Edna Quotes

They say when you are missing someone that they are probably feeling the same, but I don't think it's possible for you to miss me as much as I'm missing you right now

I know I am but summer to your heart, and not the full four seasons of the year.

Where you used to be, there is a hole in the world, which I find myself constantly walking around in the daytime, and falling in at night. I miss you like hell.

In our deepest moments we say the most inadequate things.

Please give me some good advice in your next letter. I promise not to follow it.

Darkness is drawn to light, but light does not know it; light must absorb the darkness and therefore meet its own extinguishment.

My heart is warm with the friends I make, And better friends I'll not be knowing, Yet there isn't a train I wouldn't take, No matter where it's going.

My candle burns at both ends; It will not last the night; But ah, my foes, and oh, my friends— It gives a lovely light!

Into the darkness they go, the wise and the lovely.

The greatest feminists have also been the greatest lovers. I'm thinking not only of Mary Wollstonecraft and her daughter Mary Shelley, but of Anais Nin, Edna St. Vincent Millay, and of course Sappho. You cannot divide creative juices from human juices. And as long as juicy women are equated with bad women, we will err on the side of being bad.

I will be the gladdest thing under the sun! I will touch a hundred flowers and not pick one.

I am glad that I paid so little attention to good advice; had I abided by it I might have been saved from some of my most valuable mistakes.

Childhood is not from birth to a certain age and at a certain age. The child is grown, and puts away childish things. Childhood is the kingdom where nobody dies.

After all, my erstwhile dear, My no longer cherished, Need we say it was not love, Just because it perished?

Sometimes loneliness makes the loudest noise.

It's not true that life is one damn thing after another; it's one damn thing over and over.

I love humanity but I hate people.

You see, I am a poet, and not quite right in the head, darling. It’s only that.

Time Does Not Bring Relief Time does not bring relief; you all have lied Who told me time would ease me of my pain! I miss him in the weeping of the rain; I want him at the shrinking of the tide; The old snows melt from every mountain-side, And last year’s leaves are smoke in every lane; But last year’s bitter loving must remain Heaped on my heart, and my old thoughts abide. There are a hundred places where I fear To go,—so with his memory they brim. And entering with relief some quiet place Where never fell his foot or shone his face I say, “There is no memory of him here!” And so stand stricken, so remembering him.

What should I be but just what I am?

Pity me that the heart is slow to learn What the swift mind beholds at every turn.

No one but Night, with tears on her dark face, watches beside me in this windy place.

Night falls fast. Today is in the past. Blown from the dark hill hither to my door Three flakes, then four Arrive, then many more.

Lost in Hell,-Persephone, Take her head upon your knee; Say to her, "My dear, my dear, It is not so dreadful here.

Ebb I know what my heart is like Since your love died: It is like a hollow ledge Holding a little pool Left there by the tide, A little tepid pool, Drying inward from the edge.

Soar, eat ether, see what has never been seen; depart, be lost, but climb.

When anyone asks me about the Irish character, I say look at the trees. Maimed, stark and misshapen, but ferociously tenacious.

There is no shelter in you anywhere.

The longest absence is less perilous to love than the terrible trials of incessant proximity.

This book, when I am dead, will be A little faint perfume of me. People who knew me well will say, She really used to think that way.

Well, I have lost you; and I lost you fairly; In my own way, and with my full consent. Say what you will, kings in a tumbrel rarely Went to their deaths more proud than this one went. Some nights of apprehension and hot weeping I will confess; but that's permitted me; Day dried my eyes; I was not one for keeping Rubbed in a cage a wing that would be free. If I had loved you less or played you slyly I might have held you for a summer more, But at the cost of words I value highly, And no such summer as the one before. Should I outlive this anguish, and men do, I shall have only good to say of you.

Money is sad shit

Life cannot defeat a writer who is in love with writing - for life itself is a writer's love until death.

She is happy where she lies With the dust upon her eyes.

Life must go on; I forget just why.

Music, my rampart and my only one.

I will come back to you, I swear I will; And you will know me still. I shall be only a little taller Than when I went.

You are loved. If so, what else matters?

Stranger, pause and look; From the dust of ages Lift this little book, Turn the tattered pages, Read me, do not let me die! Search the fading letters finding Steadfast in the broken binding All that once was I!

Gently they go, the beautiful, the tender, the kind; Quietly they go, the intelligent, the witty, the brave. I know. But I do not approve. And I am not resigned.

I found something" Simon said as he walked in. He whipped out an old-fashioned key from his pocket and grinned at me. "It was taped to the back of my dresser drawer. What do you think? Buried treasure? Secret passageway? Locked room where they keep crazy old Aunt Edna?" "It probaly unlocks another dresser," Tori said. "One they threw out fifty years ago." "Its tragic, being born without an imagination. Do they hold telethons for that?

There is no God. But it does not matter. Man is enough.

Love is Not All Love is not all: it is not meat nor drink Nor slumber nor a roof against the rain; Nor yet a floating spar to men that sink And rise and sink and rise and sink again; Love can not fill the thickened lung with breath, Nor clean the blood, nor set the fractured bone; Yet many a man is making friends with death Even as I speak, for lack of love alone. It well may be that in a difficult hour, Pinned down by pain and moaning for release, Or nagged by want past resolution’s power, I might be driven to sell your love for peace, Or trade the memory of this night for food. It well may be. I do not think I would.

A person who publishes a book willfully appears before the populace with his pants down. If it is a good book nothing can hurt him. If it is a bad book nothing can help him.

The heart can push the sea and land Farther away on either hand; The soul can split the sky in two, And let the face of God shine through.

I know I am but summer to your heart, And not the full four seasons of the year; And you must welcome from another part Such noble moods as are not mine, my dear. No gracious weight of golden fruits to sell Have I, nor any wise and wintry thing; And I have loved you all too long and well To carry still the high sweet breast of Spring. Wherefore I say: O love, as summer goes, I must be gone, steal forth with silent drums, That you may hail anew the bird and rose When I come back to you, as summer comes. Else will you seek, at some not distant time, Even your summer in another clime.

Please give me some good advice in your next letter. I promise not to follow it. (in a letter written while she was in college)

But you, you foolish girl, you have gone home to a leaky castle across the sea to lie awake in linen smelling of lavender, and hear the nightingale, and long for me.

But always, to her, red and green cabbages were to be jade and burgundy, chrysoprase and prophyry. Life has no weapons against a woman like that.

I would blossom if I were a rose.

I shall forget you presently, my dear (Sonnet IV) " I shall forget you presently, my dear, So make the most of this, your little day, Your little month, your little half a year Ere I forget, or die, or move away, And we are done forever; by and by I shall forget you, as I said, but now, If you entreat me with your loveliest lie I will protest you with my favorite vow. I would indeed that love were longer-lived, And vows were not so brittle as they are, But so it is, and nature has contrived To struggle on without a break thus far,— Whether or not we find what we are seeking Is idle, biologically speaking. — Edna St. Vincent Millay, The Selected Poems of Edna St. Vincent Millay (Modern Library, 2001)

I shall think of you Whenever I am most happy, whenever I am Most sad, whenever I see a beautiful thing. You are a burning lamp to me, a flame The wind cannot blow out, and I shall hold you High in my hand against whatever darkness.

And must I then, indeed, Pain, live with you all through my life?-sharing my fire, my bed, Sharing-oh, worst of all things!-the same head?- And, when I feed myself, feeding you too?

Be to her, Persephone, All the things I might not be; Take her head upon your knee. She that was so proud and wild, Flippant, arrogant and free, She that had no need of me, Is a little lonely child Lost in Hell,—Persephone, Take her head upon your knee; Say to her, “My dear, my dear, It is not so dreadful here.

Night falls fast. Today is in the past.

I know, but I do not approve. And I am not resigned.

That which has quelled me, lives with me, Accomplice in catastrophe.

And what are you that, missing you, I should be kept awake As many nights as there are days With weeping for your sake? And what are you that, missing you, As many days as crawl I should be listening to the wind And looking at the wall? I know a man that’s a braver man And twenty men as kind, And what are you, that you should be The one man in my mind? Yet women’s ways are witless ways, As any sage will tell,— And what am I, that I should love So wisely and so well?

There was a dull pang of regret because it was not the kiss of love which had inflamed her, because it was not love which had held this cup of life to her lips.

Was it for this I uttered prayers, And sobbed and cursed and kicked the stairs, That now, domestic as a plate, I should retire at half-past eight?

Searching my heart for its true sorrow, This is the thing I find to be: That I am weary of words and people, Sick of the city, wanting the sea

So up I got in anger, And took a book I had, And put a ribbon on my hair To please a passing lad. And, "One thing there's no getting by -- I've been a wicked girl," said I; But if I can't be sorry, why, I might as well be glad!

We all leave one another. We die, we change - it's mostly change - we outgrow our best friends; but even if I do leave you, I will have passed on to you something of myself; you will be a different person because of knowing me; it's inescapable...

There's an Edna St. Vincent Millay poem that's been rumbling around inside me ever since I first read it, and part of it goes: 'Blown from the dark hill hither to my door/ Three flakes, then four/ Arrive, then many more.' You can count the first three flakes, and the fourth. Then language fails, and you have to settle in and try to survive the blizzard

Guess I'll weep awhile. Guess I won't, I mean.

Night falls fast. Today is the past.

Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because - " "Because you do, in short," laughed Mademoiselle.

I do not think there is a woman in whom the roots of passion shoot deeper than in me.

She said the reason that love is so painful is that it always amounts to two people wanting more than two people can give.

It sounds so far away and different. I like different places. I like any places that isn't here.

Dirge Without Music I am not resigned to the shutting away of loving hearts in the hard ground. So it is, and so it will be, for so it has been, time out of mind: Into the darkness they go, the wise and the lovely. Crowned With lilies and with laurel they go; but I am not resigned. Lovers and thinkers, into the earth with you. Be one with the dull, the indiscriminate dust. A fragment of what you felt, of what you knew, A formula, a phrase remains,—but the best is lost. The answers quick and keen, the honest look, the laughter, the love,— They are gone. They are gone to feed the roses. Elegant and curled Is the blossom. Fragrant is the blossom. I know. But I do not approve. More precious was the light in your eyes than all the roses in the world. Down, down, down into the darkness of the grave Gently they go, the beautiful, the tender, the kind; Quietly they go, the intelligent, the witty, the brave. I know. But I do not approve. And I am not resigned.

To a Young Poet Time cannot break the bird's wing from the bird. Bird and wing together Go down, one feather. No thing that ever flew, Not the lark, not you, Can die as others do.

Second Fig Safe upon the solid rock the ugly houses stand: Come and see my shining palace built upon the sand!

To Those Without Pity Cruel of heart, lay down my song. Your reading eyes have done me wrong. Not for you was the pen bitten, And the mind wrung, and the song written.

The undercurrent of my every thought: To seek you, find you, have you for my own.

Childhood Is the Kingdom Where Nobody Dies.

These are all direct quotes, except every time they use a curse word, I'm going to use the name of a famous American poet: 'You Walt Whitman-ing, Edna St. Vincent Millay! Go Emily Dickinson your mom!' 'Thanks for the advice, you pathetic piece of E.E. Cummings, but I think I'm gonna pass.' 'You Robert Frost-ing Nikki Giovanni! Get a life, nerd. You're a virgin.' 'Hey bro, you need to go outside and get some fresh air into you. Or a girlfriend.' I need to get a girlfriend into me? I think that shows a fundamental lack of comprehension about how babies are made.

The morning was full of sunlight and hope.

Down, down, down into the darkness of the grave Gently they go, the beautiful, the tender, the kind; Quietly they go, the intelligent, the witty, the brave. I know. But I do not approve. And I am not resigned.

The first rose on my rose-tree Budded, bloomed, and shattered, During sad days when to me Nothing mattered. Grief of grief has drained me clean; Still it seems a pity No one saw,—it must have been Very pretty.

And her voice is a string of colored beads, Or steps leading into the sea.

Listen, children: Your father is dead. From his old coats I'll make you little jackets; I'll make you little trousers From his old pants. There'll be in his pockets Things he used to put there, Keys and pennies Covered with tobacco; Dan shall have the pennies To save in his bank; Anne shall have the keys To make a pretty noise with. Life must go on, Though good men die; Anne, eat your breakfast; Dan, take your medicine; Life must go on; I forget just why.

Writers are always anxious, always on the run--from the telephone, from responsibilities, from the distractions of the world.

...people liking you or not liking you is an accident and is to do with them and not you. That goes for love too, only more so.

Only amateurs say that they write for their own amusement. Writing is not an amusing occupation. It is a combination of ditch-digging, mountain-climbing, treadmill and childbirth. Writing may be interesting, absorbing, exhilarating, racking, relieving. But amusing? Never!

I dread no more the first white in my hair, Or even age itself, the easy shoe, The cane, the wrinkled hands, the special chair: Time, doing this to me, may alter too My anguish, into something I can bear

...but the rain Is full of ghosts tonight, that tap and sigh Upon the glass and listen for reply...

The vote means nothing to women. We should be armed.

That is the mystery about writing: it comes out of afflictions, out of the gouged times, when the heart is cut open.

The world stands out on either side No wider than the heart is wide; Above the world is stretched the sky, No higher than the soul is high. The heart can push the sea and land Farther away on either hand; The soul can split the sky in two, And let the face of God shine through. But East and West will pinch the heart That can not keep them pushed apart; And he whose soul is flat—the sky Will cave in on him by and by.

SHE is neither pink nor pale, And she never will be all mine; She learned her hands in a fairy-tale, And her mouth on a valentine. She has more hair than she needs; In the sun ’tis a woe to me! And her voice is a string of colored beads, Or steps leading into the sea. She loves me all that she can, And her ways to my ways resign; But she was not made for any man, And she never will be all mine.

We were so wholly one I had not thought That we could die apart. I had not thought That I could move,—and you be stiff and still! That I could speak,—and you perforce be dumb! I think our heart-strings were, like warp and woof In some firm fabric, woven in and out; Your golden filaments in fair design Across my duller fibre.

Beautiful as a dandelion-blossom, golden in the green grass, This life can be. Common as a dandelion-blossom, beautiful in the clean grass, not beautiful Because common, beautiful because beautiful, Noble because common, because free.

Love . . . is like nature, but in reverse; first it fruits, then it flowers, then it seems to wither, then it goes deep, deep down into its burrow, where no one sees it, where it is lost from sight, and ultimately people die with that secret buried inside their souls.

TO what purpose, April, do you return again? Beauty is not enough. You can no longer quiet me with the redness Of little leaves opening stickily. I know what I know. The sun is hot on my neck as I observe The spikes of the crocus. The smell of the earth is good. It is apparent that there is no death. But what does that signify? Not only under ground are the brains of men Eaten by maggots. Life in itself Is nothing, An empty cup, a flight of uncarpeted stairs. It is not enough that yearly, down this hill, April Comes like an idiot, babbling and strewing flowers.

Song of a Second April APRIL this year, not otherwise Than April of a year ago Is full of whispers, full of sighs, Dazzling mud and dingy snow; Hepaticas that pleased you so Are here again, and butterflies. There rings a hammering all day, And shingles lie about the doors; From orchards near and far away The gray wood-pecker taps and bores, And men are merry at their chores, And children earnest at their play. The larger streams run still and deep; Noisy and swift the small brooks run. Among the mullein stalks the sheep Go up the hillside in the sun Pensively; only you are gone, You that alone I cared to keep.

Ah! Up then from the ground sprang I And hailed the earth with such a cry As is not heard save from a man Who has been dead, and lives again. About the trees my arms I wound; Like one gone mad I hugged the ground; I raised my quivering arms on high; I laughed and laughed into the sky...

I will be the gladdest thing Under the sun! I will touch a hundred flowers And not pick one. I will look at cliffs and clouds With quiet eyes, Watch the wind bow down the grass, And the grass rise. And when lights begin to show Up from the town, I will mark which must be mine, And then start down!

I, being born a woman and distressed By all the needs and notions of my kind, Am urged by your propinquity to find Your person fair, and feel a certain zest To bear your body's weight upon my breast; So subtly is the fume of life designed, To clarify the pulse and cloud the mind, And leave me once again undone, possessed. Think not for this, however, the poor treason Of my stout blood against my staggering brain, I shall remember you with love, or season My scorn with pity, - let me make it plain: I find this frenzy insufficient reason For conversation when we meet again.

Strange how few, After all’s said and done, the things that are Of moment. Few indeed! When I can make Of ten small words a rope to hang the world! “I had you and I have you now no more.” There, there it dangles,—where’s the little truth That can for long keep footing under that When its slack syllables tighten to a thought? Here, let me write it down! I wish to see Just how a thing like that will look on paper! “I had you and I have you now no more.