Elegance Girl Quotes

A girl should be two things: who and what she wants.

It's not very easy to grow up into a woman. We are always taught, almost bombarded, with ideals of what we should be at every age in our lives: "This is what you should wear at age twenty", "That is what you must act like at age twenty-five", "This is what you should be doing when you are seventeen." But amidst all the many voices that bark all these orders and set all of these ideals for girls today, there lacks the voice of assurance. There is no comfort and assurance. I want to be able to say, that there are four things admirable for a woman to be, at any age! Whether you are four or forty-four or nineteen! It's always wonderful to be elegant, it's always fashionable to have grace, it's always glamorous to be brave, and it's always important to own a delectable perfume! Yes, wearing a beautiful fragrance is in style at any age!

With another shock of excitement, Harry saw Sirius give James the thumbs-up. Sirius was lounging in his chair at his ease, tilting it back on two legs. He was very good-looking, his dark hair fell into his eyes with a sort of casual elegance neither James's nor Harry's could ever have achieved, and a girl sitting behind him was eyeing him hopefully, though he didn't seem to have noticed.

Dante, this is Annabelle.” No. No way. That name is reserved for females with grace and elegance, not this girl. This girl is…beastly. “Annabelle,” I say. “It suits you.

How do you separate a tiger's beauty from its ferocity? Or a cheetah's elegance from the speed of its attack? Achilles was like that -- the beauty and the terror were two sides of a single coin.

Tortoises are incredible creatures," Dad says earnestly. "What they lack in elegance and beauty they more than make up for in the ability to curl up and defend themselves from predators." "What, like me?

There's a look of mischief in his eyes. 'Smilla. Why is it that such an elegant and petite girl like you has such a rough voice.' I'm sorry,' I say, 'if I give you the impression that it is only my mouth that's rough. I do my best to be rough all over.

Men want a girl who looks like a boy. They want to protect her but she must be a survivor. And she must come...like a train...but with...elegance.

No. No way. That name is reserved for females with grace and elegance, not this girl. This girl is...beastly.

You never want to be the first one of your friends to get married. If you are, just resign yourself to the fact that your wedding will be a shitshow. Most people are still single, open bars are a novelty, and no matter how elegant the wedding was planned to be, it will end up looking like a scene out of Girls Gone Wild.

Today, young girls measure the quality of their beauty based upon its entertainment value. The more people are entertained by their beauty, the more beautiful they think they must be. This is very unfortunate and I would like young girls to know that their beauty is a crown; not a clown. And crowns are best worn with elegance and serenity.

- 'Poise is perfect balance, an equanimity of body and mind, complete composure whatever the social scene. Elegant dress, immaculate grooming, and perfect deportment all contribute to the attainment of self-confidence.' -

Sure. She’s classy, elegant, made of sturdy stuff, expensive as hell to keep running and keep pretty. She’s only good to me if I’m good to her, so obviously she’s a girl.

She said, “Do you see how I’m wearing this apron? It means I’m working. For a living.” The unconcerned expression didn’t flag. He said, “I’ll take care of it.” She echoed, “Take care of it?” “Yeah. How much do you make in an hour? I’ll take care of it. And I’ll talk to your manager.” For a moment, Blue was actually lost for words. She had never believed people who claimed to be speechless, but she was. She opened her mouth, and at first, all that came out was air. Then something like the beginning of a laugh. Then finally, she managed to sputter, “I am not a prostitute.” The Aglionby boy appeared puzzled for a long moment, and then realization dawned. “Oh, that was not how I meant it. That is not what I said.” “That is what you said! You think you can just pay me to talk to your friend? Clearly you pay most of your female companions by the hour and don’t know how it works with the real world, but . . . but . . .” Blue remembered that she was working to a point, but now what that point was. Indignation had eliminated all higher functions and all that remained was the desire to slap him. The boy opened his mouth to protest, and her thought came back to her all in a rush. “Most girls, when they’re interested in a guy, will sit with them for free.” To his credit, the Aglionby boy didn’t speak right away. Instead, he thought for a moment and then he said, without heat, “You said you were working for living. I thought it’d be rude to not take that into account. I’m sorry you’re insulted. I see where you’re coming from, but I feel it’s a little unair that you’re not doing the same for me.” “I feel you’re being condescending,” Blue said. In the background, she caught a glimpse of Soldier Boy making a plane of his hand. It was crashing and weaving toward the table surface while Smudgy Boy gulped laughter down. The elegant boy held his palm over his face in exaggerated horror, fingers spread just enough that she could see him wince. “Dear God,” remarked Cell Phone boy. “I don’t know what else to say.” “Sorry,” she recommended. “I said that already.” Blue considered. “Then ‘bye.’” He made a little gesture at his chest that she thought was supposed to mean he was curtsying or bowing or something sarcastically gentleman-like.

MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.

The look in his eyes turned a little wild. "That's the only reason I'm letting you go. If I had any choice--" "You do," she said "Wed can all sit here and let him die. Or you can let Eve go on her wild-ass rescue mission and get herself killed. Or you can let sweet, calm, reasonable Claire go do some talking." He shook his head. His long, elegant hands, which looked so at home wrapped around a guitar, closed into fists. "Guess that means there's no choice." "Not really," Claire agreed. "I was kind of lying about that choice thing.

I write because she exists - the epitome of elegance in every breath she takes.

A cat's tail waved above the arm of the couch like an elegant hand in a black glove waving goodbye.

I do not mean to say that I viewed those desires of mine that deviated from accepted standards as normal and orthodox; nor do I mean that I labored under the mistaken impression that my friends possessed the same desires. Surprisingly enough, I was so engrossed in tales of romance that I devoted all my elegant dreams to thoughts of love between man and maid, and to marriage, exactly as though I were a young girl who knew nothing of the world. I tossed my love for Omi onto the rubbish heap of neglected riddles, never once searching deeply for its meaning. Now when I write the word love, when I write affection, my meaning is totally different from my understanding of the words at that time. I never even dreamed that such desires as I had felt toward Omi might have a significant connection with the realities of my "life.

Someone once said to me: You never mention his looks. And it's true, I don't, I find it difficult. At that time, he was probably the most beautiful man alive, as he was certainly the most violent, but that's the problem. How do you separate a tiger's beauty from its ferocity? Or a cheetah's elegance from the speed of the attack? Achilles was like that- the beauty and the terror were two sides of a single coin.

But I feel like letting other people be good for me--after all, I'm just an unhappy little girl and even if I'm extremely intelligent, that doesn't change anything, does it? An unhappy little girl who, just when things are at their worst, has been lucky enough to meet some good people. Morally, do I have the right to let this chance go by?

Thank you for the tribute of your honesty,” he said—which I thought then, and still think, was one of the most elegant things I’d ever heard anyone say.

Twelve years had changed Anne from the blooming, silent, unformed girl of fifteen, to the elegant little woman of seven-and-twenty, with every beauty except bloom, and with manners as consciously right as they were invariably gentle;

Aristocracy is relative: there are all sorts of inexpensive little resorts where the son of a furniture salesman may be the arbiter of all things elegant, holding court like a young Prince of Wales.

When you're a child trapped in a situation of physical or psychological deprivation, you learn shame as an efficient, elegant mechanism of survival: shame simultaneously shields you from the reality that danger is our of your control (since the problem is not that you're unloved and deprived; it's that you're Bad) and prevents you from doing or saying anything challenging that might provoke a threat.

​As a little girl, a woman is groomed to become a wife and a mother. She is trained to always make wise decisions, yet there will forever be limits and boundaries. As I look back, I remember being told what I could and could not do, simply because I was a girl. A little girl is told she cannot act like a boy; if she does, she will be classified as a “tomboy”. Climbing trees was prohibited, instead, she was taught to put a baby doll in a stroller and take the doll for a walk. She couldn’t sit as she pleased; she was told to only sit with her ankles crossed. Girls were given a kitchen playset that was equipped with a stove, sink, and an accessory set of play food dishes, pots, and pans, etc., along with a tea set to bring out the “elegance” in them. As the saying goes, “Girls are sugar and spice, and everything nice.” I’m taken aback by how girls are groomed to be a certain way; however, boys are able to love life and live freely without limitations and criticism.

shows the destructive forces that affect young women. As a girl, Ophelia is happy and free, but with adolescence she loses herself. When she falls in love with Hamlet, she lives only for his approval. She has no inner direction ; rather she struggles to meet the demands of Hamlet and her father. Her value is determined utterly by their approval. Ophelia is torn apart by her efforts to please. When Hamlet spurns her because she is an obedient daughter, she goes mad with grief. Dressed in elegant clothes that weigh her down, she drowns in a stream filled with flowers.

Blue, largely against her will, glanced to the booth he pointed to. Three boys sat at it: one was smudgy, just as he said, with a rumpled, faded look about his person, like his body had been laundered too many times. The one who'd hit the light was handsome and his head was shaved; a soldier in a war where the enemy was everyone else. And the third was -- elegant. It was not the right word for him, but it was close. He was fine boned and a little fragile looking, with blue eyes pretty enough for a girl.

It was kind of about what his idea of beauty was. Especially women-- he always painted women sort of flowing through space. Girls with an effortless sort of elegance, like they're weightless and solid at the same time.

Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me

I was the sort of beautiful that women knew they could never truly emulate. Men knew they would never even get close to a woman like me. Ruby was the elegant, aloof sort of beauty. Ruby was cool. Ruby was chic. But Celia was the sort of beautiful that felt as if you could hold it in your hands, like if you played your cards right, you might just get to marry a girl like Celia St. James.

I don't want to be looked at and grab attention, that's exhibitionism.. I would rather be seen more for my intelligence, for my elegance, for not being just another girl seeking attention. I don't want to catch someone's eyes because those kind of attention spans are short and easily shifted to the next exhibitionist, I would rather stay in the memory as someone who refused to be a performer yet made an impact.

You are the best of our people, but you are not yet good enough.

Three figures emerged in elegant fur hats and heavy wool kefta: one in crimson, one in darkest blue, and one in vibrant purple. “Grisha!” the girl whispered. “Quick!” said the boy. In

Prizing elegance, sweet emotions, and fantasy more than morals and truth; wallowing in fleeting romance rather than trying to give meaning to life, when who knows what's going to happen to you anyway; ignoring virtue and conventions to cherish only the pleasures you are definitely experiencing now: this is the Cocoro of Rococo. No matter how much deep thought, hard work, and agonizing effort went into coaxing out some insight, if that insight is boring, or not beautiful, it doesn't matter. And even if something is made just for laughs, if you find it pleasing, it has value. Other people's opinions and labor do not figure into your assessment; choosing things with your own personal sense of "I like this, I don't like that" is the ultimate individualism that sustains the very foundation of Rococo. Rococo, therefore, embodies the spirit of punk rock and anarchism more than any philosophy. Only in Rococo—elegant yet in bad taste, extravagant yet defiant and lawless—can I discover the meaning of life.

Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.” “Now, that was a pathetic speech.” Two slow claps followed the indolent voice, which sounded just a few feet away. Evangeline spun around, all the blood draining from her face. She didn’t expect to see him—the young man who’d been tearing his clothes in the back of the church. Although it was difficult to believe this was the same person. She had thought that boy was in agony, but he must have ripped away his pain along with the sleeves of his jacket, which now hung in tatters over a striped black-and-white shirt that was only halfway tucked into his breeches. He sat on the dais steps, lazily leaning against one of the pillars with his long, lean legs stretched out before him. His hair was golden and messy, his too-bright blue eyes were bloodshot, and his mouth twitched at the corner as if he didn’t enjoy much, but he found pleasure in the brief bit of pain he’d just inflicted upon her. He looked bored and rich and cruel. “Would you like me to stand up and turn around so that you can take in the rest of me?” he taunted. The color instantly returned to Evangeline’s cheeks. “We’re in a church.” “What does that have to do with anything?” In one elegant move, the young man reached into the inner pocket of his ripped burgundy coat, pulled out a pure white apple, and took one bite. Dark red juice dripped from the fruit to his long, pale fingers and then onto the pristine marble steps. “Don’t do that!” Evangeline hadn’t meant to yell. Although she wasn’t shy with strangers, she generally avoided quarrelling with them. But she couldn’t seem to help it with this crass young man. “You’re being disrespectful.” “And you’re praying to an immortal who kills every girl he kisses. You really think he deserves any reverence?” The awful young man punctuated his words with another wide bite of his apple.

When Eleanor was a little girl, she'd thought her mom looked like a queen, like the star of some fairy tale. Not a princess - princesses are just pretty. Eleanor's mother was beautiful. She was tall and stately, with broad shoulders and an elegant waist. All of her bones seemed more purposeful than other people's. Like they weren't just there to hold her up, they were there to make a point.

Each time Nate saw her, Elisa’s beauty struck him anew, as if in the interval the memory of what she actually looked like had been distorted by the tortured emotions she elicited since they’d broken up: in his mind, she took on the dimensions of an abject creature. What a shock when she opened the door, bursting with vibrant, almost aggressive good health. The power of her beauty, Nate had once decided, came from its ability to constantly reconfigure itself. When he thought he’d accounted for it, filed it away as a dead fact—pretty girl—she turned her head or bit her lip, and like a children’s toy you shake to reset, her prettiness changed shape, its coordinates altered: now it flashed from the elegant contours of her sloping brow and flaring cheekbone, now from her shyly smiling lips.

I don't want to be looked at and grab attention, that's exhibitionism. I would rather be seen more for my intelligence, for my elegance, for not being just another girl seeking attention. I don't want to catch someone's eyes because those kind of attention spans are short and easily shifted to the next exhibitionist, I would rather stay in the memory as someone who refused to be a performer yet made an impact.

the office. Unable to wait, he went to the bathroom but didn’t flush the toilet. To warn us of the unpleasant odor, he tacked a sign to the bathroom door: “RSVP—gas!” Of course, he meant “Danger—gas!” but he thought “RSVP” looked more elegant. He didn’t have the faintest idea that it meant “please reply.” Yours,

The middle of the 'Atlantis' the warm, luxurious cabins,ining-rooms, halls, shed light and joy, buzzed with the chatter of an elegant crowd, was fragrant with fresh flowers, and quivered with the sounds of a string orchestra. And again amidst that crowd, amidst the brilliance of lights, silks, diamonds, and bare feminine shoulders, a slim and supple pair of hired lovers painfully writhed and at moments convulsively clashed. A sinfully discreet, pretty girl with lowered lashes and hair innocently dressed, and a tallish young man with black hair looking as if it were glued on, pale with powder, and wearing the most elegant patent-leather shoes and a narrow, long-tailed dress coat, a beau resembling an enormous leech. And no one knew that this couple had long since grown weary of shamly tormenting themselves with their beatific love-tortures, to the sound of bawdy-sad music ; nor did any one know of that thing which lay deep, deep below at the very bottom of the dark hold, near the gloomy and sultry bowels of the ship that was so gravely overcoming the darkness, the ocean, the blizzard.

My view of writing "Coldest Girl in Coldtown" was to take every single thing that I loved from every vampire book I had ever read and dump it into one book--everything I like--trying to evoke some of the decadence… Vampires are a high-class monster: They want to dress up. They want to drink a lot of absinthe, or force their victims to drink a lot of absinthe. They have big parties and have elegant rituals. I think that's a thing we associate with vampires--they are the royalty of our monsters. We expect them to be rich, we expect them to be well-dressed. I wanted to have some of that be true because I like it, and have some of it not be true because it's kind of weird. I wanted to put in the idea of infection, which I was really interested in and which was a big feature of the vampire books I read growing up. And, the fear and desire for infection--the way in which our urge towards loving vampires is nihilistic. Our fear of them is our survival instincts kicking in.

That looks feasible. What do you want for lunch? Cake, sandwiches, fruit, and coffee will be all that is necessary, I suppose?" "Oh, dear, no! We must have cold tongue and chicken, French chocolate and ice cream, besides. The girls are used to such things, and I want my lunch to be proper and elegant, though I do work for my living.

I was in love with a beautiful, brilliant girl who was married to the most elegant and incisive gent I had ever met; there was no hope for me but, oh, the love was beautiful. Mr.

a few representatives from the animal kingdom. They elegantly remind us that we’re all animals on this earth, constantly evolving yet eternally caged.

Girls are supposed to be a little more elegant when they put their cigarettes out. You did that like a lumberjack.

We’re more elegant weapons. More civilized. Less clumsy or random. We’re built with the strength to hold this Fleet together.

But poor Everett had been ostracized for his elegant and daring theory and forced to leave physics.

And with awe he saw her lose her battle with that smile. It fought first with one corner of her mouth, then the other, and then it broke all over her like a sunrise. The very shape of her face changed. Or rather, she came into focus at last in that moment; she'd simply been awaiting illumination from within. There were dimples, and a pointed chin, and elegant cheekbones. Her face was heart-shaped, sweetly drawn, very 'alive.' She was 'incandescent' with wicked amusement. In that moment was an entirely different girl. He stared, stunned.

... choosing things with your own personal sense of 'I like this, I don't like that" is the ultimate individualism that sustains the very foundation of Rococo. Rococo, therefore, embodies the spirit of punk rock and anarchism more than any philosophy. Only in Rococo--elegant yet in bad taste, extravagant yet defiant and lawless--can I discover the meaning of life.

Now that we know that Spring Roll is a girl, we should probably think about setting up her room. Gabriel kept his eyes on the road as he drove the Volvo one Saturday morning in May. We should also talk about names. That sounds good. Maybe you should think about what you want and we can go shopping. Julia turned to look at him. Now? I said I'd take you to lunch, and we can do that. But afterward, we need to start thinking about Spring Roll's room. We want it to be attractive, but functional. Something comfortable for you and for her, but not juvenile. She's a baby, Gabriel. Her stuff is going to be juvenile. You know what I mean. I want it to be elegant and not look like a preschool. Good grief. Julia fought a grin as she began imagining what the Professor would design. (Argyle patterns, dark wood, and chocolate brown leather immediately came to mind.) He cleared his throat. I might have done some searching on the Internet. Oh, really? From where? Restoration Hardware? Of course not. He bristled. Their things wouldn't be appropriate for a baby's room. So where then? He gazed at her triumphantly. Pottery Barn Kids. Julia groaned. We've become yuppies. Gabriel stared at her in mock horror. Why do you say that? We're driving a Volvo and talking about shopping at Pottery Barn. First of all, Volvos have an excellent safety rating and they're more attractive than a minivan. Secondly, Pottery Barn's furniture happens to be both functional and aesthetically pleasing. I'd like to take you to one their stores so you can see for yourself. As long as we get Thai food first. Now it was Gabriel's turn to roll his eyes. Fine. But we're ordering takeout and taking it to the park for a picnic. And I'm having Indian food, instead. If I see another plate of pad Thai, I'm going to lose it. Julia burst into peals of laughter.

In his Petersburg world all people were divided into utterly opposed classes. One, the lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one's children, earn one's bread, and pay one's debts; and various similar absurdities. This was the class of old-fashioned and ridiculous people. But there was another class of people, the real people. To this class they all belonged, and in it the great thing was to be elegant, generous, plucky, gay, to abandon oneself without a blush to every passion, and to laugh at everything else.

She sat there admiring the beauty of the light amber fluid in the clear bottle, the way the condensation on the Miller bottle ran down the black and gold label, like it was a fine piece of art. That was the problem with alcohol. It was so beautiful to look at, how could you resist it? And what kind of place could be more inviting and seductive than a truly elegant cocktail bar?

My Kind of Girl A letter of inspiration from a loving Mother Understands who she is Stands for what she believes in She cannot be broken No one can belittle her When trials come her way She remains unfazed My Kind of Girl Walks with confidence She exudes excellence An epitome of elegance She does due diligence Being mindful of her intelligence And knowing her importance My Kind of Girl Builds her own future A certified trailblazer Who utilizes the power within her To be of good influence Always on top of her game Yes, she keeps soaring like an eagle My Kind of Girl Takes charge for her own life Secures her name in historical archives For she is no ordinary woman An extraordinary being She dares to dream In the world, she makes a difference That is my kind of girl

Just for a moment it reminded not-Triss of drawings she had seen in magazines and on book jackets, of pastel-colored parties where languid, fashionable women slunk and posed, slim and elegant as fish, and gentlemen passed them flutes of fat-bubbled champagne. The impression did not last long, however. The scene around her was too jarringly and robustly real. The accents were all too Ellchester, and some of the girls had knobbly ankles.

Amadora was never far from her understanding of women, glamour, or the fine line between elegant and camp, vulgar and vibrant, life and dreams. ... Color, she believed, was feminine. She said that women were masters of color, evidenced in changing their hair color, using eye shadow, mascara, powder, rouge, lipstick. You could see it in their jewelry- silvers and golds, gems, stones, pearls of every hue. It was in their clothing, from what they slept in to what they danced in. Their shoes. Their purses. Ribbons, barrettes, clips, and tiaras. Veils. All this color to enhance their sex appeal, while men, she felt, were ill-equipped to handle color with the same ease.

The Golden Court, the country town's elegant inn, was crowded and noisy. The guests, locals and visitors, were mostly engaged in activities typical for their nation or profession. Serious merchants argued with dwarves over the price of goods and credit interest. Less serious merchants pinched the backsides of the girls carrying beer, cabbage and beans. Local nitwits pretended to be well-informed. Harlots were trying to please those who had money while discouraging those who had none. Carters and fishermen drank as if there were no tomorrow. Some seamen were singing a song which celebrated the ocean waves, the courage of captains and the graces of mermaids, the latter graphically and in considerable detail.

You'll get over this after a while, and find some lovely accomplished girl, who will adore you, and make a fine mistress for your fine house. I shouldn't. I'm homely and awkward and odd and old, and you'd be ashamed of me, and we should quarrel—we can't help it even now, you see—and I shouldn't like elegant society and you would, and you'd hate my scribbling, and I couldn't get on without it, and we should be unhappy, and wish we hadn't done it, and everything would be horrid!

The room smells of lemon oil, heavy cloth, fading daffodils, the leftover smells of cooking that have made their way from the kitchen or the dining room, and of Serena Joy's perfume: Lily of the Valley. Perfume is a luxury, she must have some private source. I breathe it in, thinking I should appreciate it. It's the scent of pre-pubescent girls, of the gifts young children used to give their mothers, for Mother's Day; the smell of white cotton socks and white cotton petticoats, of dusting powder, of the innocence of female flesh not yet given over to hairiness and blood. It makes me feel slightly ill, as it I'm in a closed car on a hot muggy day with an older woman wearing too much face powder. This is what the sitting room is like, despite its elegance.

Like Scout Finch in To Kill a Mockingbird, I saw the effortless grace and elegance of the women around me and realized that “there was some skill involved in being a girl,” and I knew I didn’t just want to grow up and be a woman. I wanted to grow up and be a lady.

I feel in good spirits, though surrounded by an Army, the house full of officers, the yard alive with soldiers, - very peaceable sort of men, tho'. They eat like other folks, talk like them, and behave themselves with elegance; so I will not be afraid of them, that I won't.

Mr. Kadam bowed and said, “Miss Kelsey, I will leave you to your dining companion. Enjoy your dinner.” Then he walked out of the restaurant. “Mr. Kadam, wait. I don’t understand.” Dining companion? What is he talking about? Maybe he’s confused. Just then, a deep, all-too-familiar voice behind me said, “Hello, Kells.” I froze, and my heart dropped into my stomach, stirring up about a billion butterflies. A few seconds passed. Or was it a few minutes? I couldn’t tell. I heard a sigh of frustration. “Are you still not talking to me? Turn around, please.” A warm hand slid under my elbow and gently turned me around. I raised my eyes and gasped softly. He was breathtaking! So handsome, I wanted to cry. “Ren.” He smiled. “Who else?” He was dressed in an elegant black suit and he’d had his hair cut. Glossy black hair was swept back away from his face in tousled layers that tapered to a slight curl at the nape of his neck. The white shirt he wore was unbuttoned at the collar. It set off his golden-bronze skin and his brilliant white smile, making him positively lethal to any woman who might cross his path. I groaned inwardly. He’s like…like James Bond, Antonio Banderas, and Brad Pitt all rolled into one. I decided the safest thing to do would be to look at his shoes. Shoes were boring, right? Not attractive at all. Ah. Much better. His shoes were nice, of course-polished and black, just like I would expect. I smiled wryly when I realized that this was the first time I’d ever seen Ren in shoes. He cupped my chin and made me look at his face. The jerk. Then it was his turn to appraise me. He looked me up and down. And not a quick look. He took it all in slowly. The kind of slow that made a girl’s face feel hot. I got mad at myself for blushing and glared at him. Nervous and impatient, I asked, “Are you finished?” “Almost.” He was now staring at my strappy shoes. “Well, hurry up!” His eyes drifted leisurely back up to my face and he smiled at me appreciatively, “Kelsey, when a man spends time with a beautiful woman, he needs to pace himself.” I quirked an eyebrow at him and laughed. “Yeah, I’m a regular marathon alright.” He kissed my fingers. “Exactly. A wise man never sprints…in a marathon.” “I was being sarcastic, Ren.” He ignored me and tucked my hand under his arm then led me over to a beautifully lit table. Pulling the chair out for me, he invited me to sit. I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I’d never make it. He leaned in close and whispered in my ear. “I know what you’re thinking, and I’m not going to let you escape again. You can either take a seat and have dinner with me like a normal date,” he grinned at his word choice, “or,” he paused thoughtfully then threatened, “you can sit on my lap while I force-feed you.” I hissed, “You wouldn’t dare. You’re too much of a gentleman to force me to do anything. It’s an empty bluff, Mr. Asks-For-Permission.” “Even a gentleman has his limits. One way or another, we’re going to have a civil conversation. I’m hoping I get to feed you from my lap, but it’s your choice.” He straightened up again and waited. I unceremoniously plunked down in my chair and scooted in noisily to the table. He laughed softly and took the chair across from me. I felt guilty because of the dress and readjusted my skirt so it wouldn’t wrinkle.

I promise I’ll answer all of your questions, Paedyn. But first, let us make our introductions. This is my daughter Mira,” he gestures to the blond girl beside him who barely offers me a smile, “and this is Leena.” He nods toward the girl with the raven hair falling elegantly down her

then went about locating and booking rare tropical birds to make up for the party’s otherwise lack of wildlife. No post-rehab bash is complete without a few representatives from the animal kingdom. They elegantly remind us that we’re all animals on this earth, constantly evolving yet eternally caged.

For no obvious reason, I began to look closely at the women on the stradone. Suddenly it seemed to me that I had lived with a sort of limited gaze: as if my focus had been only on us girls, Ada, Gigliola, Carmela, Marisa, Pinuccia, Lila, me, my schoolmates, and I had never really paid attention to Melina’s body, Giuseppina Pelusi’s, Nunzia Cerullo’s, Maria Carracci’s. The only woman’s body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swollen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings? Would Lila be misshapen like Nunzia? Would Fernando leap from her delicate face, would her elegant walk become Rino’s, legs wide, arms pushed out by his chest? And would my body, too, one day be ruined by the emergence of not only my mother’s body but my father’s? And would all that I was learning at school dissolve, would the neighborhood prevail again, the cadences, the manners, everything be confounded in a black mire, Anaximander and my father, Folgóre and Don Achille, valences and the ponds, aorists, Hesiod, and the insolent vulgar language of the Solaras, as, over the millenniums, had happened to the chaotic, debased city itself? I

Glad to find you so merry, my girls,” said a cheery voice at the door, and actors and audience turned to welcome a tall, motherly lady, with a “can-I-help-you” look about her which was truly delightful. She was not elegantly dressed, but a noble-looking woman, and the girls thought the gray cloak and unfashionable bonnet covered the most splendid mother in the world.

You’re overly hostile, and that’s not a good thing. Pulsar, especially, are very controlled in their emotions.’ ‘So I’ve been told,’ I mutter. ‘They’re like water: elegant, neutral in all feeling. You, though, you’re like fire: blazing, belligerent, existing on all feelings – so unsuited to being a Pulsar.’ ‘Maybe that’s why we clash so much, you and me, because we’re fire on fire.

And we talked to each other at a restaurant and I was supposed to order wine and I would much rather have had something to eat. But that’s just like them — they don’t mind paying large sums for something to drink, but as soon as they have to pay just a small amount for something to eat they feel taken advantage of, because food is a necessity, but having a drink is superfluous and therefore elegant.

That day in Chartres they had passed through town and watched women kneeling at the edge of the water, pounding clothes against a flat, wooden board. Yves had watched them for a long time. They had wandered up and down the old crooked streets, in the hot sun; Eric remembered a lizard darting across a wall; and everywhere the cathedral pursued them. It is impossible to be in that town and not be in the shadow of those great towers; impossible to find oneself on those plains and not be troubled by that cruel and elegant, dogmatic and pagan presence. The town was full of tourists, with their cameras, their three-quarter coats, bright flowered dresses and shirts, their children, college insignia, Panama hats, sharp, nasal cries, and automobiles crawling like monstrous gleaming bugs over the laming, cobblestoned streets. Tourist buses, from Holland, from Denmark, from Germany, stood in the square before the cathedral. Tow-haired boys and girls, earnest, carrying knapsacks, wearing khaki-colored shorts, with heavy buttocks and thighs, wandered dully through the town. American soldiers, some in uniform, some in civilian clothes, leaned over bridges, entered bistros in strident, uneasy, smiling packs, circled displays of colored post cards, and picked up meretricious mementos, of a sacred character. All of the beauty of the town, all the energy of the plains, and all the power and dignity of the people seemed to have been sucked out of them by the cathedral. It was as though the cathedral demanded, and received, a perpetual, living sacrifice. It towered over the town, more like an affliction than a blessing, and made everything seem, by comparison with itself, wretched and makeshift indeed. The houses in which the people lived did not suggest shelter, or safety. The great shadow which lay over them revealed them as mere doomed bits of wood and mineral, set down in the path of a hurricane which, presently, would blow them into eternity. And this shadow lay heavy on the people, too. They seemed stunted and misshapen; the only color in their faces suggested too much bad wine and too little sun; even the children seemed to have been hatched in a cellar. It was a town like some towns in the American South, frozen in its history as Lot's wife was trapped in salt, and doomed, therefore, as its history, that overwhelming, omnipresent gift of God, could not be questioned, to be the property of the gray, unquestioning mediocre.

He's got a point," said Jace. With the handle of his spear, he had pushed the oilcloth aside, uncovering a two-handed sword with an immense broad curved blade, like a cross between a scimitar and a machete. He gingerly nudged the tip with his good foot. "As does this. Clary? Dadao?" Clary took it and went to the other end of the room, where she stepped through a few two-handed sword forms, her bright red braid whipping around her head as she spun through a series of forward cuts, ending with the sword elegantly held downwards. She flashed them a smile. "I like it." Jace was staring. Alec patted him on the shoulder. "There's something about a tiny girl with a gigantic sword," Jace murmured. Clary came back over. Jace visibly restrained himself from grabbing her and kissing her, and instead went back to the pile of weapons at their feet.

She was no longer the fair-haired, colourless girl whom I had seen at the church fifteen years before, but a stout, over-dressed lady, one of those ladies with no age, no character, no elegance, no wit, nor any of the attributes that constitute a woman. She was merely a mother, a fat, commonplace mother, the breeder, the human brood-mare, the procreating machine made of flesh, with no interests but her children and her cookery-book.

[Verse 3: Jaden] The girl I could never have is elegant and intelligent And I just kind of fell but I'm irrelevant in her eyes And this is somethin' I can settle with I'm pourin' out my heart, and girl it's kind of for the Hell of it Girl you know that I ain't celibate I know who your fellow is but we can walk the park We can talk and we embellish in the creatures after dark Cause I know that I'm a rebel kid, we come from different elements But baby girl I can tell I get On

That girl has been listening,” she said. The culprit snatched up her brush, and scrambled to her feet. She caught at the coal box and simply scuttled out of the room like a frightened rabbit. Sara felt rather hot-tempered. “I knew she was listening,” she said. “Why shouldn’t she?” Lavinia tossed her head with great elegance. “Well,” she remarked, “I do not know whether your mamma would like you to tell stories to servant girls, but I know my manna wouldn’t like me to do it.” “My mamma!” said Sara, looking odd. “I don’t believe she would mind in the least. She knows that stories belong to everybody.” “I thought,” retorted Lavinia, in severe recollection, “that your mamma was dead. How can she know things?” “Do you think she doesn’t know things?” said Sara, in her stern little voice. Sometimes she had a rather stern little voice. “Sara’s mamma knows everything,” piped in Lottie. “So does my mamma--’cept Sara is my mamma at Miss Minchin’s--my other one knows everything. The streets are shining, and there are fields and fields of lilies, and everybody gathers them. Sara tells me when she puts me to bed.” “You wicked thing,” said Lavinia, turning on Sara; “making fairy stories about heaven.” “There are much more splendid stories in Revelation,” returned Sara. “Just look and see! How do you know mine are fairy stories? But I can tell you”--with a fine bit of unheavenly temper--“you will never find out whether they are or not if you’re not kinder to people than you are now. Come along, Lottie.

I started out studying literature, but soon discovered that science was where I actually belonged. The contrast made it all the clearer: in science classes we did things instead of just sitting around talking about things. We worked with our hands and there were concrete and almost daily payoffs. Our laboratory experiments were predesigned to work perfectly and elegantly every time, and the more of them that you did, the bigger the machines and the more exotic were the chemicals that they let you use.

She replaced her wardrobe with marvels of the season bought from boutiques of the Palais-Royal and rue de la Chaussee-d'Antin. Outfits for a ball detailed in the fashion pages of the January 1839 edition of Paris Elegant describe dresses of pale pink crépe garnished with lace and velvet roses and accessorized with white gloves, silk stockings, and white cashmere or taffeta shawls. In the spring of that year, misty tulle bonnets came into fashion worn with capes of Alencon lace - “little masterpieces of lightness and freshness.“ Her bed was her stage, raised on a platform and curtained with sumptuous pink silk drapes. The adjoining cabinet de toilette was also a courtesan’s natural habitat, its dressing table a jumble of lace, bows, ribbons, embossed vases, crystal bottles of scents and lotions, brushes and combs of ivory and silver. She indulged her sweet tooth with cakes from Rollet the patissier, glaceed fruit from Boissier, and on one occasion sent for twelve biscuits, macaroons, and maraschino liqueur.

Melissa turned back to the mirror and drew a breath; the girl she knew was gone. In her place was a woman in rustling green silk and emeralds, a woman who would turn heads at the ball. From the top of her powdered head to the soles of her silk shod feet, she was elegantly dressed and more than ready to attend the ball. The earrings fell from her ears in waterfalls of tiny emeralds and her necklace was a heavy engraved affair of gold, the emeralds in the scrolled settings large and dazzling. Green suited her it seemed.

The wooden woman had four arms, each outstretched in a different direction, pointing with authority. On the inside of her easterly arm, pointing backward in the direction September had come, someone had carved in deep, elegant letters: TO LOSE YOUR WAY On the northerly arm, pointing up tp the tops of the cliffs, it said: TO LOSE YOUR LIFE On the southerly arm, pointing out to sea, it said: TO LOSE YOUR MIND And on the westerly arm, pointing up to a little headland and a dwindling of the golden beach, it said: TO LOSE YOUR HEART

Next,” he murmured, evasively, “you’ll be suggesting I wear my Order of the Bath . . .” “That’s right! You’re a real knight, aren’t you?” “Of course he’s a real knight, you idiot!” Aisling chided. “Why do you think he’s called Sir Graham?” The admiral executed a courtly, elegant bow that elicited excited squeals from both girls. “Yes, ladies, I am a knight. The king bestowed the Order on me following my actions at the Nile.” He gave them a secretive, wicked look from beneath his long lashes. “Surely, now, you’ll not suggest that I don my Order, too?

I found a photo of Mom standing between Mick and Dad, who were both wearing basketball uniforms. Mom was perfectly groomed, of course, and looking very ladylike. I said I must have been adopted. Ma-ma-oo laughed and said that when Mom was a little girl, she was always doing things like tying two cookie sheets to her shoes and attempting to ski because she'd seen one of her movie star idols in a magazine, elegantly poised on the slopes of Switzerland. Mom flew down the hill, hit a bump and crashed into a bush. She broke her leg and earned the nickname "Crash.

Everything is being torn up and destroyed and if you want to be honest, you have to admit that you can’t figure things out anymore. And particularly an educated man can’t build anything for himself anymore, and everything is uncertain. The whole world is uncertain and life and the future and what we used to believe in and what we believe in now, and work isn’t fun anymore, because you always have a bad conscience because there are so many people who don’t have any. And so a man has nothing but his wife and he’s very dependent on her because he wants to be able to believe in something, and that’s the love for his wife — and then she doesn’t want all that love and that way you’re not worth anything at all anymore. And because you’re nothing but a burden on humanity these days — that’s why you need that special someone so badly to whom you can be a joy. And then all of a sudden you’re no joy anymore. And true elegance is disappearing in this day and age and in times like that, women are the first ones to slide, and men are held by the law and they hold women too — and once all the laws of humanity have disappeared, man has nothing more to hold onto,

There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?

From here to Jerusalem no woman has a more beautiful neck; it was smooth and soft to the touch. She had a bosom as white has the snow upon a branch, when it has just fallen. Her body as well made and svelte; you would not have had to seek anywhere on earth to find a woman with a more beautiful body. She had a pretty chaplet of gold embroidery. There was never a girl more elegant or better arrayed; nor would I have described her right. Above the chaplet of gold embroidery was one of fresh roses, and in her hand she held a mirror, and she had arranged her hair with a rich head-band.

Girls are supposed to be a little more elegant when they put out their cigarettes. You did that like a lumberjack. You shouldn't just cram it down in the ashtray but press it lightly around the edges of the ash. Then it doesn't get all bent up. And girls are never supposed to blow smoke through their noses. And most girls wouldn't talk about how they wore the same bra for three months when they're eating alone with a man." "I am a lumberjack," Midori said, scratching next to her nose. "I can never manage to be chic. I try it as a joke sometimes, but it never sticks. Any more critiques for me?

At the wheel of his slow car, Bob Arctor forgot theoretical matters and did a rerun of a moment that had impressed them all: the dainty and elegant straight girl in her turtleneck sweater and bell-bottoms and trippy boobs who wanted them to murder a great harmless bug that in fact did good by wiping out mosquitoes - and in a year in which an outbreak of encephalitis had been anticipated in Orange County - and when they saw what it was and explained, she had said words that became for them their parody evil-wall-motto, to be feared and despised: IF I HAD KNOWN IT WAS HARMLESS I WOULD HAVE KILLED IT MYSELF.

You asked for honesty.” He chuckled, but kept her close. “This . . . this struggle is precisely my point. No, you don’t fit the beautiful, elegant, predictable mold. But take heart, Marissa. Some men like to be surprised.” Marissa? She stared at him, horrified. And thrilled. And horrified at being thrilled. “You. Are. The most—” A bell jingled. The Bull and Blossom’s door swung open, and a handful of giggling village girls tumbled forth, riding a wave of music and warmth. Minerva’s breath caught. If the girls turned this way, she and Payne would be seen. Together. “Surprise,” she whispered. Then she pressed her lips to his.

I think a marvelous stunt would be to have your best friend (or the most critical acquaintance) take some candid color snapshots of you from all angles, dressed just as you usually appear at, say, six in the evening. The same hairdo, the same makeup, and if possible the same expression on your face. Be honest! Be sure to have her take the rear views, too. There ought to be some other shots of you wearing your best going-out-to-dinner dress, or your favorite bridge-with-the-girls costume — hat, gloves, bag, and costume jewelry. Everything. Then have that roll of film developed and BLOWN UP. You can’t see much in a tiny snapshot. An eight-by-ten will show you the works — and you probably won’t be very happy with it. Sit down and take a long look at that strange woman. Is she today’s with-it person — elegant, poised, groomed, glowing with health? Or is she a plump copy of Miss 1950? Is she sleek, or bumpy in the wrong places? How is her posture? Does she look better from the front than from the back? Does she stand gracefully? […] Feet together or one slightly in front of the other, is the most graceful stance. […] I always pin my bad notices on my mirror. How about keeping those eight-by-ten candid shots around your dressing room for a while as you dress?

So I was hard on the Beast, win or lose, When I got upstairs, those tragic girls in my head, Turfing him out of bed; standing alone On the balcony, the night so cold I could taste the stars On the tip of my tongue. And I made a prayer – Thumbing my pearls, the tears of Mary, one by one, Like a rosary – words for the lost, the captive beautiful, The wives, those less fortunate than we. The moon was a hand-mirror breathed on by a Queen. My breath was a chiffon scarf for an elegant ghost. I turned to go back inside. Bring me the Beast for the night. Bring me the wine-cellar key. Let the less-loving one be me. - an excerpt from Mrs. Beast -

The next thing that caught his attention was her clothes. He generally took no particular interest in what people wore, but there was something so wonderful about the way this girl dressed that it made a deep impression on him; indeed, one could even say it moved him. There were plenty of women around who dressed elegantly, and plenty more who dressed to impress, but this girl was different. Utterly different. She wore her clothes with such naturalness and grace that she could have been a bird that had enveloped itself in a special wind as it prepared to fly off to another world. He had never seen a woman wear her clothes with such apparent joy.

Don’t say anything if you see him, okay? He’s never told me about her, but it’s a small town. I hear things. And I saw them once, up near Velvet Road, arguing. She was gorgeous. And I definitely don’t want him to think I care. He knows what I used to be, so it might be awkward for him.” “What you used to be?” Tana echoed, frowning in confusion. “I wasn’t born a girl,” Valentina said, shifting her long, elegant limbs to stand. “At least not on the outside. He knows I came here because I couldn’t afford surgery. If I was turned, I figured at least I could keep looking like I do now. At least my face wouldn’t change. But things haven’t exactly worked out.

I start reading every Elizabeth Wurtzel essay with optimism, like maybe finally she put her talent to writing about something than herself, and by the end of paragraph three that optimism has fled. So maybe you know Wurtzel has written an essay for New York Magazine? Probably you know, because for whatever reason, Wurtzel provokes a deep need in people to talk about how much they hate Wurtzel. So the comments are hundreds deep, Twitter is ablaze, and here I am, writing this blog post. And actually, she reminds me of Mary MacLane. She was a 19-year-old girl who wrote a memoir called I Await the Devil’s Coming in 1901 and it was an instant success. I wrote the introduction to the upcoming reissue, and there I talk about what a deeply interesting book it was. Not only “for its time,” but also it’s just kind of visceral and nasty and snarling, yet elegantly written. I kept thinking about MacLane, after the introduction got handed in and things went off to press. But this time, it wasn’t her writing that interested me, it was the way she never wrote anything very interesting ever again. She got stunted, somehow, winning all of that acclaim for being a young, sour thing. And I wondered if it was the fame that stunted her, because she spent the rest of her career spitting out copies of the memoir that made her famous. And it worked, until it didn’t.

Amongst my sisters, I was certainly “the Russian girl”. Tatiana could have been Parisienne in her reed-thin elegance; Olga (we dare not say this) is Germanic in appearance—the protuberant forehead, milky-blue eyes and stubborn set to her squared jaw, her phlegmatic moods. Anastasia? My Shvybz is without any identity but that of an elf! Her spirit is too light for earth; she came from faeries. When we play Peter Pan at the Wendy House on our Children’s Island, Shvybz is well cast as Tinkerbelle. Alexei, of course, was always Pan. Mama, we joked, was Mrs. Darling. For all her love of Russia, Mama dresses, sounds, and decorates like an Englishwoman. Papa and I are Russians to the heart and bone. As

Please remember that your divine right to exist in a constant state of pleasure does not mean that you do not or should not feel the entire range of emotions. One of the most magical parts of womanhood is the way we can move about the emotional spectrum at a moment’s notice. People out of tune with our true nature will call us “erratic” or “crazy” when really, we’re just a natural as the wind, the water, and the earth. All of nature’s elements present aspects of beauty, elegance, purity, and peace. Nature’s elements also present aspects of chaos, fury, barrenness, coldness, and destruction. We are made of the same atoms that make up earth and stars, and therefore are capable of all of their attributes.

One model I met through Jerry had been a Playboy playmate. She was tall and gorgeous. Every girl in the world, looking at her, would have been jealous. However, she thought she was too tall. When she would come into a room, she’d be half stooped over. I tried to teach her, when she was posing, to please stand up, because she was so elegant and striking. I finally talked her into that. Then she had another worry: she’s got “dents” near her groin. I have to get out a book of anatomy to show her that it’s the attachment of the muscles to the ilium, and to explain to her that you can’t see these dents on everybody; to see them, everything must be just right, in perfect proportion, like she was. I learned from her that every woman is worried about her looks, no matter how beautiful she is.

 "Oh, but I love them so. There." Margo stepped back, then nodded in satisfaction. "I didn't have much to work with, but…"  "Keep it up, Miss D Cup," Kate grumbled, then looked down and goggled. "Jesus, where did they come from?"  "Amazing, isn't it? In the right harness, those puppies just rise."  "I have breasts." Stunned, Kate patted the swell rising above black satin and lace. "And cleavage."  "It's all a matter of proper positioning and making the most of what we have. Even when it's next to nothing."  "Shut up." Grinning, Kate slicked her hands down her torso. "Look, Ma. I'm a girl." ....Her friend was sitting in an elegant Queen Anne chair wearing a black bustier with matching lacy garter belt and sheer black stockings. "Why, Kate, you look so… different."  "I have tits," she stated and rose. "Margo gave them to me."  

To me, Chicago was the bar in the twelfth-floor lobby of the Ritz-Carlton, where I drank strawberry daiquiris—sophisticated!—with my visiting parents and with girls I was trying to impress. It was the elegant shops at the new, fancy Water Tower Place. My favorite Chicago spots were primarily restaurants. Dianna’s Opaa, in Greektown on South Halsted Street, with its lanky, serpent-like owner, Petros Kogiones, performing his host duties that were as important as the food—on the nights he wasn’t there, you felt cheated—sliding back his sheet of long black hair to greet his female customers with an overly familiar kiss and their dates with a disarming, arms-flung-wide cry of “cousin!” then conducting his odd 9 p.m. ceremonies, calling up all the engaged couples to be officially blessed by Famous Petros in the name of God, the Greek Orthodox Church, and Dianna’s Opaa! We’d all cheer and raise our juice glasses of Roditis high. Or

He paused and eyed her as if she were an agate discovered in gravel. "But what a very sharp tongue you have for a housekeeper." Bridget's heart sank- she knew better than to speak so frankly. It was never good for a servant to be noticed by a master- particularly this master. "Come." He beckoned her closer with his forefinger and she saw the flash of a jeweled gold ring on his left thumb. She swallowed and opened her right hand, silently dropping the miniature to the lush carpet. As she walked toward him she nudged the little painting under the enormous bed with the side of her foot. She stopped a pace away from him. His lips curved, sly and sensual. "Closer." She stepped nearer until her plain, practical black linsey-woolsey skirts were crushed against his purple velvet knees. Her heart beat hard and swift, but she was confident her expression didn't show her fear. Still smiling, he held out his hands, palms upward. His hands were long-fingered and elegant. The hands of a musician- or a swordsman. She stared down at them a moment, confused. He quirked an eyebrow and nodded. Bridget placed her hands on top of his. Palm to palm. She expected searing heat or deathly cold and was a little surprised to instead feel human warmth. She'd been hired little more than a fortnight before the duke had supposedly been banished. In that time he had never struck her as human- or humane. "Ah," His Grace murmured, cocking his head with interest. "What feminine hands you have, despite your station in life." His blue eyes flashed at her from under dark eyelashes, a secretive smile playing about his mouth. She met his gaze stonily. His lips quirked and he looked down again. "Small, plump, with neat, round nails." He turned her hands over so that they now rested palms-up in his. "I once knew a Greek girl who swore she could read a man's life story from the lines on his hands." He dropped her left hand to trace the lines on her right palm with a forefinger. His touch sent a frisson along her nerves and Bridget couldn't hold back a shudder.

Toward the end of the three weeks, I have lunch with a representative from the foundation. She wants to know what could be done to make the girls more “confident.” I rattle on, about girl-only classrooms, giving them room away from the boys, time to talk, permission to question and complain without being afraid of being seen as whiners, complainers, bad girls, tough girls. But I know that all of them, boys and girls both, are still only partly formed, soft as Playdoh. They are like golems — their bodies in full flower and everything else a work-in-progress. I don’t dare say there are essential gender differences here, though I wonder more and more. “But girls have so many more role models now,” the foundation representative says. She is a petite, elegant, beautiful woman in a black suit, perfectly coifed. More role models. Which ones, I wonder? An increasingly impossible physical ideal? A clear-cut choice between career and family? They’ve seen their mothers suffer from trying to do both. They know all about the “second shift” of endless work. When I was 15, my role models were burning bras, marching in the street, starting clinics, passing laws and getting arrested. Role models now are selling diet books and making music videos. The simple fact is, I don’t know. I don’t know how to help them. I know that I have to keep checking my watch during lunch and rush off to make the final bell for sixth period, and that all of these children who are almost grown have spent their entire lives ruled by a clock and the demands of strangers. They have grown up in a fragmented and chaotic place over which they have no control. I know they’ve rarely thought about the possibility of getting out; they don’t see any place to get out to, anywhere to go not ruled by bureaucratic entanglements and someone else’s schedule and somebody else’s plans. If girls are somehow wired toward pliancy, then the helpless role of student in the shadow of the institution is the worst place they can be. If we want to teach them independence, the first thing to do would be to give it to them.

Deep blue like the hour between the dog and the wolf. An attractively scooped neckline. Sleeves and hemline a length and cut you would call kind. Buttons in back like discreetly sealed lips. Good give in the fabric. Double lined. The sort of dress that looks like nothing but a sad dark sack on the hanger, but on the body it’s a different story. Takes extremely well to accessories. My mother loved this sort of dress. At whatever weight she was—thin, fat, middling—she owned an iteration. I saw her wear it to work, lunch with friends, on dates, to movies, parties, funerals. I saw her wear it alone in her apartment for days on end. Scratch at a stain on the boob. Shit. The hemline begin to unravel. Fuck fuck fuck. Do you have a safety pin? Holes begin to appear in the armpits. Jesus. The sleeves fray. Well. That’s that, isn’t it? She wore it so much she’d wear it out and then she’d have to hunt for another, whip through the plus-size racks for something that fit just as impossibly well, that was just as dignified, just as forgiving in its plain dark elegance.

At the wheel of his slow car, Bob Arctor forgot theoretical matters and did a rerun of a moment that had impressed them all: the dainty and elegant straight girl in her turtleneck sweater and bell-bottoms and trippy boobs who wanted them to murder a great harmless bug that in fact did good by wiping out mosquitoes – and in a year in which an outbreak of encephalitis had been anticipated in Orange County – and when they saw what it was and explained, she had said words that became for them their parody evil-wall-motto, to be feared and despised: IF I HAD KNOWN IT WAS HARMLESS I WOULD HAVE KILLED IT MYSELF. That had summed up to them (and still did) what they distrusted in their straight foes, assuming they had foes; anyhow, a person like well-educated-with-all-the-financial advantages Thelma Kornford became at once a foe by uttering that, from which they had run that day, pouring out of her apartment and back to their own littered pad, to her perplexity. The gulf between their world and hers had manifested itself, however much they’d meditated on how to ball her, and remained.

His eyes fell instead on the girl next to Krum. His jaw dropped. It was Hermione. But she didn’t look like Hermione at all. She had done something with her hair; it was no longer bushy but sleek and shiny, and twisted up into an elegant knot at the back of her head. She was wearing robes made of a floaty, periwinkle-blue material, and she was holding herself differently, somehow — or maybe it was merely the absence of the twenty or so books she usually had slung over her back. She was also smiling — rather nervously, it was true — but the reduction in the size of her front teeth was more noticeable than ever; Harry couldn’t understand how he hadn’t spotted it before. “Hi, Harry!” she said. “Hi, Parvati!” Parvati was gazing at Hermione in unflattering disbelief. She wasn’t the only one either; when the doors to the Great Hall opened, Krum’s fan club from the library stalked past, throwing Hermione looks of deepest loathing. Pansy Parkinson gaped at her as she walked by with Malfoy, and even he didn’t seem to be able to find an insult to throw at her. Ron, however, walked right past Hermione without looking at her.

When he was sixteen (1923), Peter got a job as copy boy on a New York tabloid and entered a saltier, more hard-bitten world. It was a roaring, lush, lousy tabloid. Everybody was drunk all the time. The managing editor hired girl reporters on condition they sleep with him. New staffs moved in and were mowed down like the Light Brigade. Chorus girls, debutantes, and widows suspected of murdering their husbands were perched on desks with their thighs showing to be photographed. An endless parade of cranks, freaks, ministers, actresses, and politicians moved through the big babbling room, day and night. The city editor went crazy one afternoon. So did his successor. And among the typewriters and the paste pots and the thighs, Peter walked with simple delight. A young reporter took a liking to him, found he was homeless, and insisted he share an elegant bachelor apartment uptown. There were constant parties, starting at dawn and ending as the hush of twilight settled over the city. People went to work and went to parties until they got the two pursuits confused and never noticed the difference. Whisky was oxygen, women were furniture, thinking was masochism.

She wasn’t going to be able to navigate the wet very well in those high heels, but I was sure glad she’d worn them. The graceful, unaffected feminine sway of her as she walked was a sight to see. She began making a bee-line for Murphy’s as quickly as she dared in those heels on the concrete, and then the wet slippery street. Proving there’s no fool like a desperate one, I timed my dash through the rain so I’d arrive in time to open the door for her. It is a risk in today’s climate to open a door for a woman, much less make a play for her — clumsy or otherwise. There was an elegance about her though; I could feel it, even from a distance. She didn’t strike me as the hateful, victimhood-embracing type at all; but perhaps I was simply lonely enough to risk a withering gaze or a tongue-lashing accusing me of being part of some dark, patriarchal and misogynistic conspiracy against her kind. It’s a big word, misogynistic, one of those two-dollar words, as my uneducated old man used to say. Misandrist comes before it in the dictionary, but the type of women who throw the word misogynistic around more often than a teenage girl plays with her hair to flirt, act as if misandrist isn’t a real word too.

She had a big, beautiful man at her mercy, and she wasn't going to relinquish control. Oh, she was under no illusions that she had him physically overpowered. He could have flipped their places at any instant. She hadn't taken the reins. He'd given her the reins. And that made it all the better. She decided how to begin, when to stop. Whether to tease them both with grazing friction or grind her hips. She set the pace. It was hers to grant or deny him mercy when he pleaded in a whisper. "Faster." With every motion- slow or quick, form or gentle- her pleasure spiraled higher. Her breathing grew uneven, and she flushed with heat. She fell forward to kiss him, searching his mouth. Exploring. As their tongues tangled, his whiskers scraped her lips and chin. Her nipples puckered to knots, exquisitely sensitive. With every movement, they kissed the hard planes of his chest. Bliss rushed at her from all sides, propelling her toward that distant promise of satisfaction. Her rhythm lost all elegance. Her hips jerked and bounced as her urgency grew. "Yes." His voice was strained. "Hold nothing back. I want to feel you come against me. I want to hear the sounds you make." His words of encouragement had the opposite effect. For the first time, she felt a moment's trepidation. She'd never climaxed with another person. It had taken her years to feel comfortable with herself, let alone a man. When the pleasure broke, she would be bared to him. More naked than naked.

One of the most effective ways to quicken your story’s pace is to move from a static description of an object, place or person to an active scene. The classic method for accomplishing this is to have your character interact with the subject that’s been described. For instance, let’s say you’ve just written three paragraphs describing a wedding dress in a shop window. You’ve detailed the Belgian lace veil, the beaded bodice, the twelve-foot train, even the row of satin buttons down the sleeves. Instinctively you feel it’s time to move into an action scene, but how do you do it without making your transition obvious? A simple, almost seamless way is to initiate an action between your character (let’s call her Miranda) and the dress you’ve just described. Perhaps Miranda could be passing by on the sidewalk when the dress in the window catches her attention. Or she could walk into the shop and ask the shopkeeper how much the dress costs. This method works well to link almost any static description with a scene of action. Describe an elegant table, for instance, complete with crystal goblets, damask tablecloth, monogrammed napkins and sterling silver tableware; then let the maid pull a cloth from her apron and begin to polish one of the forks. Or describe a Superman kite lying beside a tree, then watch as a little girl grabs the string and begins to run. You will still be describing, but the nature of your description will have changed from static to active, thus quickening the story’s pace. Throughout

The girls seemed unconcerned and went about their days, each as lovely in their own way as the flowers they tended. Sorrel's black hair became streaked with premature white, which gave her an exotic air, although the elegance was somewhat ruined by the muddy jeans and shorts she practically lived in. Nettie, on the other hand, had a head of baby-fine blonde hair that she wore short, thinking, wrongly, that it would look less childlike. Nettie wouldn't dream of being caught in dirty jeans and was always crisply turned out in khaki capris or a skirt and a white shirt. She considered her legs to be her finest feature. She was not wrong. Patience was the sole Sparrow redhead, although her hair had deepened from its childhood ginger and was now closer to the color of a chestnut. It was heavy and glossy as a horse's mane, and she paid absolutely no attention to it or to much else about her appearance, nor did she have to. In the summer her wide-legged linen trousers and cut-off shorts were speckled with dirt and greenery, her camisoles tatty and damp. The broad-brimmed hat she wore to pick was most often dangling from a cord down her back. As a result, the freckles that feathered across her shoulders and chest were the color of caramel and resistant to her own buttermilk lotion (Nettie smoothed it on Patience whenever she could make her stand still). When it was terribly hot, Patience wore the sundresses she'd found packed away in the attic. She knew they were her mother's, and she liked to imagine how happy Honor had been in them.

She knew the effort it took to keep one’s exterior self together, upright, when everything inside was in pieces, broken beyond repair. One touch, one warm, compassionate hand, could shatter that hard-won perfect exterior. And then it would take years and years to restore it. This tiny, effeminate creature dressed in velvet suits, red socks, an absurdly long scarf usually wrapped around his throat, trailing after him like a coronation robe. He who pronounced, after dinner, “I’m going to go sit over here with the rest of the girls and gossip!” This pixie who might suddenly leap into the air, kicking one foot out behind him, exclaiming, “Oh, what fun, fun, fun it is to be me! I’m beside myself!” “Truman, you could charm the rattle off a snake,” Diana Vreeland pronounced. Hemingway - He was so muskily, powerfully masculine. More than any other man she’d met, and that was saying something when Clark Gable was a notch in your belt. So it was that, and his brain, his heart—poetic, sad, boyish, angry—that drew her. And he wanted her. Slim could see it in his hungry eyes, voraciously taking her in, no matter how many times a day he saw her; each time was like the first time after a wrenching separation. How to soothe and flatter and caress and purr and then ignore, just when the flattering and caressing got to be a bit too much. Modesty bores me. I hate people who act coy. Just come right out and say it, if you believe it—I’m the greatest. I’m the cat’s pajamas. I’m it! He couldn’t humiliate her vulnerability, her despair. Old habits die hard. Particularly among the wealthy. And the storytellers, gossips, and snakes. Is it truly a scandal? A divine, delicious literary scandal, just like in the good old days of Hemingway and Fitzgerald? The loss of trust, the loss of joy; the loss of herself. The loss of her true heart. An amusing, brief little time. A time before it was fashionable to tell the truth, and the world grew sordid from too much honesty. In the end as in the beginning, all they had were the stories. The stories they told about one another, and the stories they told to themselves. Beauty. Beauty in all its glory, in all its iterations; the exquisite moment of perfect understanding between two lonely, damaged souls, sitting silently by a pool, or in the twilight, or lying in bed, vulnerable and naked in every way that mattered. The haunting glance of a woman who knew she was beautiful because of how she saw herself reflected in her friend’s eyes. The splendor of belonging, being included, prized, coveted. What happened to Truman Capote. What happened to his swans. What happened to elegance. What truly was the price they paid, for the lives they lived. For there is always a price. Especially in fairy tales.

He went straight to ‘his alley,’ and when he reached the end of it he perceived, still on the same bench, that wellknown couple. Only, when he approached, it certainly was the same man; but it seemed to him that it was no longer the same girl. The person whom he now beheld was a tall and beautiful creature, possessed of all the most charming lines of a woman at the precise moment when they are still combined with all the most ingenuous graces of the child; a pure and fugitive moment, which can be expressed only by these two words,— ‘fifteen years.’ She had wonderful brown hair, shaded with threads of gold, a brow that seemed made of marble, cheeks that seemed made of rose-leaf, a pale flush, an agitated whiteness, an exquisite mouth, whence smiles darted like sunbeams, and words like music, a head such as Raphael would have given to Mary, set upon a neck that Jean Goujon would have attributed to a Venus. And, in order that nothing might be lacking to this bewitching face, her nose was not handsome— it was pretty; neither straight nor curved, neither Italian nor Greek; it was the Parisian nose, that is to say, spiritual, delicate, irregular, pure,— which drives painters to despair, and charms poets. When Marius passed near her, he could not see her eyes, which were constantly lowered. He saw only her long chestnut lashes, permeated with shadow and modesty. This did not prevent the beautiful child from smiling as she listened to what the white-haired old man was saying to her, and nothing could be more fascinating than that fresh smile, combined with those drooping eyes. For a moment, Marius thought that she was another daughter of the same man, a sister of the former, no doubt. But when the invariable habit of his stroll brought him, for the second time, near the bench, and he had examined her attentively, he recognized her as the same. In six months the little girl had become a young maiden; that was all. Nothing is more frequent than this phenomenon. There is a moment when girls blossom out in the twinkling of an eye, and become roses all at once. One left them children but yesterday; today, one finds them disquieting to the feelings. This child had not only grown, she had become idealized. As three days in April suffice to cover certain trees with flowers, six months had sufficed to clothe her with beauty. Her April had arrived. One sometimes sees people, who, poor and mean, seem to wake up, pass suddenly from indigence to luxury, indulge in expenditures of all sorts, and become dazzling, prodigal, magnificent, all of a sudden. That is the result of having pocketed an income; a note fell due yesterday. The young girl had received her quarterly income. And then, she was no longer the school-girl with her felt hat, her merino gown, her scholar’s shoes, and red hands; taste had come to her with beauty; she was a well-dressed person, clad with a sort of rich and simple elegance, and without affectation. She wore a dress of black damask, a cape of the same material, and a bonnet of white crape. Her white gloves displayed the delicacy of the hand which toyed with the carved, Chinese ivory handle of a parasol, and her silken shoe outlined the smallness of her foot. When one passed near her, her whole toilette exhaled a youthful and penetrating perfume.

One of the things on the top of my to-do list since my arrival in Paris has been to visit the Palais Galliera, the city’s very own museum dedicated to fashion. I’ve seen pictures of it, but nothing has prepared me for the jaw-dropping beauty of the place. It’s a gem of a palace, a perfect wedding-cake building conjuring Italian style with its white stone columns and balustrades. I enter through the ornately carved gatehouse leading off a leafy street in one of Paris’s most elegant districts, and feel as if I’ve stepped out of the city and into a rural idyll. Trees fringe the neatly manicured parkland and, just beyond their autumnal branches, the Eiffel Tower points towards the blue of the sky. Statues dot the grounds, and the verdigris figure of a girl, the centrepiece of a fountain in front of the palace, is surrounded by ribbon-like beds of flowers, carefully planted in a mosaic of yellow and gold.

She was a beautiful girl, possessed of an elegant bearing and a sweet expression. A classic English rose. Indeed, her perfect oval face might well have been set on a cameo. But the spark of sharp intelligence in the soft velvet of her gaze and the stubborn set to her dimpled chin spoke of a female who was much more than the sum of her face and her figure.

. . .a peal of laughter sounded from within the room where the firelight was. . . .it was a boy’s laughter, and the joy of it called to the unhappy Marianne as nothing in her life had ever called to her before. He was standing on the hearthrug as a lord of creation should, his legs straddling arrogantly, his arms above his head as he stretched himself, his laughter caught up upon a prodigious yawn. He was broad-shouldered, strong, yet possessed of an elegance that was strangely mature, taller than she was but much younger. . .the brilliance of it was entangled in the wildly untidy shock of red-gold curly hair and there seemed sparks in his tawny eyes. His face was round and ruddy, with freckles on the nose, but finely featured. He had full red lips and a deep cleft in his chin, and he showed a great deal of pink tongue as he yawned. His coat and waistcoat of vivid emerald green cloth were stained with seawater and torn linings protruded from the pockets. His white cravat was soiled, the straps that should have fastened his long peg-top trousers beneath his instep had snapped, so that they coiled round his legs like delirious green snakes, and his shoes needed a polish. Never was a male so much in need of female attention or so blissfully unaware of his need. . . .she stood with her back against the door, stiff and ungainly, staring at him with great dark eyes that seemed to devour his face with the intensity of her gaze, and she could not move or speak because her heart was beating so madly that it made her feel sick and faint. Her figure might have delayed to plump itself out into the womanly roundness proper to her age, but her heart did not delay to claim this male creature for her own. She was in love, in love at sixteen, desperately in love, as Juliet was, and with a boy who for all his height and strength and maturity was only a child of thirteen years. It was absurd. But then Marianne was never at any time in the least like other girls.

OUR TEACHERS CALL ON NADIRA but stare at Anjali. Our teachers tell Michaela to Come to the board and answer number three and make sure you show your work, please, even though they hand the whiteboard marker to Naz. We stand when our names are called, and our teachers halt, confused. Oh, I’m sorry, I— No, not you, I didn’t mean you, I— Across the classroom, we catch each other’s gazes. Nadira is Pakistani and wears a headscarf, which drapes elegantly beneath her neck, except for when she’s playing handball and she knots the fabric, tight, under her chin.

The Captain experienced a feeling of elation which was extraordinarily pleasant. He was a man who was profoundly interested in the art of living. Rembrandt gave him pleasure, and so did the Fifth Symphony; so did bouillabaisse at Marseilles or Southern cooking at New Orleans or a properly served Yorkshire pudding in the North of England; so did a pretty girl or an elegant woman; so did a successful winning hazard from a difficult position at billiards, or a Vienna coup at bridge; and so did success in battle. These were the things that gilded the bitter pill of life which everyone had to swallow. They were as important as life and death; not because they were very important, but because life and death were not very important.

Hello, umbrella girl.” I chuckled remembering our first meeting. She was walking down the stairs from her house, it was raining, she elegantly spread her umbrella, her friends were on the sides, who followed her moves. All of them slowly walked past me and my male friends, rolling their eyes and smirking, we were getting wet in the rain while they were protected from the icy drops from the sky. “Wanna be friends?” She repeated her proposal again and pierced me with her dark brown eyes. “Yes.” I simply answered and a new connection had been formed between her and me.

I know what you think when you look at me, Tess, and it’s not that I take good care of my grandmomma. You’re thinkin’, thank God it didn’t happen to me. You value your good looks and hold on to them. Well, let me tell you, sister, one day you are goin’ to wake up and find out you’re not the prettiest girl on campus. Or at your workplace. Or—know what? Even in your household. Your beauty is just one brief chapter in your history book. Nothin’ but a sweet, elusive lie. Elegant wrapping paper, wrapped around a mysterious gift. And while it is true beautifully wrapped gifts are more appealing to the eye” —I cocked my head sideways, giving her body a quick, cold scan—“I’m sure whatever I have to offer under my wrapping paper’s worth more than your ugly words tonight.

There was a great change in Barbayat, though visible only for a moment before the veneer of mossy stone swathed her again. She was taller, straighter; she had a pride of carriage and an elegance of bearing; her skin was creamy and unlined, her eyes bright black-green and clear as a child’s, yet with such a store of accumulated powers and strengths in them that they were essentially old for all that. Her hair poured down her back, black as Shaina’s own; indeed she had an appearance of Shaina altogether, Shaina’s striking good looks, her vitality, her goodness, her iron endurance; if not the innocence that could only exist in a young girl.

Shadows of elegant vases and expertly crafted sculptures stretched along the floor, and I kept to the darkness, creeping toward the two armored guards stationed on either side of the double doors up ahead, guarding the entrance to Queen Izla’s rooms. Too easy. When I was close enough, I shot out. In a whirl of movement, I slid behind the guard closest to me, barely fitting in the space between his back and the wall. “Miss me, Soren?” I whispered in the blonde guard’s ear at the exact moment my palm clamped over his hand that rested on the hilt of his sword, stopping him from drawing the blade. His smooth jaw clenched, and his muscles tensed reflexively, but a second later, he relaxed. “One of these days, I’m going to accidentally stab you, shadow girl,” he said, amusement in his voice. “I’d like to see you try,” I replied with a smirk.

I am sitting alone in my old English classroom at my old desk, reading from Shakespeare’s Macbeth. The only sounds in the room are the ticking of the clock and the occasional rustling of the pages of the book. Then, Martina Reynaud, the most beautiful girl in the Class of ’83, walks in. She’s tall, graceful, and absolutely breathtaking. She’s wearing a black dress, one that shows off her long dancer’s legs. Her peaches-and-cream complexion is flawless; there is no sign of a pimple anywhere. Her long chestnut hair cascades down over her shoulders. In short, she is the personification of feminine elegance from the top of her head to her high-heeled shoes. I try to get back to my reading assignment, but the scent of her perfume, a mixture of jasmine and orange blossoms, is beguiling. I look to my right; she is sitting at the desk right next to mine. She gives me a smile. My heart skips a beat. I know guys who would kill for one of Marty’s smiles. She has that effect on most men. Her smile is full of genuine warmth and affection; I can tell by the look in her hazel eyes. “Hi, Jimmy,” she says. Her voice is soft and melodious; she speaks with a lilting British accent. From what I’ve heard, her family is from England. London, actually. “Hi,” I reply, feeling about as articulate as your average mango. Then, mustering my last reserves of willpower, I focus my attention on Shakespeare’s play.

The astonishing boy deserved someone who could mirror his elegance, yet he chose me. Of all the stars in the sky, he chose me. Of all the grains of sand, he chose me. Of all the girls, he chose me.

You are so tall, my lady. You will look elegant in anything,” the modiste said. Caroline felt the pricking of tears in her eyes and had to turn away quickly. How soft she had become. So susceptible to compliments. Perhaps because she had heard so few for so long. Good girl. So lovely. A baritone purr making her throb between her legs.

She’s just supersophisticated and chic. That girl in the coffee shop (Fudge? Fudgie?) is so lucky to have this elegant woman as her mom. I feel like the sorority would love someone so cosmopolitan, and I hope Dean Grace agrees.

It seemed strange to me, to suddenly be so protective of the rights of refusal of a girl I was dying to sink my teeth into, a girl who would probably love to see me crawl and beg and suffer. But I decided on the spot that if I was going to be a monster, I was going to be an elegant one, like my beloved De Lafontaine. There was no sense descending into an animalistic frenzy without the full agreement of my blood donor; there was no art in it, no beauty. And I would die before I sacrificed art and beauty. Life simply wasn't worth living if it wasn't by those principles.

In a realm of soft hues and blooming blossoms, a young girl lay amidst a field of flowers, a celestial veil gracing her features with a gentle, translucent touch. Her arms extended gracefully above her, eyes closed, she seemed to dance on the edge of dreams. The flowers painted the canvas in shades of blue, purple, and pink, their petals swaying in a tender breeze. Dew-kissed blades of grass formed a sea of diamonds, reflecting the soft glow of an unseen moon. As the girl stirred in her slumber, a distant echo of horse steps reached her ears, a melody that danced through the flowered meadow. Slowly, she rose from her flowery bed, the veil slipping away like morning mist to unveil her enchanting presence. Her gown, a masterpiece of celestial elegance, cascaded around her. A floor-length creation in light blue, it cradled her form with a sweetheart neckline, the bodice adorned in gold, floral designs. Layers of tulle formed the flowing skirt, adorned with accents of blueish flowers, and a train that trailed behind her like a comet's tail. Around her neck hung a pendant, a crescent moon cradling a star, both crafted from silver and adorned with blue gemstones, a twin to the one she wore in the enchanted garden. Her golden locks, a cascade of loose curls, framed her face with ethereal grace, flowing like strands of sunlight. Awakening from the meadow's embrace, her deep blue eyes sought the source of the approaching steps. With a sense of dreamlike purpose, she floated towards the sound, the forest mist enveloping her like a lover's caress. In the heart of the foggy woodland, a clearing revealed itself, trees standing sentinel in the distance. From the shroud of mist emerged a figure on horseback, a man in the regalia of a medieval warrior. The horse, a noble steed of white, carried him forward with determined grace. His attire, a tapestry of dark fabric and gilded accents, spoke of a history steeped in honor and battle. High collars and embroidered shoulder pads, buttons, and chains of gold, all adorned his form. His cape billowed behind him, a canvas of golden threads dancing in the breeze. Their eyes met innocence and determination woven together in the tapestry of fate. As he approached, still astride his noble mount, he extended a hand, a silent invitation. With an innocence that matched the morning dew, she lifted her hand to meet his, and at that moment, the world seemed to swirl and dance around them.

In a realm of soft hues and blooming blossoms, a young girl lay amidst a field of flowers, a celestial veil gracing her features with a gentle, translucent touch. Her arms extended gracefully above her, eyes closed, she seemed to dance on the edge of dreams. The flowers painted the canvas in shades of blue, purple, and pink, their petals swaying in a tender breeze. Dew-kissed blades of grass formed a sea of diamonds, reflecting the soft glow of an unseen moon. As the girl stirred in her slumber, a distant echo of horse steps reached her ears, a melody that danced through the flowered meadow. Slowly, she rose from her flowery bed, the veil slipping away like morning mist to unveil her enchanting presence. Her gown, a masterpiece of celestial elegance, cascaded around her. A floor-length creation in light blue, it cradled her form with a sweetheart neckline, the bodice adorned in gold, floral designs. Layers of tulle formed the flowing skirt, adorned with accents of blueish flowers, and a train that trailed behind her like a comet's tail. Around her neck hung a pendant, a crescent moon cradling a star, both crafted from silver and adorned with blue gemstones, a twin to the one she wore in the enchanted garden. Her golden locks, a cascade of loose curls, framed her face with ethereal grace, flowing like strands of sunlight. Awakening from the meadow's embrace, her deep blue eyes sought the source of the approaching steps. With a sense of dreamlike purpose, she floated towards the sound, the forest mist enveloping her like a lover's caress. In the heart of the foggy woodland, a clearing revealed itself, trees standing sentinel in the distance. From the shroud of mist emerged a figure on horseback, a man in the regalia of a medieval warrior. The horse, a noble steed of white, carried him forward with determined grace. His attire, a tapestry of dark fabric and gilded accents, spoke of a history steeped in honor and battle. High collars and embroidered shoulder pads, buttons, and chains of gold, all adorned his form. His cape billowed behind him, a canvas of golden threads dancing in the breeze. Their eyes met innocence and determination woven together in the tapestry of fate. As he approached, still astride his noble mount, he extended a hand, a silent invitation. With an innocence that matched the morning dew, she lifted her hand to meet his, and at that moment, the world seemed to swirl and dance around them. Yet, just as the dance was about to begin, Princess Mehjabeen's eyes fluttered open, the enchanting dream slipping away like mist beneath the twilight.

I watch Violet walk out of my classroom. Her walk is elegant, yet sexy. Actually, almost everything about Violet is both elegant and sexy. She's wise well beyond her years, yet somehow still innocent in all the right ways. Physically beautiful, yet modest in her appearance. Incredibly bright, yet so young and inexperienced. I find Violet to be stunningly prepossessing and I don't know what to make of it. All I know is that I really need to be careful around this girl.

That’s the truth, beautiful girl. It’s like wearing an elegant evening gown that only hints at your assets, as is expected from a cultivated lady, all the while going pantyless underneath. Never let them see, always keep them guessing, and play their game. When you finally reveal what you’re hiding beneath that plastic veneer they’ve forced you to craft, you’ll render them speechless long enough to seize it all.

But as we were falling in love with Barbery’s building, we were also falling in love with her characters: Madame Michel, Monsieur Ozu, and Paloma, a jaded little girl bent on both committing suicide and also setting her apartment on fire before she turns thirteen. The Elegance of the Hedgehog is, in many ways, a book about books (and films): what they can teach us, and how they can open up worlds. But it’s really, like most great books, about people—and the connections they make, how they save one another and themselves.

Possibly in the past there had been girls like Ofelia: fresh, kept from the ugliness of the world, with spotless lives like blank pages where their destinies could be written in elegant handwriting without a single crossing-out,

Jed keeps texting me selfies from some loft party in Queens. He took a picture with a woman that he thought was the girl from Glee but was in fact a very elegant floor lamp with a wig on it. So he’s having fun.

You never want to be the first one of your friends to get married. If you are, just resign yourself to the fact that your wedding will be a shit show. Most people are still single, open bars are a novelty, and no matter how elegant the wedding was planned to be, it will wind up looking like a scene of Girls Gone Wild.

There is no color to known to beauty except elegance.

But first a description: Clara Bowden was beautiful in all senses except maybe, by virtue of being black, the classical. Clara Bowden was magnificently tall, black as ebony and crushed sable, with hair plaited in a horseshoe which pointed up when she felt lucky, down when she didn’t. At this moment it was up. It is hard to know whether that was significant. She needed no bra – she was independent, even of gravity – she wore a red halterneck which stopped below her bust, underneath which she wore her belly button (beautifully) and underneath that some very tight yellow jeans. At the end of it all were some strappy heels of a light brown suede, and she came striding down the stairs on them like some kind of vision or, as it seemed to Archie as he turned to observe her, like a reared-up thoroughbred. Now, as Archie understood it, in movies and the like it is common for someone to be so striking that when they walk down the stairs the crowd goes silent. In life he had never seen it. But it happened with Clara Bowden. She walked down the stairs in slow motion, surrounded by afterglow and fuzzy lighting. And not only was she the most beautiful thing he had ever seen, she was also the most comforting woman he had ever met. Her beauty was not a sharp, cold commodity. She smelt musty, womanly, like a bundle of your favorite clothes. Though she was disorganized physically – legs and arms speaking a slightly different dialect from her central nervous system – even her gangly demeanour seemed to Archie exceptionally elegant. She wore her sexuality with an older woman’s ease, and not (as with most of the girls Archie had run with in the past) like an awkward purse, never knowing how to hold it, where to hang it or when to just put it down. ‘Cheer up, bwoy,’ she said in a lilting Caribbean accent that reminded Archie of That Jamaican Cricketer, ‘it might never happen.’ ‘I think it already has.’ Archie, who had just dropped a fag from his mouth which has been burning itself to death anyway, saw Clara quickly tread it underfoot. She gave him a wide grin that revealed possibly her one imperfection. A complete lack of teeth in the top of her mouth. ‘Man…dey get knock out,’ she lisped, seeing his surprise. ‘But I tink to myself: come de end of de world, d’Lord won’t mind if I have no toofs.’ She laughed softly.

The drive for Quinn Buckley’s mansion appeared. She turned into the entranceway and came to a black wrought-iron gate with a small box standing at window level to her left. She opened the window and stuck her head out. “Taylor Jackson to see Mrs. Buckley, please.” There was no verbal acknowledgment, but after a few moments the massive gate creaked open. As Taylor maneuvered her car through the gates onto a narrow path, a deciduous forest swallowed her, beckoning and forbidding. The drive meandered through the woods for a few hundred feet. As she rounded a curve, the estate sprang into view. Even by Belle Meade standards, the property was massive. The plantation-style house was a white two-story washed-brick colonial with substantial columns forming a protected area that had been made into an elegant front porch. Four stone chimneys danced toward the sky. East and west wings abutted the main residence, and Taylor could see a separate five-car garage with a transom covered in ivy that led into the east wing. The west meandered into the woods, the architect finding natural beauty within his design. Black shutters blinked mournfully and the air seemed heavier as Taylor drove closer, as if the house itself was grieving. She

And then there she was, a girl of elegant height, perhaps eighteen or nineteen years of age—gawky and coltish, all long legs and arms, but with the promise of stunning beauty to add graceful curves to the lean lines of her body. She was dressed in a pair of my blue jeans, cut off at the tops of her muscled thighs, and my own T-shirt, tied off over her abdomen. A pentacle amulet, identical to my own, if less battered, lay over her heart, between the curves of her modest breasts. Her skin was pale, almost luminous, her hair a shade of brown-gold, like ripe wheat, her eyes a startling, storm-cloud grey in contrast. Her smile lit up her face, made her eyes dance with secret fires that still, even after all the years, made me draw in a sharp breath.

In the beginning, stores sold food smuggled into the ghetto, where one could buy anything—even eggs and milk. And outside lurk the snatchers, girls and boys in rags with feverish eyes, lying in wait for people leaving the store, grabbing their food and at once plunging their teeth into it, right through the wrapping paper. People crowd around, kicking and shouting, but the child does not care as long as there is food, no matter what it is. The coffee houses are full of smartly dressed women, wearing elegant pre-war hats. There are also rich smugglers, the new ghetto aristocracy, and all kinds of people getting rich at others’ expense; in front of the houses on the sidewalks lay human skeletons covered by newspapers. Winter,

Sam!” a dark-haired, green-eyed young woman chided, laughter on her lips. “There you—” The girl’s eyes met Celaena’s. Celaena stopped smiling as she recognized her. A feline sort of smirk spread across the young woman’s stunning features, and she slipped out of the doorway and slunk over to them. Celaena took in each swish of her hips, the elegant angle of her hand, the exquisite dress that dipped low enough to reveal her generous bosom. “Celaena,” she cooed, and Sam eyed the two girls warily as she stopped beside him. Too close beside him for a casual acquaintance.

ONCE, IN A HOUSE ON EGYPT STREET, there lived a rabbit who was made almost entirely of china. He had china arms and china legs, china paws and a china head, a china torso and a china nose. His arms and legs were jointed and joined by wire so that his china elbows and china knees could be bent, giving him much freedom of movement. His ears were made of real rabbit fur, and beneath the fur, there were strong, bendable wires, which allowed the ears to be arranged into poses that reflected the rabbit’s mood — jaunty, tired, full of ennui. His tail, too, was made of real rabbit fur and was fluffy and soft and well shaped. The rabbit’s name was Edward Tulane, and he was tall. He measured almost three feet from the tip of his ears to the tip of his feet; his eyes were painted a penetrating and intelligent blue. In all, Edward Tulane felt himself to be an exceptional specimen. Only his whiskers gave him pause. They were long and elegant (as they should be), but they were of uncertain origin. Edward felt quite strongly that they were not the whiskers of a rabbit. Whom the whiskers had belonged to initially — what unsavory animal — was a question that Edward could not bear to consider for too long. And so he did not. He preferred, as a rule, not to think unpleasant thoughts. Edward’s mistress was a ten-year-old, dark-haired girl named Abilene Tulane, who thought almost as highly of Edward as Edward thought of himself. Each morning after she dressed herself for school, Abilene dressed Edward. The china rabbit was in possession of an extraordinary wardrobe composed of handmade silk suits, custom shoes fashioned from the finest leather and designed specifically for his rabbit feet, and a wide array of hats equipped with holes so that they could easily fit over Edward’s large and expressive ears. Each pair of well-cut pants had a small pocket for Edward’s gold pocket watch. Abilene wound this watch for him each morning.

He was polite; he was cool; he was enigmatic. He was every bit what they expected and wanted the storied Duke of Falconbridge to be, because it amused him to be so. In truth, his eyes were on the stairs. He waited with the patience of a cat near a mouse hole for Genevieve Eversea to arrive. He almost didn't recognize her when she did appear. Her dress was a glossy silk of midnight blue, cut very low, and the "sleeves"- really scraps of net- clung to her pale, flawless shoulders, as though she'd tumbled down through clouds to get here and brought a few sheds of sky with her. Her neck was long. Her collarbone had that smooth pristine temptation of a bank of new-fallen snow. It was interrupted only by a drop of a blue stone on a chain that pointed directly at quite confident cleavage, as if the owner knew full well it was splendid and was accustomed to exposing it. Her sleek dark hair was dressed up high and away from her face, and tiny diamanté sparks were scattered through it. Her face beneath it was revealed in delicate simplicity. A smooth, pale, high forehead, etched cheekbones. Elegant as Wedgwood, set off by that dark, dark hair and those vivid eyes. He stared. He wasn't precisely... nonplussed. Still, this particular vision of Genevieve Eversea required reconciling with the quiet girl in the morning dress, the moor pony with the determined gait. As though they were not quite the same thing, or were perhaps 'variations' of the same thing, like verb tenses. He felt a bit like a boy who needed to erase his morning lessons and begin again.

​The dragon raised is neck and its eyebrows. “Not an elegant battle cry,” she shrugged. “But it will do!” ​Her wings started flapping and she flew down towards me. ​“I could just kill you with fire, but where’s the sport in that?” she laughed. ​I held my ground. Which was pretty hard to do since I was actually floating in the middle of what seemed to be space.

In his 1899 critique of upper-class values, The Theory of the Leisure Class, economist and philosopher Thorstein Veblen wrote, 'The dress of women goes even farther than that of men in the way of demonstrating the wearer's abstinence from productive employment. It needs no argument to enforce the generalization that the more elegant styles of feminine bonnets go even farther towards making work impossible than does the man's high hat. The woman's shoe add the so-called French heel to the evidence of enforced leisure afforded by its polish; because this high heel obviously makes any, even the simplest and most necessary manual work extremely difficult.' Women may no longer wear bonnets, and high-heeled shoes may no longer be seen as hindrances to employment, but the fact remains that 'the more elegant styles' are outside the reach of most working women. They require more money, more attention, and more leisure than the average working woman can afford. This is their point.

tall heavily-armed Jacky, beautiful elegant Ozma, and the little girl with the big sword. Dammit

In less than ten minutes in the earl’s company, she’d come to understand he was a very deceptive man. Not willfully dishonest, perhaps, but deceptive. He looked for all the world like an elegant aristocrat come to idle the summer heat away in the country. A touch of lace at his collar and throat, a little green stone winking through the folds of his neckcloth, a gleaming signet ring on his left hand, and even in waistcoat and shirtsleeves, he projected wealth, breeding, and indolence. His speech was expensively proper, the tone never wavering from a fine politesse that bespoke the best schools, the best connections, the best breeding. He wielded his words like little daggers though, pinning his opponent one dart at a time to the target of his choosing. His body deceived, as well, so nicely adorned in attire, tailor-made for him from his gleaming boots to his neckcloth, to everything so pleasantly coordinated between. And he was handsome, with sable hair tousled and left a little too long, deep green eyes, arresting height, and military bearing. His face might be considered too strong by some standards—he would never be called a pretty man—but it had a certain masculine appeal, the nose slightly hooked, the chin a trifle arrogant, and the eyebrows just a touch dramatic. No honest female would find him unattractive of face or form. Beneath the well-tailored clothes, great masses of muscle bunched and smoothed with his every move. The hands holding Emmie’s chair for her were lean, brown, and elegant, but also callused, and she’d no doubt they could snap her neck as easily as they cut up Winnie’s apple tart. He was clothed as a gentleman, spoke as a gentleman, and had the manner of a gentleman, but Emmie was not deceived. The Earl of Rosecroft was a barbarian. But then, there was the most puzzling deception of all: He was a barbarian, but barbarians did not notice when small children grew tired, they did not think to cut up a little girl’s tart for her, they did not coax and charm and guide when they could pillage, plunder, and destroy. So he was an intelligent, shrewd barbarian. Emmie

You do seem to get on well with her, but I have an advantage, my lord. One you will never be able to compete with.” “An advantage?” “Yes.” Emmie said, feeling a little sorry for him, because he really would not be able to argue the point much further. “I am a female, you see. A girl. Well, a grown woman, but I was a girl, as Bronwyn is.” “You are a female?” The earl looked her up and down, and Emmie felt herself blushing. It was a thorough and thoroughly dispassionate perusal. “Why so you are, but how does this make yours the better guidance?” “There are certain things, my lord…” Emmie felt her blush deepening but refused to capitulate to embarrassment. “Things a lady knows a gentleman will not, things somebody must pass along to a little girl in due course if she’s to manage in this life.” “Things.” The earl’s brow knit. “Things like childbirth, perhaps?” Emmie swallowed, resenting his bluntness even while she admired him for it. “Well, yes. I doubt you’ve given birth, my lord.” “Have you?” he countered, peering down at her. “That is not the point.” “So no advantage to you there, particularly as I have attended a birth or two in my time, and I doubt you’ve managed that either.” “Why on earth would…?” Emmie’s mouth snapped shut before she could ask the obvious, rude, burning question. “I was a soldier,” he said gently. “And war is very hard on soldiers, but even harder on women and children, Miss Farnum. A woman giving birth in a war zone is generally willing to accept the assistance of whomever is to hand, regardless of standing, gender, or even what uniform he wears.” “So you’ve a little experience, but you aren’t going to tell me you’re familiar with the details of a lady’s bodily… well, that is to say. Well.” “Her menses?” The earl looked amused again. “You might have some greater degree of familiarity than I. I will grant that much, but as a man with five sisters, I am far more knowledgeable and sympathetic regarding female lunation than I had ever aspired to be. And surely, these matters you raise—childbirth and courses—they are a ways off for Miss Winnie?” “Bronwyn,” Emmie muttered. Standing so close to him, she could catch the earl’s scent, and it managed to combine both elegance and barbarism. It was spicy rather than floral, but also fresh, like meadows and breezes and cold, fast-running streams. “She answers to Winnie,” he said, “and she got away from you.” “She did.

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The first page held a picture of a hazel blossom that Catherine had drawn. It had been pulled from its file, laminated with clear plastic, and secured to the album with gold photo corners. Below the drawing was my daughter's name, Hazel Jones-Hastings, in Elizabeth's elegant script, and her birthday, March 1, which wasn't her birthday at all.

Firth and Stone came to relieve us, something I always looked forward to. I loved Firth. “Karish, my beautiful, my one, my only,” she crowed, as she always did. Karish, who had risen to his feet as the ladies entered, scooped up Firth’s hand. As he always did. “Claire, my lovely,” he said in a voice as smooth as sanded wood. “It is a treasure to see you, as always.” “You liar,” she retorted. “You’re such a tease.” That was a little blunter than usual. Fun to see Karish gape like a fish, though. “I never am,” he protested. “Sure you are, lad. All heat and promises and just when you get a girl all worked up you slither out of it.” Karish blushed. I cackled. Stone smirked. Granted, I wouldn’t want a man as old as Firth drooling all over me, but Karish asked for it. He was something of a slut and wore the reputation almost proudly. From what I understood, Firth was a slut, too, and she’d had many more years to practise it. She knew how to make the elegant, confident, suave Lord Shintaro Karish blush in a way no one else could, and it delighted me every time I saw it. He should have learned to back off by then. On the other hand, he might have forgotten after all that time spent away from High Scape. For certain he beat a hasty retreat out of there, taking me with him. “Rrrrr,” Karish growled, once I closed the door behind us. “You have too much fun with her.” Hey, it wasn’t my fault. He’d started it the year before by oozing all over Firth when they met. “I have nothing to do with it.” “No, you just sit back and laugh.” He sounded almost bitter about it. “Poor boy.” My feigned sympathy couldn’t have sounded more false. “Can dish it out but you can’t take it.” He appeared scandalized. “I never behave like that.” He pointed a thumb back over his shoulder at the Stall. “No, you’re a little more subtle, but give it time.” He huffed. “I will never act that way.” “All right.” We’d wait and see. When his looks began to fade a little. In twenty years or so. “Brat.” He took my hand, and we trudged through the snow back towards the city

Hey!” Paige waves flirtatiously at Luca, one of those girl-waves where you open and flutter your fingers while flashing a brilliant smile. I hate to admit it, but Paige totally pulls it off. “I’m Paige. And you’re hot!” Oh my God. Paige is brave enough to tell him to his face that he’s handsome, while I can’t even say hello. I am completely pathetic. There’s a pause. I hold my breath. And then Luca turns his head to me and says: “E tu? Come ti chiami?” This means “What’s your name”; I know that much. But he’s looking straight at me. His cheekbones could cut glass, and his dark eyebrows, elegantly raised in a query, are two perfect ink-black arches. “Violet,” I manage to say. I’m so nervous that it comes out casual, dismissive, as if I don’t give a damn about him. Which, actually, is no bad thing. He nods, taking a last drag on his cigarette and stubbing it out in the ashtray on the table, before he pushes off the table to stand once again.

In your care I will be released from my worries” (CIL 11.137). In a few brief sentences, this man’s colorful life, during which he passed from freedom to slavery to freedom and ultimately to prosperity, is memorialized. An aspect of life that these tombstones bring to light is the strong emotions that tied together spouses, family members, and friends. One grave marker records a husband’s grief for his young wife: “To the eternal memory of Blandina Martiola, a most blameless girl, who lived eighteen years, nine months, five days. Pompeius Catussa, a Sequanian citizen and a plasterer, dedicates this monument to his wife, who was incomparable and very kind to him. She lived with him five years, six months, eighteen days without any shadow of a fault. You who read this, go bathe in the baths of Apollo as I used to do with my wife. I wish I still could” (CIL 1.1983). The affection that some parents felt for their children is also reflected in these inscriptions: “Spirits who live in the underworld, lead innocent Magnilla through the groves and the Elysian Fields directly to your places of rest. She was snatched away in her eighth year by cruel fate while she was still enjoying the tender time of childhood. She was beautiful and sensitive, clever, elegant, sweet, and charming beyond her years. This poor child who was deprived of her life so quickly must be mourned with perpetual lament and tears” (CIL 6.21846). Some Romans seemed more concerned with ensuring that their bodies would lie undisturbed after death than with recording their accomplishments while alive. An inscription of this type states: “Gaius Tullius Hesper had this tomb built for himself, as a place where his bones might be laid. If anyone damages them or removes them from here, may he live in great physical pain for a long time, and when he dies, may the gods of the underworld deny entrance to his spirit” (CIL 6.36467). Some tombstones offer comments that perhaps preserve something of their authors’ temperaments. One terse inscription observes: “I was not. I was. I am not. I care not” (CIL 5.2893). Finally, a man who clearly enjoyed life left a tombstone that included the statement: “Baths, wine, and sex ruin our bodies. But what makes life worth living except baths, wine, and sex?” (CIL 6.15258). Perhaps one of the greatest values of these tombstones is the manner in which they record the actual feelings of individuals, and demonstrate the universality across time, cultures, and geography of basic emotions such as love, hate, jealousy, and pride. They also preserve one of the most complicated yet subtle characteristics of human beings—our enjoyment of humor. Many of the messages were plainly drafted to amuse and entertain the reader, and the fact that some of them can still do so after 2,000 years is one of the best testimonials to the humanity shared by the people of the ancient and the modern worlds.

The party was at its peak and everyone was taking full advantage of the moment. Each lady had her eye on a certain marked beau. Elegant women conversed with eligible men, handsome and well bred. Ruby felt sorry for the under-endowed ladies and plain girls, who stood together in a small group with their mothers. Passing by the conniving little circle, she heard too clearly the strategies they had concocted. They were like vultures hunting for rotten meat. Mothers sent out their girls to meet the wealthiest and nearly deceased men of the ton.

As she walks through her problems, miseries and bad days, she couldn't help but notice how her gait has become more poised and elegant. Earlier - she tripped over at the sight of a problem. Now - she keeps her head high and wins over them. Her problems made a woman out of a girl!

A lonely photo sits on the middle shelf, about eye-level with him if he were to gaze over his shoulder. A girl. Young. Long hair tied back in a tight bun on the top of her head. Petite and fit. She wears a skin-tight, pink leotard and ballet shoes with one pointed foot raised high against a beam. Graceful, elegant. Familiar.

Rylan!" Nadia and I turn our heads simultaneously towards the entrance to the living room as Tim Powers appears. "Yeah?" I yell across the room. That's when I notice the expression on Power' face. A mixture of awe, amazement, appreciation, and a bit of jealousy. "Your girlfriend's here," Tim informs me. He steps aside, and a goddess enters the room. It's been forever since I first had those dreams Ivy sent me with her in her disguise. But I still remember how she looks. Pale skin, long hair, bright-green eyes, and a model's figure. A perfect dream girl, who's now reality. Ivy smiles shyly as she steps into the room. Her skin is porcelain, unflawed and shiny. White-blind hair, straight and flowing, falls down her back and ends a little bit past her waist. She's not wearing her woven grass robe, but instead a dress mist likely altered from a piece of clothing from her clothes sack. It probably reached the floor at one point, with long sleeves, but the sleeves are gone and the skirt's been snipped away, leaving behind a green dress that shows off mile-long legs. But her face...all that pales in comparison to her face. Heart-shaped, with high cheekbones, an elegant nose, a well-shaped chin, and her lips—she's not covering them anymore—two shimmering, bright green pools I would be happy to drown in or go through. People believe the eyes are the window to your soul, and Ivy's soul is beautiful.

You may not be at ease among elegant society, but you are at ease with everyone else - and among those in society worth befriending, that is a gift highly prized. Believe me Jo, when I say that the elegant woman you suppose fitting for me wouldn’t satisfy me. But you – my darling, brilliant, stubborn, passionate girl – you would. - Laurie to Jo

The point is … you. You’re the point. I thought I knew you. I thought I knew who you were. That golden girl in the pharmacy. That girl with the lustre, the class, the elegance. The girl who’d been waiting for her prince.

When you’re a child trapped in a situation of physical or psychological deprivation, you learn shame as an efficient, elegant mechanism of survival: shame simultaneously shields you from the reality that danger is out of your control (since the problem is not that you’re unloved and deprived; it’s that you’re Bad) and prevents you from doing or saying anything challenging that might provoke a threat.

You value your good looks and hold on to them. Well, let me tell you, sister, one day you are goin’ to wake up and find out you’re not the prettiest girl on campus. Or at your workplace. Or—know what? Even in your household. Your beauty is just one brief chapter in your history book. Nothin’ but a sweet, elusive lie. Elegant wrapping paper, wrapped around a mysterious gift. And while it is true beautifully wrapped gifts are more appealing to the eye” —I cocked my head sideways, giving her body a quick, cold scan—“I’m sure whatever I have to offer under my wrapping paper’s worth more than your ugly words tonight.

He and Volnay are two shades of the same color, her deep auburn a complement to his brighter, brasher cinnamon. He has light hazel eyes, squished-up floppy ears, and a large square head atop a body that is built like a little tank. He looks a lot like a miniature orange mastiff. His paws are enormous. Not to mention some other obvious parts of his anatomy. This isn't going to be some elegant little thirty-pound girl. This is a serious BOY dog. And he's going to be HUGE. But he does have the advantage of being a puppy, and all puppies are adorable so that you don't kill them. He's curled up in Benji's arms, licking his ear, and I can't help it, he is pretty goddamned cute. I'm in real trouble.

Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all. Astaire only got on his knees to execute a dazzling dance move, never as an act of submission. His characters were largely wealthy, self-assured, and worldly. He danced with sophistication and class. In his famous pairings with Ginger Rogers, the primary dance numbers had the couple dressed to the nines, swirling on equally polished floors to the strains of deeply moving romantic ballads.

Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all.

She is a painter with the soul of a poet, that girl, she’ll always have some mystery left, she has the elegance of an artist that never gets outdated. - Woman of wisdom

By her senior year in high school, she had managed to stay away from the boys and the drinking and the meth that had ruined just about every girl her age in her small hometown of Elba, Alabama. She wasn’t going to end up being one of those soulless, washed-out girls who worked the night shift and smoked Kools because they were elegant. She wasn’t going to end up with three kids by three different men before she hit thirty. She wasn’t going to ever wake up one morning unable to open her eyes because some man’s fist had beaten them shut the night before. She wasn’t going to end up dead and alone in a hospital bed like her mother

My Kind of Girl A letter of inspiration from a Loving Mother My kind of girl Understands who she is And stands for what she believes in She cannot be broken No one can belittle her When trials come her way She remains unfazed My kind of girl Walks with confidence She exudes excellence An epitome of elegance She does due diligence Being mindful of her intelligence Because she knows her importance My kind of girl Builds her own future A certified trailblazer Who utilizes the power within her To be of good influence Always on top of her game Yes, she keeps soaring like an eagle My kind of girl Takes charge of her own life Secures her name in historical archives For she is no ordinary woman An extraordinary being She dares to dream In the world, she makes a difference That is my kind of girl

My Kind of Girl A letter of inspiration from a Loving Mother My kind of girl Understands who she is And stands for what she believes in She cannot be broken No one can belittle her When trials come her way She remains unfazed My kind of girl Walks with confidence She exudes excellence An epitome of elegance She does due diligence Being mindful of her intelligence Because she knows her importance My kind of girl Builds her own future A certified trailblazer Who utilizes the power within her To be of good influence Always on top of her game Yes, she keeps soaring like an eagle My kind of girl Takes charge of her own life Secures her name in historical archives For she is no ordinary woman An extraordinary being She dares to dream In the world, she makes a difference That is my kind of girl

My Kind of Girl A letter of inspiration from a Loving Mother My kind of girl Understands who she is And stands for what she believes in She cannot be broken No one can belittle her When trials come her way She remains unfazed My kind of girl Walks with confidence She exudes excellence An epitome of elegance She does due diligence Being mindful of her intelligence Because she knows her importance My kind of girl Builds her own future A certified trailblazer Who utilizes the power within her To be of good influence Always on top of her game Yes, she keeps soaring like an eagle My kind of girl Takes charge of her own life Secures her name in historical archives For she is no ordinary woman An extraordinary being She dares to dream In the world, she makes a difference That is my kind of girl

Faeries are twilight creatures, and I have become one, too. We rise when the shadows grow long and head to our beds before the sun rises. It is well after midnight when we arrive at the great hill at the palace of Elfhame. To go inside, we must ride between two trees, an oak and a thorn, and then straight in to what appears to be the stone wall of an abandoned folly. I've done it hundreds of times, but I flinch anyway. My whole body braces, I grip the reins hard, and my eyes mash shut. When I open them, I am inside the hill. We ride on through a cavern, between pillars of roots, over packed earth. Then are dozens of the Folk here, crowding around the entrance to the vast throne room, where Court is being held- long-nosed pixies with tattered wings; elegant, green-skinned ladies in long gowns with goblins holding up their trains; tricksy boggans; laughing foxkin; a boy in an owl mask and a golden headdress; an elderly woman with crowns crowding her shoulders; a gaggle of girls with wild roses in their hair; a bark-skinned boy with feathers around his neck; a group of knights all in scarab-green armour. Many I've seen before; a few I have spoken with. Too many for my eyes to drink them all in, yet I cannot look away. I never get tired of this- of the spectacle, of the pageantry. Maybe Oriana isn't entirely wrong to worry that we might one day get caught up in it, be carried away by it, and forget to take care. I can see why humans succumb to the beautiful nightmare of the Court, why they willingly drown in it. I know I shouldn't love it as I do, stolen as I am from the mortal world, my parents murdered. But I love it all the same.

saddlebags. “And please tell Kiri she should put her shoes on. Lucas will have a fit if she serves like that.” “Mummy, why do I have to put on shoes? Kiri isn’t wearing any.” George met Gwyneira and her daughter in the corridor outside his room just as he was about to go down to dinner. He had done his best as far as evening wear went. Though slightly wrinkled, his light brown suit was handsomely tailored and much more becoming than the comfortable leather pants and waxed jacket he had acquired in Australia. Gwyneira and the captivating little red-haired girl who was squabbling so loudly were likewise elegantly attired. Though not in the latest fashion. Gwyneira was wearing a turquoise evening gown of such breathtaking refinement that, even in the best London salons, it would have created a stir—especially with a woman as beautiful as Gwyneira modeling it. The little girl wore a pale green shift that was almost entirely concealed by her abundant red-gold locks. When Fleur’s hair hung down loose, it frizzed a bit, like that of a gold tinsel angel. Her delicate green shoes matched the adorable little dress, but the little one obviously preferred to carry them in her hands than wear them on her feet. “They pinch!” she complained. “Fleur, they don’t pinch,” her mother declared. “We just bought them four weeks ago, and they were on the verge of being too big then. Not even you grow that fast. And even if they do pinch, a lady bears a small degree of pain without complaining.” “Like the Indians? Ruben says that in America they take stakes and hurt themselves for fun to see who’s the bravest. His daddy told him. But Ruben thinks that’s dumb, and so do I.” “That’s her opinion on the subject of being ‘ladylike,’” Gwyneira remarked, looking to George for help. “Come, Fleurette. This is a gentleman. He’s from England, like Ruben’s mummy and me. If you behave properly, maybe he’ll greet you by kissing your hand and call you ‘my lady.’ But only if you wear shoes.” “Mr. McKenzie always calls me ‘my lady’ even if I walk around barefoot.” “He must not come from England, then,” George said, playing along. “And he certainly hasn’t been introduced to the queen.” This honor had been conferred on the Greenwoods the year before, and George’s mother would probably chatter on about it for the rest of her

But in her head, she believed what Einstein had suggested. The enigma of The Universe itself was answered in mathematics. Mushing was all about timing. It was about the rhythm of dog and man - synchronicity of movement, elegance. And sometimes, the movement of her bow across the strings of her violin reminded her of the swish and glide of the runners on a sled ride in the snow.

wrong one is sought it will ensure that you cannot claim it,' Molly explained. Charlotte wondered how they were supposed to find the right wand when each one was packaged and out of sight, but Molly simply smirked at the girls’ bewildered expressions. Then, with a flick of her own wand, dozens of wands burst from their boxes and floated in the room around them. 'When you've found the right one, it will light up in your hand.' Molly gestured for the girls to go ahead. Each of the girls went wild, chuckling as they chased after a wand. Demi was the first to find hers and Molly gave her an impressed look that caused Margaret to scowl. Stef was trying to catch a long black, and gold trimmed wand, but it kept shooting out of her reach. Gerty was trying to grasp for any wand that she could, giggling when each one shot away from her. Charlotte did not attempt to take any of the wands; she concentrated on studying them, wondering which one would accept her. Her eyes then fell upon a plain oak wand that was floating alongside her. No one else seemed interested in it, but Charlotte stood on tiptoes and reached out for it, half expecting it to fly away. Instead, however, it remained in place. Her hand firmly gripped it, and immediately it glowed. She studied it carefully, noticing that close up it had orange patterns intricately carved into the wood; it wasn't plain at all. 'Great, we have two more,' Molly said, as she looked from Charlotte to Margaret who was also holding a glowing wand. Realizing that Charlotte had found hers at around the same time, Margaret gave her a stern look then walked over and stood next to Demi. Gerty was the next to find her wand, followed by Stef. Last up was Alice who was still chasing an elegant looking silver wand even though it kept whizzing away from her. 'That wand clearly does not want you!' Margaret exclaimed, and Demi and a few of the other girls giggled. 'Alice, some wands just aren't right for the person, regardless of their appearance,' Molly continued. Begrudgingly Alice stopped chasing the silver wand and reached out for the one that was closest, a straight mahogany one. It glowed as she touched it and her face lit with a huge smile. 'Right then, that's your wands sorted. It is of the greatest importance that you look after your wand. Never misplace it or put it in a situation where it may break. A wand is a witch’s most important item, and each of you must remember that. Also, it should go without saying that you are not to use these to perform harmful or distressing spells on each other, unless you want to face your first warning or worse, be expelled.' Charlotte looked down at the wand in her hand. It had stopped glowing, and this made its intricate patterning appear more discreet. She found herself wondering how something so small could be so powerful. Her mom must have had a wand at some point, and she wondered if she still had it, hidden away somewhere so that her dad would never find it. 'Next up are broomsticks.' Molly

You don't need much to look pretty: Elegance in behaviour and softness in words is more than enough to look beautiful!

They ask me! They mock me saying “you are in love, But where is the girl?” I answer “yes I am in love, Not with the oyster but the hidden pearl, She is a beautiful rose, You can see its brilliant colours but can you see its scent? So my curious friends I propose, Let me be with her beauty, and let me fill my senses with her scent,” They look at me stupefied, And rush away, Those lovers of beauty that is mystified, By their every fancy and every new sway. Unlike mine that is still and composed, Resting in the oyster of hope and relaxing in love’s beauty, A feeling that can never be disposed, For to love you and love you true is my true feeling of sanity, Many years have passed by, But you have only grown in grace and elegance, I miss kissing you, touching you by and by, But for the pearl to shine it needs a long and quite existence, Inside the shell where life is singular, Where the feeling of love encased in the slowly maturing time is endless, But the feeling of knowing that I am your true lover, Makes it easier to feel loved in a shell that is actually loveless, Like the lonely pearl inside the oyster that misses the sea, I wish to be with you till the time ceases to exist, Your beautiful face, your infinite eyes, your endless beauty, I so long to see, And the pearl shall be with its sea no matter how hard the oyster might resist!

They Ask Me! They mock me saying “you are in love, But where is the girl?” I answer “yes I am in love, Not with the oyster but the hidden pearl, She is a beautiful rose, You can see its brilliant colours but can you see its scent? So my curious friends I propose, Let me be with her beauty, and let me fill my senses with her scent,” They look at me stupefied, And rush away, Those lovers of beauty that is mystified, By their every fancy and every new sway. Unlike mine that is still and composed, Resting in the oyster of hope and relaxing in love’s beauty, A feeling that can never be disposed, For to love you and love you true is my true feeling of sanity, Many years have passed by, But you have only grown in grace and elegance, I miss kissing you, touching you by and by, But for the pearl to shine it needs a long and quite existence, Inside the shell where life is singular, Where the feeling of love encased in the slowly maturing time is endless, But the feeling of knowing that I am your true lover, Makes it easier to feel loved in a shell that is actually loveless, Like the lonely pearl inside the oyster that misses the sea, I wish to be with you till the time ceases to exist, Your beautiful face, your infinite eyes, your endless beauty, I so long to see, And the pearl shall be with its sea no matter how hard the oyster might resist!

They Ask Me! They mock me saying “you are in love, But where is the girl?” I answer “yes I am in love, Not with the oyster but the hidden pearl, She is a beautiful rose, You can see its brilliant colours but can you see its scent? So my curious friends I propose, Let me be with her beauty, and let me fill my senses with her scent,” They look at me stupefied, And rush away, Those lovers of beauty that is mystified, By their every fancy and every new sway. Unlike mine that is still and composed, Resting in the oyster of hope and relaxing in love’s beauty, A feeling that can never be disposed, For to love you and love you true is my true feeling of sanity, Many years have passed by, But you have only grown in grace and elegance, I miss kissing you, touching you by and by, But for the pearl to shine it needs a long and quite existence, Inside the shell where life is singular, Where the feeling of love encased in the slowly maturing time is endless, But the feeling of knowing that I am your true lover, Makes it easier to feel loved in a shell that is actually loveless, Like the lonely pearl inside the oyster that misses the sea, I wish to be with you before the time ceases to exist, Your beautiful face, your infinite eyes, your endless beauty, I so long to see, And let the world know Irma, the pearl shall be with its sea no matter how hard the oyster might resist!

They Ask Me! They mock at me saying “you are in love, But where is the girl?” I answer “yes I am in love, Not with the oyster but the hidden pearl, She is a beautiful rose, You can see its brilliant colours but can you see its scent? So my curious friends I propose, Let me be with her beauty, and let me fill my senses with her scent,” They look at me stupefied, And rush away, Those lovers of beauty that is mystified, By their every fancy and every new sway. Unlike mine that is still and composed, Resting in the oyster of hope and relaxing in love’s beauty, A feeling that can never be disposed, For to love you and love you true is my true feeling of sanity, Many years have passed by, But you have only grown in grace and elegance, I miss kissing you, touching you by and by, But for the pearl to shine it needs a long and quite existence, Inside the shell where life is singular, Where the feeling of love encased in the slowly maturing time is endless, But the feeling of knowing that I am your true lover, Makes it easier to feel loved in a shell that is actually loveless, Like the lonely pearl inside the oyster that misses the sea, I wish to be with you before the time ceases to exist, Your beautiful face, your infinite eyes, your endless beauty, I so long to see, And let the world know Irma, the pearl shall be with its sea no matter how hard the oyster might resist!

Elegance is a way of life here…like our symbol, the rose. Eep! I sound like a TV ad.

She reached out a long, elegant finger and traced over the beads. The roots in my neck curled with pleasure, and I fought the urge to shiver.

I remember something very nice about the French girls. They had been shaved completely bald. They found a little piece of glass and a small comb with three prongs. With that they combed their eyebrows, looking into the little mirror. Then they tied clothes around their heads and looked again to see if they weren’t still a little bit elegant. I find such things delightful. The Nazis tried to set countries and nations against each other and to attack and take away a person’s best quality—his dignity. And so I find people like those French girls so marvelous—those girls who fixed up their eyebrows with a little dirt in order to look a little better—really what the French call esprit, the strength not to give up, not to knuckle under. Never.

One of the women shoved the door open the rest of the way, and they all stared at her, looking utterly indignant that another female had beaten them to the punch. "Why, that blue-eyed devil! He's with someone already!" "Warrington, you Beast! Oh, let us in, old man. We know he's in there!" "Mesdames!" Kate flung out sharply, unable to stand another moment of their intrusion. One hand on her hip, she lifted her chin and summoned up every ounce of elegant French hauteur that she had inherited from her mama. "His Grace is not at home," she clipped out. "Leave your cards, please, and I will make sure he receives your--- well-wishes," she finished cynically.

At the time, he was probably the most beautiful man alive, as he was certainly the most violent, but that’s the problem. How do you separate a tiger’s beauty from its ferocity? Or a cheetah’s elegance from the speed of its attack? Achilles was like that - the beauty and the terror were two sides of a single coin.

Ada skipped lightly over the seven little chimney post in her elegant black tightrope-walking slippers.

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Susan Hayward, a Brooklyn girl at the movies watched the “object of her special adoration,” Ronald Colman: “Elegant, gentle and world weary though he was, perhaps the most appealing thing about him … was the beautiful way in which he spoke English, turning words into music. Someday, she told herself, she too would speak like that.

There was textured skin, some of it irritated, around her nose. Half-moon shadows beneath her eyes. Eyelashes were partially blond again, and the small gap between her two front teeth had returned. The hair along her brow didn’t fall with such unnatural elegance as before. There were tangles—rogue curls. Disarray and imperfection. She looked so… human, like the girl he’d seen riding through the woods.

There was textured skin, some of it irritated, around her nose. Half-moon shadows beneath her eyes. Eyelashes were partially blond again, and the small gap between her two front teeth had returned. The hair along her brow didn’t fall with such unnatural elegance as before. There were tangles—rogue curls. Disarray and imperfection. She looked so… human, like the girl he’d seen riding through the woods. There were not enough pages in all the books Elm had read, in all the libraries he’d wandered, in all the notebooks he’d scrawled, that could measure—denote or describe—just how beautiful she was. “There you are.

Thereafter her whole code of living was summed up in one belief, and that a simple one. It was that the Good (‘lovely’ was her name for it) is synonymous with the expensive, the elegant, the aristocratic; and the Bad (‘beastly’) is the cheap, the low, the shabby, the laborious. Perhaps it is in order to teach this creed that expensive girls’ schools exist.

and a sturdy black desk on the far side of the room. A large red salamander yawned and rolled over among the logs in the fireplace. They’d had one of the elegant flaming lizards to warm their house in Boston, though Emma had kept her distance because