Eglantine Quotes

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I know a bank where the wild thyme blows, Where oxlips and the nodding violet grows, Quite over-canopied with luscious woodbine, With sweet musk-roses and with eglantine.
William Shakespeare (A Midsummer Night’s Dream)
I am sentimental,’ she said. ‘I could dissect a koala but not its baby. I like the words damozel, eglantine, elegant. I love when you kiss my elongated white hand.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
Every morning Mrs Eglantine sat at the round bamboo bar of the New Pacific Hotel and drank her breakfast. This consisted of two quick large brandies, followed by several slower ones. By noon breakfast had become lunch and by two o'clock the pouches under and above Mrs Eglantine's bleared blue eyes began to look like large puffed pink prawns.
H.E. Bates (Seven by Five)
La speranza, un frutto dolce amaro; deve essere figlia del diavolo tentatore, ma com'è angelica la sua fiamma!" Suggerita da Eylai Aadre Nó Eglantine
Dilhani Heemba (Nuova Vita: La speranza dell'erede (Nuova Terra, #2))
Nor will I ever find that walled garden where the hibiscus blows, with sweet musk roses and eglantine. Where stamens of rain fall on warm, white breasts.
Poile Sengupta (Inga)
He turned immediately towards the hearth, where Silas Marner sat lulling the child. She was perfectly quiet now, but not asleep—only soothed by sweet porridge and warmth into that wide-gazing calm which makes us older human beings, with our inward turmoil, feel a certain awe in the presence of a little child, such as we feel before some quiet majesty or beauty in the earth or sky—before a steady glowing planet, or a full-flowered eglantine, or the bending trees over a silent pathway.
George Eliot (Silas Marner (Amazon Classics))
I know a bank where the wild thyme blows, Where oxlips and the nodding violet grows, Quite over-canopied with luscious woodbine, With sweet musk-roses and with eglantine: There sleeps Titania sometime of the night, Lulled in these flowers with dances and delight.
William Shakespeare (A Midsummer Night’s Dream)
These smell incredible." Cole sniffed a cookie. "What kind are they?" "Cinnamon-honey with a twist," I said. "Vik and I added honeysuckle we found in the woods." "Quite over-canopied with luscious woodbine, with sweet musk-roses and with eglantine," said Henry, taking a couple.
Rajani LaRocca (Midsummer's Mayhem)
Song 1888 - 1965 If space and time, as sages say, Are things which cannot be, The fly that lives a single day Has lived as long as we. But let us live while yet we may, While love and life are free, For time is time, and runs away, Though sages disagree. The flowers I sent thee when the dew Was trembling on the vine, Were withered ere the wild bee flew To suck the eglantine. But let us haste to pluck anew Nor mourn to see them pine, And though the flowers of love be few Yet let them be divine.
T.S. Eliot
My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep? - Ode to a Nightingale
John Keats (The Complete Poems)
(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.
Walter Scott
A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. …yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; Nor do we merely feel these essences For one short hour; no, even as the trees That whisper round a temple become soon Dear as the temple’s self, so does the moon, The passion poesy, glories infinite, Haunt us till they become a cheering light Unto our souls, and bound to us so fast, That, whether there be shine, or gloom o’ercast, They alway must be with us, or we die. For ‘twas the morn: Apollo’s upward fire Made every eastern cloud a silvery pyre Of brightness so unsullied, that therein A melancholy spirit well might win Oblivion, and melt out his essence fine Into the winds: rain-scented eglantine Gave temperate sweets to that well-wooing sun; Man’s voice was on the mountains; and the mass Of nature’s lives and wonders puls’d tenfold, To feel this sun-rise and its glories old. With a faint breath of music, which ev’n then Fill’d out its voice, and died away again. Within a little space again it gave Its airy swellings, with a gentle wave, To light-hung leaves, in smoothest echoes breaking Through copse-clad vallies,—ere their death, oer-taking The surgy murmurs of the lonely sea. All I beheld and felt. Methought I lay Watching the zenith, where the milky way Among the stars in virgin splendour pours; And travelling my eye, until the doors Of heaven appear’d to open for my flight, I became loth and fearful to alight From such high soaring by a downward glance: So kept me stedfast in that airy trance, Spreading imaginary pinions wide. When, presently, the stars began to glide, And lo! from opening clouds, I saw emerge The loveliest moon, that ever silver’d o’er A shell for Neptune’s goblet: she did soar So passionately bright, my dazzled soul Commingling with her argent spheres did roll Through clear and cloudy, even when she went At last into a dark and vapoury tent— Whereat, methought, the lidless-eyed train Of planets all were in the blue again. To commune with those orbs, once more I rais’d My sight right upward: but it was quite dazed By a bright something, sailing down apace, Making me quickly veil my eyes and face: What I know not: but who, of men, can tell That flowers would bloom, or that green fruit would swell To melting pulp, that fish would have bright mail, The earth its dower of river, wood, and vale, The meadows runnels, runnels pebble-stones, The seed its harvest, or the lute its tones, Tones ravishment, or ravishment its sweet, If human souls did never kiss and greet?
John Keats
Dalla parte opposta Antoine-Luois-Leon Florelle de Saint-Just, pallido, fronte bassa, profilo regolare, sguardo misterioso, tristezza profonda, ventitré anni; Merlin de Thionville, chiamato dai tedeschi Feuer-Teufel, diavolo di fuoco; Merlin de Douai, criminale autore della legge dei sospetti; Soubrany, che il popolo volle come generale al primo pratile; l'ex curato Lebon che maneggiava la spada con la mano un tempo benedicente; Billaud-Varennes che sognava una magistratura dell'avvenire senza giudici, affidata a soli arbitri; Fabre d'Eglantine, che ebbe una piacevole trovata , il calendario repubblicano, come Rouget de Lisle ebbe un'ispirazione sublime, La Marsigliese, ma l'uno come l'altro senza ritorni spirituali; Manuel, il procuratore della Comune, il quale sentenziò: «Un re morto non rappresenta un uomo di meno»; Goujon che era entrato nelle truppe a Trippe Lacroix, avvocato fattosi generale e creato cavaliere di San Luigi sei giorni prima del 12 agosto; Frèron Thersiste, figlio di Fréron-Zoile; Ruhl, inesorabile nell'esaminare il contenuto del famoso armadio di ferro, predestinato al suicidio, da perfetto repubblicano, il giorno in cui fosse caduta la repubblica; Fouché, anima demoniaca e viso cadaverico; Camboulas, l'amico di di Père Duchéne, che rimproverava a Guilliotin: «Tu appartieni al Club dei Foglianti, ma tua figlia al Club dei giacobini» Jagot, che obiettava a coloro che non approvavano la nudità dei carcerati. « Una prigione è pur sempre un abito di pietra»; Javagues, il macabro violatore di tombe di Saint-Denis; Osselin, proscrittore che concedeva asilo a una proscritta, Madame Charry; Bentabolle, il quale nelle funzioni di presidente, dava al pubblico il segnale degli applausi o delle imprecazioni; il giornalista Robert, marito di Kéralio, la quale scriveva: «Né Robespierre né Marta frequentano la mia casa, Robespierrre vi può venire quando vuole, Marat non vi metterà mai piede»; Garan Coulon, che a seguito dell'intervento della Spagna nel processo contro Luigi XVI aveva chiesto fieramente che l'assemblea non si degnasse di dar lettura della lettera di un re a favore di un altro re; Grégoire, vescovo degno della Chiesa primitiva, il quale sotto l'Impero, cancellò poi la sua fede repubblicana, assumendo il titolo di conte Grégoire; Amar, che affermava: «La terra intera condanna Luigi XVI. A chi appellarsi contro la condanna, ai pianeti?» Rouyer, il quale si era opposto all'impiego del cannone dal Pont – Neuf asserendo: «La testa di un re non deve, cadendo, far più rumore della testa di un uomo qualsiasi»; Chénier, fratello di André; Vadier, uno di quelli che posarono una pistola sulla tribuna; Tanis, che diceva a Momoro: «Voglio che Robespierre e Marat si riappacifichino alla mia tavola». «Dove abitate? A Charenton. «Mi sarei stupito che abitaste altrove»; Legendre, il macellaio della rivoluzione d'Inghilterra: « Vieni dunque che ti spacchi la testa», gridava a Lanjuinais; E costui rispondeva: «Devi ottenere prima un decreto che mi classifiche tra i buoi»; Collot d'Herbois, macabro commediante che portava sul viso l'antica maschera con due bocche, una per il sì e una per il no, uomo che approvava con l'una ciò che biasimava con l'alra, pronto ad accusare Carrier a Nantes e a deificare Châlier a Lione, a inviare Robespierre al patibolo e Marat al Pantheon; Génissieux, il quale chiedeva la pena di morte contro chiunque portasse su di sé la medaglia rappresentante Luigi XVI martirizzato; Leonard Bourdain, il maestro di scuola che aveva offerto la sua casa al vegliardo di Mont-Jura;Topsent, marinaio; Goupilleau, avvocato; Laurent Lecointre, commerciante; Duhem, medico; Sergent, scultore; David,pittore; Joseph Égalité, principe. Atri ancora: Lecointe-Piuraveau, il quale chiedeva che Marat «fosse riconosciuto in stato di demenza»;
Victor Hugo (Ninety-Three)
Tip la baciò con calma, come se le stesse dipingendo la bocca con la propria, suggendole l’anima da quel tripudio di lussuria e ingenua arrendevolezza." Suggerita da Eylai Aadre Nó Eglantine
Dilhani Heemba (Bruci il mare (Nuova Terra, #2.5))
Eglantine looked at Anastasius, holding back the dread-inducing anxiety that made her want to flee the parlor.
Miya Kazuki (Ascendance of a Bookworm (Light Novel), Part 4 Volume 7)
WITH EACH KISS   Here in each other’s arms neither of us are very opt for the use of words as both of us know that there are only so many things that can be said. This veracious and solicitous gaze that she gives to me coruscates round the ocular corona of her delicate and divine features of which she does commend to me within her voluptuous embrace. The creamy eglantine, sanguine, and fuchsia of her vivifying kiss enfolds a sedative ellipse over mine that turns me into vapor. More to me than any other part of her that is absolutely diamond it is her ardent and decided kiss that is most dear to me. The dangling kinks in her hair slide gently down the sides of my face, she avidly making me the counterpoint to her sensual exigency. With each kiss she disarms me and heals me of my heartsick love. With each kiss I am where the veil between here and heaven has broken.
Luccini Shurod
Q: At the end of Rozemyne’s first year, who had more mana: Rozemyne or the adult Eglantine? A: Eglantine.
Miya Kazuki (Ascendance of a Bookworm: Fanbook 3)
In the next class, I will teach you the names of the God of Darkness and the Goddess of Light,” Eglantine said. “That will open many avenues for you.
Miya Kazuki (Ascendance of a Bookworm: Part 5 Volume 1)
Well, nuncle, this plainly won’t do. These insolent, linear peels And sullen, hurricane shapes Won’t do with your eglantine. They require something serpentine. Blunt yellow in such a room! You should have had plums tonight, In an eighteenth-century dish, And pettifogging buds, For the women of primrose and purl, Each one in her decent curl. Good God! What a precious light! But bananas hacked and hunched… The table was set by an ogre, His eye on an outdoor gloom And a stiff and noxious place. Pile the bananas on planks. The women will be all shanks And bangles and slatted eyes. And deck the bananas in leaves Plucked from the Carib trees, Fibrous and dangling down, Oozing cantankerous gum Out of their purple maws, Darting out of their purple craws Their musky and tingling tongues.
Wallace Stevens (Harmonium)
He glanced that way, and a small hand waving a book appeared over the top of a garment rack. "Time of Unutterable Algorithms." The hand disappeared, then reappeared. It looked empty at first, but then, as Meddy moved her wrist, Milo caught a slight flash from one knuckle. "Ring of Wildest Abandon." Then Meddy's head and shoulders appeared as she climbed up and leaned over the top of the rack. With her other arm, she brandished a carved walking stick. "Eglantine's Patent Blackthorn Wishing Stick, guaranteed to offer considered advice before granting requests. What about you?" Milo laughed. He held up the red case. " Slywhisker's Crimson Casket of Relics, including the Ocher Pages of Invisible Wards, the Ever-Sharp Inscriber of Rose-colored Destinies, and the Flask of Winds and Voids" Meddy whistled. "You don't mess around." "I learned from the best.
Kate Milford (Ghosts of Greenglass House (Greenglass House, #2))
THE STUPID THINGS I’VE DONE Let your sunlight shine on this piece of dung, and dry it out, so I can be used for fuel to warm a bathhouse. Look on the terrible things I’ve done, and cause herbs and eglantine to grow out of them. The sun does this with the ground. Think what glories God can make from the fertilizer of sinning!
Jalal ad-Din Muhammad ar-Rumi (The Book of Love: Poems of Ecstasy and Longing)