β
The opposite of love is not hate, it's indifference. The opposite of art is not ugliness, it's indifference. The opposite of faith is not heresy, it's indifference. And the opposite of life is not death, it's indifference.
β
β
Elie Wiesel
β
There may be times when we are powerless to prevent injustice, but there must never be a time when we fail to protest.
β
β
Elie Wiesel
β
Friendship marks a life even more deeply than love. Love risks degenerating into obsession, friendship is never anything but sharing.
β
β
Elie Wiesel
β
Human suffering anywhere concerns men and women everywhere.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
It's bullshit to think of friendship and romance as being different. They're not. They're just variations of the same love. Variations of the same desire to be close.
β
β
Rachel Cohn (Naomi and Ely's No Kiss List)
β
We must always take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented.
β
β
Elie Wiesel
β
We always see our worst selves. Our most vulnerable selves. We need someone else to get close enough to tell us weβre wrong. Someone we trust.
β
β
David Levithan (Naomi and Ely's No Kiss List)
β
Life is full of screwups. You're supposed to fail sometimes. It's a required part of the human existance.
β
β
Sarah Dessen (Along for the Ride)
β
Things that matter are not easy. Feelings of happiness are easy. Happiness is not. Flirting is easy. Love is not. Saying youβre friends is easy. Being friends is not.
β
β
David Levithan (Naomi and Ely's No Kiss List)
β
All Eli had to do was smile. All Victor had to do was lie. Both proved frighteningly effective.
β
β
Victoria E. Schwab (Vicious (Villains, #1))
β
To forget the dead would be akin to killing them a second time.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
If Eli really was a hero, and Victor meant to stop him, did that make him a villain?
He took a long sip of his drink, tipped his head back against the couch, and decided he could live with that.
β
β
Victoria E. Schwab (Vicious (Villains, #1))
β
No human race is superior; no religious faith is inferior. All collective judgments are wrong. Only racists make them
β
β
Elie Wiesel
β
But sometimes you lose. Nothing you can do but admit it.
-Eli
β
β
Sarah Dessen (Along for the Ride)
β
We must take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented. Sometimes we must interfere. When human lives are endangered, when human dignity is in jeopardy, national borders and sensitivities become irrelevant. Wherever men and women are persecuted because of their race, religion, or political views, that place must - at that moment - become the center of the universe.
β
β
Elie Wiesel (The Night Trilogy: Night, Dawn, The Accident)
β
For the dead and the living, we must bear witness.
β
β
Elie Wiesel
β
Wherever men and women are persecuted because of their race, religion, or political views, that place must β at that moment β become the center of the universe.
β
β
Elie Wiesel
β
We could be dead- said Eli.
Thatβs a risk everyone takes by living.
β
β
Victoria E. Schwab
β
When a person doesnβt have gratitude, something is missing in his or her humanity. A person can almost be defined by his or her attitude toward gratitude.
β
β
Elie Wiesel
β
One person of integrity can make a difference.
β
β
Elie Wiesel
β
I pray to the God within me that He will give me the strength to ask Him the right questions.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
Victor didn't want to run while Eli was busy trying to fly.
β
β
Victoria E. Schwab (Vicious (Villains, #1))
β
If the only prayer you say throughout your life is "Thank You," then that will be enough.
β
β
Elie Wiesel
β
I told him that I did not believe that they could burn people in our age, that humanity would never tolerate itβ¦
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
Write only if you cannot live without writing. Write only what you alone can write.
β
β
Elie Wiesel
β
You don't understand," gasped Eli. "No one understands."
"When no one understands, that's usually a good sign that you're wrong.
β
β
Victoria E. Schwab (Vicious (Villains, #1))
β
Never shall I forget that night, the first night in camp, which has turned my life into one long night, seven times cursed and seven times sealed....Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as God Himself. Never.
β
β
Elie Wiesel (Night)
β
For in the end, it is all about memory, its sources and its magnitude, and, of course, its consequences.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
...I believe it important to emphasize how strongly I feel that books, just like people, have a destiny. Some invite sorrow, others joy, some both.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
As the Nobel laureate Elie Wiesel warned years ago, to forget a holocaust is to kill twice.
β
β
Iris Chang (The Rape of Nanking: The Forgotten Holocaust of World War II)
β
It was so weird, because usually I was totally nervous talking to guys. But Eli was different. He made me want to say more, not less. Which was maybe not a good thing.
β
β
Sarah Dessen (Along for the Ride)
β
I swore never to be silent whenever and wherever human beings endure suffering and humiliation. We must always take sides.
β
β
Elie Wiesel
β
I shall always remember that smile. From what world did it come from?
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
Only the guilty are guilty. Their children are not.
β
β
Elie Wiesel
β
You're supposed to fail sometimes. It's a required part of the human existence
-Eli
β
β
Sarah Dessen (Along for the Ride)
β
I swore never to be silent whenever and wherever human beings endure suffering and humiliation. We must take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented.
β
β
Elie Wiesel
β
One more stab to the heart, one more reason to hate. One less reason to live.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
Victor stared at the wall as if it were still a window. βHe doesnβt know how patient you are,β he said. βDoesnβt know you like I do.β Eli cleaned the blood from his hand. βNo,β he said softly. βNo one ever has.
β
β
Victoria E. Schwab (Vengeful (Villains, #2))
β
There is divine beauty in learning... To learn means to accept the postulate that life did not begin at my birth. Others have been here before me, and I walk in their footsteps. The books I have read were composed by generations of fathers and sons, mothers and daughters, teachers and disciples. I am the sum total of their experiences, their quests. And so are you.
β
β
Elie Wiesel
β
Which is worse? Killing with hate or killing without hate?
β
β
Elie Wiesel
β
His cold eyes stared at me. At last, he said wearily: "I have more faith in Hitler than in anyone else. He alone has kept his promises, all his promises, to the Jewish people.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
Think higher, feel deeper.
β
β
Elie Wiesel
β
They are committing the greatest indignity human beings can inflict on one another: telling people who have suffered excruciating pain and loss that their pain and loss were illusions. (v)
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
We must not see any person as an abstraction. Instead, we must see in every person a universe with its own secrets, with its own treasures, with its own sources of anguish, and with some measure of triumph.
β
β
Elie Wiesel
β
It's a total lie to say there's only one person you're going to be with for the rest of your life. If you're lucky - and if you try really hard - there will always be more than one.
β
β
Rachel Cohn (Naomi and Ely's No Kiss List)
β
For the survivor who chooses to testify, it is clear: his duty is to bear witness for the dead and for the living. He has no right to deprive future generations of a past that belongs to our collective memory. To forget would be not only dangerous but offensive; to forget the dead would be akin to killing them a second time.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
I am not so naΓ―ve as to believe that this slim volume will change the course of history or shake the conscience of the world. Books no longer have the power they once did. Those who kept silent yesterday will remain silent tomorrow.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
He explained to me with great insistence that every question posessed a power that did not lie in the answer.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
The opposite of love is not hate. It is indifference.
β
β
Wilhelm Stekel (The Beloved Ego: Foundations of the New Study of the Psyche)
β
It was terrible and awful when someone left you. You could move on, do the best you could, but like Eli had said, an ending was an ending. No matter how many pages of sentences and paragraphs of great stories led up to it, it would always have to have the last word.
β
β
Sarah Dessen (Along for the Ride)
β
Run, thought Victor, and he could see the response in Eli's coiled frame.
Chase me.
β
β
Victoria E. Schwab
β
There are victories of the soul and spirit. Sometimes, even if you lose, you win.
β
β
Elie Wiesel
β
I don't want my past to become anyone else's future.
β
β
Elie Wiesel
β
In the beginning there was faith - which is childish; trust - which is vain; and illusion - which is dangerous.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
Ultimately, the only power to which man should aspire is that which he exercises over himself.
β
β
Elie Wiesel
β
You arenβt some avenging angel, Eli,β he said. βYouβre not blessed, or divine, or burdened. Youβre a science experiment.
β
β
Victoria E. Schwab (Vicious (Villains, #1))
β
There is no such thing as a soulmateβ¦and who would want there to be? I donβt want half of a shared soul. I want my own damn soul.β
Ely in Naomi and Elyβs No Kiss List Rachel Cohn and David Levithan
β
β
Rachel Cohn (Naomi and Ely's No Kiss List)
β
Did I write it so as not to go mad or, on the contrary, to go mad in order to understand the nature of madness?
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
Whoever survives a test, whatever it may be, must tell the story. That is his duty.
β
β
Elie Wiesel
β
Indifference is the sign of sickness, a sickness of the soul more contagious than any other.
β
β
Elie Wiesel (The Judges)
β
Just because a person is beautiful doesn't mean there's no soul beneath. Doesn't mean that person hasn't suffered like everyone else, doesn't mean they don't hope to still be a good human being in an awful world.
β
β
David Levithan (Naomi and Ely's No Kiss List)
β
No human being is illegal.
β
β
Elie Wiesel
β
One day when I was able to get up, I decided to look at myself in the mirror on the opposite wall. I had not seen myself since the ghetto. From the depths of the mirror, a corpse was contemplating me. The look in his eyes as he gazed at me has never left me.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
Night is purer than day; it is better for thinking and loving and dreaming. At night everything is more intense, more true. The echo of words that have been spoken during the day takes on a new and deeper meaning. The tragedy of man is that he doesn't know how to distinguish between day and night. He says things at night that should only be said by day.
β
β
Elie Wiesel (Dawn)
β
Most people think that shadows follow, precede or surround beings or objects. The truth is that they also surround words, ideas, desires, deeds, impulses and memories.
β
β
Elie Wiesel
β
I write to understand as much as to be understood.
β
β
Elie Wiesel
β
Love makes everything complicated.
β
β
Elie Wiesel
β
It's bullshit to think of friendship and romance as being different. They're not. They're just variations of the same love. Variations of the same desire to be close.
β
β
David Levithan (Naomi and Ely's No Kiss List)
β
I don't know," I said. "What else did you do for your first eighteen years?"
"Like I said," he said as I unlocked the car, "I'm not so sure that you should go by my example."
"Why not?"
"Because I have my regrets," he said. "Also, I'm a guy. And guys do different stuff."
"Like ride bikes?" I said.
"No," he replied. "Like have food fights. And break stuff. And set off firecrackers on people's front porches. And..."
"Girls can't set off firecrackers on people's front porches?"
"They can," he said... "But they're smart enough not to. That's the difference.
β
β
Sarah Dessen (Along for the Ride)
β
Bread, soup - these were my whole life. I was a body. Perhaps less than that even: a starved stomach. The stomach alone was aware of the passage of time.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
Then came the march past the victims. The two men were no longer alive. Their tongues were hanging out, swollen and bluish. But the third rope was still moving: the child, too light, was still breathing...
And so he remained for more than half an hour, lingering between life and death, writhing before our eyes.
And we were forced to look at him at close range. He was still alive when I passed him. His tongue was still red, his eyes not yet extinguished.
Behind me, I heard the same man asking:
"For God's sake, where is God?"
And from within me, I heard a voice answer:
"Where He is? This is where--hanging here from this gallows..."
That night, the soup tasted of corpses.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
Music does not replace words, it gives tone to the words
β
β
Elie Wiesel
β
Better that one heart be broken a thousand times in the retelling, he has decided, if it means that a thousand other hearts need not be broken at all.
β
β
Elie Wiesel
β
He was like one of those pictures full of small errors, the kind you could only pick out by searching the image from every angle, and even then, a few always slipped by. On the surface, Eli seemed perfectly normal, but now and then Victor would catch a crack, a sideways glance, a moment when his roommate's face and his words, his look and his meaning, would not line up. Those fleeting slices fascinated Victor. It was like watching two people, one hiding in the other's skin. And their skin was always too dry, on the verge of cracking and showing the color of the thing beneath.
β
β
Victoria E. Schwab (Vicious (Villains, #1))
β
I feel that books, just like people, have a destiny. Some invite sorrow, others joy, some both.
β
β
Elie Wiesel
β
Why should I even bother? What's the point, really?"
He thought for a moment. "Who says there has to be a point?" he asked. "Or a reason. Maybe it's just something you have to do.
β
β
Sarah Dessen (Along for the Ride)
β
Failing sucks. But it's better than the alternative."
"Which is?"
"Not even trying." Now he did look at me, straight on. "Life's short, you know?
β
β
Sarah Dessen (Along for the Ride)
β
But because of his telling, many who did not believe have come to believe, and some who did not care have come to care. He tells the story, out of infinite pain, partly to honor the dead, but also to warn the living - to warn the living that it could happen again and that it must never happen again. Better than one heart be broken a thousand times in the retelling, he has decided, if it means that a thousand other hearts need not be broken at all. (vi)
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
The paper called Eli a hero. The word made Victor laugh. Not just because it was absurd, but because it posed a question. If Eli was really a hero, and Victor meant to stop him, did that make him a villain? He took a long sip of his drink, tipped his head back against the couch, and decided he could live with that.
β
β
Victoria E. Schwab (Vicious (Villains, #1))
β
[Moishe] explained to me, with great emphasis, that every question possessed a power that was lost in the answer....
And why do you pray, Moishe?' I asked him.
I pray to the God within me for the strength to ask Him the real questions.
β
β
Elie Wiesel (Night)
β
We always see the worst in our selves. Our most volnerable selves. We need someone to get close enough to tell us that we're wrong. Someone we trust.
β
β
Rachel Cohn (Naomi and Ely's No Kiss List)
β
I've been fighting my entire adult life for men and women everywhere to be equal and to be different. But there is one right I would not grant anyone. And that is the right to be indifferent.
β
β
Elie Wiesel
β
Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
In Africa we having a saying, 'If you want to go fast, go alone. If you want to go far, go together.' ...Before I go back home, I want you to consider us, Katie. Ponder what it would be like if we went together. Not alone and fast but together and far.
β
β
Robin Jones Gunn (Coming Attractions (Katie Weldon, #3))
β
Maybe the flies knew we were leaving. Maybe they were happy for us.
β
β
Eli Wilde (Orchard of Skeletons)
β
St. Clair gets a crush on Anna. He's torn between her and Ellie, and he spends so much time running between them that he hardly has time left for Josh. And the more time that Josh spends alone, the more he realizes how alone he actually is. All of his friends will be gone the next year. Josh grows increasingly antagonistic toward school, which makes Rashmi increasingly antagonistic toward him, which makes him increasingly antagonistic toward her. And she's upset because Elie dropped her as a friend, and Meredith is upset because now St. Clair likes two girls who aren't her, and Anna is upset because St. Clair is leading her on, and then St. Clair's mom gets cancer.
It's a freaking soap opera.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
Maybe your history just repeats and repeats until it batters you enough to snap the seams that hold you together
β
β
David Levithan (Naomi and Ely's No Kiss List)
β
I've never understood why looking hot had to be equated with sex and conquest. Whatever happened to anticipation, to courtship, to true love? Can't a person look hot and not have it mean something? Call me an old-fashioned Naomi bitch, but I'm holding out for true love. Even if it's an unattainable fantasy
β
β
David Levithan (Naomi and Ely's No Kiss List)
β
My faceless neighbor spoke up:
βDonβt be deluded. Hitler has made it clear that he will annihilate all Jews before the clock strikes twelve.β
I exploded:
βWhat do you care what he said? Would you want us to consider him a prophet?
His cold eyes stared at me. At last he said, wearily:
βI have more faith in Hitler than in anyone else. He alone has kept his promises, all his promises, to the Jewish people.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
There's a long road of suffering ahead of you. But don't lose courage. You've already escaped the gravest danger: selection. So now, muster your strength, and don't lose heart. We shall all see the day of liberation. Have faith in life. Above all else, have faith. Drive out despair, and you will keep death away from yourselves. Hell is not for eternity. And now, a prayer - or rather, a piece of advice: let there be comradeship among you. We are all brothers, and we are all suffering the same fate. The same smoke floats over all our heads. Help one another. It is the only way to survive.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
It was pitch dark. I could hear only the violin, and it was as though Juliek's soul were the bow. He was playing his life. The whole of his life was gliding on the strings--his last hopes, his charred past, his extinguished future. He played as he would never play again...When I awoke, in the daylight, I could see Juliek, opposite me, slumped over, dead. Near him lay his violin, smashed, trampled, a strange overwhelming little corpse.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
We were masters of nature, masters of the world. We had forgotten everything--death, fatigue, our natural needs. Stronger than cold or hunger, stronger than the shots and the desire to die, condemned and wandering, mere numbers, we were the only men on earth.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
We cannot indefinitely avoid depressing subject matter, particularly it it is true, and in the subsequent quarter century the world has had to hear a story it would have preferred not to hear - the story of how a cultured people turned to genocide, and how the rest of the world, also composed of cultured people, remained silent in the face of genocide. (v)
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
It was so risky and so scary, and yet at the same time, so beautiful. Maybe the truth was, it shouldn't be easy to be amazing. Then everything would be. It's the things you fight for and struggle with before earning that have the greatest worth. When something's difficult to come by, you'll do that much more to make sure it's even harder -if not impossible- to lose.
β
β
Sarah Dessen (Along for the Ride)
β
Never shall I forget that night, the first night in camp, that turned my life into one long night seven times sealed.
Never shall I forget that smoke.
Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky.
Never shall I forget those flames that consumed my faith forever.
Never shall I forget the nocturnal silence that deprived me for all eternity of the desire to live.
Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes.
Never shall I forget those things, even were I condemned to live as long as God Himself.
Never.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
I have learned two lessons in my life: first, there are no sufficient literary, psychological, or historical answers to human tragedy, only moral ones. Second, just as despair can come to one another only from other human beings, hope, too, can be given to one only by other human beings.
β
β
Elie Wiesel
β
Eli drew his fingers through a ring of water on the table. βI donβt want to be forgotten.β He said it so softly he worried Victor wouldnβt hear, not over the chatter of the bar, but he clamped his hand down on Eliβs shoulder. For a moment he looked so serious, but then he let go and slumped back in his seat. βTell you what,β said Victor. βYou remember me, and Iβll remember you, and that way we wonβt be forgotten.β βThatβs shit logic, Vic.β βItβs perfect.β βAnd what happens when weβre dead?β βWe wonβt die, then.β βYou make cheating death sound so simple.β βWe do seem awfully good at it,β said Victor cheerfully. He lifted his glass. βTo never dying.β Eli lifted his. βTo being remembered.β Their glasses clinked as Eli added, βForever.
β
β
Victoria E. Schwab (Vicious (Villains, #1))
β
Blessed be God's name? Why, but why would I bless Him? Every fiber in me rebelled. Because He caused thousands of children to burn in His mass graves? Because he kept six crematoria working day and night, including Sabbath and the Holy Days? Because in His great might, He had created Auschwitz, Birkenau, Buna, and so many other factories of death? How could I say to Him: Blessed be Thou, Almighty, Master of the Universe, who chose us among all nations to be tortured day and night, to watch as our fathers, our mothers, our brothers, end up in the furnaces? Praised be Thy Holy Name, for having chosen us to be slaughtered on Thine altar?
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
Why do you pray?" he asked me, after a moment.
Why did I pray? A strange question. Why did I live? Why did I breathe?
"I don't know why," I said, even more disturbed and ill at ease. "I don't know why."
After that day I saw him often. He explained to me with great insistence that every question possessed a power that did not lie in the answer. "Man raises himself toward God by the questions he asks Him," he was fond of repeating. "That is the true dialogue. Man questions God and God answers. But we don't understand His answers. We can't understand them. Because they come from the depths of the soul, and they stay there until death. You will find the true answers, Eliezer, only within yourself!"
"And why do you pray, Moshe?" I asked him. "I pray to the God within me that He will give me the strength to ask Him the right questions.
β
β
Elie Wiesel (Night (The Night Trilogy, #1))
β
Because hope is a knife that can cut through the foundations of the world," said Sumi. Her voice was suddenly crystalline and clear, with none of her prior whimsy. She looked at Nancy with calm, steady eyes. "Hope hurts. That's what you need to learn, and fast, if you don't want it to cut you open from the inside out. Hope is bad. Hope means you keep on holding to things that won't ever be so again, and so you bleed an inch at a time until there's nothing left. Ely-Eleanor is always saying 'don't use this word' and 'don't use that word,' but she never bans the ones that really bad. She never bans hope.
β
β
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))