. I started to call someone to help me remember it, but realized that there's no one left to call
Riley Keough (From Here to the Great Unknown)
Then hearing Elvis today made me think I didn't have a lot to bitch about, but when I said that to Mr. Nak after group, he said, "Don't get to thinkin' just because some other guy's sinkin' in horse manure, the stuff up around your neck is chocolate puddin'. A wound is a wound, young Brewster. Remember that. Don't diminish the pain of your own just because you see some other gut-shot cowboy bleedin' to death.
Chris Crutcher (Ironman)
I was watching while you're dancing away, our love got fractured in the echo and sway. How come everybody wants to be your friend? You know that it still hurts me just to say it.
Elvis Costello
I still loved Elvis greatly, but (...) I knew that I must take control of my life. (...). There was a whole world out there and I had to find my own place in it.
Priscilla Beaulieu Presley (Elvis and Me: The True Story of the Love Between Priscilla Presley and the King of Rock N' Roll)
What the hell is going on?” Bricker asked with amazement as they watched Victor carry Elvi out. “First Basil’s carrying Sherry away, and then Marcus is carting a blubbering Basha off, and now Elvi’s sobbing to beat the band and Victor is playing he-man too. Have the women gone crazy or is this an immortal caveman convention?” Lucian reached out and biffed the younger man in the back of the head. “Ow,” Bricker complained, rubbing the spot.
Lynsay Sands (The Immortal Who Loved Me (Argeneau, #21))
In the convent, y'all, I tend the gardens, watch things grow, pray for the immortal soul of rock 'n' roll. They call me Sister Presley here, The Reverend Mother digs the way I move my hips just like my brother. Gregorian chant drifts out across the herbs Pascha nostrum immolatus est... I wear a simple habit, darkish hues, a wimple with a novice-sewn lace band, a rosary, a chain of keys, a pair of good and sturdy blue suede shoes. I think of it as Graceland here, a land of grace. It puts my trademark slow lopsided smile back on my face. Lawdy. I'm alive and well. Long time since I walked down Lonely Street towards Heartbreak Hotel. - Elvis's Twin Sister
Carol Ann Duffy (The World's Wife)
Admittedly, I do have several bones, whole war fields full of bones, in fact to pick with organised religion of whatever stripe. This should be seen as a critique of purely temporal agencies who have, to my mind, erected more obstacles between whatever notion of spirituality and Godhead one subscribes to than they have opened doors. To me, the difference between Godhead and the Church is the difference between Elvis and Colonel Parker... although that conjures images of God dying on the toilet, which is not what I meant at all.
Alan Moore
I didn’t know anything then about odd-metered bars of music, but as Burt told me years later, you don’t count those beats, you just feel them and the tension that they create.
Elvis Costello (Unfaithful Music & Disappearing Ink)
Over the years he became my father, husband, and very nearly God. Now he was gone and I felt more alone and afraid than ever in my life.
Priscilla Beaulieu Presley (Elvis and Me: The True Story of the Love Between Priscilla Presley and the King of Rock N' Roll)
I was Elvis's doll, his own living doll, to fashion as he pleased
Priscilla Beaulieu Presley (Elvis and Me: The True Story of the Love Between Priscilla Presley and the King of Rock N' Roll)
Pigeon?” “Yeah?” A few moments passed, and then he sighed. “Nothing.” Travis hesitated. “I can’t shake this feeling,” he said under his breath. “What do you mean? Like a bad feeling?” I said, suddenly nervous. He turned to me with concern in his eyes, “I have this crazy feeling that once we get home, I’m going to wake up. Like none of this was real.” I slid my arms around his waist, running my hands up the lean muscles of his back. “Is that what you’re worried about?” He looked down to his wrist, and then glanced to the thick silver band on his left finger. “I just can’t shake the feeling that the bubble’s going to burst, and I’m going to be lying in my bed alone, wishing you were there with me.” “I don’t know what I’m going to do with you, Trav! I’ve dumped someone for you—twice—I’ve picked up and went to Vegas with you—twice—I’ve literally gone through hell and back, married you and branded myself with your name. I’m running out of ideas to prove to you that I’m yours.” A small smile graced his lips. “I love it when you say that.” “That I’m yours?” I asked. I leaned up on the balls of my feet, pressing my lips against his. “I. Am. Yours. Mrs. Travis Maddox, forever and always.” His small smile faded as he looked at the boarding gate and then down to me. “I’m gonna fuck it up, Pigeon. You’re gonna get sick of my shit.” I laughed. “I’m sick of your shit, now. I still married you.” “I thought once we got married, that I’d feel a little more reassured about losing you. But I feel like if I get on that plane….” “Travis? I love you. Let’s go home.” His eyebrows pulled in. “You won’t leave me, right? Even when I’m a pain in the ass?” “I vowed in front of God…and Elvis…that I wouldn’t, didn’t I?” His frown lightened a bit. “This is forever?” One corner of my mouth turned up. “Would it make you feel better if we made a wager?” “What kind of husband would I be if I bet against my own marriage?” I smiled. “The stupid kind. Didn’t you listen to your dad when he told you not to bet against me?” He raised an eyebrow. “So you’re that sure, huh? You’d bet on it?” I wrapped my arms around his neck and smiled against his lips. “I’d bet my first born. That’s how sure I am.” And then the peace returned. “You can’t be that sure,” he said, the anxiousness absent from his voice. I raised an eyebrow, and my mouth pulled to one side. “Wanna bet?
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
So you take her to the pictures, trying to become a fixture. Inch by inch trying to reach her, all the way through the second feature. Worrying about your physical fitness, tell me how you got this sickness?
Elvis Costello
A couple of days after the last time I saw him, I got a typically well-written postcard. He said that after he kissed me goodbye at LAX he was driving away and turned on the radio. Elvis was singing "It's Now or Never." In my personal religion, a faith cobbled together out of pop songs and books and movies, there is nothing closer to a sign from God than Elvis Presley telling you "tomorrow will be too late" at precisely the moment you drop off a girl you're not sure you want to drop off. Sitting on the stairs to my apartment, I read that card and wept. It said he heard the song and thought about running after me. But he didn't. And just as well--those mixed-faith marriages hardly ever work. An Elvis song coming out of the radio wasn't a sign from God to him, it was just another one of those corny pop tunes he could live without.
Sarah Vowell (Take the Cannoli)
Another memorable performance of ‘Black Sabbath’ was in a town hall near Manchester. The manager was there to greet us in a suit and tie when we climbed out of the van. You should have seen the look on his face when he saw us. ‘Is that what you’re going to wear on stage?’ he asked me, staring at my bare feet and pyjama top. ‘Oh no,’ I said, in this fake-shocked voice. ‘I always perform in gold spandex. Have you ever seen an Elvis gig? Well, I look a bit like him – but of course my tits are much smaller.’
Ozzy Osbourne (I Am Ozzy)
I looked like an ad for Banana Republic. Maybe Banana Republic would give me a job. They could put my picture in their little catalog and under it they could say: Elvis Cole, famous detective, outfitted for his latest adventure in rugged inner-city climes!
Robert Crais (Stalking The Angel (Elvis Cole, #2))
You’re the only woman for me, Mariya. I’ve waited patiently while building my empire, and now that I’m the head of –” I catch myself before saying Italian mafia in front of Elvis. “Now that I’m at the top, there’s only one thing missing from my life.” I step closer to her as I admit, “You.” My thumb brushes over the diamond on her finger. “Everything I have, everything I am, is yours, Mariya.
Michelle Heard (Chosen By A Sinner (Sinners #4))
There must be a reason you’re here after all this time.” The mischief was back in his cocky Elvis half-grin, and I felt like punching him. But instead I saw the opening and took it. “If you must know, there is.” “I must know.” “Me too,” said Lou, raising his hand for the bartender to bring him another beer. “Fine.” I glared at both of them before focusing my full attention on Nick. “I need a favor.” His grin widened. “Sexual, I hope.
Melanie Harlow (Forked (Frenched, #2))
The only two things that motivate me and that matter to me are revenge and guilt.
Elvis Costello
Trying to be so bad is bad enough Don't make me laugh by talking tough Don't put your heart out on your sleeve When your remarks are off the cuff
Elvis Costello
She was looking at me expectantly, so I nodded. “Sure.” If you can at least look smart, people will assume that you are smart.
Robert Crais (Indigo Slam (Elvis Cole, #7))
He was a man, a very special man
Priscilla Beaulieu Presley (Elvis and Me: The True Story of the Love Between Priscilla Presley and the King of Rock N' Roll)
Look at those hands, Oh God, those hands toiled to raise me. —Elvis Presley at his mother’s casket
Dean Koontz (Forever Odd (Odd Thomas, #2))
used a cologne called Zizanie and Neutrogena face soap; even today, those scents make me think of him. We would often sit on his bed and read for hours.
Ginger Alden (Elvis and Ginger: Elvis Presley's Fiancée and Last Love Finally Tells Her Story)
Do you, Maddison Louise Springer, take this man as your hunka hunka burning love, to hold tight and be true until you both go to that big 'ol heartbreak hotel in the sky?" Elvis asked me.
Gemma Halliday (Mayhem in High Heels (High Heels, #5))
Cook was then very handsome in a fey English way and dressed in floor-length, striped djellaba. In the role of the dead-eyed Spiggott, he intoned lines like “You fill me with inertia,” while appearing utterly indifferent to the beauties who danced in attendance. It was a scene that might have provided the basic blueprint for what would later become the Pet Shop Boys’ career.
Elvis Costello (Unfaithful Music & Disappearing Ink)
Making your own T-shirts? Don't you have people for that?" I asked. "Like professionals?" "Well,I usually travel with an army of professional T-shirt makers, but today I thought I'd go it alone." Jack didn't take his eyes off me as Cole spoke. I wasn't sure he was even listening,or aware Cole was there. "What are the screens for?" I asked. "Elvis Presley as a corpse.You wanna come look?" Cole gave me a grin as if he'd just asked if I wanted to see rainbows being made. "You had me at 'corpse.'" Jack chuckled. "Saying good-bye here. Remember?" I turned to Jack, rose up on my tiptoes, and kissed his lips lightly. "Two weeks,Jack. It'll fly by." I started to back up,but Jack grabbed my hand and pulled me close. "No you don't," he said. "The corpse can wait." He gave me a kiss that was not quite appropriate for public view,and I would've been embarrassed if I hadn't lost the ability to think straight. His arms reached around my back,and he pulled me in tight against him so that my feet were barely touching the ground. And things started disappearing around us,just like they did every time Jack kissed me. He pulled back. "What were you saying about two weeks?" "That it will feel like forever," I said, breathless. "That's better." Jack lowered his head so his forehead was touching mine. "Miss you." "Miss you too," I whispered.
Brodi Ashton (Everneath (Everneath, #1))
I have enough brains, courage, and heart to make it, and while I’m not wearing ruby slippers, I might have had the power of Elvis’s blue suede shoes to click together. “There’s no place like Hollywood. There’s no place like Hollywood.
John Stamos (If You Would Have Told Me)
What is your name?” asked the smiling man. “Marilyn,” Valkyrie mumbled. “Marilyn Monroe.” “And where are you from, Marilyn?” “Graceland.” “And where is Graceland?” “It’s where Elvis lives.” The smiling man nodded. “I don’t know these people, but I know a lie when I hear one. Are you going to start telling me the truth at all today, or will I just have my associate continue to hit you?” “I’ll tell you the truth.” “Good. Where are you from?” “Your butt.” The big guy hit her again. It was worth it.
Derek Landy (Seasons of War (Skulduggery Pleasant, #13))
I can believe things that are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen—I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of causal chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone who claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
The buzz cut and his friend came over. “You are coming with us.” The buzz cut spoke the words with a careful, starched pronunciation that made me think of Arnold Schwarzenegger, only the accent was Russian. “Sez who?” I can slay ’em with these comebacks.
Robert Crais (Indigo Slam (Elvis Cole, #7))
My smell stays with you? I ruined you…for what?” “Your smell keeps me going all the time. I’m in a clutch game or at practice and it’s full count? Your cloves and vanilla scent calms me down. I spray it on the front of my uniform and rub my right hand across like this.” I demonstrate by rubbing my chest and she watches me in fascination like a starstruck teenager watches a rockstar play his bass. “I went to three different stores before I found the exact scent. Expensive. French perfume. Chamade by Guerlain.” She nods looking fascinated or charmed by me at least for a few seconds. “I got it in Paris when I was there a few years ago. I love it.” “I do too. So yes, you ruined me. For anyone else.” She’s smiling but then it slowly disappears like a countdown does as it goes from ten to zero. “What are you doing to me, Elvis?” she asks, looking troubled.
Katherine Owen (The Truth About Air & Water (Truth in Lies, #2))
Still, as a kid, History Repeats Itself terrified me, mostly because I was a God-fearing child. And I mean that literally. God scared me stiff, what with the turning human beings into salt and getting them swallowed up by whales, plus the locusts and famines and, not least, making sure his own kid gets nailed to death onto wood. Every time someone would die — a cousin or grandparent or Elvis — some relative preacher would there-there it away by saying that God has a plan, and we simply have no way of knowing what that plan is. But we did know. We learned about His plan every week at Sunday school. It’s called Armageddon!
Sarah Vowell (Assassination Vacation)
John, you don’t like me.” “I’ve never said I didn’t like you.” “You don’t have to say it. You just look at me and I know it’s true.” His brows drew together. “How do I look at you?” She sat back. “You scowl and frown at me as if I’d done something tacky, like scratch myself in public.” He smiled. “That bad, huh?” “Yes.” “What if I promise not to scowl at you?” “I don’t think that’s a promise you can keep. You are a very moody person.” He removed one hand from his pocket and placed it over the even pleats of his shirt. “I’m very easygoing.” Georgeanne rolled her eyes. “And Elvis is alive and raising minks somewhere in Nebraska.
Rachel Gibson (Simply Irresistible (Chinooks Hockey Team, #1))
They call each other ‘E.’ Elvis picks wildflowers near the river and brings them to Emily. She explains half-rhymes to him. In heaven Emily wears her hair long, sports Levis and western blouses with rhinestones. Elvis is lean again, wears baggy trousers and T-shirts, a letterman’s jacket from Tupelo High. They take long walks and often hold hands. She prefers they remain just friends. Forever. Emily’s poems now contain naugahyde, Cadillacs, Electricity, jets, TV, Little Richard and Richard Nixon. The rock-a-billy rhythm makes her smile. Elvis likes himself with style. This afternoon he will play guitar and sing “I Taste A Liquor Never Brewed” to the tune of “Love Me Tender.” Emily will clap and harmonize. Alone in their cabins later, they’ll listen to the river and nap. They will not think of Amherst or Las Vegas. They know why God made them roommates. It’s because America was their hometown. It’s because God is a thing without feathers. It’s because God wears blue suede shoes.
Hans Ostrom
Eternal life then is a certain kind of life I am living more and more now and will go on forever.17 I am living more and more in connection with God, and I will live connected with God forever. This has huge implications for when I do stumble, when I sin and the old person comes back from the dead for a few moments. I admit it. I confess it. I thank God I am forgiven. I make amends with anyone who has been affected by my actions. And then I move on. Not because sin isn’t serious, but because I am taking seriously who God says I am. The point isn’t my failure; it is God’s success in remaking me into the person he originally intended me to be. God’s strength, not mine. God’s power, not mine.
Rob Bell (Velvet Elvis: Repainting the Christian Faith)
A woman I know gave me a build-it-yourself bird-feeder kit for Christmas, so I built it, and hung it from the eve of my roof high enough to keep the birds save from my cat. But the birds scratch the seed out of the feeder, then fly down to the deck and eat the seed. They know there's a cat, but still they go down to pick at the seed. When you think about it, people are often like this, too.
Robert Crais (Free Fall (Elvis Cole, #4))
I leaned against the fence and crossed my arms and stared at her. After a while she looked over and said, “Why are you staring at me?” “Because I am the Lord High Keeper of the Knowledge of Right and Wrong, and I am trying to figure out what to do.” She blinked at me. “Jiminy Cricket,” I said. “He was also Counselor in Moments of Temptation, and Guide Along the Straight and Narrow Path. You need that.
Robert Crais (Stalking The Angel (Elvis Cole, #2))
Go faster,” I urged Steven, poking him in the shoulder. “Let’s pass that kid on the bike.” Steven shrugged me off. “Never touch the driver,” he said. “And take your dirty feet off my dashboard.” I wiggled my toes back and forth. They looked pretty clean to me. “It’s not your dashboard. It’s gonna be my car soon, you know.” “If you ever get your license,” he scoffed. “People like you shouldn’t even be allowed to drive.” “Hey, look,” I said, pointing out the window. “That guy in a wheelchair just lapped us!” Steven ignored me, and so I started to fiddle with the radio. One of my favorite things about going to the beach was the radio stations. I was as familiar with them as I was with the ones back home, and listening to Q94 made me just really know inside that I was there, at the beach. I found my favorite station, the one that played everything from pop to oldies to hip-hop. Tom Petty was singing “Free Fallin’.” I sang right along with him. “She’s a good girl, crazy ‘bout Elvis. Loves horses and her boyfriend too.” Steven reached over to switch stations, and I slapped his hand away. “Belly, your voice makes me want to run this car into the ocean.” He pretended to swerve right. I sang even louder, which woke up my mother, and she started to sing too. We both had terrible voices, and Steven shook his head in his disgusted Steven way. He hated being outnumbered.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Mijn broer bezit geen platen die in de top dertig staan. Dat intrigeert me. De top dertig, dat is voor de popmuziek toch wat het klassement van de Tour is voor het wielrennen? Maar voor mijn broer lijkt het een erezaak te zijn om vooral niet bovenaan te eindigen. Waar is zijn klassement dan op gebaseerd? Mijn broer luistert naar artiesten met rare namen. Julian Cope. Talking Heads. Television. Elvis Costello, Wat voor namen zijn dat? Television! Een band die zichzelf televisie noemt. Kansloze missie.
Ivo Victoria (Hoe ik nimmer de Ronde van Frankrijk voor min-twaalfjarigen won (en dat het mij spijt))
The Man With the Child in His Eyes’ – Kate Bush ‘Go Your Own Way’ – Fleetwood Mac ‘Sex and Drugs and Rock ‘n’ Roll’ – Ian Dury ‘David Watts’ – The Jam ‘Until the Night’ – Billy Joel ‘Rikki, Don’t Lose That Number’ – Steely Dan ‘Watching the Detectives’ – Elvis Costello ‘(I Am Always Touched by Your) Presence, Dear’ – Blondie ‘I Will Survive’ – Gloria Gaynor ‘Goodbye Girl’ – Squeeze ‘Make Me Smile (Come up and See Me)’ – Steve Harley ‘Girls Talk’ – Dave Edmunds ‘I Fought the Law’ – The Clash ‘Life in a Day’ – Simple Minds
Val McDermid (1979 (Allie Burns #1))
Probably, it was when I noticed the guy standing next to me at VR sharpshooters. He was about thirteen, I guess, but his clothes were weird. I thought he was some Elvis impersonator’s son. He wore bell-bottom jeans and a red T-shirt with black piping, and his hair was permed and gelled like a New Jersey girl’s on homecoming night. We played a game of sharpshooters together and he said, “Groovy, man. Been here two weeks, and the games keep getting better and better.” Groovy? Later, while we were talking, I said something was “sick,” and he looked at me kind of startled, as if he’d never heard the word used that way before.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
But...a vibrator can’t hold you in its arms or give you the full-body experience.” Em clamped down on the wicked surge of heat between her legs, thinking about a full-body experience with Lincoln Quinn. “It’s not going to make me lie in the wet spot, either.” “It can’t snuggle with you after,” he countered with another laugh. Em snorted. “And that’s your specialty, is it? Hanging around for pillow talk?” “I’ll have you know I give very good pillow talk.” Sure. And Elvis was alive and living at Henley Stadium. “Right,” she muttered. “Of course you do.” “I really do.” He nodded. “Most women seem to be more interested in me giving them good head, but hey, I’m a full service kinda guy.
Amy Andrews (Playing the Player (Sydney Smoke Rugby, #3))
Personally, I like my gods old, grizzled and *here*. I'll take Dylan; the pirate raiding party of the Stones; the hope-I-get-very-old-before-I-die, present live power of the Who; a fat, still-mesmerizing-until-his-death Brando—they all suit me over the alternative. I would've liked to have seen that last Michael Jackson show, a seventy-year-old Elvis reinventing and relishing in his talents, where Jimi Hendrix might've next taken the electric guitar, Keith Moon, Janis Joplin, Kurt Cobain and all the others whose untimely deaths and lost talents stole something from the music I love, living on, enjoying the blessings of their gifts and their audience's regard. Aging is scary but fascinating, and great talent morphs in strange and often enlightening ways.
Bruce Springsteen (Bruce Springsteen -- Born to Run: Piano/Vocal/Chords)
Strikingly, only once does Jesus speak about judgment, and when he does, it’s about how we treat the poor: And they too will reply, “Lord, when did we see You hungry or thirsty or a stranger or naked or sick or in prison, and did not minister to You?” Then the King will answer, “Truly I tell you, whatever you did not do for one of the least of these, you did not do for Me.” And yet for some reason even now people of faith think that what’s going on in their—or other people’s—pants is more important to God than, say, what’s happening to the homeless. The lives of the poorest people are at the heart of Christianity, but sometimes religion seems to be what happens when Jesus, like Elvis, has left the building. It becomes a bless me club for the Holy Rollers and navel gazers.
Bono (Surrender: 40 Songs, One Story)
«It's not easy to believe.» «I» she told him, «I can believe anything. You have no idea what I can believe.» «Really?» «I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in "War of the Worlds". I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kind of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.»
Neil Gaiman (American Gods (American Gods, #1))
A girl who can dance – finally!” Stuart cheers, pulling my attention back to him, grabbing hold of my hips. “I’ve found my Ginger! Tru, seriously, if you had less tits and more cock, I’d be proposing marriage to you right now!” He spins me around. “It can always be arranged,” I laugh. “Marry me?” I hold out my hand dramatically to him. He grabs it and yanks me back to his chest. “Vegas tomorrow, baby. I’ll be the one in white at the Elvis chapel.” “I’ll be there.” I wink at him. We both start laughing, as he starts to move me around the floor again. I like Stuart. He’s so much fun, and so uncomplicated and as hot as hell. He could give Jake a run for his money in those stakes. Why isn’t he straight? Actually no, my life is complicated enough as it is without trying to add another guy into the picture
Samantha Towle (The Mighty Storm (The Storm, #1))
Turner let the work speak for itself. Harper wanted to be certain about Elwood's comfort with his new detail. 'You don't look surprised,' the young white man said. 'It has to end up somewhere,' Elwood responded. 'How things are done. Spencer tells me where to go, and he kicks it up to Director Hardee.' Harper fiddled the dial after more rock and roll: Elvis popped up again. He was everywhere. 'It used to be worse in the old days,' Harper said, 'from what my aunt says. But the state cracked down and now we lay off the south-campus stuff.' Meaning, they old sold the black students' supplies. 'We had this god old boy who used to run Nickel, Roberts, who would've sold the air you breathe if he could've. Now that was a crook!' 'Beats cleaning the toilets,' Turner said. 'Beats cutting grass, if you ask me.' It was nice to be out, and Elwood said so.
Colson Whitehead (The Nickel Boys)
And thank God, because the world needed changing. I grew up in fifties Britain and, before Elvis, before rock and roll, fifties Britain was a pretty grim place. I didn’t mind living in Pinner – I’ve never been one of those rock stars who was motivated by a burning desire to escape the suburbs, I quite liked it there – but the whole country was in a bad place. It was furtive and fearful and judgemental. It was a world of people peeping around their curtains with sour expressions, of girls being sent away because they’d Got Into Trouble. When I think of fifties Britain, I think of sitting on the stairs of our house, listening to my mum’s brother, Uncle Reg, trying to talk her out of getting divorced from my dad: ‘You can’t get divorced! What will people think?’ At one point, I distinctly remember him using the phrase ‘what will the neighbours say?’ It
Elton John (Me)
Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
Lionel Shriver (We Need to Talk About Kevin)
And thank God, because the world needed changing. I grew up in fifties Britain and, before Elvis, before rock and roll, fifties Britain was a pretty grim place. I didn’t mind living in Pinner – I’ve never been one of those rock stars who was motivated by a burning desire to escape the suburbs, I quite liked it there – but the whole country was in a bad place. It was furtive and fearful and judgemental. It was a world of people peeping around their curtains with sour expressions, of girls being sent away because they’d Got Into Trouble. When I think of fifties Britain, I think of sitting on the stairs of our house, listening to my mum’s brother, Uncle Reg, trying to talk her out of getting divorced from my dad: ‘You can’t get divorced! What will people think?’ At one point, I distinctly remember him using the phrase ‘what will the neighbours say?’ It wasn’t Uncle Reg’s fault. That was just the mindset of the times: that happiness was somehow less important than keeping up appearances.
Elton John (Me)
In an artistic sense, cool came to refer to someone with a signature artistic style so integral as to exude an authentic mode-of-being in the world: Miles, Bogart, Brando, Eastwood, Greco, Elvis, Lady Day, Sinatra. Such a person created something from nothing and gave the world some new artistic or psychological 'equipment for living,' to use a phrase of Kenneth Burke's. A signature style is yours and can only be carried by you: it cannot be abstracted except through dilution and commodification since it reflects an individual's complex personal experience. In this sense, cool was 'making a dollar out of fifteen cents,' to pull another phrase from the Africa-American vernacular. Lester Young was once at a bar when a tenor saxophone solo floated out of the jukebox. 'That's me,' he said happily. As he listened his mood collapsed - he realized it was one of his many imitators. 'No, that's not me,' he said sadly. To steal someone else's sound or style and capitalize on it has always been un-cool, the pretense of posers.
Joel Dinerstein (The Origins of Cool in Postwar America)
You know what I’ve been thinking about?” Rachel asked, extending her hand to get snuffled by Boo Boo again, a true glutton for attention, as most of the goats were. “All the people I could have married. Not that anyone else asked me! But all the strangers I could have chosen to have a baby with. Like, Sliding Doors, but with my life, instead of Gwyneth Paltrow. Is that the most depressing thing you’ve ever heard?” Porter shook her head. “Yes. I mean, no, it’s not the most depressing thing I’ve ever heard. It’s my entire life. It’s also a fun game to play for other people. The good news is that I think you have to stop when you have children, because you know that whoever you give birth to wouldn’t be there if you’d made different choices. And when Elvis is born, or Felix, or Tallulah, or whoever, you and I are going to look at them and say, fuck, I’m glad you’re here, and not someone else, and whatever choices you made led you to that person, your little person, and so the past becomes perfect. The future can always change, but not the past.
Emma Straub (All Adults Here)
New Rule: Democrats must get in touch with their inner asshole. I refer to the case of Van Jones, the man the Obama administration hired to find jobs for Americans in the new green industries. Seems like a smart thing to do in a recession, but Van Jones got fired because he got caught on tape saying Republicans are assholes. And they call it news! Now, I know I'm supposed to be all reinjected with yes-we-can-fever after the big health-care speech, and it was a great speech--when Black Elvis gets jiggy with his teleprompter, there is none better. But here's the thing: Muhammad Ali also had a way with words, but it helped enormously that he could also punch guys in the face. It bothers me that Obama didn't say a word in defense of Jones and basically fired him when Glenn Beck told him to. Just like dropped "end-of-life counseling" from health-care reform because Sarah Palin said it meant "death panels" on her Facebook page. Crazy morons make up things for Obama to do, and he does it. Same thing with the speech to schools this week, where the president attempted merely to tell children to work hard and wash their hands, and Cracker Nation reacted as if he was trying to hire the Black Panthers to hand out grenades in homeroom. Of course, the White House immediately capitulated. "No students will be forced to view the speech" a White House spokesperson assured a panicked nation. Isn't that like admitting that the president might be doing something unseemly? What a bunch of cowards. If the White House had any balls, they'd say, "He's giving a speech on the importance of staying in school, and if you jackasses don't show it to every damn kid, we're cutting off your federal education funding tomorrow." The Democrats just never learn: Americans don't really care which side of an issue you're on as long as you don't act like pussies When Van Jones called the Republicans assholes, he was paying them a compliment. He was talking about how they can get things done even when they're in the minority, as opposed to the Democrats , who can't seem to get anything done even when they control both houses of Congress, the presidency, and Bruce Springsteen. I love Obama's civility, his desire to work with his enemies; it's positively Christlike. In college, he was probably the guy at the dorm parties who made sure the stoners shared their pot with the jocks. But we don't need that guy now. We need an asshole. Mr. President, there are some people who are never going to like you. That's why they voted for the old guy and Carrie's mom. You're not going to win them over. Stand up for the seventy percent of Americans who aren't crazy. And speaking of that seventy percent, when are we going to actually show up in all this? Tomorrow Glenn Beck's army of zombie retirees descending on Washington. It's the Million Moron March, although they won't get a million, of course, because many will be confused and drive to Washington state--but they will make news. Because people who take to the streets always do. They're at the town hall screaming at the congressman; we're on the couch screaming at the TV. Especially in this age of Twitters and blogs and Snuggies, it's a statement to just leave the house. But leave the house we must, because this is our last best shot for a long time to get the sort of serious health-care reform that would make the United States the envy of several African nations.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
I can believe that things are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen – I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe life is a game, that life is a cruel joke, and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
I," she told him, "can believe anything. You have no idea what I can believe." "Really?" "I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in this universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you're alive and that you might as well lie back and enjoy it." She stopped, out of breath. Shadow almost took his hands off the wheel to applaud.
Neil Gaiman (American Gods)
The heart of rock will always remain a primal world of action. The music revives itself over and over again in that form, primitive rockabilly, punk, hard soul and early rap. Integrating the world of thought and reflection with the world of primitive action is *not* a necessary skill for making great rock 'n' roll. Many of the music's most glorious moments feel as though they were birthed in an explosion of raw talent and creative instinct (some of them even were!). But ... if you want to burn bright, hard *and* long, you will need to depend on more than your initial instincts. You will need to develop some craft and a creative intelligence that will lead you *farther* when things get dicey. That's what'll help you make crucial sense and powerful music as time passes, giving you the skills that may also keep you alive, creatively and physically. The failure of so many of rock's artists to outlive their expiration date of a few years, make more than a few great albums and avoid treading water, or worse, I felt was due to the misfit nature of those drawn to the profession. These were strong, addictive personalities, fired by compulsion, narcissism, license, passion and an inbred entitlement, all slammed over a world of fear, hunger and insecurity. That's a Molotov cocktail of confusion that can leave you unable to make, or resistant to making, the lead of consciousness a life in the field demands. After first contact knocks you on your ass, you'd better have a plan, for some preparedness and personal development will be required if you expect to hang around any longer than your fifteen minutes. Now, some guys' five minutes are worth other guys' fifty years, and while burning out in one brilliant supernova will send record sales through the roof, leave you living fast, dying young, leaving a beautiful corpse, there *is* something to be said for living. Personally, I like my gods old, grizzled and *here*. I'll take Dylan; the pirate raiding party of the Stones; the hope-I-get-very-old-before-I-die, present live power of the Who; a fat, still-mesmerizing-until-his-death Brando—they all suit me over the alternative. I would've liked to have seen that last Michael Jackson show, a seventy-year-old Elvis reinventing and relishing in his talents, where Jimi Hendrix might've next taken the electric guitar, Keith Moon, Janis Joplin, Kurt Cobain and all the others whose untimely deaths and lost talents stole something from the music I love, living on, enjoying the blessings of their gifts and their audience's regard. Aging is scary but fascinating, and great talent morphs in strange and often enlightening ways. Plus, to those you've received so much from, so much joy, knowledge and inspiration, you wish life, happiness and peace. These aren't easy to come by.
Bruce Springsteen (Born to Run)
Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
I’ll be there in five.” Eight minutes later I parked in the parking garage, climbed the four flights to my floor, and walked down the hall. The building has an elevator, but tough guys climbed stairs. Picture me bristling with manliness. Also, impatience. Cindy’s door was closed. The door to the little insurance agency across from my office was closed. My door was open.
Robert Crais (The Wanted (Elvis Cole, #17; Joe Pike, #6))
For the longest time, Mimi Warren did not move, then she looked at me and said, “I don’t feel anything.” I said, “Kid, you’ve had so much done to you that the part that feels went dead a long time ago.” Maybe Carol Hillegas could fix it. Mimi cocked her head the way a bird will, as if I’d said something curious, and smiled. “Is that what you think?
Robert Crais (Stalking The Angel (Elvis Cole, #2))
The next day I watched TV and read and lay on the couch and stared at my high-vaulted ceiling. Just after noon I showered and shaved and dressed and took a drive over to the County Medical Facility and asked them if I could see Mimi. They said no. I left the front and went around back and tried to sneak in, but a seventy-five-year-old security guard with narrow shoulders and a wide butt caught me and raised hell. It goes like that sometimes.
Robert Crais (Stalking The Angel (Elvis Cole, #2))
QUICK MENTAL RECAP: KIDNAPPED BY Mafia gang ruled by insane, chain-smoking reject from the sixties—female; discover husband has alias name and FBI badge that he’s been able to keep hidden from me for seventeen years (reminder to self: get a clue!); follow half-baked scheme provided by Brad Pitt look-alike to make a quick getaway through guest bathroom; wind up playing bad game of Twister in bathtub with Elvis Presley wannabe; witness the whacking of FBI husband; hear Elvis Presley wannabe proclaim, regarding husband’s whacker: “That’s No Toes” and follow up with obvious comment, “Dis ain’t good.” Would Al Pacino be caught dead in this movie? Definitely not.
Karen Cantwell (Take the Monkeys and Run (Barbara Marr Murder Mystery, #1))
She asked me why I always had something flip to say. I said that I didn’t know, but having been blessed with the gift, I felt obliged to use it.
Robert Crais (Stalking The Angel (Elvis Cole, #2))
Smart move, Elvis. Smart move. Just do me a favor. As you walk to your car, keep your hands in plain sight.
Tim Tigner (Betrayal)
This is stupid. How am I supposed to predict which T-shirts I'm going to want to wear? The whole point about T-shirts is you choose them in the morning according to your mood, like crystals, or aromatherapy oils. Imagine if I woke up in the mood for my “Elvis Is Groovy” T-shirt and I didn't have it with me?
Sophie Kinsella (Shopaholic Takes Manhattan (Shopaholic #2))
I have to make a couple of calls, then I want you to help me with something.” She sat up, interested. “What?” “Phone numbers. We have to build a phone tree tracing the calls to and from the phones Pike found. We’ll trace the calls from phone to phone until we identify someone who can help us find Vahnich. Sound like fun?” “No.” “It’s like connect the dots. Even you can do it.” She gave him the finger. Cole thought she was great.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
Pike glanced over at her again. “What’s your name?” She took off her glasses and frowned at him as if he were retarded. “What are you talking about?” “What’s your name?” “I don’t get it. Is this some kind of game we’re playing, truth or dare, what?” “Your name.” “I don’t get why you’re asking my name.” “What is it?” Her face flattened in frustration and she pulled at her shirt. “I’m hungry. When are you getting me something to eat?” “Name.” “LARKIN CONNER BARKLEY! Jesus Christ, what’s YOUR FUCKING NAME?” “Your father?” “CONNER BARKLEY! MY MOTHER IS DEAD! HER NAME WAS JANICE! I’M AN ONLY FUCKING CHILD! FUCK YOU!” Pike checked the rearview, then pointed at her purse on the floor under her feet. “License and credit cards.” She snatched up her purse, dug out her wallet, and threw it at him. “Use the cards to buy me some lunch.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
Cole was still working on the car when a dark green Lexus stopped across his drive. Cole straightened, and was surprised to see Pike and a young woman with ragged hair and big sunglasses get out. The girl looked wary, and Pike was wearing a long-sleeved shirt with the sleeves down. Pike never wore long-sleeved shirts. Cole limped out to meet them. “Joseph. You should have told me we had guests. I would have cleaned up.” Cole smiled at the girl, spreading his hands to show off his gym shorts, bare feet, and wax on, wax off T-shirt. Mr. Personable, making a joke of his sweat-soaked appearance. “I’m Elvis. This is me, doing my Ralph Macchio impersonation.” The girl painted him with a smile that was smart and sharp, and jerked a thumb at Pike. “Thank God you have a personality. Riding around with him is like riding with a corpse.” “Only until you get to know him. Then you can’t shut him up.” Cole noticed how Pike touched her back without familiarity, moving her into the carport. Pike said, “Let’s go in.” Cole glanced at the Lexus, already sensing this wasn’t a social visit.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
Cole sensed Pike didn’t want to talk in front of the girl, so he gave her the smile again. “Why don’t you use the shower while I make something to eat?” Larkin glanced back at him, and Cole read a new vibe. She gave him the same crooked smile she had made in the drive, only now she was telling him he could say and do nothing that would surprise her, affect her, or impress her, here in his little house that wasn’t so bad. Like a challenge, Cole thought; or maybe a test. She said, “Why don’t I eat first? The Pikester won’t feed me. He only wants sex.” Cole said, “He’s like that with me, too, but we’ve learned to adjust.” Larkin blinked once, then burst out laughing. Cole said, “One point, me; zero, you. Take the shower or wait on the deck. Either way, we don’t want you around while we talk.” She chose the shower.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
We’re not so different.” The girl burst out laughing. “Ohmigod! Oh my God—dude! Maybe you’re high!” Pike put the car in gear, but kept his foot on the brake. Their sameness seemed obvious. “You want to be seen; me, I want to be invisible. It’s all the same.” The girl stared at him, then straightened herself the way he had straightened himself. She said, “An idealist.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
In the desert. How you looked at your father. Not looking to see him, but to see if he was paying attention. He was focused on Bud and his lawyer and me, so you would say something outrageous to get his attention. You needed to have him see you.” She glanced out the window. “I don’t care if he sees me or not.” “Not now maybe, but once. You wouldn’t need it so badly if you didn’t care.” She looked back at him, and now the line between her brows had softened. “And you can see all that by watching me?” “By seeing you. There’s a difference.” “And how is it you see so clearly?” Pike thought about whether or not he wanted to answer. Pike was a private man. He never talked about himself, and didn’t care much for people who did, but he figured the girl had a right to ask. “My folks and I would be watching TV, my mom and dad and me, or we’d be eating, and something would set him off. My old man would knock the hell out of me. Or her. I learned to watch for the signs. How his shoulders bunched, the way his lips pressed together, how much booze he poured. Half an inch more in the glass, he was ready to go. Little things tell you. You see them, you’re okay. You miss them, you go to the hospital. You learn to watch.” She was silent, and when Pike glanced over, her face was sad.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
COLE STOPPED by his office that morning to pick up the calling logs before heading on to stay with the girl. His friend at the phone company had faxed twenty-six pages of outgoing and incoming phone numbers, some of which were identified, but many of which were not. Cole would have to go through the numbers one by one, but the girl would probably help. Cole liked the girl. She was funny and smart and laughed at his jokes. All the major food groups. When he let himself in, she was stretched out on the couch, watching TV with the iPod plugged in her ears. Cole said, “How can you watch TV and listen to that at the same time?” She wiggled his iPod. “Did they stop making music in 1990?” You see? Funny. “I have to make a couple of calls, then I want you to help me with something.” She sat up, interested. “What?” “Phone numbers. We have to build a phone tree tracing the calls to and from the phones Pike found. We’ll trace the calls from phone to phone until we identify someone who can help us find Vahnich. Sound like fun?” “No.” “It’s like connect the dots. Even you can do it.” She gave him the finger. Cole thought she was great.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
videographer stopped taping and looked me up and down as if he found me lacking but wasn’t quite sure how. Then it hit him. “Don’t you have a gun?” He glanced around the office as if there might be one hanging on a wall hook.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
I left my car in the garage, then followed the guard’s directions past a Spanish tile fountain in the lobby to the elevators, and then to the top floor. Another blazered gentleman smiled at me in the lobby, and a third just happened to be on the elevator. Both were polite and both, like the guard in the parking garage, had the corded necks of men who spent a lot of their time honing confrontational skills. Corded necks are a dead giveaway.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
I left my car on the street, walked up across the dead yard, and a guy I took to be James Lester opened the door. He was average-sized in dark gray cotton work pants, dirty white socks, and a dingy undershirt. His hair was cut short on the sides and on top, but had been left long and shaggy in back, and he looked at me with a squint. He was thin, with knobby, grease-embedded hands and pale skin sporting Bic-pen tattoos on his arms and shoulders and chest. Work farm stuff. I made him for thirty, but he could’ve been younger. He said, “You’re the guy who called. You’re from the lawyer, right?” A quarter to eleven in the morning and he smelled of beer.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
The yard and the walk outside grew crowded with cops and media people and rubberneckers from the neighborhood drawn by gathering news vans. Between questions I watched the on-air television talent fan out among the cops. A woman I’d seen a thousand times on the local NBC affiliate was talking with her camera operator when the camera operator saw me standing in the window and pointed me out. The reporter said something and the operator trained his camera on me. The reporter ducked past Flutey and hurried over to the window. She was all frosted hair and intelligent eyes. “Are you the detective who found the kidnappers?” I gave her Bill Dana. “My name José Jimenez.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))