Edmund Wilson Quotes

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No two persons ever read the same book.
Edmund Wilson
I find more and more that I am a man of the 1920s. I still expect something exciting. Drinks, animated conversation, gaiety: the uninhibited exchange of ideas.
Edmund Wilson
No hay dos personas que lean el mismo libro.
Edmund Wilson
I have learned to read the papers calmly and not to hate the fools I read about.
Edmund Wilson
Marxism is the opium of the intellectuals
Edmund Wilson
There is nothing more demoralizing than a small but adequate income.
Edmund Wilson (Memoirs of Hecate County)
She was one of those women whose features are not perfect and who in their moments of dimness may not seem even pretty, but who, excited by the blood or the spirit, become almost supernaturally beautiful.
Edmund Wilson
What a gulf between the self which experiences and the self which describes experience.
Edmund Wilson
...an acquaintance with the great works of art and thought is the only real insurance against the barbarism of the time.
Edmund Wilson
The cruelest thing that has happened to Lincoln since being shot by Booth was to have fallen into the hands of Carl Sandburg.
Edmund Wilson
No two persons ever read the same book
Edmund Wilson
I like to live always at the beginnings of life, not at their end. We all lose some of our faith under the oppression of mad leaders, insane history, pathologic cruelties of daily life. I am by nature always beginning and believing and so I find your company more fruitful than that of, say, Edmund Wilson, who asserts his opinions, beliefs, and knowledge as the ultimate verity. Older people fall into rigid patterns. Curiosity, risk, exploration are forgotten by them. You have not yet discovered that you have a lot to give, and that the more you give the more riches you will find in yourself. It amazed me that you felt that each time you write a story you gave away one of your dreams and you felt the poorer for it. But then you have not thought that this dream is planted in others, others begin to live it too, it is shared, it is the beginning of friendship and love. […] You must not fear, hold back, count or be a miser with your thoughts and feelings. It is also true that creation comes from an overflow, so you have to learn to intake, to imbibe, to nourish yourself and not be afraid of fullness. The fullness is like a tidal wave which then carries you, sweeps you into experience and into writing. Permit yourself to flow and overflow, allow for the rise in temperature, all the expansions and intensifications. Something is always born of excess: great art was born of great terrors, great loneliness, great inhibitions, instabilities, and it always balances them. If it seems to you that I move in a world of certitudes, you, par contre, must benefit from the great privilege of youth, which is that you move in a world of mysteries. But both must be ruled by faith.
Anaïs Nin
In his novels from beginning to end, Dickens is making the same point always: that to the English governing classes the people they govern are not real.
Edmund Wilson
Critics and academics have been trying for forty years to bury the greatest work of imaginative fiction in English. They ignore it, they condescend to it, they stand in large groups with their backs to it - because they're afraid of it. They're afraid of dragons. They have Smaugophobia. "Oh those awful Orcs," they bleat, flocking after Edmund Wilson. They know if they acknowledge Tolkien they'll have to admit that fantasy can be literature, and that therefore they'll have to redefine what literature is. And they're too damned lazy to do it.
Ursula K. Le Guin (The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination)
Capitalism has run its course, and we shall have to look for other ideals than the ones that capitalism has encouraged.
Edmund Wilson (The American Jitters: A Year of the Slump)
Among the writers he was reading when he wrote these stories in the 1950s—and he was reading all the time, all kinds of books, dozens and dozens of them—were David Riesman, Saul Bellow, Bernard Malamud, John Cheever, James Baldwin, Randall Jarrell, Sigmund Freud, Paul Goodman, William Styron, C. Wright Mills, Martin Buber, George Orwell, Suzanne Langer, F. R. Leavis, David Daiches, Edmund Wilson, Alfred Kazin, Ralph Ellison, Erich Fromm, Joseph Conrad, Dylan Thomas, Sean O’Casey, e. e. cummings—who collectively represented a republic of discourse in which he aspired to
Philip Roth (Goodbye, Columbus)
No two person, ever read the same book.
Edmund Wilson
While the romantic individualist deludes himself with unrealizable fantasies, in the attempt to evade bourgeois society, and only succeeds in destroying himself, he lets humanity fall a victim to the industrial-commercial processes, which, unimpeded by his dreaming, go on with their deadly work.
Edmund Wilson
He believes, but he does not believe: the impossibility of believing is the impossibility which he accepts most reluctantly, but still it is there with the other impossibilities of this world which is too full of weeping for a child to understand.
Edmund Wilson (Axel's Castle: A Study of the Imaginative Literature of 1870-1930 (FSG Classics))
No two persons ever read the same book".
Edmund Wilson
No two persons ever read the same book. -Edmund Wilson
Edmund Wilson
No two persons every read the same book.—Edmund Wilson "Nor does any one person ever reread the same book!
Jan Karon (Somewhere Safe with Somebody Good (Mitford Years, #12))
Oswald Spengler's Decline of the West, Ernst Bloch's Spirit of Utopia, Hermann Hesse's Glimpse Into Chaos, Edmund Husserl's The Crisis in European Science, Karl Kraus's The Last Days of Mankind, Arthur Koestler's The Ghost in the Machine, Robert Musil's The Man Without Qualities, José Ortega y Gasset's The Revolt of the Masses, Martin Heidegger's Being and Time, René Guenon's The Reign of Quantity, Thomas Mann's The Magic Mountain, Colin Wilson's The Outsider—the list could go on.
Gary Lachman (A Secret History of Consciousness)
Paul remembered an essay by Edmund Wilson where Wilson had said, in typically grudging Wilson manner, that Wordsworth’s criterion for the writing of good poetry—strong emotion recalled in a time of tranquillity—would do well enough for most dramatic fiction as well. It was probably true. Paul had known writers who found it impossible to write after so much as a minor marital spat, and he himself usually found it impossible to write when upset. But there were times when a kind of reverse effect obtained—these were times when he had gone to the work not just because the work ought to be done but because it was a way to escape whatever was upsetting him.
Stephen King (Misery)
It is a proof of the divergence of the tendencies of the socialist and the bourgeois pictures of history—and from now on there will be two distinct historical cultures running side by side without ever really fusing—that people who have been brought up on the conventional version of history and know all about the Robespierrist Terror during the Great French Revolution, should find it an unfamiliar fact that the Terror of the government of Thiers executed, imprisoned or exiled more people—the number has been estimated at a hundred thousand—in that one week of the suppression of the [Paris] Commune [of 1871] than the revolutionary Terror of Robespierre had done in three years.
Edmund Wilson
Wilson was very much school of Montaigne. Like Montaigne, he was not exactly misogynistic but he felt that the challenge of another male mind was the highest sort of human exchange while possession of a beautiful woman was also of intense importance to him.
Gore Vidal (The Last Empire: Essays 1992-2000)
Once I had read in an Edmund Wilson essay of his dislike of women past menopause. He said they were like dried fruits, withered on the vine. The juice was gone. I understood what he meant. Although the words stabbed my heart even then, before I was forty. What about your juice? I had written in the margins of the book. But I knew that crones were female and old men were kings, stallions, and producers of heirs. Saul Bellow had a baby at the age of eighty-three. He didn't live long enough after that for her to play Cordelia to his Lear.
Anne Roiphe
The experience of mankind on the earth is always changing as man develops and has to deal with new combinations of elements; and the writer who is to be anything more than an echo of his predecessors must always find expression for something which has never yet been expressed, must master a new set of phenomena. . . . With each such victory of the human intellect, whether in history, in philosophy or in poetry, we experience a deep satisfaction: we have been cured of some ache of disorder, relieved of some oppressive burden of uncomprehended events.
Edmund Wilson
No two people will ever read the same book in the same way." -
Edmund Wilson
Evolution on the large scale unfolds, like much of human history, as a succession of dynasties.
Edmund Beecher Wilson
At a university where self-regard flows like mother’s milk through the hallways, Gerschenkron was a mythic figure. He
Alex Beam (The Feud: Vladimir Nabokov, Edmund Wilson, and the End of a Beautiful Friendship)
What, in fact, do we know about the peak experience? Well, to begin with, we know one thing that puts us several steps ahead of the most penetrating thinkers of the 19th century: that P.E’.s are not a matter of pure good luck or grace. They don’t come and go as they please, leaving ‘this dim, vast vale of tears vacant and desolate’. Like rainbows, peak experiences are governed by definite laws. They are ‘intentional’. And that statement suddenly gains in significance when we remember Thorndike’s discovery that the effect of positive stimuli is far more powerful and far reaching than that of negative stimuli. His first statement of the law of effect was simply that situations that elicit positive reactions tend to produce continuance of positive reactions, while situations that elicit negative or avoidance reactions tend to produce continuance of these. It was later that he came to realise that positive reactions build-up stronger response patterns than negative ones. In other words, positive responses are more intentional than negative ones. Which is another way of saying that if you want a positive reaction (or a peak experience), your best chance of obtaining it is by putting yourself into an active, purposive frame of mind. The opposite of the peak experience—sudden depression, fatigue, even the ‘panic fear’ that swept William James to the edge of insanity—is the outcome of passivity. This cannot be overemphasised. Depression—or neurosis—need not have a positive cause (childhood traumas, etc.). It is the natural outcome of negative passivity. The peak experience is the outcome of an intentional attitude. ‘Feedback’ from my activities depends upon the degree of deliberately calculated purpose I put into them, not upon some occult law connected with the activity itself. . . . A healthy, perfectly adjusted human being would slide smoothly into gear, perform whatever has to be done with perfect economy of energy, then recover lost energy in a state of serene relaxation. Most human beings are not healthy or well adjusted. Their activity is full of strain and nervous tension, and their relaxation hovers on the edge of anxiety. They fail to put enough effort—enough seriousness—into their activity, and they fail to withdraw enough effort from their relaxation. Moods of serenity descend upon them—if at all—by chance; perhaps after some crisis, or in peaceful surroundings with pleasant associations. Their main trouble is that they have no idea of what can be achieved by a certain kind of mental effort. And this is perhaps the place to point out that although mystical contemplation is as old as religion, it is only in the past two centuries that it has played a major role in European culture. It was the group of writers we call the romantics who discovered that a man contemplating a waterfall or a mountain peak can suddenly feel ‘godlike’, as if the soul had expanded. The world is seen from a ‘bird’s eye view’ instead of a worm’s eye view: there is a sense of power, detachment, serenity. The romantics—Blake, Wordsworth, Byron, Goethe, Schiller—were the first to raise the question of whether there are ‘higher ceilings of human nature’. But, lacking the concepts for analysing the problem, they left it unsolved. And the romantics in general accepted that the ‘godlike moments’ cannot be sustained, and certainly cannot be re-created at will. This produced the climate of despair that has continued down to our own time. (The major writers of the 20th century—Proust, Eliot, Joyce, Musil—are direct descendants of the romantics, as Edmund Wilson pointed out in Axel’s Castle.) Thus it can be seen that Maslow’s importance extends far beyond the field of psychology. William James had asserted that ‘mystical’ experiences are not mystical at all, but are a perfectly normal potential of human consciousness; but there is no mention of such experiences in Principles of Psychology (or only in passing).
Colin Wilson (New Pathways in Psychology: Maslow & the Post-Freudian Revolution)
Dan, who was writing a book on the radical activity of the twenties and thirties, took the occasion of our trip to ask me about them. The whole thing seems to me so stale that I can't imagine anybody's now wanting to write about it, but we ran over the personalities and I told him a lot of stories. It seemed to me like that grisly museum of the early 1900's that I had had him visit at Niagara Falls: old stuffed two-headed calves, motheaten panthers attacking a stag, dried-up corpses from Indian graves, big bags made of rubber tires in which people had tried to shoot the falls--and around it all-powerful industrial life that no show of resistance could stop, which had ruined the landscape of the river and was crowding out everything else.
Edmund Wilson (Upstate: Records and Recollections of Northern New York)
If I could only remember that the days were not bricks to be laid row on row, to be built into a solid house, where one might dwell in safety and peace, but only food for the fires of the heart, the fires which keep the poet alive as the citizen never lives, but which burn all the roofs of security!
Edmund Wilson (I Thought of Daisy)
We all have this circuit and need to exercize it periodically. Cuddling, sucking, hugging etc. and daily playing with (a) one’s own body (b) another’s body and (c) the environment, are perpetually necessary to neurosomatic-endocrine health. Those who deny such primordial functions because of rigid imprinting on the Third (rationalistic) or Fourth (moralistic) circuit tend to become “dried up,” “prune-faced,” unattractive, “cold,” and muscularly rigid. The baby-functions of playing with one’s own body, another’s body and the environment continue throughout life in all animals. This “playfulness” is a marked characteristic of all conspicuously healthy individuals of the sort Maslow calls “self-actualizers.” If this initial imprint is negative — if the universe in general and other humans in particular are imprinted as dangerous, hostile and frightening — the Prover will go on throughout life adjusting all perceptions to fit this map. This is what is known as the “Injustice Collector” syndrome (in the language of Dr. Edmund Bergler). The female members of this imprint group become Radical Feminists; the male members are less organized and can be found in fringe groups of the extreme Left and extreme Right.
Robert Anton Wilson (Prometheus Rising)
ROOSEVELT’S SUDDEN INTEREST in modern art, on a day when he could have stayed home and read accounts of Woodrow Wilson’s inauguration, caused much editorial hilarity. A cartoon by Kemble90 in the Baltimore Evening Sun showed the new President contemplating a portrait of his toothy predecessor in the Oval Office and musing, “I wonder if that’s a futurist? It can’t be a cubist.” The New York World argued that the “Square Deal”91 of 1903 had been a proto-Cubist conceit, doing to the Constitution what Braque and Picasso would do to color and form ten years later.
Edmund Morris (Colonel Roosevelt (Theodore Roosevelt Series Book 3))
If I could only keep up my spirit- if I could only play the game according to the sportsman's code which Rita had been trying to teach me so gravely and so sweetly- if I could only, I told myself, do that, then in the long run, all might be right between us- because I had not nagged her or wearied her, because I had proved myself her peer, as prompt to offer all for love and as brave to bear its passing. If I could only remember that the days were not bricks to be laid row on row, to be built into a solid house, where one might dwell in safety and peace, but only food for the fires of the heart, the fires which keep the poet alive as the citizen never lives, but which burn all the roofs of security!
Edmund Wilson (I Thought of Daisy)
[Northerners] took over the Southern myth and themselves began to revel in it. This acceptance was to culminate in Gone With the Wind, the enormous success of which novel makes a curious counterbalance to that of Uncle Tom's Cabin. But it began in the Century of the eighties with the stories of Thomas Nelson Page. Though Page had been only twelve at the end of the Civil War, so had had little experience of the old regime, he really invented for the popular mind Old Massa and Mistis and Meh Lady, with their dusky-skinned adoring retainers. The Northerners, after the shedding of so much blood, illogically found it soothing to be told that slavery had not been so bad, that the Negroes were a lovable but simple race, whose business was to work for whites. And Page also struck in his stories a note of reconciliation that everybody wanted to hear: he cooked up romances between young Northern officers, as gentlemanly as any Southerner, and spirited plantation beauties who might turn out to be the young men's cousins and who in any case would marry them after the war.
Edmund Wilson
During the last three years and a half, hundreds of American men, women, and children have been murdered on the high seas and in Mexico. Mr. Wilson has not dared to stand up for them...He wrote Germany that he would hold her to "strict accountability" if an American lost his life on an American or neutral ship by her submarine warfare. Forthwith the Arabic and the Gulflight were sunk. But Mr. Wilson dared not take any action...Germany despised him; and the Lusitania was sunk in consequence. Thirteen hundred and ninety-four people were drowned, one hundred and three of them babies under two years of age. Two days later, when the dead mothers with their dead babies in their arms lay by the scores in the Queenstown morgue, Mr. Wilson selected the moment as opportune to utter his famous sentence about being "too proud to fight." Roosevelt threw his speech script to the floor and continued in near absolute silence. Mr Wilson now dwells at Shadow Lawn. There should be shadows enough at Shadow Lawn: the shadows of men, women, and children who have risen from the ooze of the ocean bottom and from graves in foreign lands; the shadows of the helpless who Mr. Wilson did not dare protect lest he might have to face danger; the shadows of babies gasping pitifully as they sank under the waves; the shadows of women outraged and slain by bandits; the shadows of troopers who lay in the Mexican desert, the black blood crusted round their mouths, and their dim eyes looking upward, because President Wilson had sent them to do a task, and then shamefully abandoned them to the mercy of foes who knew no mercy. Those are the shadows proper for Shadow Lawn: the shadows of deeds that were never done; the shadows of lofty words that were followed by no action; the shadows of the tortured dead.
Edmund Morris (Colonel Roosevelt (Theodore Roosevelt))
He is a great big boy," Wilson said. "There is a sweetness about him that is very compelling. You can't resist the man. I can easily understand why his followers are so fond of him.
Edmund Morris (Colonel Roosevelt (Theodore Roosevelt))
The only thing New Yorkers ignore more than nature is history. They have a habit of not spending a great deal of time pondering the history of their city. That is because of a sense that it has always been more or less the same, or, as Edmund Wilson, one of the more venerated New Yorker writers of that magazine’s heyday, explained his waning enthusiasm for reading history in his old age, “I know more or less the kind of things that happen.
Mark Kurlansky (The Big Oyster: History on the Half Shell)
The celebration of current battles by poets who have not taken part in them has produced some of the emptiest verse that exists.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
THE Canadian Morley Callaghan, at one time well known in the United States, is today perhaps the most unjustly neglected novelist in the English-speaking world.
Edmund Wilson (O Canada: An American's Notes on Canadian Culture)
Michelet has done a good deal, it is true, to make Jeanne d’Arc popular and famous; but it was as the spokesman for the national sense of the people, not as a mystic or a saint, that she interested him. “What legend is more beautiful,” he writes, “than this incontestable story? But one must be careful not to make it into a legend. One must piously preserve all its circumstances, even the most human; one must respect its touching and terrible humanity…However deeply the historian may have been moved in writing this gospel, he has kept a firm hold on the real and never yielded to the temptation of idealism.” And he insisted that Jeanne d’Arc had established the modern type of hero of action, “contrary to passive Christianity.” His approach was thus entirely rational, based squarely on the philosophy of the eighteenth century – anti-clerical, democratic. And for this reason, the History fo the Middle Ages, important as it is, and for all its acute insight and its passages of marvelous eloquence, seems to me less satisfactory than the other parts of Michelet’s history.What Michelet admires are not the virtues which the chivalrous and Christian centuries cultivated, but the heroisms of the scientist and the artist, the Protestant in religion and politics, the efforts of man to understand his situation and rationally to control his development. Throughout the Middle Ages, Michelet is impatient for the Renaissance.
Edmund Wilson (To the Finland Station)
If this initial imprint is negative — if the universe in general and other humans in particular are imprinted as dangerous, hostile and frightening — the Prover will go on throughout life adjusting all perceptions to fit this map. This is what is known as the “Injustice Collector” syndrome (in the language of Dr. Edmund Bergler). The female members of this imprint group become Radical Feminists; the male members are less organized and can be found in fringe groups of the extreme Left and extreme Right.
Robert Anton Wilson (Prometheus Rising)
The volume offers an overview of how British writers interpreted the French Enlightenment and Revolution against the backdrop of the Terror and the rise and fall of Napoleon, these events welcomed by few and feared by many in Britain as likely to foment a second revolution in that state as the United Irish insurrection had attempted to do in Ireland. Deane’s focus is on the intellectual careers of Edmund Burke, James Mackintosh, Samuel Taylor Coleridge, William Godwin, Percy Bysshe Shelley, and William Hazlitt, though there are slighter cameos also of William Wordsworth, Robert Southey, John Wilson Croker, Francis Jeffrey, Thomas Holcroft, Thomas Paine, and Joseph Priestley. The study teases out how the main figures here engaged conceptually with some of their leading French counterparts including Jean Jacques Rousseau, Montesquieu, Baron d’Holbach, La Mettrie, Helvétius, and others. It examines instances of the intricate relay of ideas of freedom and liberty as they migrated from England into the works of the eighteenth-century French philosophes and then travelled from there back to nineteenth-century England, where French writings were rejected or reabsorbed by some of the leading English writers of the apocalyptic years between Burke’s late career and those that ended the first Romantic generation.
Seamus Deane (Small World: Ireland, 1798–2018)
oath to the United States and had served as superintendent of West Point, who wanted to abolish slavery, who did “not believe in secession as a constitutional right, nor that there is sufficient cause for revolution,” who detested the boasting of the “Cotton States,” their habitual truculent arrogance and their threats against the “Border States” for their reluctance to go along with them, should have become the commander of the Confederate Army and have led it through four years of the bitterest fighting when he did not even hope that the South could win: “I have never believed,” he told General Pendleton, a day or two before his surrender, that “we could, against the gigantic combination for our subjugation, make good in the long run our independence unless foreign powers should, directly or indirectly, assist us
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
difference, I as well as Judge Douglas am in favor of the race to which I belong having the superior position. [Cheers, That’s the doctrine.’]” Nor had he approved of the Abolitionists. He believed that their furious agitation only made the situation worse; and even later, when the Republican party included a strong Abolitionist element, he took pains to dissociate himself from it. Yet his declarations that slavery was a moral issue, his talk about “right” and “wrong,” made a connection between his policies and the spirit of the New England crusaders who were to turn the conflict of interests between the Northern and Southern states into a Holy War led by God.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
Now, aside from this self-confident ambition, what kind of man was Lincoln? There has undoubtedly been written about him more romantic and sentimental rubbish than about any other American figure, with the possible exception of Edgar Allan Poe;
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
Should the war not have earlier been brought to an end? Could it not, in fact, have been prevented? Should Fort Sumter have been relieved? Would it not have been a good deal less disastrous if the South had been allowed to secede? All these questions have been debated; and yet — except, of course, in the South — the ordinary American does not often ask them.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
the war left a lasting trauma, and resulted in, not an apocalypse, but, on the one hand, a rather gross period of industrial and commercial development and, on the other, a severe disillusionment for the idealists who had been hoping for something better, these are matters about which we in the North have rarely thought and even less often spoken. We have, in general, accepted the epic that Lincoln directed and lived and wrote. Since it was brought to an end by his death the moment after the war was won, we are able to dissociate him entirely from the ignominies and errors of the Reconstruction and to believe he would have handled its problems better.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
If the Northerners were acting the Will of God, the Southerners were rescuing a hallowed ideal of gallantry, aristocratic freedom, fine manners and luxurious living from the materialism and vulgarity of the mercantile Northern society.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
when his drinking had cost him discharge from the Army. He had known it again after Shiloh, that uncoordinated
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
to shelve him. At
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
true that Grant appears in two quite different lights in his capacity as a soldier and in his capacity as — what should one say? One cannot call him a politician, for Grant hated politicians and had not the least aptitude for politics. Nor can one possibly call him a statesman. Whenever, as President, he did anything wise, it had the look of a happy accident. In the field, as commanding general, he could be patient, far-seeing, considerate, adroit at handling complicated situations. But in Washington he had no idea of what it meant to be President of the United States; he did not even, it soon appeared, understand constitutional government.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
themselves three times more than the cost of building the railroad, in the meantime bribing the congressmen with shares in the imaginary company. There was the gold conspiracy of Jim Fisk and Jay Gould, in which Grant was persuaded by these two financiers, without in the least understanding their aims, to assist them in cornering the gold market by causing the United States Treasury to shut off the circulation of gold. There was the Whisky Ring, a group of distillers who evaded the internal revenue tax by bribing the Treasury agents — a scandal that landed at the President’s door when his secretary, a General Babcock who had been with him at Appomattox, was shown to have been taking the distillers’ money and to have used it in financing Grant’s campaign. Grant testified that he believed in
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
had taken place just before Grant’s visit, and Wilhelm was unable to receive him. “Here is an old man,” says Bismarck, — “one of the kindest old gentlemen in the world — and yet they must try and shoot him!
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
There is nothing about Lee that is at all picturesque, but his dignity and distinction are impressive, and this memoir helps us better to understand the reasons for his lasting prestige in the North as well as the South — why a New Englander who had served in the Union army like the younger Charles Francis Adams should have wanted to have a statue of him in Washington. The point is that Lee belongs, as does no other public figure of his generation, to the Roman phase of the Republic; he prolongs it in a curious way which, irrelevant and anachronistic though his activities to a Northerner may seem to be, cannot fail to bring some sympathetic response that derives from the experience of the Revolution. The Lees had been among the prime workers in our operations against the British and the founding of the United States. Robert’s father, “Light-Horse
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
phase, before the restoration of epaulettes. And in Grant there was a genuine diffidence.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
Whitman believed himself, at the time when Drum-Taps was published, that it was so far the best thing he had written. It certainly contained the best poetry that was written during the war on the subject
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
classic (though one that I cannot help thinking a little overrated), and there is no point in describing her poetry here.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
The North’s determination to preserve the Union was simply the form that the power drive now took. The impulse to unification was strong in the nineteenth century; it has continued to be strong in this; and if we would grasp the significance of the Civil War in relation to the history of our time, we should consider Abraham Lincoln in connection with the other leaders who have been engaged in similar tasks. The chief of these leaders have been Bismarck and Lenin. They with Lincoln have presided over the unifications of the three great new modern powers.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
of Hungary and that of the Ukraine in relation to the government of Moscow.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
with which we have attempted to clothe it; I am trying — as in the book that follows — to remove the whole subject from the plane of morality and to give an objective account of the expansion of the United States.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
more and more ferocious to devour the South.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
There is, in fact, in Uncle Tom, as well as in its successor Dred, a whole drama of manners and morals and intellectual points of view which corresponds somewhat to the kind of thing that was then being done by Dickens, and was soon to be continued by Zola, for the relations of the social classes, and which anticipates such later studies of two sharply contrasting peoples uncomfortably involved with one another as the John Bull’s Other Island of Bernard Shaw or E. M. Forster’s A Passage to India.
Edmund Wilson (Patriotic Gore: Studies in the Literature of the American Civil War)
There’s nothing like a terminal illness to wake people up. But here’s the thing: you already have a terminal diagnosis. We all do! As the writer Edmund Wilson put it, “Death is one prophecy that never fails.” Every person is born with a death sentence. Each second that passes by is one you’ll never get back.
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
That’s the trouble with all you liberals: you think that people ought to be kept alive just because they happen to exist.
Edmund Wilson (Memoirs of Hecate County)
At an academic conference I learned the old adage that everything has been said, but not everyone has said it.
Alex Beam (The Feud: Vladimir Nabokov, Edmund Wilson, and the End of a Beautiful Friendship)
Nabokov famously never had a home. In the United States he and his wife, Vera, always rented. At Cornell University in Ithaca, New York, where he taught for a decade, they occupied homes vacated by professors on sabbatical. The Nabokovs ended their days in a small suite of rooms at the Montreux Palace Hotel in Switzerland. When asked to explain his peripatetic life of exile, Nabokov said, “Nothing short of a replica of my childhood surroundings would have satisfied me.” His hero Pushkin was a wanderer, too, exiled from St. Petersburg by the czar for years at a time. Like Nabokov, “To the end of his life he remained deeply attached to what he considered his real home, the Lyceum, and to his former fellow students.
Alex Beam (The Feud: Vladimir Nabokov, Edmund Wilson, and the End of a Beautiful Friendship)
Se o Velho e o Novo Testamentos representam a Revelação Divina, tais investigações não têm importância. Se eles são obra puramente humana, então é a curiosidade humana que nos impele a investigar como foram escritos e qual é sua relação com um culto de imenso prestígio
Edmund Wilson (The Scrolls from the Dead Sea)
No two people ever read the same book.
Edmund Wilson
No two persons ever read the same book.” ―
Edmund Wilson Roberts
No two persons ever read the same book.
–Edmund Wilson