Elephant Hope Quotes

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In the wild, an elephant mother and daughter stay in close proximity their whole lives; I hope I am that lucky.
Jodi Picoult (Leaving Time)
All he knew was that you couldn't hope to try for the big stuff, like world peace and happiness, but you might just about be able to achieve some tiny deed that'd make the world, in a small way, a better place. Like shooting someone.
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
One of the most amazing things about elephants mourning in the wild is their ability to grieve hard, but then truly, unequivocally, let go. Humans can't seem to do that. I've always thought it's because of religion. We expect to see our loved ones again in the next life, whatever that might be. Elephants don't have that hope, only the memories of this life. Maybe that's why it is easier for them to move on.
Jodi Picoult (Leaving Time)
Never ignore the elephant in the room. That’s rude; play with it and introduce it.
Donna Lynn Hope
I looked down at the brochure nearest me."We're going to Nigeria," I threatened. "I hope you like elephant polo." -Liberty Jones
Lisa Kleypas (Sugar Daddy (Travises, #1))
Men have nothing in common with me--there is no point of contact; they have foolish little feelings and foolish little vanities and impertinences and ambitions; their foolish little life is but a laugh, a sigh, and extinction; and they have no sense. Only the Moral Sense. I will show you what I mean. Here is a red spider, not so big as a pin's head. Can you imagine an elephant being interested in him-- caring whether he is happy or isn't, or whether he is wealthy or poor, whether his sweetheart returns his love or not, whether his mother is sick or well, whether he is looked up to in society or not, whether his enemies will smite him or his friends desert him, whether his hopes will suffer blight or his political ambitions fail, whether he shall die in the bosom of his family or neglected and despised in a foreign land? These things can never be important to the elephant; they are nothing to him; he cannot shrink his sympathies to the microscopic size of them. Man is to me as the red spider is to the elephant. The elephant has nothing against the spider--he cannot get down to that remote level; I have nothing against man. The elephant is indifferent; I am indifferent.
Mark Twain (The Mysterious Stranger)
poetry readings have to be some of the saddest damned things ever, the gathering of the clansmen and clanladies, week after week, month after month, year after year, getting old together, reading on to tiny gatherings, still hoping their genius will be discovered, making tapes together, discs together, sweating for applause they read basically to and for each other, they can't find a New York publisher or one within miles, but they read on and on in the poetry holes of America, never daunted, never considering the possibility that their talent might be thin, almost invisible, they read on and on before their mothers, their sisters, their husbands, their wives, their friends, the other poets and the handful of idiots who have wandered in from nowhere. I am ashamed for them, I am ashamed that they have to bolster each other, I am ashamed for their lisping egos, their lack of guts. if these are our creators, please, please give me something else: a drunken plumber at a bowling alley, a prelim boy in a four rounder, a jock guiding his horse through along the rail, a bartender on last call, a waitress pouring me a coffee, a drunk sleeping in a deserted doorway, a dog munching a dry bone, an elephant's fart in a circus tent, a 6 p.m. freeway crush, the mailman telling a dirty joke anything anything but these.
Charles Bukowski
Making wishes on the elephant is emotionally dangerous, because inevitably one's hopes rise abnormally high, unhealthily high, and when the wish does not come true, one's high hopes get crushed more painfully than if one had not asked for the help of supernatural powers. Therefore, one should always try to make the wish casually and forget about it instantly after making it, which is what I try to do now.
Amanda Filipacchi (Nude Men)
Perhaps people felt there was nothing more they could do, you know? After all, how can someone be helped who doesn’t see the need? A Christian counselor I saw for a while described such situations as, “a White Elephant everyone can see but no one wants to deal with; everyone hopes the problem will just go away on its own.” Just like with my mom. Back then it seemed women were almost expected to go a little loopy sometimes. After all we’re the ones with raging hormones that get out of whack – by our periods, PMS or pregnancy and childbirth – and cause craziness and bizarre behavior. And because of those uncontrollable hormones, women are also more emotional and predisposed to depression. These are things my mom was actually told by her parents, her family, her husbands and friends... even her doctor. Eventually, she made herself believe that her erratic behavior stemmed from PMS, not mania or alcohol.
Chynna T. Laird (White Elephants)
that was the only way of keeping our hopes alive, by looking beyond all we were seeing around us, and the shadow of disaster that hung over us.
Michael Morpurgo (An Elephant in the Garden)
Fortune favours the brave, sir," said Carrot cheerfully. "Good. Good. Pleased to hear it, captain. What is her position vis a vis heavily armed, well prepared and excessively manned armies?" "Oh, no–one's ever heard of Fortune favouring them, sir." "According to General Tacticus, it's because they favour themselves," said Vimes. He opened the battered book. Bits of paper and string indicated his many bookmarks. "In fact, men, the general has this to say about ensuring against defeat when outnumbered, out–weaponed and outpositioned. It is..." he turned the page, "'Don't Have a Battle.'" "Sounds like a clever man," said Jenkins. He pointed to the yellow horizon. "See all that stuff in the air?" he said. "What do you think that is?" "Mist?" said Vimes. "Hah, yes. Klatchian mist! It's a sandstorm! The sand blows about all the time. Vicious stuff. If you want to sharpen your sword, just hold it up in the air." "Oh." "And it's just as well because otherwise you'd see Mount Gebra. And below it is what they call the Fist of Gebra. It's a town but there's a bloody great fort, walls thirty feet thick. 's like a big city all by itself. 's got room inside for thousands of armed men, war elephants, battle camels, everything. And if you saw that, you'd want me to turn round right now. Whats your famous general got to say about it, eh?" "I think I saw something..." said Vimes. He flicked to another page. "Ah, yes, he says, 'After the first battle of Sto Lat, I formulated a policy which has stood me in good stead in other battles. It is this: if the enemy has an impregnable stronghold, see he stays there.'" "That's a lot of help," said Jenkins. Vimes slipped the book into a pocket. "So, Constable Visit, there's a god on our side, is there?" "Certainly, sir." "But probably also a god on their side as well?" "Very likely, sir. There's a god on every side." "Let's hope they balance out, then.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
The most dangerous predator in Africa, I’ve come to realise, is not the lion. Nor can the hippo, the buffalo or the elephant hope to compete. The most dangerous animal by far is man. Hwange
Sharon Pincott (Elephant Dawn: The Inspirational Story of Thirteen Years Living with Elephants in the African Wilderness)
It’s okay to tell the elephants to leave. It might take a long time—it is certainly a process—but i think you’ll find that it’s a better way to live.
And don’t worry, you don’t have to go alone. You were never meant to.
Jamie Tworkowski (If You Feel Too Much: Thoughts on Things Found and Lost and Hoped For)
I always hoped I would find someone and we would fall in love. But I didn’t think I had much to offer, especially in those first few moments where you make an impression or you slink back across the room. I came to believe I was just a fat guy with bad teeth, and I pretty much quit trying. The only reason my heart didn’t get broken is because I rarely took it out of the box.
Tommy Tomlinson (The Elephant in the Room: One Fat Man's Quest to Get Smaller in a Growing America)
My son, I want you to be shrewd, careful, and to guard your party affiliation carefully beneath the shadow of the cross. Donkeys and elephants be hanged. Because that’s the only allegiance that offers a roadmap out of the mire of the political mess we’ve made.
Jasmine L. Holmes (Mother to Son: Letters to a Black Boy on Identity and Hope)
What do you see?” asked Ned, his voice hushed. “I see…I see…an elephant.” “Elephant,” Lord Blakely repeated, as he transcribed her words. “I hope that isn’t the extent of your prediction. Unless, Ned, you plan to marry into the genus Loxodonta.” Ned blinked. “Loxo-wha?” “Comprised, among others, of pachyderms.
Courtney Milan (Proof by Seduction (Carhart, #1))
It is a common folk theory of progressives that ‘the facts will set you free.’ If only you can get all the facts out there in the public eye, then every rational person will reach the right conclusion. It is a vain hope. Human brains just don’t work that way. Framing matters. Frames once entrenched are hard to dispel.
George Lakoff (Don't Think of an Elephant! Know Your Values and Frame the Debate: The Essential Guide for Progressives)
Elephants command attention. But their size is not what makes the heart skip a beat. It's how they walk with the world's weight on their shoulders, sensitive, noble, their hearts pulsing and as wide open as the great grey leaves that are their ears. MoFos used to say that an elephant never forgets and until this very moment, I hadn't understood what that really meant. An elephant's memories don't reside in organ or skin or bone. They live closer to tree time than we do, and their memories reside in the soul of their species, which dwarfs them in size, is untouchable, and lives on forever to honor every story. They carry stories from generations back, as far as when their ancestors wore fur coats, That is why, when you are close to an elephant, you feel so deeply. If they so choose, they have the ability to hold your sadness so you may safely sit in the lonely seat of loss, still hopeful and full of love. Their great secret is that they know everything is a tide—not a black tide, but the natural breath of life—in and out, in and out, and to be with them is to know this too, And here they were, suddenly lifting the weight of our sadness for us, carrying it in the curl of their trunks. We all sat together in our loss, not dwelling, but remembering. For an elephant never forgets,
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
Wayfarer Wayfarer, Your whole mind and body have been tied To the foot of the Divine Elephant With a thousand golden chains. Now, begin to rain intelligence and compassion Upon all your tender, wounded cells And realize the profound absurdity Of thinking That you can ever go Anywhere Or do Anything Without God’s will.
Hafez (I Heard God Laughing: Poems of Hope and Joy)
The Mad Gardener's Song He thought he saw an Elephant, That practised on a fife: He looked again, and found it was A letter from his wife. 'At length I realise,' he said, 'The bitterness of Life!' He thought he saw a Buffalo Upon the chimney-piece: He looked again, and found it was His Sister's Husband's Niece. 'Unless you leave this house,' he said, 'I'll send for the Police!' He thought he saw a Rattlesnake That questioned him in Greek: He looked again, and found it was The Middle of Next Week. 'The one thing I regret,' he said, 'Is that it cannot speak!' He thought he saw a Banker's Clerk Descending from the bus: He looked again, and found it was A Hippopotamus. 'If this should stay to dine,' he said, 'There won't be much for us!' He thought he saw a Kangaroo That worked a coffee-mill: He looked again, and found it was A Vegetable-Pill. 'Were I to swallow this,' he said, 'I should be very ill!' He thought he saw a Coach-and-Four That stood beside his bed: He looked again, and found it was A Bear without a Head. 'Poor thing,' he said, 'poor silly thing! It's waiting to be fed!' He thought he saw an Albatross That fluttered round the lamp: He looked again, and found it was A Penny-Postage Stamp. 'You'd best be getting home,' he said: 'The nights are very damp!' He thought he saw a Garden-Door That opened with a key: He looked again, and found it was A Double Rule of Three: 'And all its mystery,' he said, 'Is clear as day to me!' He thought he saw a Argument That proved he was the Pope: He looked again, and found it was A Bar of Mottled Soap. 'A fact so dread,' he faintly said, 'Extinguishes all hope!
Lewis Carroll (Sylvie and Bruno)
Our city, these streets, I don’t know why it makes me so depressed. That old familiar gloom that befalls the city dweller, regular as due dates, cloudy as mental Jell-O. The dirty façades, the nameless crowds, the unremitting noise, the packed rush-hour trains, the gray skies, the billboards on every square centimeter of available space, the hopes and resignation, irritation and excitement. And everywhere, infinite options, infinite possibilities. An infinity, and at the same time, zero. We try to scoop it all up in our hands, and what we get is a handful of zero. That’s the city. That’s when I remember what that Chinese girl said. This was never any place I was meant to be.
Haruki Murakami (The Elephant Vanishes)
In giving rise to man, the evolutionary process has, apparently for the first and only time in the history of the Cosmos, become conscious of itself. So, the Devil's Chaplain might conclude, Stand tall, Bipedal Ape. The shark may outswim you, the cheetah outrun you, the swift outfly you, the capuchin outclimb you, the elephant outpower you, the redwood outlast you. But you have the biggest gifts of all: the gift of understanding the ruthlessly cruel process that gave us all existence; the gift of revulsion against its implications; the gift of foresight — something utterly foreign to the blundering short-term ways of natural selection — and the gift of internalizing the very cosmos.
Richard Dawkins (A Devil's Chaplain: Reflections on Hope, Lies, Science, and Love)
When I contacted her about my research, Dr. Dalmau's colleague Dr. Rita Balice-Gorodn brought up the old Indian proverb, often used by neuroscientists studying the brain, about six blind men trying to identify an elephant, offering it as a way of understanding how much more we have to learn about the disease. Each man grabs hold of a different part of the animal and tries to identify the unnamed object. One man touches the tail and says, "rope"; one touches a leg and says, "pillar"; one feels a trunk and says, "tree"; one feels an ear and says, "fan"; one feels the belly and says, "wall"; the last one feels the tusk and is certain it's a "pipe." (The tale has been told so many times that the outcomes differ widely. In a Buddhist iteration, the mean are told they are all correct and rejoice; in another, the men break out in violence when they can't agree.) Dr. Balice-Gordon has a hopeful interpretation of the analogy: "We're sort of approaching the elephant from the front end and from the back end in the hopes of touching in the middle. We're hoping to paint a detailed enough landscape of the elephant.
Susannah Cahalan (Brain on Fire: My Month of Madness)
Oh my God, Greg, you’re so weird. I love that about you, that you’re so weird.” Remember what I said before? About how girls like Madison are like elephants wandering around in the undergrowth, sometimes accidentally stomping chipmunks to death and not even noticing? This is what I was talking about. Because, honestly, the rational part of me knew for a rock-solid fact that I would never, ever get with Madison Hartner. But that was just the rational part of me. There’s always a stupid irrational part of you, too, and you can’t get rid of it. You can never completely kill off that tiny absurd spark of hope that this girl—against all odds, although she could date any guy at school, not to mention guys at college, and even though you look like the Oatmeal Monster and are a compulsive eater and suffer from constant congestion and say so many stupid things per day that it seems like a Stupid Things company is paying you to do it—this girl might like you. And so when that girl says, “You’re so weird, I love that about you,” it might feel good, it might actually feel amazing, but that’s just the weird chemical process that happens in your brain as you are being stomped to death by an elephant.
Jesse Andrews (Me and Earl and the Dying Girl)
One of the most amazing things about elephants mourning in the wild is their ability to grieve hard, but then truly, unequivocally, let go. Humans can’t seem to do that. I’ve always thought it’s because of religion. We expect to see our loved ones again in the next life, whatever that might be. Elephants don’t have that hope, only the memories of this life. Maybe that’s why it is easier for them to move on.
Jodi Picoult (Leaving Time)
Dear Miss Hummingbird,
 The leaves are turning green now, but not with envy. But they should be envious, because I, Jarod Ora Kintz, son of a thousand question marks, now have what every unemployed American most covets: a cat. Oh, and I’ve also got a new job. Almost forgot to mention it. “What will you be doing?” you may be wondering, and “Is it legal?” Those answers, as you can imagine, are gray. But so are elephants. Gray, I mean. Elephants are gray, not illegal, even though a certain political party in this country that’s represented by an elephant mascot certainly does things that to the normal citizen would be considered illegal. But I digress.
 Turns out that right under “Mayor of Orafouraville” on my resume, I can now add “Concierge at the Five-Star Hotel.” Concierge is just a fancy term that means something similar in Latin, I’m sure.
 My job will be to arrange activities for hotel guests for everything from opera tickets to dinner reservations to even organizing the burial of a loved one—though not if the disposal of the body is to be kept secret because a murder has occurred. Murder is such a ghastly (and ghostly) way to spoil dinner reservations for two, wouldn’t you agree? Or, rather, wouldn’t you not disagree?
 This job will allow me to meet interesting people from all over the planet, and possibly even other planets (like Pluto, if that’s still even a planet).
 It’s a full-time job, at least part of the time (40 hours per week out of a possible 168 hours). I’ll be expected to wear a shirt and tie. And, of course, pants—but that goes without saying. What also goes without saying are guests, but I hope some at least say goodbye before they go. 

Jarod Kintz (This Book Has No Title)
To keep a man a slave you do much the same as the cruel circus masters did to the elephant around the turn of last century. Clamp heavy chains around their legs and stake them to the ground. Then beat and terrorize them. After a while you no longer even have to stake the chain; the elephant gives up and just the mere rattle of the chain convinces the elephant there is no hope, so they give up and do whatever it is the circus requires.
Glenn Beck
And what effect might all this have had on life beneath the seas? Well, little, we hope, but we actually have no idea. We are astoundingly, sumptuously, radiantly ignorant of life beneath the seas. Even the most substantial ocean creatures are often remarkably little known to us—including the most mighty of them all, the great blue whale, a creature of such leviathan proportions that (to quote David Attenborough) its “tongue weighs as much as an elephant, its heart is the size of a car and some of its blood vessels are so wide that you could swim down them.” It is the most gargantuan beast that Earth has yet produced, bigger even than the most cumbrous dinosaurs.
Bill Bryson (A Short History of Nearly Everything)
I expect you’ve seen the footage: elephants, finding the bones of one of their own kind dropped by the wayside, picked clean by scavengers and the sun, then untidily left there, decide to do something about it. But what, exactly? They can’t, of course, reassemble the old elephant magnificence; they can’t even make a tidier heap. But they can hook up bones with their trunks and chuck them this way and that way. So they do. And their scattering has an air of deliberate ritual, ancient and necessary. Their great size, too, makes them the very embodiment of grief, while the play of their trunks lends sprezzatura. Elephants puzzling out the anagram of their own anatomy, elephants at their abstracted lamentations – may their spirit guide me as I place my own sad thoughts in new, hopeful arrangements. – A Scattering, Christopher Reid
Dolly Alderton (Good Material)
speed in which he shifts nearly stops my heart. One moment I’m talking to him, the next a gigantic feline prowls over the long dining room table, batting plates aside and growling as he stalks toward me. Scooting my chair back, properly terrified, I quickly say, “Apparently I was wrong.” The lion still appears as if he’s going to attack. “A lion is impressive, yes, but what about an elephant?” I continue. “Can you change into a beast that large? Surely not.” With a loud crack and flying wood, the table collapses as the lion morphs into a creature so gigantic, there is scarcely room for him. Dishes, settings, and candelabras fly this way and that. The elephant holds a huge foot over me. “Are you impressed yet, Carabas?” “Quite,” I squeak and then clear my throat. “But, now that I think of it, it’s only natural that a large creature such as yourself can change into other large creatures. Not that difficult, really.” Slowly, the ogre-elephant lowers his foot, looking as if he’s about to gore me with his tusks. Standing, hoping to put a little distance between me and the beast, I add, “But to change into something tiny, something insignificant—now that would be a feat.” “Like what, Carabas?” the ogre glares at me with foreign eyes. “A rabbit? A grouse?” I shrug. “Certainly, but what about something as tiny as…a mouse? That would be quite impossible, would it not?” And just like that, the elephant is gone, vanished before my very eyes. I frantically look for him in the broken plates, splintered table, and mess of molten wax on the floor. Before I even spot the rodent the ogre shifted into, Puss leaps into the middle of the mess, pouncing with outstretched paws and a greedy look in his bright green eyes. A tiny gray tail disappears into the cat’s mouth, and that is my very last glimpse of the ogre. I stare at Puss with disbelief. The world slows, and the steady thrum of the grandfather clock in the corner is the only thing that tells me that time hasn’t actually stopped. “It
Shari L. Tapscott (Puss without Boots (Fairy Tale Kingdoms, #1))
Of course, the first song is “Come Together.” It starts with that great weird “shoomp” and the bass part. And when John started singing “Here come old flattop…,” what happened, but Mom knew every single word of the song! Not just every word, but every cadence. She knew every “all right!” and “aww!” and “yeaaaah.” And it kept going, song after song. When “Maxwell’s Silver Hammer” started, Mom said, “Yuck, I always thought this was totally sophomoric.” Still, what did she do? She sang every single word of that, too. I hit the pause button. “How do you even know this?” I demanded. “Abbey Road?” Mom shrugged. “I don’t know, you just know it.” She unpaused the CD. When “Here Comes the Sun” started, what happened? No, the sun didn’t come out, but Mom opened up like the sun breaking through the clouds. You know how in the first few notes of that song, there’s something about George’s guitar that’s just so hopeful? It was like when Mom sang, she was full of hope, too. She even got the irregular clapping right during the guitar solo. When the song was over, she paused it. “Oh, Bee,” she said. “This song reminds me of you.” She had tears in her eyes. “Mom!” This is why I didn’t want her to come to the first-grade elephant dance. Because the most random things get her way too full of love.
Maria Semple (Where'd You Go, Bernadette)
Is that who you are, that vaguely criminal face on your ID card, its soul snatched by the government camera as the guillotine shutter fell—or maybe just left behind with your heart, at the Stage Door Canteen, where they’re counting the night’s take, the NAAFI girls, the girls named Eileen, carefully sorting into refrigerated compartments the rubbery maroon organs with their yellow garnishes of fat—oh Linda come here feel this one, put your finger down in the ventricle here, isn’t it swoony, it’s still going. . . . Everybody you don’t suspect is in on this, everybody but you: the chaplain, the doctor, your mother hoping to hang that Gold Star, the vapid soprano last night on the Home Service programme, let’s not forget Mr. Noel Coward so stylish and cute about death and the afterlife, packing them into the Duchess for the fourth year running, the lads in Hollywood telling us how grand it all is over here, how much fun, Walt Disney causing Dumbo the elephant to clutch to that feather like how many carcasses under the snow tonight among the white-painted tanks, how many hands each frozen around a Miraculous Medal, lucky piece of worn bone, half-dollar with the grinning sun peering up under Liberty’s wispy gown, clutching, dumb, when the 88 fell—what do you think, it’s a children’s story?
Thomas Pynchon
A common problem plagues people who try to design institutions without accounting for hidden motives. First they identify the key goals that the institution “should” achieve. Then they search for a design that best achieves these goals, given all the constraints that the institution must deal with. This task can be challenging enough, but even when the designers apparently succeed, they’re frequently puzzled and frustrated when others show little interest in adopting their solution. Often this is because they mistook professed motives for real motives, and thus solved the wrong problems. Savvy institution designers must therefore identify both the surface goals to which people give lip service and the hidden goals that people are also trying to achieve. Designers can then search for arrangements that actually achieve the deeper goals while also serving the surface goals—or at least giving the appearance of doing so. Unsurprisingly, this is a much harder design problem. But if we can learn to do it well, our solutions will less often meet the fate of puzzling disinterest. We should take a similar approach when reforming a preexisting institution by first asking ourselves, “What are this institution’s hidden functions, and how important are they?” Take education, for example. We may wish for schools that focus more on teaching than on testing. And yet, some amount of testing is vital to the economy, since employers need to know which workers to hire. So if we tried to cut too much from school’s testing function, we could be blindsided by resistance we don’t understand—because those who resist may not tell us the real reasons for their opposition. It’s only by understanding where the resistance is coming from that we have any hope of overcoming it. Not all hidden institutional functions are worth facilitating, however. Some involve quite wasteful signaling expenditures, and we might be better off if these institutions performed only their official, stated functions. Take medicine, for example. To the extent that we use medical spending to show how much we care (and are cared for), there are very few positive externalities. The caring function is mostly competitive and zero-sum, and—perhaps surprisingly—we could therefore improve collective welfare by taxing extraneous medical spending, or at least refusing to subsidize it. Don’t expect any politician to start pushing for healthcare taxes or cutbacks, of course, because for lawmakers, as for laypeople, the caring signals are what makes medicine so attractive. These kinds of hidden incentives, alongside traditional vested interests, are what often make large institutions so hard to reform. Thus there’s an element of hubris in any reform effort, but at least by taking accurate stock of an institution’s purposes, both overt and covert, we can hope to avoid common mistakes. “The curious task of economics,” wrote Friedrich Hayek, “is to demonstrate to men how little they really know about what they imagine they can design.”8
Kevin Simler (The Elephant in the Brain: Hidden Motives in Everyday Life)
I told you before--you mustn’t let Edward scare you. He’s a bully and a coward. What would Frank Merriwell do if he were you?” Frank Merriwell--I was thoroughly sick of hearing that name. “I don’t care what some dumb guy in a story would do. I’m not going to fight Edward.” “Fight me then.” Hannah raised her fists and danced around on her bare feet, bouncing, ducking, and swinging at the air around my head. “Pretend I’m Edward!” I ducked a punch, and she swung again. “Put up your dukes,” she ordered, “defend yourself, sir.” This time Hannah clipped my chin hard enough to knock me down. Her shirtwaist was completely untucked, her face was smudged, her hair was tumbling down her back and hanging in her eyes. “On your feet, sir,” she shouted. “Let’s see your fighting spirit!” Hannah was making so much noise she didn’t hear John Larkin push aside the branches and enter the grove. When he saw her take another swing at me, he started laughing. Hannah whirled around, her face scarlet, and stared at John. “What do you mean by sneaking up on us like a common Peeping Tom?” “With the noise you’ve been making, you wouldn’t have noticed a herd of rampaging elephants.” John was still laughing, but Hannah was furious. Putting her fists on her hips, she scowled at him. “Well, now you know the truth about me. I’m no lady and I never claimed to be one. I suppose you’ll start taking Amelia Carter for rides in your precious tin lizzie and treating her to sodas at your father’s drugstore. I’m sure she’d never brawl with her brothers.” Theo and I looked at each other. We were both hoping Hannah would make John leave. Before he came along and ruined everything, we’d been having fun. To my disappointment, John didn’t seem to realize he was unwanted. Leaning against a tree, he watched Hannah run her hands through her hair. “I don’t know what you’re so fired up about,” he said. “Why should I want to take Amelia anywhere? I’ve never met a more boring girl. As for her brothers--a little brawling wouldn’t hurt them. Or Amelia either.” Hannah turned away, her face flushed, and John winked at me. “Your sister’s first rate,” he said, “but I wager I know a sight more about boxing than she does. Why not let me show you a thing or two?” Happy again, Hannah smiled at John. “What a grand idea! But go slow, Andrew’s still weak.” When John took off his jacket, I edged closer to Hannah. “I like your lessons,” I said to her, scowling at John. He was rolling up his sleeves, probably to show off his muscles. Next to him, I was nothing but a skinny little baby. He’d knock me flat and everyone would laugh at me.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Skiddy Cottontail—that was his name—and he defended LGBT equality. He was a flamboyant, colorful striped rabbit, with a headdress of a rainbow crown on his forehead. The radiance of his energy was violet, scarlet, and turquoise; as it represented his love for everyone. In the infancy years of his existence, he was abandoned—alone—unwanted—unloved; rejected by a world that disdains him. His father wished him deceased, his family exiled him from the warren, he was physically mistreated and preyed on by homophobic mobs in the surrounding community by Elephants—Hyenas—rats. They splashed spit at his face, advising him that God condemns homosexuality—as Christ did not. They would slam him on the pavement with their Bibles, strike him in the stomach with their feet, throw boulders of stone at his body: imploring—abusing—condemning him to a tyrannical sentence. Skiddy Cottontail thought that his existence would end with this case of cruelty—violence—assault that was perpetrated against him. He wanted to cease to exist— he wanted to commit the ultimate murder on himself—he no more desired to go on living— he realized hope is already deceased. He yearned to have the courage to emerge, to discover his bravery that would sever this spiral of sensations of oppression. Being a victim made him a slave to his opponent—as his adversaries have full leverage against him. Life has become a thread of light, which he longed to be liberated from its shackles. His demon—a voice that keeps blaming him for his crimes in the back of his mind—a glass that continually cracks in his heart—will keep breaking him if he does not devise a way out of this crisis. He was conscious by his innermost conviction that there was candlelight with a key that had the potential to illuminate a new chapter that will erase this trail of obscurity behind him. He sees a new horizon with greater comprehension, a journey that can give him the roses of affection than a handful of dead birds that his adversaries handed him along the way. The stunning blossoming trees did have a forest—beautiful greenery that was colorful like the rainbow in the Heavens. This home will embrace him with a warm embrace of open arms, where cruelty is forbidden; where adoration can forever abound. Dawn will know him when he arrives. No more hurricanes or strife will be here—no crying of a sad humanity are here—only a gift of harmony and devotion, beyond all explanation, will abide in the heart of Skiddy Cottontail—when he finds his way out from this opponent world for a beautiful existence that is called liberation. Skiddy Cottontail has found a happiness that can only bring him contentment like nothing in this hurtful world can. Find your own sense of balance like him, Skiddy Cottontail, and you will experience serenity as much as him.
Be Daring like Skiddy Cottontail by D.L. Lewis
If you are still young, you’re going to be living on this planet for many, many years to come. I truly hope it’s a planet where the ice caps haven’t melted and the major coastal cities of earth aren’t underwater (and, for that matter, that there are still elephants in the wild).
Stuart Gibbs (Spy School Goes South)
Were I as rich in worldly commodity, as in hearty will, I would thank you most princely for your very welcome and agreeable letter;- but, were it so, I should not proportion my gratitude to your wants;- for, blessed be the God of thy hope!- thou wantest nothing- more than, what's in thy possession, or in thy power to possess:- I would neither give thee Money, nor Territory, Women, nor Horses, nor Camels, nor the height of Asiatic pride, Elephants;- I would give thee Books.
Ignatius Sancho (Letters of the Late Ignatius Sancho, an African)
Empire Builders seek to surround themselves with A players. But unlike Talent Magnets, they accumulate talent to appear smarter and more powerful. The leader glosses over the real genius of the people while placing them into boxes on the org chart. The A players have limited impact and start to look more like A– or B+. They fail to get noticed for their work, and they lose intellectual confidence. They begin to recede into the shadow of the Empire Builder. Their value in the job market drops and opportunities begin to evaporate. So they stay and wait, hoping things will turn around. This cycle of degeneration impacts not only one person; it infects an entire organization. The organization becomes an elephant graveyard earning a reputation as “the place people go to die.” As one technology superstar said of his empty vice president job, “I’m definitely past my sell-by date here.” The resignation in his voice made it clear: if he were milk, he’d be curdled.
Liz Wiseman (Multipliers: How the Best Leaders Make Everyone Smarter)
What are the requirements?" "Partnership, respect, honesty, kindness, communication, commitment, monogamy, children, humor, intellectual conversation, and--hopefully--sexual congress a la der Russel.
Penny Reid (Love Hacked (Knitting in the City, #3))
Perita is the dog,” Gracie said, in a tone which implied Rosalind was a dimwit for having not immediately understood this. “You packed for a dog. Yes, I see.” The young dog was a lovely chocolate brown with the typical black mastiff mask. “She has quite a big head,” Rosalind observed. “Of course, she does.” Gracie sounded affronted by her sister’s ignorance. “That’s the breed. Her mother, Medea, was even bigger than Hercules, you know.” Rosalind was impressed. Hercules was the size of a small pony. At least, that’s how it seemed when he was flying through the halls of Sweetbriar and came barreling unexpectedly around a corner. “Why Perita? Don’t you mean Perdita?” “Not Shakespeare, silly. Alexander the Great.” Gracie was looking disgusted once more. “Well, his was Peritas as it was male. I’ve feminized it. Did you know Peritas bit off an elephant’s face when it tried to charge Alexander once?” “Bit it off?” “Probably not completely off. At least, I hope not. But I suppose it would have been justified if Peritas was protecting his master from being trampled to death,” Gracie said, looking thoughtful. “I’m sure Perita would do the very same for me. Or you.” She rubbed the pup’s head affectionately. “Yes. How lovely.” Rosalind decided not to imagine what a faceless elephant would look like.
Fenna Edgewood (The Seafaring Lady's Guide to Love (The Gardner Girls, #3))
then through the Indian Ocean, down around the Cape of Good Hope, and up to the Atlantic. The entirety of the world via water. So many of the places I went exist in my mind like a brochure when I try to recall them. Elephants in Tsavo East National Park, an elevator packed with people riding from Salvador’s upper to lower city. The rippling heat of Delhi and the bright turquoises, saffrons, and fuchsias of women’s saris. I learned about silk and sashimi, about wild animals and barren deserts. I also learned about intractable poverty, caste systems, indigenous tribes—things I might have learned about America if I’d been paying closer attention. But this is perhaps the most profound lesson of travel, that you don’t really know the place and culture you’ve come from until you’ve left it. Today, I think that even if I had someday left the States, without that voyage, I’d have trod the familiar: London, Paris, Amsterdam, Montreal. Instead, Semester at Sea gave me the courage to imagine a different kind of travel, and a blueprint for how to do it. To see the sights, certainly, but to understand that it was meeting people that really mattered. In this, I also count a legacy from my father, the salesman who could talk to anyone about anything.
Rachel Louise Snyder (Women We Buried, Women We Burned: A Memoir)
The elephant in this big room, obviously, is context. In America, the twenty-first century began with the contested election of 2000, followed shortly thereafter by the terrorist attacks of September 11, 2001. From there came the wars in Iraq and Afghanistan, the financial collapse of 2008, the lightning-rod election of the first black president, the rise of antidemocratic authoritarianism at the hands of his successor, and finally a second contested election and a worldwide pandemic that saw the death of one million Americans. All of which is to say: None of the art made in this period happened under “normal” conditions.
Jerry Saltz (Art Is Life: Icons and Iconoclasts, Visionaries and Vigilantes, and Flashes of Hope in the Night)
Huge untapped reserves of coal and iron ore,” said Carrot. “And fat, of course. The best candles, lamp oils and soap come ultimately from the Shmaltzberg deposits.” “Why? We’ve got our own slaughterhouse, haven’t we?” “Ankh-Morpork uses a great many candles, sir.” “It certainly doesn’t use much soap,” said Vimes. “There are so many uses for fats and tallows, sir. We couldn’t possibly supply ourselves.” “Ah,” said Vimes. The Patrician sighed. “Obviously I hope that we may strengthen our trading links with the various nations within Uberwald,” he said. “The situation there is volatile in the extreme. Do you know much about Uberwald, Commander Vimes?” Vimes, whose knowledge of geography was microscopically detailed within five miles of Ankh-Morpork and merely microscopic beyond that, nodded uncertainly.
Terry Pratchett (The Fifth Elephant (Discworld, #24))
In Uberwald the dwarfs and trolls haven’t settled their old grievances, there are large areas controlled by feudal vampire or werewolf clans, and there are also tracts with much higher than normal background magic. It is a chaotic place, indeed, and you’d hardly think you were in the Century of the Fruitbat. It is to be hoped that things will improve, however, and Uberwald will, happily, be joining the community of nations.” Vimes and Vetinari exchanged looks. Sometimes Carrot sounded like a civics essay written by a stunned choirboy.
Terry Pratchett (The Fifth Elephant (Discworld, #24))
led to another. Oh dear, I do hope I haven’t caused some marital misunderstanding . . .” “I can’t leave the city now of all times!” said Vimes desperately. “There’s so much to do!” “That is exactly why Sybil says you ought to leave the city,” said Vetinari. “But there’s the new training school—” “Ticking over nicely now, sir,” said Carrot. “The whole carrier pigeon network is a complete mess—” “More or less sorted out, sir, now that we’ve changed their feed. Besides, the clacks seems to be functioning very well.” “We’ve got to get the River Watch set up—” “Can’t do much for a week or two, sir, until we’ve dredged up the boat.” “The drains at the Chitterling Street station are—” “I’ve got the plumbers working on it, sir.” Vimes knew that he had lost. He had lost as soon as Sybil was involved, because she was always a reliable
Terry Pratchett (The Fifth Elephant (Discworld, #24))
This was what he’d hoped to avoid. In his heart of battered hearts, he suspected that Vimes and Carrot were good at putting clues next to other clues and thinking about them. That was their talent. He had other . . . well, he was good with people, and he had a shiny breastplate, and he could sergeant in his sleep.
Terry Pratchett (The Fifth Elephant (Discworld, #24))
Elephants puzzling out the anagram of their own anatomy, elephants at their abstracted lamentations— may their spirit guide me as I place my own sad thoughts in new, hopeful arrangements.
Dolly Alderton (Good Material)
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Kenya Tour Package From Bangalore
What did you think? That we were going to a tea party? These men are trained to live through days in the jungle without food, without hope. They fight for a better Philippinas than the one we have at this moment. We’ve been reduced to animals, and so we act as such. Do you have a better answer on how to win this war?
Tess Uriza Holthe (When the Elephants Dance)
do not confuse what you hope to accomplish with your personal anger. It will only muddy things.
Tess Uriza Holthe (When the Elephants Dance)
Money unemployed when opportunities arise, is the same as money unpossessed. Therefore, money once acquired should be guarded, increased, employed. As the proverb says: Release the money you have earned; So keep .it safely still: The surplus water of a tank Must find a way to spill. Wild elephants are caught by tame; With capital it is the same: In business, beggars have no scope Whose stock-in-trade is empty hope. If any fail to use his fate For joy in this or future state, His riches serve as foolish fetters; He simply keeps them for his betters.
Sunita Parasuraman (The Panchatantra)
Elephants show up where they don't belong and they try to stay forever and they ask us not to say a word.
Jamie Tworkowski (If You Feel Too Much: Thoughts on Things Found and Lost and Hoped For)
Our intentions are good. It's simply that falling short is the human condition, and some problems can not be taken care of by hoping.
Laurel Braitman (Animal Madness: How Anxious Dogs, Compulsive Parrots, and Elephants in Recovery Help Us Understand Ourselves)
25th February, 1873.—Susi returned this morning with good news from Matipa, who declares his willingness to carry us to Kabendé for the five bundles of brass wire I offered. It is not on Chirubé, but amid the swamps of the mainland on the Lake's north side. Immense swampy plains all around except at Kabendé. Matipa is at variance with his brothers on the subject of the lordship of the lands and the produce of the elephants, which are very numerous. I am devoutly thankful to the Giver of all for favouring me so far, and hope that He may continue His kind aid.
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death: 1869-1873)
When you engineer early successes, what you’re really doing is engineering hope. Hope is precious to a change effort. It’s Elephant fuel.
Chip Heath (Switch)
hopefully. “Recently, I mean.” “I’ve got other things to be doing than tracking elephants!” said the chital. “Motherhood’s not easy, you know!” “No of course not,
Asif W (The Duke of Delhi)
What was her name? Bambi? Summer? Fantasia? I have it on good authority that sand is not genitalia-friendly. So hopefully you didn’t drag your elephant trunk through the sand before slipping it into her delicate clamshell.
Jewel E. Ann (One)
Charlie stood up and wandered the edges of campus, watching without engaging. In this new world, he could figure neither where nor how he fit. Charlie had conflict in his heart long before the event. Before prison. All the way back to when he first learned to define himself by the language in the eyes of others, quick to articulate their bias. Ubiquitous enough for him to question the rationality of his very existence, the conflict of Charlie's darkness could only be resolved in the way any black man sees himself, that insoluble calculus. Does he see himself from within, as a divine composite of the joys, fears, hopes, and passions that make up any human being? Or does he see himself through the eyes of the world and how it reacted to him? His darkness was as elementary a question as it was existential: Who was he?
Cebo Campbell (Sky Full of Elephants)
Young black boys, Charlie thought, the most marvelous beings in the universe. As nonchalantly as Herald bit into that fruit did black boys ever ponder their influence on the whole world. How effortlessly they rounded the shape of the earth with their swagger and illuminated its days with their creativity. Their hope, Charlie mused, offered even the bleakest parts of our planet a second sun.
Cebo Campbell (Sky Full of Elephants)
The kind of food we ate, how we played, how we couldn't stop ourselves from dancing if the right song hit—hell, even how we talk shit to each other. We're connected. We all know it. In every city where black people live, so does that subtle consciousness. Togetherness. Us-ness. How we dance, how we love, how we hope. Everywhere it's basically intuitive, as these are the manifestations of a signal buzzing all around us, all the time, all over the world.
Cebo Campbell (Sky Full of Elephants)
We are the feeling folk, Charlie thought, who sparkle of magic and vigor. Who laugh like laughter is a gift to be given and sing like we have always been the chorus of angels. The feeling folk who allow the skin of the world to glide over us, rugged and tender, absorbed into the gospel of our empathies. The feeling folk who dance to songs in our heads because we know those songs source from a heart beating since the beginning. The feeling folk who heal right side in, wielding a power to make a history of horrors evaporate like steam from a stewpot. Power to make any place home. So, in his dream, Charlie thought only of us. The noble We. Not our dreams either, or even hopes. But the enormity. All the colors and energies and outcomes swallowed up to make a community of individuals never alone. No picket fences or pageantry, just open doors and all the space and time one needs to be oneself. We are energies, Charlie dreamt, constantly exchanging and mixing and charging.
Cebo Campbell (Sky Full of Elephants)
So little life lived between the both of them. So few chances to spread themselves out across the canvas of just being. As he looked out at the road before them, he felt hope for all the life yet to be lived.
Cebo Campbell (Sky Full of Elephants)
Back then I was walking right into people's homes in the projects and in the ghettos. All the welfare in the world couldn't help them from what they suffered. When couldn't bear the social work anymore, I went into psychology, hoping maybe I could understand, deep down, the impact of their traumas-what it was that made their ascent nearly impossible. Psychology led to me studying history and seeing the real scope of how we got here. Do you really understand how long four hundred years of suffering is, Charlie? And that's just on these shores. What that does to the mind, it's hard to comprehend. Especially when it was still happening. So I started speaking, calling it out, doing everything I could to stop it so a collective healing could finally begin. But it was like trying to move a mountain. And so I learned quickly that the only way to move a mountain is to shake the earth. That don't have a thing to do with them. The mountain is us. The mountain is our minds. The mountain is our hope. That's how Haitians won their freedom against all odds. They found themselves together on the same frequency.
Cebo Campbell (Sky Full of Elephants)
The Rooster taught me to wake up early and be a leader. The Butterfly encouraged me to allow a period of struggles to develop strong and look beautiful. The Squirrel showed me to be alert and fast all the time. The Dog influenced me to give up my life for my best friend. The Cat told me to exercise every day. Otherwise, I will be lazy and crazy. The Fox illustrated me to be subtle and keep my place organized and neat. The Snake demonstrated to me to hold my peace even if I am capable of attack, harm, or kill. The Monkey stimulated me to be vocal and communicate. The Tiger cultivated me to be active and fast. The Lion cultured me not to be lazy especially if I have strength and power that could be used. The Eagle was my sample for patience, beauty, courage, bravery, honor, pride, grace, and determination. The Rat skilled me to find my way out no matter what or how long it takes. The Chameleon revealed to me the ability to change my color for beauty and protection. The Fish display to live in peace even if I have to live a short life. The Delphin enhanced me to be the source of kindness, peace, harmony, and protection. The Shark enthused me to live as active and restful as I can be. The Octopus exhibited me to be silent and intelligent. The Elephant experienced me with the value of cooperation and family. To care for others and respect elders. The Pig indicated to me to act smart, clean, and shameless. The Panda appears to me as life is full of white and black times but my thick fur will enable me to survive. The Kangaroo enthused me to live with pride even if I am unable to walk backward. The Penguin influenced me to never underestimate a person. The Deer reveals the ability to sense the presence of hunters before they sense you. The Turtle brightened me to realize that I will get there no matter how long it takes me while having a shell of protection above me. The Rabbit reassured me to allow myself to be playful and silly. The Bat proved to me that I can fly even in darkness. The Alligator/crocodile alerted me that threat exists. The Ant moved me to be organized, active, and social with others. The Bee educated me to be the source of honey and cure for others. The Horse my best intelligent friend with who I bond. Trained me to recover fast from tough conditions. The Whale prompted me to take care of my young ones and show them life abilities. The Crab/Lobster enlightened me not to follow them when they make resolutions depending on previous undesirable events.
Isaac Nash (The Herok)
—Thomas, I did not think you some miracle bestowed upon me. You were born and I was happy to have you. And I don’t think you thought of me as some miracle, either. We were, or should have been, partners. I was happy you existed and wanted you to thrive. My hope was that you were happy to exist and that you yourself would endeavor to thrive. But instead you were aggrieved by your existence and my role in it. I think that’s why you were so drawn to Christ. —I wasn’t drawn to Christ. What does that mean? —You used to draw the crucifix on your notebooks. Other kids were drawing spaceships or Grateful Dead skulls or penises, but you were drawing crucifixes. You thought that was you, suffering on the cross. I considered you a partner and an equal but you wanted to be beneath me and a martyr. —You’re the one who brought me to church. —I brought you once. You know how I hate Christianity and all that wretched iconography. You know what? You see pictures of Buddha and he’s sitting, reclining, at peace. The Hindus have their twelve-armed elephant god, who also seems so content but not powerless. But leave it to the Christians to have a dead and bloody man nailed to a cross. You walk into a church and you see a helpless man bleeding all over himself—how can we come away hopeful after such a sight? People bring their children to mass and have them stare for two hours at a man hammered to a beam and picked at by crows. How is that elevating? It’s all about accountability for them. —What is? —The Christians, the Bible. It’s all about who’s at fault. A whole religion based on accountability. Who’s to blame? What’s the judgment? Who gets punished? Who gets jailed, banished, killed, drowned, decimated. You want to know the main takeaway most people got from Jesus’s death? Not sacrifice, nothing like that. The takeaway, after all that Old Testament judgment, is that the Jews did it. —Incredible. —You loved it, though. Especially as a teenager. Young men love martyrdom. You get to be the victim and the hero at the same time.
Dave Eggers (Your Fathers, Where Are They? And the Prophets, Do They Live Forever?)
That is why, when you are close to an elephant, you feel so deeply. If they so choose, they have the ability to hold your sadness, so you may safely sit in the lonely seat of loss, still hopeful and full of love. Their great secret is that they know everything is a tide - not a black tide but the natural breath of life - in and out, in and out, and to be with them is to know this too.
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
A memo had just zoomed in through the open door and fluttered to rest on top of the hiccuping toaster. Mr. Weasley unfolded it and read aloud, “‘Third regurgitating public toilet reported in Bethnal Green, kindly investigate immediately.’ This is getting ridiculous . . .” “A regurgitating toilet?” “Anti-Muggle pranksters,” said Mr. Weasley, frowning. “We had two last week, one in Wimbledon, one in Elephant and Castle. Muggles are pulling the flush and instead of everything disappearing — well, you can imagine. The poor things keep calling in those — those pumbles, I think they’re called — you know, the ones who mend pipes and things —” “Plumbers?” “— exactly, yes, but of course they’re flummoxed. I only hope we can catch whoever’s doing it.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
And someone had taken the trouble to freeze ice cubes in the shape of little elephants. After that, there’s no hope. You might as well be drinking in a place called the Cococobana.
Terry Pratchett (Hogfather (Discworld, #20))
In my life I've done more suffering than thinking— though I believe one understands better that way. You see, dogs aren't enough any more. People feel so damned lonely, they need company, they need something bigger, stronger, to lean on, something that can really stand up to it all. Dogs aren't enough; what we need is elephants. . . It seems that the elephants Morel was trying to save were purely imaginary and symbolic, a parable, as they say, and that the poor bastard was really defending the old human rights, the rights of man, those noble, clumsy, gigantic, anachronistic survivals of another age - another geological epoch. . . you announce this salvation as coming *soon’— though I suppose that in the language of paleontology, which is not exactly that of human suffering, the word soon’ means a few trifling hun- dred thousands of years. Earth was his kingdom, his place, his field— he belonged. . The lorry was literally stuffed with ‘trophies’: tusks, tails, heads, skins— an orgy of butch- ery. De Vries, was certainly not collecting for museums, because most of them had been so riddled with shot as to be unrecognizable and in any case unsuitable for the pleasure of the eye. I suppose there are things that nothing can kill and that remain forever intact. It’s as if nothing could ever j^ppen to human beings. They’re a species over which it’s not easy to triumph. They’ve a way of rising from the ashes, smiling and holding hands. "Well, I finally got an idea. When he fails, do like me: think about free elephant ride through Africa for hundreds and hundreds of wonderful animals that nothing could be built—either a wall or a fence of barbed wire—passing large open spaces and crush everything in its path, and destroying everything—while they live, nothing is able to stop them—what freedom! And even when they are no longer alive, who knows, perhaps continue to race elsewhere still free. So you begin to torment your claustrophobia, barbed wire, reinforced concrete, complete materialism imagine herds of elephants of freedom, follow them with his eyes never left them on their run and will see you soon feel better ... " years of isolation in the depths of the jungle have no power against a tenacious hope, and that a hundred acres of land at the height of the rainy season are easier to clear than are certain little intimate nooks of our soul. she understood perfectly well how unconvincing this sounded, but she couldn’t help it: it was the truth. He felt that, at his age, patience was ceasing to be a virtue and was becoming a luxury he could less and less afford. He strove for one last time to look at the affair with all the detachment and all the serenity suitable to a man of science. the immense sky, filled with absence. with the impassive face of a man who feels perfectly sure of having the last word. Of course to the pure all things are pure.
Romain Gary
Where once I could taste hope, now I can taste only neglect and it is bitter.
Sharon Pincott (Elephant Dawn: The Inspirational Story of Thirteen Years Living with Elephants in the African Wilderness)
I’ve always yearned to be a black man, to have a black man’s soul, a black man's laughter. You know why? Because I thought you were diflFerent from us. Yes, I thought you were something special, something difiFerent on this sad earth of ours. I wanted to escape with you from the white man’s hollow materialism, from his lack of faith, his humble and frustrated sexuality, from his lack of joy, of laughter, of magic, of faith in the richness of after-life. encouragement and signs of gratitude or recognition have been very few, if any, along my road. If humanity can be compared to a tribe, then you may say I’m completely de-tribalized. You love Negroes out of sheer misanthropy, because you think they aren’t really men. in the end all human faces look alike with nothing bright or hopeful around me, except those distant stars— and even there, let’s be frank: it’s only their distance that gives them that purity and beauty ideals don't die— obliged to live on shit sometimes, but don’t die! the company a great cause always keeps: men of good will and those who exploit them your skin, you know, is worth no more than the elephants’ hide. In Gennany, at Belsen, during the war, it seems we used to make lampshades out of human skin— for your information. And don’t forget, Monsieur Saint- Denis, that we Germans have always been forerunners in everything ‘Women,’ I concluded rather bitterly, ‘have at their command certain means of persuasion which the best- organized police forces do not possess.’ The number of animals who lived in cruel suffering, sometimes for years, with bullets in their bodies, wounds growing deeper and deeper, gangrenous and swarming with ticks and flies, could not be estimated to change species, to come over to the elephants and live in the wilds among honest animals Always cheerful, with the cheerfulness of a man who has gone deep down into things and come back reassured. No one knew the desert better than Scholscher, who had spent so many nights alone there on the starlit dunes, and no one understood better than he did that need for protection which sometimes grips men’s hearts and drives them to give a dog the affection they dream so desperately of receiving themselves. by ‘defending the splendors of nature . . .’ He meant liberty.” Islam calls that ’the roots of heaven.’ and to the Mexican Indians it is of life’— the thing that makes both of them fall on their knees and raise their eyes and beat their tormented breasts. A need for protection and company, from which obstinate people like Morel try to escape by means of petitions, fighting committees, by trying to take the protection of species in their own hands. Our needs- for justice, for freedom and dignity— are roots of heaven that are deeply imbedded in our hearts, but of heaven itself men know nothing but the gripping roots ...” . . . And that girl sitting there in front of him with her legs crossed, with her nylon stockings and cigarette and that silent gaze, in which could be read that stubborn need, not so different from what Morel had seen in the eyes of the stray dogs at the pound. but not even all that was comic and childish about him could deprive him of the dignity conferred upon him by his love for his Maker. that human mass whose physical strength was nothing compared to the faith and spirit that dwelt in him. Three quarters of the Oul6 traditions and magic rites had to do with war or hunting while it's easy to suppress a magic tradition it's difficult to fill up the strange voids which it leaves in what you call the primitive psychology and what I call the human soul The roots of heaven are forever planted in their hearts, yet of heaven itself they seem to know nothing but the gripping roots It must be very consoling to take refuge in cynicism and to try and drown your own remorse in a consoling vision of universal swinishness, and you can always
Romain Gary
Love is grabbing hold of the Great Lion's mane And wrestling and rolling deep into Existence While the Beloved gets rough And begins to maul you alive. True Love, my dear, Is putting an ironclad grip upon The sore, swollen balls Of a Divine Rogue Elephant And Not having the good fortune to Die!
Daniel Ladinsky (I Heard God Laughing: Poems of Hope and Joy)
repent not if you are weak and small. don't forget that even the ant was weak and small when she had caused the elephant's downfall.
Pravin Gupta (The Dark Light: Amethyst Heart in the City)
The church stands no hope of engaging the age of outrage unless we root out the lie that the solution to sin lies anywhere outside of the gospel of Jesus Christ. He is “the true God and eternal life” (1 John 5:20). Salvation is not coming on Air Force One. And Jesus will not come riding on a donkey or an elephant. Those who fail to see such things have been lost to the idolatry of the moment.
Ed Stetzer (Christians in the Age of Outrage: How to Bring Our Best When the World Is at Its Worst)
Well, your choice is to spit out what's wrong, or I'm going to start guessing. I'm not going to stop until you tell me I've got it, and I'll warn you—I'm a shitty guesser, so this could take a while." I leaned back in my chair and glared at him. “Have it your way,” he said. William started to pace around the room while stroking his chin theatrically. “You were actually born to a convent of nuns, but you had a sex change and escaped years ago. Now they’ve found you, and they’re coming for your penis? Pun intended,” he added with a wiggle of his eyebrows. “That’s…” I closed my mouth and shook my head. “What kind of person even comes up with something like that?” “No? Okay, I got it. Hold on. You witnessed an alien abduction when you were a kid. Up until yesterday, you thought it was all just some weird dream induced by the aggressive case of chronic diarrhea you suffered from—and still suffer from to this day. But yesterday, those little green men came back, and now your world is shaken. Why? Because you’ve secretly harbored romantic feelings for them this whole time, and now you’ll have to face your budding sexuality for the first time.” “Are you seriously going to keep this up unless I tell you?” "Hmm. Not right, either? Okay, this time I really have it. It all started in the African jungles seven years ago when you found yourself trapped deep in the wrinkly clutches of an elephant's rectum. With no hope of escape, you realized the only choice you had was to go deeper. Only you went too deep. You dreamed too big, and now you can't—" “I give up,” I said. “I’ll tell you because I don’t think I can survive much more of this. I’ve been in a little bit of a dating rut for the past couple years, and—” “Let me stop you there, partner.” William held up his left hand and pointed to his wedding band. “I’m flattered. Really. But one, I have a strict no sword crossing rule. And two? I’m spoken for.
Penelope Bloom (Her Bush (Objects of Attraction, #6))
Look here, my friend, for three years I was a bus conductor in Paris. I recommend it during rush hours; it gave me what you might call a knowledge of human nature — a good, solid knowledge which prompted me to change sides and go over to the elephants. I hope that’ll do for you, as an explanation.
Romain Gary (The Roots of Heaven)
He had himself a certain sympathy for Morel; unfortunately, the man had not understood that the world of today was no longer capable of concerning itself with elephants. People had other preoccupations. They were no longer interested in anything except their own skins.
Romain Gary (The Roots of Heaven)
Taken all together, the whole thing is an ingenious system for inhibiting progress and the popular will. The deck is stacked just enough to make sure that nothing ever changes. But enough is left to chance to make sure that hope never completely dies out.
Matt Taibbi (Smells Like Dead Elephants: Dispatches from a Rotting Empire)
If they so choose, they have the ability to hold your sadness, so you may safely sit in the lonely seat of loss, still hopeful and full of love. Their great secret is that they know everything is a tide—not a black tide but the natural breath of life—in and out, in and out, and to be with them is to know this too. And here they were, suddenly lifting the weight of our sadness for us, carrying it in the curl of their trunks. We all sat together in our loss, not dwelling, but remembering. For an elephant never forgets.
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom #1))
I had a lot to learn, but tragedy and adversity have ways of opening new roads of hope and opportunity, and I slowly found my feet. There were moments when I felt I was drowning, and others when I had such clarity about what to do. I clung to the image of a ship navigating dangerous seas and was determined to survive the storm.
Françoise Malby-Anthony (An Elephant in My Kitchen: What the Herd Taught Me About Love, Courage and Survival (Elephant Whisperer Book 2))
To the white man the elephant had long meant merely ivory, and to the black man it always meant merely meat — the most abundant quantity of meat that a lucky hit with the assagai could procure for him. The idea of the 'beauty' of the elephant, of the 'nobility' of the elephant, was the idea of a man who had had enough to eat, a man of restaurants and of two meals a day and of museums of abstract art — an idea typical of a decadent society that takes refuge in abstractions from the ugly social realities it is incapable of facing, and makes itself drunk on vague and twilight notions of the beautiful, of the noble, of the fraternal, simply because the purely poetic attitude is the only one which history allows it to adopt. Bourgeois intellectuals insisted that a society on the march and in full spate should encumber itself with elephants simply because in that way they themselves hoped to escape destruction. They knew that they were just as anachronistic and cumbersome as these prehistoric animals; it was just a way of claiming mercy for themselves, of asking to be spared. Morel was typical of them. But to human beings in Africa, the elephant’s only beauty was the weight of his meat, and as for human dignity, that was first and foremost a full belly. Perhaps, when the African does have his belly full, perhaps then he too will take an interest in the beauty of the elephant and will in general give himself up to agreeable meditations on the splendors of nature. For the moment, nature spoke to him of splitting the elephant’s belly open and plunging his teeth into it and eating, eating till he dropped, because he did not know where the next morsel would come from.
Romain Gary (The Roots of Heaven)
If we moved to Bonk we could get a big apartment for the cost of this place—' 'This is our home, Irina,' said the oldest sister. 'Ah, a home of lost illusions and thwarted hopes...' 'We could go out dancing and everything.' 'I remember when we lived in Bonk,' said the middle sister dreamily. 'Things vere better then.' 'Things vere alvays better then,' said the oldest sister. The youngest sister sighed and looked out of the window. She gasped. 'There's a man running through the cherry orchard!' 'A man? Vot could he possibly vant?' The youngest sister strained to see. 'It looks like he wants... a pair of trousers...' 'Ah,' said the middle sister dreamily. 'Trousers ver better then.
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
To the sage, the soul of the cow, the soul of the dog, and the soul of the elephant is just as worthy of dignity, respect, and spiritual equality as is the soul contained in the human being. Sama Darshina, or equal spiritual vision, is the highest form of equality toward which we can all aspire – for it sees the inherent equality that exists in the spiritual essence of all living beings. It is, in fact, the only realistic form of equality that we can ever hope for. Seeing all beings as our spiritual brothers and sisters, we will then, by natural extension, offer all people our respect on the political, social, cultural, and economic realms. The truly just society, then, is the Dharmic society, a society comprised of citizens who aspire toward the finer and nobler spiritual aspirations of life, and who thus view the world from a spiritual perspective. That nation which will most justly serve the interests of its people is the Dharma Nation, a nation in which the eternal principles of Dharma serve as the foundational governing philosophy of the state. We must make ourselves truly worthy citizens of God’s eternal Dharma Nation by spiritualizing our own vision and viewing our neighbors and fellow living beings as the atmans they truly are. We must begin the Dharma Revolution in our own lives.
Dharma Pravartaka Acharya (Sanatana Dharma: The Eternal Natural Way)
Peanut thought about it and he did decide that Felix was right. He couldn’t have the zookeepers do all that work all over again. Peanut knew they had done a lot of work to get Spotty nice and clean. “Yes,” said one of the zookeepers, who had been listening to Peanut. “You’d better hope that
Arnie Lightning (Peanut the Elephant: Short Stories for Kids, Funny Jokes, and More! (Early Bird Reader Book 5))
And so we nearly ran into an elephant; eh?
Laura Lee Hope (The Bobbsey Twins at School)
No temple is permanent; no god is permanent. Even if there is an ever-lasting god, we can never fathom his nature. After having created numerous gods that mirror our limited intelligence, like fools some say 'This is truth', 'That is truth.' These very fools, whenever they meet with calamities, rush to those gods and beg them to 'do this for me and do that.' What else can they do but beg? They have suffered enough in this world and should have some hope to feed on. If they get such satisfaction they will say, 'God gave me this.' It really means that the 'Paramatma' or the Supreme Soul was highly pleased with their devotion and rewarded them. Suppose not such thing happens; then they simply say: 'It did not appeal to Him; so God did not fulfil my desire.' Since we created this 'Paramatma' and began to worship Him we have not given Him a single day's respite. We have begged of Him ever so many things continuously. Some sensible people like the sages did not do such things. But they threw upon Him the burden of punishing the wicked and protecting the weak. What does that mean?" "You mean that begging even of a god is wrong?" I asked. "I feel so. It would be a nice thing if we did not beg of any one. We are not children. Children plead with their mother, 'Mummy, I feel hungry, please give me something to eat.' If we were children we also could have asked things of God. "We are born with legs, arms, eyes, a nose and a mouth. Why do we have them all? Should we still pray to God for a tiger's mouth that we may bite and an elephant's body to carry things? How is it ever possible for God to fulfil so many wishes? If it is 'He' who has created us, why not think that He has provided us the wherewithal to exist? This begging business is ugly. There are millions and billions of living things like birds and insects. Do you see them ever begging? Do they even beg for food? Even when a tiger appears before a doe, the doe does not seek God's help. Should man who has intelligence not have at least as much self-respect as these creatures?
Kota Shivarama Karanth (ಮೂಕಜ್ಜಿಯ ಕನಸುಗಳು [Mookajjiya Kanasugalu])
Evolution demands that all species solve the equation of converting energy from the world around them into the next generation. Living things, from bacteria to blue whales, solve this equation in different and often ingenious ways based on their biology, environmental pressures, the care required for offspring to reach maturity, and even social structure. For example, some organisms reproduce asexually, some deposit unfertilized eggs that will hopefully get fertilized, and some have very long gestations, like an elephant, which carries its calf -- which will ultimately weigh approximately 110kg (243kg) at birth -- for twenty two months.
Jen Gunter (Blood: The Science, Medicine, and Mythology of Menstruation)
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Sri Lanka Tour Package From Bangalore