El Tri Quotes

We've searched our database for all the quotes and captions related to El Tri. Here they are! All 100 of them:

Men aren't really complicated, Ana, honey. They are very simple, literal creatures. They usually mean what they say. And we spend hours trying to analyze what they've said - when really it's obvious. If I were you, I'd take him literally. That might help.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Books are letters in bottles, cast into the waves of time, from one person trying to save the world to another.
Amal El-Mohtar (This Is How You Lose the Time War)
I still want more," I whisper. "I know," he says. "I'll try." I blink up at him, and he reliquishes my hand and pulls at my chin, releasing my trapped lip. "For you, Anastasia, I will try.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
This quote – Tess says it to her mother after Alec D’Urberville has had his wicked way with her.” “I know,” muses Kate. “What is he trying to say?” “I don’t know, and I don’t care. I can’t accept these from him. I’ll send them back with an equally baffling quote from some obscure part of the book.” “The bit where Angel Clare says fuck off?” Kate asks with a completely straight face. “Yes, that bit.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Goodbye, Christian," I murmur. "Ana, goodbye," he says softly, and he looks utterly, utterly broken,a man in agonizing pain, reflecting how I feel inside. I tear my gaze away from him before I can change my mind and try to comfort him. The elevator doors close close and it whisks me down to the bowels of the basement and to my own personal hell.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
[Ana] “You’re a sadist?” “I’m a Dominant.” His eyes are a scorching gray, intense. “What does that mean?” I whisper. “It means I want you to willingly surrender yourself to me, in all things.” I frown at him as I try to assimilate this idea. “Why would I do that?” “To please me,” he whispers as he cocks his head to one side, and I see a ghost of a smile. Please him! He wants me to please him! I think my mouth drops open. Please Christian Grey. And I realize, in that moment, that yes, that’s exactly what I want to do. I want him to be damned delighted with me. It’s a revelation.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Interviews seem like such artificial situations, everyone on their best behavior trying desperately to hide behind a professional facade. Did my face fit? I shall have to wait and see.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
She cannot stop herself from reaching out, from trying with a touch to say, I'm here. Sometimes you have to hold a person, though they'll mistake embrace for strangulation.
Amal El-Mohtar (This Is How You Lose the Time War)
I start to walk out of the room, but I hear him start to panic and his breathing gets labored. He reaches out to me. “Don’t go. Please.” I sit next to him on the bed, wondering if he’s afraid of being abandoned. He slings his arm around my thigh and rests his forehead against my knee. “I have to protect you,” he says softly. “From who?” “El Diablo.” “El Diablo? Who’s that?” I ask. “It’s complicated.” What does that mean? “Try to rest,” I tell him. “I can’t. My entire body hurts.” “I know.” I gently rub the arm that’s slung around me until his breathing slows. “I wish I could help you,” I whisper. “You are,” he murmurs against my knee. “Just don’t leave me, okay? Everyone leaves me.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
That pissed me the hell off. I took in a deep breath and blurted out everything without thinking twice. “Fuck you! You want to know who I am, Marcus. Well here it goes! I am temperamental, over-sensitive, and outspoken. I’m honest! I cry at stupid love movies, and I'm a sucker for a romantic novel. I don’t allow people to walk all over me, I have trust issues, and I have insecurities. I’ve slept with four men in my entire life! And the one thing I don’t do is take shit from men who try to act like they’re better than me as if they don’t have any hidden skeletons! I’m not keeping shit hidden, how ‘bout you? You can fuck off. I'll find my own way home. Have a nice fucking life!” - Mia
E.L. Montes (Disastrous (Disastrous, #1))
Books are letters in bottles, cast into the waves of time, from one person trying to save the world to another
Amal El-Mohtar (This Is How You Lose the Time War)
Seeing him on his knees in front of me, feeling his mouth on me, it's so unexpected and hot. My hands stay in his hair, pulling gently as I try to quiet my too loud breathing. He gazes up at me through impossibly long lashes, his eyes scorching smoky gray.
E.L. James
You really have to let me fight my own battles. You can't constantly second-guess me and try to protect me. It's stifling.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Drinking in his scent, I curl around him, trying to ignore the loss and devasta- tion I felt in my dream, and in that moment, I know that my deepest, darkest fear would be losing him
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Most social revolutions begin peaceably. Why would it be other-wise? Who would not prefer to assemble and demonstrate rather than engage in mortal combat against pitiless forces that enjoy every advantage in mobility and firepower? Revolutions in Russia, China, Vietnam, and El Salvador all began peacefully, with crowds of peasants and workers launching nonviolent protests only to be met with violent oppression from the authorities. Peaceful protest and reform are exactly what the people are denied by the ruling oligarchs. The dissidents who continue to fight back, who try to defend themselves from the oligarchs' repressive fury, are then called "violent revolutionaries" and "terrorists.
Michael Parenti (Blackshirts and Reds: Rational Fascism and the Overthrow of Communism)
Are you trying to recruit me, dear Cochineal? “And then we’d be at each other’s throats even more.” Oh, petal. You say that like it’s a bad thing.
Amal El-Mohtar (This Is How You Lose the Time War)
Something I tried to hold onto, to touch if only for a moment, but it slipped away from me like the air, like an illusion, or a dream that floats away and is lost. I wept in my sleep as though it was something I was losing now; a loss I was experiencing for the first time, and not something I had lost a long time ago.
Nawal El Saadawi (Woman at Point Zero)
Me: 2% for Flint is my entire salary! What the hell? Quarry: No hablo Inglés. Me: No seas un cabrón tacaño y dame el maldito aumento! Flint: Runs to Google Translate. Quarry: Waste of time. They don’t do all the cuss words. I tried.
Aly Martinez (Fighting Solitude (On the Ropes, #3))
Walk the Bowery under the El at night and all you feel is a sort of cold guilt. Touched for a dime, you try to drop the coin and not touch the hand, because the hand is dirty; you try to avoid the glance, because the glance accuses. This is not so much personal menace as universal — the cold menace of unresolved human suffering and poverty and the advanced stages of the disease alcoholism.
E.B. White (Here Is New York)
She was trying to save me when all I would do was destroy her.
M. Robinson (El Diablo)
You didn't judge my past. That's when I knew I couldn't turn away from you even if I tried...
E.L. Montes (Perfectly Damaged)
You know what this country is?” she said. “This country is a man trying to describe a burning building without using the word fire. -Omar El Akkad in "Riverbed
Victor LaValle (A People's Future of the United States: Speculative Fiction from 25 Extraordinary Writers)
Usu­al­ly, very ear­ly in the morn­ing. Ger­man la­bor­ers were go­ing to work. They would stop and look at us with­out sur­prise. One day when we had come to a stop, a work­er took a piece of bread out of his bag and threw it in­to a wag­on. There was a stam­pede. Dozens of starv­ing men fought des­per­ate­ly over a few crumbs. The work­er watched the spec­ta­cle with great interest. Years later, I witnessed a sim­ilar spec­ta­cle in Aden. Our ship’s pas­sen­gers amused them­selves by throw­ing coins to the “natives,” who dove to retrieve them. An el­egant Parisian la­dy took great plea­sure in this game. When I no­ticed two chil­dren des­perate­ly fighting in the wa­ter, one try­ing to stran­gle the oth­er, I implored the la­dy: “Please, don’t throw any more coins!” “Why not?” said she. “I like to give char­ity…
Elie Wiesel (Night (The Night Trilogy, #1))
Books are letters in bottles, cast into the waves of time, from one person trying to save the world to another. Keep reading. Keep writing. Keep fighting. We’re all still here.
Amal El-Mohtar (This Is How You Lose the Time War)
YOU You are that song that plays rarely on the radio, But when it does I have to sing it out loud… You are the water that formed a puddle on a rainy day,that I played in, When I was only eight years old. You are the first snowfall of the season, And the reason I like the morning... You’re a single seashell that washed up onto the shore. You are my set of old medals Hidden deep in a drawer… You are the sun, the moon, the stars, and all the planets. You are the first breath of a baby just born. Eres una dandelion que encuentro, I pull, make a wish, then blow. You are the sunrise that I tried to paint after I woke up in Eilat. You give the nights its meaning… to dream, while others just sleep. You are my 3rd grade valentine, Read, frayed and loved a thousand times. Eres perfección envuelto en humildad… Eres oro, plata, y diamantes… Eres mi querido viejito Pooh, que nunca lo abandonare. You are my first time driving my brother’s Impala, When I was just fourteen. You are the name hidden deep inside my name… And I’m the fingers interlaced with yours. Eres el PS: I love you at the end la carta, Y yo soy el PS: I love you too. Somos el principio, el medio y la ultima palabra De mi libro final. Eternamente nosotros, nosotros, nosotros… Porque nosotros siempre es mejor Que solamente… yo… YOU
José N. Harris
Shh, listen, don’t be discouraged if you don’t win. It’s a learning process. You’ll get better with each try.
E.L. Montes (Cautious (Disastrous, #2))
Books are letters in bottles, cast into the waves of time, from one person trying to save the world to another. Keep reading. Keep writing. Keep fighting. We're all still here.
Amal El-Mohtar
Are you in Portland on business?” I ask, and my voice is too high, like I’ve got my finger trapped in a door or something. Damn! Try to be cool, Ana!
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Dear heart,” he murmured, “do not look on me with those dear, scared eyes of yours. If there is aught that puzzles you in what I said, try and trust me a little longer. Remember, I must save the Dauphin at all costs; mine honor is bound with his safety. What happens to me after that matters but little, yet I wish to live for your dear sake.
Emmuska Orczy (El Dorado: Further Adventures of the Scarlet Pimpernel)
I’ve had very little experience in my life. In fact, I try to avoid experience if I can. Most experience is bad.
E.L. Doctorow
Each day is unexpected. No matter how hard you try, you can never prepare for the life ahead.
E.L. Montes (Perfectly Damaged)
I knew he was unreliable, but he was fun to be with. He was a child’s ideal companion, full of surprises and happy animal energy. He enjoyed food and drink. He liked to try new things. He brought home coconuts, papayas, mangoes, and urged them on our reluctant conservative selves. On Sundays he liked to discover new places, take us on endless bus or trolley rides to some new park or beach he knew about. He always counseled daring, in whatever situation, the courage to test the unknown, an instruction that was thematically in opposition to my mother’s.
E.L. Doctorow (World's Fair)
It means I can trust you … to stop me. I never want to hurt you,” he murmurs. “I need—” He halts. “You need what?” “I need control, Ana. Like I need you. It’s the only way I can function. I can’t let go of it. I can’t. I’ve tried … And yet, with you …” He shakes his head in exasperation.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Books are letters in bottles, cast into the waves of time, from one person trying to save the world to another. Keep reading. Keep writing. Keep fighting. We’re all still here. More from the Authors The Mythic Dream
Amal El-Mohtar (This Is How You Lose the Time War)
He has some explaining to do, but right now I want to revel in the feel of his comforting, protective arms around me. And in that moment it occurs to me; any explanations on his part have to come from him. I can’t force him—he’s got to want to tell me. I won’t be cast as the nagging wife, constantly trying to wheedle information out of her husband. It’s just exhausting. I know he loves me. I know he loves me more than he’s ever loved anyone, and for now, that’s enough. The realization is liberating. I stop crying and step back.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
A good lawyer never asks a witness a question she doesn't know the answer to.' 'But, Margaret, I'm not trying to be a good lawyer. I'm trying to be a good friend.
E.L. Konigsburg (Silent to the Bone)
At the end of the day, you should try to remember that it's not about the number of followers you have or the numbers of likes, comments, and shares your posts are getting. It's the number of people who will be present in the hospital room when you fall terribly sick. It's the number of people who will remember your birthday like they remember their first name. It's the number of people who will invite you to celebrate Christmas or new year's eve. It's the number of people who will actually show up to look at your newborn child or to bless your newly bought house. It's the number of people who will actually cross an ocean to see your face. It's the number of people who will wipe your tears when one of your parents passes away. It's the number of people who will make a slightly larger than a thumb effort to be there for you.
Malak El Halabi
Only then did he understand that he really wanted to know nothing about El Ga’a beyond the fact that it was isolated and unfrequented, that it was precisely those things he had been trying to ascertain about it.
Paul Bowles (The Sheltering Sky)
Life, Jersey Girl, sometimes pauses. It stops. Sometimes we don’t even realize how everything around us is moving so quickly while we’re standing in the middle of it, allowing it to pass us by. Most of us, if not all, just lose the why. Some of us never figure it out to begin with. We lose sight of the purpose that wakes us up every morning and pushes our day forward. We lose a sense of hope and the feeling of life in general. We view life as more of a test, one that’s trying to beat us down every day.
E.L. Montes (Perfectly Damaged)
I knew that successful politicians cannot bear to accept defeat within themselves. A human being cannot stand up to a double defeat. That is the secret of their continuous attempt to rise to power. They draw a feeling of supremacy from their power over others. It makes them feel victorious rather than defeated. It hides how essentially hollow they are inside, despite the impression of greatness they try to spread around them, which is all they really care for.
Nawal El Saadawi (Woman at Point Zero)
Worry is like a squatter: it sneaks in and tries to stay without paying rent! Serve it eviction papers"! HS/el
Evinda Lepins (Coffee Hour with Chicklit Power A Cup of Encouragement for the Day)
A human being trying to attract more love is like a fish trying to attract more water.
Eric Micha'el Leventhal
The blonde’s heads that was sucking my cock tried to look up, but I pushed her back down. “Did I say you could stop?
M. Robinson (El Diablo)
what is more worst that could happen .... lose yourself .... when you try find the right path to your destination. I think you lost more than that… you
ahmed el-fanagely
Every dark cloud has a silver lining, but lightning kills hundreds of people each year who try to find it.
E.L. Kersten
Follow your heart, darling, and please, please—try not to overthink things. Relax and enjoy yourself.
E.L. James (Fifty Shades Trilogy Bundle (Fifty Shades, #1-3))
I recall those beautiful summer mornings with my parents by the sandy beach of Belek. My father used to teach me how to ride waves. I remember him constantly emphasizing the fact that no wave, no matter how big it is should stir enough fear inside me to keep me glued to the shore. He used to repeat those words while glancing at my mother with a smile that could set the whole sea on fire. My mother, sitting on the beach, too afraid of the deep blue sea, contented herself with building sand castles, ones my father would step on trying to drag her hopelessly into water. Step on your sand castle and dive deep. Dive deep into the unknown. Life is damn too short for building sand castles.
Malak El Halabi
Because hurting someone is not teaching them a lesson, Davian. As you pointed out earlier-we can hate what they do, but we should never hate them." He shifted. " And I'm not 'better' than you. That's not how this works. Believing in El, trying to follow His rules, doesn't make you in some way superior. If anything, it makes you more aware that none of us can claim to be truly good. That's why forgiveness is so important." He saw Davian's dubious expression and shook his head. " I'm not suggesting that enemies should suddenly be friends, but I am choosing to forgive. Because if I don't, Im nothing more than empty words.
James Islington (The Light of All That Falls (The Licanius Trilogy, #3))
Good-bye, Christian,” she says, and her voice falters, as if she’s trying not to cry. Shit. My whole mood shifts from irritation and concern for her well-being to helplessness as her car roars off up the street. I don’t know if I’ll see her again.
E.L. James (Grey (Fifty Shades as Told by Christian, #1))
Thus with continued concentration and the expenditure of enormous amounts of energy he tried to keep himself from slipping into the vast distances of his unhappiness. It was all around him. It was a darkness as impudently close as his brow. It choked him by its closeness. And what was most terrifying was its treachery. He would wake up in the morning and see the sun coming in the window, and sit up in his bed and think it was gone, and then find it there after all, behind his ears or in his heart.
E.L. Doctorow (Ragtime)
Huh-uh,” Archy said, not trying to charm or work her anymore, the deep 1978 El Cerrito–apartment sullenness starting to seep out of him as he remembered how Luther and Valletta used to leave him there all night by himself, nothing on the television but Wolfman Jack and some movie where a shark-toothed devil doll was biting Karen Black on the ankles.
Michael Chabon (Telegraph Avenue)
Remember when I told you, that I didn’t know if there was a God or not, but either way, we were completely on our own? I still don’t know the answer; I only knew that there was such a thing as faith, and that I didn’t deserve to have it. And then there was you. You changed everything I believed in. You know that line from Dante that I quoted to you in the park? ‘L’amor che move il sol e el’altre stell e’ ? It’s a bit of the very last verse from Dante’s Paradise. ‘My will and my desire were turned by love, the love that moves the sun and the other stars.’ Dante was trying to explain faith, I think, as an over powering love, and maybe it’s blasphemous, but that’s how I think of the way that I love you. You came into my life and suddenly I had one truth to hold on to—that I loved you, and you loved me.
Cassandra Clare
Worry acts like a squatter, sneaks in and tries to stay without paying rent!" EL.
Evlinda Lepins
I try to avoid experience if I can. Most experience is bad.
E.L. Doctorow
Do not be afraid to try something new. The cost of playing it safe all the time could far exceed the cost of daring to change.
Linda El Awar (Graduating from Google: Leadership Lessons)
Did you wish to offer your commiserations?” I ask too sweetly. I think he’s trying to stifle a smile, but I can’t be sure.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
El hombre no está hecho para la derrota. Al hombre se le puede destruir, pero no derrotar.
Ernest Hemingway (The Old Man and the Sea)
—Lees mucho ¿no es así? —No era una pregunta—. Ven a reunirte con el resto de nosotros en el mundo real para variar. —Tú eres la que no está viviendo en el mundo real.
Jennifer R. Hubbard (Try Not to Breathe)
The girl clones at Singer Grove were just like the ones in Texas; they knocked themselves out to be like everyone else and then bragged about how they were different. All their differences put into a pot and boiled down wouldn't spice baby food. By trying to brag about how different they were, they just really showed how alike they were, because all their differences were alike.
E.L. Konigsburg (Up from Jericho Tel)
La Dra. Briggs siempre decía que si me iba de un lugar tendría que llegar a otro, y el dolor me seguiría dondequiera que fuera. —¿Es mejor quedarse y enfrentarse a él, entonces, después de todo?
Jennifer R. Hubbard (Try Not to Breathe)
But no matter how hot the chick is, say if I was standing at the base of El Cap, and she urged me to free solo some route, my answer would be “No way.” For example, I can’t tell you how many people over the years have pressured me to drink alcohol. We’ll be at a party, and somebody will taunt me, “Alex, just try this beer, it’s not gonna hurt you to take a sip.” I’ve never given in. Booze doesn’t interest me.
Alex Honnold (Alone on the Wall: Alex Honnold and the Ultimate Limits of Adventure)
He tried his best to save her but she was deeply damaged. Her soft edges became sharp blades, the moment he got too close to her heart. He tried his best to love her but she was beyond scarred. She mistook his love for possession, his care for obsession and all the words he gently whispered to her in between as accusations. So she fled with her heart and his. She fled because that's the only thing she was good at. She didn't think she was worthy of love. Not after everything that happened to her. Not after everyone she deeply cared about was taken from her, one by one. Love betrayed her before. It surely will betray her this time too. So she betrayed love before it even did, not knowing that it would have never had.
Malak El Halabi
From eating at El Pollo Loco salsa bar to the Golden Globes buffet, I managed to stumble through this journey with the perseverance of an immigrant and the mindset of an American. I learned to thrive on being uncomfortable to pursue what I loved. The English language was uncomfortable, so I studied BET until it became my natural tongue. Doing stand-up was uncomfortable, so I hung out at the Comedy Palace until it became my second home. Auditions were uncomfortable, so I spent six hundred bucks a month on acting classes while I slept in some dude's living room for three hundred bucks until acting became my profession. I never looked at these challenges as barriers; I saw them as opportunities to grow. I'd rather try to pursue my dream knowing that I might fail miserably than to have never tried at all. That is How to American.
Jimmy O. Yang (How to American: An Immigrant's Guide to Disappointing Your Parents)
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….] I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors: Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space. […] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
Christopher Hitchens (Hitch 22: A Memoir)
The blame lies with the perpetrators—not with the millions of overwhelmingly unarmed activists who tried to stop these juggernauts. Yet Alaa’s model here should remind us, wherever we reside, that though it may not be our fault, it is our duty to make time in our organizing and theorizing to confront our defeats. Not to wallow, but because such confrontations are our only hope of seeing the new terrain of struggle clearly.
Alaa Abd El-Fattah (You Have Not Yet Been Defeated: Selected Works 2011-2021)
You’re strong, you’re resilient, you fight for everything you believe in, especially me. It didn’t matter how many times I tried to push you away, knowing everything about us was wrong. You wouldn’t have it. You were never scared of me, Lexi. As much as I tried to show you my Hell, you were more than willing to burn right along with me.
M. Robinson (El Diablo (El Diablo, #1))
Along the Merced River there’s a deep sense of peace, yet it coexists with danger. No matter how sedate the river may appear, it’s as wild as the other creatures of Yosemite. Strong currents run underneath the surface. If I were to jump in, the snowmelt cold would induce hypothermia within minutes and, with a little more volume, this calm-looking river would sweep me to my death. People have drowned when it's looked quiet like this, trying to wade across. Someone died here last year, and Sadie Schaeffer, who's buried in the Pioneer Cemetery, died doing that more than a hundred years ago just a short way downriver toward El Capitan. Nature doesn’t stop and make exceptions for people who get in its way.
R. Mark Liebenow (Mountains of Light: Seasons of Reflection in Yosemite (River Teeth Literary Nonfiction Prize))
FOR THE VOICELESS by El Niño Salvaje I speak for the ones who cannot speak, for the voiceless. I raise my voice and wave my arms and shout for the ones you do not see, perhaps cannot see, for the invisible. For the poor, the powerless, the disenfranchised; for the victims of this so-called “war on drugs,” for the eighty thousand murdered by the narcos, by the police, by the military, by the government, by the purchasers of drugs and the sellers of guns, by the investors in gleaming towers who have parlayed their “new money” into hotels, resorts, shopping malls, and suburban developments. I speak for the tortured, burned, and flayed by the narcos, beaten and raped by the soldiers, electrocuted and half-drowned by the police. I speak for the orphans, twenty thousand of them, for the children who have lost both or one parent, whose lives will never be the same. I speak for the dead children, shot in crossfires, murdered alongside their parents, ripped from their mothers’ wombs. I speak for the people enslaved, forced to labor on the narcos’ ranches, forced to fight. I speak for the mass of others ground down by an economic system that cares more for profit than for people. I speak for the people who tried to tell the truth, who tried to tell the story, who tried to show you what you have been doing and what you have done. But you silenced them and blinded them so that they could not tell you, could not show you. I speak for them, but I speak to you—the rich, the powerful, the politicians, the comandantes, the generals. I speak to Los Pinos and the Chamber of Deputies, I speak to the White House and Congress, I speak to AFI and the DEA, I speak to the bankers, and the ranchers and the oil barons and the capitalists and the narco drug lords and I say— You are the same. You are all the cartel. And you are guilty. You are guilty of murder, you are guilty of torture, you are guilty of rape, of kidnapping, of slavery, of oppression, but mostly I say that you are guilty of indifference. You do not see the people that you grind under your heel. You do not see their pain, you do not hear their cries, they are voiceless and invisible to you and they are the victims of this war that you perpetuate to keep yourselves above them. This is not a war on drugs. This is a war on the poor. This is a war on the poor and the powerless, the voiceless and the invisible, that you would just as soon be swept from your streets like the trash that blows around your ankles and soils your shoes. Congratulations. You’ve done it. You’ve performed a cleansing. A limpieza. The country is safe now for your shopping malls and suburban tracts, the invisible are safely out of sight, the voiceless silent as they should be. I speak these last words, and now you will kill me for it. I only ask that you bury me in the fosa común—the common grave—with the faceless and the nameless, without a headstone. I would rather be with them than you. And I am voiceless now, and invisible.
Don Winslow (The Cartel (Power of the Dog #2))
Writing teachers invariably tell students, write about what you know. That's, of course, what you have to do, but on the other hand, how do you know what you know until you've written it? Writing is knowing... I've had very little experience in my life. In fact, I try to avoid experience if I can. Most experience is bad.
E.L. Doctorow
Even though the American people may not know what has been done in their name, those on the receiving end certainly do: they include the people of Iran (1953), Guatemala (1954), Cuba (1959 to the present), Congo (1960), Brazil (1964), Indonesia (1965), Vietnam (1961–73), Laos (1961–73), Cambodia (1969–73), Greece (1967–73), Chile (1973), Afghanistan (1979 to the present), El Salvador, Guatemala and Nicaragua (1980s), and Iraq (1991 to the present). Not surprisingly, sometimes these victims try to get even. There is a direct line between the attacks on September 11, 2001—the most significant instance of blowback in the history of the CIA—and the events of 1979.
Chalmers Johnson (Dismantling the Empire: America's Last Best Hope (The American Empire Project))
and I try to psyche myself up for it—but
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Faith takes God out of the box; understanding tries to put Him back in! EL
Evinda Lepins (Back to Single)
AND SO A PATTERN develops: wake, work, cry, sleep. Well, try to sleep. I can’t even escape him in my dreams.
E.L. James (Fifty Shades Trilogy Bundle (Fifty Shades, #1-3))
For you, Anastasia, I will try.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
For you, Anastasia, I will try.” He’s radiating sincerity.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
I think the interview went well, but it’s so hard to say. Interviews seem such artificial situations; everyone on their best behavior trying desperately to hide behind a professional fa
E.L. James (Fifty Shades Trilogy Bundle (Fifty Shades, #1-3))
Why am I feeling guilty? Why is he so mad? I peek up at him. “Well, you know a lot more about me now,” he snaps, his mouth presses into a hard line. “I knew you were inexperienced, but a virgin!” He says it like it’s a really dirty word. “Hell, Ana, I just showed you …” he groans. “May God forgive me. Have you ever been kissed, apart from by me?” “Of course I have.” I try my best to look affronted. Okay … maybe twice. “And a nice young man hasn’t swept you off your feet? I just don’t understand. You’re twenty-one, nearly twenty-two. You’re beautiful.” He runs his hand through his hair again. Beautiful. I flush with pleasure. Christian Grey thinks I’m beautiful. I knot my fingers together, staring at them hard, trying to conceal my goofy grin.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
I searched his face and smiled as a soft grin formed along his lips as he said, “I truly don’t deserve you, but I’m grateful every single day that you’re mine. I know it’s frustrating at times, and I appreciate that even through all the bullshit you still stick around. I didn’t realize how much my bottled-up problems bothered you. I promise to work harder at it. Just know that I am trying.
E.L. Montes
So you felt demeaned, debased, abused, and assaulted—how very Tess Durbeyfield of you. I believe it was you who decided on the debasement, if I remember correctly. Do you really feel like this or do you think you ought to feel like this? Two very different things. If that is how you feel, do you think you could just try to embrace these feelings, deal with them, for me? That's what a submissive would do.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
I discovered another analogy in the legacy of Prophet Muhammad that immediately clicked with me: that the angels put down their wings in humility for a person who seeks knowledge, and that all living things, even the ants in their anthill and the fish in the sea, pray for a person who teaches people good things. When I read this, I literally felt the goodness flow out of my heart for all creatures. The beautiful mental image it evoked resonated with my concept of the universe as one unit, and of all living things seeking to live together in peace and harmony, and being grateful when humans tried to fit into the circle of life, instead of working so hard to disrupt its equilibrium
Sahar El-Nadi (Sandcastles and Snowmen)
I shudder to imagine an equal and opposite incursion—may causality forbid Commandant ever dispatch me to one of your viny-hivey elfworlds, profusely floral, all arcing elder trees, neural pollen, bees gathering memories from eyes and tongue, honey libraries dripping knowledge from the comb. I harbor no illusions I’d succeed. You would find me in an instant, crush me faster—I’d walk a swath of rot through your verdancy, no matter how light I tried to step. I have a Cherenkov-green thumb.
Amal El-Mohtar (This Is How You Lose the Time War)
For a moment he thought the chair was aligned, but then he decided it was not. He moved it another turn to the right. He tried sitting in the chair now but it still felt peculiar. He turned it again. Eventually he made a complete circle and still he could not find the proper alignment for the chair.
E.L. Doctorow (Ragtime)
frustration at myself in the mirror. Damn my hair—it just won’t behave, and damn Katherine Kavanagh for being ill and subjecting me to this ordeal. I should be studying for my final exams, which are next week, yet here I am trying to brush my hair into submission. I must not sleep with it wet. I must not sleep with it wet. Reciting this mantra several times, I attempt, once more, to bring it under control with the brush. I roll my eyes in exasperation and gaze at the pale, brown-haired girl with blue eyes too big for her face staring back at me, and give up. My only option is to restrain my wayward
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Potser es trenquen les cordes, o potser s'enfonsa el nostre vaixell, o potser som herba, i les arrels són tan interdependents que ningú no es mor mentre encara hi hagi algú viu. El que dic és que, de metàfores, en tenim tantes com vulguem. Però s'ha de vigilar la que es tria, perquè és important. Si tries les cordes, llavors conceps un món en què et pots trencar sense que et puguin arreglar. Si tries l'herba, insinues que tots estem connectats fins a l'infinit, que podem utilitzar aquest sistema d'arrels no només per entendre'ns els uns als altres, sinó també per convertir-nos en l'altre. Les metàfores tenen implicacions.
John Green (Paper Towns)
he dropped his arms again and his face went open and a little pale, leaving scared pink standing out on the edges of his cheekbones. “El, I’d—I’d like to ask. But not—in here. After we—if we—” “Don’t even try. I’m not getting engaged to go out with you,” I said rudely, shoving in before he could drag us back onto the shoals. “If you’re not asking now, that’s sufficient unto the day! If we make it out of here alive and you slog across the pond to come ask me, I’ll decide what I think of it at the time, and until then, you can keep your Disney movie fantasies,” and your secret pet mal, my brain unhelpfully inserted, “to yourself.
Naomi Novik (A Deadly Education (The Scholomance, #1))
On the labour front in 1919 there was an unprecedented number of strikes involving many millions of workers. One of the lager strikes was mounted by the AF of L against the United States Steel Corporation. At that time workers in the steel industry put in an average sixty-eight-hour week for bare subsistence wages. The strike spread to other plants, resulting in considerable violence -- the death of eighteen striking workers, the calling out of troops to disperse picket lines, and so forth. By branding the strikers Bolsheviks and thereby separating them from their public support, the Corporation broke the strike. In Boston, the Police Department went on strike and governor Calvin Coolidge replaced them. In Seattle there was a general strike which precipitated a nationwide 'red scare'. this was the first red scare. Sixteen bombs were found in the New York Post Office just before May Day. The bombs were addressed to men prominent in American life, including John D. Rockefeller and Attorney General Mitchell Palmer. It is not clear today who was responsible for those bombs -- Red terrorists, Black anarchists, or their enemies -- but the effect was the same. Other bombs pooped off all spring, damaging property, killing and maiming innocent people, and the nation responded with an alarm against Reds. It was feared that at in Russia, they were about to take over the country and shove large cocks into everyone's mother. Strike that. The Press exacerbated public feeling. May Day parades in the big cities were attacked by policemen, and soldiers and sailors. The American Legion, just founded, raided IWW headquarters in the State of Washington. Laws against seditious speech were passed in State Legislatures across the country and thousands of people were jailed, including a Socialist Congressman from Milwaukee who was sentenced to twenty years in prison. To say nothing of the Espionage and Sedition Acts of 1917 which took care of thousands more. To say nothing of Eugene V. Debs. On the evening of 2 January 1920, Attorney General Palmer, who had his eye on the White House, organized a Federal raid on Communist Party offices throughout the nation. With his right-hand assistant, J. Edgar Hoover, at his right hand, Palmer effected the arrest of over six thousand people, some Communist aliens, some just aliens, some just Communists, and some neither Communists nor aliens but persons visiting those who had been arrested. Property was confiscated, people chained together, handcuffed, and paraded through the streets (in Boston), or kept in corridors of Federal buildings for eight days without food or proper sanitation (in Detroit). Many historians have noted this phenomenon. The raids made an undoubted contribution to the wave of vigilantism winch broke over the country. The Ku Klux Klan blossomed throughout the South and West. There were night raidings, floggings, public hangings, and burnings. Over seventy Negroes were lynched in 1919, not a few of them war veterans. There were speeches against 'foreign ideologies' and much talk about 'one hundred per cent Americanism'. The teaching of evolution in the schools of Tennessee was outlawed. Elsewhere textbooks were repudiated that were not sufficiently patriotic. New immigration laws made racial distinctions and set stringent quotas. Jews were charged with international conspiracy and Catholics with trying to bring the Pope to America. The country would soon go dry, thus creating large-scale, organized crime in the US. The White Sox threw the Series to the Cincinnati Reds. And the stage was set for the trial of two Italian-born anarchists, N. Sacco and B. Vanzetti, for the alleged murder of a paymaster in South Braintree, Mass. The story of the trial is well known and often noted by historians and need not be recounted here. To nothing of World War II--
E.L. Doctorow (The Book of Daniel)
You don't know much," he murmurs. "You know all the wrong things." "Wrong? Not to me." He shakes his head. He looks so sincere. "Try it," he whispers. A challenge, daring me, and he cocks his head to one side and smiles his crooked, dazzling smile. I gasp, and I'm Eve in the Garden of Eden, and he's the serpent, and I cannot resist.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Mami had no choice but to tell Carlito and me the real story that same night. In a way, I always knew something like that had happened. It was the only way to explain why my older brother got such special treatment his whole life - everyone scared to demand that he go to school, that he study, that he have better manners, that he stop pushing me around. El Pobrecito is what everyone called him, and I always wondered why. I was two years younger and nobody, and I mean nadie, paid me any mind, which is why, when our mother told me the story of our father trying to kill his son like we were people out of the Bible, part of me wished our papi had thrown me off that bridge instead.
Patricia Engel (The Veins of the Ocean)
I own your balls, huh?” she grinned, laughing. “I’ll have to remember that the next time you give me any shit.” “The right and the left. Since you put them in your mouth, I guess that counts for something, right?” Her eyes widened. “Oh my God! You ruined it! You suck!” I kissed her lips. “You swallow.” She tried to slap my arm, but I caught her wrist. “You
M. Robinson (El Diablo (El Diablo, #1))
Peter Croft once explained the feeling you get from free soloing as a heightened type of perception. A little edge that you need to stand on looks huge—everything comes into high relief. That’s just what happens to your body and your mind when you’re focused intensely on the feedback you’re getting from the environment and there are no other distractions. You become an instinctive animal rather than a person trying to do a hard climb, and that perception doesn’t immediately go away when you get to the top. It dulls over time, but for a while it feels like you almost have super senses. Everything is more intense—the sounds of the swifts flying around or the colors of the sun going down. A lot of times I don’t want to go down, I don’t want it to end.
Mark Synnott (The Impossible Climb: Alex Honnold, El Capitan, and the Climbing Life)
stories involving the troubles in Northern Ireland, Morocco’s war for the Spanish Sahara, and a ring of traders violating the sanctions against Rhodesia. He was exhilarated by danger. Once in Belfast he insisted that we go cover a demonstration, when I was quite content to stay at the bar of the Europa Hotel. He showed me that even though the street clashes might seem violent and bloody on television, just a half block away things were calm and safe. Journalism required an eagerness to get up and go places. While we were out, a bomb went off at the Europa Hotel. Blundy insisted that this should serve as a lesson for me. I agreed. But when he was killed a few years later by a sniper’s bullet in El Salvador, I gave up trying to fathom the meaning of the lesson he wanted me to learn.
Walter Isaacson (American Sketches: Great Leaders, Creative Thinkers & Heroes of a Hurricane)
I read love stories and love poems. But I preferred books written about rulers. I read about a ruler whose female servants and concubines were as numerous as his army, and about another whose only interests in life were wine, women, and whipping his slaves. A third cared little for women, but enjoyed wars, killing, and torturing men. Another of these rulers loved food, money and hoarding riches without end. Still another was possessed with such an admiration for himself and his greatness that for him no one else in the land existed. There was also a ruler so obsessed with plots and conspiracies that he spent all his time distorting the facts of history and trying to fool his people.I discovered that all these rulers were men. What they had in common was an avaricious and distorted personality, a never-ending appetite for money, sex and unlimited power. They were men who sowed corruption on the earth, and plundered their peoples, men endowed with loud voices, a capacity for persuasion, for choosing sweet words and shooting poisoned arrows. Thus, the truth about them was revealed only after their deaths, and as a result I discovered that history tended to repeat itself with a foolish obstinacy.
Nawal El Saadawi (Woman at Point Zero)
On December 1, 2006, federal deputies were brawling in Mexico’s Congress hours before Felipe Calderón was due to enter the chamber to be sworn in as president. It was a fight for space. The leftist deputies claimed their candidate, Andrés Manuel López Obrador, had really won the election but been robbed of his rightful victory. They were trying to gain control of the podium to stop Calderón from taking the oath and assuming office. The conservative deputies were defending the podium to allow the presidential accession. The conservatives won the scrap. There were more of them, and they seemed to be better fed. Among those attending the ceremony were former U.S. president George Bush (Bush the First) and California governor Arnold Schwarzenegger. I was covering the Congress door, snatching interviews as guests went in. The elderly Bush hobbled past with six bodyguards with bald heads and microphones at their mouths. I asked him what he thought about the ruckus in the chamber. “Well, I hope that Mexicans can resolve their differences,” he replied diplomatically. Schwarzenegger strolled past with no bodyguards at all. I asked what he thought about the fisticuffs. The Terminator turned round, stared intensely, and uttered three words: “It’s good action!” I phoned the quote back to headquarters and it went out on a wire story. Suddenly, Schwarznegger’s statement was being bounced around California TV stations. Then the BBC led their newscast with it: “It takes a lot to impress Arnold Schwarznegger but today when he was in Mexico …” I got frantic phone calls from the governor’s office in Los Angeles. Was his quote perhaps being used out of context? Well, I replied, I asked him straight and he told me straight.
Ioan Grillo (El Narco: Inside Mexico's Criminal Insurgency)
SOOOOOOOO… THESE ARE DISAPPOINTING.” Keefe took a second bite from a round Digestive biscuit and crinkled his nose. “Are they supposed to suck up all the spit in your mouth and turn it into a paste? Is that, like, something humans find delicious?” “Maybe you’re supposed to dunk them in milk?” Sophie suggested, trying not to spray crumbs as she struggled to swallow the bite she’d taken. They really did win the prize for Driest. Cookies. Ever. “Actually, I think you’re supposed to eat them with tea.” “You think?” Keefe asked, shaking his head and stuffing the rest of the Digestive into his mouth. “You’re failing me with your human knowledge, Foster.” “For the thousandth time, I grew up in the U.S., not the U.K.!” she reminded him. “We had Chips Ahoy! and Oreos and E.L. Fudges!” “Hm. Those do sound more fun than a Digestive,” Keefe conceded. “I’m sure you’d especially enjoy the E.L. Fudges,” Sophie told him. “They’re shaped like tiny elves.” Keefe dropped the package of Jaffa Cakes he’d been in the process of opening and scanned the beach in front of them. “Okay, where’s the nearest cliff? You need to teleport me somewhere to get some of those immediately.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
I've read your last missive and reread it- in memory, as you warned me I would so long ago, preparing myself for a fall. I see you as a wave, as a bird, as a wolf. (My wolf, with the six legs and double-banked eyes.) I try not to think of you the same way twice. Thinking builds patterns in the brain, and those patterns can be read by one sufficiently determined, and Commandant, sometimes, is sufficiently determined - I think you'd like her. So I change your shape in my thoughts. It's amazing how much blue there is in the world, if you look. You're different colors of flame: Bismuth burns blue, and cerium, germanium, and arsenic. See? I pour you into things.
Amal El-Mohtar (This Is How You Lose the Time War)
Nobody doan never have touch Porhl! When I little, de brudder try. Oh yeah. I raise up dis bony knee hard in his what he got dere, and dat were dat and nobody since! You hear dis gul, Mr. free man Jacob Early? And nobody since! An I ain’t no Jez’bel, she screamed. In this way was Pearl’s decision made, and by the time they were on the march through Milledgeville she was drummer for Clarke’s company. She just hit the drum once every other step and they kept the pace, some with smiles on their faces. She looked straight ahead and kept her shoulders squared against the shoulder straps, but she could tell that white folks watched from the windows. And none of them knew she wasn’t but the drummer boy they saw.
E.L. Doctorow (The March)
Anastasia,” he whispers. “What are you doing to me?” “I could say the same to you,” I whisper back. Taking a deep breath, he kisses my forehead and leaves. He strolls purposefully down the path toward his car as he runs his hand through his hair. Glancing up as he opens his car door, he smiles his breathtaking smile. My answering smile is weak, completely dazzled by him, and I’m reminded once more of Icarus soaring too close to the sun. I close the front door as he climbs into his sports car. I have an overwhelming urge to cry; a sad and lonely melancholy grips and tightens around my heart. Dashing back to my bedroom, I close the door and lean against it, trying to rationalize my feelings. I can’t. Sliding to the floor, I put my head in my hands as my tears begin to flow.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Brittany Ellis," Mrs. Peterson says, pointing to the table behind Colin. I unenthusiastically sit on the stool at my assigned place. "Alejandro Fuentes," Mrs. Peterson says, pointing to the stool next to me. Oh my God. Alex . . . my chemistry partner? For my entire senior year! No way, no how, SO not okay. I give Colin a "help me" look as I try to avoid a panic attack. I definitely should have stayed at home. In bed. Under the covers. Forget not being intimidated. "Call me Alex." Mrs. Peterson looks up from her class list and regards Alex above the glasses on her nose. ' Alex Fuentes," she says, before changing his name on her list. "Mr. Fuentes, take off that bandanna. I have a zero tolerance policy in my class. No gang-related accessories are allowed to enter this room. Unfortunately, Alex, your reputation precedes you. Dr. Aguirre backs my zero tolerance policy one hundred percent ... do I make myself clear?" Alex stares her down before sliding the bandanna off his head, exposing raven hair that matches his eyes. "It's to cover up the lice," Colin mutters to Darlene, but I hear him and Alex does, too. "Vete a la verga," Alex says to Colin, his hard eyes blazing. "Collate el hocico." "Whatever, dude," Colin says, then turns around. "He can't even speak English." "That's enough, Colin. Alex, sit down." Mrs. Peterson eyes the rest of the class. "That goes for the rest of you, as well. I can't control what you do outside of this room, but in my class I'm the boss." She turns back to Alex. "Do I make myself clear?" "Si, señora," Alex says, deliberately slow.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Sempre que he pensat en la mort d'aquell home, […] l'he imaginat com vas dir tu, que se li van trencar totes les cordes de dins. Però hi ha mil maneres de mirar-s'ho: potser es trenquen les cordes, o potser s'enfonsa el nostre vaixell, o potser som herba, i les arrels són tan interdependents que ningú no es mor mentre encara hi hagi algú viu. El que dic és que, de metàfores, en tenim tantes com vulguem. Però s'ha de vigilar la que es tria, perquè és important. Si tries les cordes, llavors conceps un món en què et pots trencar sense que et puguin arreglar. Si tries l'herba, insinues que tots estem connectats fins a l'infinit, que podem utilitzar aquest sistema d'arrels no només per entendre'ns els uns als altres, sinó també per convertir-nos en l'altre. […] Les cordes fan que el dolor sembli més fatídic del que és, diria. No som tan fràgils com ens podrien fer entendre les cordes. I també m'agrada l'herba. L'herba m'ha portat fins a tu, m'ha ajudat a imaginar-te com una persona real. Però no som diferents brots de la mateixa planta. Jo no puc ser tu. Tu no pots ser jo. Es pot imaginar prou bé una altra persona, però mai a la perfecció, oi? Potser és més com deies abans, tots estem esquerdats. Tots comencem sent un vaixell hermètic, un compartiment estanc. I passen coses; la gent ens deixa, o no ens estima, o no ens entén, o no els entenem nosaltres, i ens perdem i ens decebem i ens ferim mútuament. I el vaixell es comença a esquerdar per molts llocs. I, és clar, un cop s'esquerda el vaixell, el final esdevé inevitable. […] Però hi ha tot un lapse de temps entre que es comencen a obrir les esquerdes fins que finalment ens trenquem. I és només durant aquest temps que ens podem veure, perquè nosaltres ens veiem a través de les esquerdes i veiem l'interior dels altres a través de les seves esquerdes. Quan ens hem vist cara a cara? No ha estat fins que tu m'has vist a través de les meves esquerdes i jo t'he vist a través de les teves. Abans, només miràvem idees d'un i altre […]. Però un cop el vaixell s'esquerda, la llum hi pot entrar. La llum en pot sortir.
John Green (Paper Towns)
So to avoid the twin dangers of nostalgia and despairing bitterness, I'll just say that in Cartagena we'd spend a whole month of happiness, and sometimes even a month and a half, or even longer, going out in Uncle Rafa's motorboat, La Fiorella, to Bocachica to collect seashells and eat fried fish with plantain chips and cassava, and to the Rosary Islands, where I tried lobster, or to the beach at Bocagrande, or walking to the pool at the Caribe Hotel, until we were mildly burned on our shoulders, which after a few days started peeling and turned freckly forever, or playing football with my cousins, in the little park opposite Bocagrande Church, or tennis in the Cartagena Club or ping-pong in their house, or going for bike rides, or swimming under the little nameless waterfalls along the coast, or making the most of the rain and the drowsiness of siesta time to read the complete works of Agatha Christie or the fascinating novels of Ayn Rand (I remember confusing the antics of the architect protagonist of The Fountainhead with those of my uncle Rafael), or Pearl S. Buck's interminable sagas, in cool hammocks strung up in the shade on the terrace of the house, with a view of the sea, drinking Kola Roman, eating Chinese empanadas on Sundays, coconut rice with red snapper on Mondays, Syrian-Lebanese kibbeh on Wednesdays, sirloin steak on Fridays and, my favourite, egg arepas on Saturday mornings, piping hot and brought fresh from a nearby village, Luruaco, where they had the best recipe.
Héctor Abad Faciolince (El olvido que seremos)