β
I'm always happy," Sasha said. "Sometimes I just forget.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
I donβt want to fade away, I want to flame away - I want my death to be an attraction, a spectacle, a mystery. A work of art.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
If I had a view like this to look down on every day, I would have the energy and inspiration to conquer the world. The trouble is, when you most need such a view, no one gives it to you.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Life is made up of meetings and partings. People come into your life everyday, you say good morning, you say good evening, some stay for a few minutes, some stay for a few months, some a year, others a whole lifetime. No matter who it is, you meet and then you part. I'm so glad I met you Elizabeth Egan; I'll thank my lucky stars for that. I think I wished for you all of my life" He whispered. "But now it is time for us to part.
β
β
Cecelia Ahern (If You Could See Me Now)
β
Sure, everything is ending," Jules said, "but not yet.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
There's a fine line between thinking about somebody and thinking about not thinking about somebody, but I have the patience and the self-control to walk that line for hours - days, if I have to.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Like all failed experiments, that one taught me something I didnβt expect: one key ingredient of so-called experience is the delusional faith that it is unique and special, that those included in it are privileged and those excluded from it are missing out.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
There are so many ways to go wrong. All we've got are metaphors, and they're never exactly right. You can never just Say. The. Thing.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Timeβs a goon, right? You gonna let that goon push you around?β Scotty shook his head. βThe goon won.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Structural dissatisfaction: Returning to circumstances that once pleased you, after having experienced a more thrilling or opulent way of life, and finding that you can no longer tolerate them.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Everybody sounds stoned, because they're e-mailing people the whole time they're talking to you.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Iβm done. Iβm old, Iβm sad - thatβs on a good day. I want out of this mess. But I donβt want to fade away, I want to flame away - I want my death to be an attraction, a spectacle, a mystery. A work of art.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
I think, The world is actually huge. That's the part no one can really explain.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Her only thought was of getting away, as if she were carrying a live grenade from inside the house, so that when it exploded, it would destroy just herself.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Redemption, transformation--God how she wanted these things. Every day, every minute. Didn't everyone?
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
It was the hat. He looked sweet in the hat. How could a man in a fuzzy blue hat have used human bones to pave his roads?
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
I can't tell if she's actually real, or if she's stopped caring if she's real or not. Or is not caring what makes a person real?
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Rich children are always blond, Jocelyn goes. It has to do with vitamins.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
We stand there, quiet. My questions all seem wrong: How did you get so old? Was it all at once, in a day, or did you peter out bit by bit? When did you stop having parties? Did everyone else get old too, or was it just you? Are other people still here, hiding in the palm trees or holding their breath underwater? When did you last swim your laps? Do your bones hurt? Did you know this was coming and hide that you knew, or did it ambush you from behind?
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
She was clean": no piercings, tattoos, or scarifications. All the kids were now. And who could blame them, Alex thought, after watching three generations of flaccid tattoos droop like moth-eaten upholstery over poorly stuffed biceps and saggy asses?
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
That we have some history together that hasnβt happened yet.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Everyone we've lost, we'll find. Or they'll find us.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
You said you were a fairy princess
You said you were a shooting star
You said we'd go to Bora Bora
Now look at where the fuck we are
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
See," Sasha muttered, eyeing the sun. "It's mine.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
The answers were maddeningly absentβit was like trying to remember a song that you knew made you feel a certain way, without a title, artist, or even a few bars to bring it back.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
th blu nyt
th stRs u can't c
th hum tht nevr gOs awy
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
The world is full of shitheads, Rhea. Donβt listen to themβlisten to me. And I know that Lou is one of those shitheads. But I listen.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
When does a fake Mohawk become a real Mohawk? Who decides? How do you know if it's happened?
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Kathy was a Republican, one of those people who used the unforgivable phrase "meant to be"--usually when describing her own good fortune or the disasters that had befallen other people.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Mathematics catalogues everything that is not self-contradictory; within that vast inventory, physics is an island of structures rich enough to contain their own beholders.
β
β
Greg Egan (Oceanic)
β
This is the music business. 'Five years is five hundred years' - your words.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
I felt no shame in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Death never gave meaning to life: it was always the other way round.
β
β
Greg Egan (Oceanic)
β
What he needed was to find fifty more people like him, who had stopped being themselves without realizing it.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
and the question is, which one is really βyou,
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
You kneel beside her, breathing the familiar smell of Sasha's sleep, whispering into her ear some mix of I'm sorry and I will never leave you, I'll be curled around your heart for the rest of your life, until the water pressing my shoulders and chest crushes me awake and I hear Sasha screaming into my face: Fight! Fight! Fight!
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Sometimes I imagine myself looking back on right now and I think like where will I be standing when I look back Will right now look like the beginning of a great life or... or what
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
I know I'm famous and irresitible - a combination whose properties closely resemble radioactivity - and I know that you in this room are helpless against me.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
They resumed walking. Alex felt an ache in his eyes and throat. "I don't know what happened to me," he said, shaking his head. "I honestly don't."
Bennie glanced at him, a middle-aged man with chaotic silver hair and thoughtful eyes. "You grew up, Alex," he said, "just like the rest of us.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Yet each disappointment Ted felt in his wife, each incremental deflation, was accompanied by a seizure of guilt; many years ago, he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then heβd folded it in half again, so when he felt desire for Susan, it no longer brought with it an edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, of having dismantled a perilous apparatus that might have crushed them both. Susan was baffled at first, then distraught; sheβd hit him twice across the face; sheβd run from the house in a thunderstorm and slept at a motel; sheβd wrestled Ted to the bedroom floor in a pair of black crotchless underpants. But eventually a sort of amnesia had overtaken Susan; her rebellion and hurt had melted away, deliquesced into a sweet, eternal sunniness that was terrible in the way that life would be terrible, Ted supposed, without death to give it gravitas and shape. Heβd presumed at first that her relentless cheer was mocking, another phase in her rebellion, until it came to him that Susan had forgotten how things were between them before Ted began to fold up his desire; sheβd forgotten and was happy β had never not been happy β and while all of this bolstered his awe at the gymnastic adaptability of the human mind, it also made him feel that his wife had been brainwashed. By him.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Now that Scotty has entered the realm of myth, everyone wants to own him. And maybe they should. Doesn't a myth belong to everyone?
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Too clear, too clean. The problem was precision, perfection;
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Rebecca was an academic star. Her new book was on the phenomenon of word casings, a term she'd invented for words that no longer had meaning outside quotation marks. English was full of these empty words--"friend" and "real" and "story" and "change"--words that had been shucked of their meanings and reduced to husks. Some, like "identity" and "search" and "cloud," had clearly been drained of life by their Web usage. With others, the reasons were more complex; how had "American" become an ironic term? How had "democracy" come to be used in an arch, mocking way?
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
So this is it β― what cost me all that time. A man who turned out to be old, a house that turned out to be empty.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Most of the writers I know work every day, in obscurity and close to poverty, trying to say one thing well and true. Day in, day out, they labor to find their voice, to learn their trade, to understand nuance and pace. And then, facing a sea of rejections, they hear about something like Barbara Bushβs dog getting a book deal.
β
β
Timothy Egan
β
Kissing Mother Superior, incompetent, hairball, poppy seeds, on the can.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
But it was another girl, young and new to the city, fiddling with her keys.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
But knowing everything is too much like knowing nothing; without a story, itβs all just information.
β
β
Jennifer Egan (The Candy House)
β
if thr r childrn thr mst be a fUtr rt?
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
some mornings... I sit at the kitchen table shaking salt into the hairs on my arm, and a feeling shoves up in me: it's finished. Everything went past without me.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
She looks like someone I want to know, or maybe even be.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Sometimes the wind along the Pacific shore blows so hard it steals your breath before you can inhale it.
β
β
Timothy Egan (The Good Rain: Across Time and Terrain in the Pacific Northwest (Vintage Departures))
β
The sky was electric blue above the trees but the yard felt dark. Stephanie went to the edge of the lawn and sat her forehead on her knees. The grass and soil were still warm from the day. She wanted to cry but she couldn't. The feeling was too deep.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
I am beginning to believe that nothing is quite so uncertain as facts. (Edward Curtis)
β
β
Timothy Egan (Short Nights of the Shadow Catcher: The Epic Life and Immortal Photographs of Edward Curtis)
β
Fleshers used to spin fantasies about aliens arriving to βconquerβ Earth, to steal their βpreciousβ physical resources, to wipe them out for fear of βcompetitionββ¦as if a species capable of making the journey wouldnβt have had the power, or the wit, or the imagination, to rid itself of obsolete biological imperatives. Conquering the Galaxy is what bacteria with spaceships would do β knowing no better, having no choice.
β
β
Greg Egan
β
You talk to God, you're religious. God talks to you, you're psychotic.
β
β
Doris Egan
β
Is a stranger in a crowd less than human, just because you canβt witness her inner life?
β
β
Greg Egan (Permutation City)
β
It's turning out to be a bad day, a day when the sun feels like teeth.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
I picture it like Judgement Day,' he says finally, his eyes on the water. 'We'll rise up out of our bodies and find each other again in spirit form. We'll meet in that new place, all of us together, and first it'll seem strange, and pretty soon it'll seem strange that you could ever lose someone, or get lost.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
How does it feel to be seven thousand years old?"
"That depends."
"On what?"
"On how I want to feel.
β
β
Greg Egan (Permutation City)
β
Iβm sorry and I believe in you and Iβll always be near you, protecting you, and I will never leave you, Iβll be curled around your heart for the rest of your life.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
The problem was precision, perfection; the problem was digitization, which sucked the life out of everything that got smeared through its microscopic mesh.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
and itβs all kind of moving and sweet except that youβre not completely thereβa part of you is a few feet away, or above, thinking,
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
I understood that expensive shirts looked better than cheap shirts. The fabric wasn't shiny, no - shiny would be cheap. But it glowed, like there was light coming through from the inside. It was a fucking beautiful shirt, is what I'm saying
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Vinegar: that's what fear smells like.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
All we can ever know about are the portraits of each other inside our own skulls.
β
β
Greg Egan (Axiomatic)
β
happened as I listened: I felt pain. Not in my head, not in my arm, not in my leg; everywhere at once. I told myself there was no difference between being βinsideβ and being βoutside,β that it all came down to Xβs and Oβs that could be acquired in any number of different ways, but the pain increased to a point where I thought I might collapse, and I limped away.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
time's a goon
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
I said, βThe truth is whatever you can get away with.β βNo, thatβs journalism. The truth is whatever you canβt escape.
β
β
Greg Egan (Distress)
β
Like all failed experiments, that one taught me something I didnβt expect: one key ingredient of so-called experience is the delusional faith that it is unique and special, that those included in it are privileged and those excluded from it are missing out. And I, like a scientist unwittingly inhaling toxic fumes from the beaker I was boiling in my lab, had, through sheer physical proximity, been infected by that same delusion and in my drugged state had come to believe I was Excluded: condemned to stand shivering outside the public library at Fifth Avenue and Forty-second Street forever and...
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Nothing is free! Only children expect otherwise even as myths and fairy tales warn us: Rumpelstiltskin, King Midas, Handsel and Gretel. Never trust a candy house! It was only a matter of time before someone made them pay for what they thought they were getting for free.
β
β
Jennifer Egan (The Candy House)
β
Things had gotten -- what's the word? Dry. Things had gotten sort of dry for me. I was working as a city janitor in a neighborhood elementary school and, in summers, collecting litter in the park alongside the East River near the WIlliamsburg Bridge. I felt no shame whatsoever in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
No one is waiting for me. In this story, I'm the girl no one is waiting for.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
We lie. That's what we do. You're selling me a line of bullshit and you want me to sell you a line of bullshit back so you can write a major line of bullshit and be paid for it.
β
β
Jennifer Egan (Look at Me)
β
...real computers scared me; if you can find Them, then They can find you...
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Order my life. Iβm nothing without you: fragments of time, fragments of words, fragments of feelings. Make sense of me. Make me whole.
β
β
Greg Egan (Permutation City)
β
Mysteries that are destroyed by measurement were never truly mysterious; only our ignorance made them seem so.
β
β
Jennifer Egan (The Candy House)
β
The need for personal glory is like cigarette addiction: a habit that feels life-sustaining even as it kills you.
β
β
Jennifer Egan (The Candy House)
β
And Alex understood that Scotty Hausmann did not exist. He was a word casing in human form: a shell whose essence has vanished.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
He looks tired, like someone walked on his skin and left footprints.
β
β
Jennifer Egan
β
Too Clear, too clean. The problem was precision, perfection; the problem was "digitization" which sucked the life out of everything that got smeared through its microscopic mesh. Film, photography, music: dead. "An aesthetic holocaust!
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
I havenβt had trouble with writerβs block. I think itβs because my process involves writing very badly. My first drafts are filled with lurching, clichΓ©d writing, outright flailing around. Writing that doesnβt have a good voice or any voice. But then there will be good moments. It seems writerβs block is often a dislike of writing badly and waiting for writing better to happen.
β
β
Jennifer Egan
β
Even the financial disclosure statements that political bloggers were required to post hadn't stemmed the suspicion that people's opinions weren't really their own. "Who's paying you?" was a retort that might follow any bout of enthusiasm, along with laughter - who would let themselves be bought?
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
A bit of theory as we settle down for lunch: the waiter's treatment of Kitty is actually a kind of sandwich, with the bottom bread being the bored and slightly effete way he normally acts with customers, the middle being the crazed and abnormal way he feels around this famous nineteen-year-old girl, and the top bread being his attempt to contain and conceal this alien middle layer with some mode of behavior that at least approximates the bottom layer of boredom and effeteness that is his norm.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
Here in the corner attic of America, two hoursβ drive from a rain forest, a desert, a foreign country, an empty island, a hidden fjord, a raging river, a glacier, and a volcano is a place where the inhabitants sense they can do no better, nor do they want to.
β
β
Timothy Egan (The Good Rain: Across Time and Terrain in the Pacific Northwest (Vintage Departures))
β
The larger question for the Northwest, where the cities are barely a hundred years old but contain three-fourths of the population, is whether the wild land can provide work for those who need it as their source of income without being ruined for those who need it as their source of sanity.
β
β
Timothy Egan (The Good Rain: Across Time and Terrain in the Pacific Northwest (Vintage Departures))
β
He remembered his mentor, Lou Kline, telling him in the nineties that rock and roll had peaked at Monterey Pop. They'd been in Lou's house in LA with its waterfalls, the pretty girls Lou always had, his car collection out front, and Bennie had looked into his idol's famous face and thought, You're finished. Nostalgia was the end - everyone knew that.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
When someone tells you the story of their suffering, they are probably still suffering in some way. No one else gets to decide what that suffering means, or if it has any meaning at all. And we sure as hell don't get to tell someone that God never gives anybody more than they can handle or that God has a plan. We do not get to cut off someone's suffering at the pass by telling them it has some greater purpose.
β
β
Kerry Egan (On Living)
β
Of all the countries in the world, we Americans have been the greatest destroyers of land of any race of people barbaric or civilized," Bennett said in a speech at the start of the dust storms. What was happening, he said, was "sinister", a symptom of "our stupendous ignorance.
β
β
Timothy Egan (The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl)
β
I go away for a few years and the whole fucking world is upside down Jules said angrily. Buildings are missing. You get strip-searched every time you go to someone's office. Everybody sounds stoned because they're emailing people the whole time they're talking to you. Tom and Nicole are with different people...And now my rock-and-roll sister and her husband are hanging around with Republicans. What the fuck - Jules Jones
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
I want to end my life like a human being: in Intensive Care, high on morphine, surrounded by cripplingly expensive doctors and brutal, relentless life-support machines. Then the corpse can go into orbitβpreferably around the sun. I don't care how much it costs, just so long as I don't end up party of any fucking natural cycle: carbon, phosphorus, nitrogen. Gaia, I divorce thee. Go suck the nutrients out of someone else, you grasping bitch.
β
β
Greg Egan (Axiomatic)
β
At night, the house thick with sleep, she would peer out her bedroom window at the trees and sky and feel the presence of a mystery. Some possibility that included her--separate from her present life and without its limitations. A secret. Riding in the car with her father, she would look out at other cars full of people she'd never seen, any one of whom she might someday meet and love, and would feel the world holding her making its secret plans.
β
β
Jennifer Egan (Look at Me)
β
Every one of us will go through things that destroy our inner compass and pull meaning out from under us. Everyone who does not die young will go through some sort of spiritual crisis, where we have lost our sense of what is right and wrong, possible and impossible, real and not real. Never underestimate how frightening, angering, confusing, devastating it is to be in that place. Making meaning of what is meaningless is hard work. Soul-searching is painful. This process of making or finding meaning at the end of life is what the chaplain facilitates.
β
β
Kerry Egan (On Living)
β
When the clock stops on a life, all things emanating from it become precious, finite, and cordoned off for preservation. Each aspect of the dead person is removed from the flux of the everyday, which, of course, is where we miss him most. The quarantine around death makes it feel unlucky and wrong--a freakish incursion--and the dead, thus quarantined, come to seem more dead than they already are.... Borrowing from the dead is a way of keeping them engaged in life's daily transactions--in other words, alive.
β
β
Jennifer Egan
β
Sasha's green eyes were right up against yours, the lashes interlocking. "In Naples," she said, "there were kids who were just lost. You knew they were never going to get back to what they'd been, or have a normal life. And then there were other ones who you thought, maybe they will."
...
You opened your eyes, which you hadn't realized were shut again. "what I'm saying is, We're the survivors," Sasha said.
...
"Not everyone is. But we are. Okay?
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
In The Hunger Games, there's something for everyone.
A gripping adventure.
A political commentary.
A love story.
A cautionary tale.
Some call it science fiction, some call it potential reality.
Some say it's for teenagers, some say it's for adults.
The book--and now the film--captures themes and concerns that seem timely.
But its real strength, in the end, is that it's timeless. It speaks to us today, and it will speak--even more powerfully--tomorrow.
β
β
Kate Egan (The Hunger Games: Official Illustrated Movie Companion)
β
The site of his thinking and writing was a small office wedged in one corner of his shaggy house, on whose door heβd installed a lock to keep his sons out. They gathered wistfully outside it, his boys, with their chipped, heartbreaking faces. They were not permitted to so much as knock upon the door to the room in which he thought and wrote about art, but Ted hadnβt found a way to keep them from prowling outside it, ghostly feral creatures drinking from a pond in moonlight, their bare feet digging at the carpet, their fingers sweating on the walls, leaving spoors of grease that Ted would point out each week to Elsa, the cleaning woman. He would sit in his office, listening to the movements of his boys, imagining that he felt their hot, curious breath. I will not let them in, he would tell himself. I will sit and think about art. But he found, to his despair, that often he couldnβt think about art. He thought about nothing at all.
β
β
Jennifer Egan (A Visit from the Goon Squad)
β
I would lie of course. I lied a lot and with good reason: to protect the truthβsafeguard it like wearing fake gems to keep the real ones from getting stolen or cheapened by overuse. I guarded what truths I possessed because information was not a thingβit was colorless odorless shapeless and therefore indestructible. There was no way to retrieve or void it no way to halt its proliferation. Telling someone a secret was like storing plutonium inside a sandwich bag the information would inevitably outlive the friendship or love or trust in which youβd placed it. And then you would have given it away.
β
β
Jennifer Egan (Look at Me)
β
Just as Cam left Ivo Jennerβs apartments, St. Vincent met him in the hall. There was a scowl on the blond manβs face, and a vein of chilling arrogance in his tone. βIf my wife finds comfort in trite Gypsy homilies, I have no objection to your offering them. However, if you ever kiss her again, no matter how platonic the fashion, Iβll make a eunuch of you.β
The fact that St. Vincent could stoop to petty jealousy when Ivo Jenner was not yet cold in his bed might have outraged some men. Cam, however, regarded the autocratic viscount with speculative interest.
Deliberately calibrating his reply to test the other man, Cam said softly, βHad I ever wanted her that way, I would have had her by now.β
There it wasβ a flash of warning in St. Vincentβs ice-blue eyes that revealed a depth of feeling he would not admit to. Cam had never seen anything like the mute longing that St. Vincent felt for his own wife. No one could fail to observe that whenever Evie entered the room, St.Vincent practically vibrated like a tuning fork.
βIt is possible to care about a woman without wanting to bed her,β Cam pointed out. βBut it appears that you donβt agree. Or are you so obsessed with her that you canβt fathom how anyone else could fail to feel the same?β
βIβm not obsessed with her,β St. Vincent snapped.
Leaning a shoulder against the wall, Cam stared into the manβs hard eyes, his usual reserve of patience nearly depleted. βOf course you are. Anyone could see it.β
St. Vincent gave him a warning glance. βAnother word,β he said thickly, βand youβll go the way of Egan.β
Cam raised his hands in a mocking gesture of self-defense. βWarning taken.
β
β
Lisa Kleypas (Devil in Winter (Wallflowers, #3))