Elephant Memory Quotes

The more distressing the memory, the more persistent it's presence.

When Great Trees Fall When great trees fall, rocks on distant hills shudder, lions hunker down in tall grasses, and even elephants lumber after safety. When great trees fall in forests, small things recoil into silence, their senses eroded beyond fear. When great souls die, the air around us becomes light, rare, sterile. We breathe, briefly. Our eyes, briefly, see with a hurtful clarity. Our memory, suddenly sharpened, examines, gnaws on kind words unsaid, promised walks never taken. Great souls die and our reality, bound to them, takes leave of us. Our souls, dependent upon their nurture, now shrink, wizened. Our minds, formed and informed by their radiance, fall away. We are not so much maddened as reduced to the unutterable ignorance of dark, cold caves. And when great souls die, after a period peace blooms, slowly and always irregularly. Spaces fill with a kind of soothing electric vibration. Our senses, restored, never to be the same, whisper to us. They existed. They existed. We can be. Be and be better. For they existed.

Writers, like elephants, have long, vicious memories. There are things I wish I could forget.

Memory is like fiction; or else it's fiction that's like memory.

After you're dead and buried and floating around whatever place we go to, what's going to be your best memory of earth? What one moment for you defines what it's like to be alive on this planet. What's your takeaway? Fake yuppie experiences that you had to spend money on, like white water rafting or elephant rides in Thailand don't count. I want to hear some small moment from your life that proves you're really alive.

Money, power, sex ... and elephants.

I have a memory like an elephant. In fact, elephants often consult me.

The Babar the Elephant book is sitting in front of me. I pick it up and start reading it. I remember reading it as a small Boy and enjoying it and imagining that I was friends with Babar, his constant Companion during all of his adventures. He went to the moon, I went with him. He fought Tomb Raiders in Egypt, I fought alongside him. He rescued his elephant girlfriend from Ivory Hunters on the Savanna, I coordinated the getaway. I loved that goddamn Elephant and I loved being his friend. In a childhood full of unhappiness and rage, Babar is one of the few pleasant memories that I have. Me and Babar, kicking some motherfucking ass.

Memory works in different ways for everybody. Different capacities, different directions, too. Sometimes memory helps you think, sometimes it impedes. Doesn’t mean it’s good or bad. Probably means it’s no big deal.

Memory is like fiction; or else it's fiction that's like memory. This really came home to me once I started writing fiction, that memory seemed a kind of fiction, or vice versa. Either way, no matter how hard you try to put everything neatly into shape, the context wanders this way and that, until finally the context isn't even there anymore. You're left with this pile of kittens lolling all over one another. Warm with life, hopelessly unstable. And then to put these things out as saleable items, you call them finished products - at times it's downright embarrassing just to think of it. Honestly, it can make me blush.

My heart can feel like an elephant who is feeling dread and has an exceptional memory and naturally possesses something valuable that might be hunted, poached, wasted.

One of the most amazing things about elephants mourning in the wild is their ability to grieve hard, but then truly, unequivocally, let go. Humans can't seem to do that. I've always thought it's because of religion. We expect to see our loved ones again in the next life, whatever that might be. Elephants don't have that hope, only the memories of this life. Maybe that's why it is easier for them to move on.

At the meeting of our lips, peacocks went into hiding, elephants suffered memory loss, camels developed a maddening thirst, and dinosaurs long thought to be extinct turned up on the evening news.

If you do not have a memory like an elephant, leave impressions like one.

You know the saying a rolling stone gathers no moss? I'm the opposite. I've gathered too much, and when one thing happens, it brings up everything else that's ever been similar to it. I don't just feel things once and then move on. I fell them over and over again, and the only new thing is whatever precipitated the memory of the old, so it never really feels new at all. Everything just gets integrated into one big giant ball...

MEMORY IS LIKE FICTION; or else it’s fiction that’s like memory.

Memory is like fiction: or else it's fiction that's like memory.

Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened. One day the two came upon each other on the corner of a street. “This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.” “And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.” They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle. As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily? And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?” “Yes,” she said, “that is exactly what we should do.” And so they parted, she to the east, and he to the west. The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully. One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank. They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love. Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty. One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew: She is the 100% perfect girl for me. He is the 100% perfect boy for me. But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever. A sad story, don’t you think?

I have not forgotten you. You threw mud at me. Like an elephant I bask in it and still carry you on my skin. Only fools lose their memory. I lost you, I lost you, but you see, I can still walk on water.

Jonas went and sat beside them while his father untied Lily's hair ribbons and combed her hair. He placed one hand on each of their shoulders. With all of his being he tried to give each of them a piece of the memory: not of the tortured cry of the elephant, of their towering, immense creature and the meticulous touch with which it had tended its friend at the end. But his father had continued to comb Lily's long hair, and Lily, impatient, had finally wriggled under her brother's touch. "Jonas," she said, "you're hurting me with your hand.

He shrugged. 'I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room--but eventually, you learn to live with it.' Somehow, I thought, elephants had taken it a step further. They didn't grimace every time they entered the room and saw that couch. They said, 'remember how many good memories we had here?' And they sat, for just a little while, before moving elsewhere.

Identity. That's my elephant. The thought came with certainty, without the question mark on the end this time. Not fame, exactly, though recognition was some kind of important cement for it. But what you were was what you did. And I did more, oh yes. If a hunger for identity were translated into, say, a hunger for food, he'd be a more fantastic glutton than Mark ever dreamed of being. Is it irrational, to want to be so much, to want so hard it hurts? And how much, then, was enough?

Kalaj would say, "I've got the eyes of a lynx, the memory of an elephant, the instincts of a wolf ..." "... and the brain of a tapir," would interrupt his nemesis, the Algerian.

For Shanti, every inch of life, every color or shape, bears a unique and pulsing resonance...Elephants don't enjoy those simple Freudian-type luxuries humans take for granted: aphasia, repression, sublimation, omission. Memory for them is an edifice, a fixed and growing thing, enlarging itself brick by brick with every passing hour. It is a burden.

Memory is a landscape watched from the window of a moving train. We watch the dawn light break over the acacia trees, the birds pecking at the morning, as though at a fruit. Further off we see the serenity of a river, and the trees embracing its banks. We see the cattle slowly grazing, a couple running, holding hands, children dancing around a football, the ball shining in the sun (another sun). We see the calm lakes where there are ducks swimming, rivers heavy with water where elephants quench their thirst. These things happen right before our very eyes, we know them to be real, but they’re so far away we can’t touch them. Some are so far, so very far away, and the train moving so fast, that we can’t be sure any longer that they really did happen. Maybe we merely dreamed them?

Yeah, yeah, you have the memory of an elephant. Or you’re so smart that you remember everything, right? WRONG. Not writing down your thoughts, ideas, tasks, etc, is stupid. Why? Because you’re wasting a lot of brain power when you rely on your memory. When you write everything down, you can use your brainpower for other things. Like solving problems. That’s actually useful and advances your career.

We all know the old adage about why an elephant with all its power can be held in place by a small rope and peg. This is because elephants remember when they were babies and did not have the strength to pull the peg out of the ground. In short, elephants remain captive because their memories lie to them. They tell them that their past is their future—that what they experienced before will always be the reality that is before them.

Psychologists say the best way to handle children at this stage of development is not to answer their questions directly but instead to tell them a story. As pediatrician Alan Greene explained, “After conversing with thousands of children, I’ve decided that what they really mean is, ‘That’s interesting to me. Let’s talk about that together. Tell me more, please?’ Questions are a child’s way of expressing love and trust. They are a child’s way of starting a conversation. So instead of simply insisting over and over again that the object of my son’s attention is, in fact, an elephant, I might tell him about how, in India, elephants are symbols of good luck, or about how some say elephants have the best memories of all the animals. I might tell him about the time I saw an elephant spin a basketball on the tip of his trunk, or about how once there was an elephant named Horton who heard a Who. I might tell him that once upon a time, there was an elephant and four blind men; each man felt a different part of the elephant’s body: the ears, the tail, the side, and the tusk . . .

From my chair I had a clear view of Hobie’s Noah’s Ark: paired elephants, zebras, carven beasts marching two by two, clear down to tiny hen and rooster and the bunnies and mice bringing up the rear. And the memory was located there, beyond words, a coded message from that first afternoon: rain streaming down the skylights, the homely file of creatures lined on the kitchen counter waiting to be saved. Noah: the great conservator, the great caretaker. “And—” he’d gotten up to make some coffee—“I

Lou had a memory like an elephant; it took a lot to cause her to hold a grudge, but once she achieved it, it was even harder for her to let go.

I try to dig deep into my memory vault but my memory fault is all I find.

I have a memory like an elephant. I remember every elephant I've ever met.

Amy, she’s got a memory like an elephant, and a body like a meow.

The quality of memory …

Memory is like fiction: or else it' fiction that's like memory.

If birds in flight go unburdened by names, let my memories be free of dates.

She is the Sphinx guarding the city of Thebes. Head of a woman, body of a lioness, wings of an eagle, memory of an elephant, bite of a saltwater crocodile with 2,000 pounds per square inch of pressure, ready to snap my head off.

The pink elephant barged into the room and trumpeted so loud she thought the ceiling might collapse. Memories erupted from its trunk. She snatched them up helplessly, holding them up to the light, studying their colors and pixels of pain.

Elephants command attention. But their size is not what makes the heart skip a beat. It's how they walk with the world's weight on their shoulders, sensitive, noble, their hearts pulsing and as wide open as the great grey leaves that are their ears. MoFos used to say that an elephant never forgets and until this very moment, I hadn't understood what that really meant. An elephant's memories don't reside in organ or skin or bone. They live closer to tree time than we do, and their memories reside in the soul of their species, which dwarfs them in size, is untouchable, and lives on forever to honor every story. They carry stories from generations back, as far as when their ancestors wore fur coats, That is why, when you are close to an elephant, you feel so deeply. If they so choose, they have the ability to hold your sadness so you may safely sit in the lonely seat of loss, still hopeful and full of love. Their great secret is that they know everything is a tide—not a black tide, but the natural breath of life—in and out, in and out, and to be with them is to know this too, And here they were, suddenly lifting the weight of our sadness for us, carrying it in the curl of their trunks. We all sat together in our loss, not dwelling, but remembering. For an elephant never forgets,

Elephant Memories. William Morrow, 1988. Moss, Cynthia J., Harvey Croze, and Phyllis C. Lee, eds. The Amboseli Elephants. University of Chicago Press, 2011. Masson, Jeffrey Moussaieff, and Susan McCarthy. When Elephants Weep. Delacorte Press, 1995. O’Connell, Caitlin. The Elephant’s Secret Sense. Free Press, 2007. Poole, Joyce. Coming of Age with Elephants. Hyperion, 1996. Sheldrick, Daphne. Love, Life, and Elephants. Farrar, Straus & Giroux, 2012. And dozens of academic papers written by researchers who continue to study elephants and elephant society. There

Tisn’t a burial ground for collected dead memories. An ‘elephant factory’ is more like it. There is were you sort through countless memories and bits of knowledge, arrange the sorted chips into complex lines, combine these lines into even more complex bundles, and finally make up a cognitive system

MEMORY IS LIKE FICTION; or else it’s fiction that’s like memory. This really came home to me once I started writing fiction, that memory seemed a kind of fiction, or vice versa. Either way, no matter how hard you try to put everything neatly into shape, the context wanders this way and that, until finally the context isn’t even there anymore.

There are little wisps of jelly in a living brain. Deagle knows this well: neurons, transmitting signals - and the soul, so to speak, is somewhere in those flashes. He heard once on a science program that the spindle cell - present in humans, whales, some apes, elephants - may be at the heart of what we call our "selves." What we recognize in the mirror - that thread we follow through time that we call "me"? It's just a diatom, a paramecium, a bit of ganglia that branches and shudders assertively. A brief brain orgasm, like lightning. In short, it's all chemicals. You can regiment it easily enough: fluoxetine, sertraline, paroxetine, escitalopram, citalopram - the brain can be washed clean, and you can reset yourself, Ctrl+Alt+Del. You don't have to be a prisoner of your memories and emotions.

One of the most amazing things about elephants mourning in the wild is their ability to grieve hard, but then truly, unequivocally, let go. Humans can’t seem to do that. I’ve always thought it’s because of religion. We expect to see our loved ones again in the next life, whatever that might be. Elephants don’t have that hope, only the memories of this life. Maybe that’s why it is easier for them to move on.

I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.” Somehow, I thought, elephants had taken it a step further. They didn’t grimace every time they entered the room and saw that couch. They said, Remember how many good memories we had here? And they sat, for just a little while, before moving

I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.” Somehow, I thought, elephants had taken it a step further. They didn’t grimace every time they entered the room and saw that couch. They said, Remember how many good memories we had here? And they sat, for just a little while, before moving elsewhere.

He shrugged. “I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.” Somehow, I thought, elephants had taken it a step further. They didn’t grimace every time they entered the room and saw that couch. They said, Remember how many good memories we had here? And they sat, for just a little while, before moving elsewhere.

Questions are a child’s way of expressing love and trust. They are a child’s way of starting a conversation. So instead of simply insisting over and over again that the object of my son’s attention is, in fact, an elephant, I might tell him about how, in India, elephants are symbols of good luck, or about how some say elephants have the best memories of all the animals. I might tell him about the time I saw an elephant spin a basketball on the tip of his trunk, or about how once there was an elephant named Horton who heard a Who. I might tell him that once upon a time, there was an elephant and four blind men; each man felt a different part of the elephant’s body: the ears, the tail, the side, and the tusk . . . Sometimes, as I’m doing this, my son will crawl into my lap, put his head on my chest, and just listen to the story, his questions quieted, his body relaxed. And I realize this is all he wanted to begin with—to be near me, to hear the familiar cadence of my voice, to know he’s safe and not alone.

In Memory of My Feelings" My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals. My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.

breath, life after seven decades plus three years is a lot of breathing. seventy three years on this earth is a lot of taking in and giving out, is a life of coming from somewhere and for many a bunch of going nowhere. how do we celebrate a poet who has created music with words for over fifty years, who has showered magic on her people, who has redefined poetry into a black world exactness thereby giving the universe an insight into darkroads? just say she interprets beauty and wants to give life, say she is patient with phoniness and doesn’t mind people calling her gwen or sister. say she sees the genius in our children, is visionary about possibilities, sees as clearly as ray charles and stevie wonder, hears like determined elephants looking for food. say that her touch is fine wood, her memory is like an african roadmap detailing adventure and clarity, yet returning to chicago’s south evans to record the journey. say her voice is majestic and magnetic as she speaks in poetry, rhythms, song and spirited trumpets, say she is dark skinned, melanin rich, small-boned, hurricane-willed, with a mind like a tornado redefining the landscape. life after seven decades plus three years is a lot of breathing. gwendolyn, gwen, sister g has not disappointed our expectations. in the middle of her eldership she brings us vigorous language, memory, illumination. she brings breath. (Quality: Gwendolyn Brooks at 73)

I am ninety. Or ninety-three. One or the other. When you are five, you know your age down to the month. Even in your twenties, you know how old you are. I'm twenty-three you say, or maybe twenty-seven. But then in your thirties, something strange starts to happen. It is a mere hiccup at first, an instant of hesitation. How old are you? Oh, I'm--you start confidently, but then you stop. You were going to say thirty-three, but you are not. You're thirty-five. And then you're bothered, because you wonder if this is the beginning of the end. It is, of course, but it's decades before you admit it. You start to forget words: they're on the tip of your tongue, but instead of eventually dislodging, they stay there. You go upstairs to fetch something, and by the time you get there you can't remember what it was you were after. You call your child by the names of all your other children and finally the dog before you get to his. Sometimes you forget what day it is. And finally you forget the year. Actually, it's not so much that I've forgotten. It's more like I've stopped keeping track. We're past the millennium, that much I know - such a fuss and bother over nothing, all those young folks clucking with worry and buying canned food because somebody was too lazy to leave space for four digits instead of two - but that could have been last month or three years ago. And besides, what does it really matter? What's the difference between three weeks or three years or even three decades of mushy peas, tapioca, and Depends undergarments? I am ninety. Or ninety-three. One or the other.

Reade drew a deep breath. He said with resignation, "All right. I'll try to explain. But it's rather difficult. You see, I've devoted my life to the problem of why certain men see visions. Men like Blake and Boehme and Thomas Traherne. A psychologist once suggested that it's a chemical in the bloodstream—the same sort of thing that makes a dipsomaniac see pink elephants. Now obviously, I can't accept this view. But I've spent a certain amount of time studying the action of drugs, and taken some of them myself. And it's become clear to me that what we call 'ordinary consciousness' is simply a special, limited case. . . But this is obvious after a single glass of whiskey. It causes a change in consciousness, a kind of deepening. In ordinary consciousness, we're mainly aware of the world around us and its problems. This is awfully difficult to explain. . ." Fisher said, "You're being very clear so far. Please go on." "Perhaps an analogy will help. In our ordinary state of consciousness, we look out from behind our eyes as a motorist looks from behind the windscreen of a car. The car is very small, and the world out there is very big. Now if I take a few glasses of whiskey, the world out there hasn't really changed, but the car seems to have grown bigger. When I look inside myself, there seem to be far greater spaces than I'm normally aware of. And if I take certain drugs, the car becomes vast, as vast as a cathedral. There are great, empty spaces. . . No, not empty. They're full of all kinds of things—of memories of my past life and millions of things I never thought I'd noticed. Do you see my point? Man deliberately limits his consciousness. It would frighten him if he were aware of these vast spaces of consciousness all the time. He stays sane by living in a narrow little consciousness that seems to be limited by the outside world. Because these spaces aren't just inhabited by memories. There seem to be strange, alien things, other minds. . ." As he said this, he saw Violet de Merville shudder. He said, laughing, "I'm not trying to be alarming. There's nothing fundamentally horrible about these spaces. One day we shall conquer them, as we shall conquer outer space. They're like a great jungle, full of wild creatures. We build a high wall around us for safety, but that doesn't mean we're afraid of the jungle. One day we shall build cities and streets in its spaces.

I believe Nancy said that her aunt married beneath her.” Which you wouldn’t let me do. He went rigid beside her. “Ah. That does happen.” Unless you’re Dom the Almighty. “The marriage seems to have turned out well enough.” Jane would goad him into revealing the truth of what he’d done, no matter what it took. “Nancy said Mrs. Patch misses her late husband dreadfully and refuses to decamp from York, though she could easily live with my uncle. Apparently, she doesn’t miss her life as a knight’s daughter.” “Oh? And exactly how far beneath herself she marry?” Jane colored as she dredged that little detail from her memory. “Her late husband was an architect, I believe.” “So, not a gentleman of leisure but still in a profession respectable enough that Nancy felt no compunction about visiting her.” He smirked as he navigated the phaeton expertly through the narrow streets of York. “There are levels of marrying beneath one, after all.” Oh, she could just smack his face for that. After all these years, that he could still be so certain of the wisdom of the course he’d set them upon…”Yes, just as there are levels of being in love. Some people’s love for each other transcends all obstacles. Some people’s love does not.” His smug expression vanished. “And some people do not understand the meaning of the word.” “Really? I thought love was about enduring any sacrifice to be with the object of one’s affection.” He drove through an archway and reined in the horses. “Here we are. The Elephant and Castle.” So he was avoiding the subject. Again.

The King who owned this island,” said Caspian slowly, and his face flushed as he spoke, “would soon be the richest of all Kings of the world. I claim this land forever as a Narnian possession. It shall be called Goldwater Island. And I bind all of you to secrecy. No one must know of this. Not even Drinian--on pain of death, do you hear?” “Who are you talking to?” said Edmund. “I’m no subject of yours. If anything it’s the other way round. I am one of the four ancient sovereigns of Narnia and you are under allegiance to the High King my brother.” “So it has come to that, King Edmund, has it?” said Caspian, laying his hand on his sword-hilt. “Oh, stop it, both of you,” said Lucy. “That’s the worst of doing anything with boys. You’re all such swaggering, bullying idiots--oooh!--” Her voice died away into a gasp. And everyone else saw what she had seen. Across the gray hillside above them--gray, for the heather was not yet in bloom--without noise, and without looking at them, and shining as if he were in bright sunlight though the sun had in fact gone in, passed with slow pace the hugest lion that human eyes have ever seen. In describing the scene Lucy said afterward, “He was the size of an elephant,” though at another time she only said, “The size of a cart-horse.” But it was not the size that mattered. Nobody dared to ask what it was. They knew it was Aslan. And nobody ever saw how or where he went. They looked at one another like people waking from sleep. “What were we talking about?” said Caspian. “Have I been making rather an ass of myself?” “Sire,” said Reepicheep, “this is a place with a curse on it. Let us get back on board at once. And if I might have the honor of naming this island, I should call it Deathwater.” “That strikes me as a very good name, Reep,” said Caspian, “though now that I come to think of it, I don’t know why. But the weather seems to be settling and I dare say Drinian would like to be off. What a lot we shall have to tell him.” But in fact they had not much to tell for the memory of the last hour had all become confused.

Shake Me Down" Shake me down, Not a lot of people left around, Who knows now, Softly laying on the ground, ooooh Not a lot people left around, ooooh. ooooh In my life, I have seen, People walk into the sea, Just to find memories, Plagued by constant misery, Their eyes cast down, Fixed upon the ground, Their eyes cast down I'll keep my eyes fixed on the sun Shake me down, Cut my hair on a silver cloud, Broken sound, Softly laying on the ground, ooooh Not a lot people left around, ooooh, ooooh In my past, bittersweet, There's no love between the sheets, Taste the blood, broken dreams, Lonely times indeed, With eyes cast down, Fixed upon the ground, Eyes cast down I'll keep my eyes fixed on the sun Turn back now its time for me to let go, Way down had to find a place to lay low, Lampshade turned around into a light post Walk around the corner, Never saw it coming still, I try to make a move, It almost stopped me from belief, I don't wanna know the future, But I'm like rolling thunder, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, Even on a cloudy day, I'll keep my eyes fixed on the- I'll keep my eyes fixed on the- I'll keep my eyes fixed on the sun Shake me down, Not a lot of people left around, ooooh, ooooh

Steel not only had an elephant’s memory, he had the ears to go along with it:

SAFARI tents remain zipped, hotel pools are empty, game guides idle among lions and elephants. Tour operators across Africa are reporting the biggest drop in business in living memory. A specialist travel agency, SafariBookings.com, says a survey of 500 operators in September showed a fall in bookings of between 20% and 70%. Since then the trend has accelerated, especially in Botswana, Kenya, South Africa and Tanzania. Several American and European agents have stopped offering African tours for the time being. The reason is the outbreak of the Ebola virus in west Africa, which has killed more than 5,000 people. The epidemic is taking place far from the big safari destinations in eastern and southern Africa—as far or farther than the

What is "male privilege," and why is it important to name the elephant in the living room? My friend Patricia Monaghan (of blessed memory) describes it this way: "For those who have male privilege, it's like a person wearing strong perfume. Rarely can the wearer smell it, but those around begin to leave the room.

I will either watch over this life from somewhere in the sky, or I will melt into the earth and know nothing but dreamless sleep. No matter what it is, I am ready.

The earth we walk upon has no memory of us; its only concern is the constancy of day into night, season after season, and the memory of any one of us is soon gone from the earth forever.

Entscheide dich für mich und meine erloschenen Geschichten.

This millennial generation of elephants is an orphan generation. In the last few decades, humans have murdered, mutilated, or displaced an entire generation of older elephants who might have bestowed upon this generation the familial, societal, and emotional skills required to handle one’s individual fifteen thousand pounds of muscle and bone, through which courses intolerable memories of pain, trauma, and grief.

I was born happy but when anything that is large, alive, and wild gets hurt and confused, I feel so sad, and I notice that I wish I could nurse big scared things. And it is worth mentioning that “big scared thing” is one way to describe how my heart often feels. My heart can feel like an elephant who is feeling dread and has an exceptional memory and naturally possesses something valuable that might be hunted, poached, wasted.

But there will always be something thrilling, or amusing, or surprising, something that will touch your heart or soul, make a perfect memory or photograph.

Our soul is a lot like the African elephant’s memory. Our soul intuitively remembers where it has buried the richest part of our life’s story even in the future chapters that haven’t been written yet by the light of our awareness. The soul knows. It remembers. It never forgets. The process of remembering becomes a lesson for us in the power of surrendering our limited perspective that only see what’s in front of us, and what we think may be waiting for us in some future moment. However, our soul sees deep into the distance of some future horizon of a time period that is waiting on the gift of time to mature to its fullness, to blossom on its own – outside of our own expectations and envisioned dreams because it is all part of our life’s predetermined story; a script carved in infinite time. That process of remembering becomes a lesson in the divine gift of believing, believing that the next moment is there waiting on us because our soul has already visited this path before, yet the lesson in it for us is that any future moment remains always just out of our reach, as we entrust our soul’s strength of memory to guide us on blind faith and firm footing to where our story needs to go to encourage our highest learning potential. We will thus forever be known by the tracks that we refollow when we follow the memory of our soul’s original path left on the dust of time. A lesson inspired by the mighty African elephant in what it means to surrender to life...

And if I say that when I see myself in the window of the bus I resemble an elephant I don’t mean that unlovingly. Just that I look surprisingly human with my long face and my memories.

My family says I’ve got the memory of an elephant,” I say, walking into the bright and airy coffee shop. Mason pulls out a chair for me at the table beside the large bay window. “Then, I am absolutely sorry for everything I did, ahead of time.

many sociopaths, Gichinga was extremely adept at mimicking real emotions when he needed to, and now he employed that gift in the most important performance of his life.

MoFos used to say that an elephant never forgets and until this very moment, I hadn’t understood what that really meant. An elephant’s memories don’t reside in organ or skin or bone. They live closer to tree time than we do, and their memories reside in the soul of their species, which dwarfs them in size, is untouchable, and lives on forever to honor every story. They carry stories from generations back, as far as when their ancestors wore fur coats. That is why, when you are close to an elephant, you feel so deeply.

Crows have amazing memories. They can distinguish between human faces, too. They're like elephants. They never forget.

The things she left behind matter. Her memory matters.

I wanted to be like normal people so much that I tricked myself into thinking that what I didn't talk about never happened.

I remembered the second most important rule of life, but I should have paid more heed; when things are going well, embrace the days, because they never last for long. The dark wind is always waiting over the horizon, and it can come racing down the plains at any moment.

In almost every life there is a moment where a choice is made that changes everything from that point on; the road not taken, the courage to speak up or remain silent in a face of a bully, the carrier chosen or abandoned, the decision and its effects are only apparent with time. And there is no way to go back and change it for better or worse, a life's course is set from that moment on.

I met her near the end of September. It had been raining that day from morning to night–the kind of soft, monotonous, misty rain that often falls at that time of year, washing away bit by bit the memories of summer burned into the earth. Coursing down the gutters, all those memories flowed into the sewers and rivers, to be carried to the deep, dark ocean.

grief is cataclysmic. It lessens with time but never goes away; the parents must learn to live with broken hearts for the rest of their lives.

Love sounds like an elephant weighs. I know, because I’ve seen it with my own two nostrils. I’ve grown fat on the scent of Helen Keller’s memory.

The memory of being that intimate with somebody. We were so intimate I could puke. I can't imagine ever being that intimate with somebody else.

Sir Richard Branson Sir Richard Branson is the founder and chairman of the Virgin Group of companies. An immensely successful entrepreneur, philanthropist, and television star, Sir Richard was knighted by Queen Elizabeth II in 1999. In 2002, Sir Richard was voted one of the “100 Greatest Britons” in a poll sponsored by the BBC. Eighteen years later, my daughter Holly was enjoying Prince William’s twenty-first birthday party at “Grandma’s house.” A giant elephant had been constructed out of ice, and “shots” were being poured down its trunk and young ladies were drinking from it. Holly found herself kneeling with her mouth around it, glancing upward to see the Queen looking down at her disapprovingly. If Diana had still been alive, she would have laughed until she cried.

Chunking When I was young, I was told to read word by word very carefully. While this was useful for the early stages of learning, it is counterproductive later in life. The ultimate purpose of speed reading isn’t actually to read fast: it is to form images of what you read. In essence, it is really reading in images. Let’s take a sentence: The big fat cat jumped over the large spiky fence. Reading this word by word, our brain processes ten words. Hypothetically, if every word took us one second to read, the above sentence would take ten seconds to read. Now let’s break the sentence into chunks. (The big fat cat) (jumped over) (the large spiky fence) In this instance, we have ‘chunked’ the words into three (bracketed) images. If it took you one second to read each ‘chunk’ or image, the sentence could now be read in three seconds. This is more than three times faster than reading word by word! And you still read every word. In order to apply chunking, we apply it to a minimum set of words. To begin with, start by taking three words at a time. How to chunk:   1. Place your reading guide in the middle of the three words (i.e. beneath the second word). 2. Instead of reading each word, look at them as a group and visualise an image for them.  

with her hormones and possibly even with

For attempting to have sexual relations with an elephant, Tram Chung Song, who had said in his defence that the elephant had suddenly seemed to him like a reincarnation of his wife, was taken at his word by the judges and sentenced to seventeen years' imprisonment - the usual sentence for marital rape. The subject who takes himself for what he is is mad. But if he senses that he is not really what he is, then he can use that identification as a mask. This is the way it is with truth too: if you claim to possess it, you are mad. But if you know it doesn't exist, then you can make use of all the signs of truth.

When a poacher kills an elephant, he doesn’t just kill the elephant who dies. The family may lose the crucial memory of their elder matriarch, who knew where to travel during the very toughest years of drought to reach the food and water that would allow them to continue living. Thus one bullet may, years later, bring more deaths.

Elephants also have the necessary neural anatomy for long-term memories—their brains have especially large and complex frontal lobes, which are important for storing and retrieving memories of scent, touch, smell, and sound. There’s little doubt that elephants have prodigious memories.

Even the most absent minded Soldier will develope a memory like a elephant when mistreated.

Navarre made it clear that Marie-Madeleine Fourcade had his full confidence and that Boutron must accept her authority. She was, the chief added, “the pivot around which everything turns. She is the most valuable of us all.” He described her in glowing terms, saying she had “the memory of an elephant, the cleverness of a fox, the guile of a serpent, the perseverance of a mole, and the fierceness of a panther.

In particular, we won’t be able to judge anyone by their possessions, nor will anyone be able to judge us. No one will comment on our clothes anymore or notice if we stop washing our cars.15 It will render all our purchases completely inconspicuous. And, for what it’s worth, we’ll be completely aware of these changes; we will fully understand the effect the alien had on our species. Let’s call this Obliviation. (Not to be confused with the Harry Potter spell of the same name, which causes memory erasure.) Here’s the big question: How does Obliviation change our behavior as consumers?

E – Exaggeration: what is easier to remember: a strawberry that is normal size or one the size of a house? Make your images larger or smaller than life. What is more memorable: an elephant or an elephant wearing a pink bikini? Exaggerate with Humor; tickle your mind. There is no scientific evidence to prove that learning should be serious. Make your images illogical. Have fun; create some positive exaggerated learning memories.

They were tunneling rapidly, unaware that the future would burn them away from the memory of this place. The gardener still made the mazes, the children still ran, the elephants still wore sad eyes and we were forever in that golden light.

Like a school of fish or a pride of lions or a murder of crows, a group of elephants is called a “memory.” A memory of elephants.

When a poacher kills an elephant, he doesn’t just kill the elephant who dies. The family may lose the crucial memory of their elder matriarch, who knew where to travel during the very toughest years of drought to reach the food and water that would allow them to continue living. Thus one bullet may, years later, bring more deaths. Watching dolphins while thinking of elephants, what I realized is: when others recognize and depend on certain individuals, when a death makes the difference for individuals who survive, when relationships define us, we have traveled across a certain blurry boundary in the history of life on Earth—“it” has become “who.

What is the real issue then, according to you?' Scholscher was on the point of replying that men needed another company than their own kind, that they craved it desperately, like an almost physical presence, and that nothing on earth seemed big enough to satisfy that urge, those roots of heaven, as Islam called them, which were forever gripping and torturing man's heart, but he felt that this sort of talk, and indeed of thinking, ill became the Army uniform he was wearing. The feeling dated probably from the time when, as a young cadet at Saint-Cyr, the thin stripe of a sub-lieutenant had been all the horizon to which he aspired. He smiled faintly at the memory of his youth. For a long time the Army uniform had remained for him the very symbol of what he had most fervently desired from the first metaphysical stirrings of adolescence: fidelity to a rule. This forbade certain attitudes, certain states of mind. So he kept his reflections to himself — all the more so since, these last years, he felt less and less need to exchange ideas with other men, because essentially they no longer came to him as questions, but as certainties. He had thus nothing left but minor curiosities. Sucking at his pipe, he gave the Dutchman a very friendly glance. 'What is the issue, according to you, if it isn't elephants?' Haas repeated, in a slightly menacing tone. 'Loneliness, I suppose,' said Scholscher vaguely.

There is no amount of deceit that can erase memory in the bones. We have never forgotten. Change is coming, and memory always prevails My dear, be free to choose your own way, but try your best to really understand where it is you're going.

Like her, all they knew, because all they'd been trained, was how well to suffer. And perhaps be rewarded by the consolation ot endurance. How does anyone begin to free themselves from the cycle of that type of conflict? Such struggle assumes an enemy one cannot punch or kick or kill. One that ravages memory and future alike. One no amount of apologies could satisfy. Conflict one lives with and tries, mightily, to live better than it demands.

She didn't smile often but pursed her lips, seeming to almost protect herself from even the curl of a smirk. His memory felt her warmth but visualized the heat as an alertness, eyes watching, darting questioning, on guard for something a young Charlie hadn't endured enough yet to see. The truth of her fears revealed themselves in the way she gripped his arm when they crossed a street, in the hard honesty that would not allow him to be naive, in even the way she stuck kisses on his forehead that felt like punctuations. His recollection of childhood was blushed red with love, but understood that red as more a terror in focus. She feared everything because everything seemed coiled up to injure her son while in the simple activity of living life. Feared like he just dangled out there, naked, blind, and alone, prey to something he couldn't stop no matter how hard he tried.

I've always thought of it like a sky full of elephants," Herald said absently, as though he weren't speaking to Charlie but to different versions of himself. "It's up there, been up there, heavy too. All wisdom and memory… sorrow. A weight so heavy it would damn us all if it came down. But you can't see it 'til you see it. No matter how many times I tell you they're up there, you can't see 'em until you see 'em.

Because history didn't start with slavery, and stealing us here cut us off from twenty-five thousand years of memory.

He wondered what lay in the far distance where he had never gone. The land didn’t end beyond those nearby communities. Were there hills Elsewhere? Were there vast wind-torn areas like the place he had seen in memory, the place where the elephant died?