Edit Yourself Quotes

Love is something you do for someone else, not something you do for yourself.

Stop this day and night with me and you shall possess the origin of all poems, You shall possess the good of the earth and sun.... there are millions of suns left, You shall no longer take things at second or third hand.... nor look through the eyes of the dead.... nor feed on the spectres in books, You shall not look through my eyes either, nor take things from me, You shall listen to all sides and filter them from yourself.

The worst thing you can do is censor yourself as the pencil hits the paper. You must not edit until you get it all on paper. If you can put everything down, stream-of-consciousness, you'll do yourself a service.

Over the long run, however, the real reason you fail to stick with habits is that your self-image gets in the way. This is why you can't get too attached to one version of your identity. Progress requires unlearning. Becoming the best version of yourself requires you to continuously edit your beliefs, and to upgrade and expand your identity.

Practice giving things away, not just things you don't care about, but things you do like. Remember, it is not the size of a gift, it is its quality and the amount of mental attachment you overcome that count. So don't bankrupt yourself on a momentary positive impulse, only to regret it later. Give thought to giving. Give small things, carefully, and observe the mental processes going along with the act of releasing the little thing you liked. (53) (Quote is actually Robert A F Thurman but Huston Smith, who only wrote the introduction to my edition, seems to be given full credit for this text.)

¡Caer! ¡Estoy cayendo! Mientras me río, no sé por qué, me siento impura. Cuando lloro, no sé por qué, me siento yo y me purifico. ¡Cómo sufro! Mi alma es un trozo amorfo, blanquecino y lloroso...

But if renting all those movies had taught me anything more than how to lose myself in them, it was that you only actually have perfectly profound little moments like that in real life if you recognize them yourself, do all the fancy shot work and editing in your head, usually in the very seconds that whatever is happening is happening. And even if you do manage to do so, just about never does anyone else you’re with at the time experience that exact same kind of moment, and it’s impossible to explain it as it’s happening, and then the moment is over.

I wanted to help him but I guess ultimately you can only slay the dragon yourself. All that I could do was help him sharpen his sword if he needed me to.

Writing is therapeutic. It helps you cope with issues that seem gargantuan at the time. The process of expressing yourself about a problem, editing your thoughts, and writing some more can help you control issues that you face.

You can have this, too. Don’t be another heartbreak story. Start putting yourself first—get where you want to be, and make your man be all that he can be. Remember this: the number one cause of failure in this country is the fear of failure. Fear paralyzes you from taking action. Don’t be afraid to lose him, because if a man truly loves you, he’s not going anywhere.

Love and death are very similar. They're the times in your life when you most want to believe in magic, when you yearn for some symbolic act or retrospective edit that can change the world you find yourself in.

Becoming the best version of yourself requires you to continuously edit your beliefs, and to upgrade and expand your identity.

You should mock yourself and rise above this.

Write poorly. Suck. Write Awful. Terribly. Frightfully. Don’t care. Turn off the inner editor. Let yourself write. Let it flow. Let yourself fail. Do something crazy. Write 50,000 words in the month of November. I did it. It was fun. It was insane. It was 1,667 words per day. It was possible, but you have to turn off the inner critic off completely. Just write. Quickly. In bursts. With joy. If you can’t write, run away. Come back. Write again. Writing is like anything else. You won’t get good at it immediately. It’s a craft. You have to keep getting better. You don’t get to Juilliard unless you practice. You want to get to Carnegie Hall? Practice. Practice. Practice ..or give them a lot of money. Like anything else it takes 10,000 hours to get to mastery. Just like Malcolm Gladwell says. So write. Fail. Get your thoughts down. Let it rest. Let is marinate. Then edit, but don’t edit as you type. That just slows the brain down. Find a daily practice. For me it’s blogging. It’s fun. The more you write the easier it gets. The more it is a flow, the less a worry. It’s not for school, it’s not for a grade, it’s just to get your thoughts out there. You know they want to come out. So keep at it. Make it a practice. Write poorly. Write awfully. Write with abandon and it may end up being really really good.

Don't sell yourself short. No one will value you. Set a fair price for you, your book, your services, whatever it is that you have to offer. Most of us set way too low a price. Put it a little higher than you would normally be inclined to do. The worst that can happen is someone will come along and steal it.

Nothing will hinder you more than thinking only about yourself.

Stay true to yourself. Let your voice ring out, and don’t let anybody fiddle with it. Never turn down a good idea, but never take a bad idea. And meditate.

It's the hardest thing in the world to put yourself in someone else's place, try to really feel what they feel, figure out why they do the things they do. Especially when it's easier to stick a label on something. Or someone.

You can’t get away from yourself by moving from one place to another.

Writing is a process of discovery of what you really do know. You can't limit yourself in advance to what you know, because you don't know everything you know.

Be slow to label others as assholes, be quick to label yourself as one.

The best way of avenging yourself is not to become like the wrongdoer.

Knowing how to notice and navigate the self-editing process is the difference between trying or not, achieving or not. The first “No” you hear should never come from you.

Don't over edit. Don't second-guess yourself, or your ideas. Just write. Write every day, and keep at it. Don't get discouraged with the rejections. Tape them up on your office wall, to remind you of all the hard work you put in when you finally start getting published! It's all about persistence and passion. And have fun with it. Don't forget to have fun.

When you live today, being accountable for yesterday, today will be better because you would have taken the chance to know the activities and people who unmade and made your day and edit today's plans for the better.

Let yourself go with the disease, be with it, keep company with it—this is the way to be rid of it.

Accept no one’s definition of your life. Define yourself.” - Unknown

Indeed, half the battle of living a playful life lies in committing yourself to authentic communication. The fun of engagement with others soon follows.

Hence the saying: If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.

...a marriage with Christ at the center of it pulls you right out of yourself. It teaches each partner, the husband and the wife, to forget about self for a while in care and sacrifice for the other. We come to ourselves by losing ourselves.

Anyone and everyone taking a writing class knows that the secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress... Actually, when you think about it, not many novels in the Spare tradition are terribly cheerful. Jokes you can usually pluck out whole, by the roots, so if you're doing some heavy-duty prose-weeding, they're the first to go. And there's some stuff about the whole winnowing process I just don't get. Why does it always stop when the work in question has been reduced to sixty or seventy thousand words--entirely coincidentally, I'm sure, the minimum length for a publishable novel? I'm sure you could get it down to twenty or thirty if you tried hard enough. In fact, why stop at twenty or thirty? Why write at all? Why not just jot the plot and a couple of themes down on the back of an envelope and leave it at that? The truth is, there's nothing very utilitarian about fiction or its creation, and I suspect that people are desperate to make it sound manly, back-breaking labor because it's such a wussy thing to do in the first place. The obsession with austerity is an attempt to compensate, to make writing resemble a real job, like farming, or logging. (It's also why people who work in advertising put in twenty-hour days.) Go on, young writers--treat yourself to a joke, or an adverb! Spoil yourself! Readers won't mind!

In a happy home, there aren’t continuing crises you need to solve (or wonder how to endure when you’re too young to solve anything). People aren’t stuck in power struggles. There aren’t silent or not-so-silent wars between family members. In a happy home you’re not all holding your breath. You can relax and be yourself.

To be honest, I can’t imagine how anyone could say ‘I’m weak’ and then stay that way. If you know that about yourself, why not fight it, why not develop your character? Their answer has always been: ‘Because it’s much easier not to!

You probably had fantasies about leaving home, about running away, about having it over with, about your alcoholic parent becoming sober and life being fine and beautiful. You began to live in a fairy-tale world, with fantasy and in dreams. You lived a lot on hope, because you didn’t want to believe what was happening. You knew that you couldn’t talk about it with your friends or adults outside your family. Because you believed you had to keep these feelings to yourself, you learned to keep most of your other feelings to yourself. You couldn’t let the rest of the world know what was going on in your home. Who would believe you, anyway?

What happened to you as an infant and young child powerfully shapes how you see yourself and other people, what expectations you have for relationships, how you feel about yourself, and what defensive (and healthy!) habits you’ve learned.

◊ Do what pleases others, not yourself. ◊ Choose to do and have less rather than more. ◊ Be a servant; seek the lowest place. ◊ Pray to become all that God wants you to be.

If you wish to find the unclouded truth, he told himself, do not concern yourself with right or wrong. Conflicts with right and wrong are a sickness of the mind. The

Far better to give your readers some hints and then allow them to fill in the blanks for themselves. This

There is a saying: Genius is perseverance. While genius does not consist entirely of editing, without editing it's pretty useless.

The best treasure a man can have is a sparing tongue, and the greatest pleasure, one that moves orderly; for if you speak evil, you yourself will soon be worse spoken of.

don’t want you editing yourself to say what you think I want to hear. I don’t want that kind of shallow connection with you.

That was called transplanting yourself, I thought, and it could be as necessary with people as with other sorts of growing things.

A company should never outsource its eyes. There is simply no substitute for seeing for yourself. Great artists don’t paint from other people’s descriptions or even from photographs; they like to see the subject for themselves. The same is true for great strategists.

Politicians in our times feed their clichés to television, where even those who wish to disagree repeat them. Television purports to challenge political language by conveying images, but the succession from one frame to another can hinder a sense of resolution. Everything happens fast, but nothing actually happens. Each story on televised news is ”breaking” until it is displaced by the next one. So we are hit by wave upon wave but never see the ocean. The effort to define the shape and significance of events requires words and concepts that elude us when we are entranced by visual stimuli. Watching televised news is sometimes little more than looking at someone who is also looking at a picture. We take this collective trance to be normal. We have slowly fallen into it. More than half a century ago, the classic novels of totalitarianism warned of the domination of screens, the suppression of books, the narrowing of vocabularies, and the associated difficulties of thought. In Ray Bradbury’s Fahrenheit 451, published in 1953, firemen find and burn books while most citizens watch interactive television. In George Orwell’s 1984, published in 1949, books are banned and television is two-way, allowing the government to observe citizens at all times. In 1984, the language of visual media is highly constrained, to starve the public of the concepts needed to think about the present, remember the past, and consider the future. One of the regime’s projects is to limit the language further by eliminating ever more words with each edition of the official dictionary. Staring at screens is perhaps unavoidable, but the two-dimensional world makes little sense unless we can draw upon a mental armory that we have developed somewhere else. When we repeat the same words and phrases that appear in the daily media, we accept the absence of a larger framework. To have such a framework requires more concepts, and having more concepts requires reading. So get the screens out of your room and surround yourself with books. The characters in Orwell’s and Bradbury’s books could not do this—but we still can.

Written Exercise #1: Investigating Your Core Complaint Focus on a problem that’s most pressing in your life right now. It might be an issue with your health, your job, your relationship—any issue that disrupts your sense of safety, peace, security, or well-being. What is the deepest issue you want to heal? Maybe it’s a problem that feels overwhelming to you. Maybe it’s a symptom or a feeling you’ve had all your life. What do you want to see shift? Don’t edit yourself. Write down what feels important to you. Write it down as it comes to you. For example, you may carry a fear of something terrible happening to you in the future. It doesn’t matter what comes out; just keep writing. If nothing comes, answer this one question: If the feeling or symptom or condition you have never goes away, what would you be afraid could happen to you? Don’t continue reading until you’ve written down your most pressing concern.

[E]verything is fiction. When you tell yourself the story of your life, the story of your day, you edit and rewrite and weave a narrative out of a collection of random experiences and events. Your conversations are fiction. Your friends and loved ones—they are characters you have created. And your arguments with them are like meetings with an editor—please, they beseech you, you beseech them, rewrite me. You have a perception of the way things are, and you impose it on your memory, and in this way you think, in the same way that I think, that you are living something that is describable. When of course, what we actually live, what we actually experience—with our senses and our nerves—is a vast, absurd, beautiful, ridiculous chaos.

When you write a story, you are telling yourself the story. When you rewrite, your main job is taking out all the things that are NOT the story...Your stuff starts out being just for you...but then it goes out. Once you know what the story is and get it right, as right as you can...it belongs to anyone who wants to read it, or criticise it.

Girls are the White Album and they all have Revolution 9's. They have all that stuff you wish you could edit out. When you fall in love with a girl, she's the bloody White Album. That is what you whisper to yourself, when you don't understand her at all. You just keep telling yourself, she's the bloody Beatles White Album and there's only one of her.

The thing about shame is that it eats at you until it fully consumes you. You no longer need people telling you to not dress like that; you already do it to yourself. You no longer need your family telling you to be quiet; you already do it to yourself. You edit yourself and at some point, it becomes so normal that you can’t even tell that you’re doing it.

Give yourself permission to be bad. Write first, polish later.

Love God, and love your neighbor as yourself—that is the heart of the Christian message. Everything else is commentary.

The more things you have in common with the normal population the more you are not being yourself.

The hardest challenge is to be yourself in a world where everyone is trying to make you be somebody else. —E. E. CUMMINGS, POET (1894–1962)

But your ability to forgive is worthless if you cannot turn it upon yourself. If you do not, the darkness you seek to defeat will eat you from the inside.

Stay true to yourself. Let your voice ring out, and don’t let anybody fiddle with it.

If your first concern is to look after yourself, you’ll never find yourself.

Which cat would give her a seventh life? She scanned the ranks and purred when she saw that Mosskit was padding forward, her tiny paws sending up sparks of starlight where they touched the ground. She had to rear up on her hind paws to touch Bluefur’s head. “With this life I give you trust. Believe in your Clan and in yourself. Never doubt that you know the right path to take.

The people who wrote and edited the Bible, for example, weren’t scientists. They couldn’t have been scientists, even if they had wanted to be. The viewpoints, methods and practices of science hadn’t been formulated when the Bible was written. Religion is instead about proper behaviour. It’s about what Plato called “the Good.” A genuine religious acolyte isn’t trying to formulate accurate ideas about the objective nature of the world (although he may be trying to do that too). He’s striving, instead, to be a “good person.” It may be the case that to him “good” means nothing but “obedient”—even blindly obedient. Hence the classic liberal Western enlightenment objection to religious belief: obedience is not enough. But it’s at least a start (and we have forgotten this): You cannot aim yourself at anything if you are completely undisciplined and untutored.

There was a boldness in not editing for consistency, in not ripping out the one page or the other. To admit uncertainty is to admit to weakness, to powerlessness, and to believe in yourself despite both.

As your skills increase, you will see your unique style become firm and recognizable. Guard it, nurture it, and cherish it, for your style expresses you. As with the Zen master-archer, the target is yourself.

Self-consciousness comes from focusing your attention inwards, on to yourself, so that you become painfully aware of what is happening to you. At its worst, self-consciousness dominates your attention and makes it difficult to think of anything else but your inner experience – and this can become totally paralyzing.

Of course I know what she means. To make art in fandom is to follow your passion at the risk of never being taken seriously. I've written dozens of fics-put them together and you'd have several novels-but who knows what a college admissions officer will think of that as a pastime. Where does 12,000 Tumbler followers rate in relation to a spot in the National Honor Society in their minds? Every week I get anonymous messages in my inbox telling me I should write a real book. Well, haven't I already? What makes what I do different from "real writing"? Is it that I don't use original characters? I guess that makes every Hardy Boys edition, every Star Wars book, every spinoff, sequel, fairy-tale re-telling, historical romance, comic book reboot, and the music Hamilton "not real writing". Or is it that a real book is something printed, that you can hold in your hand, not something you write on the internet? Or is "real writing" something you sell in a store, not give away for free? No, I know it's none of these things. It's merely this: "real writing" is done by serious people, whereas fanfiction is written by weirdos, teenagers, degenerates, and women.

I don’t understand how, up to now, an atheist could know there is no God and not kill himself at once. To recognize that there is no God, and not to recognize at the same time that you have become God, is an absurdity, otherwise you must necessarily kill yourself. Once you recognize it, you are king, and you will not kill yourself but will live in the chiefest glory. But one, the one who is first, must necessarily kill himself, otherwise who will begin and prove it? It is I who will necessarily kill myself in order to begin and prove it. I am still God against my will, and I am unhappy, because it is my duty to proclaim self-will. Everyone is unhappy, because everyone is afraid to proclaim self-will. That is why man has been so unhappy and poor up to now, because he was afraid to proclaim the chief point of self-will and was self-willed only on the margins, like a schoolboy. I am terribly unhappy, because I am terribly afraid. Fear is man’s curse … But I will proclaim self-will, it is my duty to believe that I do not believe. I will begin, and end, and open the door. And save. Only this one thing will save all men and in the next generation transform them physically; for in the present physical aspect, so far as I have thought, it is in no way possible for man to be without the former God. For three years I have been searching for the attribute of my divinity, and I have found it: the attribute of my divinity is—Self-will! That is all, by which I can show in the main point my insubordination and my new fearsome freedom. For it is very fearsome. I kill myself to show my insubordination and my new fearsome freedom.” Dostoevsky, Fyodor (2010-05-06). Demons (Vintage Classics) (p. 619). Random House, Inc.. Kindle Edition.

What we don’t like about writing is being judged. We don’t like the format, the rules, the editing, the need to make everything perfect. But writing can be a way to formulate your thoughts when you can’t say what you need to say or you don’t know how to say what you need to say on the spot. Writing lets you take time. Find the words. And express yourself exactly how you wish. And when we’re young, it’s a way to lose yourself as well as find yourself.

Bill handed me an envelope. I handed it back to him. I told him, “I’ll do a friend a favor.” Russell had taught me well. Don’t cheapen yourself. “If you do a friend a favor,” Russell had said, “then sometimes he does you a favor.” Bill

For folks who have that casual-dude energy coursing through their bloodstream, that's great. But gays should not grow up alienated just for us to alienate each other. It's too predictable, like any other cycle of abuse. Plus, the conformist, competitive notion that by "toning down" we are "growing up" ultimately blunts the radical edge of what it is to be queer; it truncates our colorful journey of identity. Said another way, it's like living in West Hollywood and working a gay job by day and working it in the gay nightlife, wearing delicate shiny shirts picked from up the gay dry cleaners, yet coquettishly left unbuttoned to reveal the pec implants purchased from a gay surgeon and shown off by prancing around the gay-owned-and-operated theater hopped up on gay health clinic steroids and wheat grass purchased from the friendly gay boy who's new to the city, and impressed by the monstrous SUV purchased from a gay car dealership with its rainbow-striped bumper sticker that says "Celebrate Diversity." Then logging on to the local Gay.com listings and describing yourself as "straight-acting." Let me make myself clear. This is not a campaign for everyone to be like me. That'd be a total yawn. Instead, this narrative is about praise for the prancy boys. Granted, there's undecided gender-fucks, dagger dykes, faux-mos, po-mos, FTMs, fisting-top daddies, and lezzie looners who also need props for broadening the sexual spectrum, but they're telling their own stories. The Cliff's Notes of me and mine are this: the only moments I feel alive are when I'm just being myself - not some stiff-necked temp masquerading as normal in the workplace, not some insecure gay boy aspiring to be an overpumped circuit queen, not some comic book version of swank WeHo living. If that's considered a political act in the homogenized world of twenty-first century homosexuals, then so be it. — excerpt of "Praise For The Prancy Boys," by Clint Catalyst appears in first edition (ISBN # 1-932360-56-5)

Write poorly. Suck Write awful Terribly Frightfully Don't care Turn off the inner editor Let yourself write Let it flow Let yourself fail Do something crazy Write fifty thousand words in the month of November. I did it. It was fun , it was insane , it was one thousand six hundred and sixty-seven words a day. It was possible. But you have to turn off your inner critic. Off completely. Just write. Quickly. In bursts. With joy. If you can't write, run away for a few. Come back. Write again. Writing is like anything else. You won't get good at it immediately. It's a craft, you have to keep getting better. You don't get to Juilliard unless you practice. If you want to get to Carnegie Hall, practice, practice, practice. ...Or give them a lot of money. Like anything else, it takes ten thousand hours to master. Just like Malcolm Gladwell says. So write. Fail. Get your thoughts down. Let it rest. Let it marinate. Then edit. But don't edit as you type, that just slows the brain down. Find a daily practice, for me it's blogging every day. And it's fun. The more you write, the easier it gets. The more it is a flow, the less a worry. It's not for school, it's not for a grade, it's just to get your thoughts out there. You know they want to come out. So keep at it. Make it a practice. And write poorly, write awfully, write with abandon and it may end up being really really good.

A final caution to students: in making judgments on literature, always be honest. Do not pretend to like what you really do not like. Do not be afraid to admit a liking for what you do like. A genuine enthusiasm for the second-rate is much better than false enthusiasm or no enthusiasm at all. Be neither hasty nor timorous in making your judgments. When you have attentively read a poem and thoroughly considered it, decide what you think. Do not hedge, equivocate, or try to find out others' opinions before forming your own. But having formed an opinion and expressed it, do not allow it to petrify. Compare your opinion then with the opinions of others; allow yourself to change it when convinced of its error: in this way you learn. Honestly, courage, and humility are the necessary moral foundations for all genuine literary judgment.

The minute you begin to feel yourself ‘working hard’ as opposed to ‘playing a challenging game’ it’s time to take a break or get around some new people. Disappear for a week, get some sun, read up on your favourite role models, explore fresh ideas and spend time with people who are ‘in their zone’. Attend a new event, read a new book and have a few new conversations.

If life does not go in the path, you desire then you must look deep into yourself to see if that is the truth. If it is, then the first step is to change your life by changing the people you associate with, and that includes even blood relatives.

An editor doesn't just read, he reads well, and reading well is a creative, powerful act. The ancients knew this and it frightened them. Mesopotamian society, for instance, did not want great reading from its scribes, only great writing. Scribes had to submit to a curious ruse: they had to downplay their reading skills lest they antagonize their employer. The Attic poet Menander wrote: "those who can read see twice as well." Ancient autocrats did not want their subjects to see that well. Order relied on obedience, not knowledge and reflection. So even though he was paid to read as much as write messages, the scribe's title cautiously referred to writing alone (scribere = "to write"); and the symbol for Nisaba, the Mesopotamian goddess of scribes, was not a tablet but a stylus. In his excellent book A History of Reading, Alberto Manguel writes, "It was safer for a scribe to be seen not as one who interpreted information, but who merely recorded it for the public good." In their fear of readers, ancients understood something we have forgotten about the magnitude of readership. Reading breeds the power of an independent mind. When we read well, we are thinking hard for ourselves—this is the essence of freedom. It is also the essence of editing. Editors are scribes liberated to not simply record and disseminate information, but think hard about it, interpret, and ultimately, influence it.

From the moment he learned that penalties attached to not sounding like everyone else, his accent had switched between London and Cornwall. Before the loss of a leg had hampered his full range of physical movement, he’d been able, in spite of his distinctive size, to move and talk in ways that made him appear smaller than he really was. He’d also learned the value of concealing personal information, and of editing the stories you told about yourself, to avoid becoming entangled in other people’s notions of who you must be.

Read God’s Word now as God’s Word, without skipping anything. Underline heavily everything about what our Savior has done for us. And if you like, write ‘For me’ in the margin. You need this yourself, and it is your duty to preach it to your congregation, as well.

The moment you find yourself working alone with your own ego, stop working, for the emotions of your sensed body are making you aware of it and your work will not be enduring without the Light of your Soul in it. Physical emotions immediately smother spiritual inspirations.

GOD proves to be good to the man who passionately waits, to the woman who diligently seeks. It’s a good thing to quietly hope, quietly hope for help from GOD. It’s a good thing when you’re young to stick it out through the hard times. 28-30 When life is heavy and hard to take, go off by yourself. Enter the silence. Bow in prayer. Don’t ask questions: Wait for hope to appear. Don’t run from trouble. Take it full-face.

What would the world be like if you had to develop a power yourself before you could use it? Just as a silly example: How would the comment section on YouTube change if, to use it, you had to have the schooling necessary to have a basic understanding of how computers and the internet work? More seriously, would anyone smart enough to know how to design and build a tank, or a laser guided anti-aircraft missile, or a computer and video editing software be stupid enough to join ISIS? In fact, if such knowledge was required—would it even be possible for there to be standing armies?

Such incidents usually move me to try to find relief in the building of a maxim. It is a good way, because if you have luck you can get the venom out of yourself and into the maxim; then comfort and a healed spirit follow. Maxims are not easy to make; they do not come in right shape at the first call; they are creatures of evolution, of development; you have to try several plans before you get one that suits you, or even comes fairly near to suiting you.

There was a boldness in not editing for consistency, in not ripping out either the one page or the other. To admit uncertainty is to admit to weakness, to powerlessness, and to believe in yourself despite both. It is a frailty, but in this frailty there is a strength: the conviction to live in your own mind, and not in someone else’s. I have often wondered if the most powerful words I wrote that night came not from anger or rage, but from doubt: I don’t know. I just don’t know.

To be honest, I can’t imagine how anyone could say ‘I’m weak’ and then stay that way. If you know that about yourself, why not fight it, why not develop your character? Their answer has always been: ‘Because it’s much easier not to!’ This reply leaves me feeling rather discouraged. Easy? Does that mean a life of deceit and laziness is easy too? Oh no, that can’t be true. It can’t be true that people are so readily tempted by ease … and money. I’ve given a lot of thought to what my answer should be, to how I should get Peter to believe in himself and, most of all, to change himself for the better. I don’t know whether I’m on the right track.

At such moments I don’t think about all the misery, but about the beauty that still remains. This is where Mother and I differ greatly. Her advice in the face of melancholy is: ‘Think about all the suffering in the world and be thankful you’re not part of it.’ My advice is: ‘Go outside, to the country, enjoy the sun and all nature has to offer. Go outside and try to recapture the happiness within yourself; think of all the beauty in yourself and in everything around you and be happy.

During the last year she was alive, at age 95, my mother said many times, “It’s so freeing to realize that nothing really matters.” She said it joyously, with relief, as if a burden had been lifted. She also said over and over, “Love yourself". Tollifson, Joan. Nothing to Grasp (p. 174). New Harbinger Publications. Kindle Edition.

Women create many challenging situations. Occasionally, you may feel amused, frustrated, discouraged, or embarrassed. Women can be a measurement of your success and worthiness if you judge yourself by your achievements. Some of you compare yourself to others. You compare your women to others. You study them to find the perfect woman.

Naturally, I knew what to expect when my father got home. I had a lot of time to think about it, but all I could think about was breaking the principal’s jaw with just one punch, a grown man. My father walked in the door steaming mad and threw the boxing gloves at me hard. I caught them, but this time I threw them back at him. I said, “You better take another look.” I was sixteen, almost seventeen, by then. “I won’t hit you,” I said. “You’re my father. But you better get yourself another punching bag.

It’s late. I’ve come to find the flower which blossoms like a saint dying upside down. The rose won’t do, nor the iris. I’ve come to find the moody one, the shy one, downcast, grave, and isolated. Now, blackness gathers in the grass, and I am on my hands and knees. What is its name? Little sister, my indigo, my secret, vaginal and sweet, you unfurl yourself shamelessly toward the ground, You burn. You live a while in two worlds at once. — Li-Young Lee, “My Indigo,” Rose: Poems (BOA Editions, LTD., 1986)

I spent my life learning to feel less. Every day I felt less. Is that growing old? Or is it something worse? You cannot protect yourself from sadness without protecting yourself from happiness. Foer, Jonathan Safran (2006-04-04). Extremely Loud and Incredibly Close: A Novel (Kindle Locations 1882-1883). Houghton Mifflin Harcourt. Kindle Edition.

Remembering things or processing memories can be a charged, or frightening, or uncomfortable time. It can help to imagine yourself being a reporter. This can take pressure off of needing to remember 'all the details' or not wanting to 'be wrong about something', if you simply just write down whatever comes to you down on paper without editing it, censoring it, or passing judgment—for the time being—on either its content, or on whether it is l00% accurate in every way. Simply write it down and come back to it later, when things may make more sense, or as additional information comes to you...

I already had my sights set on becoming an International organizer some day. That’s a position at the very top. You worked out of the national office. You traveled all over the country in that position, wherever they needed you. You could do a lot of favors that were legitimate and still help yourself. If that thing hadn’t happened to Jimmy at the end, I would have been an International organizer. In

At the time when everyone in Syracuse desired the death of Dionysius, an elderly woman prayed over and over that he would be unharmed and outlive her. And after the tyrant learned about this, he asked her why she did so. Then the woman said: 'When I was a girl, we had an oppressive tyrant, and I wished for another ruler. And after the tyrant was killed, a harsher one succeeded the latter shortly afterwards, and I thought that it would be a great blessing if the successor's rule would also be terminated. We then had a still harsher ruler, yourself. And so if you were removed, a worse tyrant will replace you'.

The human Heart to be allegorized as a cavern; at the entrance there is sunshine, and flowers growing about it. You step within, but a short distance, and begin to find yourself surrounded with a terrible gloom, and monsters of divers kinds; it seems like Hell itself. You are bewildered and wander long without hope. At last a light strikes upon you. You press towards it yon, and find yourself in a region that seems, in some sort, to reproduce the flowers and sunny beauty of the entrance, but all perfect. These are the depths of the heart, or of human nature, bright and peaceful; the gloom and terror may lie deep; but deeper still is this eternal beauty.

Written Exercise #1: Investigating Your Core Complaint Focus on a problem that’s most pressing in your life right now. It might be an issue with your health, your job, your relationship—any issue that disrupts your sense of safety, peace, security, or well-being. What is the deepest issue you want to heal? Maybe it’s a problem that feels overwhelming to you. Maybe it’s a symptom or a feeling you’ve had all your life. What do you want to see shift? Don’t edit yourself. Write down what feels important to you.

Yes, in the sense that I felt a certain contentment. Not always, mind you. I moaned and groaned from time to time. But I was never downright depressed again, probably because I realized that sadness comes from feeling sorry for yourself and happiness from joy.

though you want to flee from yourself so as not to have to live what remains unlived until now.56 But you cannot flee from yourself. It is with you all the time and demands fulfillment. If you pretend to be blind and dumb to this demand, you feign being blind and deaf to yourself. This way you will never reach the knowledge of the heart. The knowledge of your heart is how your heart is. From a cunning heart you will know cunning. From a good heart you will know goodness. So that your understanding becomes perfect, consider that your heart is both good and evil. You ask, “What? Should I also live evil?” The spirit of the depths demands: “The life that you could still live, you should live. Well-being decides, not your well-being, not the well-being of the others, but only well-being.

E. Tory Higgins (1987) suggests that self-knowledge encompasses three major domains: the actual self, the ideal self, and the ought self. The actual self consists of your representation of the attributes that someone (yourself or another) believes that you actually possess. The ideal self consists of your representation of the attributes that someone (yourself or another) would like you, ideally, to possess = that is a representation of hopes, aspirations, or wishes. The ought self consists of your representation of the attributes that someone believes you should or ought to possess - that is, a representation of duties, obligations or responsibilities. Discrepancies between the actual/own self and ideal selves lead to experiences of dejection-related emotions, such as sadness, disappointment and shame.

The words of the second entry would not obscure the words of the first. Both would remain, my memories set down alongside his. There was a boldness in not editing for consistency, in not ripping out either the one page or the other. To admit uncertainty is to admit to weakness, to powerlessness, and to believe in yourself despite both. It is a frailty, but in this frailty there is a strength: the conviction to live in your own mind, and not in someone else’s. I have often wondered if the most powerful words I wrote that night came not from anger or rage, but from doubt: I don’t know. I just don’t know.

In an age of nothing, at time when we stand at the brink of our own destruction. Strengthen your belief in yourself, in the future of humanity, in the things of this world which cannot easily be percieved, awaken that which lies dormant now within your soul. Re-ignite the flame of your consciousness, and measure the strength of your conviction. Reveal the lie, renounce your hatred. Seek, find and embrace the truths you are fortunate enough to discover. Cherish them, use them to anchor you in the sea of chaos that is the world we live in. When twilight drwas near, when you are pushed to the very limits of your soul, when it seems that all you have left are the dead remnants of the fabric of your life... Believe.

This is called My Youth in Vienna. It's a very nice edition--an association copy, Schnitzler to his Latin master, one Johann Auer, 'with thanks for the Auerisms.' [...] Here he apologizes for writing so much on 'the so-called Jewish question.' But he says that no Jew, no matter how assimilated, was allowed to forget the fact of his birth. [...] 'Even if you managed to conduct yourself so that nothing showed, it was impossible to remain completely untouched; as for instance a person may not remain unconcerned whose skin has been anesthetized but who has to watch, with his eyes open, how it is scratched by an unclean knife, even cut until the blood flows.' [...] He wrote that in the early 1900s. The imagery is very chilling, is it not, in the light of what followed. . . .

It may feel awkward at first, and there may be any number of obstacles. In addition to the obstructions that arise as we inch into this inner mothering, we may be stopped before we start by a discounting voice (a critical parent or protector most likely) saying, “This is ridiculous.” Its tactic is to deny the need. “You’re making a mountain out of a molehill.” “It wasn’t that bad. Just buck up.” Here is where being aware of parts comes as an advantage. Only if we can recognize that this is a part speaking up—a part that has an agenda—will we have a choice to bracket these thoughts and move forward with our intention. One of the next barriers we may face is a feeling of inadequacy. If you were not well mothered, you can easily feel that you haven’t a clue how to do it. You’re uncomfortable, you don’t know what to say or do, and you feel phony trying what doesn’t come naturally. This is enough to stop you right here. If you succeed in making an authentic connection with the undermothered parts within yourself, you may be struck by a sense of guilt that you have inadvertently continued the abandonment by not showing up earlier. No one likes to feel the sharp pain of causing harm to another. And just as I’ve mentioned earlier that a mother may unconsciously keep a distance from a child so as not to arouse her own hurt, you may feel that opening up the locked-away pain in your heart is too high a price to pay for reconnecting with child parts inside you.

Many a morning I found myself waking up in America and being surprised to find myself in a bed. I had been having nightmares all night long, and I didn’t know where I was. It would take me awhile to adjust, because I couldn’t believe I was in a bed. What was I doing in a bed? After the war I never slept more than three or four hours a night. In those days you didn’t talk about stuff like that. There was no such thing as war syndrome, but you knew something was different. You tried not to remember anything from over there, but things came back to you. You had done every damn thing overseas, from killing in cold blood to destroying property to stealing whatever you wanted and to drinking as much wine and having as many women as you wanted. You lived every minute of every day in danger of your own life and limb. You couldn’t take chances. Many times you had a split second to decide to be judge, jury, and executioner. You had just two rules you had to obey. You had to be back in your outfit when you went back on the line. You had to obey a direct order in combat. Break one of those rules and you could be executed yourself, right on the spot even. Otherwise, you flaunted authority. You lost the moral skill you had built up in civilian life, and you replaced it with your own rules. You developed a hard covering, like being encased in lead. You were scared more than you’d ever been in your life. You did certain things, maybe against your will sometimes, but you did them, and if you stayed over there long enough you didn’t even think about them anymore. You did them like you might scratch your head if it itched. You

By now, certain alternate theories are beginning to circulate online. It's the government, they say. Or it's Big Pharma. Some kind of germ must have gotten loose from a lab at the college. Think about it, they say: Do you really believe that a completely new virus could show up in the most powerful country on earth without scientists knowing exactly what it is? They probably engineered it themselves. They might be spreading this thing on purpose, testing out a biological weapon. They might be withholding the cure. Or maybe there's no sickness at all—that's what some have begun posting online. Isn't Santa Lora the perfect location for a hoax? An isolated town, surrounded by forest, only one road in and one road out. And those people you see on TV? Those could be hired victims. Those could be crisis actors paid to play their parts. And the supposedly sick? Come on, how hard is it to pretend you're asleep? Maybe, a few begin to say, Santa Lora is not even a real town. Has anyone ever heard of this place? And look it up: there's no such saint as Santa Lora. It's made-up. The whole damn place is probably just a set on some back lot in Culver City. Don't those houses look a little too quaint? Don't be naïve, say others—they don't need a set. All that footage is probably just streaming out of some editing room in the valley. If you look closely, you can tell that some of those houses repeat. Now just ask yourself, they say, who stands to benefit from all this. It always comes back to money, right? The medical-industrial complex. And who do you think pays the salaries of these so-called journalists reporting all this fake news? Just watch: in a few months, Big Pharma will be selling the vaccine.

A sincere man who sits down at night and pens that which his soul believes to be right, that which his soul tells him will be good for humanity, is exercising a power over the world that is beneficial. We should hail that expression of greatness, of goodness, with thanksgiving. But the insincere man, the man who will sit down at night and distort facts, who will wilfully misrepresent truth, who is a traitor to the divine within him which is calling, nay longing for truth, what shall we say of that man? He is publishing falsehoods to the world, giving poison to young, innocent souls who are longing for truth. Oh, there is no condemnation too strong for the hypocrite, for the betrayer of Christ. We will not condemn him, but God will, in His justice; He must. Too much time is taken up by our young people, and by our older ones, too, in reading useless pamphlets, useless books; "It is worse than useless," says Farrar, in that excellent little work on "Great Books:". . . . Men in Israel, it is time that we take a stand against vile literature. It is poisonous to the soul. It is the duty of a parent to put the poison, that is in the house, on the highest shelf, away from that innocent little child who knows not the danger of it. It is the duty of the parent also to keep the boy's mind from becoming polluted with the vile trash that is sometimes scattered--nay, that is daily distributed among us. There is inconsistency in a man's kneeling down with his family in prayer, and asking God to bless the leader of our Church, and then put into the hands of the boy, who was kneeling there, a paper that calls the leader a hypocrite. It ought not to be done; it is poison to the soul. How can we tell? May be those are the great men who are writing the scurrilous articles, and these whom they attack are not the great men? Some may say: Give the children an opportunity to hear both sides. Yes, that is all well and good; but if a man were to come into your home and say to you that your mother is not a good woman, you would know he lied; wouldn't you? And you wouldn't let your children hear him. If a man came and told you that your brother was dishonest, and you had been with him all your life and knew him to be honest, you would know the man lied. So when they come and tell you the Gospel is a hypocritical doctrine, taught by this organization, when they tell you the men at the head are insincere, you know they lie; and you can take the same firm stand on that, being sincere yourself as you could in regard to your mother and brother. Teach your children, your boys and girls everywhere, to keep away from every bad book and all bad literature, especially that which savors of hatred, or envy, or malice, that which bears upon it the marks of hypocrisy, insincerity, edited by men who have lost their manhood.