Editing Is My Passion Quotes

Poets are not so scrupulous as you are. They know how useful passion is for publication. Nowadays a broken heart will run to many editions." "I hate them for it," cried Hallward. "An artist should create beautiful things, but should put nothing of his own life into them. We live in an age when men treat art as if it were meant to be a form of autobiography. We have lost the abstract sense of beauty. Some day I will show the world what is it; and for that the world shall never see my portrait of Dorian Gray.

I swayed between fear, defiance, and nausea, and was wholly the prey of my passion. I could not and did not want to listen to the depths. But on the seventh night, the spirit of the depths spoke to me: “Look into your depths, pray to your depths, waken the dead.

My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.

Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn’t trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he’d been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill. I argued that certain stories are also capable of changing lives, addressing some of the same problems and issues he confronted in his daily work: problems of poverty, violence, and alienation, issues of culture, race, gender, and class... “Stories aren’t real,” he told me shortly. “They don’t feed a kid left home in an empty house. Or keep an abusive relative at bay. Or prevent an unloved child from finding ‘family’ in the nearest gang.” Sometimes they do, I tried to argue. The right stories, read at the right time, can be as important as shelter or food. They can help us to escape calamity, and heal us in its aftermath. He frowned, dismissing this foolishness, but his wife was more conciliatory. “Write down the names of some books,” she said. “Maybe we’ll read them.” I wrote some titles on a scrap of paper, and the top three were by Charles de lint – for these are precisely the kind of tales that Charles tells better than anyone. The vital, necessary stories. The ones that can change and heal young lives. Stories that use the power of myth to speak truth to the human heart. Charles de Lint creates a magical world that’s not off in a distant Neverland but here and now and accessible, formed by the “magic” of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I’ve long lost count of the number of times I’ve heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going. Recently I saw that parole officer again, and I asked after his work. “Gets harder every year,” he said. “Or maybe I’m just getting old.” He stopped me as I turned to go. “That writer? That Charles de Lint? My wife got me to read them books…. Sometimes I pass them to the kids.” “Do they like them?” I asked him curiously. “If I can get them to read, they do. I tell them: Stories are important.” And then he looked at me and smiled.

Of course I know what she means. To make art in fandom is to follow your passion at the risk of never being taken seriously. I've written dozens of fics-put them together and you'd have several novels-but who knows what a college admissions officer will think of that as a pastime. Where does 12,000 Tumbler followers rate in relation to a spot in the National Honor Society in their minds? Every week I get anonymous messages in my inbox telling me I should write a real book. Well, haven't I already? What makes what I do different from "real writing"? Is it that I don't use original characters? I guess that makes every Hardy Boys edition, every Star Wars book, every spinoff, sequel, fairy-tale re-telling, historical romance, comic book reboot, and the music Hamilton "not real writing". Or is it that a real book is something printed, that you can hold in your hand, not something you write on the internet? Or is "real writing" something you sell in a store, not give away for free? No, I know it's none of these things. It's merely this: "real writing" is done by serious people, whereas fanfiction is written by weirdos, teenagers, degenerates, and women.

That to the adolescent is the authentic poetic note and whoever is the first in his life to strike it, whether Tennyson, Keats, Swinburne, Housman or another, awakens a passion of imitation and an affectation which no subsequent refinement or sophistication of his taste can entirely destroy. In my own case it was Hardy in the summer of 1923; for more than a year I read no one else and I do not think that I was ever without one volume or another or the beautifully produced Wessex edition in my hands: I smuggled them into class, carried them about on Sunday walks, and took them up to the dormitory to read in the early morning, though they were far too unwieldy to be read in bed with comfort. In the autumn of 1924 there was a palace revolution after which he had to share his kingdom with Edward Thomas, until finally they were both defeated by Elliot at the battle of Oxford in 1926.

Some literary recommendations: James Salter’s erotic masterpiece, A Sport and a Pastime; Anais Nin’s collections of short stories Delta of Venus and Little Birds; the erotic novels Emanuelle by Emanuelle Arsan and Story of O by Pauline Réage; Harold Brodkey’s sexual saga “Innocence”—perhaps the greatest depiction of a session of cunnilingus ever penned; novels by Jerzy Kosinski such as Passion Play and Cockpit; Henry Miller’s Under the Roofs of Paris and Quiet Days in Clichy; My Secret Life by Anonymous and The Pure and the Impure by Colette; Nancy Friday’s anthology of fantasies, Secret Garden (filled with the correspondence of real people’s fantasies); stories from The Mammoth Book of Erotica or one of the many erotic anthologies edited by Susie Bright. For those with a taste for poetry, try Les Fleurs du Mal (Flowers of Evil) by Charles Baudelaire or Flesh Unlimited by Guillaume Apollinaire. And for those who like comic books (kinky ones, that is), try the extra-hot works of writer/illustrator Eric Stanton, who specializes in female-domination fantasies.

If you want the light, like you say you do, then why do you keep it strangled in the dark? If you preach love, like you strive to, why do you run away from practising? My love, the universe you fumble for doesn’t exist, if you don’t start from within. Before you, all that I can be is eyes and heart. And all that I can do is to remain by your side, for I can’t love you any less than the more I do now.

I want to make Romeo jealous. I want the dead lovers of the world to hear our laughter and grow sad. I want a breath of our passion to stir their dust into consciousness, to wake their ashes into pain. My God, Harry, how I worship her!

CYRANO: Thy name is in my heart as in a sheep-bell, And as I ever tremble, thinking of thee, Ever the bell shakes, ever thy name ringeth! All things of thine I mind, for I love all things; I know that last year on the twelfth of May-month, To walk abroad, one day you changed your hair-plaits! I am so used to take your hair for daylight That,--like as when the eye stares on the sun's disk, One sees long after a red blot on all things-- So, when I quit thy beams, my dazzled vision Sees upon all things a blonde stain imprinted. ROXANE (agitated): Why, this is love indeed!. . . CYRANO: Ay, true, the feeling Which fills me, terrible and jealous, truly Love,--which is ever sad amid its transports! Love,--and yet, strangely, not a selfish passion! I for your joy would gladly lay mine own down, --E'en though you never were to know it,--never! --If but at times I might--far off and lonely,-- Hear some gay echo of the joy I bought you! Each glance of thine awakes in me a virtue,-- A novel, unknown valor. Dost begin, sweet, To understand? So late, dost understand me? Feel'st thou my soul, here, through the darkness mounting? Too fair the night! Too fair, too fair the moment! That I should speak thus, and that you should hearken! Too fair! In moments when my hopes rose proudest, I never hoped such guerdon. Naught is left me But to die now! Have words of mine the power To make you tremble,--throned there in the branches? Ay, like a leaf among the leaves, you tremble! You tremble! For I feel,--an if you will it, Or will it not,--your hand's beloved trembling Thrill through the branches, down your sprays of jasmine! (He kisses passionately one of the hanging tendrils.) ROXANE: Ay! I am trembling, weeping!--I am thine! Thou hast conquered all of me! --Cyrano de Bergerac III. 7

Like a lot of lawyers in the party, my father combined uncritical devotion to the imaginary Soviet Union in his head with a passion for rights and the Constitution straight out of the ACLU charter. If you want to be cynical about it, you could say their commitment to civil liberties was just a self-serving tactic, but I think it was more that their minds ran on parallel tracks and they believed what they believed while they were believing it. They were like Christians who put their faith in both miracles and surgery.

I am often asked by editors, fans, friends about what I read or which authors influence my writing. My answer seems surprising to them, for people expect names and quotes from me, while I give them the source of "feelings". I believe that becoming a writer is not about finding similarities, nor following the same trends, with different accessories. I often un-follow subscriptions and newsfeeds when I want to write about something. When I write I follow, read and am inspired by Life, People and Passion. I guess my "current" is personal and universal. (Soar)

I remember the time I went to my first rare-book fair and saw how the first editions of Thoreau and Whitman and Crane had been carefully packaged in heat-shrunk plastic with the price tags on the inside. Somehow the simple addition of air-tight plastic bags had transformed the books from vehicles of liveliness into commodities, like bread made with chemicals to keep it from perishing. In commodity exchange it’s as if the buyer and the seller where both in plastic bags; there’s none of the contact of a gift exchange. There is neither motion nor emotion because the whole point is to keep the balance, to make sure the exchange itself doesn’t consume anything or involve one person with another. Consumer goods are consumed by their owners, not by their exchange. The desire to consume is a kind of lust. We long to have the world flow through us like air or food. We are thirsty and hungry for something that can only be carried inside bodies. But consumer goods merely bait this lust, they do not satisfy it. The consumer of commodities is invited to a meal without passion, a consumption that leads to neither satiation nor fire. He is a stranger seduced into feeding on the drippings of someone else’s capital without benefit of its inner nourishment, and he is hungry at the end of the meal, depressed and weary as we all feel when lust has dragged us from the house and led us to nothing.

I read a heap of books to prepare to write my own. Valuable works about art crime include The Rescue Artist by Edward Dolnick, Master Thieves by Stephen Kurkjian, The Gardner Heist by Ulrich Boser, Possession by Erin Thompson, Crimes of the Art World by Thomas D. Bazley, Stealing Rembrandts by Anthony M. Amore and Tom Mashberg, Crime and the Art Market by Riah Pryor, The Art Stealers by Milton Esterow, Rogues in the Gallery by Hugh McLeave, Art Crime by John E. Conklin, The Art Crisis by Bonnie Burnham, Museum of the Missing by Simon Houpt, The History of Loot and Stolen Art from Antiquity Until the Present Day by Ivan Lindsay, Vanished Smile by R. A. Scotti, Priceless by Robert K. Wittman with John Shiffman, and Hot Art by Joshua Knelman. Books on aesthetic theory that were most helpful to me include The Power of Images by David Freedberg, Art as Experience by John Dewey, The Aesthetic Brain by Anjan Chatterjee, Pictures & Tears by James Elkins, Experiencing Art by Arthur P. Shimamura, How Art Works by Ellen Winner, The Art Instinct by Denis Dutton, and Collecting: An Unruly Passion by Werner Muensterberger. Other fascinating art-related reads include So Much Longing in So Little Space by Karl Ove Knausgaard, What Is Art? by Leo Tolstoy, History of Beauty edited by Umberto Eco, On Ugliness also edited by Umberto Eco, A Month in Siena by Hisham Matar, Art as Therapy by Alain de Botton and John Armstrong, Art by Clive Bell, A Philosophical Enquiry into the Sublime and Beautiful by Edmund Burke, Seven Days in the Art World by Sarah Thornton, The Painted Word by Tom Wolfe, and Intentions by Oscar Wilde—which includes the essay “The Critic as Artist,” written in 1891, from which this book’s epigraph was lifted.

My disposition is not so bad as you think: I am passionate, but not vindictive. Many a time, as a little child, I should have been glad to love you if you would have let me; and I long earnestly to be reconciled to you now: kiss me, aunt.” I approached my cheek to her lips: she would not touch it. She said I oppressed her by leaning over the bed, and again demanded water. As I laid her down—for I raised her and supported her on my arm while she drank—I covered her ice-cold and clammy hand with mine: the feeble fingers shrank from my touch—the glazing eyes shunned my gaze. “Love me, then, or hate me, as you will,” I said at last, “you have my full and free forgiveness: ask now for God’s, and be at peace.” Poor, suffering woman! it was too late for her to make now the effort to change her habitual frame of mind: living, she had ever hated me—dying, she must hate me still.

Meantime, let me ask myself one question—Which is better?—To have surrendered to temptation; listened to passion; made no painful effort—no struggle;—but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester’s mistress; delirious with his love half my time—for he would—oh, yes, he would have loved me well for a while. He did love me—no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace—for never to any one else shall I seem to possess these charms. He was fond and proud of me—it is what no man besides will ever be.—But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool’s paradise at Marseilles—fevered with delusive bliss one hour—suffocating with the bitterest tears of remorse and shame the next—or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England?

Meantime, let me ask myself one question—Which is better?—To have surrendered to temptation; listened to passion; made no painful effort—no struggle;—but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester’s mistress; delirious with his love half my time—for he would—oh, yes, he would have loved me well for a while. He did love me—no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace—for never to any one else shall I seem to possess these charms. He was fond and proud of me—it is what no man besides will ever be.—But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool’s paradise at Marseilles—fevered with delusive bliss one hour—suffocating with the bitterest tears of remorse and shame the next—or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England? Yes; I feel now that I was right when I adhered to principle and law, and scorned and crushed the insane promptings of a frenzied moment. God directed me to a correct choice: I thank His providence for the guidance!

It was George the Mailman’s last day on the job after 35 years of carrying the mail through all kinds of weather to the same neighborhood. When he arrived at the first house on his route, he was greeted by the whole family who congratulated him and sent him on his way with a tidy gift envelope. At the second house, they presented him with a box of fine cigars. The folks at the third house handed him a selection of terrific fishing lures. At the fourth house, he was met at the door by a strikingly beautiful blonde woman in a revealing negligee. She took him by the hand, gently led him through the door, which she closed behind him, and took him up the stairs to the bedroom where she blew his mind with the most passionate love he had ever experienced. When he had enough, they went downstairs and she fixed him a giant breakfast: eggs, potatoes, ham, sausage, blueberry waffles, and fresh-squeezed orange juice. When he was truly satisfied, she poured him a cup of steaming coffee. As she was pouring, he noticed a dollar bill sticking out from under the cup’s bottom edge. "All this was just too wonderful for words," he said, "But what’s the dollar for?" "Well," she said, "Last night, I told my husband that today would be your last day, and that we should do something special for you. I asked him what to give you. He said, “Screw him. Give him a dollar.” The breakfast was my idea.

She clicks on the last slide, and that’s when it happens. “Me So Horny” blasts out of the speakers and my video, mine and Peter’s, flashes on the projector screen. Someone has taken the video from Anonybitch’s Instagram and put their own soundtrack to it. They’ve edited it too, so I bop up and down on Peter’s lap at triple speed to the beat. Oh no no no no. Please, no. Everything happens at once. People are shrieking and laughing and pointing and going “Oooh!” Mr. Vasquez is jumping up to unplug the projector, and then Peter’s running onstage, grabbing the microphone out of a stunned Reena’s hand. “Whoever did that is a piece of garbage. And not that it’s anybody’s fucking business, but Lara Jean and I did not have sex in the hot tub.” My ears are ringing, and people are twisting around in their seats to look at me and then shifting back around to look at Peter. “All we did was kiss, so fuck off!” Mr. Vasquez, the junior class advisor, is trying to grab the mic back from Peter, but Peter manages to maintain control of it. He holds the mic up high and yells out, “I’m gonna find whoever did this and kick their ass!” In the scuffle, he drops the mic. People are cheering and laughing. Peter’s being frog-marched off the stage, and he frantically looks out into the audience. He’s looking for me. The assembly breaks up then, and everyone starts filing out the doors, but I stay low in my seat. Chris comes and finds me, face alight. She grabs me by the shoulders. “Ummm, that was crazy! He freaking dropped the F bomb twice!” I am still in a state of shock, maybe. A video of me and Peter hot and heavy was just on the projector screen, and everyone saw Mr. Vasquez, seventy-year-old Mr. Glebe who doesn’t even know what Instagram is. The only passionate kiss of my life and everybody saw. Chris shakes my shoulders. “Lara Jean! Are you okay?” I nod mutely, and she releases me. “He’s kicking whoever did it’s ass? I’d love to see that!” She snorts and throws her head back like a wild pony. “I mean, the boy’s an idiot if he thinks for one second it wasn’t Gen who posted that video. Like, wow, those are some serious blinders, y’know?” Chris stops short and examines my face. “Are you sure you’re okay?” “Everybody saw us.” “Yeah…that sucked. I’m sure that was Gen’s handiwork. She must’ve gotten one of her little minions to sneak it onto Reena’s PowerPoint.” Chris shakes her head in disgust. “She’s such a bitch. I’m glad Peter set the record straight, though. Like, I hate to give him credit, but that was an act of chivalry. No guy has ever set the record straight for me.

The problem is that you put yourself in a position no wife really wants to be in, which is being her husband’s boss—or even worse, his mother. That’s a lonely position. What I want to be is my husband’s lover. I want him to desire, adore, and cherish me. Men don’t desire their mothers, so when I’m acting like my husband’s mother, I’m pouring cold water on the embers of passion.

Put any name to it you want -- I suppose love will do as well as any, though this was no throbbing adolescent passion. I wasn't blind to her faults, in fact I rather detested them now that I knew her murderously amoral existence had an echo in my own mind. But logic and convictions have very little to do with emotions. Hating this side of her didn't remove the attraction of a personality so similar to my own. Harry Harrison. The Stainless Steel Rat - Harry Harrison (p. 120). Kindle Edition.

PREFACE TO THE PAPERBACK EDITION How much work did you do today that you will be proud of tomorrow? I don’t mean just how you handled the big things, but also how you addressed the little, seemingly insignificant ones. Did you make progress on what matters most to you, or did you allow the buzz, busyness, and expectations of others to squelch your passion and focus? I’ve been asking these questions of others and myself each day for more than a decade, and they are the main reason I originally felt compelled to write Die Empty. Through my work I’ve encountered many teams of brilliant, sharp, amazing, talented people who have at some point “settled in” or begun coasting on past success. Unfortunately,

From The Bridge” by Captain Hank Bracker Mundane Happenings Life is just packed with “Mundane Happenings!” It’s the mundane happenings that usually take the most time and they always seem to interfere, just about when you want to do something really important. Let’s start with mundane things that are routine, like doing the dishes and taking out the garbage. The list for a single person might be a little less involved or complicated but it would be every bit as important as that of a married couple or people with lots of children or even pets. Oh yes, for some the list of mundane responsibilities would include washing clothes and taking the children to their activities. You know what I mean… school, sports, hobbies, their intellectual endeavors and the like. For most of us beds have to be made, the house has to be kept clean, grass has to be cut and the flowers have to be pruned. Then there are the seasonal things, such as going trick or treating, buying the children everything they need before school starts or before going to summer camp. Let’s not forget Christmas shopping as well as birthdays and anniversaries. This list is just an outline of mundane happenings! I’m certain that you can fill in any of these broad topics with a detailed account of just how time consuming these little things can be. Of course we could continue to fill in our calendar with how our jobs consume our precious time. For some of us our jobs are plural, meaning we have more than one job or sometimes even more than that. I guess you get the point… it’s the mundane happenings that eat up our precious time ferociously. Blink once and the week is gone, blink twice and it’s the month and then the year and all you have to show for it, is a long list of the mundane things you have accomplished. Would you believe me, if I said that it doesn’t have to be this way? Really, it doesn’t have to, and here is what you can do about it. First ask yourself if you deserve to recapture any of the time you are so freely using for mundane things. Of course the answer should be a resounding yes! The next question you might want to ask yourself is what would you do with the time you are carving out for yourself? This is where we could part company, however, whatever it is it should be something personal and something that is fulfilling to you! For me, it became a passion to write about things that are important to me! I came to realize that there were stories that needed to be told! You may not agree, however I love sharing my time with others. I’m interested in hearing their stories, which I sometimes even incorporate into my writings. I also love to tell my stories because I led an exciting life and love to share my adventures with my friends and family, as well as you and future generations. I do this by establishing, specifically set, quiet time, and have a cave, where I can work; and to me work is fun! This is how and where I wrote The Exciting Story of Cuba, Suppressed I Rise, now soon to be published as a “Revised Edition” and Seawater One…. Going to Sea! Yes, it takes discipline but to me it’s worth the time and effort! I love doing this and I love meeting new friends in the process. Of course I still have mundane things to do…. I believe it was the astronaut Allen Shepard, who upon returning to Earth from the Moon, was taking out the garbage and looking up saw a beautifully clear full Moon and thought to himself, “Damn, I was up there!” It’s the accomplishment that makes the difference. The mundane will always be with us, however you can make a difference with the precious moments you set aside for yourself. I feel proud about the awards I have received and most of all I’m happy to have recorded history as I witnessed it. My life is, gratefully, not mundane, and yours doesn’t have to be either.” Captain Hank Bracker, author of the award winning book “The Exciting Story of Cuba.

Some may get religion, then they’re all right, I expect. But for the others, for so many, what can there be but witchcraft? That strikes them real. Even if other people still find them quite safe and usual, and go on poking with them, they know in their hearts how dangerous, how incalculable, how extraordinary they are. Even if they never do anything with their witchcraft, they know it’s there—ready! Respectable countrywomen keep their grave-clothes in a corner of the chest of drawers, hidden away, and when they want a little comfort they go and look at them, and think that once more, at any rate, they will be worth dressing with care. But the witch keeps her cloak of darkness, her dress embroidered with signs and planets; that’s better worth looking at. And think, Satan, what a compliment you pay her, pursuing her soul, lying in wait for it, following it through all its windings, crafty and patient and secret like a gentleman out killing tigers. Her soul—when no one else would give a look at her body even! And they are all so accustomed, so sure of her! They say: ‘Dear Lolly! What shall we give her for her birthday this year? Perhaps a hot-water bottle. Or what about a nice black lace scarf? Or a new workbox? Her old one is nearly worn out.’ But you say: ‘Come here, my bird! I will give you the dangerous black night to stretch your wings in, and poisonous berries to feed on, and a nest of bones and thorns, perched high up in danger where no one can climb to it.’ That’s why we become witches: to show our scorn of pretending life’s a safe business, to satisfy our passion for adventure. It’s not malice, or wickedness—well, perhaps it is wickedness, for most women love that—but certainly not malice, not wanting to plague cattle and make horrid children spout up pins and—what is it?—‘blight the genial bed.’ Of course, given the power, one may go in for that sort of thing, either in self-defense, or just out of playfulness. But it’s a poor twopenny housewifely kind of witchcraft, black magic is, and white magic is no better. One doesn’t become a witch to run round being harmful, or to run round being helpful either, a district visitor on a broomstick. It’s to escape all that—to have a life of one’s own, not an existence doled out to you by others, charitable refuse of their thoughts, so many ounces of stale bread of life a day, the workhouse dietary is scientifically calculated to support life. As for the witches who can only express themselves by pins and bed-blighting, they have been warped into that shape by the dismal lives they’ve led.

It reminds me of my favorite note that Leonardo da Vinci scribbled in the margin of one of his crammed notebook pages: “Describe the tongue of the woodpecker.” Who wakes up one morning and decides he needs to know what the tongue of a woodpecker looks like? The passionately and playfully curious Leonardo, that’s who. Curiosity is the key trait of the people who have fascinated me, from Benjamin Franklin and Albert Einstein to Steve Jobs and Leonardo da Vinci. Curiosity drove James Watson and the Phage Group, who wanted to understand the viruses that attack bacteria, and the Spanish graduate student Francisco Mojica, who was intrigued by clustered repeated sequences of DNA, and Jennifer Doudna, who wanted to understand what made the sleeping grass curl up when you touched it. And maybe that instinct—curiosity, pure curiosity—is what will save us.

Bud Light?” she asks in a distasteful tone. “Did you think you would be getting a microbrew? It’s a college house.” “Still”—she takes a sip and cringes—“I thought you’d have a little more class.” “You’re giving me too much credit.” I nod my head toward the corner of the loft where there are less people. When she doesn’t initially follow me, I turn back around, grab her hand like I had to in class, and pull her across the loft until we’re settled in the corner. I lean against the wall and prop one leg behind me. She eyes me, giving me a full once-over. I do the same. She’s damn hot, and I’m regretting my actions last Saturday, passing out mid grope. Finally she says, “You seem to have lost your shirt.” She motions with her finger over my bare chest. I look down at her legs and reply, “Must be where the other half of your skirt is.” “Think they’re making out in a laundromat somewhere?” She takes a sip of her beer and cringes again. A few more sips and she’ll get used to it; always happens for me. “If they are, I hope they use the gentle cycle.” Her brow pulls together. “Not sure if that makes sense.” “Oh, because half of a skirt and a shirt making out in a laundromat does?” “In children’s books, sure.” “What kind of perverted children’s books did you read growing up?” I counter. “You know, the classics,” she answers causally. “One Fish, Two Fish, Red Fish, Blue Fish and Skirt and Shirt, Lovers for Life.” “Ah, yes, I forgot about that passionate yet eye-opening youth literature that took the New York Times by storm.” “I have five signed first-edition copies in a box in my parents’ attic. Banking on them to clear out my student loans.” She sips her beer, flips her hair behind her shoulder, glances at my chest again. “Five?” I answer sarcastically. “Damn, forget college loans, you’re set for life.” “You think?” She glances around. “What the hell am I doing here then?” “To see me of course,” I answer with a smile. She rolls her eyes. “More like dragged to this party because my roommate has a crush on one of your freshmen.” “Yeah, which one?” I look over her head, eyeing all the partygoers. “No idea, but apparently he has amazing blue eyes.” “Amazing, huh? Has to be Gunner. I was even stunned by his eyes when he was recruited.” No joke, the dude won the lottery for irises. I’m even jealous with how . . . aqua they are. “Not ashamed to admit that?” she asks, shifting on her heels. “Not even a little.

Years ago, Once Upon a Time was Right Now. And eventually, Right Now will become Once Upon a Time. In fact, it just did. Time is funny like that. In most stories time is very important. Not in this one. The story may have horses and not cars, but really it could happen now like it did then. Then being Once Upon a Time, years and years ago. The story is one of passion, and last time I checked, passion was still around. It exists in love, hate, obsession. For instance, I have a passion for pickled herring. I can’t live without it. Every day I have to have some. In my salad, raw, on my sandwiches. It tastes great on hamburgers. However, this story is not about pickled herring, but it does have love, hate, and obsession. I tell you about these things first because it is these things that cause everything else, as we know they are prone to do. And there’s a lot of other things in this story, too: There are monsters and mobbers, heroes and heroines, villains and thieves, power and conquest, murder and mayhem (sounds like politics, doesn’t it?), beasts and battles, and last but not least, pride and honor. Oh, and don’t forget arugula! Arugula is very good, though not as good as pickled herring. Even arugula has a place in the story. And what a magnificent story it is! I give myself great credit for coming-up with it. OK. Slight lie. I didn’t (technically) come-up with it. It was actually told to me over and over again by my grandfather. He didn’t come-up with it either, though. I think he got it from his grandfather. And I’m not exactly sure where his grandfather got it from. Probably from some old folklore or something. But as far as I know, it’s a true story. Anyway, if credit is to be given, I guess you can give it to my grandfather, cause he always told it so well. I’ve done some of what ya might call “editing,” but basically I tried to tell it just like he did (he died some years back). I only hope I can give you what he gave me, even though he didn’t give me this story because this entire paragraph was a complete and utter lie. Either way, I think you’ll enjoy what comes...

Fantasize, together: Take a page from The Thousand and One Nights and incorporate a story into foreplay. If you’re not a born storyteller, try reading one aloud together. Some literary recommendations: James Salter’s erotic masterpiece, A Sport and a Pastime; Anais Nin’s collections of short stories Delta of Venus and Little Birds; the erotic novels Emanuelle by Emanuelle Arsan and Story of O by Pauline Réage; Harold Brodkey’s sexual saga “Innocence”—perhaps the greatest depiction of a session of cunnilingus ever penned; novels by Jerzy Kosinski such as Passion Play and Cockpit; Henry Miller’s Under the Roofs of Paris and Quiet Days in Clichy; My Secret Life by Anonymous and The Pure and the Impure by Colette; Nancy Friday’s anthology of fantasies, Secret Garden (filled with the correspondence of real people’s fantasies); stories from The Mammoth Book of Erotica or one of the many erotic anthologies edited by Susie Bright. For those with a taste for poetry, try Les Fleurs du Mal (Flowers of Evil) by Charles Baudelaire or Flesh Unlimited by Guillaume Apollinaire. And for those who like comic books (kinky ones, that is), try the extra-hot works of writer/illustrator Eric Stanton,

Womanly, a shadow combed Her dark tremendous hair beyond the violet border Of my sleep. Strong passionate hands I had, but could not find The red position of her heart, not the subtle order Of her lips and breasts, nor the breathing cities of her mind. —Stanley Kunitz, from “Poem,” The Collected Poems (W. W. Norton & Company; Reprint edition April 17, 2002) Originally published 2000.

Mark, my soul, the care that Jesus displayed even in His hour of trial toward his precious sheep! The ruling passion is strong in death. He resigns Himself to the enemy, but He interposes a word of power to set His disciples free. As to Himself, like a sheep before her shearers He is dumb and opens not His mouth, but for His disciples’ sake He speaks with almighty energy. Herein is love—constant, self-forgetting, faithful love

Because I believe there are no challenges in life that cannot be surmounted.I’m all about creating the most engaging, inspiring, educational, adventurous, passionate and thrilling experiences for my readers

I am me. Every day. Not who I think others expect me to be, But the real, unedited, beauty-full, perfectly flawed version. I choose to think for myself. I speak my truth And wrestle with life’s tough questions over and over again. I daydream about a better world and strive to make it my reality. My purpose drives me And I give it the freedom to change and evolve. I breathe life to my dreams and to the dreams of others. I believe in magic. I look for it everywhere. I make an adventure of ordinary things. Create, imagine, reinvent, and get lost. I do things that inspire me. I defy the odds, raise my hand, sit at the table and lean in. I refuse to give up. I pursue my passion at all costs. I do things that terrify me. My head dances among the stars, and my feet remain on mother earth. I’m willing to ask the hard questions, to take chances, to love with my whole heart. My mistakes and failures make me stronger. I do not ascribe my worth to external validation, but to my character. I surround myself with phenomenal people, Especially ones who don’t always agree with me. I choose authenticity over perfection. I appreciate the small details that tend to go unnoticed by others. My worth is innate and immeasurable. I try to remind myself of that, daily. I exercise patience as often as possible, Stay vulnerable even when I want to close my heart And practice coexisting with things that make me uncomfortable. I set boundaries, work to honor them, And am willing to edit people out of my life who don’t. I walk more than a mile in other people’s shoes, And suspend judgment as long as humanly possible. I remember to laugh more, stress less, forgive often, and inject love everywhere I can. I do my best to relinquish every ounce of control because it’s futile. I throw my hands up, close my eyes, and Revel in life’s awesome and mysterious ride. My emotions are fleeting, they do not define me. My choices do, and I do my best to make good ones. I feed my body good, whole foods, But don’t punish myself for the occasional indulgence. I move my body every day. I stretch, challenge, and honor her. I rest when I need to. I don’t accept every invitation that comes my way. I practice saying “no.” Show myself kindness, compassion, and unconditional love. I am my best friend, I’m proud of me. I share my life’s lessons with others, even the not so shiny ones. I hold nothing back. Cry when I need to, But also recognize when I need to buck up. I remember to breathe and in that space, I find my calm among the chaos. I owe it to myself to be remarkable, so I am.

A Propos of the Wet Snow When from dark error’s subjugation My words of passionate exhortation Had wrenched thy fainting spirit free; And writhing prone in thine affliction Thou didst recall with malediction The vice that had encompassed thee: And when thy slumbering conscience, fretting By recollection’s torturing flame, Thou didst reveal the hideous setting Of thy life’s current ere I came: When suddenly I saw thee sicken, And weeping, hide thine anguished face, Revolted, maddened, horror-stricken, At memories of foul disgrace. NEKRASSOV (translated by Juliet Soskice).