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You know yourself that a novel, or a film made for pure consumption, can turn into an exquisite work, from The Pickwick Papers to Casablanca and Goldfinger. Audiences turn to these archetype-packed stories to enjoy, whether consciously or unconsciously, the device of repeated plots with small variations. Dispositio rather than elocutio. That’s why the serial, even the most trite television serial, can become a cult both for a naive audience and for a more sophisticated one. There are people who find excitement in Sherlock Holmes’s risking his life while others go for the pipe, the magnifying glass, and the ‘Elementary, my dear Watson,’ which, by the way, Conan Doyle never actually wrote. The plot devices, the variations and repetition, are so ancient that they’re mentioned in Aristotle’s Poetics. And what is a television serial if not an updated version of a classic tragedy, a great romantic drama, or a Dumas novel? That’s why an intelligent reader can obtain great enjoyment from all this, an exception to the rule. For exceptions to the rule are based on rules.
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