Elusive Sleep Quotes

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In its severe forms, depression paralyzes all of the otherwise vital forces that make us human, leaving instead a bleak, despairing, desperate, and deadened state. . .Life is bloodless, pulseless, and yet present enough to allow a suffocating horror and pain. All bearings are lost; all things are dark and drained of feeling. The slippage into futility is first gradual, then utter. Thought, which is as pervasively affected by depression as mood, is morbid, confused, and stuporous. It is also vacillating, ruminative, indecisive, and self-castigating. The body is bone-weary; there is no will; nothing is that is not an effort, and nothing at all seems worth it. Sleep is fragmented, elusive, or all-consuming. Like an unstable, gas, an irritable exhaustion seeps into every crevice of thought and action.
Kay Redfield Jamison
Identifying Your Dream Some people can easily identify one primary dream. For others, a dream is more elusive. These people often have many dreams at once, or a general idea of a dream that never takes a specific shape.
S.A.R.K. (Make Your Creative Dreams Real: A Plan for Procrastinators, Perfectionists, Busy People, and People Who Would Really Rather Sleep All Day)
Sleep was like wealth, elusive and for other people.
Cristina Henríquez (The Book of Unknown Americans)
Nothing has changed. The body is susceptible to pain, It must eat and breath air and sleep, It has thin skin and blood right underneath, An adequate stock of teeth and nails, Its bones are breakable, its joints are stretchable. In tortures all this is taken into account. Nothing has changed. The body shudders as it is shuddered Before the founding of Rome and after, In the twentieth century before and after Christ. Tortures are as they were, it’s just the earth that’s grown smaller, And whatever happens seems on the other side of the wall. Nothing has changed. It’s just that there are more people, Besides the old offenses, new ones have appeared, Real, imaginary, temporary, and none, But the howl with which the body responds to them, Was, and is, and ever will be a howl of innocence According to the time-honored scale and tonality. Nothing has changed. Maybe just the manners, ceremonies, dances, Yet the movement of the hands in protecting the head is the same. The body writhes, jerks, and tries to pull away Its legs give out, it falls, the knees fly up, It turns blue, swells, salivates, and bleeds. Nothing has changed. Except of course for the course of boundaries, The lines of forests, coasts, deserts, and glaciers. Amid these landscapes traipses the soul, Disappears, comes back, draws nearer, moves away, Alien to itself, elusive At times certain, at others uncertain of its own existence, While the body is and is and is And has no place of its own.
Wisława Szymborska
When I finally lie down, I find sleep elusive. The same thoughts that trouble me during the day are only compounded by the stillness of night.
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
Suddenly…a sound…the strangest, undoubtedly, that these lonely cliffs of France had ever heard, broke the silent solemnity of the shore. So strange a sound was it that the gentle breeze ceased to murmur, the tiny pebbles to roll down the steep incline! So strange, that Marguerite, wearied, overwrought as she was, thought that the beneficial unconsciousness of the approach of death was playing her half-sleeping senses a weird and elusive trick. It was the sound of a good, solid, absolutely British “Damn!
Emmuska Orczy (The Scarlet Pimpernel)
He’d tried to sleep, too, but that was an elusive bitch who had no use for him tonight.
Sherrilyn Kenyon (Born of the Night (The League, #1))
Sleep, elusive as a ghost, plaintive as a widow, and as easy to hold as the wind.
Jeff Salyards
Sleep was like wealth, elusive and for other people.
The Book of Unknown Americans
There was the focus of seeking pleasure, and the numbing effect, once they were finished, removing all specific thoughts from her brain. It ushered in the solid, dreamless sleep that otherwise eluded her.
Jhumpa Lahiri (The Lowland)
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time." And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer. Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. " ... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)
The inherent mystery itself: that elusive brightness that flows out of dreams; the brightness that, when we awaken, is already fading from our minds—I still pursued it almost every morning, in spite of my many hours of tortured sleep.
Diane B. Saxton
Every single thing our bodies do requires movement—initiated by our musculoskeletal system—to be performed with ease. Digestion, immunity, reproduction—all of these functions require us to move. You can eat the perfect diet, sleep eight hours a night, and use only baking soda and vinegar to clean your house, but without the loads created by natural movement, all of these worthy efforts are thwarted on a cellular level, and your optimal wellness level remains elusive.
Katy Bowman (Move Your DNA: Restore Your Health Through Natural Movement)
That night, the tent that I had been alone in for so long was suddenly heaving with bodies, and piles of rope and kit--with Neil, Geoffrey, and Graham squeezed in beside me. I tried to drink as much boiled water as I could get down. I knew that I would need to be as hydrated as I could possibly be to tackle what lay ahead. So I drank and I peed. But still my pee was dark brown. It was almost impossible to hydrate at this altitude. The ritual of peeing into a water bottle had become second nature to us all, even in the dark, and even with someone’s head inches away from the bottle. We each had two bottles: one for pee, one for water. It was worth having a good system to remember which was which. At 10:00 P.M. I needed to pee--again. I grabbed my bottle, crouched over and filled it. I screwed it shut--or so I thought--then settled back into my bag to try and find some elusive sleep. Soon I felt the dampness creeping through my clothes. You have got to be joking. I swore to myself as I scrambled to the crouch position again. I looked down. The cap was hanging loosely off the pee bottle. Dark, stinking brown pee had soaked through all my clothes and sleeping bag. I obviously hadn’t done it up properly. Brute of a mistake. Maybe an omen for what lay ahead. On that note I fell asleep.
Bear Grylls (Mud, Sweat and Tears)
Whales are scarce as hen's teeth whenever thou art up here. Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mysticocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Wickliff's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby-Dick or, The Whale)
Our party soon broke up; Mrs. Blair went below to sleep and I went out on deck. Colonel Race followed me. “You’re very elusive, Miss Beddingfeld. I looked for you everywhere last night at the dance.” “I went to bed early,” I explained. “Are you going to run away to-night too? Or are you going to dance with me?” “I shall be very pleased to dance with you,” I murmured shyly. “But Mrs. Blair——” “Our friend, Mrs. Blair, doesn’t care for dancing.” “And you do?” “I care for dancing with you.” “Oh!” I said nervously. I was a little afraid of Colonel Race. Nevertheless I was enjoying myself. This was better than discussing fossilized skulls with stuffy old professors! Colonel Race was really just my ideal of a stern silent Rhodesian. Possibly I might marry him!
Agatha Christie (The Man in the Brown Suit (Colonel Race, #1))
Why, thou monkey,’ said a harpooneer to one of these lads, ‘we ’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.’ Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious revery is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Cranmer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. 10 There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise forever. Heed it well, ye Pantheists!
Herman Melville
In every reign there comes one night of greatest blackness, when a King must send away his court of flatterers and servants, and sit alone in the dark with the beast called truth. In the gloom of the grand hall, Slately could hear it breathe. Truth at court was treated as if it were a precious commodity. It was hoarded, coveted, bartered for. Certainly this analogy applied to lies; his courtiers accepted his lies as currency of the realm. He handed them lies in large denominations, and they returned him his change in small ones. Oh, but truth was something different. Something alive and immortal. By light of day it was only a little butterfly: pretty, elusive, easily crushed, and utterly unable to defend itself. Most nights, too, it slept harmlessly. One could wave it away for a very long time. But on the nights it did not sleep, neither did the King.
Rob Balder (Love is a Battlefield (Erfworld#2))
Why, thou monkey,” said a harpooneer to one of these lads, “we’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.” Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)
This symbolism may well have been based, originally, on some visionary experience, such as happens not uncommonly today during psychological treatment. For the medical psychologist there is nothing very lurid about it. The context itself points the way to the right interpretation. The image expresses a psychologem that can hardly be formulated in rational terms and has, therefore, to make use of a concrete symbol, just as a dream must when a more or less “abstract” thought comes up during the abaissement du niveau mental that occurs in sleep. These “shocking” surprises, of which there is certainly no lack in dreams, should always be taken “as-if,” even though they clothe themselves in sensual imagery that stops at no scurrility and no obscenity. They are unconcerned with offensiveness, because they do not really mean it. It is as if they were stammering in their efforts to express the elusive meaning that grips the dreamer’s attention.62 [316]       The context of the vision (John 3 : 12) makes it clear that the image should be taken not concretistically but symbolically; for Christ speaks not of earthly things but of a heavenly or spiritual mystery—a “mystery” not because he is hiding something or making a secret of it (indeed, nothing could be more blatant than the naked obscenity of the vision!) but because its meaning is still hidden from consciousness. The modern method of dream-analysis and interpretation follows this heuristic rule.63 If we apply it to the vision, we arrive at the following result: [317]       1. The MOUNTAIN means ascent, particularly the mystical, spiritual ascent to the heights, to the place of revelation where the spirit is present. This motif is so well known that there is no need to document it.64 [318]       2. The central significance of the CHRIST-FIGURE for that epoch has been abundantly proved. In Christian Gnosticism it was a visualization of God as the Archanthropos (Original Man = Adam), and therefore the epitome of man as such: “Man and the Son of Man.” Christ is the inner man who is reached by the path of self-knowledge, “the kingdom of heaven within you.” As the Anthropos he corresponds to what is empirically the most important archetype and, as judge of the living and the dead and king of glory, to the real organizing principle of the unconscious, the quaternity, or squared circle of the self.65 In saying this I have not done violence to anything; my views are based on the experience that mandala structures have the meaning and function of a centre of the unconscious personality.66 The quaternity of Christ, which must be borne in mind in this vision, is exemplified by the cross symbol, the rex gloriae, and Christ as the year.
C.G. Jung (Aion: Researches into the Phenomenology of the Self (Collected Works, Vol 9ii))
Soon after I arrived on the island I had a run-in with my son’s first grade teacher due to my irreverent PJ sense of humor. When Billy lost a baby tooth I arranged the traditional parentchild Tooth Fairy ritual. Only six years old, Billy already suspected I was really the Tooth Fairy and schemed to catch me in the act. With each lost tooth, he was getting harder and harder to trick. To defeat my precocious youngster I decided on a bold plan of action. When I tucked him in I made an exaggerated show of placing the tooth under his pillow. I conspicuously displayed his tooth between my thumb and forefinger and slid my hand slowly beneath his pillow. Unbeknownst to him, I hid a crumpled dollar bill in the palm of my hand. With a flourish I pretended to place the tooth under Billy’s pillow, but with expert parental sleight of hand, I kept the tooth and deposited the dollar bill instead. I issued a stern warning not to try and stay awake to see the fairy and left Billy’s room grinning slyly. I assured him I would guard against the tricky fairy creature. I knew Billy would not be able to resist checking under his pillow. Sure enough, only a few minutes later he burst from his room wide-eyed with excitement. He clutched a dollar bill tightly in his fist and bounced around the room, “Dad! Dad! The fairy took my tooth and left a dollar!” I said, “I know son. I used my ninja skills and caught that thieving fairy leaving your room. I trapped her in a plastic bag and put her in the freezer.” Billy was even more excited and begged to see the captured fairy. I opened the freezer and gave him a quick glimpse of a large shrimp I had wrapped in plastic. Viewed through multiple layers of wrap, the shrimp kind of looked like a frozen fairy. I stressed the magnitude of the occasion, “Tooth fairies are magical, elusive little things with their wings and all. I think we are the first family ever to capture one!” Billy was hopping all over the house and it took me quite awhile to finally calm him down and get him to sleep. The next day I got an unexpected phone call at work. My son’s teacher wanted to talk to me about Billy, “Now what?” I thought. When I arrived at the school, Billy’s teacher met me at the door. Once we settled into her office, she explained she was worried about him. Earlier that day, Billy told his first grade class his father had killed the tooth fairy and had her in a plastic bag in the freezer. He was very convincing. Some little kids started to cry. I explained the previous night’s fairy drama to the teacher. I was chuckling—she was not. She looked at me as if I had a giant booger hanging out of a nostril. Despite the look, I could tell she was attracted to me so I told her no thanks, I already had a girlfriend. Her sputtering red face made me uncomfortable and I quickly left. Later I swore Billy to secrecy about our fairy hunting activities. For dinner that evening, we breaded and fried up a couple dozen fairies and ate them with cocktail sauce and fava beans.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Endometriosis, or painful periods? (Endometriosis is when pieces of the uterine lining grow outside of the uterine cavity, such as on the ovaries or bowel, and cause painful periods.) Mood swings, PMS, depression, or just irritability? Weepiness, sometimes over the most ridiculous things? Mini breakdowns? Anxiety? Migraines or other headaches? Insomnia? Brain fog? A red flush on your face (or a diagnosis of rosacea)? Gallbladder problems (or removal)? — PART E — Poor memory (you walk into a room to do something, then wonder what it was, or draw a blank midsentence)? Emotional fragility, especially compared with how you felt ten years ago? Depression, perhaps with anxiety or lethargy (or, more commonly, dysthymia: low-grade depression that lasts more than two weeks)? Wrinkles (your favorite skin cream no longer works miracles)? Night sweats or hot flashes? Trouble sleeping, waking up in the middle of the night? A leaky or overactive bladder? Bladder infections? Droopy breasts, or breasts lessening in volume? Sun damage more obvious, even glaring, on your chest, face, and shoulders? Achy joints (you feel positively geriatric at times)? Recent injuries, particularly to wrists, shoulders, lower back, or knees? Loss of interest in exercise? Bone loss? Vaginal dryness, irritation, or loss of feeling (as if there were layers of blankets between you and the now-elusive toe-curling orgasm)? Lack of juiciness elsewhere (dry eyes, dry skin, dry clitoris)? Low libido (it’s been dwindling for a while, and now you realize it’s half or less than what it used to be)? Painful sex? — PART F — Excess hair on your face, chest, or arms? Acne? Greasy skin and/or hair? Thinning head hair (which makes you question the justice of it all if you’re also experiencing excess hair growth elsewhere)? Discoloration of your armpits (darker and thicker than your normal skin)? Skin tags, especially on your neck and upper torso? (Skin tags are small, flesh-colored growths on the skin surface, usually a few millimeters in size, and smooth. They are usually noncancerous and develop from friction, such as around bra straps. They do not change or grow over time.) Hyperglycemia or hypoglycemia and/or unstable blood sugar? Reactivity and/or irritability, or excessively aggressive or authoritarian episodes (also known as ’roid rage)? Depression? Anxiety? Menstrual cycles occurring more than every thirty-five days? Ovarian cysts? Midcycle pain? Infertility? Or subfertility? Polycystic ovary syndrome? — PART G — Hair loss, including of the outer third of your eyebrows and/or eyelashes? Dry skin? Dry, strawlike hair that tangles easily? Thin, brittle fingernails? Fluid retention or swollen ankles? An additional few pounds, or 20, that you just can’t lose? High cholesterol? Bowel movements less often than once a day, or you feel you don’t completely evacuate? Recurrent headaches? Decreased sweating? Muscle or joint aches or poor muscle tone (you became an old lady overnight)? Tingling in your hands or feet? Cold hands and feet? Cold intolerance? Heat intolerance? A sensitivity to cold (you shiver more easily than others and are always wearing layers)? Slow speech, perhaps with a hoarse or halting voice? A slow heart rate, or bradycardia (fewer than 60 beats per minute, and not because you’re an elite athlete)? Lethargy (you feel like you’re moving through molasses)? Fatigue, particularly in the morning? Slow brain, slow thoughts? Difficulty concentrating? Sluggish reflexes, diminished reaction time, even a bit of apathy? Low sex drive, and you’re not sure why? Depression or moodiness (the world is not as rosy as it used to be)? A prescription for the latest antidepressant but you’re still not feeling like yourself? Heavy periods or other menstrual problems? Infertility or miscarriage? Preterm birth? An enlarged thyroid/goiter? Difficulty swallowing? Enlarged tongue? A family history of thyroid problems?
Sara Gottfried (The Hormone Cure)
Both of our memories were deteriorating, and in recent years the effort required to recall a name or incident felt almost wearyingly physical, like clearing out an attic. Proper nouns were particularly elusive. Adverbs and adjectives would go next, until we were left with pronouns and imperative verbs. Eat! Walk! Sleep now!
David Nicholls
of processing and analyzing: two hours of sleep. Cost of thinking: two more hours of sleep. Cost of giving the elusive more to the insanely sexy Stone Wilder: priceless.
Jill Shalvis (Instant Gratification (Wilder #2))
There is about our house a need. The running, pulsating restlessness of the four boys as they struggle to learn and grow; the world embraces them….All this wonder needs a counterpart. We need some starched crisp frocks to go with all our torn-kneed blue jeans and helmets. We need some soft blond hair to off-set those crew cuts. We need a doll house to stand firm against our forts and rackets and thousand baseball cards. We need a cut-out star to play alone while the others battle to see who’s ‘family champ.’ We even need someone…who could sing the descant to “Alouette,” while outside they scramble to catch the elusive ball aimed ever roofward, but usually thudding against the screens. We need a legitimate Christmas angel—one who doesn’t have cuffs beneath the dress. We need someone who’s afraid of frogs. We need someone to cry when I get mad—not argue. We need a little one who can kiss without leaving egg or jam or gum. We need a girl. We had one once—she’d fight and cry and play and make her way just like the rest. But there was about her a certain softness. She was patient—her hugs were just a little less wiggly. Like them, she’d climb in to sleep with me, but somehow she’d fit. She didn’t boot and flip and wake me up with pug nose and mischievous eyes a challenging quarter-inch from my sleeping face. No—she’d stand beside our bed till I felt her there. Silently and comfortable, she’d put those precious, fragrant locks against my chest and fall asleep. Her peace made me feel strong, and so very important. “My Daddy” had a caress, a certain ownership which touched a slightly different spot than the “Hi Dad” I love so much. But she is still with us. We need her and yet we have her. We can’t touch her, and yet we can feel her. We hope she’ll stay in our house for a long, long time. Love Pop
Jon Meacham (Destiny and Power: The American Odyssey of George Herbert Walker Bush)
Holy is the dish and drain The soap and sink, and the cup and plate And the warm wool socks, and cold white tile Showerheads and good dry towels And frying eggs sound like psalms With a bit of salt measured in my palm It’s all a part of a sacrament As holy as a day is spent Holy is the busy street And cars that boom with passion’s beat And the check out girl, counting change And the hands that shook my hands today And hymns of geese fly overhead And stretch their wings like their parents did Blessed be the dog, that runs in her sleep To catch that wild and elusive thing Holy is the familiar room And the quiet moments in the afternoon And folding sheets like folding hands To pray as only laundry can I’m letting go of all I fear Like autumn leaves of earth and air For summer came and summer went As holy as a day is spent Holy is the place I stand To give whatever small good I can And the empty page, and the open book Redemption everywhere I look Unknowingly we slow our pace In the shade of unexpected grace And with grateful smiles and sad lament As holy as a day is spent And morning light sings “Providence” As holy as a day is spent
J. Brent Bill (Holy Silence: The Gift of Quaker Spirituality)
Squeezed by the vise grips of an electrified night and early-morning start times, bereft of twenty-four-hour thermal cycles, and with caffeine and alcohol surging through us in various quantities, many of us feel rightly exhausted and crave that which seems always elusive: a full, restful night of natural deep sleep.
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
Sleep. It’s a beautiful thing. When you have it. When you can get it. When you can access it. But when you don’t, when you can’t… It’s an elusive bitch.
M. Leighton (The Beautiful Now)
Olivia hadn't understood about not sleeping well until Jacob started to travel so much. When the person you are used to sleeping next to isn't there anymore, sleep becomes increasingly elusive
Rachel Burton (The Secrets of Summer House)
Jess stayed very still, waiting, hoping, trying to fall back into slumber. Just an hour or two more, and she could get up and start the day. But sleep was elusive. Lying in the dark, she felt divided, dissolvable, displaced. She pictured her bed in London and it seemed like make-believe. But this place was not right or real either.
Kate Morton (Homecoming)
when I finally lie down, I find sleep elusive. The same thoughts that trouble me during the day are only compounded by the stillness of night.…
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
If there are signs. If, in the next cell an impossible neighbor, because on the other side of the wall are just the cliffs and sea, starts to tap to give you an escape plan with crescents, gears, triangles and crosses. If life is a test of perspicacity, or, what might be one in the same of personality - draw a tree, draw a person. Put these drawings in the order they occurred. Interpret the multicolored butterflies spread over the page. They must appear from where you least expected. Heteroclite and elusive above all, making you doubt not them but yourself. Making you blush before your own paranoia. And making you try to forget it. To return to the pervasive conspiracy of normality. But the tapping on the wall won’t let you sleep. And the privation of sleep leads to hallucinations and insanity. And in the end, inevitably, to the illusion that you hear tapping on the wall. And all this until the metronome stops. And you have yet to give an answer.
Cărtărescu Mircea
Pump changed my own umwelt. Walking through the world with her, watching her reactions, I began to imagine her experience. My enjoyment of a narrow winding path in a shady forest, lined with low bushes and grasses, comes in part from seeing how Pump enjoyed it: the cool of the shade, of course, but also the pathiness, allowing her to zoom along unchecked, stopping only for rousing scents along the sides. I now see city blocks, and their sidewalks and buildings, with their investigatory sniffing possibilities in mind: a sidewalk along an uninterrupted wall without fences, trees, or variation, is a block I'd never want to walk down. Where I'll choose to sit in the park--which bench, what rock--is based on where a dog at my side would have the best panoramic olfactory view. Pump loved large open lawns--to plop down in, to roll repeatedly in, to sniff endlessly--and high grass or brush--to lope regally through. I came to love large open laws and high grass and brush in anticipation of her enjoyment. (The interest in rolling in unseen smells remains elusive...) I smell the world more. I love to sit outside on a breezy day. My day is tilted toward morning. The importance of mornings has always been that if I awoke early enough, we could have a long, off-leash walk together in a relatively unpeopled park or beach. I still have trouble sleeping in. It is a very small bit comforting to realise how deeply she is in me, even over a year from the day when she was also aside me, willing to submit to a tickle of the dense curls under her chin as she rested it on the ground for the last time.
Alexandra Horowitz (Inside of a Dog: What Dogs See, Smell, and Know)
Despite his fatigue, Kelsier found sleep elusive that night.
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
Speaking of dreams…I fold my arms behind my head and luxuriate in the bliss of sprawling flat on my back in bed for the first time in years, without the encumbrance of wings. I’ve always been a back sleeper, and since I didn’t get to fuck today and it’s now too late for me to find a woman that wouldn’t require coin in exchange (that chivalrous Keltar romantic still beats powerfully in my heart), I’ve no doubt I’ll be dreaming about sex for the paltry few hours I drift. I don’t need to sleep anymore, but the human part of me enjoys it and keeps trying. My window of slumber, however, continues to shrink and grow more elusive. Mac says princes don’t sleep at all. If that’s true, I’m not looking forward to completing the transformation. What is life without dreams?
Karen Marie Moning (Kingdom of Shadow and Light (Fever, #11))
I had come to appreciate the peace and clarity that cycling with a hangover gave me. It was much easier to focus on just one thing, or even to attain the elusive blank state of mind that made the miles slip by unnoticed. Steering and watching the road for danger by reflex, the mind can climb inside itself and go to sleep.
Charlie Walker (Through Sand & Snow: a man, a bicycle, and a 43,000-mile journey to adulthood via the ends of the Earth)
Back home again, Theodosia had fixed herself a cup of chamomile tea, ideal for jangled nerves or those times when sleep proves elusive. Then she sat down in front of her computer for a quick bit of Internet research.
Laura Childs (Death by Darjeeling (A Tea Shop Mystery, #1))
Always For the First Time" Always for the first time Hardly do I know you by sight You return at some hour of the night to a house at an angle     to my window A wholly imaginary house It is there from one second to the next In the inviolate darkness I anticipate once more the fascinating rift occurring The one and only rift In the facade and in my heart The closer I come to you In reality The more the key sings at the door of the unknown room Where you appear alone before me At first you coalesce entirely with the brightness The elusive angle of a curtain It’s a field of jasmine I gazed upon at dawn on a road in the     vicinity of Grasse With the diagonal slant of its girls picking Behind them the dark falling wing of the planets stripped     bare Before them a T-square of dazzling light The curtain invisibly raised In a frenzy all the flowers swarm back in It is you at grips with that too long hour never dim enough     until sleep You as though you could be The same except that I shall perhaps never meet you You pretend not to know I am watching you Marvelously I am no longer sure you know Your idleness brings tears to my eyes A swarm of interruptions surrounds each of your gestures In a honeydew hunt There are rocking chairs on a deck there are branches that     may well scratch you in the forest There are in a shop window in the rue Notre-Dame-de Lorette Two lovely crossed legs caught in long stockings Flaring out in the center of a great white clover There is a silken ladder rolled out over the ivy There is By my lening over the precipice Of your presence and your absence in hopeless fusion My finding the secret Of loving you Always for the very first time André Breton (1934)
André Breton
If people think they can “do” meditation, then they become frustrated every time they don’t achieve the state. In the same way that making more of an effort to fall asleep—trying to force yourself to sleep—often backfires, the meditative state becomes more elusive the more you try. On the other hand, if people understand that meditation is a state, then their only job is to create the right circumstances. They focus on what they can do—relax, sit still, concentrate—and then sometimes the state comes, while sometimes it does not. Either one is fine.
Gudjon Bergmann
One night he left his tent and rambled around aimlessly in the sleeping camp. He wandered to the enclosure where the captives’ tents stood near the banks of the river Rha. The night was cold, silvery with moonlight, and silent; he could hear the river gently lapping against its banks. It was a sweet, soothing sound like the lullaby his mother used to sing. As he listened a change came into the rhythm of the river’s song—now it was sad, yearning . . . and he could hear words. Someone was singing near by. The melody coiled around his heart and drew him, down the grassy slope, down to the river’s edge he went. The soft grass deadened his footsteps and he saw the singer before she heard him. Leaning against a tree so close to the river that her moonlit figure was reflected in the water, stood one of the captive girls. Bendeguz stood motionless, watching and listening. Her deep sad voice seemed to melt the fierceness around his heart, the restlessness left him, he was at peace. The song came to an end. The girl turned away from the river with a sigh . . . she saw Bendeguz. She made a move as if to run away, then shrank against the tree and faced him defiantly. There was contempt in her eyes and pride in the lift of her head. Bendeguz wanted to say: “Do not be afraid,” but now he could not, for there was no fear in her eyes—just cold, proud contempt. He walked closer, he could have touched her, and still she faced him defiantly. “What is your name?” he asked and his voice was gentle. “Alleeta.” “Alleeta . . .” he repeated slowly. “Alleeta, your eyes are as cold as ice. Do you hate me?” She looked at him for a long time then she turned her head away. “No, not now,” she whispered. “Always I have before, but not now.” She was speaking the language of the Huns, yet it wasn’t the same. To Bendeguz the words she spoke were like her elusive reflection in the water, the same words he knew but subtly different. And suddenly the words of her song rang again in his ears: Lead me westward, White Eagle of the Moon, oh, lead me On silvery rays of the Moon— Westward I long to fly . . . . “Alleeta, where did you learn that song—where did you learn the language of my people?” he asked. She looked at him, surprised. “It is the language of my people and it is a song we all know, the Song of the White Eagle.” “The White Eagle!” exclaimed Bendeguz.
Kate Seredy (The White Stag)
pulmonary, cardiac, or neuromuscular condition and worsening dyspnea, the initial focus of the evaluation will usually address determining whether the known condition has progressed or whether a new process has developed that is causing dyspnea. For patients without a prior known potential cause of dyspnea, the initial evaluation will focus on determining an underlying etiology. Determining the underlying cause, if possible, is extremely important, as the treatment may vary dramatically based upon the predisposing condition. An initial history and physical examination remain fundamental to the evaluation followed by initial diagnostic testing as indicated that might prompt subspecialty referral (e.g., pulmonary, cardiology, neurology, sleep, and/ or specialized dyspnea clinic) if the cause of dyspnea remains elusive (Fig. 33-2). As many as two-thirds of patients will require diagnostic testing beyond the initial clinical presentation.
J. Larry Jameson (Harrison's Principles of Internal Medicine)
She had expected that sleep would be elusive, with all the thoughts buzzing through her mind. However, a deep slumber soon overtook her, and she sagged against the seat cushions. Shifting, twisting restlessly, she sought a more comfortable position. She felt herself being gathered up and held like a child, and the dream was so soothing that she couldn't help but surrender to the insidious pleasure. Something soft brushed her forehead, and the last few pins that anchored her coiffure were gently drawn from her hair. She inhaled the a wonderful scent, the crispness of wool and shaving soap overlaying the essence of clean male skin. Realizing that she was lying in Gentry's arms, snuggled in his lap, she stirred groggily. "What... what..." "Sleep," he whispered. "I won't harm you." His long fingers moved through the loose locks of her hair. The part of Lottie's mind that protested such a circumstance grappled with the rest of her brain, which pointed out that she was exhausted, and at this point it hardly mattered what liberties she allowed him. However, she stubbornly tugged free of him and pushed away from the invading warmth of his body. He released her easily, his eyes a dark glitter in the shadows. "I'm not your enemy, Lottie." "Are you my friend?" she parried. "You haven't behaved like one so far." "I haven't forced you to do anything you didn't want to do." "If you hadn't found me, I would still be residing happily at Stony Cross Park-" "You weren't happy there. I'll wager you haven't been happy a day in your life since you met Lord Radnor." Oh, how she longed to contradict him! But it was pointless to lie, when the truth was obvious. "You'll find life a hell of a lot more enjoyable as my wife," Gentry continued. "You won't be anyone's servant. You can do as you please, within reasonable limits. And you won't have to fear Lord Radnor any longer." "All for the price of sleeping with you," she muttered. He smiled, all velvety arrogance as he replied. "You may come to enjoy that part of it most of all.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Whispers of the Sou In the quiet realm where shadows play, A restless mind lost in the endless fray. No respite was found in the arms of sleep, Just wandering thoughts, in silence, deep. No words exist to capture the ache, The soul's turmoil, a relentless quake. In this vast expanse of unspoken pain, A heart's echo, a lone refrain. I walk the corridors of my own mind, A ceaseless journey, no rest to find. Words falter to describe the unknown, A symphony of thoughts in a world of their own. If emotion had language, would it speak of woe? Of dreams deferred and seeds that never grow. A paradox unfolds, reality's bitter twist, In the paradox of existence, a mystery persist. I am, yet why not, a question unanswered, In the tapestry of life, a thread unmastered. The universe weaves its cosmic design, Yet, in waiting, I linger, in the labyrinth of time. Thoughts dance like shadows, elusive, untamed, Yet consciousness binds, a truth unclaimed. A grand plan unfolds in the cosmic scheme, Yet, in the unfolding, reality may seem. I ponder the grandeur of the universe's art, Yet reality echoes, tearing worlds apart. For in the waiting, a patience wears thin, A relentless yearning for a destiny to begin. In the symphony of silence, a poet's plea, To articulate the ineffable, set emotions free. No language coined, no verse complete, In the corridors of thought, where echoes repeat. And as the stars bow to the night's embrace, A revelation dawns, a celestial grace. For in the quiet realm where shadows play, A serenade of hope whispers, lighting the way. In the tapestry of silence, a new verse is spun, A symphony of resilience, a battle not yet won. As the echoes fade, a metamorphosis takes flight, In the dance of shadows, emerges the eternal light.
Manmohan Mishra
sleep remained elusive.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))