Elephant Spirit Animal Quotes

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Katrina held Bram in her arms, speaking softly, reassuringly, as they approached baby Modoc. This was an important moment, a beginning, for she knew the boy would spend his life with animals, especially elephants, and the meeting was of utmost importance. Neither the elephant nor the baby said a word. All was quiet as they looked at each other. Mo’s small trunk wormed its way up, reaching to the baby. As Bram leaned over, his little hand pulled loose from Katrina’s grasp found its way down toward the trunk. A finger extended to meet the tip of the trunk. Bram’s expression was one of curiosity; he felt the wet tip, Modoc moved her “finger” all around Bram’s hand, sliding it across each finger and the palm. A big tickle grin spread across Bram’s face, Modoc did her elephant “chirp,” a tear glistened as it ran down Katrina’s face. All was well. The future had been written.
Ralph Helfer (Modoc: The True Story of the Greatest Elephant That Ever Lived)
There is really one reason that, forty millennia ago, our human ancestors would spend time creating art in the form of therianthropes. It symbolized something. When we see therianthropes represented in art from the past few thousand years, it’s typically associated with religious symbolism: like Horace (the falcon-headed Egyptian god), Lucifer (often depicted as half-human, half-goat in Christian art), or Ganesh (the elephant-headed Hindu god). The Sulawesian therianthropes are “the world’s earliest known evidence for our ability to conceive of the existence of supernatural beings,” Dr. Adam Brumm told the New York Times after he and his research team discovered the Sulawesian therianthropes in 2017.13 What is a supernatural being? It is a creature that has abilities and knowledge beyond what humans have. Some experts suggest that these therianthropes might be spirit guides, creatures giving us aid, answers, or advice.
Justin Gregg (If Nietzsche Were a Narwhal: What Animal Intelligence Reveals About Human Stupidity)
There is really one reason that, forty millennia ago, our human ancestors would spend time creating art in the form of therianthropes. It symbolized something. When we see therianthropes represented in art from the past few thousand years, it’s typically associated with religious symbolism: like Horace (the falcon-headed Egyptian god), Lucifer (often depicted as half-human, half-goat in Christian art), or Ganesh (the elephant-headed Hindu god). The Sulawesian therianthropes are “the world’s earliest known evidence for our ability to conceive of the existence of supernatural beings,” Dr. Adam Brumm told the New York Times after he and his research team discovered the Sulawesian therianthropes in 2017.13 What is a supernatural being? It is a creature that has abilities and knowledge beyond what humans have. Some experts suggest that these therianthropes might be spirit guides, creatures giving us aid, answers, or advice.14 This assumes, then, that our ancestors had been asking questions that required supernatural answers. And what could these questions possibly be other than those that underpin all religions: Why does the world exist? Why am I here? And why do I have to die? These ancient therianthropes are the best evidence we have of why specialist questions swimming about in our ancestors’ heads.
Justin Gregg (If Nietzsche Were a Narwhal: What Animal Intelligence Reveals About Human Stupidity)
It was rather peculiar behaviour for a totem animal. Totem animals are supposed to be the spirits of actual dead animals or the essence of real animals. ... Actual elephants do not normally wear berets, sombreros or any other type of hat, nor do they dance upright shaking maracas.
Michelle Y. Frost (Elephant Songs)
I’ve always yearned to be a black man, to have a black man’s soul, a black man's laughter. You know why? Because I thought you were diflFerent from us. Yes, I thought you were something special, something difiFerent on this sad earth of ours. I wanted to escape with you from the white man’s hollow materialism, from his lack of faith, his humble and frustrated sexuality, from his lack of joy, of laughter, of magic, of faith in the richness of after-life. encouragement and signs of gratitude or recognition have been very few, if any, along my road. If humanity can be compared to a tribe, then you may say I’m completely de-tribalized. You love Negroes out of sheer misanthropy, because you think they aren’t really men. in the end all human faces look alike with nothing bright or hopeful around me, except those distant stars— and even there, let’s be frank: it’s only their distance that gives them that purity and beauty ideals don't die— obliged to live on shit sometimes, but don’t die! the company a great cause always keeps: men of good will and those who exploit them your skin, you know, is worth no more than the elephants’ hide. In Gennany, at Belsen, during the war, it seems we used to make lampshades out of human skin— for your information. And don’t forget, Monsieur Saint- Denis, that we Germans have always been forerunners in everything ‘Women,’ I concluded rather bitterly, ‘have at their command certain means of persuasion which the best- organized police forces do not possess.’ The number of animals who lived in cruel suffering, sometimes for years, with bullets in their bodies, wounds growing deeper and deeper, gangrenous and swarming with ticks and flies, could not be estimated to change species, to come over to the elephants and live in the wilds among honest animals Always cheerful, with the cheerfulness of a man who has gone deep down into things and come back reassured. No one knew the desert better than Scholscher, who had spent so many nights alone there on the starlit dunes, and no one understood better than he did that need for protection which sometimes grips men’s hearts and drives them to give a dog the affection they dream so desperately of receiving themselves. by ‘defending the splendors of nature . . .’ He meant liberty.” Islam calls that ’the roots of heaven.’ and to the Mexican Indians it is of life’— the thing that makes both of them fall on their knees and raise their eyes and beat their tormented breasts. A need for protection and company, from which obstinate people like Morel try to escape by means of petitions, fighting committees, by trying to take the protection of species in their own hands. Our needs- for justice, for freedom and dignity— are roots of heaven that are deeply imbedded in our hearts, but of heaven itself men know nothing but the gripping roots ...” . . . And that girl sitting there in front of him with her legs crossed, with her nylon stockings and cigarette and that silent gaze, in which could be read that stubborn need, not so different from what Morel had seen in the eyes of the stray dogs at the pound. but not even all that was comic and childish about him could deprive him of the dignity conferred upon him by his love for his Maker. that human mass whose physical strength was nothing compared to the faith and spirit that dwelt in him. Three quarters of the Oul6 traditions and magic rites had to do with war or hunting while it's easy to suppress a magic tradition it's difficult to fill up the strange voids which it leaves in what you call the primitive psychology and what I call the human soul The roots of heaven are forever planted in their hearts, yet of heaven itself they seem to know nothing but the gripping roots It must be very consoling to take refuge in cynicism and to try and drown your own remorse in a consoling vision of universal swinishness, and you can always
Romain Gary
God’s Song I am the amoeba swimming in pond water. I am the elephant stepping gently on huge feet. I am the whale that sings its song seven fathoms deep. I am the chickadee with dark bright eye. I am the hawk rising swift on currents of wind. I am the tiger stalking its prey. I am the platypus, most confused of all animals. I am the wild goose flying on strong winds. I am the rabbit, fleet of foot and timid of heart. I am the minnow, darting in shallow water; the tadpole transforming into something new; the caterpillar never dreaming of wings; the butterfly that speaks to you of resurrection; the cat curled in your lap; the spider spinning her web; the cow, patient servant of humanity; and the cricket, singing its autumn song. I am the breath of each one. I am the Spirit in each. Look. I am everywhere you turn, if you only had eyes to see.
Kenneth McIntosh (Celtic Nature Prayers: Prayers from an Ancient Well (Collected Volumes 1-3))