β
There are two ways of spreading light: to be the candle or the mirror that receives it.
β
β
Edith Wharton
β
Set wide the window. Let me drink the day.
β
β
Edith Wharton (Artemis to Actaeon and Other Verses)
β
My little old dog
a heart-beat
at my feet
β
β
Edith Wharton
β
Life is always either a tightrope or a feather bed. Give me the tightrope.
β
β
Edith Wharton
β
Each time you happen to me all over again.
β
β
Edith Wharton (The Age of Innocence)
β
If only we'd stop trying to be happy, we could have a pretty good time.
β
β
Edith Wharton
β
The real loneliness is living among all these kind people who only ask one to pretend!
β
β
Edith Wharton (The Age of Innocence)
β
There are two ways of spreading light: to be
The candle or the mirror that reflects it.
β
β
Edith Wharton
β
Ah, good conversation β there's nothing like it, is there? The air of ideas is the only air worth breathing.
β
β
Edith Wharton (The Age of Innocence)
β
We can't behave like people in novels, though, can we?
β
β
Edith Wharton (The Age of Innocence)
β
There are lots of ways of being miserable, but thereβs only one way of being comfortable, and that is to stop running round after happiness. If you make up your mind not to be happy thereβs no reason why you shouldnβt have a fairly good time.
β
β
Edith Wharton (Ethan Frome and Other Short Fiction)
β
There is one friend in the life of each of us who seems not a separate person, however dear and beloved, but an expansion, an interpretation, of one's self, the very meaning of one's soul.
β
β
Edith Wharton
β
I don't know if I should care for a man who made life easy; I should want someone who made it interesting.
β
β
Edith Wharton
β
In reality they all lived in a kind of hieroglyphic world, where the real thing was never said or done or even thought, but only represented by a set of arbitrary signs.
β
β
Edith Wharton (The Age of Innocence)
β
My little dogβa heartbeat at my feet.
β
β
Edith Wharton
β
Do you remember what you said to me once? That you could help me only by loving me? Well-you did love me for a moment; and it helped me. It has always helped me.
β
β
Edith Wharton (The House of Mirth)
β
She had no tolerance for scenes which were not of her own making.
β
β
Edith Wharton (The House of Mirth)
β
I swear I only want to hear about you, to know what you've been doing. It's a hundred years since we've met-it may be another hundred before we meet again.
β
β
Edith Wharton (The Age of Innocence)
β
She was so evidently the victim of the civilization which had produced her, that the links of her bracelet seemed like manacles chaining her to her fate.
β
β
Edith Wharton (The House of Mirth (Dover Thrift Editions: Classic Novels))
β
His whole future seemed suddenly to be unrolled before him; and passing down its endless emptiness he saw the dwindling figure of a man to whom nothing was ever to happen.
β
β
Edith Wharton (The Age of Innocence)
β
Half the trouble in life is caused by pretending there isn't any.
β
β
Edith Wharton (The House of Mirth)
β
Genius is of small use to a woman who does not know how to do her hair.
β
β
Edith Wharton
β
And you'll sit beside me, and we'll look, not at visions, but at realities.
β
β
Edith Wharton (The Age of Innocence)
β
Silence may be as variously shaded as speech.
β
β
Edith Wharton
β
In spite of illness, in spite even of the archenemy sorrow, one can remain alive long past the usual date of disintegration if one is unafraid of change, insatiable in intellectual curiosity, interested in big things, and happy in small ways.
β
β
Edith Wharton
β
Nothing is more perplexing to a man than the mental process of a woman who reasons her emotions.
β
β
Edith Wharton
β
What Lily craved was the darkness made by enfolding arms, the silence which is not solitude, but compassion holding its breath.
β
β
Edith Wharton
β
Don't you ever mind," she asked suddenly, "not being rich enough to buy all the books you want?
β
β
Edith Wharton (The House of Mirth)
β
It was easy enough to despise the world, but decidedly difficult to find any other habitable region.
β
β
Edith Wharton
β
The real marriage of true minds is for any two people to possess a sense of humor or irony pitched in exactly the same key, so that their joint glances on any subject cross like interarching searchlights.
β
β
Edith Wharton (A Backward Glance)
β
But after a moment a sense of waste and ruin overcame him. There they were, close together and safe and shut in; yet so chained to their separate destinies that they might as well been half the world apart.
β
β
Edith Wharton (The Age of Innocence)
β
He simply felt that if he could carry away the vision of the spot of earth she walked on, and the way the sky and sea enclosed it, the rest of the world might seem less empty.
β
β
Edith Wharton (The Age of Innocence)
β
She said she knew we were safe with you, and always would be, because once, when she asked you to, you'd given up the thing you most wanted."
Archer received this strange communication in silence. His eyes remained unseeingly fixed on the thronged sunlit square below the window. At length he said in a low voice: "She never asked me.
β
β
Edith Wharton (The Age of Innocence)
β
Why do we call all our generous ideas illusions, and the mean ones truths?
β
β
Edith Wharton (The House of Mirth)
β
Everything may be labelled- but everybody is not.
β
β
Edith Wharton (The Age of Innocence)
β
It frightened him to think what must have gone to the making of her eyes.
β
β
Edith Wharton (The Age of Innocence)
β
I want - I want somehow to get away with you into a world where words like that -categories like that- won't exist. Where we shall be simply two human beings who love each other, who are the whole of life to each other; and nothing else on earth will matter.
β
β
Edith Wharton (The Age of Innocence)
β
It is so easy for a woman to become what the man she loves believes her to be
β
β
Edith Wharton (The House of Mirth)
β
An unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.
β
β
Edith Wharton
β
She gave so many reasons that I've forgotten them all.
β
β
Edith Wharton (The Age of Innocence)
β
A classic is classic not because it conforms to certain structural rules, or fits certain definitions (of which its author had quite probably never heard). It is classic because of a certain eternal and irrepressible freshness.
β
β
Edith Wharton
β
I was just a screw or cog in the great machine I called life, and when I dropped out of it I found I was of no use anywhere else.
β
β
Edith Wharton (The House of Mirth (Dover Thrift Editions: Classic Novels))
β
She was very near hating him now; yet the sound of his voice, the way the light fell on his thin, dark hair, the way he sat and moved and wore his clothesβshe was conscious that even these trivial things were inwoven with her deepest life.
β
β
Edith Wharton (The House of Mirth)
β
They are all alike you know. They hold their tongues for years and you think you're safe, but when the opportunity comes they remember everything.
β
β
Edith Wharton
β
Women ought to be free - as free as we are,' he declared, making a discovery of which he was too irritated to measure the terrific consequences.
β
β
Edith Wharton (The Age of Innocence)
β
As the pain that can be told is but half a pain, so the pity that questions has little healing in its touch. What Lily craved was the darkness made by enfolding arms, the silence which is not solitude, but compassion holding its breath.
β
β
Edith Wharton (The House of Mirth)
β
...though she had not had the strength to shake off the spell that bound her to him she had lost all spontaneity of feeling, and seemed to herself to be passively awaiting a fate she could not avert.
β
β
Edith Wharton (Summer)
β
To know when to be generous and when firmβthat is wisdom.
β
β
Edith Wharton
β
I want to put my hand out and touch you. I want to do for you and care for you. I want to be there when you're sick and when you're lonesome.
β
β
Edith Wharton (Ethan Frome)
β
With a shiver of foreboding he saw his marriage becoming what most of the other marriages about him were: a dull association of material and social interests held together by ignorance on the one side and hypocrisy on the other.
β
β
Edith Wharton (The Age of Innocence)
β
I couldn't have spoken like this yesterday, because when we've been apart, and I'm looking forward to seeing you, every thought is burnt up in a great flame. But then you come; and you're so much more than I remembered, and what I want of you is so much more than an hour or two every now and then, with wastes of thirsty waiting between, that I can sit perfectly still beside you, like this, with that other vision in my mind, just quietly trusting it to come true.
β
β
Edith Wharton (The Age of Innocence)
β
He knelt by the bed and bent over her, draining their last moment to its lees; and in the silence there passed between them the word which made all clear.
β
β
Edith Wharton (The House of Mirth)
β
I can't love you unless I give you up.
β
β
Edith Wharton (The Age of Innocence)
β
Who's 'they'? Why don't you all get together and be 'they' yourselves?
β
β
Edith Wharton (The Age of Innocence)
β
The taste of the usual was like cinders in his mouth, and there were moments when he felt as if he were being buried alive under his future.
β
β
Edith Wharton (The Age of Innocence)
β
I shan't be lonely now. I was lonely; I was afraid. But the emptiness and the darkness are gone; when I turn back into myself now I'm like a child going at night into a room where there's always a light.
β
β
Edith Wharton (The Age of Innocence)
β
...I have always lived on contrasts! To me the only death is monotony. Beware of monotony; it's the mother of all the deadly sins.
β
β
Edith Wharton
β
Everything about her was warm and soft and scented; even the stains of her grief became her as raindrops do the beaten rose.
β
β
Edith Wharton (The House of Mirth)
β
They seemed to come suddenly upon happiness as if they had surprised a butterfly in the winter woods.
β
β
Edith Wharton (Ethan Frome)
β
I believe I know the only cure, which is to make oneβs center of life inside of oneβs self, not selfishly or excludingly, but with a kind of unassailable serenityβto decorate oneβs inner house so richly that one is content there, glad to welcome anyone who wants to come and stay, but happy all the same when one is inevitably alone.
β
β
Edith Wharton
β
It's you who are telling me; opening my eyes to things I'd looked at so long that I'd ceased to see them.
β
β
Edith Wharton (The Age of Innocence)
β
There was no use in trying to emancipate a wife who had not the dimmest notion that she was not free.
β
β
Edith Wharton (The Age of Innocence)
β
In every heart there should be one grief that is like a well in the desert.
β
β
Edith Wharton
β
The real alchemy consists in being able to turn gold back again into something else; and that's the secret that most of your friends have lost.
β
β
Edith Wharton (The House of Mirth)
β
He had known the love that is fed on caresses and feeds them; but this passion that was closer than his bones was not to be superficially satisfied.
β
β
Edith Wharton (The Age of Innocence)
β
...In the summer New York was the only place in which one could escape from New Yorkers...
β
β
Edith Wharton
β
It was the old New York way...the way people who dreaded scandal more than disease, who placed decency above courage, and who considered that nothing was more ill-bred than "scenes", except those who gave rise to them.
β
β
Edith Wharton (The Age of Innocence)
β
The only way to not think about money is to have a great deal of it."
You might as well say that the only way not to think about air is to have enough to breathe.
β
β
Edith Wharton (The House of Mirth)
β
They belonged to that vast group of human automata who go through life without neglecting to perform a single one of the gestures executed by the surrounding puppets.
β
β
Edith Wharton (The House of Mirth (Dover Thrift Editions: Classic Novels))
β
There's nothing grimmer than the tragedy that wears a comic mask.
β
β
Edith Wharton
β
Yes, the Gorgon has dried your tears.'
Well, she has opened my eyes too; it's a delusion to say she blinds people. What she does is the contrary-she fastens their eyelids open, so they're never again in the blessed darkness.
β
β
Edith Wharton (The Age of Innocence)
β
No insect hangs its nest on threads as frail as those which will sustain the weight of human vanity
β
β
Edith Wharton (The House of Mirth)
β
It seems stupid to have discovered America only to make it into a copy of another country.
β
β
Edith Wharton (The Age of Innocence)
β
She sang, of course, "M'ama!" and not "he loves me," since an unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.
β
β
Edith Wharton (The Age of Innocence)
β
You thought I was a lovelorn mistress and I was really just an expensive prostitute.
β
β
Edith Wharton
β
And all the while, I suppose," he thought, "real people were living somewhere, and real things happening to them ...
β
β
Edith Wharton (The Age of Innocence)
β
The difference is that these young people take it for granted that they're going to get whatever they want, and that we almost always took it for granted that we shouldn't. Only, I wonderβthe thing one's so certain of in advance: can it ever make one's heart beat as wildly?
β
β
Edith Wharton (The Age of Innocence)
β
But I have sometimes thought that a woman's nature is like a great house full of rooms: there is the hall, through which everyone passes in going in and out; the drawing-room, where one receives formal visits; the sitting-room, where the members of the family come and go as they list; but beyond that, far beyond, are other rooms, the handles of whose doors perhaps are never turned; no one knows the way to them, no one knows whither they lead; and in the innermost room, the holy of holies, the soul sits alone and waits for a footstep that never comes.
β
β
Edith Wharton (The Ghost Stories of Edith Wharton)
β
It is less mortifying to believe one's self unpopular than insignificant, and vanity prefers to assume that indifference is a latent form of unfriendliness.
β
β
Edith Wharton
β
She had taken everything else from him, and now she meant to take the one thing that made up for it all.
β
β
Edith Wharton (Ethan Frome)
β
I felt there was no one as kind as you; no one who gave me reasons that I understood for doing what at first seemed so hard and--unnecessary.
β
β
Edith Wharton (The Age of Innocence)
β
There is someone I must say goodbye to. Oh, not you - we are sure to see each other again - but the Lily Bart you knew. I have kept her with me all this time, but now we are going to part, and I have brought her back to you - I am going to leave her here. When I go out presently she will not go with me. I shall like to think that she has stayed with you.
β
β
Edith Wharton (The House of Mirth (Dover Thrift Editions: Classic Novels))
β
She felt a stealing sense of fatigue as she walked; the sparkle had died out of her, and the taste of life was stale on her lips. She hardly knew what she had been seeking, or why the failure to find it had so blotted the light from her sky: she was only aware of a vague sense of failure, of an inner isolation deeper than the loneliness about her.
β
β
Edith Wharton (The House of Mirth)
β
Poetry and art are the breath of life to her.
β
β
Edith Wharton (The Age of Innocence)
β
Isn't it natural that I should belittle all the things I can't offer you?
β
β
Edith Wharton (The House of Mirth)
β
The very good people did not convince me; I felt they'd never been tempted. But you knew; you understood; you felt the world outside tugging at one with all its golden hands - and you hated the things it asked of one; you hated happiness bought by disloyalty and cruelty and indifference. That was what I'd never known before - and it's better than anything I've known.
β
β
Edith Wharton (The Age of Innocence)
β
Then stay with me a little longer,' Madame Olenska said in a low tone, just touching his knee with her plumed fan. It was the lightest touch, but it thrilled him like a caress.
β
β
Edith Wharton (The Age of Innocence)
β
Something he knew he had missed: the flower of life. But he thought of it now as a thing so unattainable and improbable that to have repined would have been like despairing because one had not drawn the first prize in a lottery.
β
β
Edith Wharton (The Age of Innocence)
β
Her whole being dilated in an atmosphere of luxury. It was the background she required, the only climate she could breathe in.
β
β
Edith Wharton (The House of Mirth)
β
Her mind was an hotel where facts came and went like transient lodgers, without leaving their address behind, and frequently without paying for their board.
β
β
Edith Wharton (Xingu and other Stories)
β
...It was one of the great livery-stableman's most masterly intuitions to have discovered that Americans want to get away from amusement even more quickly than they want to get to it.
β
β
Edith Wharton (The Age of Innocence)
β
There was once a little girl who was so very intelligent that her parents feared that she would die. But an aged aunt, who had crossed the Atlantic in a sailing-vessel, said, 'My dears, let her marry the first man she falls in love with, and she will make such a fool of herself that it will probably save her life.
β
β
Edith Wharton
β
She had been bored all afternoon by Percy Gryce... but she could not ignore him on the morrow, she must follow up her success, must submit to more boredom, must be ready with fresh compliances and adaptibilities, and all on the bare chance that he might ultimately decide to do her the honour of boring her for life.
β
β
Edith Wharton (The House of Mirth)
β
He had married (as most young men did) because he had met a perfectly charming girl at the moment when a series of rather aimless sentimental adventures were ending in premature disgust; and she had represented peace, stability, comradeship, and the steadying sense of an unescapable duty.
β
β
Edith Wharton (The Age of Innocence)
β
Archer reddened to the temples but dared not move or speak: it was as if her words had been some rare butterfly that the least motion might drive off on startled wings, but that might gather a flock if it were left undisturbed.
β
β
Edith Wharton (The Age of Innocence)
β
He bent and laid his lips on her hands, which were cold and lifeless. She drew them away, and he turned to the door, found his coat and hat under the faint gas-light of the hall, and plunged out into the winter night bursting with the belated eloquence of the inarticulate.
β
β
Edith Wharton (The Age of Innocence)
β
He seemed a part of the mute melancholy landscape, an incarnation of it's frozen woe, with all that was warm and sentient in him fast bound below the surface; but there was nothing nothing unfriendly in his silence. I simply felt that he lived in a depth of moral isolation too remote for casual access, and I had the sense that his loneliness was not merely the result of his personal plight, tragic as I guessed that to be, but had in it, as Harmon Gow had hinted, the profound accumulated cold of many Starkfield winters.
β
β
Edith Wharton (Ethan Frome)
β
And he felt himself oppressed by this creation of factitious purity, so cunningly manufactured by a conspiracy of mothers and aunts and grandmothers and long-dead ancestresses, because it was supposed to be what he wanted, what he had a right to, in order that he might exercise his lordly pleasure in smashing it like an image made of snow.
β
β
Edith Wharton (The Age of Innocence)
β
I have tried hard - but life is difficult, and I am a very useless person. I can hardly be said to have an independent existence. I was just a screw or a cog in the great machine called life, and when I dropped out of it I found I was no use anywhere else. What can one do when one finds out that one only fits into one hole? One must go back to it or be thrown out into the rubbish heap - and you don't know what it's like in the rubbish heap!
β
β
Edith Wharton (The House of Mirth)
β
He had built up within himself a kind of sanctuary in which she throned among his secret thoughts and longings. Little by little it became the scene of his real life, of his only rational activities; thither he brought the books he read, the ideas and feelings which nourished him, his judgments and his visions. Outside it, in the scene of his actual life, he moved with a growing sense of unreality and insufficiency, blundering against familiar prejudices and traditional points of view as an absent-minded man goes on bumping into the furniture of his own room.
β
β
Edith Wharton (The Age of Innocence)