Egret Quotes

And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough?

And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it.

She sang, as requested. There was much about love in the ballad: faithful love that refused to abandon its object; love that disaster could not shake; love that, in calamity, waxed fonder, in poverty clung closer. The words were set to a fine old air -- in themselves they were simple and sweet: perhaps, when read, they wanted force; when well sung, they wanted nothing. Shirley sang them well: she breathed into the feeling, softness, she poured round the passion, force: her voice was fine that evening; its expression dramatic: she impressed all, and charmed one. On leaving the instrument, she went to the fire, and sat down on a seat -- semi-stool, semi-cushion: the ladies were round her -- none of them spoke. The Misses Sympson and the Misses Nunnely looked upon her, as quiet poultry might look on an egret, an ibis, or any other strange fowl. What made her sing so? They never sang so. Was it proper to sing with such expression, with such originality -- so unlike a school girl? Decidedly not: it was strange, it was unusual. What was strange must be wrong; what was unusual must be improper. Shirley was judged.

People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.

Every creature on earth returns to home. It is ironic that we have made wildlife refuges for ibis, pelican, egret, wolf, crane, deer, mouse, moose, and bear, but not for ourselves in the places we live day after day. We understand that the loss of habitat is the most disastrous event that can occur to a free creauture. We fervently point out how other creatures' natural territories have become surrounded by cities, ranches, highways, noise, and other dissonance, as though we are not affected also. We know that for creatures to live on, they must at least from time to time have a home place, a place where they feel both protected and free

I had come to the canyon with expectations. I wanted to see snowy egrets flying against the black schist at dusk; I saw blue-winged teal against the green waters at dawn. I had wanted to hear thunder rolling in the thousand-foot depths; I heard the guttural caw of four ravens…what any of us had come to see or do fell away. We found ourselves at each turn with what we had not imagined.

It was the egret, flying out of the lemon grove, that started it. I won’t pretend I saw it straight away as the conventional herald of adventure, the white stag of the fairy-tale, which, bounding from the enchanted thicket, entices the prince away from his followers, and loses him in the forest where danger threatens with the dusk.

Two yellow orioles sing under emerald willows One line of White Egrets ascends clear skies Window frames Western riged snow of a thousand autumns Door moors Eastern Wu a boat of ten-thousand li

When her lagoon opened before them, the delicate details of every mossy branch and brilliant leaf reflected in the clear dark water. Dragonflies and snowy egrets lifted briefly at his strange boat, then resettled gracefully on silent wings.

Now, of course, having failed in every attempt to subdue the Glades by frontal attack, we are slowly killing it off by tapping the River of Grass. In the questionable name of progress, the state in its vast wisdom lets every two-bit developer divert the flow into drag-lined canals that give him 'waterfront' lots to sell. As far north as Corkscrew Swamp, virgin stands of ancient bald cypress are dying. All the area north of Copeland had been logged out, and will never come back. As the glades dry, the big fires come with increasing frequency. The ecology is changing with egret colonies dwindling, mullet getting scarce, mangrove dying of new diseases born of dryness.

Darwin had been lured to South America by the prospect of discovering new birds and new beetles, but he couldn’t help noticing the carnage the Europeans were inflicting. Colonial arrogance, the institution of slavery, the extirpation of countless species for the enrichment and entertainment of the invaders, the first depredations of the tropical rain forest—in short, many of the crimes and stupidities that haunt us today—troubled Darwin at a time when Europe was confident that colonialism was an unalloyed benefit for the uncivilized, that the forests were inexhaustible, and that there would always be enough egret feathers for every millinery shop until the Day of Judgment.

I woke up wanting to read a poem by that name, and I found one with a lifeguard’s chair, a broken shell, gulls watching egrets, home an ocean away.

Barkley Cove was quite literally a backwater town, bits scattered here and there among the estuaries and reeds like an egret’s nest flung by the wind.

Dr. Egret gives me the creeps. Never met a quack whom I didn’t half-suspect of plotting to do me in as expensively as he could contrive.

the egrets lifting out of the marxh carrying the light on their backs.

Every creature on earth returns to home. It is ironic that we have made wildlife refuges for ibis, pelican, egret, wolf, crane, deer, mouse, moose, and bear, but not for ourselves in the places where we live day after day.

In 1903, when it became clear that the Snowy Egrets of the Everglades had been hunted to the brink of extinction, President Theodore Roosevelt signed an executive order to create the first federal bird refuge at Pelican Island in Florida—one of fifty-five reserves set aside during his presidency.

And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough?

I've seen a film in which Dr Lorenz pointed out the difference between two colonies of cattle egrets, one free and one caged. The free ones, who had to provide for themselves, were monogamous and energetic and kept their numbers within ecologically reasonable limits. The captive egrets were promiscuous, idle, overbreeding and presumably going to hell fast.

His mother had always been a headstrong woman, and with her grayish-white mane and unsmiling face, she appeared as regal and intimidating as she had ever been. Still, seeing her through other people’s eyes, Hanfeng realized that all that made her who she was—the decades of solitude in her widowhood, her coldness to the prying eyes of people who tried to mask their nosiness with friendliness, and her faith in the notion of living one’s own life without having to go out of one’s way for other people—could be deemed pointless and laughable. Perhaps the same could be said of any living creature: a caterpillar chewing on a leaf, unaware of the beak of an approaching bird; an egret mesmerized by its reflection in a pond, as if it were the master of the universe; or Hanfeng’s own folly of repeating the same pattern of hope and heartbreak, hoping despite heartbreak.

Hello, Rhett,” she said. His head snapped, and she saw his dark eyes. They held nothing for her, nothing but anger. “Why hello, Countess.” His eyes raked her from her kidskin boots to her egret-plumed hat. “You are certainly looking—expensive.” He turned abruptly towards John Morland. “You should have warned me, Bart, so I could stay in the bar. Let me by.” And he sent Morland staggering as he pushed out of the box on the side away from Scarlett.

You could also buy leopard cat, Chinese muntjac, Siberian weasel, Eurasian badger, Chinese bamboo rat, butterfly lizard, and Chinese toad, plus a long list of other reptiles, amphibians, and mammals, including two kinds of fruit bat. Quite an epicure’s menu. And of course birds: cattle egrets, spoonbills, cormorants, magpies, a vast selection of ducks and geese and pheasants and doves, plovers, crakes, rails, moorhens, coots, sandpipers, jays, several flavors of crow.

After midday, the rain eased, and the Land Rover rode into Pokhara on a shaft of storm light. Next day there was humid sun and shifting southern skies, but to the north a deep tumult of swirling grays was all that could be seen of the Himalaya. At dusk, white egrets flapped across the sunken clouds, now black with rain; on earth, the dark had come. Then four miles above these mud streets of the lowlands, at a point so high as to seem overhead, a luminous whiteness shone- the light of snows. Glaciers loomed and vanished in the grays, and the sky parted, and the snow cone of Machhapuchare glistened like a spire of a higher kingdom. In the night, the stars convened, and the vast ghost of Machhapuchare radiated light, although there was no moon.

Torrents of text conversations, tides of cell conversations, of television programs, of e-mail, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I’m going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscapes we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.

Brian and Avis deliver their stacks and try to refuse dinner, but the waiters bring them glasses of burgundy, porcelain plates with thin, peppery steaks redolent of garlic, scoops of buttery grilled Brussels sprouts, and a salad of beets, walnuts, and Roquefort. They drag a couple of lawn chairs to a quiet spot on the street and they balance the plates on their laps. Some ingredient in the air reminds Avis of the rare delicious trips they used to make to the Keys. Ten years after they'd moved to Miami they'd left Stanley and Felice with family friends and Avis and Brian drove to Key West on a sort of second honeymoon. She remembers how the land dropped back into distance: wetlands, marsh, lazy-legged egrets flapping over the highway, tangled, sulfurous mangroves. And water. Steel-blue plains, celadon translucence. She and Brian had rented a vacation cottage in Old Town, ate small meals of fruit, cheese, olives, and crackers, swam in the warm, folding water. Each day stirring into the next, talking about nothing more complicated than the weather, spotting a shark off the pier, a mysterious constellation lowering in the west. Brian sheltered under a celery-green umbrella while Avis swam: the water formed pearls on the film of her sunscreen. They watched the night's rise, an immense black curtain from the ocean. Up and down the beach they hear the sounds of the outdoor bars, sandy patios switching on, distant strains of laughter, bursts of music. Someone played an instrument- quick runs of notes, arpeggios floating in soft ovals like soap bubbles over the darkening water.

Siblicide. It sounds cruel, but the survival of many bird species like osprey, owls, egrets, and kingfishers depends upon some chicks offing their brothers and sisters.

Silent morning Quiet nature in dim light It is almost peaceless of the chirping of birds Waiting for the sunrise Feeling satisfied with pure breath Busy life- in pursuit of livelihood, running people In the intensity of the wood-burning sun, astray finch Sometimes the advent of north-wester I’m scared The calamitous heartache of the falling Caesalpinia pulcherrima! Listen to get ears Surprisingly I saw the unadulterated green weald Vernal, yellow and crimson colors are the glorious beauty of the unique nature An amazing reflection of Bengal The housewife’s fringe of azure color sari fly in the gentle breeze The cashew forest on the bank of flowing rivers white egret couple peep-bo The kite crookedly flies get lost in the far unknown The footstep of blustery childhood on the zigzag path Standing on a head-high hill touches the fog Beckoning with the hand of the magical horizon The liveliness of a rainy-soaked juvenile Momentary fascinated visibility of Ethnic group’s pineapple, tea, banana and jhum cultivation at the foot of the hill Trailer- shrub, algae and pebble-stone come back to life in the cleanly stream of the fountain Bumble bee is rudderless in the drunken smell of mountain wild flower The heart of the most beloved is touched by pure love In the distant sea water, pearl glow in the sunlight Rarely, the howl of a hungry tiger float in the air from a deep forest The needy fisherman’s ​​hope and aspiration are mortgaged to the infinite sea The waves come rushing on the beach delete the footprint to the beat of the dancing The white cotton cloud is invisible in the bluey The mew flies at impetuous speed to an unknown destination A slice of happy smile at the bend of the wave The western sky covered with the crimson glow of twilight Irritated by the cricket’s endless acrid sound The evening lamp is lit to flickering light of the firefly The red crabs tittup wildly on the beach Steadfast seeing Sunset A beautiful dream Next sunrise.

Well done," BItterlich said. "You definitely showed those peacocks you're not chicken." Isabelle dragged herself out of her mental cyclone and bestowed him the glower he was looking for. "You've been waiting to say that all day, haven't you?" Bitterlich contrived to look innocent. "I just thought it was another feather in your cap." Isabelle resisted the urge to groan. As handsome and dashing and daring as BItterlich was, his sense of humour drifted toward vile puns. The only way to deal with him when he got like this was to play dumb. She took off her hat and examined it carefully. '"I don't understand. It doesn't have any more feathers than it did this morning." Bitterlich glanced aside at her. "Since when did you become fusty?" Isabelle replaced her hat and said primly, "I heard an atrocity being committed, and I stifled it." "I have no egrets," Bitterlich said.

The Everglades are dying. Nearly half of their 4 million acres have been swallowed up by sprawl and sugarcane. Almost 70 plant and animal species that reside there hover on the brink of extinction. The wading bird populations — egrets and herons and spoonbills and the like — have declined a staggering 90 percent. The saw grass prairies, for which the region is famous, have grown smaller with each passing year, and the once legendary game fish populations aren’t doing much better. Among the few fish that do remain, scientists have detected enough mercury in their fatty tissue to open a thermometer factory.

The murder of the Everglades...is insidiously subtle and undramatic. Unlike more telegenic forms of pollution, the fertilizers pouring by the ton from the sugarcane fields and vegetable farms of southern Florida do not produce stinking tides of dead fish or gruesome panoramas of rotten animal corpses. Instead, the phosphates and other agricultural contaminants work invisibly to destroy a mat of algae known as periphyton...the small fish that feed and nest there move away. Next to go are egrets and herons, the bluegills and largemouth bass, and so on up the food chain.

Everything in Louisiana is flat, so I found myself lost in the expanse of crawfish fields, telephone lines, rice silos, and lonesome rural homes, and my ability to judge distance became compromised. Nevertheless, it seemed a long, bouncy ride on dirt roads before we arrived at Ardoin (pronounced “ard-wahn”) Cove Cemetery, the rumbling truck engine often stirring pink-tinged Egrets from the roadside slews.

Just as I'm about to step into the canoe, an egret flies low over the glassy water. The bird is white all over with delicate wisps at the head and tail. We both stop to look. The egret tucks her long neck close to her body, and her wings nearly touch the shining surface. It's a mirror---egret above, egret below. She's followed by a series of dark circles, the air from each wingbeat lifting the water. "What's that one called?" Adlai asks, though he surely must know. "Snowy," I say. "Snowy egret.

In the pool, a long-legged bird had alighted: white-feathered, long-beaked. Two feet high at the shoulder, at least. As it stepped, it didn’t disturb the flowers; its great feet slipped between them and rose again, dripping. Mahit didn’t know the word for the kind of bird it was. “Ibis,” maybe. Or “egret.” There were a lot of kinds of birds in Teixcalaanli, and one word for “bird” in Stationer. There’d been more, once. They didn’t need more than that now. The one stood for the concept.

Their eyes searched silently for any sign of life, waiting for some flock of egrets to slingshot out from the bushes, waiting for a single mulletfish to brush the river’s crest, even hoping for a distant whiff of cow dung. Even shit has life in it, after all.

Frank Sinatra proved he was an ornithologist when he sang, "Egrets, I've had a few, but then again, too few to mention.

We made love then, under the trees, near the bank of the marsh sprinkled with snow-white egrets. I held him to me, and I looked up at the sky, thinking that this moment must be what absolute perfection was like. It felt as if we were melding together in a timeless kind of bliss. When we were both satiated, Sam shielded me from the breeze with his big body, keeping his arms around me, and I curled into his nook, closing my eyes. Every part of me tingled with pleasure and satisfaction. I had never felt like that before.

Sonnet for Yemaya Orisha of the living ocean, and the divine feminine MOTHER, I am not married but I give, am giving, fullness. Am conjuring. Egret in flight. Scent of powder, sea foam. The cowry shells speak but not of their past; first abandonment, a turning over. Then, snail exposed to air, all cruelties. Mother, help me not fear comparison. So much depends on this globe you’ve painted brown, soil of the trout lily, body in diapause. In your sea of nature and harmony, I want to live. Be live as commodity, the satchel of stones I leave in the corners I make holy. Only the act of making is assured.

In 1921 a passenger debarking from a cruise ship in New York was found to have five Bird of Paradise feathers and eight bunches of Egret plumes hidden in the false walls of his suitcase, along with sixty-eight bottles of morphine, cocaine, and a pouch of heroin hidden within a bag of nuts.

THe church is full of flowers-yellow roses, lilies, blue hydrangeas spilling forth-and it is on these that Charlie trains his gaze and looks for his mother, who is nowhere to be found. Not even her ashes are in the church, and no coffin, but this is less hard to comprehend than the fact that she is not herself there, a thin old bird, an egret maybe, standing on one leg, head bobbing, long neck swiveling. Contradicting, adding and subtracting. poking fun. Peering out.

Odder glances at the faraway kayaker, now just a drifting dot, so small he might be an egret or a marsh wren. Because of them, she says, and then she plunges under the waves.

The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.… Early afternoon. They were coming to this place, to this tall grass, all along. They will feed here for a while and then, because there’s no water right here, go down to where those egrets are. There’s water there. After they’ve had a good drink, they might make a big loop and come back here again later to feed some more. It will be a one-family-at-a-time choice as the adults decide when to drink and bathe. When elephants are finally ready to make a significant move, everyone points in the same direction. But they do wait until the matriarch decides. “I’ve seen families cued up waiting for half an hour,” comments Vicki, “waiting for the matriarch to signal, ‘Okay.’” And now they go. Makelele, eleven years old, walks with a deep limp. Five years ago he showed up with a broken right rear leg. It must have been agony, and it’s healed at a horrible angle, almost as if his knee faces backward, shaping that leg like the hock on a horse. Yet he is here, surviving with a little help from his friends. “He’s slow,” Vicki acknowledges. “It’s remarkable that he’s managing, but his family seems to wait for him.” Another Amboseli elephant, named Tito, broke a leg when he was a year old, probably from falling into a garbage pit.

The “ignition” was a very understated and terribly English affair indeed, involving simply an advanced magneto and some leaded petrol rather than a column of fire, five astronuts (sic) and a mission control staffed by folk mouthing “gosh - we have lift-off” and “the egret has landed”.

The vista from atop the poinciana was timeless and serene—a long string of egrets crossing the distant ’glades; a squadron of white pelicans circling a nearby bay; a pair of ospreys hovering kitelike above a tidal creek. It was a perfect picture and a perfect silence.

Totality of Spheres excerpt : Far-night comes our consummation in time star shapes in separate lakes the you-sheen : Rag to wipe down the child’s mercury brow blood-heat doesn’t end it begins our work : Egret at pond’s edge of mind vague regret of venus holding an apple holding her breath : Lust wants what wound it can find heals the harm by balming the blade : Himself he says to himself the trembling king creates a cloud to hide away the hours : Rhyme in a ring undoes into child’s song time’s titan rule a no-atom-bell resounding : Obit of the discarded orders or truth suffers into oblivion or the fact wears a shroud : Lain down at long last the bones beauty wore inside herself on ocean bed lovely : Sings in the outermost undergrove shadowwaste soulspent worldwant some form or art : Your word some angel I guess some cherub embroidered on the veil that note : Word sewn on the love veil solar sail star primer tone tome tomb the readerless name

Dante leaned his shoulder on the wall and briefly watched the solid tattoo of rain on the gallery windows. His charming little black swan would not be thrilled at all with the notion of being summarily dismissed, regardless whether it was couched in friendly terms or not. An image of Beau standing on the afterdeck of the Egret, her eyes streaming from the clouds of smoke that rose from the guns, her hands raw and bleeding, her face pale with fear, came to his mind and he knew he would have to find his own way of softening the blow to her pride. He meant what he had said. He wanted her safe in England. He wanted someone to go home to.

You cannot defeat me,” the doppler snarled. “Because I am you, Geralt.” “You are mistaken, Tellico,” the Witcher said softly. “Drop your sword and resume Biberveldt’s form. Otherwise you’ll regret it, I warn you.” “I am you,” the doppler repeated. “You will not gain an advantage over me. You cannot defeat me, because I am you!” “You cannot have any idea what it means to be me, mimic.” Tellico lowered the hand gripping the sword. “I am you,” he repeated. “No,” the Witcher countered, “you are not. And do you know why? Because you’re a poor, little, good-natured doppler. A doppler who, after all, could have killed Biberveldt and buried his body in the undergrowth, by so doing gaining total safety and utter certainty that he would not be unmasked, ever, by anybody, including the halfling’s spouse, the famous Gardenia Biberveldt. But you didn’t kill him, Tellico, because you didn’t have the courage. Because you’re a poor, little, good-natured doppler, whose close friends call him Dudu. And whoever you might change into you’ll always be the same. You only know how to copy what is good in us, because you don’t understand the bad in us. That’s what you are, doppler.” Tellico moved backwards, pressing his back against the tent’s canvas. “Which is why,” Geralt continued, “you will now turn back into Biberveldt and hold your hands out nicely to be tied up. You aren’t capable of defying me, because I am what you are unable of copying. You are absolutely aware of this, Dudu. Because you took over my thoughts for a moment.” Tellico straightened up abruptly. His face’s features, still those of the Witcher, blurred and spread out, and his white hair curled and began to darken. “You’re right, Geralt,” he said indistinctly, because his lips had begun to change shape. “I took over your thoughts. Only briefly, but it was sufficient. Do you know what I’m going to do now?” The leather witcher jacket took on a glossy, cornflower blue colour. The doppler smiled, straightened his plum bonnet with its egret’s feather, and tightened the strap of the lute slung over his shoulder. The lute which had been a sword a moment ago. “I’ll tell you what I’m going to do, Witcher,” he said, with the rippling laughter characteristic of Dandelion. “I’ll go on my way, squeeze my way into the crowd and change quietly into any-old-body, even a beggar. Because I prefer being a beggar in Novigrad to being a doppler in the wilds.

A dead world is never really dead. Even when the stars vanish in a great exodus, leaving an inky night that swallows the sky. Even when the sound of silence is a terrible thing to listen to in a city that once groaned with noise. But it’s not quite silence, is it? There are the birds that soar over bare roof rafters, egrets and jackdaws and scruffy brown scraps that go by a multitude of names calling joyfully to each other. There are the nocturnal animals who claw and scrape over cobblestones, lifting their gazes to the two pale moons impressed against a violet sky. There are the trees that stretch upwards, overgrown and languorous, from leaf-strewn courtyards, extending gracefully through balconies and walkways. And below them, the ferns that unfurl in dark, damp corners that might still bear cracked tiles in parched colours, or spongey wooden skates engraved with toothy chisel marks. Life, persistent and predictably stubborn, goes on. Close your eyes and the stars might not sing in this hushed city of dust and dreams, but there’s still singing nonetheless. Even if there’s just one voice left.