Edvard Grieg Quotes

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I gained a sense of why Grieg was so touched by the wistful, elegiac folk music of Norway, and what he meant when he said self-effacingly that his music had a 'taste of cod' about it.
Anthony Tommasini (The Indispensable Composers: A Personal Guide)
In Bach, Beethoven, and Wagner we admire principally the depth and energy of the human mind; in Mozart, the divine instinct.
Edvard Hagerup Grieg
La chanson de Solveig L'hiver peut s'enfuir, le printemps bien aimé Peut s'écouler. Les feuilles d'automne et les fruits de l'été, Tout peut passer. Mais tu me reviendras, Ô mon doux fiancé, Pour ne plus me quitter. Je t'ai donné mon coeur, il attend résigné, Il ne saurait changer. Que Dieu daigne encore dans sa grande bonté, Te protéger, Au pays lointain qui te tient exilé, Loin du foyer. Moi je t'attends ici, cher et doux fiancé, Jusqu'à mon jour dernier. Je t'ai gardé mon cœur, plein de fidélité, Il ne saurait changer.
Edvard Hagerup Grieg
With a sigh of disappointment, I leafed through the pages and found some black-and-white plates depicting a tiny woman in theatrical costume, dressed as a country peasant. Below the plate, it read, ‘Anna Landvik som Solveig, September 1876’. I studied the photographs intently, and realised that whoever Anna Landvik was, she’d been very young when the photograph had been taken. Underneath the heavy stage make-up, the girl looked barely older than a child. I leafed through the other plates and saw her as she grew older, and then did a double take as I stared at the familiar features of Edvard Grieg himself. Anna Landvik was standing by a grand piano and Grieg was behind it, applauding her
Lucinda Riley (The Storm Sister (The Seven Sisters, #2))
Asteria’s Ship’s Library Sailing Books Admiralty, NP 136, Ocean Passages of the World, 1973 (1895).  Admiralty, NP 303 / AP 3270, Rapid Sight Reduction Tables for Navigation Vol 1 & Vol 2 & Vol3. Admiralty, The Nautical Almanac 2018 & 2019. Errol Bruce: Deep Sea Sailing, 1954. K. Adlard Coles: Heavy Weather Sailing, 1967. Tom Cunliffe: Celestial Navigation, 1989. Andrew Evans: Single Handed Sailing, 2015. Rob James: Ocean Sailing, 1980. Robin Knox-Johnston: A World of my Own, 1969. Robin Knox-Johnston: On Seamanship & Seafaring, 2018. Bernard Moitessier: The Long Route, 1971. Hal Roth: Handling Storms at Sea, 2009. Spike Briggs & Campbell Mackenzie: Skipper's Medical Emergency Handbook, 2015 Essays Albert Camus: The Myth of Sisyphus & Other Essays, 1955. Biographies Pamela Eriksson: The Duchess, 1958. Olaf Harken: Fun Times in Boats, Blocks & Business, 2015. Martti Häikiö: VA Koskenniemi 1–2, 2009. Eino Koivistoinen: Gustaf Erikson – King of Sailing Ships, 1981. Erik Tawaststjerna: Jean Sibelius 1–5, 1989. Novels Ingmar Bergman: The Best Intentions, 1991. Bo Carpelan: Axel, 1986. Joseph Conrad: The End of the Tether, 1902. Joseph Conrad: Youth and Other Stories 1898–1910.  Joseph Conrad: Heart of Darkness, 1902. Joseph Conrad: Lord Jim, 1900. James Joyce: Ulysses, 1922, (translation Pentti Saarikoski 1982). Volter Kilpi: In the Alastalo Hall I – II, 1933. Thomas Mann: Buddenbrooks, 1925. Harry Martinson: The Road, 1948. Hjalmar Nortamo: Collected Works, 1938. Marcel Proust: In Search of Lost Time 1–10, 1922. Poems Aaro Hellaakoski: Collected Poems. Homer: Odysseus, c. 700 BC (translation Otto Manninen). Harry Martinson: Aniara, 1956. Lauri Viita: Collected Poems. Music Classic Jean Sibelius Sergei Rachmaninov Sergei Prokofiev Gustav Mahler Franz Schubert Giuseppe Verdi Mozart Carl Orff Richard Strauss Edvard Grieg Max Bruch Jazz Ben Webster Thelonius Monk Oscar Peterson Miles Davis Keith Jarrett Errol Garner Dizzy Gillespie & Benny Dave Brubeck Stan Getz Charlie Parker Ella Fitzgerald John Coltrane Other Ibrahim Ferrer, Buena Vista Social Club Jobim & Gilberto, Eric Clapton Carlos Santana Bob Dylan John Lennon Beatles Sting Rolling Stones Dire Straits Mark Knopfler Moody Blues Pink Floyd Jim Morrison The Doors Procol Harum Leonard Cohen Led Zeppelin Kim Carnes Jacques Brel Yves Montand Edit Piaf
Tapio Lehtinen (On a Belt of Foaming Seas: Sailing Solo Around the World via the Three Great Capes in the 2018 Golden Globe Race)
Adagio for Strings by Samuel Barber Symphony Number 5 by Gustav Mahler “O mio babbino caro” from Giannia Schicchi by Puccini The Spruce, Op. 75 by Jean Sibelius Appalachian Spring by Aaron Copeland New World Symphony by Antonin Dvorak Piano Concerto in A Minor by Edvard Grieg Mephisto Waltz by Franz Liszt Cello Suite No. 1 in G Major by Johann Sebastian Bach Cello Sonata in G Minor, Op. 65 by Frederic Chopin
Stig Abell (Death in a Lonely Place (Jake Jackson #2))
Wood Music: A Playlist Foals, ‘Birch Tree’, 2015 Arnold Bax, November Woods, 1917 The Beatles, ‘Norwegian Wood’, 1965 Igor Stravinsky, ‘Berceuse’, from The Firebird, 1910 A Woodland Reading List William Boyce and David Garrick, ‘Heart of Oak’, 1760 George Butterworth, The Banks of Green Willow, 1913 ——, ‘Loveliest of Trees’, from ‘A Shropshire Lad’, 1911 Editors, ‘I Want a Forest’, 2009 Edward Elgar, String Quartet in E minor, Op. 83, 1919 ——, Quintet in A minor, Op., 84, 1918 ——, Cello Concerto in E minor, Op. 85, 1919 ——, Owls: An Epitaph, Op. 27, 1907 Keane, ‘Somewhere Only We Know’, 2004 Lindisfarne, Dingly Dell, 1972 Oasis, ‘Songbird’, 2002 Pink Floyd, ‘Careful with That Axe, Eugene’, 1969 Camille Saint-Saëns, ‘Le Coucou au Fond des Bois’ (‘The Cuckoo in the Depths of the Wood’), 1886 Pablo Casals, ‘El Cant dels Ocells’ (‘Song of the Birds’), 1961 Antonín Dvořák, Waldesruhe (‘Silent Woods’) for cello and orchestra, Op. 68, no. 5, 1894 Edvard Grieg, Lyric Pieces, Op. 43, no. 4, ‘Little Bird’, 1886 Franz Liszt, Legende S.175 no. 1, St Francis of Assisi preaching to the birds, 1863 Monty Python, ‘The Lumberjack Song’, 1975 Van Morrison, ‘Redwood Tree’, 1972 Wolfgang Amadeus Mozart, ‘Der Vogelfänger bin ich ja’ (‘The Bird- catcher, that’s me’), from Die Zauberflöte (The Magic Flute), 1791 George Perlman, ‘A Birdling Sings’, from ‘Ghetto Sketches’, 1931 Pulp, ‘The Trees’, 2001 Radiohead, King of Limbs, 2011 Robert Schumann, ‘Jäger auf der Lauer’ (‘Hunters on the Lookout’), from Waldszenen (Forest Scenes), Op. 82, no. 2, 1850–51 ——, ‘Freundliche Landschaft’ (‘Friendly Landscape’), from Waldszenen (Forest Scenes), Op. 82, no. 5, 1850–51 Jean Sibelius, ‘The Aspen’, no. 3, ‘The Birch’, no. 4, ‘The Spruce’, no. 5, from Op. 75, ‘The Trees’, 1914–19 Trad., ‘The Trees They Do Grow High’ ——, ‘The Willow Tree’ The Verve, ‘Sonnet’, from Urban Hymns, 1997 Paul Weller, ‘Wild Wood’, 1993
John Lewis-Stempel (The Wood: The Life & Times of Cockshutt Wood)