Egyptian Mummy Quotes

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You want to know how Egyptians pulled the brains out of mummies. or built the pyramids, or cursed King Tut's tomb? My dad's your man.
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
If wrappings of cloth can impart respectability, the most respectable persons are the Egyptian mummies, all wrapped in layers and layers of gauze
Kamala Suraiyya Das (Wages of Love)
I can’t think of anything more depressing than to be an Egyptian high priest on display next to a set of vintage wagon wheels and a two-headed chicken.
Jennifer Niven (All the Bright Places)
In 1855, as the price of paper rose, Dr. Deck proposed to dig up 2 1/2 million tons of Egyptian mummies, ship them to New York, unroll them; and use their linen wrappings to make paper.
Nicholson Baker (Double Fold: Libraries and the Assault on Paper)
Tell me about mummies. Mummies exist. The Egyptians mummified people. Mummies that get up out of their cursed tombs and walk around do not exist. Do cursed tombs exist? No. Sometimes you get a tomb guarded by a demon. Zombies? The voudun kind, yes - the braaaaaaaiiiiinnnnnsss kind, no. Oh, oh, I've got one. What about a haunted car? Do you count a demon-powered motorcycle? No, like, the car talks back and tells you to kill people. Then no.
Cassandra Clare (The Shadowhunter's Codex)
Every single person I've seen in the past few days asks me about the Leg. How is it? How's the Leg? The Leg is attached. Thanks for asking. There's The Leg right there. It's on display, always outside of the sheets and blanket, although the whole thing is still so wrapped up it looks like I borrowed The Leg from some ancient Egyptian mummy. How's The Leg? It seems a bit mummyish, thanks.
Michael Grant (Eve & Adam (Eve & Adam, #1))
Either an ancient cursed Egyptian mummy has come back to life and is trying to kill the people next door, or they're watching a movie.
Chuck Palahniuk (Lullaby)
Three months of camp life on Lake Tahoe would restore an Egyptian mummy to his pristine vigor, and give him an appetite like an alligator.
Mark Twain (Roughing It : Premium Edition -Illustrated)
A few whiskies in dull bars, a visit or tow to the Empire promenade, a little whoring on the Q.T.; the sort of dingy, drabby fornications that you can imagine happening between Egyptian mummies after the museum is closed for the night.
George Orwell (Keep the Aspidistra Flying)
They did not, however, infect the air as the Sudanese sun dried them up like mummies; all had the hue of gray parchment, and were so much alike that the bodies of the Europeans, Egyptians, and negroes could not be distinguished from each other.
Henryk Sienkiewicz (In Desert and Wilderness)
Have you seen the mummies at the British Museum?” “The Egyptian ones? No, not yet. But they have a similar thing in China.” “Did you ever imagine if they started moving? Withered hands reaching towards you and sunken eyes staring?” “I didn’t, but now I know what I’ll be dreaming about tonight.
K.J. Charles (The Magpie Lord (A Charm of Magpies, #1))
Toilet paper unrolled and slithered then wrapped around my tummy. That paper tried to roll me up into an Egyptian mummy.
Melinda K. Trotter (Pixie the Night Watch Cat)
Danny was a matador. Other cast members included a chubby Italian chef, a mime, and, for some reason, a mummy. I found that offensive on behalf of living Egyptian people, but I also knew that Parker McHune’s mother couldn’t sew, so wrapping her son in Ace bandages was the best she could do.
Molly Harper (The Single Undead Moms Club (Half-Moon Hollow, #4))
Anubis is associated with the mummification and protection of the dead for their journeys through Denver International Airport to the afterlife. He is usually portrayed as being half human and half jackal, and holding a metal detector in his hand ... Anubis is employed by the Department of Homeland Security to examine the hearts of all travellers to make sure they have not exceeded the weight limit for psychological baggage ... He is also shown frisking mummies and confiscating firearms and other contraband. It doesn't take much to tip the scales in favour of a dead body cavity search or an afterlifetime travel ban.
Stephen Moles (The Most Wretched Thing Imaginable or, Beneath the Burnt Umbrella)
After that, they got hot dogs at a frankfurter stand and walked down the wharf. At Ye Olde Curiosity Shoppe they saw shrunken heads and Egyptian mummies and cheap souvenirs. (Meg didn’t point out the eight-foot-long petrified whale penis that hung suspended from the ceiling; she could just imagine what Ali would tell her friends.)
Kristin Hannah (Between Sisters)
If Egyptian pyramids were in India, they would become temples and mummies would be prayed as God's
Dido Stargaze
You ask me about the idiosyncrasies of Philosophers? . . . There is their lack of historical sense, their hatred of even the idea of becoming, their Egyptianism. They think they are doing a thing honour when they dehistoricize it, sub specie aeterni – when they make a mummy of it. All that philosophers have handled for millennia has been conceptual mummies; nothing actual has escaped from their hands alive. They kill, they stuff, when they worship, these conceptual idolaters – they become a mortal danger to everything when they worship.
Friedrich Nietzsche (Twilight of the Idols / The Anti-Christ)
In contrast, the crowd diseases, which we discussed earlier, could have arisen only with the buildup of large, dense human populations. That buildup began with the rise of agriculture starting about 10,000 years ago and then accelerated with the rise of cities starting several thousand years ago. In fact, the first attested dates for many familiar infectious diseases are surprisingly recent: around 1600 B.C. for smallpox (as deduced from pockmarks on an Egyptian mummy), 400 B.C. for mumps, 200 B.C. for leprosy, A.D. 1840 for epidemic polio, and 1959 for AIDS.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
Osiris, to go directly to the important part of this, was not a "dying god," not "life caught in the spell of death," or "a dead god," as modern interpreters have said. He was the hallucinated voice of a dead king whose admonitions could still carry weight. And since he could still be heard, there is no paradox in the fact that the body from which the voice once came should be mummified, with all the equipment of the tomb providing life's necessities: food, drink, slaves, women, the lot. There was no mysterious power that emanated from him; simply his remembered voice which appeared in hallucination to those who had known him and which could admonish or suggest even as it has before he stopped moving and breathing. And that various natural phenomena such as the whispering of waves could act as the cue for such hallucinations accounts for the belief that Osiris, or the king whose body has ceased to move and is in his mummy cloths, continues to control the flooding of the Nile. Further, the relationship between Horus and Osiris, 'embodied' in each new king and his dead father forever, can only be understood as the assimilation of an hallucinated advising voice into the king's own voice, which then would be repeated with the next generation.
Julian Jaynes (The Origin of Consciousness in the Breakdown of the Bicameral Mind)
There were some hours to spare before his ship sailed, and having deposited his luggage, including a locked leather despatch-case, on board, he lunched at the Cafe Tewfik near the quay. There was a garden in front of it with palm trees and trellises gaily clad in bougainvillias: a low wooden rail separated it from the street, and Morris had a table close to this. As he ate he watched the polychromatic pageant of Eastern life passing by: there were Egyptian officials in broad-cloth frock coats and red fezzes; barefooted splay-toed fellahin in blue gabardines; veiled women in white making stealthy eyes at passers-by; half-naked gutter-snipe, one with a sprig of scarlet hibiscus behind his ear; travellers from India with solar tepees and an air of aloof British Superiority; dishevelled sons of the Prophet in green turbans, a stately sheik in a white burnous; French painted ladies of a professional class with lace-rimmed parasols and provocative glances; a wild-eyed dervish in an accordion-pleated skirt, chewing betel-nut and slightly foaming at the mouth. A Greek boot-black with box adorned with brass plaques tapped his brushes on it to encourage customers, an Egyptian girl squatted in the gutter beside a gramophone, steamers passing into the Canal hooted on their syrens. ("Monkeys")
E.F. Benson (The Mummy Walks Among Us)
In the beginning was the World, but it was, therefore the past existed before the World. He bowed before the supremacy of the past. The Catholic Church would have much to be said for it, but it allowed too little past. Two thousand years, a part of it only recorded, what does that matter compared to traditions of double or treble that space of years? A Catholic priest is surpassed by any Egyptian mummy. Because the mummy is dead, he may think himself superior. But the pyramids are no more dead than St. Peter's, on the contrary, they are much more alive, for they are older. These Romans think that they have all time in the pockets. They refuse to revere their ancestors. That is a blasphemy. God is the past... A time will come when all men will beat their senses into recollections, and all time into the past. A time will come when a single past will embrace all men when there will be nothing except the past, when everyone will have one faith– the past.
Elias Canetti (Auto-da-Fé)
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Most disconcerting of all were those experiences in which the patient's consciousness appeared to expand beyond the usual boundaries of the ego and explore what it was like to be other living things and even other objects. For example, Grof had one female patient who suddenly became convinced she had assumed the identity of a female prehistoric reptile. She not only gave a richly detailed description of what it felt like to be encapsuled in such a form, but noted that the portion of the male of the species' anatomy she found most sexually arousing was a patch of colored scales on the side of its head. Although the woman had no prior knowledge of such things, a conversation Grof had with a zoologist later confirmed that in certain species of reptiles, colored areas on the head do indeed play an important role as triggers of sexual arousal. Patients were also able to tap into the consciousness of their relatives and ancestors. One woman experienced what it was like to be her mother at the age of three and accurately described a frightening event that had befallen her mother at the time. The woman also gave a precise description of the house her mother had lived in as well as the white pinafore she had been wearing—all details her mother later confirmed and admitted she had never talked about before. Other patients gave equally accurate descriptions of events that had befallen ancestors who had lived decades and even centuries before. Other experiences included the accessing of racial and collective memories. Individuals of Slavic origin experienced what it was like to participate in the conquests of Genghis Khan's Mongolian hordes, to dance in trance with the Kalahari bushmen, to undergo the initiation rites of the Australian aborigines, and to die as sacrificial victims of the Aztecs. And again the descriptions frequently contained obscure historical facts and a degree of knowledge that was often completely at odds with the patient's education, race, and previous exposure to the subject. For instance, one uneducated patient gave a richly detailed account of the techniques involved in the Egyptian practice of embalming and mummification, including the form and meaning of various amulets and sepulchral boxes, a list of the materials used in the fixing of the mummy cloth, the size and shape of the mummy bandages, and other esoteric facets of Egyptian funeral services. Other individuals tuned into the cultures of the Far East and not only gave impressive descriptions of what it was like to have a Japanese, Chinese, or Tibetan psyche, but also related various Taoist or Buddhist teachings.
Michael Talbot (The Holographic Universe)
Today the market was closed. Zet and Kat
Scott Peters (Mystery of the Egyptian Mummy (Zet Mystery Case, #4))
I had all these fantasies about going down into the pyramid with my uncle, discovering mummies and ancient treasures. Fighting off ancient Egyptians who had come back to life to defend their sacred tomb, and escaping after a wild chase, just like Indiana Jones.
R.L. Stine (The Curse of the Mummy's Tomb (Goosebumps, #5))
But a cursory review of ancient Egyptian literature suggests that the Egyptians of three thousand years ago were already keenly aware of the insubstantial nature of human achievement. These monuments, these tombs, these mummies were not necessarily meant to escape the passage of time but rather to provide future generations with a past they could find, a past whose shadow would loom over them and offer them guidance. As archaeologists continue to study ancient Egypt thousands of years later, the pharaohs continue to guide posterity and provide humanity with permanent symbols of history, in more impressive and far-reaching ways than even they could have planned.
Tom Head (World History 101: From ancient Mesopotamia and the Viking conquests to NATO and WikiLeaks, an essential primer on world history (Adams 101 Series))
The sacred Wag Festival of the Dead approaches. With it, the veil between life and death grows thin. Restless spirits draw near when a mummy is being made. Even the mummy of a small cat.
Scott Peters (Mystery of the Egyptian Mummy (Zet Mystery Case, #4))
Yet the black, starlit water seemed poor protection from the ominous mysteries swirling around them.
Scott Peters (Mystery of the Egyptian Mummy (Zet Mystery Case, #4))
Zet rolled his eyes.
Scott Peters (Mystery of the Egyptian Mummy (Zet Mystery Case, #4))
Were you talking about how the Egyptians pulled the brains of mummies out through their noses? No! Nobody cares about that stuff, Arlo.
Dan Gutman (My Weird School Fast Facts: Mummies, Myths, and Mysteries)
The water churned with monsters.
Scott Peters (Mystery of the Egyptian Mummy (Zet Mystery Case, #4))
Until that time in history, Egypt was the only country among the Eastern nations to have adopted the custom of circumcision. (The practice had appeared early in Egyptian history, as can be seen from mummies.)
Ahmed Osman (The Egyptian Origins of King David and the Temple of Solomon)
While Smith tried to explain how the records of two Hebrew prophets came into the possession of an Egyptian royal family, he left unexplained why, after being handed down for several generations, they should be buried with mummies.
Dan Vogel (Book of Abraham Apologetics: A Review and Critique)
They must have seen everything. They must have seen my gluttony, my conspicuous tendencies, my aloofness. I feel X-rayed, as if every bite of the fries that went down my stomach was anticipated, watched, analyzed, and bet upon. It is then that I start rushing, frantically waving my skeleton-like index finger at the waitress, and with my clacking haws insisting in the calculation of the bill, the check, the record of the meal, its price, its nutritional value, the list of ingredients sugar to sulphites, everything that keeps food conserved like Egyptian mummies, and it is then that I demand to see the little squares in the waitress’s book, squares that graded me an average, satisfactory, good, or very good customer.
Rawi Hage (Cockroach)
Let me tell you that patriotism has been dying out fast for the last twenty years. Before then when a party won, its workers got everything in sight. That was somethin’ to make a man patriotic. Now, when a party wins and its men come forward and ask for their rewards, the reply is, “Nothin’ doin’, unless you can answer a list of questions about Egyptian mummies and how many years it will take for a bird to wear out a mass of iron as big as the earth by steppin’ on it once in a century?
William L. Riordan (Plunkitt of Tammany Hall: A Series of Very Plain Talks on Very Practical Politics)
Near the entrance to the famous Specimen Room at Tokyo University, there was a lavishly gilded casket that housed an ancient Egyptian mummy, said by some to have been the favorite concubine of King Tut himself. Elsewhere in the room, the disembodied brains of such celebrated novelists as Natsume Soseki and Kanzo Uchimura were on display, floating dreamily in formaldehyde. Then there was the distinguished married couple, both professors of medicine, who had willed their bodies to science in the 1920s. Now their perfect ivory skeletons stood at attention by the entrance, like a pair of sentries. Interesting though these objects were, the most riveting thing in the room was the collection of vividly colored, intricately-tattooed skins hanging on the walls and suspended from the ceiling. They looked to Kenzo like an eerie parade of souls in limbo, and he gazed at them in awe and fascination.
Akimitsu Takagi (The Tattoo Murder Case)
Boy, how can you think it wise to truck with this culture of death?" Even at ten I knew the correct answer to that cataclysmic catechism: "Right you are, Father. Much better to stick with the life-embracing imagery of a cult that worships a bleeding corpse nailed to bits of wood." ... Egypt was not — I must repeat for Readers who still do not know it — a culture of death, for all the mummies and bottled lungs, the jackal-men and cobra-queens. The Egyptians were the inventors of immortality, the first men who saw they could live forever.
Arthur Phillips (The Egyptologist)
When we reached the last room, I asked Katy which picture was her favorite. She led me back to the one that had stumped her in the synonym department. Her sister, Emily, who’s fourteen and had been off wandering through the Met’s collection of European paintings, then showed me her favorite piece in the museum: a Monet water lily (the first she’d ever seen) from 1919. This is when I let each girl in on a secret: It can be yours. No different from falling in love with a song, one may fall in love with a work of art and claim it as one’s own. Ownership does not come free. One must spend time with it; visit at different times of the day or evening; and bring to it one’s full attention. The investment will be repaid as one discovers something new with each viewing—say, a detail in the background, a person nearly cropped from the picture frame, or a tiny patch of canvas left unpainted, deliberately so, one may assume, as if to remind you not to take all the painted parts for granted. This is true not just for New Yorkers but for anyone anywhere with art to be visited—art being a relative term, in my definition. Your Monet may, in fact, be an unpolished gemstone or mineral element. Natural history museums are filled with beauties fairly begging to be adopted. Stay alert. Next time a tattered Egyptian mummy speaks to you across the ages, don’t walk away. Stay awhile. Spend some time with it. Give it a proper name: Yours. But don’t be hasty. You must be sure you are besotted. When it happens, you will know.
Bill Hayes (Insomniac City: New York, Oliver Sacks, and Me)
I see that the pigeon-holes of Fleet Street must be full of these anticipatory articles which only need occasional revision to date to be all ready when the scythe is finally sharpened. To meet an editor must be for a thoughtful celebrity as chilling as the spectacle of the mummy at the Egyptian banquet.
Edward Verrall Lucas (Over Bemerton's, An Easy-Going Chronicle)
The entomology of the word Christos means “the Anointed One.” There is not much debate among scholars that Christos derives from the Egyptian KaRaST, the name of the mummy “seed” in the coffin, with the significant divinity buried in the flesh. Christos and Messiah have similar meanings of “Anointed.” Egyptian mes and Sanskrit kir both mean “to anoint” or “to pour.
Rico Roho (Aquarius Rising: Christianity and Judaism Explained Using the Science of the Stars)
Circumcision is well-known in the ancient Near East from as early as the fourth millennium BC, though the details of its practice and its significance vary from culture to culture. Circumcision was practiced in the ancient Near East by many peoples. The Egyptians practiced circumcision as early as the third millennium BC. West Semitic peoples, Israelites, Ammonites, Moabites and Edomites performed circumcision. Eastern Semitic peoples did not (e.g., Assyrians, Babylonians, Akkadians)—nor did the Philistines, an Aegean or Greek people. Anthropological studies have suggested that the rite always has to do with at least one of four basic themes: fertility, virility, maturity and genealogy. Study of Egyptian mummies demonstrates that the surgical technique in Egypt differed from that used by the Israelites; while the Hebrews amputated the prepuce of the penis, the Egyptians merely incised the foreskin and so exposed the glans penis. Egyptians were not circumcised as children, but in either prenuptial or puberty rites. The common denominator, however, is that it appears to be a rite of passage, giving new identity to the one circumcised and incorporating him into a particular group. Evidence from the Levant comes as early as bronze figurines from the Amuq Valley (Tell el-Judeideh) from the early third millennium BC. An ivory figurine from Megiddo from the mid-second millennium BC shows Canaanite prisoners who are circumcised. Southern Mesopotamia shows no evidence of the practice, nor is any Akkadian term known for the practice. The absence of such evidence is significant since Assyrian and Babylonian medical texts are available in abundance. Abraham is therefore aware of the practice from living in Canaan and visiting Egypt rather than from his roots in Mesopotamia. Since Ishmael is 13 years old at this time, Abraham may even have been wondering whether it was a practice that would characterize this new family of his. In Ge 17 circumcision is retained as a rite of passage, but one associated with identity in the covenant. In light of today’s concerns with gender issues, some have wondered why the sign of the covenant should be something that marks only males. Two cultural issues may offer an explanation: patrilineal descent and identity in the community. (1) The concept of patrilineal descent resulted in males being considered the representatives of the clan and the ones through whom clan identity was preserved (as, e.g., the wife took on the tribal and clan identity of her husband). (2) Individuals found their identity more in the clan and the community than in a concept of self. Decisions and commitments were made by the family and clan more than by the individual. The rite of passage represented in circumcision marked each male as entering a clan committed to the covenant, a commitment that he would then have the responsibility to maintain. If this logic holds, circumcision would not focus on individual participation in the covenant as much as on continuing communal participation. The community is structured around patrilineal descent, so the sign on the males marks the corporate commitment of the clan from generation to generation. ◆
Anonymous (NIV, Cultural Backgrounds Study Bible: Bringing to Life the Ancient World of Scripture)
writing
Scott Peters (Mystery of the Egyptian Mummy (Zet Mystery Case, #4))
There are, however, explicit engineering qualities associated with the pyramids that do not support the theory that it was a temple, a tomb, or a mausoleum. The redundancy of masonry in these structures is only one good argument against the tomb theory. More persuasive is the fact that Egyptologists woefully lack the material evidence to support it—there are no bodies! It is a widely held popular belief that Egyptian pyramids contained mummies, and that these mummies were actually discovered inside the pyramids. This is simply not true. These beliefs are only inferences that are reinforced by inaccurate documentaries that link the pyramids closely with the Valley of the Kings, where there are no pyramids, but where the mummies actually were found. In reality, the Giza Plateau and the Valley of the Kings are two vastly different sites, separated by hundreds of miles of desert. It is now becoming widely recognized by people who research the pyramid issue that of all the pyramids excavated in Egypt, there was not one that contained an original burial. Considering that more than eighty pyramids have been discovered in Egypt, this fact alone practically negates the tomb theory.
Christopher Dunn (The Giza Power Plant: Technologies of Ancient Egypt)
howl of a jackal woke him.
Scott Peters (Mystery of the Egyptian Mummy (Zet Mystery Case, #4))
He saw no sign of his sister. Or a monstrous, wild jackal. Zet tore down the steep ladder to the front room. "Kat?" he shouted. She was there, clinging to their mother. They were staring out the open front door. He could tell by the way Kat's shoulders were up around her ears that she was terrified. Still, she took the time to shoot him a reproachful glance. "Shush!" his eleven-year-old sister hissed. "Not so loud!" "What's out there?" Zet demanded, coming up behind them and trying to get past. "Stay back," his mother said. "Both of you." "Let me see," he said, standing on tiptoe. From outside, another unearthly howl sent a chill racing
Scott Peters (Mystery of the Egyptian Mummy (Zet Mystery Case, #4))
walked the path the creatures had taken. They'd searched high and low for signs of a trick. Without luck. Before long their mother would wonder why money was running low. And Zet and Kat would have to cart the abandoned wares home to store on the roof. The stall was overflowing. They'd have to tell Mother. Soon. What a disaster. Zet glanced at Princess Merit. A large cloak hid her from head to toe. These days she rarely escaped the palace and her retainers. But this morning, she'd climbed over a palace wall, and the children had hustled her onto the raft. If anyone had inside information on burial curses, Merit would. She was Pharaoh's daughter, after all.
Scott Peters (Mystery of the Egyptian Mummy (Zet Mystery Case, #4))
silhouette
Scott Peters (Mystery of the Egyptian Mummy (Zet Mystery Case, #4))