Elevator Kiss Quotes

We've searched our database for all the quotes and captions related to Elevator Kiss. Here they are! All 74 of them:

His head turns fractionally toward me, his eyes darkest slate. I bite my lip. “Oh, fuck the paperwork,” he growls. He lunges at me, pushing me against the wall of the elevator. Before I know it, he’s got both of my hands in one of his in a vice-like grip above my head, and he’s pinning me to the wall using his hips. Holy shit. His other hand grabs my ponytail and yanks down, bringing my face up, and his lips are on mine. It’s only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Remember that day I made you the elevator?” he suddenly asks. I give him a faint smile. “How could I forget?” “That was the day I had my first kiss.” My smile fades. “I’m better now,” He sets the apple beside me. “At kissing, just so you know.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
I love...that elevator,” she said. With a sleepy smile and a full heart, he turned his head and kissed into her soft hair. “Aw, Red. I love that elevator, too.
Laura Kaye (Hearts in Darkness (Hearts in Darkness, #1))
Do you remember the first time we made love?" He touched his lips to hers as he said it. "We rode up in the elevator like this and couldn't keep our hands off each other, couldn't get to each other quick enough. I was mad for you. I wanted you more than I wanted to keep breathing. I still do." He deepened the kiss as the elevator doors opened. "It's never going to change.
J.D. Robb (Big Jack (In Death, #17.5))
Hi, Mom…Yes, I know my heart rate’s dangerously elevated. That sound? I’m being shot at, Ma. Gotta go now. Love you much. Hugs and kisses. (Devyn)
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
Life tells you to take the elevator, but love tells you to take the stairs.
David Levithan (Naomi and Ely's No Kiss List)
I've come to take you with me even if I must drag you along But first I must steal your heart then settle you in my soul. I've come as a spring to lay beside your blossoms To feel the glory of happiness and spread your flowers around I've come to show you off as the adornment in my house and elevate you to the heavens as the prayers of those in love. I've come to take back the kiss you once stole Either return it with grace or i must take it by force You're my life You're my soul Please be my last prayer My heart must hold you forever From the lowly earth to the high human soul There are a lot more than a thousand stages Since I've taken you along from town to town no way will I abandon you halfway down this road Though you're in my hands Though i can throw you around like a child and a ball I'll always need to chase after you
Jalal ad-Din Muhammad ar-Rumi
(At the back of the cave, Phoebe placed her hand against one of the stones where a spring release opened an elevator door. Chris gave an over exaggerated gape.) Holy Hand Grenade, Batman, it’s a bat cave. (Chris)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
The Kissing Game goes like this, Shortcake. Press, retreat, tilt, breathe, repeat. Use your hands to angle just right. Loosen up until it’s a slow, wet slide. Hear the drum of blood in your own ears? Survive on tiny puffs of air. Do not stop. Don’t even think about it. Shudder a sigh, pull back, let your opponent catch you with lips or teeth and ease you back into something even deeper. Wetter. Feel your nerve endings crackle to life with each touch of tongue. Feel a new heaviness between your legs. The aim of the game is to do this for the rest of your life. Screw human civilization and all it entails. This elevator is home now. This is what we do now. Do not fucking stop. He
Sally Thorne (The Hating Game)
He turned to leave, then hesitated. "One more thing." He walked up to me. "I've also been thinking about your declaration of undying love or whatever." "I didn't - it wasn't -" He clamped his hands on the sides of my gooey face and kissed me. I had to wonder: was it possible to dissolve into chocolate on a molecular level and melt into a puddle on the carpet? Because that's how I felt. I'm pretty sure Valhalla had to resurrect me several times during the course of that kiss. Otherwise, I don't know how I was still in one piece when Alex finally pulled away. He studied me critically, his brown and amber eyes taking me in. He had a chocolate moustache and goatee now, and chocolate down the front of his sweater vest. I'll be honest. A small part of my brain thought, Alex is male right now. I have just been kissed by a dude. How do I feel about that? The rest of my brain answered: I have just been kissed by Alex Fierro. I am absolutely great with that. In fact, I might have done something typically embarrassing and stupid, like making the aforementioned declaration of undying love, but Alex spared me. "Eh." He shrugged. "I'll keep thinking about it. I'll get back to you. In the meantime, definitely take that shower." He left, whistling a tune that might have been a Frank Sinatra song from the elevator, "Fly Me to the Moon".
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Algaliarept varied its shape, sifting through my mind without me even knowing to choose what scared me the most. Once it had been Ivy. Then Kisten —until I had pinned him in an elevator in a foolish moment of vampire-induced passion. It's hard to be scared of someone after you've French-kissed him.
Kim Harrison (Every Which Way But Dead (The Hollows, #3))
Now he felt temper snapping at the nerves. “If you can’t be comfortable in the house while I’m not here, you can barricade yourself in this apartment. You can damn well barricade yourself in it while I am here. It’s up to you.” “Yes, it is.” She took a deep breath and turned to him. “You did this for me.” Annoyed, he inclined his head. “There doesn’t seem to be much I wouldn’t do for you.” “I think that’s starting to sink in.” No one had ever given her anything quite so perfect. No one, she realized, understood her quite so well. “That makes me a lucky woman, doesn’t it?” He opened his mouth, bit back something particularly nasty. “The hell with it,” he decided. “I have to go.” “Roarke, one thing.” She walked to him, well aware he was all but snarling with temper. “I haven’t kissed you good-bye,” she murmured and did so with a thoroughness that rocked him back on his heels. “Thank you.” Before he could speak, she kissed him again. “For always knowing what matters to me.” “You’re welcome.” Possessively, he ran a hand over her tousled hair. “Miss me.” “I already am.” “Don’t take any unnecessary chances.” His hands gripped in her hair hard, briefly. “There’s no use asking you not to take the necessary ones.” “Then don’t.” Her heart stuttered when he kissed her hand. “Safe trip,” she told him when he stepped into the elevator. She was new at it, so waited until the doors were almost shut. “I love you.” The last thing she saw was the flash of his grin.
J.D. Robb (Glory in Death (In Death, #2))
He lunges at me, pushing me against the wall of the elevator. Before I know it, he's got both of my hands in one of his in a vise-like grip above my head, and he's pinning me to the wall using his hips. Holy shit. His other hand grabs my hair and yanks down, bringing my face up, and his lips are on mine. It's only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this. My tongue tentatively strokes his and joins his in a slow, erotic dance that's all about touch and sensation, all bump and grind. He brings his hand up to grasp my chin and holds me in place. I'm helpless, my hands pinned, my face held, and his hips restraining me. His erection is against my belly. Oh my... He wants me. Christian Grey, Greek god, wants me, and I want him, here... now, in the elevator.
E.L. James
I climbed the stairway (there was no elevator) and put the key in. The door swung open. Somebody had changed all the furniture around, put in a new rug. No, the furniture was new, too. There was a woman on the couch. She looked all right. Young. Good legs. Blonde. 'Hello,' I said, 'care for a beer?' 'Hi!' she said. 'All right, I'll have one.' 'I like the way this place is fixed up,' I told her. 'I did it myself.' 'But why?' 'I just felt like it,' she said. We each drank at the beer. 'You're all right,' I said. I put my beercan down and gave her a kiss. I put my hand on one of her knees. It was a nice knee. Then I had another swallow of beer. 'Yes,' I said, 'I really like the way this place looks. It's really going to lift my spirits.' 'That's nice. My husband likes it too.' 'Now why would your husband...What? Your husband? Look, what's this apartment number?' '309.' '309? Great Christ! I'm on the wrong floor! I live in 409.
Charles Bukowski
Roarke, one thing." She walked to him, well aware he was all but snarling with temper. "I haven't kissed you good-bye," she murmured and did so with a thoroughness that rocked him back on his heels. "Thank you." Before he could speak, she kissed him again. "For always knowing what matters to me." "You're welcome." Possessively, he ran a hand over her tousled hair. "Miss me." "I already am." "Don't take any unnecessary chances." His hands gripped in her hair hard, briefly. "There's no use asking you not to take the necessary ones." "Then don't." Her heart stuttered when he kissed her hand. "Safe trip, " she told him when he stepped into the elevator. She was new at it, so waited until the doors were almost shut. "I love you." The last thing she saw was the flash of his grin.
J.D. Robb (Glory in Death (In Death, #2))
Wes,” I say softly. “You’d better just get used to it. Blake and I are together for real.” Blake’s expression fills with surprise. Then he gives me a wide Riley smile. “Aw, Jessie. You make me so happy.” He pushes me against the elevator wall and kisses me.
Sarina Bowen (Good Boy (WAGs, #1))
She totally knows we’re going to have sex,” I tell him, laughing but trying to be outraged. His arms circle me, bands of steel that lean me onto his hard chest. “Of course she does.” He kisses my temple. “Considering that she groped my ass right before we got on the elevator, I’d say she approves of your choice.” “What? That little sneak.
Kristen Callihan (The Game Plan (Game On, #3))
I think we're the only ones in the building," he says. "Then no one will mind when I do this!" I jump onto the desk and parade back and forth. St. Clair belts out a song, and I shimmy to the sound of his voice. When he finishes,I bow with a grand flourish. "Quick!" he says. "What?" I hop off the desk. Is Nate here? Did he see? But St. Clair runs to the stairwell. He throws open the door and screams. The ehco makes us both jump, and then together we scream again at the top of our lungs. It's exhilarating. St. Clair chases me to the elevator,and we ride it to the rooftop. He hangs back but laughs as I spit off the side, trying to hit a lingerie advertisement. The wind is fierce,and my aim is off,so I race back down two flights of stairs. Our staircase is wide and steady, so he's only a few feet behind me. We reach his floor. "Well," he says. Our conversation halts for the first time in hours. I look past him. "Um.Good night." "See you tomorrow? Late breakfast at the creperie?" "That'd be nice." "Unless-" he cuts himself off. Unless what? He's hesitant, changed his mind. The moment passes. I give him one more questioning look, but he turns away. "Okay." It's hard to keep the disappointment out of my voice. "See you in the morning." I take the steps down and glance back.He's staring at me. I lift my hand and wave. He's oddly statuesque. I push through the door to my floor,shaking my head. I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction. Forget about it,Anna. The stairwell door bursts open. My heart stops. St. Clair looks nervous. "It's been a good day. This was the first good day I've had in ages." He walks slowly toward me. "I don't want it to end. I don't want to be alone right now." "Uh." I can't breathe. He stops before me,scanning my face. "Would it be okay if I stayed with you? I don't want to make you uncomfortable-" "No! I mean..." My head swims. I can hardly think straight. "Yes. Yes, of course,it's okay." St. Clair is still for a moment. And then he nods. I pull off my necklace and insert my key into the lock. He waits behind me. My hand shakes as I open the door.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I was acutely aware of him, and the thought that he was walking me back to my room and would most likely try to kiss me again sent shivers down my spine. For self-preservation purposes, I had to get away. Every minute I spent with him just made me want him more. Since merely annoying him wasn’t working, I’d have to up the ante. Apparently, I needed him not only to fall out-of-like with me, but to hate me as well. I’d frequently been told that I was an all-or-nothing kind of girl. If I were going to push him away, it was going to be so far away that there would be absolutely no change of him ever coming back. I tried to wrench my elbow out of his grasp, but he just held on more tightly. I grumbled at him, “Stop using your tiger strength on me, Superman.” “Am I hurting you?” “No, but I’m not a puppet to be dragged around.” He trailed his fingers down my arm and took my hand instead. “Then you play nice, and I will too.” “Fine.” He grinned. “Fine.” I hissed back. “Fine!” We walked to the elevator, and he pushed the button to my floor. “My room is on the same floor,” Ren edxplained. I scowled and then grinned lopsidedly and just a little bit evilly, “And umm, how exactly is that going to work for you in the morning, Tiger? You really shouldn’t get Mr. Kadam in trouble for having a rather large…pet.” Ren returned my sarcasm as he walked me to my door. “Are you worried about me, Kells? Well, don’t. I’ll be fine.” “I guess there’s no point in asking how you knew which door belong to me, huh, Tiger Nose?” He looked at me in a way that turned my insides to jelly. I spun around but awareness of him shot through my limbs, and I could feel him standing close behind me watching, waiting. I put my key in the lock, and he moved closer. My hand started shaking, and I couldn’t twist the key the right way. He took my hand and gently turned me around. He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me. I began to get lost in the thick sultry fog that overtook me every time Ren put his hands on me. So much for asking for permission…and so much for sticking to my guns, I thought as I felt all my defenses slip away. He whispered warmly, “I can always tell where you are, Kelsey. You smell like peaches and cream.” I shivered and put my hands on his chest to push him away, but I ended up grabbing fistfuls of shirt and held on for dear life. He trailed kisses from my ear down my cheek and then pressed soft kisses along the arch of my neck. I pulled him closer and turned my head so he could really kiss me. He smiled and ignored my invitation, moving instead to the other ear. He bit my earlobe lightly, moved from there to my collarbone, and trailed kisses out to my shoulder. Then he lifted his head and brought his lips about one inch from mine and the only thought in my head was…more. With a devastating smile, he reluctantly pulled away and lightly ran his fingers through the strands of my hair. “By the way, I forgot to mention that you look beautiful tonight.” He smiled again then turned and strolled off down the hall.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Once or twice every night, serving dinner at the big round table, Enid glanced over her shoulder and caught him looking, and made him blush. Al was Kansan. After two months he found courage to take her skating. They drank cocoa and he told her that human beings were born to suffer. He took her to a steel-company Christmas party and told her that the intelligent were doomed to be tormented by the stupid. He was a good dancer and a good earner, however, and she kissed him in the elevator. Soon they were engaged and they chastely rode a night train to McCook, Nebraska, to visit his aged parents. His father kept a slave whom he was married to.
Jonathan Franzen (The Corrections)
We will need to stay over two nights in a hotel on our trip home.” Momentarily alarmed, I glanced at Ren. “Okay. Umm, I was thinking that maybe this time if you don’t mind, we could check out one of those bigger hotels. You know, something that has more people around. With elevators and rooms that lock. Or even better, a nice high-rise hotel in a big city. Far, far, far away from the jungle?” Mr. Kadam chuckled. “I’ll see what I can do.” I graced Mr. Kadam with a beatific smile. “Good! Could we please go now? I can’t wait to take a shower.” I opened the door to the passenger side then turned and hissed in a whisper aimed at Ren, “In my nice, upper-floor, inaccessible-to-tigers hotel room.” He just looked at me with his innocent, blue-eyed tiger face again. I smiled wickedly at him and hopped in the Jeep, slamming the door behind me. My tiger just calmly trotted over to the back where Mr. Kadam was loading the last of his supplies and leapt up into the back seat. He leaned in the front, and before I could push him away, he gave me a big, wet, slobbery tiger kiss right on my face. I sputtered, “Ren! That is so disgusting!” I used my T-shirt to swipe the tiger saliva from my nose and cheek and turned to yell at him some more. He was already lying down in the back seat with his mouth hanging open, as if he were laughing. Before I could really lay into him, Mr. Kadam, who was the happiest I’d ever seen him, got into the Jeep, and we started the bumpy journey back to a civilized road. Mr. Kadam wanted to ask me questions. I knew he was itching for information, but I was still fuming at Ren, so I lied. I asked him if he could hold off for a while so I could sleep. I yawned big for dramatic effect, and he immediately agreed to let me have some peace, which made me feel guilty. I really liked Mr. Kadam, and I hated lying to people. I excused my actions by mentally blaming Ren for this uncharacteristic behavior. Convincing myself that it was his fault was easy. I turned to the side and closed my eyes. I slept for a while, and when I woke up, Mr. Kadam handed me a soda, a sandwich, and a banana. I raised my eyebrow at the banana and thought of several good monkey jokes I could annoy Ren with, but I kept quiet for Mr. Kadam’s sake.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Beatrice?” he whispered. “Yes,” she said, moving so she could maintain eye contact with him until the last possible second. “I’m Beatrice. You were my first kiss. I fell asleep in your arms in your precious orchard.” Gabriel sprang forward to stop the elevator door from closing. “Beatrice! Wait!” He
Sylvain Reynard (Gabriel's Inferno Trilogy)
In the elevator Paul just as often imagined the hand-holding, the running down the rainy streets with, his hot palm on the striped shoulder of some boy, the being cruised, the reading Proust to, the picnicking, the kissing, the eating takeout, the spending the day in a borrowed bed- not that anyone needed to know that.
Andrea Lawlor (Paul Takes the Form of a Mortal Girl)
I smile at my friends, but Mer and Rashmi and Josh are distracted, arguing about something that happened over dinner. St. Clair sees me and smiles back. "Good?" I nod.He looks pleased and ducks into the row after me. I always sit four rows up from the center, and we have perfectseats tonight.The chairs are classic red. The movie begins,and the title screen flashes up. "Ugh,we have to sit through the credits?" Rashmi asks. They roll first,like in all old films. I read them happily. I love credits. I love everything about movies. The theater is dark except for the flicker of blacks and whites and grays on-screen. Clark Gable pretends to sleep and places his hand in the center of an empty bus seat. After a moment of irritation,Claudette Colbert gingerly plucks it aside and sits down. Gable smiles to himself,and St. Clair laughs. It's odd,but I keep finding myself distracted. By the white of his teeth through the darkness.By a wavy bit of his hair that sticks straight out to the side. By the soft aroma of his laundry detergent. He nudges me to silently offer the armrest,but I decline and he takes it.His arm is close to mine,slightly elevated. I glance at his hands.Mine are tiny compared to his large,knuckly boy hands. And,suddenly,I want to touch him. Not a push,or a shove,or even a friendly hug. I want to feel the creases in his skin,connect his freckles with invisible lines,brush my fingers across the inside of his wrist. He shifts. I have the strangest feeling that he's as aware of me as I am of him. I can't concentrate. The characters on the screen are squabbling, but for the life of me, I don't know what about. How long have I not been paying attention? St. Clair coughs and shifts again. His leg brushes against mine.It stays there. I'm paralyzed. I should move it; it feels too unnatural.How can he not notice his leg is touching my leg? From the corner of my eye,I see the profile of his chin and nose,and-oh,dear God-the curve of his lips. There.He glanced at me. I know he did. I bore my eyes into the screen, trying my best to prove that I am Really Interested in this movie.St. Clair stiffens but doesn't move his leg.Is he holding his breath? I think he is.I'm holding mine. I exhale and cringe-it's so loud and unnatural. Again.Another glance. This time I turn, automatically,just as he's turning away. It's a dance,and now there's a feeling in the air like one of us should say something.Focus,Anna. Focus. "Do you like it?" I whisper. He pauses. "The film?" I'm thankful the shadows hide my blush. "I like it very much," he says. I risk a glance,and St. Clair stares back. Deeply.He has not looked at me like this before.I turn away first, then feel him turn a few beats later. I know he is smiling,and my heart races.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I know. I had no idea what I was getting myself into. I thought it was a book about a nice college girl interviewing a businessman until contracts start to be talked of and kisses happen in elevators. Then before you know it,” Grams wings her hands in the air freely, “penises are flying about and tampons are being pulled out.” Fanning herself, she continues, “I’ve been quite educated.
Meghan Quinn (Dear Life)
I learned by heart the lines of your face. I can draw them blindly on a water canvas. Your face in the middle of an inflamed argument. Your face in the middle of a mild one-- when you're at fault. Your face filled with rainbows of laughter. Your face filled with clouds of distress. Your face, fluttering, when I open you the door. Your face, agonizing, every time I stand waiting, for the elevator. Your face, eager, when you kiss me. Your face, surprised, when I lead you to bed. Your face in the middle of pain. Your face on the outskirts of pleasure. Your face, with a baffled look, when you wake up. Your face falling asleep, with total surrender. Your face the first night we met. Your face the last night we parted. I learned by heart the lines of your face. They all led me into hell. They all led me into heaven.
Malak El Halabi
Any girl faced with daily attention from a gorgeous boy with a cute accent and perfect hair would be hard-pressed not to develop a big,stinking, painful,all-the-time,all consuming crush. Not that that's what's happening to me. Like I said.It's a relief to know it won't happen. It makes things easier. Most girls laugh too hard at his jokes and find excuses to gently press his arm. To touch him.Instead,I argue and roll my eyes and act indifferent. And when I touch his arm,I shove it.Because that's what friends do. Besides,I have more important things on my mind: movies. I've been in France for a month, and though I have ridden the elevators to the top of La Tour Eiffel (Mer took me while St. Clair and Rashmi waited below on the lawn-St. Clair because he's afraid of falling and Rashmi because she refuses to do anything touristy), and though I have walked the viewing platform of L'Arc de Triomphe (Mer took me again,of course, while St. Clair stayed below and threatened to push Josh and Rashmi into the insane traffic circle),I still haven't been to the movies. Actually,I have yet to leave campus alone. Kind of embarrassing. But I have a plan.First,I'll convince someone to go to a theater with me. Shouldn't be too difficult; everyone likes the movies.And then I'll take notes on everything they say and do, and then I'll be comfortable going back to that theater alone.A
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
More than anything, I dream of love, crazy crazy mad love. Not the love of rings and white dresses and churches, but of lust and insanity, the love where you can’t stop touching, kissing, licking, sucking, and fucking. The love that breaks hearts, starts wars, ruins lives, the love that sears itself into your soul, that you can feel every time your heart beats, that scorches your memory and comes back to you whenever you’re alone and it’s quiet and the world falls away, the love that still hurts, that makes you sit and stare at the floor and wonder what the fuck happened and why. I dream of crazy crazy mad love the kind that starts with a look, with eyes that meet, a smile, a touch, a laugh, a kiss. The kind of love that hurts and makes you love the pain, makes you want the pain, makes you yearn for the fucking pain, keeps you awake until the sun rises, stirs you while you’re still asleep. The kind of love you can feel with every step you take, every word you speak, every breath, every movement, is part of every thought you have every minute of the day. Love that overwhelms. That justifies our existence. That provides proof we are here for a reason. That either confirms the existence of God and divinity, or renders it utterly meaningless. Love that makes life more than just whatever we know and see and feel. That elevates it. Love for which so many words have been spoken and written and read and cried and screamed and sung and sobbed, but is beyond any real description of it. I’ve known much in my short, silly, unstable, sometimes wonderful sometimes brutal always reckless wreck of a life, but I’ve never known love. Crazy crazy mad love. Fear and pain, insecurity, rage, occasional joy, fleeting peace, they are all friends of mine. Kindness and familial love have always come my way. Disdain, contempt, and rage are constant companions. But never love.
James Frey (Katerina)
On a construction site sabotage could be potentially deadly. Alarm jumped through her. “Is anyone hurt?” “No, thankfully. But… I need to be there.” “Then go. I’ve got my communicator and everyone knows I’m yours now anyway.” She liked saying that she was his. He liked it as well if the smoldering look he gave her was any indication. As the elevator made a soft ding, she leaned up and kissed him, not caring about the public affection. He didn’t seem to mind either as he deepened the kiss for a little longer than was probably publicly acceptable. When the doors opened, there were two males inside who didn’t appear to be getting off— until Con growled at them. Without pause, they politely stepped off and let her get on. Even though there was enough room for about twenty warriors, apparently Con was feeling extra protective today. She bit back a smile and blew him a kiss goodbye in full view of the two males. To her surprise his ears tinged red. It was the last thing she saw before the doors closed. A short laugh escaped as she pressed the correct floor.
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
She takes my breath away, just like she did that very first day years ago. I’d just turned fifteen, I was leaving for my first year at boarding school. I thought I was happy to go, and instead it turned into the longest year of my life. I lean against the open elevator doors, holding them apart. “Hey, gorgeous.” Her pillow lips part in a smile, amber eyes crinkling at the corners. “Hey, handsome.” The tip of her pink tongue touches perfectly white teeth, and the cutest dimple appears at the top of her cheek. Reaching out, I catch her upper arms, pulling her against my chest.
Tia Louise (Reckless Kiss)
Necessities 1 A map of the world. Not the one in the atlas, but the one in our heads, the one we keep coloring in. With the blue thread of the river by which we grew up. The green smear of the woods we first made love in. The yellow city we thought was our future. The red highways not traveled, the green ones with their missed exits, the black side roads which took us where we had not meant to go. The high peaks, recorded by relatives, though we prefer certain unmarked elevations, the private alps no one knows we have climbed. The careful boundaries we draw and erase. And always, around the edges, the opaque wash of blue, concealing the drop-off they have stepped into before us, singly, mapless, not looking back. 2 The illusion of progress. Imagine our lives without it: tape measures rolled back, yardsticks chopped off. Wheels turning but going nowhere. Paintings flat, with no vanishing point. The plots of all novels circular; page numbers reversing themselves past the middle. The mountaintop no longer a goal, merely the point between ascent and descent. All streets looping back on themselves; life as a beckoning road an absurd idea. Our children refusing to grow out of their childhoods; the years refusing to drag themselves toward the new century. And hope, the puppy that bounds ahead, no longer a household animal. 3 Answers to questions, an endless supply. New ones that startle, old ones that reassure us. All of them wrong perhaps, but for the moment solutions, like kisses or surgery. Rising inflections countered by level voices, words beginning with w hushed by declarative sentences. The small, bold sphere of the period chasing after the hook, the doubter that walks on water and treads air and refuses to go away. 4 Evidence that we matter. The crash of the plane which, at the last moment, we did not take. The involuntary turn of the head, which caused the bullet to miss us. The obscene caller who wakes us at midnight to the smell of gas. The moon's full blessing when we fell in love, its black mood when it was all over. Confirm us, we say to the world, with your weather, your gifts, your warnings, your ringing telephones, your long, bleak silences. 5 Even now, the old things first things, which taught us language. Things of day and of night. Irrational lightning, fickle clouds, the incorruptible moon. Fire as revolution, grass as the heir to all revolutions. Snow as the alphabet of the dead, subtle, undeciphered. The river as what we wish it to be. Trees in their humanness, animals in their otherness. Summits. Chasms. Clearings. And stars, which gave us the word distance, so we could name our deepest sadness.
Lisel Mueller (Alive Together)
Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S
Malay Roy Choudhury (Selected Poems)
Something is bothering you. I have sensed it all morning.” He slid his communicator back into his pocket then took her hand in his, linking their fingers together. The action took her off guard, but she welcomed it. The first time she’d held his hand he’d been confused by it, but this was the second time in the last few days he’d initiated it. She loved it. “Nothing, just… I was hoping that this evening we could talk about something.” His shoulders stiffened just the slightest fraction. She was getting good at reading the subtle changes in his body language. “What about?” “Not now. I know you need to get to one of your job sites. Or there’s an emergency at the Samio.” He raised a dark eyebrow. “How do you know this?” “Because your communicator has been buzzing like crazy since we…” Her cheeks heated up and she cleared her throat. It had started going off when she’d been sitting on his face this morning. They’d both ignored it. Then when she got out of the shower she’d found him responding to what seemed like dozens of communications, one buzz after another. The sounds had been maddening. He’d stopped responding when they left his place, but she understood how busy he was and didn’t want to get in the way of that. “Since we what?” he murmured, leaning closer as they came to a stop in front of another elevator. This one had a shiny, sleek-looking silver door. “You know what,” she whispered, glancing around. There were two males waiting at the next elevator and though they weren’t looking in their direction she wasn’t going to talk about that in public. “I want to hear you say it.” “That’s because you’re a pervert.” He gave her one of those grins that made her wonder how she’d ever lived without knowing this male. It still stunned her how much he’d come to mean to her in the past week and a half. “That’s very true where you’re concerned.” He dropped a kiss on her forehead. -Con & Leilani
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
Well,” I flush. How to say this? “I need to talk to Kate. I’ve so many questions about sex, and you’re too involved. If you want me to do all these things, how do I know—?” I pause, struggling to find the right words. “I just don’t have any terms of reference.” He rolls his eyes at me. “Talk to her if you must.” He sounds exasperated. “Make sure she doesn’t mention anything to Elliot.” I bristle at his insinuation. Kate isn’t like that. “She wouldn’t do that, and I wouldn’t tell you anything she tells me about Elliot—if she were to tell me anything,” I add quickly. “Well, the difference is that I don’t want to know about his sex life,” Christian murmurs dryly. “Elliot’s a nosy bastard. But only about what we’ve done so far,” he warns. “She’d probably have my balls if she knew what I wanted to do to you,” he adds so softly I’m not sure I’m supposed to hear it. “Okay,” I agree readily, smiling up at him, relieved. The thought of Kate with Christian’s balls is not something I want to dwell on. His lip quirks up at me, and he shakes his head. “The sooner I have your submission the better, and we can stop all this,” he murmurs. “Stop all what?” “You, defying me.” He reaches down and cups my chin and plants a swift, sweet kiss on my lips as the doors to the elevator open. He grabs my hand and leads me into the underground garage. Me, defying him … how?
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Why, Dolly!" said Margaret, placidly kissing her. "Here's a surprise! How are the boys and the baby?" Boys and the baby were well, and in describing a great row that there had been at the Hilton Tennis Club, Dolly forgot her news. The wrong people had tried to get in. The rector, as representing the older inhabitants, had said—Charles had said—the tax-collector had said—Charles had regretted not saying—and she closed the description with, "But lucky you, with four courts of your own at Midhurst." "It will be very jolly," replied Margaret. "Are those the plans? Does it matter my seeing them?" "Of course not." "Charles has never seen the plans." "They have only just arrived. Here is the ground floor—no, that's rather difficult. Try the elevation, We are to have a good many gables and a picturesque sky-line." "What makes it smell so funny?" said Dolly, after a moment's inspection. She was incapable of understanding plans or maps. "I suppose the paper." "And WHICH way up is it?" "Just the ordinary way up. That's the sky-line and the part that smells strongest is the sky." "Well, ask me another. Margaret—oh—what was I going to say? How's Helen?" "Quite well." "Is she never coming back to England? Every one thinks it's awfully odd she doesn't." "So it is," said Margaret, trying to conceal her vexation. She was getting rather sore on this point. "Helen is odd, awfully.
E.M. Forster (Howards End)
Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the Tra-kay, tra-kay, tra-kay, tra-kay, tra-kay, tra on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.' Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face. Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands. The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness. Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.
Rafael Sánchez Ferlosio (Adventures of the Ingenious Alfanhui)
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
Then she bent her head over at the waist and tossed her head around to separate the curls. The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell. She looked at them, her mouth watering. Yep. Enrique’s. The best in town. He whirled around to punch the door-close button. “Hey,” she said. “I’m getting off here.” Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.” Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops. He grabbed her up off her feet and bent his head. Found her mouth with his. “Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!” Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides. And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before. The door slid closed. The girls began banging on it. “We know your room number, Chase, honey,” they yelled. “See you there.” Loud giggles. “We’ll show you a real good time.” The elevator moved up, the voices faded away. But Chase kept on kissing her. She had to make him stop it. Right now. Who did he think he was, anyway? Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes. He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . . When he finally let her go she pulled back and away, fighting to get a handle on her breathing. “What’s the matter?” he demanded. Her blood rushed through her so fast it made her dizzy. “You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?” She touched her lips. They were still on fire. “You have got a helluva nerve, Chase Lomax.” He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted. “I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.” “I was drying my hair.” He stared, then burst out laughing. “Oh, well, then.” His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good. “Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?” He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?” He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat. “You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.” Something flashed deep in his brown eyes. “Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
Genell Dellin (Montana Gold)
Back in bed I listen to every sound. The plastic tarp over the table on the balcony crunching in the cold wind. the two short clicks in the walls before the heat comes on with a low whoosh. I hear a constant base hum all around, the nervous system of the building, carrying electricity and gas and phone conversations to all our respective little boxes. I listen to it all, the constant, the rhythmic, and the random. It's hard to measure the night by sound, but it can be done. I know that when the traffic noise is quietest, it's about 4:30 in the morning. I know that when the 'Times' hits the door, it's around 5. Now the clock says it's morning, 5:45, but the November sky still says midnight. I hear the elevator ding twenty yards down the hall outside our door. Seven seconds later, I hear his keys in our lock, then his heavy backpack hitting the floor. I hear the refrigerator door open, the unsealing vacuum wheezing as the cold inside air meets the dry heat in the apartment. The cupboard door. A glass. The crescendoing fizz of a new two-liter Diet Coke bottle opening. It's a one-sided conversation with no one actually talking. I lie in the dark, close my eyes, and try not to listen to his movements around apartment. these are the sounds of our life together before it got so messy. I want to say something back. Anything, anything that sounds like things sounded last summer. Even just to myself. Just something out loud. The inside of my eyelids turn pink. My door has been opened and the light from the hallway shines through them. I won't open them. There is no noise. Like an eclipse, the world behind my closed eyes goes dark again. For just one second, before I feel a kiss on my right eye. I keep them closed. A kiss on the left one. I open them. Jack looks down at me and closes his eyes. He leans forward and puts his forehead on my chest and goes limp. ''Blues Clues' is on,' he says softly into my tee shirt. His muffled voice vibrating only a half inch away from my heart.
Josh Kilmer-Purcell (I Am Not Myself These Days)
Mrs Vane glanced at her [daughter], and with one of those false theatrical gestures that so often become a mode of second nature to a stage-player, clasped her in her arms. At this moment the door opened, and a young lad with rough brown hair came into the room… Mrs Vane fixed her eyes on him, and intensified the smile. She mentally elevated her son to the dignity of an audience. She felt sure that the tableau was interesting. ‘You might keep some of your kisses for me, Sibyl, I think,’ said the lad, with a good-natured grumble… James Vane looked into his sister’s face with tenderness. ‘I want you to come out with me for a walk, Sibyl. I don’t suppose I shall ever see this horrid London again. I am sure I don’t want to.’ ‘My son, don’t say such dreadful things,’ murmured Mrs Vane, taking up a tawdry theatrical dress, with a sigh, and beginning to patch it. She felt a little disappointed that he had not joined the group. It would have increased the theatrical picturesqueness of the situation… ‘Come, Sibyl,’ said her brother, impatiently. He hated his mother’s affectations… He was conscious also of the shallowness and vanity of his mother’s nature, and in that saw infinite peril for Sibyl and Sibyl’s happiness. Children being by loving their parents; as they grow older they judge them; sometimes they forgive them… After some time, he thrust away his plate, and put his head in his hands. He felt that he had a right to know. It should have been told to him before, if it was as he suspected. Leaden with fear, his mother watched him. Words dropped mechanically from her lips. A tattered lace handkerchief twitched in her fingers. When the clock struck six, he got up, and went to the door. Then he turned back, and looked at her. Their eyes met. In hers he saw a wild appeal for mercy. It enraged him. ‘Mother, I have something to ask you,’ he said. Her eyes wandered vaguely about the room. She made no answer. ‘Tell me the truth. I have a right to know. Were you married to my father?’ She heaved a deep sigh. It was a sigh of relief. The terrible moment, the moment that night and day, for weeks and months, she had dreaded, had come at last, and yet she felt no terror. Indeed in some measure it was a disappointment to her. The vulgar directness of the question called for a direct answer. The situation had not been gradually led up to. It was crude. It reminded her of a bad rehearsal.
Oscar Wilde (The Picture of Dorian Gray)
Stark Electric Jesus Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide
Maitreyee Bhattacharjee Chowdhury (The Hungryalists)
I didn’t read to escape. I didn’t even read to be entertained. It was more elemental, more essential than that. I read because imagination was the only thing that elevated me beyond my own reality. To look at my world as my only plane of existence was so limiting, and a little depressing. I needed the boundless worlds I found in good fiction. I could stare at the characters and obsess over them. But they couldn’t stare back. They couldn’t ask me any questions, or know me. They couldn’t ever love me but they couldn’t judge or reject me, either. They couldn’t react to me. It was kind of like stalking, but a character in a novel can’t get a restraining order.
Katie Ray (Don't Kiss the Messenger (Edgelake High School, #1))
About page warm and casual on her blog, The Pioneer Woman: Howdy. I’m Ree Drummond, also known as The Pioneer Woman. I’m a moderately agoraphobic ranch wife and mother of four. Welcome to my frontier! I’m a middle child who grew up on the seventh fairway of a golf course in a corporate town. I was a teen angel. Not. After high school, I thought my horizons needed broadening. I attended college in California, then got a job and wore black pumps to work every day. I ate sushi and treated myself to pedicures on a semi-regular basis. I even kissed James Garner in an elevator once. I loved him deeply, despite the fact that our relationship only lasted 47 seconds. Unexpectedly, during a brief stay in my hometown, I met and fell in love with a rugged cowboy. Now I live in the middle of nowhere on a working cattle ranch. My days are spent wrangling children, chipping dried manure from boots, washing jeans, and making gravy. I have no idea how I got here . . . but you know what? I love it. Don’t tell anyone! I hope you enjoy my website, ThePioneerWoman.com. Here, I write daily about my long transition from spoiled city girl to domestic country wife.2
Michael Hyatt (Platform: Get Noticed in a Noisy World)
Tuesday and Wednesday flew by. Dylan from 5B came over on Thursday. I didn’t smoke any pot, but I let him hotbox my apartment so I was even more completely stoned than I was the time before, except this time my eyebrows remained intact. We watched three episodes of Whose Line Is It Anyway? and laughed our asses off. Dylan was actually pretty cute. He was tall and skinny and pale with buzzed hair, but he had these really blue eyes. That night he helped me carry my laundry to the basement. “Hey Kate, you wanna go to the skate park with me tomorrow night?” “I can’t, I have a date with a lesbian.” His eyes shot open. “Oh, cool.” “It’s not what you think.” He smiled and shrugged. “It’s your business. Aren’t you still dating that douche wad in 9A?” “Stephen? No, he dumped me last week. He’s dating someone else already.” “His loss.” He said it so quickly and nonchalantly that I almost believed him. We got to the basement door. Dylan pushed it open and walked in but paused in front of me. I leaned around his body and saw Stephen making out with a different girl than he had been with earlier that week. At first I didn’t recognize her, and then I saw her token pink scrunchie bobbing above her head. It was the bimbo from the sixth floor. Every time I saw her she was with a different guy. Stephen turned and spotted me. “Kate, I thought you did your laundry on Mondays?” I contemplated sharing my thoughts on women in their thirties who still wear colorful hair pretties, but I chose to take the high road. Anyway, one or both of them would undoubtedly have a venereal disease by the end of the week, and that was my silver lining. “Don’t talk to me, Stephen.” I coughed and mumbled, “Pencil dick” at the same time. Dylan stayed near the door. Everyone in the room watched me as I emptied my laundry bag into a washer. I added soap, stuck some quarters in, closed the lid, and turned to walk out. Just as I reached the opening, Dylan pushed me against the doorjamb and kissed me like he had just come back from war. I let him put on a full show until he moved his hand up and cupped my breast. I very discreetly said, “Uh-uh” through our mouths, and he pulled his hand away and slowed the kiss. When we pulled apart, I turned toward Stephen and the bimbo and shot them an ear-splitting smile. “Hey, Steve”—I’d never called him Steve—“Will you text me when the washer is done? I’ll be busy in my apartment for a while.” He nodded, still looking stunned. I grabbed Dylan’s hand and pulled him into the elevator. Once the doors were closed, we both burst into laughter. “You didn’t have to do that,” I said. “I wanted to. That asshole had it coming.” “Well, thank you. You live with your mom, right?” “Yeah.” “Please don’t tell her about this. I can’t imagine what she would think of me.” “I’m not that much younger than you, Kate.” He jabbed me in the arm playfully and smirked. “You need to lighten up. Anyway, my mom would be cool with it.” “Well, I hope I didn’t give you the wrong idea.” “Nah. We’re buddies, I get it. I’m kind of in love with that Ashley chick from the fourth floor. I just have to wait until next month when she turns eighteen, you know?” He wiggled his eyebrows. I laughed. “You two would make a cute couple.” If only it were that simple.
Renee Carlino (Nowhere but Here)
After discreetly tipping the captain, I led her inside. I quickly placed an order for an Aperol Spritz for room 212 with a passing staff member and escorted Camilla to the elevator, where she kissed me with an intensity that made the world disappear, leaving only the warmth of our lips and the sound of our labored breathing.
Leilac Leamas (THE PAWN’S GAMBIT (Leilac Leamas - English))
So I told her. I told her how Evey and I had met Tinker at The Hotspot on New Year’s Eve and how the three of us had bandied about—to the Capitol Theatre and Chernoff’s. I told her about Anne Grandyn and how she’d introduced herself at the ‘21’ Club as Tinker’s godmother. I told her about the car crash and Eve’s recovery and the night with the closed-kitchen eggs and the star-crossed kiss at the elevator door. I told her about the steamer to Europe and the letter from Brixham. I told her how I’d talked my way into a new job and insinuated myself into the glamorous lives of Dicky Vanderwhile and Wallace Wolcott and Bitsy Houghton née Van Heuys. And, at long last, I told her about the late night call that I’d received after Eve disappeared and how with my overnight bag in hand I’d skipped to Penn Station like a schoolgirl so that I could catch the Montrealer and take it to a hoot owl and a hearthstone and a can of pork and beans.
Amor Towles (Rules of Civility)
Stacy is one ‘duh’ short of a dozen. She’s all foam and no beer, although she does fill out her tops well with her artificially enhanced assets. I worry that her elevator doesn’t go all the way to the top floor.
Sara Ney (He Kissed Me First (Kiss and Make Up #2))
He vaguely remembered taking her hand, and leading her across the lounge to the elevators. But then… Huh. Had he imagined the sinful, smoking hot kiss they’d shared once the doors slid closed? He could almost feel the palm of his hand inching up her silky smooth thigh while she dug her nails into his scalp.
L.J. Vickery (S.O.S. Del (S.O.S., #1))
As I was leaving work this evening, riding down in the elevator alone and depressed, the doors opened on the floor below mine. And there he was. Garner. He grinned at me and stepped into the elevator. The doors slid closed. “Did I finally stay at work as late as you?” he asked. I mumbled in the affirmative. It’s hard to be witty when happiness is shooting through you like rockets. “Staying as late as you is a first,” he said. “I’m trying to get a life,” I told him. Inside joke. Which I suddenly worried wasn’t very funny. But, thank you Lord, he chuckled and we kept staring at each other. Still smiling. Then the humor began to fade from his face. And then! Then he kissed me. I barely had time to adjust, to kiss him back, before the elevator binged to signal that we’d reached the lobby. We stepped apart quickly and walked side by side through the first floor of Bradford Shipping without glancing at each other once. I mostly looked down because I didn’t want anyone, including him, to see my blush, which felt about as hot as the Arabian Peninsula. I was both thrilled and terrified that he’d find a reason to regret the kiss. When
Becky Wade (Then Came You (A Bradford Sisters Romance, #0.5))
Jesus,” he muttered then he rolled until I was on my back, his weight was on me, his hips between my legs then he said, “you’re not real fast, are you?” If he’d said this in an angry or sarcastic way, rather than a resigned and a tad bit amused way, I would have lost my mind. Instead, I said honestly, “I’m not usually this clueless. But when my brother is murdered; I’m waiting for the next crazy gift to be delivered to my door which might cause my head to explode; I fall in love with a man and he moves in; and I have a future that includes another kid and I need to figure out how I’m gonna tell my daughters they might have a brother or sister sometime in the future, I get a little out of it. In my defense, most women would.” “What?” Joe asked when I stopped talking and I realized his body had gone tense again, so tense it felt like even his cells had stopped moving he had that tight a rein. I put a hand to his face and answered, “I thought you said you wanted a kid.” “Before that.” I thought for a second and asked, “My head exploding?” His body moved but only to press mine deeper into the bed. “After that, Vi,” he growled and I was getting confused again because he was sounding impatient again, very impatient, close to losing it impatient. “I’m in love with you?” I asked quietly. “Yeah, baby, that.” “What about it?” “What about it?” he repeated. “Yeah, um… do you… uh…” Shit! He wasn’t ready for that. Now what did I say? “Is that too much for you? Should I have –?” He cut me off by roaring with laughter. Roaring. So loud I was pretty sure he’d wake the girls (and Mooch). “What’s funny?” I asked him and he shoved his face in my neck but his hands started roaming. “You think maybe you might have wanted to tell me that?” “Tell you what?” His head came up. “Honey, keep up with me because this is pretty fuckin’ important.” I felt my temperature increase as my anger elevated and I did my best to lock it down. “I’m not following you, Joe. Maybe you could explain?” His mouth came to mine and he whispered, “You’re in love with me.” “Well, yeah.” “Didn’t you think maybe you should share that with me?” “Um… I thought I did.” He kissed me lightly then his mouth went away but not far away when he said, “Woulda remembered that, buddy.” “But, I gave up Mike and you’re moved in.” “Yeah. So?” “With me and the girls.” He didn’t say, “Yeah. So?” again, he let his silence say it. “Doesn’t that say it all?” I asked. “I mean, I wouldn’t let just any guy move in with me and the girls. I’m not like that. He’d have to mean something to me, like you do.” I felt his body relax into mine before he asked quietly, “When did you know?” “What?” “That you loved me, when did you know?” I felt my temperature decrease and my hand slid up his back and into his hair. “I don’t know. I just knew,” I answered softly. “Vi –” he said my name on a gentle warning. Quickly, to get it out because, being Joe he wasn’t going to let it go and when I said it, it was going to make me sound stupid, I told him. “When you said, ‘Baby, you aren’t wearing any shoes’ that second night we were together at your house.” Immediately, he replied, “I knew you were the one when you were standin’ in my living room, wearing those stupid-ass boots, your nightie and that ratty robe.” “That was the night we first met.” “Yep.” I was the one for Joe and he knew it the first night we met. He knew I was the one. The one. The one. And he knew it the first night we met.
Kristen Ashley (At Peace (The 'Burg, #2))
We get in the elevator, and he signs to me from the back. Are you all right? You look upset? I’m fine. Just told Trip he has to find a place to live. He rolls his eyes. He already did. He’s working on it. I’ll believe it when I see it. Henry rushes forward and opens the door for us when we get downstairs. “You look lovely, Miss Madison,” he says to me as Trip gets into the limo. I squeeze Henry’s hand. He holds the door of the limo, and I slide inside. Logan gets in next to me, and I don’t feel at peace until his shoulder touches mine. You sure you’re okay? he asks. He tucks a lock of hair behind my ear, his hands lingering at my temple. I arch into him like a cat and pull his hand down so I can kiss the center of his palm. I lean my head on his shoulder and nod. I am okay, as long as he’s beside me.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
I want to kiss you.” “You totally should,” I toss back. He shakes his head. “Not yet,” he says. “Are you working from home tomorrow?” “No, I have to go in to the office.” I have a big case that I’ve been working on, and we need to have a team meeting. “When can I see you again?” he asks. I can’t bite back my grin. “When do you want to see me again?” “Every day, all day.” He laughs. God, when that man smiles, he could knock me to my knees. “Can I call you?” I nod. “Good,” he says. He turns and walks away from me. I step out into the hallway and call toward his back. “That’s it?” I ask. “For now,” he calls back, but he’s laughing. He waves at me as the elevator doors close, and I sag back against the wall. That wasn’t very nice. But I’m grinning when I go back into the apartment.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Jabril’s epicurean tongue rimmed at my anal receptacle before jabbing into my tunnel of love with abandon. His commanding lividity drove my tilting pelvis to receive slivers of his dripping saliva. He was preparing me for the feast of the gods. And I was delighted to suffice. Much like my Valet relishing the helmsman’s mightiness, Victor devoured the captain’s prowess with avid ferocity. Spittle of beaming wetness coated their organs. Tad led me above deck while the men followed suit. Pulling me atop a comfortable mattress, I straddled the athlete with aplomb, kissing his succulent mouth with wanton fervency. Quivers of euphoric rhapsody surged through my body when his tumid avidity eased into my passageway of forbidden love. His bouncing gyrations commingled with my lustful kisses brought our hankering spirits into a unified entity. Just as this newfound vivacity took hold, I felt another force in my core. This elevated double entry catapulted me into an uncharted and blissful realm. The captain and the champion tantalized my tightness with symmetrical cadences as we tangoed to the rhythm of the lapping waves. Tad’s provocative expertise, coalescing with Fahrib’s rousing mastery, hurled my frenzied soul to an intensified crescendo of erotic gratification. Rainbows of aesthetic enthusiasm flashed before me as Andy and Victor mirrored one another as the Levantine logerez himself onto their throbbing hardness simultaneously. He was at once in agony and ecstasy before his misshapen expression transformed into gleeful entrancement. Heaving sighs of euphoric relief, he accommodated both obelisks with pride.
Young (Turpitude (A Harem Boy's Saga Book 4))
Jake buried his face in my neck and kissed a burning trail up it and along my jaw. "Should I ride the elevator of our building up and down all night, hoping you'll show?" he asked, his voice husky. "Or should we just plan to meet?
Cindi Madsen (Cinderella Screwed Me Over)
Veris gave a low chuckle as they stepped into the building. He took off his glasses and put them in his breast pocket. "I've always said women were stronger, when it came to pure courage, haven't I?" he said to Brody. Brody stabbed at the top elevator button. "There's a reason we have a queen and not a king.
Teal Ceagh (Kiss Across Time (Kiss Across Time #1))
Cameron, when you asked me to move in with you, I thought it was all about the babies. That it had nothing to do with me.” “Ohhh, it had everything to do with you.” “The past couple of weeks…” she said. “I don’t know when I’ve been happier.” “Really? If I could just elevate myself above sperm donor—” “Why? They don’t get any better. Talk about packing a punch,” she laughed. “That night, I remember thinking, if I had a little more time, if my life weren’t so screwed up, I could fall in love with this guy.” His breathing got a little heavier. “I have nothing but time,” he said, and his voice had grown raspy. “Then we don’t really have a problem here, do we?” she said with a smile. “We could—” She was cut off by his hands on her face, his lips on her lips, kissing her with a passion she hadn’t even dared hope for in so long.
Robyn Carr (Paradise Valley)
his elevator ride to read a priority email; the time spent walking from the elevator to his office to consider his client’s question. By the time he hit his office, he was task-ready and sat
Nancy Warren (Kiss a Girl in the Rain (Take a Chance, #1))
I’m in love with you, Am. Not her. There are parts of me, so many, that will only ever belong to you. I might hold her when she cries, but you’re the only one I will climb into a shower for, fully dressed. The only girl I would lose an arm over trying to get into your elevator. Yours are the only lips I want to kiss. The only one I reach for when I wake up in the morning. Your body is the only one mine craves.
Cambria Hebert (Amnesty (Amnesia, #2))
I read because imagination was the only thing that elevated me beyond my own reality. To look at my world as my only plane of existence was so limiting, and a little depressing. I needed the boundless worlds I found in good fiction.
Katie Ray (Don't Kiss the Messenger (Edgelake High School, #1))
And I had never been in love before but the idea of her elevated me to new heights so far beyond the horizon that I kissed the moon.
Simenona Martinez
There she was before him in all her Aboriginal glory. Brown eyes and skin so tan it was nearly black. Her smile—a wondrous thing. Her lips—he imagined that by the end of summer, they’d be kissing him on the way home from Gravity Park. To Iron, elevated as she was in his poetic imagination, she had become something else entirely, obscuring lines between fact and fiction, between science and religion. Nothing made sense—and yet everything did.
Moses Yuriyvich Mikheyev (Of All Things Sacred)
Satan didn’t take the elevator up to Earth and hand me my passport to Hell. I kissed her, and the world didn’t end.
Parker S. Huntington (Darling Venom)
While architecture’s sense of disciplinary inferiority ultimately derives from the antique pyramid of expression that placed language and poetry at its lofty apex and building down amid the mud and toil of the ground, architecture’s Sisyphean effort to achieve elevation only became more futile with the development of modern capitalism on the one hand […] and avant-garde strategies of opposition on the other.
Sylvia Lavin (Kissing Architecture (POINT: Essays on Architecture))
painful turns my life has taken. He leads us through the song as I replay the last few weeks. Somehow, Jackson has taken my life by storm. He’s found a way to make me feel alive, as if a light switch has been turned on, illuminating all my dark corners. He sharpens my senses and fills me with so many different things—excitement, fear, humor, anger. It terrifies me. The song ends and I look into his kind, warm eyes. He leans in purposefully and gives me a tender kiss. I smile and a soft giggle comes out. “What?” Jackson asks. “Oh, nothing.” I shrug. “Just rethinking—maybe you are charming.” “You haven’t seen anything yet.” I bet I haven’t. Chapter 16 We finish dinner and head through the lobby, and over to the elevator.
Corinne Michaels (Beloved (Salvation, #1; The Belonging Duet, #1))
When we saw the ascension scene—where I rise with the Creature on an elevated platform and cry, “LIFE, DO YOU HEAR ME? GIVE MY CREATION LIFE!,” my heart sank. I thought this was going to be one of the highlights of the film, and instead it was a boring blob. I put my head down. Mel didn’t vomit. Instead, he got up and started banging his head against the wall. He hit it three times, hard. Then turned his face to the rest of us and said, “Let’s not get excited! You have just witnessed a 14-minute disaster. In one week you’re going to see a 12-minute fairly rotten scene. In two weeks you’re going to see a 10-minute fairly good scene. And in three weeks, you are going to see an 8-minute masterpiece.
Gene Wilder (Kiss Me Like A Stranger: My Search for Love and Art)
Sometimes, we have a very pretty notion of what love should be. As though love can only happen in a… like a made-for-tv movie, with flowers and diamond rings and … maybe kissing in elevators.” He chuckled. “But it’s not like that at all. Sometimes love fucking hurts, because you fall in love with someone who doesn’t know how to love you back. And all you can do is accept them, and hope they figure it out. Even if it means walking away.” ~ A Forged Affair
M.A. Clarke Scott
They were alone in the elevator. Hoyt didn't even wait for the doors to close before he started kissing Charlotte, pushing her up against the back wall, caressing her breasts, pressing his body against hers from chest to groin. She kissed him back in a spirited fashion and felt cool doing it, let her body go limp against the wall, wrapped her arms around his neck, allowed him to do whatever he wanted to her.
Tom Wolfe (I Am Charlotte Simmons)
Their friendship — they were both of them careful to insist upon that word — was a thing elusive and moth-like, an unreal emanation of the sweet London dusk from which any intrusion of the material, the physical, might brush the bloom. They were primarily concerned with each other’s minds and souls. This was, they assured each other, an intellectual comradeship in which two young, eager minds, with eyes wide open, were pre- pared to discuss any subject under the sun. With a cold and exalted detachment they debated not only the arts — which, naturally, were much more important than life — but problems of human conduct, such as Communism (they were both Communists, of course), prostitution, birth-control. At first these discussions filled poor Helena with confusion, for no living Pomfret had ever spoken of such things, but Cyril, when he saw her confused, became almost stern. To be capable of being shocked was a bourgeois trait; and when once she had got over her first awkwardness she found a certain elevated excitement in calling spades spades. Cyril noticed this, and approved. It was something of an achievement to have educated this little mouse from Clapham up to his own intellectual level. It made him ruthless, haughty, patronising towards her; and Helena didn’t mind. Indeed, she found an odd satisfaction in the docile humility with which she accepted his views on free trade, free verse and free love. [...] And the beauty of the whole thing was this: that apart from their meeting and parting kisses, which, occasionally, on his side, were disturbingly ardent, their relations, so far, had been rigidly Platonic. He had never, in a vulgar way, attempted to make love to her. They went floating, divided like another and undesirous Paolo and Francesca, through an intellectual heaven. Impersonally. . . . She sometimes wondered how long this blessed impersonality would last [...]
Francis Brett Young
Sports events often represent the best and worst qualities of the countries that host them. And they often are used as gaudy sideshows to mask other more significant events. Like the forbidden love men often feel for each other. Human males were not supposed to be touchy-feely, at least not with each other, unless of course they were gay. Some men were, and that generally alarmed other men. In elevators people keep their space, especially males. They don’t want to rub up against other men—the feeling repels them. Yet these same men will jump all over each other, they will hug, slap each other’s buttocks and even kiss, if one of them scores a touchdown.
Dave Brockie (Whargoul)
I got on the elevator without giving him the chance to kiss me. We stood across from each other, two sad people in a situation that couldn’t be fixed. I waited for the door to slide shut between us.
Stephanie Lehmann (Astor Place Vintage)
bold front she portrayed, this Earth woman had concerns he might not have considered. For all she knew, the Challenge had begun the moment she’d traveled through time. At the moment, he had absolutely no idea what she was thinking. FINALLY, KAHN decreased the stimulation in Tessa’s suit. After several minutes of diminished intensity, she’d recovered enough to concentrate better on his words, but focusing wasn’t easy. Kahn folded his arms over his chest. “We have less than a month to train you for the Challenge. Our goal is for you to operate your suit and our machinery at the highest proficiency possible. Watch and do not be alarmed.” Tessa blinked as the man went from seductive to businesslike. She’d thought he would accept her invitation for him to touch her without hesitation—but he wanted to talk about machinery. Kahn had picked a hell of a time to change the subject, and her elevated hormones were going nuts. She fought those hormones by telling herself that her body had simply responded to the unwanted stimulation in a natural manner. She drew in deep breaths through her nose and forced air from her mouth in an attempt to clear her head. Kahn opened a wall panel and again showed her the communications screen. “Beside the screen is a musical library and a holovision system for entertainment.” “Okay.” She forced herself to listen even while her nerves endings demanded attention. At least her suit had stopped the nonsense, but she still tingled from the after effects. And she couldn’t help noticing Kahn’s muscular body in a way she hadn’t before Dora’s suggestion. No longer could she assess his musculature only as that of an opponent. Now she saw his muscles as pleasing to the eye, his flesh satisfying to her touch, his lips gratifying her desire to be kissed. A startling idea popped into her mind, unbidden
Susan Kearney (The Challenge (Rystani Warrior #1))
Outside the elevator, time is going on, but inside, it's stopped for us because we've got our own schedule: kissing, giggling, probing, breathing, taking, wanting, hoping. Liking.
Rachel Cohn
Don't tell me you consider yourself qualified to give me instruction on the art of kissing! What an elevated opinion you hold of yourself." "Oh no, ma belle. I would never have the patience." A corner of his mouth turned up in faint amusement. "Nor, if I were to instruct you, would I be satisfied with so lukewarm a response from you.
Nicole Jordan (Lord of Desire)
thought, as she decided to get off the elevator with those two, on the eleventh floor. Then she’d go back downstairs, wait for the stranger to get lost somewhere, and not go back upstairs until she found Dan. She’d call him to apologize, invent something that would explain why she’d stood him up. Anything, only not to go back to her room alone, when the creepy stranger knew what floor she was on. A chime and the elevator came to a gentle stop on the eleventh floor. The young couple, entangled in a breathless kiss, almost missed it but eventually proceeded out of the cabin, and she took one step toward the door. “This isn’t your stop, Miss,” the stranger said, and the sound of his voice sent shivers down her spine. Instead of bursting through that door, she froze in place, petrified as if she’d seen a snake, and then turned to look at him. “Do I know you?” The stranger shook his head
Leslie Wolfe (The Watson Girl (Special Agent Tess Winnett, #2))