Elephants And Love Quotes

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Always be fearless. Walk like lion, talk like pigeons, live like elephants and love like an infant child.
Santosh Kalwar (Quote Me Everyday)
To be a baby elephant must be wonderful. Surrounded by a loving family 24 hours a day…. I think it must be how it ought to be, in a perfect world.
Daphne Sheldrick
We were left with nothing because of a love like acid that ate its way through our entire family.
R.D. Ronald (The Elephant Tree)
That's why Twinkle likes the place so much, Scott thought, looking around at the faded wood veneer tables, and the faded souls drinking at them. Misery was soaked through the place like the old beer soaked through its carpets.
R.D. Ronald (The Elephant Tree)
It is a bad thing to have love and nowhere to put it.
Kate DiCamillo (The Magician's Elephant)
Sometimes I think if I had to choose between an ear of corn or making love to a woman, I'd choose the corn.
Sara Gruen (Water for Elephants)
When I said I wanted to die in my sleep, I meant I wanted to be stepped on by an elephant while making love.
Roger Zelazny (The Great Book of Amber (The Chronicles of Amber, #1-10))
Have you, in truth, ever seen something so heartbreakingly lovely? What are we to make of a world where stars shine bright in the midst of so much darkness and gloom?
Kate DiCamillo (The Magician's Elephant)
There," she said. She rocked him back and forth. "There, you foolish, beautiful boy who wants to change the world. There, there. And who could keep from loving you? Who could keep from loving a boy so brave and true?
Kate DiCamillo (The Magician's Elephant)
Afterward she lies nestled against me, her hair tickling my face. I stroke her lightly, memorizing her body. I want her to melt into me, like butter on toast. I want to absorb her and walk around for the rest of my days with her encased in my skin.
Sara Gruen (Water for Elephants)
Apples to oranges, the act of comparing your life to another’s is more like comparing an elephant to an apple, it makes no sense to compare someone’s life that you have no knowledge about to that of your own, of which in all earnest is not something that you completely understand yourself.
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
I had to wait for someone special. Someone who would make my heart feel as if it's been trampled by elephants, thrown into the amazon, and eaten by piranhas.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Elephants love reunions. They recognize one another after years and years of separation and greet each other with wild, boisterous joy. There's bellowing and trumpeting, ear flapping and rubbing. Trunks entwine.
Jennifer Richard Jacobson (Small as an Elephant)
Love loves to love love. Nurse loves the new chemist. Constable 14A loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle. M. B. loves a fair gentlema. Li Chi Han lovey up kissy Cha Pu Chow. Jumbo, the elephant, loves Alice, the elephant. Old Mr Verschole with the ear trumpet loves old Mrs VErschoyle with the turnedin eye. The man in the brown macintosh loves a lady who is dead. His Majesty the King loves Her Majesty the Queen. Mrs Norman W. Tupper loves officer Taylor. You love a certain person. And this person loves that other person because everybody loves somebody but God loves everybody.
James Joyce (Ulysses)
I loved her like elephants like remembering stuff. Those bastards just won’t let me forget and move on.
Jarod Kintz (Love quotes for the ages. And the ageless sages.)
I grab my bag and open the door, trying to ignore him. But ignoring Gray Porter is like ignoring an elephant in a tutu. A really hot elephant-in a very manly tutu.
Anne Eliot
They claim a hidden corner of our hearts, all those moments that stay with us unscreamed. That's where loves, like elephants, drag themselves to die. It's the place where pride allows itself to cry.
Gregory David Roberts (Shantaram)
Her life was a slow realization that the world was not for her and that for whatever reason she would never be happy and honest at the same time. She felt as if she were brimming always producing and hoarding more love inside her. But there was no release. table ivory elephant charm rainbow onion hairdo violence melodrama honey...None of it moved her. She addressed the world honestly searching for something deserving of the volumes of love she knew she had within her but to each she would have to say I don't love you.
Jonathan Safran Foer (Everything is Illuminated)
There is a lot of love in him, a lot of love in his heart... And he is up there with no one and nothing to love. It is a bad thing to have love and no where to put it.
Kate DiCamillo (The Magician's Elephant)
After that day when I saw the elephant, I let myself see more and believe more. It was a game I played with myself. When I told Alma the things I saw she would laugh and tell me she loved my imagination. For her I changed pebbles into diamonds, shoes into mirrors, I changed glass into water, I gave her wings and pulled birds from her ears and in her pockets she found the feathers, I asked a pear to become a pineapple, a pineapple to become a lightbulb, a lightbulb to become the moon, and the moon to become a coin I flipped for her love, both sides were heads: I knew I couldn't lose.
Nicole Krauss (The History of Love)
After sixty-one years together, she simply clutched my hand and exhaled.
Sara Gruen (Water for Elephants)
Elephants? Really? My God, what does he see in you? Certainly not your intellect or wit, since we’ve yet to see any evidence it exists. And your idea of a love scene? So Disney, so Family Channel, so dreadfully boring. Really, Ever, may I remind you that Damen’s been around for hundreds of years, including the free-love sixties?
Alyson Noel (Evermore (The Immortals, #1))
She was working to remind herself of who she was. She was working to remember that somewhere in another place entirely she was known and loved.
Kate DiCamillo (The Magician's Elephant)
The coolies pull them across Howrah bridge, which they share with cars, trucks, bullock carts, a party of young women in saris strolling in no hurry wearing bangles on their ankles, an elephant also in no hurry, and a cow that is lying down in the middle of the road chewing lazily a booklet entitled Dr W C Roy’s SPECIFIC FOR INSANITY. The camera pauses on a portion of the half-eaten text: “Dr Roy’s insanity medicine acted a charm. I am completely cured,” says Srinath Ghosh of Bundelkund. 5 rupees per phial.
Michael Tobert (Karna's Wheel)
Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...
Nikki Giovanni
You do right by me, I'll show you a life most suckers can't even dream of.
Sara Gruen (Water for Elephants)
Life is for the living, not the dead, who belong to the past and are at peace and beyond all further pain and suffering 'somewhere in the great somewhere
Daphne Sheldrick (Love, Life, and Elephants: An African Love Story)
Brod's life was a slow realization that the world was not for her, and that for whatever reason, she would never be happy and honest at the same time. She felt as if she were brimming, always producing and hoarding more love inside of her. But there was no release. Table, ivory, elephant charm, rainbow, onion, hairdo, mollusk, Shabbos, violence, cuticle, melodrama, ditch, honey, doily...None of it moved her. She addressed her world honestly, searching for something deserving of the volumes of love she knew she had within her, but to each she would have to say, I don't love you. Bark-brown fence post: I don't love you. Poem too long: I don't love you. Lunch in a bowl: I don't love you. Physics, the idea of you, the laws of you: I don't love you. Nothing felt like anything more than what it actually was. Everything was just a thing, mired completely in its thingness. If we were to open a random page in her journal- which she must have kept and kept with her at all times, not fearing that it would be lost, or discovered and read, but that she would one day stumble upon that thing which was finally worth writing about and remembering, only to find that she had no place to write it- we would find some rendering of the following sentiment: I am not in love.
Jonathan Safran Foer (Everything Is Illuminated)
While I had often said that I wanted to die in bed, what I really meant was that in my old age I wanted to be stepped on by an elephant while making love.
Roger Zelazny (The Guns of Avalon (The Chronicles of Amber, #2))
The main motive for "non-attachment" is a desire to escape from the pain of living, and above all from love, which, sexual or non-sexual, is hard work.
George Orwell (Shooting an Elephant)
The Babar the Elephant book is sitting in front of me. I pick it up and start reading it. I remember reading it as a small Boy and enjoying it and imagining that I was friends with Babar, his constant Companion during all of his adventures. He went to the moon, I went with him. He fought Tomb Raiders in Egypt, I fought alongside him. He rescued his elephant girlfriend from Ivory Hunters on the Savanna, I coordinated the getaway. I loved that goddamn Elephant and I loved being his friend. In a childhood full of unhappiness and rage, Babar is one of the few pleasant memories that I have. Me and Babar, kicking some motherfucking ass.
James Frey
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
I love the start of autumn when the trees in my garden change the colour of their leaves in one last dazzling display.
Michael Caine (The Elephant to Hollywood)
Brahma and Airavata Long ago in lands of golden sand Brahma turned to Saraswati and gently kissed her inked hand....
Muse (Enigmatic Evolution)
Love isn't something you can just unlearn...no matter who you are, or who you're born to, or how much it's not returned" - - Elephant Girl
Jane Devin (Elephant Girl: A Human Story)
I like to think of my people as mute optimists - leave the elephant alone and, eventually, perhaps with the help of a couple mimosas, he will disappear from the room on his own accord.
Julie Buxbaum (The Opposite of Love)
He learned to live with the truth. Not to accept it, but to live with it. It was like living with an elephant. His room was tiny, and every morning he had to squeeze around the truth just to get to the bathroom. To reach the armoire to get a pair of underpants he had to crawl under the truth, praying it wouldn't choose that moment to sit on his face. At night, when he closed his eyes, he felt it looming above him.
Nicole Krauss (The History of Love)
One of the most amazing things about elephants mourning in the wild is their ability to grieve hard, but then truly, unequivocally, let go. Humans can't seem to do that. I've always thought it's because of religion. We expect to see our loved ones again in the next life, whatever that might be. Elephants don't have that hope, only the memories of this life. Maybe that's why it is easier for them to move on.
Jodi Picoult (Leaving Time)
I am a product of two worlds and each world has given me a reason to love, be kind and grow strong.
Shilpa Raj (The Elephant Chaser's Daughter)
I make love like a snake disguised as an elephant and a donkey. But I mustn’t talk about sexual congress and Congress simultaneously.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
Scientists have reported that elephants grieve their dead, monkeys perceive injustice and cockatoos like to dance to the music of the Backstreet Boys.
Hal Herzog (Some We Love, Some We Hate, Some We Eat: Why It's So Hard to Think Straight About Animals)
If I had to choose between making love and corn on the cob, I'd pick corn on the cob.
Sara Gruen (Water for Elephants)
The arrow increased without motion, then in a quick swirl the trout lipped a fly beneath the surface with that sort of gigantic delicacy of an elephant picking up a peanut.
William Faulkner (The Sound and the Fury)
As a kid, I couldn't sleep without this ratty stuffed elephant," she explains, not sure what made her think of it now. Maybe it's that she'll be soon seeing her dad again, or maybe it's just the plane keying up beneath her, prompting a childish wish for her old security blanket. [Oliver]"I'm not sure that counts" "Clearly you've never met Elephant" He laughs, "Did you come up with that name all by yourself?" "Damn right," she says
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Sometimes I think that if I had to choose between an ear of corn or making love to a woman, I'd choose the corn. Not that I wouldn't love to have a final roll in the hay - I am a man yet, and something never die - but the thought of those sweet kernels bursting between my teeth sure sets my mouth to watering. It's fantasy, I know that. Neither will happen. I just like to weight the options, as though I were standing in front of Solomon: a final roll in the hay or an ear of corn. What a wonderful dilemma. Sometimes I substitute an apple for the corn.
Sara Gruen (Water for Elephants)
You say love's so important, but how can you prove it? Love is like soap, it works if you use it.
Dominic Smith (The Bird and the Elephant)
Maybe it was me. Maybe I wanted to hate him because I'm in love with his wife, and if that's the case, what kind of man does that make me?
Sara Gruen (Water for Elephants)
Being with other people is hard for me, even when I love them. People have different ways of seeing and feeling, and things they like and things they don't, and trying to keep up with all of that- trying to keep another person happy all the time--can be exhausting.
Jane Devin (Elephant Girl: A Human Story)
I consider it somewhat psychopathic to label someone from afar as a psychopath. We love nothing more than to declare other people insane, especially people we don’t like.
Jon Ronson (The Elephant in the Room: A Journey into the Trump Campaign and the “Alt-Right”)
Sometimes I think that if I had to choose between an ear of corn or making love to a woman, I'd choose the corn.
Sara Gruen (Water for Elephants)
And sometimes, just when you think you've got love beat, it comes flowing back as if you really didn't know any better.
Jane Devin (Elephant Girl: A Human Story)
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened. One day the two came upon each other on the corner of a street. “This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.” “And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.” They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle. As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily? And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?” “Yes,” she said, “that is exactly what we should do.” And so they parted, she to the east, and he to the west. The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully. One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank. They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love. Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty. One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew: She is the 100% perfect girl for me. He is the 100% perfect boy for me. But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever. A sad story, don’t you think?
Haruki Murakami (The Elephant Vanishes)
The greatness of a Nation and its moral progress can be judged by the way its animals are treated…I hold that the more helpless a creature, the more entitled it is to protection by man from the cruelty of man.’ – Mahatma Gandhi
Daphne Sheldrick (TestAsin_B07LC3PP12_Love, Life, and Elephants: An African Love Story: TestAsin_B07LC3PP12_An African Love Story)
All that rubbish about souls is simply not true, that you can love a soul independent of the shape it comes in. Our brains are made so that we can only love a cat as a cat and not as a bird or an elephant. If we want to love a cat, we want to see a cat, touch its fur, hear it purr, and get scratched if we get our petting wrong. We don't want to hear it bark, and if the cat started growing feathers, we would kill, study, and finally, exhibit it as a monster.
Katharina Volckmer (The Appointment)
Darling, if you danced like an elderly elephant with arthritis, I would dance the sun and moon into the sea with you. I have waited a thousand years to see you dance in that frock.
Dorothy L. Sayers
Anyone intelligent can make things more complex. It takes a touch of genius and a lot of courage to move in the opposite direction.’ – Albert Einstein
Daphne Sheldrick (TestAsin_B07LC3PP12_Love, Life, and Elephants: An African Love Story: TestAsin_B07LC3PP12_An African Love Story)
My own belief is that two adults are allowed to love who they want, and if you don't agree with that, you are a narrow-minded shitfuck and we can't be friends.
Craig Ferguson (Riding the Elephant: A Memoir of Altercations, Humiliations, Hallucinations, and Observations)
On the day of the hunt I came to know in the slick center of my bones this one thing; all animals kill to survive, and we are animals. The lion kills the baboon, the baboon kills fat grasshoppers. The elephant tears up living trees, dragging their precious roots from the dirt they love....And we, even if we had no meat or even grass to gnaw, still boil our water to kill the invisible creatures that would like to kill us first. And swallow quinine pills. The death of something living is the price of our own survival, and we pay it again and again. We have no choice. It is the one solemn promise every life on earth is born and bound to keep.
Barbara Kingsolver (The Poisonwood Bible)
I have not forgotten you. You threw mud at me. Like an elephant I bask in it and still carry you on my skin. Only fools lose their memory. I lost you, I lost you, but you see, I can still walk on water.
D.H. Landolfi
A sense of peace and contentment filled him. He loved music, and he loved to dance. Teaching Tess to waltz was going to be a pleasure. A half an hour later, he had revised his opinion drastically, as she stepped on his foot again. Instantly, they both stopped moving and glared at each other. "Young lady, you are not an elephant," he told her. "Kindly refrain from imitating one.
Thea Harrison (Night's Honor (Elder Races, #7))
I know that men are children who chase away their despair with anger, their fear with love; they respond to the void by building castles and temples. They cling to stories, they shove them in front of them like banners; everyone makes some story his own so as to attach himself to the crowd that shares it.
Mathias Énard (Tell Them of Battles, Kings, and Elephants)
Men have nothing in common with me--there is no point of contact; they have foolish little feelings and foolish little vanities and impertinences and ambitions; their foolish little life is but a laugh, a sigh, and extinction; and they have no sense. Only the Moral Sense. I will show you what I mean. Here is a red spider, not so big as a pin's head. Can you imagine an elephant being interested in him-- caring whether he is happy or isn't, or whether he is wealthy or poor, whether his sweetheart returns his love or not, whether his mother is sick or well, whether he is looked up to in society or not, whether his enemies will smite him or his friends desert him, whether his hopes will suffer blight or his political ambitions fail, whether he shall die in the bosom of his family or neglected and despised in a foreign land? These things can never be important to the elephant; they are nothing to him; he cannot shrink his sympathies to the microscopic size of them. Man is to me as the red spider is to the elephant. The elephant has nothing against the spider--he cannot get down to that remote level; I have nothing against man. The elephant is indifferent; I am indifferent.
Mark Twain (The Mysterious Stranger)
Hate is a strong word,” I say, offering her some eggs, which she accepts. “So is love. At least I didn’t say that.” “So is elephant, but people say that all the time,” says Sophie, bounding back down the stairs and sending Jade and me into fits of laughter.
Haley Fisher (Rising Calm (Rising Calm #1))
A terrorist, I think, is simply another kind of pornographer. The pornographer pretends he is disgusted by his work; the terrorist pretends he is uninterested in the means. The ends, they say, are what they care about. But they are both lying. Ernst loved his pornography; Ernst worshiped the means. It is never the ends that matter -- it is only the means that matter. The terrorist and the pornographer are in it for the means. The means is everything to them. The blast of the bomb, the elephant position, the Schlagobers and blood -- they love it all. Their intellectual detachment is a fraud; their indifference is feigned. They both tell lies about having ‘higher purposes.’ A terrorist is a pornographer.
John Irving (The Hotel New Hampshire)
Is it hard to raise an elephant?” It was some minutes before anybody answered. But then Debra said, “I don’t think so, Mma. It’s not hard to do anything if you do it with love.
Alexander McCall Smith (How to Raise an Elephant (No. 1 Ladies' Detective Agency #21))
Some girls are fortunate enough to be in love with deep and intelligent boys," she says. "And then there's the rest of us, who have to make do.
Peter Høeg (The Elephant Keepers' Children)
I'm going to love him until the stars fall out of the sky.
Sarah Black (The General and the Elephant Clock of Al-Jazari)
life is creative fun & adventure
Carrie Mortleman (Hellie the Hovercraft Elephant)
What we are is God’s gift to us; what we become is our gift to God.’ – Anon
Daphne Sheldrick (TestAsin_B07LC3PP12_Love, Life, and Elephants: An African Love Story: TestAsin_B07LC3PP12_An African Love Story)
The artist expresses his love through his works. That is civilization.
Bernard Pomerance (The Elephant Man)
One morning I shot an elephant in my pajamas. How he got in my pajamas, I don't know.
M. Prefontaine (The Big Book of Quotes: Funny, Inspirational and Motivational Quotes on Life, Love and Much Else (Quotes For Every Occasion 1))
In a world of cheats and perves, Be the proof of honor and love. In the wild of sharks and wolves, Be the gentle elephant, be a dove.
Abhijit Naskar (Dervis Vadisi: 100 Promissory Sonnets)
I love Israel, I go back all the time. I just love New York a little more. My workers are Arabs, my best friend is a black man from Alabama, my girlfriend's a Puerto Rican, and my landlord is a half-Jew bastard. You know what I did this morning? I read in the paper yesterday that the circus is setting up in the Madison Square Garden, they said the elephants would be walking through the Holland Tunnel at dawn. I'm a photographer a little too, you know? So I get up at five o'clock, bike over to the tunnel, and wait. It turns out the paper got it wrong, they came through the Lincoln, but still, you know? This is a hell of a place.
Richard Price
I don’t pretend to know how love works. I can tell you a thousand things I love about Alix, but none of them are exactly why I love her. The why, I don’t have words for. It’s a code we decipher every time we hold hands, a secret song we hear when we look in each other’s eyes. It’s really true. You just know.
Tommy Tomlinson (The Elephant in the Room: One Fat Man's Quest to Get Smaller in a Growing America)
She laughed a bit at the simple beauty of it all - the white paper, the elegant arc, the soft green grass; and, beside her, the purple backpack, Grandad's golden straw hat, the sky a pale-blue umbrella embracing the whole town
Peter Carnavas (The Elephant)
O Lord of love and kindness, who created the beautiful earth and all the creatures walking and flying in it, so that they may proclaim your glory. I thank you to my dying day that you have placed me amongst them.’ – St Francis of Assisi
Daphne Sheldrick (TestAsin_B07LC3PP12_Love, Life, and Elephants: An African Love Story: TestAsin_B07LC3PP12_An African Love Story)
They died... Have you ever seen a baby elephant lying on its side, with its trunk inert, gazing at you with eyes in which there seem to have taken refuge all those so highly praised human qualities of which humanity is so largely devoid?
Romain Gary (The Roots of Heaven)
Brod’s life was a slow realization that the world was not for her, and that for whatever reason, she would never be happy and honest at the same time. She felt as if she were brimming, always producing and hoarding more love inside her. But there was no release. Table, ivory elephant charm, rainbow, onion, hairdo, mollusk, Shabbos, violence, cuticle, melodrama, ditch, honey, doily… None of it moved her. She addressed her world honestly, searching for something deserving of the volumes of love she knew she had within her, but to each she would have to say, I don’t love you. Bark-brown fence post: I don’t love you. Poem too long: I don’t love you. Physics, the idea of you, the laws of you: I don’t love you. Nothing felt like anything more than what it actually was. Everything was just a thing, mired completely in its thingness.
Jonathan Safran Foer (Everything is Illuminated)
Living in the bush teaches you that life is a magnificent cycle of birth and death, and nothing showed me that more powerfully than when Nana gave birth to a beautiful baby boy around the time of Lawrence’s passing. Of course I named him Lolo.
Françoise Malby-Anthony (An Elephant in My Kitchen: What the Herd Taught Me about Love, Courage and Survival)
I always hoped I would find someone and we would fall in love. But I didn’t think I had much to offer, especially in those first few moments where you make an impression or you slink back across the room. I came to believe I was just a fat guy with bad teeth, and I pretty much quit trying. The only reason my heart didn’t get broken is because I rarely took it out of the box.
Tommy Tomlinson (The Elephant in the Room: One Fat Man's Quest to Get Smaller in a Growing America)
my story is that more than sex or death or the remote possibility of God, there was one thing more fundamental to my way of being in the world than any other, and that was the all-pervading influence of a mother; and not just her influence, but her presence and her love.
Michael Harding (Hanging with the Elephant: A Story of Love, Loss and Meditation)
Psychologists say the best way to handle children at this stage of development is not to answer their questions directly but instead to tell them a story. As pediatrician Alan Greene explained, “After conversing with thousands of children, I’ve decided that what they really mean is, ‘That’s interesting to me. Let’s talk about that together. Tell me more, please?’ Questions are a child’s way of expressing love and trust. They are a child’s way of starting a conversation. So instead of simply insisting over and over again that the object of my son’s attention is, in fact, an elephant, I might tell him about how, in India, elephants are symbols of good luck, or about how some say elephants have the best memories of all the animals. I might tell him about the time I saw an elephant spin a basketball on the tip of his trunk, or about how once there was an elephant named Horton who heard a Who. I might tell him that once upon a time, there was an elephant and four blind men; each man felt a different part of the elephant’s body: the ears, the tail, the side, and the tusk . . .
Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again)
I've never been to the ocean, never heard the waves lick the sand in that quiet shushing you read about in books. I've never been to the zoo, smelled the elephant piss, and heard the cries of the monkeys. I've never had frozen yogurt from one of those places where you pull on the handle and fill your own cup with whatever you like. I've never eaten dinner at a restaurant with napkins that you set on your lap and silverware that isn't plastic. I've never painted my nails like the other girls at school, in bright neons and decadent reds. I've never been more than ten miles from home. Ten miles. It's like I live in the forever ago, not where buses rumble and trains have racks. I've never had a birthday cake, though I've wanted one very much. I've never owned a bra that is new, and had to cut the tags off with the scissors from the kitchen drawer. I've never been loved in a way that makes me feel as if I was supposed to be born, if only to feel loved. I've never, I've never, I've never. And it's my own fault. The things that we never do because someone makes us fearful of them, or makes us believe we don't deserve them. I want to do all my nevers-- alone or with someone who matters. I don't care. I just want to live.
Tarryn Fisher (Marrow)
To anticipate the Enemy’s strategy, we must consider His aims. The Enemy wants to bring the man to a state of mind in which he could design the best cathedral in the world, and know it to be the best, and rejoice in the fact, without being any more (or less) or otherwise glad at having done it than he would be if it had been done by another. The Enemy wants him, in the end, to be so free from any bias in his own favour that he can rejoice in his own talents as frankly and gratefully as in his neighbour’s talents—or in a sunrise, an elephant, or a waterfall. He wants each man, in the long run, to be able to recognise all creatures (even himself) as glorious and excellent things. He wants to kill their animal self-love as soon as possible; but it is His long-term policy, I fear, to restore to them a new kind of self-love—a charity and gratitude for all selves, including their own; when they have really learned to love their neighbours as themselves, they will be allowed to love themselves as their neighbours.
C.S. Lewis (The Screwtape Letters)
When man chooses to develop his innate power of communication with nature and therefore hear the voice, all will be right with the world – we will be as one. What you have been able to do with your Modoc is what man has been seeking for a long time. To communicate with nature through animals.
Ralph Helfer (Modoc: The True Story of the Greatest Elephant That Ever Lived)
Love loves to love love. Nurse loves the new chemist. Constable 14A loves Mary Kelly . . . Jumbo, the elephant, loves Alice, the elephant . . . You love a certain person. And this person loves that other person because everybody loves somebody but God loves everbody. (‘Cyclops’, ll. 1493–501)
James Joyce (Ulysses)
My son loves the whores who visit our upstairs neighbor. “What animal are you?” he asks them when he bumps into them on the stairs. “Today I’m a mouse, a quick and slippery mouse.” And they get it right away, and throw out the name of an animal: an elephant, a bear, a butterfly. Each whore and her animal. It’s strange, because with other people, when he asks them about the animals, they simply don’t catch on. But the whores just go along with it.
Etgar Keret (פתאום דפיקה בדלת)
The world rising can put an end to anything: the murder of children whales elephants oceans. Get up. Roll over on that part of you that will not welcome recognize encourage or even see our rise. A compassionate roll: we must be done with cruelty especially to ourselves, to start again beaming like the sun; fresh. But a roll that shows we’ve reached the end of polite moves to repair and re-create the Earth, and will press hard on any parts of us even those we have loved, that insist on remaining oblivious and asleep.
Alice Walker (Taking the Arrow Out of the Heart)
Hello, Elephant. Meet room.
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
She was working to remind herself of who she was. She was working to remember that, somewhere, in another place entirely, she was known and loved.
Kate DiCamillo (The Magician's Elephant)
Live the life you love. Love the life you live.
Bob Marley
It's egotistical to think that humans have a monopoly on grief. There is considerable evidence that elephants mourn the loss of those they love
Jodi Picoult (Leaving Time)
The only 'elephant' left in the room is love.
Benjamin Aubrey Myers
We must love all of creation, not only what is common. A god may have the head of an elephant, after all.
Kay Kenyon (A Thousand Perfect Things)
Are your loves in the right order? Does your lover for the lamb transcend your love for the donkey or the elephant?
Keith Simon (Truth Over Tribe: Pledging Allegiance to the Lamb, Not the Donkey or the Elephant)
She can be stubborn and a little constipated, but I really think you made the right choice.
Haruki Murakami (The Elephant Vanishes)
And if I do it you'll be happy and things will be like they were and you'll love me? I love you now. You know I love you.
Ernest Hemingway (Hills Like White Elephants)
I’m as thirsty as an elephant penis in the snow. I’m ready to love again.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
An elephant: A mouse built to government specifications.
Robert A. Heinlein (Time Enough for Love)
I’m almost never hungry in the physical sense. But I’m always craving an emotional high, the kind that comes from making love, or being in the crowd for great live music, or watching the sun come up over the ocean. And I’m always wanting something to counter the low, when I’m anxious about work or arguing with family or depressed for reasons I can’t understand.
Tommy Tomlinson (The Elephant in the Room: One Fat Man's Quest to Get Smaller in a Growing America)
And our ages never bothered her from the very beginning. I was married, but that didn’t matter, either. She seemed to consider things like age and family and income to be of the same a priori order as shoe size and vocal pitch and the shape of one’s fingernails. The sort of thing that thinking about won’t change one bit. And that much said, well, she had a point.
Haruki Murakami (The Elephant Vanishes)
He no longer saw the face of his friend Siddhartha, instead he saw other faces, many, a long sequence, a flowing river of faces, of hundreds, of thousands, which all came and disappeared, and yet all seemed to be there simultaneously, which all constantly changed and renewed themselves, and which were still all Siddhartha. He saw the face of a fish, a carp, with an infinitely painfully opened mouth, the face of a dying fish, with fading eyes—he saw the face of a new-born child, red and full of wrinkles, distorted from crying—he saw the face of a murderer, he saw him plunging a knife into the body of another person—he saw, in the same second, this criminal in bondage, kneeling and his head being chopped off by the executioner with one blow of his sword—he saw the bodies of men and women, naked in positions and cramps of frenzied love—he saw corpses stretched out, motionless, cold, void— he saw the heads of animals, of boars, of crocodiles, of elephants, of bulls, of birds—he saw gods, saw Krishna, saw Agni—he saw all of these figures and faces in a thousand relationships with one another, each one helping the other, loving it, hating it, destroying it, giving re-birth to it, each one was a will to die, a passionately painful confession of transitoriness, and yet none of them died, each one only transformed, was always re-born, received evermore a new face, without any time having passed between the one and the other face—and all of these figures and faces rested, flowed, generated themselves, floated along and merged with each other, and they were all constantly covered by something thin, without individuality of its own, but yet existing, like a thin glass or ice, like a transparent skin, a shell or mold or mask of water, and this mask was smiling, and this mask was Siddhartha's smiling face, which he, Govinda, in this very same moment touched with his lips. And, Govinda saw it like this, this smile of the mask, this smile of oneness above the flowing forms, this smile of simultaneousness above the thousand births and deaths, this smile of Siddhartha was precisely the same, was precisely of the same kind as the quiet, delicate, impenetrable, perhaps benevolent, perhaps mocking, wise, thousand-fold smile of Gotama, the Buddha, as he had seen it himself with great respect a hundred times. Like this, Govinda knew, the perfected ones are smiling.
Hermann Hesse
Sometimes I think that if I had to choose between an ear of corn or making love to a woman, I'd choose the corn. Not that I wouldn't love to have a final roll in the hay - I am a man yet, and some things never die - but the thought of those sweet kernels bursting in my teeth sure sets my mouth to watering. It's fantasy, I know that. Neither will happen. I just like to weigh the options, as though I were standing in front of Solomon: a final roll in the hay or an ear of corn. What a wonderful dilemma. Sometimes I substitute an apple for the corn.
Sara Gruen (Water for Elephants)
They will live on in your hearts, and in the way you find yourself weeping like a freak in Birds Baker, because you inadvertently recalled how much she loved an Elephant's Foot pastry.
Mhairi McFarlane (Just Last Night)
bees in Indian love poetry are said to form the bowstring of the god of lust and to plunge deep inside the flowers that ooze with sap even as the rutting elephant’s temples ooze with musk.
Wendy Doniger (Dreams, Illusion, and Other Realities)
The term given to the way babies are brought up in elephant herds is allomothering, a fancy word for “It takes a village.” Like everything else, there is a biological reason to allow your sisters and aunts to help you parent: When you have to feed on 150 kilograms of food a day and you have a baby that loves to explore, you can’t run after him and get all the nutrition you need to make milk for him. Allomothering also allows young cows to learn how to take care of a baby, how to protect a baby, how to give a baby the time and space it needs to explore without putting it in danger. So theoretically you could say an elephant has many mothers. And yet there is a special and inviolable bond between the calf and its birth mother. In the wild, a calf under the age of two will not survive without its mother. In the wild, a mother’s job is to teach her daughter everything she will need to know to become a mother herself. In the wild, a mother and daughter stay together until one of them dies.
Jodi Picoult (Leaving Time)
Do you think, little flower, that there will ever come a day when you regret meeting me?” he asked quietly. “Yes,” she said simply. “I see,” he said tightly. “Would you like a specific date?” “You are teasing me,” he realized suddenly. “No, I’m dead serious. I have an exact date in mind.” Jacob pulled back to see her eyes, looking utterly perplexed as her pupils sparkled with mischief. “What date is that? And why are you thinking of pink elephants?” “The date is September 8, because, according to Gideon, that’s possibly the day I will go into labor. I say ‘possibly,’ because combining all this human/Druid and Demon DNA ‘may make for a longer period of gestation than usual for a human,’ as the Ancient medic recently quoted. Now, as I understand it, women always regret ever letting a man touch them on that day.” Jacob lurched to his feet, dropping her onto her toes, grabbing her by the arms, and holding her still as he raked a wild, inspecting gaze over her body. “You are pregnant?” he demanded, shaking her a little. “How long have you known? You went into battle with that monster while you are carrying my child?” “Our child,” she corrected indignantly, her fists landing firmly on her hips, “and Gideon only just told me, like, five seconds ago, so I didn’t know I was pregnant when I was fighting that thing!” “But . . . he healed you just a few days ago! Why not tell you then?” “Because I wasn’t pregnant then, Jacob. If you recall, we did make love between then and now.” “Oh . . . oh Bella . . .” he said, his breath rushing from him all of a sudden. He looked as if he needed to sit down and put a paper bag over his head. She reached to steady him as he sat back awkwardly on the altar. He leaned his forearms on his thighs, bending over them as he tried to catch his breath. Bella had the strangest urge to giggle, but she bit her lower lip to repress to impulse. So much for the calm, cool, collected Enforcer who struck terror into the hearts of Demons everywhere. “That is not funny,” he grumbled indignantly. “Yeah? You should see what you look like from over here,” she teased. “If you laugh at me I swear I am going to take you over my knee.” “Promises, promises,” she laughed, hugging him with delight. Finally, Jacob laughed as well, his arm snaking out to circle her waist and draw her back into his lap. “Did you ask . . . I mean, does he know what it is?” “It’s a baby. I told him I didn’t want to know what it is. And don’t you dare find out, because you know the minute you do I’ll know, and if you spoil the surprise I’ll murder you.” “Damn . . . she kills a couple of Demons and suddenly thinks she can order all of us around,” he taunted, pulling her close until he was nuzzling her neck, wondering if it was possible for such an underused heart as his to contain so much happiness.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
The elephant was called Marlene. Mutti got to name her because she was working with the elephants in the zoo. She named her after a singer she loved, that many people loved in those days. Marlene Dietrich.
Michael Morpurgo (An Elephant in the Garden: Inspired by a True Story)
Our society has tried to make death invisible, thinking that if we ignore it long enough it will go away. Often we as family and loved ones are so afraid of death that even mentioning the word to terminal patients is taboo. We think the dying are oblivious to what is happening to them. Sadly, a dying person frequently feels afraid to bring it up him or herself. When I enter a hospital room I often hear a sigh of relief. At last, someone is here to help the family come to terms with what is playing out before them. Death has too long been the elephant in the living room, while everyone awkwardly discusses the weather.
Megory Anderson (Sacred Dying: Creating Rituals for Embracing the End of Life)
I don't know if you're in love with someone. If you're not, there's something I would like to say to you, and that is that love comes to everyone. All fifteen years of my experience in life tell me that the world is organized in such a way that all of us find someone to love. Unless we work against it. So if you're not in love with anyone but would like to be, you should try to discover which part of you is working against it.
Peter Høeg (The Elephant Keepers' Children)
Of all the circus animals, from bears to lions to elephants to politicians, very few ride a unicycle. I'd love to see a Pekin duck spinning around for the crowd. Now THAT is something that would make me want to VOTE.
Jarod Kintz (Ducks are the stars of the karaoke bird world (A BearPaw Duck And Meme Farm Production))
Hanging on to it a little, are you? … There’s a trick to letting it go, in case you’re interested… You can’t try. Trying is a struggle and doing is an act. You can’t witness the act of trying, but you can see the results of doing. Trying brings on stress because not only do you have the problem, but now you have all this frustration with it not going away just because you want it to. It’s kind of like being told not to think of pink elephants- impossible. What you have to do is stop. You say to yourself, this is over for now. I’m done for now. Take your mind to another place and concentrate on that peaceful place. Deep breaths. Go limp. Put your mind in another state. It takes practice, but it gets easier, over time… My gramma used to say, you can only feel one feeling at a time. For example, you can’t feel trust and fear together. If you want to trust but you’re afraid, fear is still in charge. If you trusted, there wouldn’t be fear. She also used to say you have to listen to what you feel- feeling fear could be warning, right? ... Don’t make love to your problems- they’ll never give you back the satisfaction you give them. And, your troubles aren’t worth the paper they’re written on, but that doesn’t mean writing them down won’t help you get a fix on ‘em. And, God respects you when you work, but he loves you when you dance… she also used to say, ‘if Jesus walked the earth today, he wouldn’t be hanging out with Billy Graham. He’d be found with the drug addicts and prostitutes and the like.
Robyn Carr (Forbidden Falls (Virgin River, #8))
Lilichka! (Instead of a letter)" Tobacco smoke eats the air away. The room,-- a chapter from Kruchenykh's Inferno. Recall,-- by the window, that day, I caressed you ecstatically, with fervor. Here you sit now, with your heart in iron armor. In a day, you'll scold me perhaps and tell me to leave. Frenzied, the trembling arm in the gloomy parlor will hardly be able to fit the sleeve. I'll rush out and hurl my body into the street,-- distraught, lashed by despair and sadness. There's no need for this, my darling, my sweet. Let's part tonight and end this madness. Either way, my love is an arduous weight, hanging on you wherever you flee. Let me bellow out in the final complaint all of my heartbroken misery. A laboring bull, if he had enough, will leave and find cool water to lie in. But for me, there's no sea except for your love,-- from which even tears won't earn me some quiet. If an elephant wants to relax, he'll lie, pompous, outside in the sun-baked dune, Except for your love, there's no sun in the sky and I don't even know where you are and with whom. If you thus tormented another poet, he would trade in his love for money and fame. But nothing sounds as precious to me as the ringing sound of your darling name. I won't drink poison, or jump to demise, or pull the trigger to take my own life. Except for your eyes, no blade can control me, no sharpened knife. Tomorrow you'll forget that it was I who crowned you, who burned out the blossoming soul with love and the days will form a whirling carnival that will ruffle my manuscripts and lift them above... Will the dry autumn leaves of my sentences cause you to pause, breathing hard? Let me pave a path with the final tenderness for your footsteps as you depart. (1916)
Vladimir Mayakovsky (Backbone Flute: Selected Poetry)
But yet, but yet . . . the night he died, they [the elephants] were right there outside his house. And they came every evening for the next week as the sun set, until his ashes were scattered on the land he loved. Then they left.
Lawrence Anthony (The Last Rhinos: My Battle to Save One of the World's Greatest Creatures)
Sometimes, he thought of himself as an elephant walking through the china store, breaking everything in his path and still expecting people not to be angry with the damage he made, but rather to admire his strength and his endurance.
Stevan V. Nikolic (Truth According to Michael)
To sweeten the hours we share scandals from the city, how curators removed an elephant's heart from the museum because it began beating when anyone in love looked at it, how the coroner found minnows swimming in a drowned girl's lungs.
Traci Brimhall (Our Lady of the Ruins)
I'm sorry, is what she means to say. Sorry, sweetheart, about the elephants. About the sea turtles with their heads lopped off, and the friendly, machine-gunned whales. About the owls, my love, and the antelope. About the drowning bears...
Noy Holland (Bird)
This is what I'm going to remember on the day I die," he said. "Right before I close my eyes, I'm going to remember this, the way your hand feels, the heat of your leg against mine, the smell of the skin on the back of your neck, like burnt sugar.
Sarah Black (The General and the Elephant Clock of Al-Jazari)
My first true Real Love was my first child, which meant the nasty, inconvenient, unpleasant business of genuinely loving another human being without judging them or caring or even wondering if they loved you back. Just Love in all its grisly glory.
Craig Ferguson (Riding the Elephant: A Memoir of Altercations, Humiliations, Hallucinations, and Observations)
It made him feel a little uncomfortable sometimes when he reflected that the good little boys always died. He loved to live, you know, and this was the most unpleasant feature about being a Sunday-school-book boy. He knew it was not healthy to be good.
Mark Twain (The Stolen White Elephant)
Do you know what a honey mushroom is?" she blurted out, plucking at the hairs on his arm, which was wrapped around her. He was silent for a moment before letting out a husky laugh "No. Why?" "It's the largest living thing on earth. Larger than trees, elephants, whales-this one living thing takes up over three square miles in Oregon." She could almost feel him turning that random fact over in his brain. She was glad she wasn't facing him. This would be so much harder if she had to look into his eyes instead of at the wall. "Like the mushroom cap is over three miles across?" he asked. Harper shook her head. "No, no. That's the amazing part. When you look at it-the part you see aboveground-it's this tiny little mushroom head. It looks so insignificant. They just pop up here and there" she gestures with her fingertips as though she could draw them in the air. "But it creates this root-like system called hyphae. And the hyphae-it spreads and grows and, kind of... takes over underground. One living thing, every cell genetically identical, spreading below the surface to take up this enormous amount of space." Dan was quiet for a moment. "Why are you telling me this?" he asked, placing a kiss into her neck. Harper swallowed and fiddled with the edge of the sheet. "Because thats' what my anxiety feels like-a honey mushroom." She felt Dan tense behind her, but she pushed on." A lot of times, someone on the outside, like you, maybe, sees these clues to it-my fidgeting, my mind seeming a million miles away, panic attacks. But inside" -she tapped her chest- "it's this intricate network of sharp pain and fear that's constantly growing and pulsing through me. It's always there, right beneath my skin, huge and controlling, but no one can see it. I just feel it. And it hurts. So badly. It makes me want to curl up into a ball or sprint out of my skeleton. This huge, inescapable thing inside me that controls me." she paused, picking aggressively at her nails; "It feels cruel to have your own body do that to you".
Mazey Eddings (A Brush with Love (A Brush with Love, #1))
Okay," Adam began, "Now concentrate! This was a real person. White suit!" "Colonel Sanders!" Lily replied quickly. "Colonel Sanders? I said it was a real person, not a logo for a chicken joint!" "He was a real person! If you don't believe me look it up!" "Whatever! Not Colonel Sanders though. Humor!" he said urgently. "Steve Martin!" She clapped her hands with joy, obviously believing that they had finally gotten one right. "No, uh..." He searched for another clue. "Wait! White suit and humor but not Steve Martin?" She looked crushed. "I just said no!" He yelled! "Hannibal!" "Um, uh, Dumbo..." she said with a deeply pensive expression. "Dumbo?! What the fuck?!" "Hannibal! Elephants! And before you say it he was real, too, you schmuck!" "Guess again goddamnit!" "Anthony Hopkins!" Adam threw down the card and looked like he was going to cry. "Halley's Comet!" he growled. "Halley's Comet?! What in the hell do you mean Halley's Comet!" "Time!" Braden informed them gleefully, wiping tears of laughter out of his eyes. "Mark Twain! You're an author Christ's sake!" Adam bit out. "Oh, right! He was from Hannibal, Missouri! What in the hell did Halley's Comet have to do with Mark Twain?!" "It appeared on the day he was born and the day he died! Duh huh!" Adam said. "This isn't Trivial fucking Pursuit!" Lily shot back. "Why didn't you say Mississippi or riverboat or frog jumping contest or something besides Halley's Motherfucking Comet?!" "Because they're all forbidden motherfucking words! Miss 'like a human'!" he yelled.
N.M. Silber (The Home Court Advantage (Lawyers in Love, #2))
Elephants command attention. But their size is not what makes the heart skip a beat. It's how they walk with the world's weight on their shoulders, sensitive, noble, their hearts pulsing and as wide open as the great grey leaves that are their ears. MoFos used to say that an elephant never forgets and until this very moment, I hadn't understood what that really meant. An elephant's memories don't reside in organ or skin or bone. They live closer to tree time than we do, and their memories reside in the soul of their species, which dwarfs them in size, is untouchable, and lives on forever to honor every story. They carry stories from generations back, as far as when their ancestors wore fur coats, That is why, when you are close to an elephant, you feel so deeply. If they so choose, they have the ability to hold your sadness so you may safely sit in the lonely seat of loss, still hopeful and full of love. Their great secret is that they know everything is a tide—not a black tide, but the natural breath of life—in and out, in and out, and to be with them is to know this too, And here they were, suddenly lifting the weight of our sadness for us, carrying it in the curl of their trunks. We all sat together in our loss, not dwelling, but remembering. For an elephant never forgets,
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
A Baby Elephant Right now my love for you is a baby elephant Born in Berlin or in Paris, And treading with its cushioned feet Around the zoo director's house. Do not offer it French pastries, Do not offer it cabbage heads, It can eat only sections of tangerines, Or lumps of sugar and pieces of candy. Don't cry, my sweet, because it will be put Into a narrow cage, become a joke for mobs, When salesman blow cigar smoke into its trunk To the cackles of their girl friends. Don't imagine, my dear, that the day will come When, infuriated, it will snap its chains And rush along the streets, Crushing howling people like a bus. No, may you dream of it at dawn, Clad in bronze and brocade and ostrich feathers, Like that magnificent beast which once Bore Hannibal to trembling Rome.
Nikolay Gumilyov
The orphanage was a special place for baby elephants who'd been found lost and alone. The way it worked was pretty simple. With pretend milk and pretend parents and a pretend life, they were trying to teach us how to survive. But the love was never pretend. Never.
Katherine Applegate (The One and Only Ruby)
The thing a great many witches never understood about magic was its heart. It grew in the bones of witches, just as it had once grown in long-lost creatures like wyverns and six-tusked elephants, but what so many of those witches did not realise was that what it wanted was to be loved. It could be tender in one witch’s hands and violent in another’s, it could be vast or it could be small, it could be a night sky or teeth or lightning, but the one thing that never changed was that what it sought and what it repaid, above all else, was love.
Sangu Mandanna (A Witch's Guide to Magical Innkeeping)
That night I hardly slept a wink, but turned over and over in my tent; never until then had I felt so alone or so deserted. Perhaps even the elephants are too small, I thought, as I stared into the darkness, and we need a far bigger and more affectionate presence at our side.
Romain Gary (The Roots of Heaven)
Gloria put a bowl of stew in Peter's hands. "Eat," she said. Peter raised the spoon to his lips. He chewed. He swallowed. It had been a long time since he had eaten anything besides tiny fish and old bread. And so when Peter had his first bite of stew, it overwhelmed him. The warmth of it, the richness of it, knocked him backward; it was as if a gentle hand had pushed him when he was not expecting it. Everything he had lost came flooding back: the garden, his father, his mother, his sister, the promises that he had made and could not keep. "What's this?" said Gloria Matienne. "The boy is crying." "Shhh," said Leo. He put his hand on Peter's shoulder. "Shhh. Don't worry, Peter. Everything will be good. All will be well. We will do together whatever it is that needs to be done. But for now, you must eat." Peter nodded. He raised his spoon. Again he chewed and swallowed, and again he was overcome. He could not help it. He could not stop the tears; they flowed down his cheeks and into the bowl. "It is a very good stew, Madam Matienne. he managed to say. "Truly, it is an excellent stew.
Kate DiCamillo (The Magician's Elephant)
Dear old Emmie, gruff Josephine, and not-so-little Georgina, who might or might not be my child. Thalia and the Hunters, Jimmy of the Lovely Loincloth, the proud griffin parents upstairs, the excellent elephant downstairs, even the dislikable Lityerses…I wanted to be here for them.
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
The giant stuffed animals all found homes quickly. A few days later, I learned that one of the animals had been taken by a Carnegie Mellon who, like me, has cancer. After the lecture, she walked up and selected the giant elephant. I love the symbolism of that. She got the elephant in the room.
Randy Pausch (Last Lecture)
I hate those people who say you always find the one when you stop looking for her. It is the advice you least want to hear when what you think you need most is someone to love. At best, it comes off like being asked to not think of a white elephant. The elephant becomes the only thing you can think of.
Thomm Quackenbush (Find What You Love and Let It Kill You)
I love everything about life,” Breitbart says, his voice growing louder now. “Familial love, parental love, spousal love, lust. I love beauty, I love fashion, I love art, I love music, I love food, I love plays, I love drama, I love poetry, I love movies. There are very few things I don’t have an interest in. I love being alive.” He’s gesturing widely, at the window, at the pouring, driving rain. “But even with all these loves,” he says, “you’re born with a set of limitations: your genetic legacy, your time, your place, your family. I could have been born a Rockefeller, but I wasn’t. I could have been born into a family living in a remote tribe where I thought God was a blue elephant, but I wasn’t. You’re born into this reality: that life is full of dangers, it’s an uncertain place. Events occur—you have an accident, someone shoots you, you develop an illness. All sorts of things happen. You have to respond.
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
In that distant beginning season, Sun Man's warm magic flowed over all the land. Whenever he raised his arms, it was day. whenever he lowered them, it was night. The Bee People and the Elephant People and the Tic People loved the rhythm of Sun Man's light. Their faces crinkled with pleasure in his heat. But inside the dreamtime, Sun Man grew old. His back grew stiff and his knee joints ached. He rose later and later each morning. He napped soon after breakfast and went to bed in the afternoon. "What's going on here?" complained Grandfather Mantis. "I'm not getting heat anymore." Grandfather Mantis sent the Bird People to find out. The Bird People returned, rumpled and solemn. Darkness was everywhere, even though it was supposed to be daytime. "Sun Man is getting old," they explained. "This shining all the time is getting too much for him." "Well, I'm old," snapped Grandfather Mantis. "Doesn't stop me." His wife raised her eyebrows but said nothing.
Carolyn McVickar Edwards (The Return of the Light: Twelve Tales from Around the World for the Winter Solstice)
Once upon a time, the gods took away the first ancestor of the sea elephants, coveting him for his exceptional beauty— tusks blue, body ivory. The trauma of that original separation haunts every sea elephant thereafter and even when they sing, their songs contain five notes or fewer, the full octave missing from their music.
Shastri Akella (The Sea Elephants)
We need good liturgies, and we need natural ones; we need a life neither patternless nor over patterned, if the city is to be built. And I think the root of it all is caring. Not that that will turn the trick all by itself, but that we can produce nothing good without it. True liturgies take things for what they really are, and offer them up in loving delight. Adam naming the animals is instituting the first of all the liturgies; speech, by which man the priest of creation picks up each of the world's pieces and by his wonder bears it into the dance. "By George," he says, "there's an elephant in my garden; isn't that something!" Adam has been at work a long time; civilization is the fruit of his priestly labors. Culture is the liturgy of nature as it is offered up by man. But culture can come only from caring enough about things to want them really to be themselves - to want the poem to scan perfectly, the song to be genuinely melodic, the basketball actually to drop through the middle of the hoop, the edge of the board to be utterly straight, the pastry to be really flaky. Few of us have very many great things to care about, but we all have plenty of small ones; and that's enough for the dance. It is precisely through the things we put on the table, and the liturgies we form around it, that the city is built, caring is more than half the work.
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
In giving rise to man, the evolutionary process has, apparently for the first and only time in the history of the Cosmos, become conscious of itself. So, the Devil's Chaplain might conclude, Stand tall, Bipedal Ape. The shark may outswim you, the cheetah outrun you, the swift outfly you, the capuchin outclimb you, the elephant outpower you, the redwood outlast you. But you have the biggest gifts of all: the gift of understanding the ruthlessly cruel process that gave us all existence; the gift of revulsion against its implications; the gift of foresight — something utterly foreign to the blundering short-term ways of natural selection — and the gift of internalizing the very cosmos.
Richard Dawkins (A Devil's Chaplain: Reflections on Hope, Lies, Science, and Love)
The definition of beauty is badly stuck in a triangular cage. 1. Puffy lips look like a bad version of duck lips. 2. big breasts like watermelon and 3. heavy bum like an elephant. The gentle expression of praising the beauty is also vanished, Now everything is sexy. It means influencing sex desire only, nothing more, just one feeling nothing more.
Mohammed Zaki Ansari ("Zaki's Gift Of Love")
The picture of Chelsea and me that flashed around the world showed a happy mother-daughter team perched on our pachyderm and watching a rare Asian rhino. Later, when we got back to Washington, James Carville remarked: “Don’t you just love it? You spent two years trying to get people better health care and they tried to kill you. You and Chelsea rode an elephant, and they loved you!
Hillary Rodham Clinton (Living History)
When a wild elephant is to be tamed and trained, the best way to begin is by yoking it to one that has already been through the process... "When shall we come to recognize that health is as contagious as disease, virtue as contagious as vice, cheerfulness as contagious as moroseness?" One of the three things for which we should give thanks every day, according to Shankara, is the company of the holy; for as bees cannot make honey unless together, human beings cannot make progress on the Way [Buddhism] unless they are supported by a field of confidence and concern that Truthwinners generate. The Buddha agrees. We should associate with Truthwinners, converse with them, serve them, observe their ways, and imbibe by osmosis their spirit of love and compassion. p105
Huston Smith (The World's Religions)
you looked at the bicycles one way, they looked very solid, like sculpture, with afternoon light glinting cleanly off the chrome handlebars—one, two, three, all in a row. If you looked at them another way, you could see just how thin each kickstand was under the weight of the heavy frame, and how they were poised to fall like dominoes or the skeletons of elephants or like love itself.
Paula McLain (The Paris Wife)
love Africa. Wish it didn’t have to be this way, but if we weren’t here, the French would take over this fortress in the blink of an eye. And everybody’s doing it. The British. The French. The Dutch. The Americans. Even the bloody Africans have been mixed up in the trade for an eternity.” “That doesn’t make it right.” “If we didn’t take the slaves, other Africans would kill them. Butcher them live. At least we provide a market, and keep them alive.” “If you stopped, the market would wither.” “You have not been to England, so let me tell you something. Ninety-nine Englishmen out of one hundred take their tea with sugar. We live for our tea, cakes, pies and candies. We live for the stuff, and we will not be deprived.” “But you don’t need slaves to make sugar,” I said. “In the West Indies, only the blacks work in the cane fields. Only the blacks can stand it.” “You could do something else with this fortress.” “What, like your beloved John Clarkson in Freetown?” I nodded. Armstrong pounded his fist on a table. “Has the Colony in Freetown produced a single export? Where is the sugar cane? Where is the coffee? Are you exporting boatloads of elephant teeth or camwood? You’re not even growing corn, or rice. You have no farms under cultivation. You aren’t even self-sufficient.” I wasn’t ready for this argument. My mind circled around, looking for a response. “There is no profit in benevolence,” Armstrong said. “None. The colony in Freetown is child’s play, financed by the deep pockets of rich abolitionists who don’t know a thing about Africa.
Lawrence Hill (Someone Knows My Name)
Oh my God, Greg, you’re so weird. I love that about you, that you’re so weird.” Remember what I said before? About how girls like Madison are like elephants wandering around in the undergrowth, sometimes accidentally stomping chipmunks to death and not even noticing? This is what I was talking about. Because, honestly, the rational part of me knew for a rock-solid fact that I would never, ever get with Madison Hartner. But that was just the rational part of me. There’s always a stupid irrational part of you, too, and you can’t get rid of it. You can never completely kill off that tiny absurd spark of hope that this girl—against all odds, although she could date any guy at school, not to mention guys at college, and even though you look like the Oatmeal Monster and are a compulsive eater and suffer from constant congestion and say so many stupid things per day that it seems like a Stupid Things company is paying you to do it—this girl might like you. And so when that girl says, “You’re so weird, I love that about you,” it might feel good, it might actually feel amazing, but that’s just the weird chemical process that happens in your brain as you are being stomped to death by an elephant.
Jesse Andrews (Me and Earl and the Dying Girl)
The kings of Siam are said to have ruined obnoxious countries by presenting them with white elephants that had to be maintained at vast expense. Receiving aid is not just like receiving an elephant but like making love to an elephant; there is no pleasure in it, you run the risk of being crushed and it takes years before you see the results. Aid is twice cursed: it curses him who gives and him who receives.
Streeten P.
One of the most amazing things about elephants mourning in the wild is their ability to grieve hard, but then truly, unequivocally, let go. Humans can’t seem to do that. I’ve always thought it’s because of religion. We expect to see our loved ones again in the next life, whatever that might be. Elephants don’t have that hope, only the memories of this life. Maybe that’s why it is easier for them to move on.
Jodi Picoult (Leaving Time)
Dear Miss Hummingbird,
 The leaves are turning green now, but not with envy. But they should be envious, because I, Jarod Ora Kintz, son of a thousand question marks, now have what every unemployed American most covets: a cat. Oh, and I’ve also got a new job. Almost forgot to mention it. “What will you be doing?” you may be wondering, and “Is it legal?” Those answers, as you can imagine, are gray. But so are elephants. Gray, I mean. Elephants are gray, not illegal, even though a certain political party in this country that’s represented by an elephant mascot certainly does things that to the normal citizen would be considered illegal. But I digress.
 Turns out that right under “Mayor of Orafouraville” on my resume, I can now add “Concierge at the Five-Star Hotel.” Concierge is just a fancy term that means something similar in Latin, I’m sure.
 My job will be to arrange activities for hotel guests for everything from opera tickets to dinner reservations to even organizing the burial of a loved one—though not if the disposal of the body is to be kept secret because a murder has occurred. Murder is such a ghastly (and ghostly) way to spoil dinner reservations for two, wouldn’t you agree? Or, rather, wouldn’t you not disagree?
 This job will allow me to meet interesting people from all over the planet, and possibly even other planets (like Pluto, if that’s still even a planet).
 It’s a full-time job, at least part of the time (40 hours per week out of a possible 168 hours). I’ll be expected to wear a shirt and tie. And, of course, pants—but that goes without saying. What also goes without saying are guests, but I hope some at least say goodbye before they go. 

Jarod Kintz (This Book Has No Title)
She read him a magazine article about how elephants could convey their movements to each other over long distances, warn of trouble and signal their readiness to mate. That’s what prayer can do, too, she said, if people just knew how to pay attention. He didn’t know about elephants or prayer or how unspoken things were transmitted but something in what she said must be true. Otherwise, how could he know what love felt like?
Charlie Quimby (Monument Road)
Most of us operate from a narrower frame of reference than that of which we are capable, failing to transcend the influence of our particular culture, our particular set of parents and our particular childhood experience upon our understanding. It is no wonder, then, that the world of humanity is so full of conflict. We have a situation in which human beings, who must deal with each other, have vastly different views as to the nature of reality, yet each one believes his or her own view to be the correct one since it is based on the microcosm of personal experience. And to make matters worse, most of us are not even fully aware of our own world views, much less the uniqueness of the experience from which they are derived. Bryant Wedge, a psychiatrist specializing in the field of international relations, studied negotiations between the United States and the U.S.S.R. and was able to delineate a number of basic assumptions as to the nature of human beings and society and the world held by Americans which differed dramatically from the assumptions of Russians. These assumptions dictated the negotiating behavior of both sides. Yet neither side was aware of its own assumptions or the fact that the other side was operating on a different set of assumptions. The inevitable result was that the negotiating behavior of the Russians seemed to the Americans to be either crazy or deliberately evil, and of course the Americans seemed to the Russians equally crazy or evil.24 We are indeed like the three proverbial blind men, each in touch with only his particular piece of the elephant yet each claiming to know the nature of the whole beast. So we squabble over our different microcosmic world views, and all wars are holy wars.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
We need another wiser and perhaps more mystical concept of animals. In a world older and more complete than ours, they move finished and complete, gifted with extensions of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren, they are not underlings, they are other Nations, caught with ourselves in the net of life and time, fellow prisoners of the splendour and travail of earth.’ And
Daphne Sheldrick (TestAsin_B07LC3PP12_Love, Life, and Elephants: An African Love Story: TestAsin_B07LC3PP12_An African Love Story)
Even animals have a conscience. Those in the jungle KILL only to eat, not live to kill. This is why we often see packs of predators focusing on just one kill, instead of targeting many. Even animals exercise reason. I have seen a mother lion taking care of a baby antelope, and a mother elephant taking care of a baby lion. The primal need to eat is unavoidable, yet even under severe hunger stretches, the desire to love can sometimes overcome the desire to eat.
Suzy Kassem
On a hike in East Africa 2 million years ago, you might well have encountered a familiar cast of human characters: anxious mothers cuddling their babies and clutches of carefree children playing in the mud; temperamental youths chafing against the dictates of society and weary elders who just wanted to be left in peace; chest-thumping machos trying to impress the local beauty and wise old matriarchs who had already seen it all. These archaic humans loved, played, formed close friendships and competed for status and power – but so did chimpanzees, baboons and elephants. There was nothing special about humans. Nobody, least of all humans themselves, had any inkling that their descendants would one day walk on the moon, split the atom, fathom the genetic code and write history books. The most important thing to know about prehistoric humans is that they were insignificant animals with no more impact on their environment than gorillas, fireflies or jellyfish.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Questions are a child’s way of expressing love and trust. They are a child’s way of starting a conversation. So instead of simply insisting over and over again that the object of my son’s attention is, in fact, an elephant, I might tell him about how, in India, elephants are symbols of good luck, or about how some say elephants have the best memories of all the animals. I might tell him about the time I saw an elephant spin a basketball on the tip of his trunk, or about how once there was an elephant named Horton who heard a Who. I might tell him that once upon a time, there was an elephant and four blind men; each man felt a different part of the elephant’s body: the ears, the tail, the side, and the tusk . . . Sometimes, as I’m doing this, my son will crawl into my lap, put his head on my chest, and just listen to the story, his questions quieted, his body relaxed. And I realize this is all he wanted to begin with—to be near me, to hear the familiar cadence of my voice, to know he’s safe and not alone.
Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again)
Elephant Memories. William Morrow, 1988. Moss, Cynthia J., Harvey Croze, and Phyllis C. Lee, eds. The Amboseli Elephants. University of Chicago Press, 2011. Masson, Jeffrey Moussaieff, and Susan McCarthy. When Elephants Weep. Delacorte Press, 1995. O’Connell, Caitlin. The Elephant’s Secret Sense. Free Press, 2007. Poole, Joyce. Coming of Age with Elephants. Hyperion, 1996. Sheldrick, Daphne. Love, Life, and Elephants. Farrar, Straus & Giroux, 2012. And dozens of academic papers written by researchers who continue to study elephants and elephant society. There
Jodi Picoult (Leaving Time)
In the beginning, when Twaslitri (the Divine Artificer) came to the creation of woman he found that he had exhausted his materials in the making of man and that no solid elements were left. In this dilemma, after pro-found meditation, he did as follows: he took the rotundity of the moon, and the curves of the creepers, and the clinging of tendrils, and the trembling of grass, and the slenderness of the reed, and the bloom of flowers, and the lightness of leaves, and the tapering of the elephant's trunk, and the glances of deer, and the clustering of rows of bees, and the joyous gaiety of sun-beams, and the weeping of clouds, and the fickleness of the winds, and the timidity of the hare, and the vanity of the peacock, and the softness of the parrot's bosom, and the hardness of adamant, and the sweetness of honey, and the cruelty of the tiger, and the warm glow of fire, and the coldnesss of snow, and the chattering of jays, and the cooing of the kokila, and the hypocrisy of the crane, and the fidelity of the chakravaka; and compounding all these together, he made woman and gave her to man. (Written by scholars of the Vedic Age)
Francis William Bain (A digit of the moon and other love stories from the Hindoo)
But, my dear child,' I stammered, I don’t see how the desire to preserve the African fauna . . She broke in on me: ‘Oh, to hell with the African fauna! Can’t you see what the real question is? The question is simply whether you have confidence in yourselves, in your good sense, in your reason, in your ability to prevail, yes, to prevail. Out there in the bush is a man who believes in you, a man who believes you’re capable of kindness, of generosity, of ... of a ... of a great love, in which there’d be room even for herds of elephants, and . . . and even for the most wretched dog alive!
Romain Gary (The Roots of Heaven)
(3) Insight Surpasses All [The Buddha said to Anāthapiṇḍika:] “In the past, householder, there was a brahmin named Velāma. He gave such a great alms offering as this: eighty-four thousand bowls of gold filled with silver; eighty-four thousand bowls of silver filled with gold; eighty-four thousand bronze bowls filled with bullion; eighty-four thousand elephants, chariots, milch cows, maidens, and couches, many millions of fine cloths, and indescribable amounts of food, drink, ointment, and bedding. “As great as was the alms offering that the brahmin Velāma gave, it would be even more fruitful if one would feed a single person possessed of right view.22 As great as the brahmin Velāma’s alms offering was, and though one would feed a hundred persons possessed of right view, it would be even more fruitful if one would feed a single once-returner. As great as the brahmin Velāma’s alms offering was, and though one would feed a hundred once-returners, it would be even more fruitful if one would feed a single nonreturner. As great as the brahmin Velāma’s alms offering was, and though one would feed a hundred nonreturners, it would be even more fruitful if one would feed a single arahant. As great as the brahmin Velāma’s alms offering was, and though one would feed a hundred arahants, it would be even more fruitful if one would feed a single paccekabuddha.23 As great as the brahmin Velāma’s alms offering was, and though one would feed a hundred paccekabuddhas, it would be even more fruitful if one would feed a single Perfectly Enlightened Buddha ... it would be even more fruitful if one would feed the Saṅgha of monks headed by the Buddha and build a monastery for the sake of the Saṅgha of the four quarters … it would be even more fruitful if, with a trusting mind, one would go for refuge to the Buddha, the Dhamma, and the Saṅgha, and would undertake the five precepts: abstaining from the destruction of life, from taking what is not given, from sexual misconduct, from false speech, and from the use of intoxicants. As great as all this might be, it would be even more fruitful if one would develop a mind of loving-kindness even for the time it takes to pull a cow’s udder. And as great as all this might be, it would be even more fruitful still if one would develop the perception of impermanence just for the time it takes to snap one’s fingers.” (AN 9:20, abridged; IV 393–96) VI.
Bhikkhu Bodhi (In the Buddha's Words: An Anthology of Discourses from the Pali Canon (Teachings of the Buddha))
In Memory of My Feelings" My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals. My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.
Frank O'Hara (In Memory of My Feelings)
You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things." "Oh,it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want." He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that. Not that that/i> would be so bad. But I like Toph,and St. Clair has a girlfriend. And even if the situation were different, Mer still has dibs. I'd never do that to her after how nice she was my first day.And my second. And every other day this week. Besides,he's just an attractive boy. Nothing to get worked up over. I mean, the streets of Europe are filled with beautiful guys, right? Guys with grooming regimens and proper haircuts and stylish coats.Not that I've seen anyone even remotely as good-looking as Monsieur Etienne St.Clair.But still. He turns his face away from mine. Is it my imagination or does he look embarrassed? But why would he be embarrassed? I'm the one with the idiotic mouth. "Is that your boyfriend?" He points to my laptop's wallpaper, a photo of my coworkers and me goofing around. It was taken before the midnight release of the lastest fantasy-novel-to-film adaptation. Most of us were dressed like elves or wizards. "The one with his eyes closed?" "WHAT?" He thinks I'd date a guy like Hercules Hercules is an assistant manager. He's ten years older than me and,yes, that's his real name. And even though he's sweet and knows more about Japanese horror films than anyone,he also has a ponytail. A ponytail. "Anna,I'm kidding.This one. Sideburns." He points to Toph,the reason I love the picture so much.Our heads are turned into each other, and we're wearing secret smiles,as if sharing a private joke. "Oh.Uh...no.Not really.I mean, Toph was my almost-boyfriend.I moved away before..." I trail off, uncomfortable. "Before much could happen.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
That’s right. It’s about contact. In my view, the whole thing is in essence extremely simple. Contact means an exchange of experiences, concepts, or at least results, conditions. But what if there’s nothing to exchange? If an elephant isn’t a very large bacterium, then an ocean can’t be a very large brain. Of course, various actions can be performed by both sides. As a result of one of them I’m looking at you right now and trying to explain to you that you’re more precious to me than the twelve years of my life I devoted to Solaris, and that I want to go on being with you. Perhaps your appearance was meant to be torture, perhaps a reward, or perhaps just a test under a microscope. An expression of friendship, a treacherous blow, perhaps a taunt? Perhaps everything at once or—as seems most likely to me—something entirely different. But what can you and I really care about the intentions of our parents, however different they were from one another? You can say that our future depends on those intentions, and I’d agree with you. I can’t predict what’s to come. Nor can you. I can’t even assure you I’ll always love you. If so much has already happened, then anything can happen. Maybe tomorrow I’ll turn into a green jellyfish? It doesn’t depend on me. But in what does depend on us, we’ll be together. Is that not something?
Stanisław Lem (Solaris)
About his madmen Mr. Lecky was no more certain. He knew less than the little to be learned of the causes or even of the results of madness. Yet for practical purposes one can imagine all that is necessary. As long as maniacs walk like men, you must come close to them to penetrate so excellent a disguise. Once close, you have joined the true werewolf. Pick for your companion a manic-depressive, afflicted by any of the various degrees of mania - chronic, acute, delirious. Usually more man than wolf, he will be instructive. His disorder lies in the very process of his thinking, rather than in the content of his thought. He cannot wait a minute for the satisfaction of his fleeting desires or the fulfillment of his innumerable schemes. Nor can he, for two minutes, be certain of his intention or constant in any plan or agreement. Presently you may hear his failing made manifest in the crazy concatenation of his thinking aloud, which psychiatrists call "flight of ideas." Exhausted suddenly by this riotous expense of speech and spirit, he may subside in an apathy dangerous and morose, which you will be well advised not to disturb. Let the man you meet be, instead, a paretic. He has taken a secret departure from your world. He dwells amidst choicest, most dispendious superlatives. In his arm he has the strength to lift ten elephants. He is already two hundred years old. He is more than nine feet high; his chest is of iron, his right leg is silver, his incomparable head is one whole ruby. Husband of a thousand wives, he has begotten on them ten thousand children. Nothing is mean about him; his urine is white wine; his faeces are always soft gold. However, despite his splendor and his extraordinary attainments, he cannot successfully pronounce the words: electricity, Methodist Episcopal, organization, third cavalry brigade. Avoid them. Infuriated by your demonstration of any accomplishment not his, he may suddenly kill you. Now choose for your friend a paranoiac, and beware of the wolf! His back is to the wall, his implacable enemies are crowding on him. He gets no rest. He finds no starting hole to hide him. Ten times oftener than the Apostle, he has been, through the violence of the unswerving malice which pursues him, in perils of waters, in perils of robbers, in perils of his own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren, in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Now that, face to face with him, you simulate innocence and come within his reach, what pity can you expect? You showed him none; he will certainly not show you any. Lighten our darkness, we beseech thee, 0 Lord; and by thy great mercy defend us from all the perils and dangers of this night; for the love of thy only Son, our Saviour, Jesus Christ. Amen. Mr. Lecky's maniacs lay in wait to slash a man's head half off, to perform some erotic atrocity of disembowelment on a woman. Here, they fed thoughtlessly on human flesh; there, wishing to play with him, they plucked the mangled Tybalt from his shroud. The beastly cunning of their approach, the fantastic capriciousness of their intention could not be very well met or provided for. In his makeshift fort everywhere encircled by darkness, Mr. Lecky did not care to meditate further on the subject.
James Gould Cozzens (Castaway)
On the day of the hunt I came to know in the slick center of my bones this one thing: all animals kill to survive, and we are animals. The lion kills the baboon; the baboon kills fat grasshoppers. The elephant tears up living trees, dragging their precious roots from the dirt they love. The hungry antelope’s shadow passes over the startled grass. And we, even if we had no meat or even grass to gnaw, still boil our water to kill the invisible creatures that would like to kill us first. And swallow quinine pills. The death of something living is the price of our own survival, and we pay it again and again. We have no choice. It is the one solemn promise every life on earth is born and bound to keep.
Barbara Kingsolver (The Poisonwood Bible)
Risking a glance at the dignified young man beside her- what was his name?- Mr. Arthurson, Arterton?- Pandora decided to try her hand at some small talk. "It was very fine weather today, wasn't it?" she said. He set down his flatware and dabbed at both corners of his mouth with his napkin before replying. "Yes, quite fine." Encouraged, Pandora asked, "What kind of clouds do you like better- cumulus or stratocumulus?" He regarded her with a slight frown. After a long pause, he asked, "What is the difference?" "Well, cumulus are the fluffier, rounder clouds, like this heap of potatoes on my plate." Using her fork, Pandora spread, swirled, and dabbed the potatoes. "Stratocumulus are flatter and can form lines or waves- like this- and can either form a large mass or break into smaller pieces." He was expressionless as he watched her. "I prefer flat clouds that look like a blanket." "Altostratus?" Pandora asked in surprise, setting down her fork. "But those are the boring clouds. Why do you like them?" "They usually mean it's going to rain. I like rain." This showed promise of actually turning into a conversation. "I like to walk in the rain, too," Pandora exclaimed. "No, I don't like to walk in it. I like to stay in the house." After casting a disapproving glance at her plate, the man returned his attention to eating. Chastened, Pandora let out a noiseless sigh. Picking up her fork, she tried to inconspicuously push her potatoes into a proper heap again. Fact #64 Never sculpt your food to illustrate a point during small talk. Men don't like it. As Pandora looked up, she discovered Phoebe's gaze on her. She braced inwardly for a sarcastic remark. But Phoebe's voice was gentle as she spoke. "Henry and I once saw a cloud over the English Channel that was shaped in a perfect cylinder. It went on as far as the eye could see. Like someone had rolled up a great white carpet and set it in the sky." It was the first time Pandora had ever heard Phoebe mention her late husband's name. Tentatively, she asked, "Did you and he ever try to find shapes in the clouds?" "Oh, all the time. Henry was very clever- he could find dolphins, ships, elephants, and roosters. I could never see a shape until he pointed it out. But then it would appear as if by magic." Phoebe's gray eyes turned crystalline with infinite variations of tenderness and wistfulness. Although Pandora had experienced grief before, having lost both parents and a brother, she understood that this was a different kind of loss, a heavier weight of pain. Filled with compassion and sympathy, she dared to say, "He... he sounds like a lovely man." Phoebe smiled faintly, their gazes meeting in a moment of warm connection. "He was," she said. "Someday I'll tell you about him." And finally Pandora understood where a little small talk about the weather might lead.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
breath, life after seven decades plus three years is a lot of breathing. seventy three years on this earth is a lot of taking in and giving out, is a life of coming from somewhere and for many a bunch of going nowhere. how do we celebrate a poet who has created music with words for over fifty years, who has showered magic on her people, who has redefined poetry into a black world exactness thereby giving the universe an insight into darkroads? just say she interprets beauty and wants to give life, say she is patient with phoniness and doesn’t mind people calling her gwen or sister. say she sees the genius in our children, is visionary about possibilities, sees as clearly as ray charles and stevie wonder, hears like determined elephants looking for food. say that her touch is fine wood, her memory is like an african roadmap detailing adventure and clarity, yet returning to chicago’s south evans to record the journey. say her voice is majestic and magnetic as she speaks in poetry, rhythms, song and spirited trumpets, say she is dark skinned, melanin rich, small-boned, hurricane-willed, with a mind like a tornado redefining the landscape. life after seven decades plus three years is a lot of breathing. gwendolyn, gwen, sister g has not disappointed our expectations. in the middle of her eldership she brings us vigorous language, memory, illumination. she brings breath. (Quality: Gwendolyn Brooks at 73)
Haki R. Madhubuti (Heartlove: Wedding and Love Poems)
Mom, what about the story you were going to tell Katie?” “Oh, yes. Queen Elizabeth. When she came to Kenya for a visit in 1952, she and Prince Philip stayed at Treetops. It’s a hotel not far from here. The rooms are at treetop height. She sipped tea on the open veranda while the elephants and other wild animals came to the watering hole below. Her father, King George IV, had been ill but seemed to have recovered, so the trip to Africa didn’t pose a conflict.” “Was he the one who stuttered? I remember seeing a movie about him,” Katie said. “Yes, that was the same king,” Eli answered for his mom. “What happened is that he took a turn for the worse and passed away while Princess Elizabeth was at Treetops. Since communication between England and Africa was so slow, she didn’t know her father had died until after they had left Treetops, and they stopped for lunch at the Aberdare Country Club, where we just ate.” “Really? The queen of England ate at that same restaurant?” “Yes. Only she didn’t yet know she was the queen of England. Word hadn’t reached her. The great statement about Treetops is that Elizabeth went up the stairs to her room that night as a princess, and when she descended those same stairs the next morning, she was the queen of England.” “I love stories like that,” Katie said. “I mean, it’s sad that her father died while she was in Africa, but what a rite of passage that moment was. She was doing what was on the schedule for that day, and by the time she put her head on her pillow that night, everything had changed.” As
Robin Jones Gunn (Finally and Forever (Katie Weldon, #4))
an elephant, an elephant if you please, that I loved this man – this airman, this enemy, whom I had not known even for twenty-four hours – that I knew I would love him till the day I died. It sounds ridiculous, I know, but that was how I felt, and when you are sixteen you feel things very immediately, very strongly, very certainly. “How wicked is that, Marlene?” I said. “How wicked is that, to love someone who should be my enemy, who has just bombed my city, killed my friends? How wicked is that?” I looked up into her weepy eye. For an answer she wafted her ears gently at me, and groaned deep inside herself. It was enough to tell me that she had listened, and understood, and that she did not judge me. I learned something that day from Marlene, about friendship, and I have never forgotten it. To be a true friend, you have to be a good listener, and I discovered that day that Marlene was
Michael Morpurgo (An Elephant in the Garden)
There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.” Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?” Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.” “I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
FOR A WOMAN WHO FEARS SHE IS TOO DAMAGED TO LOVE AGAIN A Prayer adapted from the Heart and Soul of Sex by Gina Ogden, PhD. Holy Spirits of Fire befriend and warm me. Earth and Water wrap me in bounty. Spirits of Air guide me to walk the paths of my heart. Sun smile on me. Stones accept me. Stars remind me. Ocean storms burnish my terrors to translucent pearls. Creatures of hills and hollows, beings beneath the ground watch over me, comfort and nourish me. Snakes and rivers, ancient dragons, dance sinuously with me. Swirling spirit of volcano invest me with power. Eagle and sparrow give me wings and sight. Snails of Buddha, saints of God, Great Spirit, Yahweh, Magus, Shiva, Isis, Astarte of the flowing heart, Goddess of Grain, Angel of Sweetness, Higher Power, protect me, fearful, angry, and armored; as I am the giver, healer, striver, survivor and lover. Cherish me—waif and victim, elf and Amazon. See me a holy woman now. Touch me. Brush me with the breath of love. Ganesh, sacred elephant who cries human tears and oversees new ventures, help me begin again.
Gina Ogden
You find nothing like that among humans. Yes, human groups may have distinct social systems, but these are not genetically determined, and they seldom endure for more than a few centuries. Think of twentieth-century Germans, for example. In less than a hundred years the Germans organised themselves into six very different systems: the Hohenzollern Empire, the Weimar Republic, the Third Reich, the German Democratic Republic (aka communist East Germany), the Federal Republic of Germany (aka West Germany), and finally democratic reunited Germany. Of course the Germans kept their language and their love of beer and bratwurst. But is there some unique German essence that distinguishes them from all other nations, and that has remained unchanged from Wilhelm II to Angela Merkel? And if you do come up with something, was it also there 1,000 years ago, or 5,000 years ago? The (unratified) Preamble of the European Constitution begins by stating that it draws inspiration ‘from the cultural, religious and humanist inheritance of Europe, from which “have developed the universal values of the inviolable and inalienable rights of the human person, democracy, equality, freedom and the rule of law’.3 This may easily give one the impression that European civilisation is defined by the values of human rights, democracy, equality and freedom. Countless speeches and documents draw a direct line from ancient Athenian democracy to the present-day EU, celebrating 2,500 years of European freedom and democracy. This is reminiscent of the proverbial blind man who takes hold of an elephant’s tail and concludes that an elephant is a kind of brush. Yes, democratic ideas have been part of European culture for centuries, but they were never the whole. For all its glory and impact, Athenian democracy was a half-hearted experiment that survived for barely 200 years in a small corner of the Balkans. If European civilisation for the past twenty-five centuries has been defined by democracy and human rights, what are we to make of Sparta and Julius Caesar, of the Crusaders and the conquistadores, of the Inquisition and the slave trade, of Louis XIV and Napoleon, of Hitler and Stalin? Were they all intruders from some foreign civilisation?
Yuval Noah Harari (21 Lessons for the 21st Century)
And now, for the first time, the Lion was quite silent. He was going to and fro among the animals. And every now and then he would go up to two of them (always two at a time) and touch their noses with his. He would touch two beavers among all the beavers, two leopards among all the leopards, one stag and one deer among all the deer, and leave the rest. Some sorts of animal he passed over altogether. But the pairs which he had touched instantly left their own kinds and followed him. At last he stood still and all the creatures whom he had touched came and stood in a wide circle around him. The others whom he had not touched began to wander away. Their noises faded gradually into the distance. The chosen beasts who remained were now utterly silent, all with their eyes fixed intently upon the Lion. The cat-like ones gave an occasional twitch of the tail but otherwise all were still. For the first time that day there was complete silence, except for the noise of running water. Digory’s heart beat wildly; he knew something very solemn was going to be done. He had not forgotten about his Mother, but he knew jolly well that, even for her, he couldn’t interrupt a thing like this. The Lion, whose eyes never blinked, stared at the animals as hard as if he was going to burn them up with his mere stare. And gradually a change came over them. The smaller ones—the rabbits, moles, and such-like—grew a good deal larger. The very big ones—you noticed it most with the elephants—grew a little smaller. Many animals sat up on their hind legs. Most put their heads on one side as if they were trying very hard to understand. The Lion opened his mouth, but no sound came from it; he was breathing out, a long, warm breath; it seemed to sway all the beasts as the wind sways a line of trees. Far overhead from beyond the veil of blue sky which hid them the stars sang again; a pure, cold, difficult music. Then there came a swift flash like fire (but it burnt nobody) either from the sky or from the Lion itself, and every drop of blood tingled in the children’s bodies, and the deepest, wildest voice they had ever heard was saying: “Narnia, Narnia, Narnia, awake. Love. Think. Speak. Be walking trees. Be talking beasts. Be divine waters.
C.S. Lewis (The Chronicles of Narnia Complete 7-Book Collection: All 7 Books Plus Bonus Book: Boxen)
Of course, the first song is “Come Together.” It starts with that great weird “shoomp” and the bass part. And when John started singing “Here come old flattop…,” what happened, but Mom knew every single word of the song! Not just every word, but every cadence. She knew every “all right!” and “aww!” and “yeaaaah.” And it kept going, song after song. When “Maxwell’s Silver Hammer” started, Mom said, “Yuck, I always thought this was totally sophomoric.” Still, what did she do? She sang every single word of that, too. I hit the pause button. “How do you even know this?” I demanded. “Abbey Road?” Mom shrugged. “I don’t know, you just know it.” She unpaused the CD. When “Here Comes the Sun” started, what happened? No, the sun didn’t come out, but Mom opened up like the sun breaking through the clouds. You know how in the first few notes of that song, there’s something about George’s guitar that’s just so hopeful? It was like when Mom sang, she was full of hope, too. She even got the irregular clapping right during the guitar solo. When the song was over, she paused it. “Oh, Bee,” she said. “This song reminds me of you.” She had tears in her eyes. “Mom!” This is why I didn’t want her to come to the first-grade elephant dance. Because the most random things get her way too full of love.
Maria Semple (Where'd You Go, Bernadette)
The wildest dreams of wild men, even, are not the less true, though they may not recommend themselves to the sense which is most common among Englishmen and Americans today. It is not every truth that recommends itself to the common sense. Nature has a place for the wild Clematis as well as for the cabbage. Some expressions of truth are reminiscent—others merely SENSIBLE, as the phrase is,—others prophetic. Some forms of disease, even, may prophesy forms of health. The geologist has discovered that the figures of serpents, griffins, flying dragons, and other fanciful embellishments of heraldry, have their prototypes in the forms of fossil species which were extinct before man was created, and hence "indicate a faint and shadowy knowledge of a previous state of organic existence." The Hindus dreamed that the earth rested on an elephant, and the elephant on a tortoise, and the tortoise on a serpent; and though it may be an unimportant coincidence, it will not be out of place here to state, that a fossil tortoise has lately been discovered in Asia large enough to support an elephant. I confess that I am partial to these wild fancies, which transcend the order of time and development. They are the sublimest recreation of the intellect. The partridge loves peas, but not those that go with her into the pot. In short, all good things are wild and free.
Henry David Thoreau (Walking)
I believe Nancy said that her aunt married beneath her.” Which you wouldn’t let me do. He went rigid beside her. “Ah. That does happen.” Unless you’re Dom the Almighty. “The marriage seems to have turned out well enough.” Jane would goad him into revealing the truth of what he’d done, no matter what it took. “Nancy said Mrs. Patch misses her late husband dreadfully and refuses to decamp from York, though she could easily live with my uncle. Apparently, she doesn’t miss her life as a knight’s daughter.” “Oh? And exactly how far beneath herself she marry?” Jane colored as she dredged that little detail from her memory. “Her late husband was an architect, I believe.” “So, not a gentleman of leisure but still in a profession respectable enough that Nancy felt no compunction about visiting her.” He smirked as he navigated the phaeton expertly through the narrow streets of York. “There are levels of marrying beneath one, after all.” Oh, she could just smack his face for that. After all these years, that he could still be so certain of the wisdom of the course he’d set them upon…”Yes, just as there are levels of being in love. Some people’s love for each other transcends all obstacles. Some people’s love does not.” His smug expression vanished. “And some people do not understand the meaning of the word.” “Really? I thought love was about enduring any sacrifice to be with the object of one’s affection.” He drove through an archway and reined in the horses. “Here we are. The Elephant and Castle.” So he was avoiding the subject. Again.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
I had become something of a bird man – a passion that has remained with me – and could tell a Himalayan griffon from a bearded vulture and could identify the streaked laughing thrush, the orange bullfinch, Tytler’s leaf warbler and the Kashmir flycatcher, which was threatened then, and must surely by now be extinct. The trouble with being in Dachigam was that it had the effect of unsettling one’s resolve. It underlined the futility of it all. It made one feel that Kashmir really belonged to those creatures. That none of us who were fighting over it – Kashmiris, Indians, Pakistanis, Chinese (they have a piece of it too – Aksai Chin, which used to be part of the old Kingdom of Jammu and Kashmir), or for that matter Pahadis, Gujjars, Dogras, Pashtuns, Shins, Ladakhis, Baltis, Gilgitis, Purikis, Wakhis, Yashkuns, Tibetans, Mongols, Tatars, Mon, Khowars – none of us, neither saint nor soldier, had the right to claim the truly heavenly beauty of that place for ourselves. I was once moved to say so, quite casually, to Imran, a young Kashmiri police officer who had done some exemplary undercover work for us. His response was, ‘It’s a very great thought, Sir. I have the same love for animals as yourself. Even in my travels in India I feel the exact same feeling – that India belongs not to Punjabis, Biharis, Gujaratis, Madrasis, Muslims, Sikhs, Hindus, Christians, but to those beautiful creatures – peacocks, elephants, tigers, bears . . .’ He was polite to the point of being obsequious, but I knew what he was getting at. It was extraordinary; you couldn’t – and still cannot – trust even the ones you assumed were on your side. Not even the damn police.
Arundhati Roy (Ministry of Utmost Happiness)
What used the darling ones to do? ‘How used they keep themselves contented Before this monster was invented?’ Have you forgotten? Don’t you know? We’ll say it very loud and slow: They . . . used . . . to . . . read! They’d read and read, And read and read, and then proceed To read some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching ’round the pot, Stirring away at something hot. (It smells so good, what can it be! Good gracious, it’s Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and— Just How The Camel Got His Hump, And How The Monkey Lost His Rump, And Mr. Toad, and bless my soul, There’s Mr. Rat and Mr. Mole— Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks— Fear not, because we promise you That, in about a week or two Of having nothing else to do, They’ll now begin to feel the need Of having something good to read. And once they start—oh boy, oh boy! You watch the slowly growing joy
Roald Dahl (Charlie and the Chocolate Factory)
The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.
Carl Safina (Beyond Words: What Animals Think and Feel)
The way circus elephants are trained demonstrates this dynamic well: When young, they are attached by heavy chains to large stakes driven deep into the ground. They pull and yank and strain and struggle, but the chain is too strong, the stake too rooted. One day they give up, having learned that they cannot pull free, and from that day forward they can be “chained” with a slender rope. When this enormous animal feels any resistance, though it has the strength to pull the whole circus tent over, it stops trying. Because it believes it cannot, it cannot. “You’ll never amount to anything;” “You can’t sing;” “You’re not smart enough;” “Without money, you’re nothing;” “Who’d want you?;” “You’re just a loser;” “You should have more realistic goals;” “You’re the reason our marriage broke up;” “Without you kids I’d have had a chance;” “You’re worthless”—this opera is being sung in homes all over America right now, the stakes driven into the ground, the heavy chains attached, the children reaching the point they believe they cannot pull free. And at that point, they cannot. Unless and until something changes their view, unless they grasp the striking fact that they are tied with a thread, that the chain is an illusion, that they were fooled, and ultimately, that whoever so fooled them was wrong about them and that they were wrong about themselves—unless all this happens, these children are not likely to show society their positive attributes as adults. There’s more involved, of course, than just parenting. Some of the factors are so small they cannot be seen and yet so important they cannot be ignored: They are human genes. The one known as D4DR may influence the thrill-seeking behavior displayed by many violent criminals. Along with the influences of environment and upbringing, an elongated D4DR gene will likely be present in someone who grows up to be an assassin or a bank robber (or a daredevil). Behavioral geneticist Irving Gottesman: “Under a different scenario and in a different environment, that same person could become a hero in Bosnia.” In the future, genetics will play a much greater role in behavioral predictions. We’ll probably be able to genetically map personality traits as precisely as physical characteristics like height and weight. Though it will generate much controversy, parents may someday be able to use prenatal testing to identify children with unwanted personality genes, including those that make violence more likely. Until then, however, we’ll have to settle for a simpler, low-tech strategy for reducing violence: treating children lovingly and humanely.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Christopher Phelan was talking with Prudence Mercer. The scheme of formal black and white was becoming to any man. On someone like Christopher, it was literally breathtaking. He wore the clothes with natural ease, his posture relaxed but straight, his shoulders broad. The crisp white of his starched cravat provided a striking contrast to his tawny skin, while the light of chandeliers glittered over his golden-bronze hair. Following her gaze, Amelia lifted her brows. “What an attractive man,” she said. Her attention returned to Beatrix. “You like him, don’t you?” Before Beatrix could help herself, she sent her sister a pained glance. Letting her gaze drop to the floor, she said, “There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.” Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?” Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.” “I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.” Amelia paused. “He is attracted to you,” she said. “We all noticed the other night. Why don’t you encourage him, dear?” Beatrix felt her throat tighten. “I can’t.” “Why not?” “I can’t explain,” Beatrix said miserably, “except to say that I’ve deceived him.” Amelia glanced at her in surprise. “That doesn’t sound like you. You’re the least deceptive person I’ve ever known.” “I didn’t mean to do it. And he doesn’t know that it was me. But I think he suspects.” “Oh.” Amelia frowned as she absorbed the perplexing statement. “Well. This does seem to be a muddle. Perhaps you should confide in him. His reaction may surprise you. What is it that Mother used to say whenever we pushed her to the limits of her patience?...’Love forgives all things.’ Do you remember?” “Of course,” Beatrix said. She had written that exact phrase to Christopher in one of her letters. Her throat went very tight. “Amelia, I can’t discuss this now. Or I’ll start weeping and throw myself to the floor.” “Heavens, don’t do that. Someone might trip over you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Skiddy Cottontail—that was his name—and he defended LGBT equality. He was a flamboyant, colorful striped rabbit, with a headdress of a rainbow crown on his forehead. The radiance of his energy was violet, scarlet, and turquoise; as it represented his love for everyone. In the infancy years of his existence, he was abandoned—alone—unwanted—unloved; rejected by a world that disdains him. His father wished him deceased, his family exiled him from the warren, he was physically mistreated and preyed on by homophobic mobs in the surrounding community by Elephants—Hyenas—rats. They splashed spit at his face, advising him that God condemns homosexuality—as Christ did not. They would slam him on the pavement with their Bibles, strike him in the stomach with their feet, throw boulders of stone at his body: imploring—abusing—condemning him to a tyrannical sentence. Skiddy Cottontail thought that his existence would end with this case of cruelty—violence—assault that was perpetrated against him. He wanted to cease to exist— he wanted to commit the ultimate murder on himself—he no more desired to go on living— he realized hope is already deceased. He yearned to have the courage to emerge, to discover his bravery that would sever this spiral of sensations of oppression. Being a victim made him a slave to his opponent—as his adversaries have full leverage against him. Life has become a thread of light, which he longed to be liberated from its shackles. His demon—a voice that keeps blaming him for his crimes in the back of his mind—a glass that continually cracks in his heart—will keep breaking him if he does not devise a way out of this crisis. He was conscious by his innermost conviction that there was candlelight with a key that had the potential to illuminate a new chapter that will erase this trail of obscurity behind him. He sees a new horizon with greater comprehension, a journey that can give him the roses of affection than a handful of dead birds that his adversaries handed him along the way. The stunning blossoming trees did have a forest—beautiful greenery that was colorful like the rainbow in the Heavens. This home will embrace him with a warm embrace of open arms, where cruelty is forbidden; where adoration can forever abound. Dawn will know him when he arrives. No more hurricanes or strife will be here—no crying of a sad humanity are here—only a gift of harmony and devotion, beyond all explanation, will abide in the heart of Skiddy Cottontail—when he finds his way out from this opponent world for a beautiful existence that is called liberation. Skiddy Cottontail has found a happiness that can only bring him contentment like nothing in this hurtful world can. Find your own sense of balance like him, Skiddy Cottontail, and you will experience serenity as much as him.
Be Daring like Skiddy Cottontail by D.L. Lewis
[the virgin birth account] occurs everywhere. When the Herod figure ( the extreme figure of misgovernment) has brought man to the nadir of spirit, the occult forces of the cycle begin to move. In an inconspicuous village, Mary is born who will maintain herself undefiled by fashionable errors of her generation. Her womb, remaining fallw as the primordial abyss, summons itself by its very readiness the original power that fertilzed the void. Mary's virgin birth story is recounted everywhere. and with such striking unity of the main contours, that early christian missionaries had to think the devil must be creating mockeries of Mary's birth wherever they testified. One missionary reports that after work was begun among Tunja and Sogamozzo South American Indians, "the demon began giving contrary doctrines. The demon sought to discredit Mary's account, declaring it had not yet come to pass; but presently, the sun would bring it to pass by taking flesh in the womb of a virgin in a small village, causing her to conceive by rays of the sun while she yet remained virgin." Hindu mythology tells of the maiden parvati who retreated to the high hills to practice austerities. Taraka had usurped mastery of the world, a tyrant. Prophecy said only a son of the high god Shiva could overthrow him. Shive however was the pattern god of yoga-alone, aloof, meditating. It was impossible Shiva could be moved to beget. Parvati tried changing the world situation by metching Shiva in meditation. Aloof, indrawn in her soul meditating, she fasted naked beneath the blazing sun, even adding to the heat by building four great fires. One day a Brahmin youth arrived and asked why anyone so beautiful should be destroying herself with such torture. "My desire," she said "is Shiva, the Highest. He is the god of solitude and concentration. I therefore imitate his meditation to move him from his balance and bring him to me in love." Shiva, the youth announced, is a god of destruction, shiva is World Annhilator. Snakes are his garlands. The virgin said: He is beyond the mind of such as you. He is terrifying but the source of grace. snake garlands or jewel garlands he can assume or put off at will. Shiva is my love. The youth thereupon put away his disguise-he was Shiva. The Buddha descended from heaven to his mother's womb in the shape of a milk white elephant. The Aztec Coatlicue was approached by a god in the form of a ball of feathers. The chapters of Ovid's Metamorphoses swarm with nymphs beset by gods in sundry masquerades: jove as a bull, a swan, a shower of gold. Any leaf, any nut, or even the breath of a breeze, may be enough to fertilize the ready virgin womb. The procreating power is everywhere. And according to whim or destiny of the hour, either a hero savior or a world--annihilating demon may be conceived-one can never know.
Joseph Campbell
Silly Me Preparation and Instructions: These are delightful interactions with a child that alter the normal sequence of events or offer the element of surprise. The following is but a brief list of possibilities. The type of silly interaction you create is limited only by your imagination. Be playful; see how many different silly interaction games you can create. The Game: Start with the following ideas and make up more. Put the child’s shoes on the wrong feet. Put the child’s shoe (or sock) on the child’s hand; then try to put it on the child’s elbow. Push the child’s nose (belly button, or another body part) and make a silly noise. Comb the child’s knee as if this were the natural and correct way to comb hair. Blow raspberries on the child’s hand, stomach, or other places. Name the noises by saying, “There is an elephant in your hand. See! Right there!” Then blow another raspberry. Blow three “elephant calls” and ask the child, “How many elephants did you hear?” Sometimes the raspberries sound more like ducks quacking. Use your imagination!
Becky A. Bailey (I Love You Rituals)
Among all the wonderful Hindu Deities, Lord Gaṇeśa is the closest to the material plane of consciousness, most easily contacted and most able to assist us in our day-to-day life and concerns.
The Editors of Hinduism Today (Loving Ganesha: Hinduism's Endearing Elephant-Faced God)
Animals love to follow one another. Their collective is often named for the verb they enact. A group of bees is a swarm. Crocodiles, a bask. A group of elephants, a parade. Flamingos, a stand. A family of hippopotami is a bloat. Lemurs make up a conspiracy. A leap of leopards. A crash of rhinoceroses. A knot of toads. Parrots are a pandemonium. Skunks are a stench. A group of thin girls, in recovery, we are surviving.
Diana Clarke (Thin Girls: When Cult Diet Destroys Twin Rose, Sister Lily Must Escape Her Demons to Save Them Both – A Dark Literary Debut)
I didn’t mind answering that I was from India, but I disliked the way India became the sole topic of conversation after that. Some international students loved talking about their countries. I didn’t. I didn’t care for the caste system, I didn’t know enough to talk about Indian politics, I resented having to defend my country’s poverty, and I was insulted when people asked if Indians rode on elephants. Over time I grew to hate the well-meaning friendly question “Where are you from?” As long as I was in small-town America, I realized, I was no longer just a person. I was a representative of my country. It was a daunting realization and an enormous burden.
Shoba Narayan (Monsoon Diary: A Memoir with Recipes)
Nostrils flared, ears pricked, Gabriel asks me if people can mate with animals. I say it hardly ever happens. He frowns, fur and skin and hooves and slits and pricks and teeth and tails whirling in his brain. You could do it, he says, not wanting a single orifice of the universe to be closed to him. We talk about elephants and parakeets, until we are rolling on the floor, laughing like hyenas. Too late, I remember love—I backtrack and try to slip it in, but that is not what he means. Seven years old, he is into hydraulics, pulleys, doors which fly open in the side of the body, entrances, exits. Flushed, panting, hot for physics, he thinks about lynxes, eagles, pythons, mosquitoes, girls, casting a glittering eye of use over creation, wanting to know exactly how the world was made to receive him.
Sharon Olds
For some reason, she wanted to be with the animals more than the people. She couldn't describe how she felt about the animals or why she had such a strong need to see them, because she didn't understand it herself. But it was one of the reasons she was brave enough to venture out for the first time on her own. Maybe she was drawn to them because they understood what it was like to be locked up, with no control over what happened next. Maybe it was because her cat was the only one who had never let her down. Or maybe her love of animals was part of who she was, like the way her left foot turned in slightly, the way her fingers were long and thin, and the way her skin was white as snow. Whatever the cause, seeing the baby elephant and the other animals was the only thing she cared about right now.
Ellen Marie Wiseman (The Life She Was Given)
The only thing between Lilly and the elephant was a rope, hanging across the front of the two-sided stall. A heavy chain wrapped around the elephant's back ankle, then attached to a thick stake in the ground. Looking up at the powerful beast, the walled-in feeling of being locked in her room returned, and the heavy, horrible ache of missing home. The sensations were so strong they nearly brought her to her knees. It was almost as if she could feel the elephant's misery, like she had with the lion, except this time, there was something else too, something that felt like tenderness. Was it possible that this powerful animal cared about people, even after everything they had done to it, even after they had caged it, tied it in ropes and chains, and forced it to perform? Lilly's eyes grew moist. More than anything, she wanted to go into the stall and comfort the elephant, to stroke its head and explain she understood what it felt like to be held prisoner, and to still love someone who hurt you. But she didn't dare.
Ellen Marie Wiseman (The Life She Was Given)
Lilly made a face. She didn't have a gift. The elephants liked and trusted her. That was all. Her cat, Abby, used to be the same way. She did what Lilly wanted because they loved and trusted each other. Maybe people didn't give animals enough credit. They were smarter and had more feelings than anyone realized.
Ellen Marie Wiseman (The Life She Was Given)
The Elephant on the Train” is a heartwarming and adventurous book about a baby elephant's journey to reunite with his mother, filled with themes of love, friendship, fun , adventure, emotion and courage.
Nitish Nagpal RPh (The Elephant on the Train: A heartwarming adventure, courage and funny story of an elephant on the Train)
He understood that identity was a subconscious quest of all male mammals, mankind included, and inherent to a lesser degree in the females as well. How one was rated among one’s peers had a bearing on self-esteem, and the confidence that brought peace of mind.
Daphne Sheldrick (Love, Life, and Elephants: An African Love Story)
I am being quite reasonable, Mister Cotton, I assure you,’ Charlie said, unable to keep himself from grinning. ‘Mary is accustomed to us. She is more than an elephant, she is a pet, a friend, and a companion. I wouldn’t trust an elephant I don’t know to Barnum and Bailey, let alone a pet, friend, and companion. I’m fully aware of your employers’ liberal use of bull hooks in training. The conditions in which those elephants are crammed together, night after night. Out of love for Mary, I say unreservedly no. I am also aware of the business practices of your employers and know full well the extent of their philanthropic nature. You wouldn’t have turned up here, all false charm and sleazy grin, waving an envelope of cash around, if you didn’t already know Mary was worth a hundred times the value. So, don’t threaten my elephants, firstly, Mister Cotton. And secondly, dare not to insult my intelligence, in my own office. For God’s sake, man.
Max Davine (Mighty Mary)
Raising Hands Raising Hell Raise ’Em High”—The Wind & The Wave “Jailhouse Rock”—Elvis Presley “My Girl”— The Temptations “Burnin’ Love”—Elvis Presley “Ticking Bomb”— Aloe Blacc “Lovers in a Dangerous Time”— Barenaked Ladies “Sail”—Awolnation “Ain’t No Rest for the Wicked”—Cage the Elephant
Giana Darling (Lessons in Corruption (The Fallen Men, #1))
Feeding an ant with love is better than feeding an elephant without
Isaac Nash (LOVE EXIST)
... And unkindness was never the way to convert others to a truth of any sort. You did not change anybody, she had always believed, by shouting at them or by making them feel bad about themselves. On the contrary, it was kindness and concern that changed people within, that could soften the hardest of hearts, that could turn harsh words into words of love. That had been proved time and time again, and she had seen it herself; she had seen the power of a kind word to change a scowling or suspicious countenance.
Alexander McCall Smith (How to Raise an Elephant (No. 1 Ladies' Detective Agency, #21))
when the past and the future tug upon the present moment with delicate, unrelenting arms when ambition overreaches talent when dull-dark sunshine penetrates closed eyelids when the heart disregards the mind when the imaginary friend appears before the child when a sudden clap of thunder echoes across the meadow of intuition when the glint of an erupting star spreads over eons like a faint, frozen scream when blue-purple twilight settles upon the garden when the jaguar’s cuspids wrench open the elephant’s cranium when dew droplets gather upon the anthers of a cherry blossom when the Earth turns so slowly upon its axis only electrons can feel its drag when a summer’s night sitting by the water’s edge can stretch into forever… - We Pass Away, Alice Evermore
Alice Evermore
When I was a child I sat an exam. This test was so simple There was no way i could fail. Q1. Describe the taste of the Moon. It tastes like Creation I wrote, it has the flavour of starlight. Q2. What colour is Love? Love is the colour of the water a man lost in the desert finds, I wrote. Q3. Why do snowflakes melt? I wrote, they melt because they fall on to the warm tongue of God. There were other questions. They were as simple. I described the grief of Adam when he was expelled from Eden. I wrote down the exact weight of an elephant's dream Yet today, many years later, For my living I sweep the streets or clean out the toilets of the fat hotels. Why? Because constantly I failed my exams. Why? Well, let me set a test. Q1. How large is a child's imagination? Q2. How shallow is the soul of the Minister for exams?
Brian Patten
Whenever the Democratic Socialist points to a nation where Socialism has succeeded, he invariably ignores the elephants in the room of China, Russia and Nazi Germany, and references only the tiny Nordic states of Sweden, Switzerland, Denmark and Norway. These are odd choices since none of them is actually Socialist. Not in the slightest. In fact, they all fall far to the right on today’s American political spectrum. Their economic system is the same as that of the United States – free-market capitalism. They are proud Nationalists who love their country, respect the borders of their neighbors and expect their borders to be respected by others.
Evan Sayet (The Woke Supremacy: An Anti-Socialist Manifesto)
On the day of the hunt I came to know in the slick center of my bones this one thing: all animals kill to survive, ane we are animals. The lion kills the baboon, the baboon kills fat grasshoppers. The elephant tears up living trees, dragging their precious roots from the dirt they love. The hungry antelope's shadow passes over the startled grass. And we, even if we had no meat or even grass to gnaw, still boil our water to kill the invisible creatures that would like to kill us first. And swallow quinine pills. The death of something living is the price of our own survival, and we pay it again and again. We have no choice. It is the one solemn promise every life on earth is born and bound to keep.
Barbara Kingsolver (The Poisonwood Bible)
If they so choose, they have the ability to hold your sadness, so you may safely sit in the lonely seat of loss, still hopeful and full of love. Their great secret is that they know everything is a tide—not a black tide but the natural breath of life—in and out, in and out, and to be with them is to know this too. And here they were, suddenly lifting the weight of our sadness for us, carrying it in the curl of their trunks. We all sat together in our loss, not dwelling, but remembering. For an elephant never forgets.
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom #1))
Suddenly, like an elephant who has just found his anger and lifts his trunk over the heads of the little men who want his teeth or his hide or his flesh or his amazing strength, Pilate trumpeted for the sky itself to hear, “And she was loved!” It startled one of the sympathetic winos in the vestibule and he dropped his bottle, spurting emerald glass and jungle-red wine everywhere.
Toni Morrison (Song of Solomon)
What we need to understand is that the biggest problem with elephants and donkeys is that too many of us are so devoted and committed to something that will never offer up their life for you. They will not usher in the freedom for all that they gospel inevitably does and will do. You cannot give your life to something that won’t die for you, and the elephant won’t, and neither will the donkey. But the lamb? The lamb will die for you, has died for you, and actively does the opposite of what both the elephant and the donkey do, which is divide and degrade. They are not seeking to restore anyone or anything outside of their agenda. They are protecting their lives at all costs, and they are always going to preserve their agenda, their perspective, and their ideology at all costs, even if it requires them to be dishonest about whats actually happening, even if it means they create their own personal truth through their narrow lens and perspective. The elephant and donkey are all about self-preservation and each will hold views that can be antithetical to the gospel. So, while we participate in political parties, our allegiance cannot be to our political party it has to be exclusively and wholly to the lamb of God.
Albert Tate (How We Love Matters: A Call to Practice Relentless Racial Reconciliation)
And in my dad’s lap, there I am: a baby, eyes closed, bald as a butter bean. In that moment, I could have turned out to be anything. I didn’t have to be a kid who snuck cheese out of the refrigerator, a teenager who stole sandwiches at school, a college kid who drank way too much beer, a young man who quit running and jumping, a middle-aged guy who caused pain and worry for the people who loved him. I could have been better. I want to reach back into that photo and tell that little baby to live a different life. But as my friend Thomas Lake once wrote: Time is a dark blue river, and it rolls one way.
Tommy Tomlinson (The Elephant in the Room: One Fat Man's Quest to Get Smaller in a Growing America)