Electric Kettle Quotes

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It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientist‘s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.
Terry Pratchett (Sourcery (Discworld, #5; Rincewind, #3))
I like the fact that Americans all have kettles on the hobs of their ovens; nobody has an electric kettle. It seems connected to the frontier way of life; whether you're in a New York apartment building or you're keeping the coyotes away on the prairie—you need boiling water? Then you need a flame.
Deborah Meyler (The Bookstore)
Remember that a falling apple taught us gravity, a boiling kettle brought us the steam engine, and the twitching leg of a frog opened up the train of thought and experiment which gave us electricity.
Arthur Conan Doyle
She strode across the room like she had meant to be here all along and busied herself in the kitchen for a moment, filling the electric kettle to make herself a hot chocolate. She dumped two packages into a mug and looked at the pile of chocolate dust she intended to consume. Was this supposed to make up for something, this dust? Was it supposed to repair whatever in her that had ripped in two? That was a lot to ask of a mug of cocoa dust.
Maureen Johnson (The Hand on the Wall (Truly Devious, #3))
A steampunk nation Baby pollution rises up then the loving comes arraigning 'cause Our art's official and only partially artificial And our heart's in the middle of sharp hardened shards of metal but There's not where it settles Because it's beating to the steaming of God's hottest pot or kettle And now we face it, this creation we made to To save our craving for a synthetic rebelnation it's Our safeway they make into a pathetic revelation In our steampunk nation Our steampunk nation
Criss Jami (Diotima, Battery, Electric Personality)
A Japanese woman we’d met in Paris came to the apartment yesterday and spent several hours explaining our appliances. The microwave, the water kettle, the electric bathtub: everything blinks and bleeps and calls out in the middle of the night. I’d wondered what the rice maker was carrying on about, and Reiko told us that it was on a timer and simply wanted us to know that it was present and ready for duty. That was the kettle’s story as well, while the tub was just being an asshole and waking us up for no reason.
David Sedaris (When You Are Engulfed in Flames)
Do not sneer at the humble beginnings, the heaving table or the flying tambourine, however much such phenomena may have been abused or simulated, but remember that a falling apple taught us gravity, a boiling kettle brought us the steam engine, and the twitching leg of a frog opened up the train of thought and experiment which gave us electricity.
Arthur Conan Doyle
At one-thirty in the deep dark morning, the cooking odors blew up through the windy corridors of the house. Down the stairs, one by one, came women in curlers, men in bathrobes, to tiptoe and peer into the kitchen- lit only by fitful gusts of red fire from the hissing stove. And there in the black kitchen at two of a warm summer morning, Grandma floated like an apparition, amidst bangings and clatterings, half blind once more, her fingers groping instinctively in the dimness, shaking out spice clouds over bubbling pots and simmering kettles, her face in the firelight red, magical, and enchanted as she seized and stirred and poured the sublime foods. Quiet, quiet, the boarders laid the best linens and gleaming silver and lit candles rather than switch on electric lights and snap the spell. Grandfather, arriving home from a late evening's work at the printing office, was startled to hear grace being said in the candlelit dining room. As for the food? The meats were deviled, the sauces curried, the greens mounded with sweet butter, the biscuits splashed with jeweled honey; everything toothsome, luscious, and so miraculously refreshing that a gentle lowing broke out as from a pasturage of beasts gone wild in clover. One and all cried out their gratitude for their loose-fitting night clothes.
Ray Bradbury (Dandelion Wine)
His life coiled back into the brown murk of the past like a twined filament of electric wire; he gave life, a pattern, and movement to these million sensations that Chance, the loss or gain of a moment, the turn of the head, the enormous and aimless impulsion of accident, had thrust into the blazing heat of him. His mind picked out in white living brightness these pinpoints of experience and the ghostliness of all things else became more awful because of them. So many of the sensations that returned to open haunting vistas of fantasy and imagining had been caught from a whirling landscape through the windows of the train. And it was this that awed him — the weird combination of fixity and change, the terrible moment of immobility stamped with eternity in which, passing life at great speed, both the observer and the observed seem frozen in time. There was one moment of timeless suspension when the land did not move, the train did not move, the slattern in the doorway did not move, he did not move. It was as if God had lifted his baton sharply above the endless orchestration of the seas, and the eternal movement had stopped, suspended in the timeless architecture of the absolute. Or like those motion-pictures that describe the movements of a swimmer making a dive, or a horse taking a hedge — movement is petrified suddenly in mid-air, the inexorable completion of an act is arrested. Then, completing its parabola, the suspended body plops down into the pool. Only, these images that burnt in him existed without beginning or ending, without the essential structure of time. Fixed in no-time, the slattern vanished, fixed, without a moment of transition. His sense of unreality came from time and movement, from imagining the woman, when the train had passed, as walking back into the house, lifting a kettle from the hearth embers. Thus life turned shadow, the living lights went ghost again. The boy among the calves. Where later? Where now? I am, he thought, a part of all that I have touched and that has touched me, which, having for me no existence save that which I gave to it, became other than itself by being mixed with what I then was, and is now still otherwise, having fused with what I now am, which is itself a cumulation of what I have been becoming. Why here? Why there? Why now? Why then? The fusion of the two strong egotisms, Eliza’s inbrooding and Gant’s expanding outward, made of him a fanatical zealot in the religion of Chance. Beyond all misuse, waste, pain, tragedy, death, confusion, unswerving necessity was on the rails; not a sparrow fell through the air but that its repercussion acted on his life, and the lonely light that fell upon the viscous and interminable seas at dawn awoke sea-changes washing life to him. The fish swam upward from the depth.
Thomas Wolfe (Look Homeward, Angel)
While I’m out working with Tommy Quinn, we get chatting about a session, a few nights previous, in a local pub called The Hill. It gets its name from the plain fact that it sits on top of a hill. The conversation moves on to the state of rural Ireland, and rural everywhere for that matter. He’s lived here in Knockmoyle for all of his life, so his opinions on the subject hold weight with me. He asks me what technology I think had the most dramatic impact on life here when he was growing up. I state what I feel are obvious: the television, the motor car and computers. Or electricity in general. Tommy smiles. The flask, he says. I ask him to explain. When he was growing up in the 1960s, he and his family would go to the bog, along with most of the other families of the parish, to cut turf for fuel for the following winter. They would all help each other out in any way they could, even if they didn’t always fully get on. Cutting turf in the old ways, using a sleán, is hard but convivial work, so each day one family would make a campfire to boil the kettle on. But the campfire had a more significant role than just hydrating the workers. As well as keeping the midges away, it was a focal point that brought folk together during important seasonal events. During the day people would have the craic around it as the tea brewed, and in the evenings food would be cooked on it. By nightfall, with the day’s work behind them, the campfire became the place where music, song and dance would spontaneously happen. Before the night was out, one of the old boys would hide one of the young lads’ wheelbarrows, providing no end of banter the following morning.
Mark Boyle (The Way Home: Tales from a life without technology)
something abstract: the death had all the elements of a great tabloid story | there are four elements to the proposal. a small but significant amount of a feeling or quality: it was the element of danger he loved in flying. (elements) the rudiments of a subject: legal training may include the elements of economics and political science. (usually with modifier often elements) a group of people of a particular kind within a larger group: extreme right-wing elements in the army. [MATHEMATICS] & [LOGIC] an entity that is a single member of a set. 2 (also chemical element) each of more than one hundred substances that cannot be chemically interconverted or broken down into simpler substances and are primary constituents of matter. Each element is distinguished by its atomic number, i.e. the number of protons in the nuclei of its atoms. 3 any of the four substances (earth, water, air, and fire) regarded as the fundamental constituents of the world in ancient and medieval philosophy. 4 (the elements) strong winds, heavy rain, or other kinds of bad weather: there was no barrier against the elements. 5 a person's or animal's natural or preferred environment: raised in Hawaii, the sea is his natural element | FIGURATIVE he was always in his element when working around the house. 6 a part in an electric kettle, heater, or cooker which contains a wire through which an electric current is passed to provide heat.
Angus Stevenson (Oxford Dictionary of English)
On the daytime side of Earth, the solar radiation hitting the top fo the atmosphere deposits around 1,300 watts of power per square meter. That's about the same amount used by an electric kettle. It doesn't seem like a great deal. But add up that incoming solar radiation across one whole hemisphere of Earth, and a total of about 174 petawatts (10^15, or a quadrillion, watts) of solar power is hitting the top of the atmosphere. A colossal total of 89 petawatts of that same power is absorbed by the surface of the Earth directly. The rest is reflected by the surface, or absorbed by the atmosphere reflected by its clouds of condensed water. By human standards this is a fearsome amount of Energy. Estimates of current human energy consumption suggest that in a single year we use roughly 1.6 X 10^11 megawatt-hours, which means that with 8,760 hours in a year we are using energy at a rate of about 0.018 petawatts. All life on Earth (adding up photosynthetic organisms, water transpiration in plants, and what life gets from chemical and geophysical energy) is estimated to consume energy at a rate of between 0.1 and 5 petawatts. In other words, despite life's potent footpirnt on the planet, on a cosmic scale it's still barely sipping at what the Sun's photons rain down on us.
Caleb Scharf (The Zoomable Universe: An Epic Tour Through Cosmic Scale, from Almost Everything to Nearly Nothing)
Then Ava turned the look on Michelle, who hunched her shoulders and made a beeline for the electric kettle.
Alexis Daria (A Lot Like Adiós (Primas of Power, #2))
I hustled back to the kitchen to prepare some salabat. The hot ginger tea would cure anything that ailed you, and I'd made a few modifications to boost the flavor and health profile. I set the electric kettle and pulled out the jar of ginger, turmeric, honey, cayenne, and calamansi, the last ingredient adding a refreshing hit of citrus tang.
Mia P. Manansala (Arsenic and Adobo (Tita Rosie's Kitchen Mystery, #1))
Life is supposed to be scary.” He filled an electric kettle and switched it on. “That’s how you know you’re living it.
Lisa Phillips (Expired Box Set (Last Chance County #1-5))
Your electric kettles would draw roughly as much electricity as the entire rest of the country combined
Randall Munroe (How To: Absurd Scientific Advice for Common Real-World Problems)
I remember many of us getting together where we sat, each of us holding our cup and mixing the coffee powder with a little bit of water or milk inside. The more you swirled, the better the foam created in the cup. We preferred the tube milk over the fresh milk of the Kibbutz. Mixing coffee with our hands till it foamed  was a kind of a ceremony. Over time it became something of a ritual. I think in those days, there was intense activity of the commercial companies distributing instant coffee among consumers. “Ness café”, they called it. There was a great demand for milk, which arrived to us in tubes. It was imported. Maybe they were manufactured in Holland. Drinking instant coffee with that milk and the foam we created with our own hands using a simple spoon, was the heart's desire of all coffee lovers in the nest. I was moved by the very simple preparation of it – boiling water in an electric kettle, one teaspoon of this new wonder, the instant coffee in the cup, and you have your coffee. It was amazing. I used to compare this action to the method of tea preparation by my mother at home, or the rare preparing of the black coffee for guests, and suddenly I realized how debilitating and complex her job was compared to what we were doing. There in Shomrat Kibbutz I learned to drink and enjoy instant coffee.
Nahum Sivan (Till We Say Goodbye)
Biddy?’ ‘No, not yet,’ Biddy said, thinking again that the scouse smelled good. ‘I left Virginia Street before Aunt Edie got round to thinking about a meal.’ ‘Right. Just for tonight you might as well eat in ’ere, wi’ us.’ She waddled out of the room and Biddy followed her into a tiny, dark little kitchen with a knee-high sink in one corner and a smelly, coke-burning stove in the other. There was a broken-down chair, a bare electric light bulb overhead and a large table. It was warm because of the stove, but cheerless, unfriendly. All the rooms are the same, they none of them want me, any more than Ma Kettle or her boys do, Biddy thought despairingly. Oh, how will I live in this horrible house with all these horrible people? But it was not a question to which she could give an answer. Instead, she watched as Ma ladled a very small helping of scouse and a
Katie Flynn (Liverpool Taffy: Family Saga)
He smiled – a real smile. Damn. It was easier to deal with him when he was being thoroughly vile. "Look, I’m sorry for being so rude earlier today. Your presence came as something of a shock and I reacted badly." "Oh." Geared for battle, his apology took me utterly by surprise. I gaped. "Aunt Arabella spoke very highly of you," he added, heaping coals of fire on my head. "She was impressed by your work on the Purple Gentian." "Why all this sudden amiability?" I asked suspiciously, crossing my arms across my chest. "Are you always this blunt?" "I’m too tired to be tactful," I said honestly. "Fair enough." Stretching, Colin detached himself from the wall. "Can I make you some hot chocolate as a token of peace? I was just about to have some myself," he added. Suiting action to words, he loped over to the counter beside the sink and checked the level of water in a battered brown plastic electric kettle. Satisfied, he plugged it into the wall, flipping the red switch on the side. I followed him over to the counter, the linen folds of the nightgown trailing after me across the linoleum. "As long as you promise not to slip any arsenic in it." Colin rooted around in a cupboard above the sink for the cocoa tin and held it out to me to sniff. "See? Arsenic free." I leant back against the counter, my elbows behind me on the marble work surface. "I don’t think arsenic is supposed to have a smell, is it?" "Damn, foiled again." Colin spooned Cadbury’s instant hot chocolate into two mugs, one decorated with large purple flowers, and the other with a quotation that I thought might be Jane Austen, but the author’s name was hidden around the other side of the mug. "Look, if it makes you feel better, I promise to do a very bad job hiding your body." "In that case, carry on," I yawned.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
As their expanded name suggests, EMI wasn’t only a record label. In the 1960s the company was as interesting for its electrical activities as for its musical ones. In 1959 it had launched a commercial computer called the EMIDEC 1100; it also made color TV cameras, recording equipment, guided missiles, and kettles. The piles of cash brought in by Beatlemania helped create a culture of investment at EMI. One of the things they invested in was medical equipment research. Godfrey Hounsfield, the researcher behind the EMIDEC, began work on the first commercially viable medical scanner. As the project developed, he was significantly supported by the UK government, which provided over £600,000 of support or £7 million at 2016 prices (Maizlin and Vos 2012). Over four years, he and his team invented and built the first computed tomography scanner (CT or “CAT scanner”—the A stands for “axial”). This was a remarkable feat of science and engineering. For the first time, it allowed doctors to make accurate, 3D representations of patients’ soft tissues. This was a real medical breakthrough, transforming everything from brain surgery to cancer treatment. Hounsfield was piled with honors: he received a Nobel prize and a knighthood and was made a Fellow of the Royal Society. But from a commercial point of view, it was something of a failure for EMI.
Jonathan Haskel (Capitalism without Capital: The Rise of the Intangible Economy)