Eerie Forest Quotes

The dark dangerous forest is still there, my friends. Beyond the space of the astronauts and the astronomers, beyond the dark, tangled regions of Freudian and Jungian psychiatry, beyond the dubious psi-realms of Dr. Rhine, beyond the areas policed by the commissars and priests and motivations-research men, far, far beyond the mad, beat, half-hysterical laughter... the utterly unknown still is and the eerie and ghostly lurk, as much wrapped in mystery as ever.

It’s more eerie to be alone in a city that’s lit up and functioning than one that’s a tomb. If everything were silent, one could almost pretend to be in nature. A forest. A meadow. Crickets and birdsong. But the corpse of civilization is as restless as the creatures that now roam the graveyards.

Her black eyes picked up a touch of green from her sweater, transforming them into the eerie night forest color of childhood terrors.

I continue through the forest, all the way to the gazebo where Hettie and I once watched a show of a thousand-colored stingrays, where we once danced to lulling music, and where I finally realized it was all a lie.

Beowulf’s picture was far more elaborate than those of his siblings, and it did need a bit more work coloring in the background, but the gist of it was on full, frightening view. In the sky: a full moon, its eerie glow partially obscured by dark, swirling clouds. In the foreground: the dense, ferny undergrowth of a forest, bordered by a few gnarled tree trunks rising upward. In the center of the page: an old woman, wrapped in a cloak. Her mouth hung open in a leering smile, and her teeth were large and razor sharp, with a prominent set of gleaming white incisors. From the back of her shroudlike garments poked a long, wolfish tail. Cassiopeia and Alexander clapped and barked with admiration, but Penelope’s skin went cold.

Few things in nature can compare to the long, mournful wail of a loon echoing across water and through the forest. It’s an evocative sound that will stick with you for the rest of your life and make you nostalgic for things that never even happened to you. Eerie, yet beautiful, the sound will conjure up images of solitude near mountain lakes and ponds, shrouded in fog during the early morning or late dusk, surrounded by the silhouettes of pine trees. It’s a sound that relaxes and submerges you into the tranquility of nature. I don’t think there is another sound in the world that reminds me of the wilderness more so than the wail of a loon.

Deadwood sure isn’t thriving, but it’s still standing. And the landscape is breathtaking. It’s sitting right on the edge of the Black Hills National Forest, with its eerie rock formations, beautiful pine forests, barren rock, canyons, and creeks. I can’t think of a more beautiful place on Earth. I can understand why someone would want to build something there.

The mist covered the ground like the white veil over a new bride's face. The air was thick with smoke - smelling of death and decay. The birds were no longer singing their sweet songs, nor were there any immediate signs of life in the area. The charred ground crunched under my feet and I realized it was the only sound I could hear in the eerie silence. I looked up at the once milky moon and cringed at its new bright crimson color. What could've possibly caused the moon to turn blood red? I thought to myself as I continued to walk cautiously through the unrecognizable forest.

The great festival of Lughnasa was held at Carmun once every three years. The site of Carmun was eerie. In a land of wild forest and bog, it was an open grassy space that stretched, green and empty, halfway to the horizon. Lying some distance west of the point where, if you were following it upstream, the Liffey’s course began to retreat eastwards on the way to its source in the Wicklow Mountains, the place was absolutely flat, except for some mounds in which ancestral chiefs were buried. The festival lasted a week. There were areas reserved for food and livestock markets, and another where fine clothes were sold; but the most important quarter was where a large racetrack was laid out on the bare turf.

The treetops swayed high above the mists along the edge of the forest known as Wynne Holt. Five boys, all in their twelfth year, lay on their stomachs peering through the grasses of the headland near The Point. They watched as the cloaked Creature, the Ge-sceaft, wandered through the shifting fog that intermittently smothered the field ahead of them. Its shadow faded and resurfaced as it roamed through the grasses; and at times, eerie noises-- almost like singing-- drifted to the edge of the cliff from where they watched. Angus, the oldest and brawniest of the lads, began telling tales that terrified and delighted the others. “It has horns, it does. That’s why it wears the hood so far over its face. The horns aren’t at the back; they’re near the front, and it uses them to tear up its food like an animal uses claws and fangs.” “What does it eat?” The other boys turned

She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life. All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined. She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly. It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.

Rosie and Johnny's relationship was being ripped to shreds, with the press and public pawing over the pieces like wild dogs. The emotional chasm between Dominic and Pet had been torn even wider. Apparently, Sylvie had been wasting time, money, and ingredients for months, constantly defending this woman to Jay. And someone intimately connected to the Starlight Circus had just called her décor "kitsch." "Penny," she said very calmly, with a smile just as vague, just as airy, and just as malicious, "get the fuck out of my home." Penny tossed her head---and froze as Mabel walked toward her, hips swinging, also smiling. That smile had more eerie impact than every lighting effect in the Dark Forest combined. The intern took a step back, but halted in momentary confusion when Mabel offered her the lollipop. She took the candy skull automatically, and then shrieked as Mabel---tiny, deceptively delicate Mabel---made a blur of a movement with her foot and Penny tumbled across her shoulders. Whistling, Mabel walked toward the back door and out into the alley, wearing Penny around her neck like a scarf. Through the window, Sylvie watched as her assistant calmly threw the intern into the dumpster. As a stream of profanity drifted from the piles of rubbish--most of which, incidentally, was all the ingredients Penny had purposely wasted--Mabel returned to the kitchen. "I'll be off, then," she said, collecting her bag and coat from their hook. "Have a good night," Sylvie returned serenely. As Mabel passed her, without turning her head or altering her expression, their hands fleetingly clasped. The door swung closed, leaving Sylvie alone with Dominic in a lovely, clean kitchen, while her former intern made a third cross attempt to clamber from the trash.

Palo Mayombe is perhaps best known for its display of human skulls in iron cauldrons and accompanied by necromantic practices that contribute to its eerie reputation of being a cult of antinomian and hateful sorcerers. This murky reputation is from time to time reinforced by uninformed journalists and moviemakers who present Palo Mayombe in similar ways as Vodou has been presented through the glamour and horror of Hollywood. It is the age old fear of the unknown and of powers that threaten the established order that are spawned from the umbra of Palo Mayombe. The cult is marked by ambivalence replicating an intense spectre of tension between all possible contrasts, both spiritual and social. This is evident both in the history of Kongo inspired sorcery and practices as well as the tension between present day practitioners and the spiritual conclaves of the cult. Palo Mayombe can be seen either as a religion in its own right or a Kongo inspired cult. This distinction perhaps depends on the nature of ones munanso (temple) and rama (lineage). Personally, I see Palo Mayombe as a religious cult of Creole Sorcery developed in Cuba. The Kongolese heritage derives from several different and distinct regions in West Africa that over time saw a metamorphosis of land, cultures and religions giving Palo Mayombe a unique expression in its variety, but without losing its distinct nucleus. In the history of Palo Mayombe we find elite families of Kongolese aristocracy that contributed to shaping African history and myth, conflicts between the Kongolese and explorers, with the Trans-Atlantic slave trade being the blood red thread in its development. The name Palo Mayombe is a reference to the forest and nature of the Mayombe district in the upper parts of the deltas of the Kongo River, what used to be the Kingdom of Loango. For the European merchants, whether sent by the Church to convert the people or by a king greedy for land and natural resources, everything south of present day Nigeria to the beginning of the Kalahari was simply Kongo. This un-nuanced perception was caused by the linguistic similarities and of course the prejudice towards these ‘savages’ and their ‘primitive’ cultures. To write a book about Palo Mayombe is a delicate endeavor as such a presentation must be sensitive both to the social as well as the emotional memory inherited by the religion. I also consider it important to be true to the fundamental metaphysical principles of the faith if a truthful presentation of the nature of Palo Mayombe is to be given. The few attempts at presenting Palo Mayombe outside ethnographic and anthropological dissertations have not been very successful. They have been rather fragmented attempts demonstrating a lack of sensitivity not only towards the cult itself, but also its roots. Consequently a poor understanding of Palo Mayombe has been offered, often borrowing ideas and concepts from Santeria and Lucumi to explain what is a quite different spirituality. I am of the opinion that Palo Mayombe should not be explained on the basis of the theological principles of Santeria. Santeria is Yoruba inspired and not Kongo inspired and thus one will often risk imposing concepts on Palo Mayombe that distort a truthful understanding of the cult. To get down to the marrow; Santeria is a Christianized form of a Yoruba inspired faith – something that should make the great differences between Santeria and Palo Mayombe plain. Instead, Santeria is read into Palo Mayombe and the cult ends up being presented at best in a distorted form. I will accordingly refrain from this form of syncretism and rather present Palo Mayombe as a Kongo inspired cult of Creole Sorcery that is quite capable

When I pull my hand away, my fingertips are not stained red, but silver. I stare at my nails, trying to make sense of what I see when out of the formless gloom, a monster emerges. I do scream when a pair of blue-white eyes appear, a pinprick of black in their center. Slowly, a shape coalesces into being- a long, elegant face, whorls of inky shadows swirling over moon-pale skin, ram's horns curling around pointed, elfin ears. He is more terrifying and more real than the vision I experienced in the labyrinth. But worst of all are the hands, gnarled and curled and with one too many joints in each finger. With a silver ring around the base of one. A wolf's-head ring, with two gems of blue and green for eyes. My ring. His ring. The symbol of our promise I had returned to the Goblin King back in the Goblin Grove. Mein Herr? For a brief moment, those blue-white eyes regain some color, the only color in this gray world. Blue and green, like the gems on the ring about his finger. Mismatched eyes. Human eyes. The eyes of my immortal beloved. Elisabeth, he says, and his lips move painfully around a mouth full of sharpened teeth, like the fangs of some horrifying beast. Despite the fear knifing my veins, my heart grows soft with pity. With tenderness. I reach for my Goblin King, longing to touch him, to hold his face in my hands the way I had done when I was his bride. Mein Herr. My hands lift to stroke his cheek, but he shakes his head, batting my fingers away. I am not he, he says, and an ominous growl laces his words as his eyes return to that eerie blue-white. He that you love is gone. Then who are you? I ask. His nostrils flare and shadows deepen around us, giving shape to the world. He swirls a cloak about him as a dark forest comes into view, growing from the mist. I am the Lord of Mischief and the Ruler Underground. His lips stretch thin over that dangerous mouth in a leering smile. I am death and doom and Der Erlkönig. No! I cry, reading for him again. No, you are he that I love, a king with music in his soul and a prayer in his heart. You are a scholar, a philosopher, and my own austere young man. Is that so? The corrupted Goblin King runs a tongue over his gleaming teeth, those pale eyes devouring me as though I were a sumptuous treat to be savored. Then prove it. Call him by name. A jolt sings through me- guilt and fear and desire altogether. His name, a name, the only link my austere young man has to the world above, the one thing he could not give me. Der Erlkönig throws his head back in a laugh. You do not even know your beloved's name, maiden? How can you possibly call it love when you walked away, when you abandoned him and all that he fought for? I shall find it, I say fiercely. I shall call him by name and bring him home. Malice lights those otherworldly eyes, and despite the monstrous markings and horns and fangs and fur that claim the Goblin King's comely form, he turns seductive, sly. Come, brave maiden, he purrs. Come, join me and be my bride once more, for it was not your austere young man who showed you the dark delights of the Underground and the flesh. It was I.

Blood-colored clouds stained the eerie crystal sky.  The Darkhawk sailed low over a landscape covered with dead forests, dry plains, empty riverbeds and long-abandoned train tracks.  Everything wound through a twisted network of jagged hills the color of bones, and pools of brackish water ran across the landscape like puss. 

thought he had awakened at night. Here and there, enormous mushrooms added their spreading tops to the forest roof.             It was an eerie, disturbing place, filled with mysterious growls and groans and half-glimpsed figures moving among the trunks. Though desperate for any sign of humanity, Steve knew better than to approach those dark, moaning figures. Instead, he hurried on through the gloom, seeking some way – any way – out of the shadow of those dark trees.             Eventually, he emerged into a sparser forest of oaks and birch,

The forest was eerie at night. The verdant beauty that drew me to it during the day was absent, cloaked in shadows. Leaving only the promise of danger.

than anyone. She had found herself easily persuaded out of her own opinions and thoughts for years. In the car she has made a list of questions to ask Daniel, and then has abandoned that list and exhorted herself to let him lead the way. She has also decided that when she gets to the station the constable will say, ‘Sorry, that child’s parents came to pick him up an hour ago.’ Or, ‘Sorry, his father who we thought was dead came to get him and they’ve disappeared again.’ When Greg picked him up from school and left the country with him, he made the impossible possible, and so now Megan knows that even the most ludicrous thought in her head may very well eventuate. She has had to learn the hard way. But now the drive is over and she and Michael are standing outside the same small room where the photo of Daniel was taken. The door is closed but Megan knows it’s the same room. She can almost feel her body pulling towards it as her heart races. It is after five and the winter sun has disappeared, leaving a chill in the air, but she is sure she’s not shivering from the cold. Heddon Greta is as small as Michael described it. They have driven through kilometres and kilometres of forest filled with pine trees and layered green bush. There are no people anywhere and Megan assumes they have been driven inside by the cold. The empty street has an eerie, post-apocalyptic feeling to it, as though some disaster has caused all of the

The dark dangerous forest is still there, my friends. Beyond the space of the astronauts and the astronomers, beyond the dark, tangled regions of Freudian and Jungian psychiatry, beyond the dubious psi-realms of Dr. Rhine, beyond the areas policed by commissars and priests and motivations-research men, far, far beyond the mad, beat, half-hyserical laughter...the utterly unknown still is and the eerie and ghostly lurk, as much wrapped in mystery as ever. A Bit of the Dark World

The Storyteller The little boy stumbled through the forest. He was sure that wild animals were chasing him, and wanted to eat him. As he crashed through the undergrowth he suddenly emerged into a clearing. He looked around, fearing that he could hear animals, but all was quiet. The little boy walked further into the clearing. He saw a small stool with a book on it. He stopped, and looked around wondering who had left the stool, and the book there. He walked over to the stool, and picked up the book to look at it. Without thinking, he sat down, and opened the book. He started to read aloud. The only sound in the clearing was the little boy’s voice. He had forgotten about his earlier fear, and he had also stopped imagining that he could hear animals after him. Once he had finished reading the story he put the book down, and he said to the clearing, “I’ll come back tomorrow to read again.” The little boy left the clearing and reentered the forest. He wasn’t afraid anymore. It was if he had a new found confidence, and manner. The next day he returned, and found a different book on the stool, and as before, he sat down, and started to read. This went on for a week. After seven days animals started to come through the undergrowth, and entered the clearing. When they saw the boy, and heard his storytelling they would stop, find a place to sit down, and listen to him. One day he heard a roar behind him, and the little boy turned around, coming face to face with a tiger. “Shhh!” he told the tiger, and gave it a smack across the nose. The tiger was taken aback, but he did as he was told and he went to a tree. Then he too, sat and listened to the little boy. This went on for many years, and some animals died never to return, while others grew old as the little boy did. One day, when the little boy was no more but a little old man he died as he was reading one of his stories. The animals looked up, and listened to the silence. Wild dogs howled, elephants trumpeted their calls, birds tweeted and chirped, monkeys chatted and tigers roared as one. The tiger, who many years ago the little boy had smacked across the nose, carried the little boy, and laid him to rest under his tree. The animals lined up to pay their respects to the little boy who had devoted his life to reading to the animals. As they lined up, they were watched by God, Buddha, Allah and Ganesha, who were standing off to the side. They had tears in their eyes, not because the little boy had died, but because as each animal came to the body of the little boy, each animal would lay their head down on his chest, and shed tears over the boy’s body. Finally a small baby elephant came, and laid his head, and trunk down on the little boy’s body, and his tears flowed over the little boy’s chest. When the animals had left, there was an eerie silence over the clearing. Many, many years passed until one day, a small girl come running through the bushes, with a frightened look on her face. She stopped, and looked around the clearing. She saw a small stool, and so she walked over to it, wondering who would leave such a thing here in the forest. She sat down on the stool and looked down. She saw a box full of books. The little boy smiled.

A moment later, the clearing exploded. The first impact of a tiger attack does not come from the tiger itself, but from the roar, which, in addition to being loud like a jet, has an eerie capacity to fill the space around it, leaving one unsure where to look. From close range, the experience is overwhelming, and has the effect of separating you from yourself, of scrambling the very neurology that is supposed to save you at times like this. Those who have done serious tiger time—scientists and hunters—describe the tiger’s roar not as a sound so much as a full-body experience. Sober, disciplined biologists have sworn they felt the earth shake. One Russian hunter, taken by surprise, recalled thinking a dam had burst somewhere. In short, the tiger’s roar exists in the same sonic realm as a natural catastrophe; it is one of those sounds that give meaning and substance to “the fear of God.” The Udeghe, Yuri Pionka, described the roar of that tiger in the clearing as soul-rending. The literal translation from Russian is “soul-tearing-apart.” “I have heard tigers in the forest,” he said, “but I never heard anything like that. It was vicious; terrifying.

Sometimes the elite green gospel has proved catastrophic—especially for the middle classes. In August and September 2020, high winds, lightning strikes, and scorching temperatures caused hundreds of forest fires throughout California. Past “more natural” policies had discouraged controlled burning, removal of brush from forest floors, cattle grazing on hillsides of dead undergrowth, and the logging of tens of millions of dead trees lost during recent droughts. Even the emasculated timber industry might have managed if it had been permitted to hire thousands to harvest the dead trees of the last six years, thus providing jobs, timber, and forest safety. Instead, the summer perfect storm created a sort of green napalm—a combustible fuel of unharvested timber that would turn a traditional wildfire into an uncontrollable inferno, burn over four million acres, and send one hundred million metric tons of carbon emissions into the air. Due to the tremendous temperatures created by the infernos, eerie pyrocumulus clouds for weeks dotted the Sierra Nevada skyline, in apocalyptical fashion emulating the mushroom clouds that billow up after nuclear blasts. The ensuing smoke clouds soon covered much of the state and overwhelmed the efficacy of public and private solar farms, which in turn led to rolling scheduled power outages. And the power crisis had been made worse by the voluntary state shutdown of clean-burning natural gas and nuclear power plants—all exacerbated by near-record temperatures in some areas of the state reaching 110 degrees.

Plodding along what barely passed for a trail, I had an eerie feeling. There was still snow on the ground but the air had become warmer, causing a mist to form. We trudged under large trees to a place that I finally recognized. The thick forest ended as we continued, walking across an open field up the side of a hill. Once again our trail entered the woods, however now there were only low bushes, which surrounded the limestone quarry. I hadn’t really noticed but the snow was getting deeper, and now almost obliterated the worn pathway. The young man told me that I was close to my destination and that he would turn back now. I think he felt it would be better if we were not seen together, since the locals loved to gossip and seeing me with a single young man would certainly cause them to talk. Swinging his lantern as a farewell gesture, he disappeared into what had now become a heavy fog. I really felt uneasy now that the fog had settled in. There I stood, knowing that I still had to walk through the rock cut and past some trees before I could get back onto the paved road. There wasn’t anything I could do except continue on!

Mein Herr? For a brief moment, those blue-white eyes regain some color, the only color in this gray world. Blue and green, like the gems on the ring about his finger. Mismatched eyes. Human eyes. The eyes of my immortal beloved. Elisabeth, he says, and his lips move painfully around a mouth full of sharpened teeth, like the fangs of some horrifying beast. Despite the fear knifing my veins, my heart grows soft with pity. With tenderness. I reach for my Goblin King, longing to touch him, to hold his face in my hands the way I had done when I was his bride. Mein Herr. My hands lift to stroke his cheek, but he shakes his head, batting my fingers away. I am not he, he says, and an ominous growl laces his words as his eyes return to that eerie blue-white. He that you love is gone. Then who are you? I ask. His nostrils flare and shadows deepen around us, giving shape to the world. He swirls a cloak about him as a dark forest comes into view, growing from the mist. I am the Lord of Mischief and the Ruler Underground. His lips stretch thin over that dangerous mouth in a leering smile. I am death and doom and Der Erlkönig. No! I cry, reading for him again. No, you are he that I love, a king with music in his soul and a prayer in his heart. You are a scholar, a philosopher, and my own austere young man. Is that so? The corrupted Goblin King runs a tongue over his gleaming teeth, those pale eyes devouring me as though I were a sumptuous treat to be savored. Then prove it. Call him by name. A jolt sings through me- guilt and fear and desire altogether. His name, a name, the only link my austere young man has to the world above, the one thing he could not give me. Der Erlkönig throws his head back in a laugh. You do not even know your beloved's name, maiden? How can you possibly call it love when you walked away, when you abandoned him and all that he fought for? I shall find it, I say fiercely. I shall call him by name and bring him home. Malice lights those otherworldly eyes, and despite the monstrous markings and horns and fangs and fur that claim the Goblin King's comely form, he turns seductive, sly. Come, brave maiden, he purrs. Come, join me and be my bride once more, for it was not your austere young man who showed you the dark delights of the Underground and the flesh. It was I.

I’m not moving in with you, Mikhail.” The idea was scary. She was a very private person, needing large amounts of time alone. He was the most overwhelming being she had ever encountered. How would she ever be able to sort things out with him so near all the time? His eyebrows shot up. “No? You accepted our ways. We went through the required ritual. In my eyes, the eyes of my people, you are my lifemate, my woman. My wife. Is it the way of the American women to live apart from their husbands?” There was that infuriating trace of mocking male amusement in his voice, the note that always made her want to throw something at him. She had an idea he was laughing at her secretly, amused by her caution. “We aren’t married,” she said decisively. It was difficult to ignore the way her heart leapt with joy at his words. Tendrils of fog drifted into the forest, winding around thick tree trunks, spreading out to hover a few feet from the ground. The effect was eerie, but beautiful. “In the eyes of my people, in the eyes of God, we are.” There was an implacable resolve, a my-word-is-law, in his voice that set her teeth on edge. “What about in my eyes, Mikhail?

What if waiting doesn’t work?” I whisper. Liam smiles easily at me. His presence is like an eerie forest. I want to stay for a while and sit quietly in his dreary gravity. “You let me know and I’ll hold you until the darkness fades.