Edna Pontellier Quotes

We've searched our database for all the quotes and captions related to Edna Pontellier. Here they are! All 15 of them:

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There was a dull pang of regret because it was not the kiss of love which had inflamed her, because it was not love which had held this cup of life to her lips.
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Kate Chopin (The Awakening)
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The morning was full of sunlight and hope.
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Kate Chopin (The Awakening)
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She liked then to wander alone into strange and unfamiliar places. She discovered many a sunny, sleepy corner, fashioned to dream in.
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Kate Chopin (The Awakening)
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She had resolved to never take another step backward.
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Kate Chopin (The Awakening)
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She wanted to destroy something. The crash and clatter were what she wanted to hear.
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Kate Chopin (The Awakening)
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Sometimes I feel this summer as if I were walking through the green meadow again, idly, aimlessly, unthinking and unguided.
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Kate Chopin (The Awakening)
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She grew daring and reckless, overestimating her strength. She wanted to swim far out, where no woman had swum before.
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Kate Chopin (The Awakening)
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The past was nothing to her; offered no lesson which she was willing to heed. The future was a mystery which she never attempted to penetrate. The present alone was significant, was hers, to torture her as it was doing then with the biting which her impassioned, newly awakened being demanded.
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Kate Chopin (The Awakening)
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She was happy to be alive and breathing, when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day.
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Kate Chopin (The Awakening)
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Edna Pontellier could not have told why, wishing to go to the beach with Robert, she should in the first place have declined, and in the second place have followed in obedience to one of the two contradictory impulses which impelled her.
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Kate Chopin (The Awakening)
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Pirate gold isn't a thing to be hoarded or utilized. It is something to squander and throw to the four winds, for the fun of seeing the golden specks fly.
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Kate Chopin (The Awakening)
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Qualche volta al signor Pontellier veniva il dubbio che sua moglie cominciasse ad accusare qualche lieve squilibrio mentale. Vedeva chiaramente che non era piΓΉ lei. O meglio, non vedeva che Edna stava diventando se stessa, e che ogni giorno si liberava di quella falsa identitΓ  che adottiamo come un abito con cui presentarci davanti al pubblico.
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Kate Chopin (The Awakening)
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Mr. Pontellier had been a rather courteous husband so long as he met a certain tacit submissiveness in his wife. But her new and unexpected line of conduct completely bewildered him. It shocked him. Then her absolute disregard for her duties as a wife angered him. When Mr. Pontellier became rude, Edna grew insolent. She had resolved never to take another step backward.
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Kate Chopin (The Awakening and Selected Stories)
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Mr. Pontellier had been a rather courteous husband so long as he met a certain tacit submissiveness in his wife. But her new and unexpected line of conduct completely bewildered him. It shocked him. Then her absolute disregard for her duties as a wife angered him. When Mr. Pontellier became rude, Edna grew insolent. She had resolved never to take another step backward. "It seems to me the utmost folly for a woman at the head of a household, and the mother of children, to spend in an atelier days which would be better employed contriving for the comfort of her family.
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Kate Chopin (The Awakening)
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Ask Mrs. Pontellier what she would like to hear me play,” she requested of Robert. She sat perfectly still before the piano, not touching the keys, while Robert carried her message to Edna at the window. A general air of surprise and genuine satisfaction fell upon every one as they saw the pianist enter. There was a settling down, and a prevailing air of expectancy everywhere. Edna was a trifle embarrassed at being thus signaled out for the imperious little woman’s favor. She would not dare to choose, and begged that Mademoiselle Reisz would please herself in her selections. Edna was what she herself called very fond of music. Musical strains, well rendered, had a way of evoking pictures in her mind. She sometimes liked to sit in the room of mornings when Madame Ratignolle played or practiced. One piece which that lady played Edna had entitled β€œSolitude.” It was a short, plaintive, minor strain. The name of the piece was something else, but she called it β€œSolitude.” When she heard it there came before her imagination the figure of a man standing beside a desolate rock on the seashore. He was naked. His attitude was one of hopeless resignation as he looked toward a distant bird winging its flight away from him. Another piece called to her mind a dainty young woman clad in an Empire gown, taking mincing dancing steps as she came down a long avenue between tall hedges. Again, another reminded her of children at play, and still another of nothing on earth but a demure lady stroking a cat. The very first chords which Mademoiselle Reisz struck upon the piano sent a keen tremor down Mrs. Pontellier’s spinal column. It was not the first time she had heard an artist at the piano. Perhaps it was the first time she was ready, perhaps the first time her being was tempered to take an impress of the abiding truth.
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Kate Chopin (The Awakening)