Elric Quotes

We've searched our database for all the quotes and captions related to Elric. Here they are! All 100 of them:

Even when our eyes are closed, there's a whole world that exists outside ourselves and our dreams.
Hiromu Arakawa (Fullmetal Alchemist, Vol. 1)
I think of myself as a bad writer with big ideas, but I'd rather be that than a big writer with bad ideas.
Michael Moorcock (Elric: The Stealer of Souls (Eternal Champion, #11))
Stand up and walk. Keep moving forward. You've got two good legs. So get up and use them. You're strong enough to make your own path.-Edward Elric
Hiromu Arakawa
A lesson without pain is meaningless. That's because no one can gain without sacrificing something. But by enduring that pain and overcoming it, he shall obtain a powerful, unmatched heart. A fullmetal heart.
Hiromu Arakawa (Fullmetal Alchemist, Vol. 25)
I'M NOT SHORT!!!!! ~Edward Elric
Hiromu Arakawa
There's no such thing as being cowardly in a fight. ~Edward Elric
Hiromu Arakawa
No fair, sky. I'm the one who feels like crying.
Hiromu Arakawa
Damn it, there are so many idiots whose asses I have to kick! I'll have to start carrying a list just to keep track of 'em all!
Hiromu Arakawa
If there's no door, then I'll make one!
Hiromu Arakawa
What?! I'm not small! It's the world that's too big!!
Hiromu Arakawa (Fullmetal Alchemist, Vol. 20)
Legends are best left as legends and attempts to make them real are rarely successful
Michael Moorcock (Elric of Melniboné (The Elric Saga, #1))
There are many questions in this world that have no answers.
Hiromu Arakawa
Greed (as Ling): You humans always get all "holier-than-thou" when it comes to this stuff... I really don't get you. Edward: It's called having integrity. You should try it sometime
Hiromu Arakawa (Fullmetal Alchemist, Vol. 21)
Thank you, Edward. You really are special. Being able to create something so wonderful.....But it's too bad... ... You couldn't put me back together too. Trisha Elric
Hiromu Arakawa (Fullmetal Alchemist, Vol. 2)
Humankind cannot gain anything without first giving something in return. To obtain, something of equal value must be lost. That is alchemy's first law of Equivalent Exchange. In those days, we really believed that to be the world's one, and only, truth. But the world isn't perfect, and the law is incomplete. Equivalent Exchange doesn't encompass everything that goes on here, but I still choose to believe in its principle, that all things do come at a price, that there's an ebb and a flow, a cycle, that the pain we went through did have a reward, and that anyone who's determined and perseveres will get something of value in return, even if it's not what they expected. I don't think of Equivalent Exchange as a law of the world anymore. I think of it as a promise, between my brother and me. A promise that, someday, we'll see each other again.
Hiromu Arakawa
But even so, we're not devils, let alone gods. We're human. We're human!
Hiromu Arakawa
Farewell, friend. I was a thousand times more evil than thou!
Michael Moorcock (Stormbringer (The Elric Saga, #6))
The "Wet Tongue Gets Stuck To A Frozen Flagpole" attack!
Hiromu Arakawa (Fullmetal Alchemist, Vol. 18)
For this was the other thing that Elric knew: that to compromise with Tyranny is always to be destroyed by it. The sanest and most logical choice lay always in resistance.
Michael Moorcock (The Revenge of the Rose (The Elric Saga, #9))
Told you, Rose. Get too close to the sun, and you'll burn." -Edward Elric
Hiromu Arakawa
We're going to start walking again. We can't stand still, you know. Not as long as we're still alive.
Hiromu Arakawa
When I was certain he was going to kill me, my mind went blank, and I didn't have any hope anymore. All I could do was scream my lungs out. I felt so helpless, I couldn't even bring myself to believe someone might save me. And then you showed up Al, and I realized that if we don't take care of each other then no one else will. So I'll do anything in my power to get our bodies back, even if it means being the militaries lap dog. And we'll just have to hope our powers are good enough to help us rise above our own limits. Because we're not Gods, we're humans, tiny insignificant humans. Who couldn't even save a little girl. " Edward- Elric
Hiromu Arakawa
Stand up and walk. Move forward.
Hiromu Arakawa
The cycle of life only goes one direction, not even alchemy can change that" -Ed Elric
荒川 弘 Hiromu Arakawa
And now, I'm thinking again, isn't there something we can do about something we can't do anything about?
Hiromu Arakawa
And now, Elric had told three lies. The first concerned his cousin Yyrkoon. The second concerned the Black Sword. The third concerned Cymoril. And upon those three lies was Elric's destiny to be built, for it is only about things which concern us most profoundly that we lie clearly and with profound conviction.
Michael Moorcock (The Elric Saga Part I (Elric Saga, #1-3))
Man may trust man, Prince Elric, but perhaps we'll never have a truly sane world until men learn to trust mankind. That would mean the death of magic, I think.
Michael Moorcock (The Elric Saga Part I (Elric Saga, #1-3))
Water: 35 Liters. Carbon: 20 Kg. Ammonia: 4 Liters. Lime: 1.5 Kg. Phosphorus: 800 g. Salt: 250 g. Saltpeter: 100g. Sulfur: 80g. Fluorine: 7.5 g. Iron: 5 g. Silicon: 3 g. And 15 other elements in small quantities... That's the total chemical makeup of the average adult body... For that matter, the elements found in a human being... is all junk that you can buy in any market with a child's allowance. Humans are pretty cheaply made. - Edward Elric
Hiromu Arakawa (Fullmetal Alchemist 3-in-1 Vol. 1)
Let me tell you a little story. You may have heard it before. It's a story about a butcher named Barry. Once upon a time, in central city, there was a butcher named Barry. Barry loved to chop up meat more than anything in the world. But one day, when Barry got tired of just chopping up cows and pigs... ...He found something NEW to chop up-- PEOPLE. And so, he went out night after night in search of fresh meat. Eventually, Barry was caught, but not before he had slaughtered 23 victims!!! For terrorizing the poor people of central city, Barry was sent straight to the gallows...And everyone else lived happily ever after!
Hiromu Arakawa (Fullmetal Alchemist, Vol. 3)
Elric knew that everything that existed had its opposite. In danger he might find peace. And yet, of course, in peace there was danger. Being an imperfect creature in an imperfect world he would always know paradox. And that was why in paradox there was always a kind of truth. That was why philosophers and soothsayers flourished. In a perfect world there would be no place for them. In an imperfect world the mysteries were always without solution and that was why there was always a great choice of solutions.
Michael Moorcock (The Elric Saga Part I (Elric Saga, #1-3))
Why should their pain produce such marvelous beauty? he wonders. Or is all beauty created through pain? Is that the secret of great art, both human and Melnibonen?
Michael Moorcock (Elric of Melniboné (The Elric Saga, #1))
We must be bound to one another then," Elric murmured despairingly. "Bound by hell-forged chains and fate-haunted circumstance. Well, then—let it be thus so—and men will have cause to tremble and flee when they hear the names of Elric of Melinbone and Stormbringer, his sword. We are two of a kind—produced by an age which has deserted us. Let us give this age cause to hate us!
Michael Moorcock (Elric: The Stealer of Souls (Eternal Champion, #11))
I walk the moonbeam roads a silver web connecting the many worlds of the Multiverse.
Michael Moorcock (Elric: The Balance Lost, Vol. 1)
I know not which I prefer the look of—those who attack us or that which defends us!
Michael Moorcock (The Sailor on the Seas of Fate (The Elric Saga, #2))
If we remain adaptable, we remain strong. If we force others to accept our traditions and values, we ultimately grow weak…
Michael Moorcock (Elric of Melniboné and Other Stories (Moorcocks Multiverse))
Man was not born to a world of justice. But he can create such a world!
Michael Moorcock (Stormbringer (The Elric Saga, #6))
The past is a script we are constantly rewriting.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
The subtlest lie of all is the full truth.
Michael Moorcock (The Bane of the Black Sword (The Elric Saga, #5))
a society dedicated solely to the preservation of her past, soon has only her past to sell.
Michael Moorcock (Elric: Swords and Roses (Chronicles of the Last Emperor of Melniboné, #6))
One avoids becoming a Tolkien clone precisely by returning to the same roots that inspired The Lord of the Rings.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
Death is the promise we're all born with, sir. A good death is better than a poor one.
Michael Moorcock (The Sailor on the Seas of Fate (The Elric Saga, #2))
And you, Prince Elric?" She attracted the albino's wandering attention. "Do you know his story?" Elric shook his head. "I only know," he said, "that he is a shape-changer and, that most cursed of souls, a person of rare goodness and sanity. Imagine such torment as is his!
Michael Moorcock (The Revenge of the Rose (The Elric Saga, #9))
Humanity's advancement is founded on looking for new possibilities instead of being bound by general principles.
Hiromu Arakawa (Fullmetal Alchemist, Vol. 23)
Life’s not easy, it is a hard task to live it well and with grace—but, by Hades, let’s not complicate it with deities and water-nymphs!
Michael Moorcock (Elric: To Rescue Tanelorn (Chronicles of the Last Emperor of Melniboné, #2))
IT IS THE colour of a bleached skull, his flesh; and the long hair which flows below his shoulders is milk-white. From the tapering, beautiful head stare two slanting eyes, crimson and moody, and from the loose sleeves of his yellow gown emerge two slender hands, also the colour of bone, resting on each arm of a seat which has been carved from a single, massive ruby.
Michael Moorcock (Elric: The Sleeping Sorceress (Chronicles of the Last Emperor of Melniboné, #3))
Elric: We are dreamers, shapers, singers, and makers. We study the mysteries of laser and circuit, crystal and scanner, holographic demons and invocation of equations. These are the tools we employ, and we know many things. John Sheridan: Such as? Elric: The true secrets, the important things. Fourteen words to make someone fall in love with you forever. Seven words to make them go without pain. How to say good-bye to a friend who is dying. How to be poor. How to be rich. How to rediscover dreams when the world has stolen them. That is why we are going away—to preserve that knowledge. Sheridan: From what? Elric: There is a storm coming, a black and terrible storm. We would not have our knowledge lost or used to ill purpose. From this place we will launch ourselves into the stars. With luck, you will never see our kind again in your lifetime. I know you have your orders, Captain. Detain us if you wish. But I cannot tell you where we are going. I can only ask you to trust us.
J. Michael Straczynski
A lesson without pain is meaningless. That’s because no one can gain without sacrificing something. But by enduring that pain and overcoming it, he shall obtain a powerful, unmatched heart. A fullmetal heart.
Edward Elric
Know this. Elric cannot have want he desires most. What he desires does not exist. What he desires is dead. All Elric has is sorrow, guilt, malice, hatred. This is all he deserves and all he will ever desire.
Michael Moorcock
Humankind Cannot Gain Anything Without First Giving Something In Return. To obtain, Something Of Equal Value Must Be Lost. That Is Alchemy's First Law Of Equivalent Exchange.
Edward Elric
A lesson without pain is meaningless. That's because no one can gain without sacrificing something. But by enduring that pain and overcoming it, he shall obtain a powerful, unmatched heart. A fullmetal heart
Hiromu Arakawa
The albino found himself brooding upon the nature of all unholy bargains, of his own dependency upon the hellsword Stormbringer, of his willingness to summon supernatural aid without thought of any spiritual consequences to himself and, perhaps most significant, of his unwillingness to find a way to cure himself of the occult's seductive attraction; for there was a part of his strange brain that was curious to follow its own fate; to learn whatever disastrous conclusion lay in store for it—it needed to know the end of the saga: the value, perhaps, of its torment.
Michael Moorcock (The Revenge of the Rose (The Elric Saga, #9))
I have brought evil to many places,” he said, “but usually there has already been evil to match mine. I seek no excuses, for I know what I am and I know what I have done. I have slain malignant sorcerers and destroyed oppressors, but I have also been responsible for slaying fine men, and a woman, my cousin, whom I loved, I killed—or my sword did.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
That the world forgets me is all I ask,” Elric sighed.
Michael Moorcock (Stormbringer (The Elric Saga, #6))
Elric offered Moonglum a smile that had gratitude in it. “You are—a good friend—I wonder why . . .
Michael Moorcock (Elric: The Sleeping Sorceress (Chronicles of the Last Emperor of Melniboné, #3))
Yet without Chaos there would be no Creation, and perhaps no Creator. That is the simple truth of all existence, Lord Elric. The promise of immortality.
Michael Moorcock (Fabulous Harbors (Second Ether, #2))
Moonglum sighed. “Elric—this once, let us not court the danger.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
We are wary of you, Elric. Even if we allowed you to lead us again you would take your own doomed path and us with you. There is no future here for myself and my men.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
. “Thanks, good sir,” he said lightly. “Without your help, the battle might have lasted longer. You deprived me of good sport, but you meant well. Moonglum is my name.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
'No one lives in Ameeron by choice.''A veritable City of the Damned.''As the poet might remark, aye.' Rackhir offered Elric a sardonic wink. 'But I sometimes think all cities are that.'
Michael Moorcock (Elric of Melniboné (The Elric Saga, #1))
Being an imperfect creature in an imperfect world he would always know paradox. And that was why in paradox there was always a kind of truth. That was why philosophers and soothsayers flourished. In a perfect world there would be no place for them. In an imperfect world the mysteries were always without solution and that was why there was always a great choice of solutions.
Michael Moorcock (The Sailor on the Seas of Fate (The Elric Saga, #2))
Elric and his companions swung themselves on to their horses as, with a frightful multivoiced scream, the dead lords were swallowed by the earth, returning to the depths from which they had been summoned.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
The merchants were already regretting their haste in contacting the albino. They had a feeling that not only were the legends true—but they did not do justice to the strange-eyed man they wished to employ.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
The note took long moments to fade and, when it had at last died away, there was an absolute hush over the world, the milling millions were still, there was an air of expectancy. And then the White Lords came.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
. Elric turned his face towards her, his crimson-irised eyes burning with a strange emotion. He put a hand to his dead white skin and a crooked smile twisted his lips. “I, too, have felt as you do,” he said quietly.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
Arioch!” swore Elric, suddenly recognizing the riders. “These are the Lords of Dharzi—dead these ten centuries. We’re fighting dead men, Moonglum, and the too-tangible ghosts of their dogs. Unless I can think of a sorcerous means to defeat them, we’re doomed!
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
At which Charion Pratt blushed girlishly, to her own furious embarrassment, yet the eye she cast upon the little coxcomb was not unlike that which a certain toad had once cast upon her: for there is never anything but apparent paradox in the choices made by lovers.
Michael Moorcock (The Revenge of the Rose (The Elric Saga, #9))
If your people spent less time maintaining their own devalued myths about themselves and more upon studying the world as it is I think your city would have a greater chance of surviving. As it is, the place is crumbling beneath the weight of its own degraded fictions. The legends which offer a race their sense of pride and history eventually become putrid.
Michael Moorcock (Elric of Melniboné (The Elric Saga #1))
The legends which offer a race their sense of pride and history eventually become putrid.
Michael Moorcock (Elric In the Dream Realms (Chronicles of the Last Emperor of Melniboné, #5))
I can accept then, that we are more than forsaken, because there was never anything there to forsake us.
Michael Moorcock (The Weird of the White Wolf (The Elric Saga, #3))
he cursed the malevolent Gods for the black day when idly, for their amusement, they had spawned men.
Michael Moorcock (The Weird of the White Wolf (The Elric Saga, #3))
. “I am a man possessed,” he groaned, “and without this devil-blade I carry I would not be a man at all.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
A man frantically spurring an equally frightened horse—and behind him, the distance decreasing, a pack of what at first appeared to be dogs. But these were not dogs—they were half-dog and half-bird, with the lean, shaggy bodies and legs of dogs but possessing birdlike talons in place of paws and savagely curved beaks which snapped where muzzles should have been.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
That night they slept restlessly and, as he had predicted, Elric screamed agonizingly in his turbulent, terror-filled sleep and he called a name which made Shaarilla’s eyes fill with pain and jealousy. Wide-eyed in his grim sleep, Elric seemed to be staring at the one he named, speaking other words in a sibilant language which made Shaarilla block her ears and shudder.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
I am from crumbling Imrryr, the Dreaming City, from the Isle of the Dragon, hub of Ancient Melniboné, and I know what beauty really is. Your baubles cannot tempt one who has looked upon the milky Heart of Arioch, upon the blinding iridescence that throbs from the Ruby Throne, of the languorous and unnamable colours in the Actorios stone of the Ring of Kings. These are more than jewels, madam—they contain the lifestuff of the universe.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
. “No!” His scream was anguished, unbelieving. “No!” Tears flowed down his contorted face as he ran his hands through the fine dust. With a groan which racked his whole being, he fell forward, his face hitting the disintegrated parchment. Time had destroyed the Book—untouched, possibly forgotten, for three hundred centuries. Even the wise and powerful gods who had created it had perished—and now its knowledge followed them into oblivion.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
ELRIC, LORD OF the lost and sundered Empire of Melniboné, rode like a fanged wolf from a trap—all slavering madness and mirth. He rode from Nadsokor, City of Beggars, and there was hate in his wake for he had been recognized as their old enemy before he could obtain the secret he had sought there. Now they hounded him and the grotesque little man who rode laughing at Elric’s side; Moonglum the Outlander, from Elwher and the Unmapped East.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
A great and dreadful storm was blowing—and he was the object of the Lasshaar’s attack. He had to retaliate, else his own soul would be wrenched from him by the Giants of the Wind and flung to the air spirits, to be borne for eternity on the winds of the world. Then his voice would moan like a banshee around the cold peaks of high ice-clothed mountains for ever—lost and lonely. His soul would be damned to travel with the four winds wherever their caprice might bear it, knowing no rest.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
Two eyes, the colour of thin, yellow wine, were set high in the thing’s body, though it had no separate head. A mouthing, obscene slit, filled with fangs, lay just beneath the eyes. It had no nose or ears that Elric could see. Four appendages sprang from its upper parts and its lower body slithered along the ground, unsupported by any limbs. Elric’s eyes ached as he looked at it. It was incredibly disgusting to behold and its amorphous body gave off a stench of death and decay. Fighting down his fear, the albino inched forward warily, his sword held high to parry any thrust the thing might make with its arms. Elric recognized it from a description in one of his grimoires. It was a Mist Giant—possibly the only Mist Giant, Bellbane.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
Now they neared the huge walls of Hwamgaarl. At intervals along these walls, which slanted outwards at an angle to encumber potential besiegers, they saw the screaming statues—once men and women whom Jagreen Lern and his forefathers had turned to rock but allowed them to retain their life and ability to speak. They spoke little, but screamed much, their ghastly shouts rolling over the disgusting city like the tormented voices of the damned—and damned they were. These sobbing waves of sound were horrifying, even to Elric’s ears, familiar with such sounds. Then another noise blended with this as the mighty portcullis of Hwamgaarl’s main gate squealed upwards and from it poured a host of well-armed men.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
I do not care for this responsibility,” he said. “When I fought the Dead God he spoke of both gods and men as shadow-things, playing puppet parts before the true history of Earth began and men found their fate in their own hands. Then Sepiriz tells me I must turn against Chaos and help destroy the whole nature of the world I know or history might never begin again, and Fate’s great purpose would be thwarted. Therefore I am the one who must be split and tempered to fulfill my destiny—I must know no peace of mind, must fight men and gods and the stuff of Chaos without surcease, must bring about the death of this age so that, in some far dawn-age, men who know little of sorcery or the Lords of the Higher Worlds, may move about a world where the major forces of Chaos can no longer enter, where justice may actually exist as a reality, and not as a mere concept in the minds of all philosophers.” He rubbed his red eyes with his fingers. “So fate makes Elric a martyr that Law might rule the world. It gives him a sword of ugly evil that destroys friends and enemies alike and sucks their soul-stuff out to feed him the strength he needs. It binds me to evil and to Chaos, in order that I may destroy evil and Chaos—but it does not make me some senseless dolt easily convinced and a willing sacrifice. No, it makes me Elric of Melniboné and floods me with a mighty misery…
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
He crossed to her and took her in his arms. “Oh, Zarozinia, we should never have met, never have married. We can only hurt one another at this time. Our happiness was so brief…” “If you would be hurt by me, then hurt you shall be,” she said softly, “but if you would be comforted, then I am here to comfort my lord.” He relented with a sigh. “These are loving words, my dear—but they are not spoken in loving times. I have put love aside for the nonce. Try to do likewise and thus we’ll both dispense with added complication.” Without anger, she drew slowly away from him and with a slight smile that had something of irony in it, pointed to the bed, where Stormbringer lay. “I see your other mistress still shares your bed,” she said. “And now you need never try to dismiss her again, for that black lord of Nihrain has given you an excuse to forever keep her by your side. Destiny—is that the word? Destiny! Ah, the deeds men have done in destiny’s name. And what is destiny, Elric, can you answer?” He shook his head. “Since you ask the question in malice, I’ll not make the attempt to answer it.” She cried suddenly: “Oh, Elric! I have traveled for many days to see you, thinking you would welcome me. And now we speak in anger!” “Fear!” he said urgently. “It is fear, not anger. I fear for you as I fear for the fate of the world! See me to my ship in the morning and then make speed back to Karlaak, I beg you.” “If you wish it.” She walked back into the small chamber which joined the main one.
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
Stormbringer turned in Elric’s hand, howling its satiated glee and clove down at Rackhir. Seeing his fate, the Red Archer sobbed and sought to avoid the blow. But it landed in his shoulder blade and sheared down to his breastbone. “Elric!” he cried. “Not my soul, too!” And so died the hero Rackhir the Red Archer, famous in the Eastlands as the saviour of Tanelorn. Cloven by a treacherous blade. By the friend whose life he had saved, long ago when they had first met near the city of Ameeron. And Elric laughed until realization came and he tugged his sword away though it was too late. The stolen energy still pulsed in him, but his great grief no longer gave it the same control over him. Tears streamed down Elric’s tortured face and a great, racking groan came from him. “Ah, Rackhir—will it ever cease?
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
Aye," said Elric darkly, "return me to my realm, so that I may fulfill my own doom-laden destiny ..." Werther looked upon the albino with affectionate delight. "Aha! A fellow spirit! I, too, have a doomladen destiny." "I doubt it is as doom-laden as mine.
Michael Moorcock (Elric at the End of Time (Elric of Melnibone #7))
And there are times, Prince Elric, I’ll admit, when a decent piece of steel has a certain advantage over a neatly turned phrase!
Michael Moorcock (Elric of Melniboné (The Elric Saga #1))
Meaning, Elric? Do not seek that, for madness lies in such a course.
Michael Moorcock (Stormbringer (The Elric Saga, #6))
We exist only to fight - not to win, but to preserve the eternal struggle
Michael Moorcock (The Weird of the White Wolf (The Elric Saga, #3))
Sometimes, she found, heartache was only relief in disguise.
Cassandra Celia (The Elric Undoing)
Pyet’s upbringing had been nothing but a revolving door of paranoia, never knowing who she could trust or confide in.
Cassandra Celia (The Elric Undoing)
Elric was a puzzle that could be solved if she just tried hard enough.
Cassandra Celia (The Elric Undoing)
She could feel the frigid arms of isolation welcoming her home, begging her to find warmth in the cold.
Cassandra Celia (The Elric Undoing)
Fuck, she hated feeling so unprepared, and so out of control of her own body.
Cassandra Celia (The Elric Undoing)
Elric shook his head. “I think you give me too much credit for intelligence.
Michael Moorcock (Elric of Melniboné (The Elric Saga #1))
Dedication is a talent all on its own.
Alphonse Elric (Humankind cannot gain anything without first giving something in return. To obtain, something of equal value must be lost: A 6x9 Anime Sketchbook with 120 pages with panel layout)
The world seemed a corpse, given life in corruption by virtue of the vermin which fed upon it.
Michael Moorcock (Stormbringer: The Elric Saga Part 2)
To live without belief in some power higher than oneself is a pallid thing.
Elric of Melniboné
But I tell you this, Sepiriz—given the opportunity I shall make that god rue his homecoming, for he has done the one thing that can move me to real anger. And the anger of Elric of Melniboné and his sword Stormbringer can destroy the world!” Sepiriz
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
He knew that for all his admission of Chaos he would be better able to do what he wished in a world ordered by some degree of Law. The
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
I heard the squirt of lube as he lay behind me. My breathing was getting heavy, both from nerves and excitement. I was about to let a man go where no one ever had before. Max pressed his lube-slicked tip against my hole. I closed my eyes, then opened them again. Not sure which I wanted to do. Then he breached me, his cock slid inside me. The sting was ten times as strong, followed by a burning sensation that had my toes curling. I gasped, reached back to hold onto him, and let out a groan. He slowly thrust forward, taking his time. Inch by inch, he entered my ass as I squirmed and let out grunting sounds. I don’t know how he kept his composure. “So tight,” he whispered. “Max.” It felt so good, the slight pain followed by the burst of pleasure. He held my hips, shifting forward still, filling me until I thought I might scream. I slammed my hand on the floor, overwhelmed. I needed to come, but I wanted this to last. “Max.” “Shh.” He started to pull out. I felt a sense of emptiness just then, a loneliness that seeped from my bones. He pushed back inside and I started chanting his name. I couldn’t stop. My brain wasn’t functioning right as Max glided inside me again. His fingers dug into my hip. Blond hair tickled my back. He nipped my shoulder, then kissed the sting. “Elric. Oh, fuck. Elric.” He was moving faster now, but never really pounding. I realized he was being gentle with me. He was making my first time good. It made me smile into the darkness. “Almost, baby. Almost.” He kissed my shoulder again, his length skating in and out, thanks to abundant amounts of lube. He fit perfectly despite being so large. “So good. So. Fucking… Elric!” He shouted my name and gave a hard thrust. I clenched; the pain was a bit intense on that one, but I held my tongue and let him come for as long as he could. I listened to the way he groaned and his soft moan as his orgasm finished. Max eased his grip and slowly pulled his spent cock out of my ass. He fell to his back with a grunt and a sigh. Well, now there was a new pain. I winced and lay on my back beside him. “What’d you think?” He glanced at me. “I think … I’ve been missing out.
James Cox (All That Shatters (Sons of Outlaws, #5))
Who told you that the world was just?’ Elric
Michael Moorcock (Elric: Stormbringer! (The Elric Saga #6))
Outlaw, Liam, and Reilly’s kids: Arie and Elric Mayhem and Torrin’s twins: Roark and Taryn Deviant and Tage’s kids: Welliver and Lily Romeo and Justice’s kid: Helrick Chaos and Beau’s kid: Rain Grim and Valentine’s kid: Pendergrass Whip and Harley: No kids       Chapter
James Cox (Sons of Earth (Sons of Outlaws, #1))