Edit Facebook Quotes

I confess... if I typo a Facebook post I will edit it. I know it's only Facebook but it's an editing sickness.

I know that Facebook offers an idealised version of life, edited and primped to show the world what we want it to see.

Facebook knows almost everything about their lives, their families and their friends . . . It is also a platform built on exhibitionism and voyeurism, where users edit themselves to exhibit a more flattering side and they quietly spy on their friends.

one thing I do know for sure is that people’s lives are not always as perfect as the filtered photos or edited statuses they post on Facebook.

What's Facebook? It's where moms like me post about how much we love the husbands who annoy the living bejesus out of us, and share expertly edited photos of our kids and generally talk about our loves like we're living in an enchanted fairy tale blessed by rainbow angel unicorns. In short, it's for lying. But I'm addicted.

The challenge, however, is that Google, Facebook, Netflix, and Amazon do not publish their algorithms. In fact, the methods they use to filter the information you see are deeply proprietary and the “secret sauce” that drives each company’s profitability. The problem with this invisible “black box” algorithmic approach to information is that we do not know what has been edited out for us and what we are not seeing. As a result, our digital lives, mediated through a sea of screens, are being actively manipulated and filtered on a daily basis in ways that are both opaque and indecipherable.

Look at this." I spotted Jeeves' photo near the end of the book. His hair was darker, but he still retained the same smooth charisma he had now. Aub looked up from her laptop. "Oh, an old Haverleau facebook." Raveling, Emma (2013-09-17). Crest (Ondine Quartet Book 3) (p. 490). Mandorla Publishing. Kindle Edition.

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Do you want to know what finally changed things for me?” “What?” My voice is barely above a whisper. Dappled sunlight falls across his face, highlighting his flushed cheeks. “I met someone. She’s about five-six, golden brown hair, devastating smile. The kind that warms you from the inside out. And she made me so mad. Not two weeks after I started the job, she called to grill me about a story I posted on Facebook. She insisted I edit it because I didn’t get the wording right.” He adopts a mock falsetto voice. “ ‘It isn’t the “Panama Canal” cruise. It’s “Panama Canal and the Wonders of Azuero.” Fix it, please.’ ” My muscles go limp and my knees nearly buckle. Because he’s talking about me. “Finally, someone who wasn’t walking on eggshells. She actually snapped at me, and it was like she snapped me out of my fog. I may have been unnecessarily combative after that, just to get a rise out of her, but I started to feel again. Irritation, at first, but then more. After a while, I began getting out of the house. Seeing a therapist. Playing hockey. I adopted Winnie—best decision ever. I actually started looking forward to waking up in the morning.” Graeme steps closer, but I’m glued to the spot. Heat sizzles through my veins when he reaches up to run his knuckles along my cheek. “And staff meeting Thursdays? They became my favorite day of the week. Because I got to see her face.” My heart is hammering and my lungs seize. The sound of guests approaching rumbles closer, but I don’t look away. I swallow past the lump that’s lodged in my throat. “After this cruise, they’re my favorite day of the week too.” Reaching up, I run my fingers lightly along the hand that’s cupping my cheek. Graeme’s eyes widen and his lips part. Gathering every ounce of resolve I can muster, I step away just as Nikolai and Dwight crest a nearby hill. We continue through the highlands, fastening our platonic coworker facades into place. But an unspoken understanding hangs in the space between us, heavy and undeniable… This just went way past any bet.

Alone Together I want us to be together, but I want to stay connected. I want your attention, but I want to manage mine, opting in and opting out, sponging up what's relevant, discarding the expendable. I can't get enough of you, not too close, not too far, at a manageable distance, at a convenient time. Let me tell you how much I loveyou, let me count the ways, by text, by email, by post, by Tweet. If I've said too much I can edit. If I've show myself too vulnerable I can delete. If I'm at a loss for words I can Google. Come to think of it, I'd much rather text than talk. Come to think of it you're dispensable too. I just need the illusion of love, without all its messy demands, without its unpredictability, without the risk. I just need Facebook because nothing beats being alone together.

world through them. How about Facebook? What’s the message in that medium? It seems to be first: your life exists to be displayed to other people, and you should be aiming every day to show your friends edited highlights of your life. Second: what matters is whether people immediately like these edited and carefully selected highlights that you spend your life crafting. Third: somebody is your “friend” if you regularly look at their edited highlight reels, and they look at yours—this is what friendship means.

Everyone at the company had access to the whole Facebook code base and was allowed to make changes to the product without much oversight. All they needed to prove was that their edit caused a boost, however small, for some important metric, like time spent on the app. That allowed engineers and designers to work a lot faster, because there was less arguing about why or whether they should build something. Everyone knew that their next raise would hinge on whether they affected growth and sharing. They weren’t held accountable for much else.

Но если вы будете волноваться из-за всякой ерунды — новой фотки экс-бойфренда на Facebook, долговечности батареек в пульте для телевизора и покупке двух гелей для рук по цене одного, — в жизни не останется места для волнений по серьезным поводам

with Facebook’s purchase of Instagram following the introduction of the front-facing camera. By 2012, many teen girls would have felt that “everyone” was getting a smartphone and an Instagram account, and everyone was comparing themselves with everyone else. Over the next few years the social media ecosystem became even more enticing with the introduction of ever more powerful “filters” and editing software within Instagram and via external apps such as Facetune. Whether she used filters or not, the reflection each girl saw in the mirror got less and less attractive relative to the girls she saw on her phone. While girls’ social lives moved onto social media platforms, boys burrowed deeper into the virtual world as they engaged in a variety of digital activities, particularly immersive online multiplayer video games, YouTube, Reddit, and hardcore pornography—all of which became available anytime, anywhere, for free, right on their smartphones. With so many new and exciting virtual activities, many adolescents (and adults) lost the ability to be fully present with the people around them, which changed social life for everyone, even for the small minority that did not use these platforms. That is why I refer to the period from 2010 to 2015 as the Great Rewiring of Childhood. Social patterns, role models, emotions, physical activity, and even sleep patterns were fundamentally recast, for adolescents, over the course of just five years. The daily life, consciousness, and social relationships of 13-year-olds with iPhones in 2013 (who were born in 2000) were profoundly different from those of 13-year-olds with flip phones in 2007 (who were born in 1994).

But, of course, what is up on Facebook is her edited life.

Therefore, with these celebrity wannabees, 1) popularity—or the appearance of it—can be measured by how many Facebook friends or Twitter followers one has managed to acquire; 2) fame—however fleeting—can be attained by many through appearing on reality television shows or in videos gone viral on YouTube; even 3) wealth—or the appearance of it—can be attained through the buying of expensive homes, cars, and various adult toys on relatively cheap credit; and, finally, 4) real power is admittedly harder to achieve but not beyond the grasp of those willing to sacrifice ethics and do whatever it takes to attain it. This fourth quality or possession is probably as it has always been, but having easier access to the other three may just put this one within the grasp of more, especially those undeserving of it or who would possibly misuse it. Thankfully, not everyone in this category craves or seeks power. But beware those who do.

Santiago de Cuba has the Antonio Maceo Airport (MUCU/SCU), which was home to the Cuban Revolutionary Armed Forces. Shown in the photo is a Cuban Mig 21 inside the VT-45 hanger. Santiago de Cuba had 12 of these Russian built fighters situated at the San Antonio de los Baños Airfield in Cuba. Now the airport is essentially a turboprop hub, however it can also accommodate mid-sized jet aircraft. There are about twenty international flights each week, but most arrivals are by domestic airlines. The eastern location and the international status of MUCU/SCU has spurred the interest of foreign airlines as a promising future destination. All in all, Cuba now has ten international airports, capable of serving long-range commercial flights. Follow the daily blogs by Captain Hank Bracker posted exclusively on Facebook, Goodreads & Captain Hank Bracker’s Webpage. He also has frequent Tweets and weekend commentaries headed “From the Bridge.” His dual award winning book “The Exciting Story of Cuba” is available from Amazon.com and other leading book vendors. Soon to come are his books “Seawater One” & “Surpressed I Rise (Revised Edition).

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Let’s take a break from setting up Facebook to discuss the very important issues of sharing information and protecting your privacy. I’ve sat in on daylong workshops detailing how to tweak Facebook in such a way as to be as private as possible. I’ve read a multitude of magazine and newspaper articles listing countless tips on how to prevent overexposure while enjoying online social networking.

WHAT DOESN’T WORK SO WELL Psst: Check out all the contradictions, which are all part of the entrepreneurial life. Afternoons: Once it hits 2pm my brain doesn’t work so well. I use this fuzzy time to do monotonous tasks such as social media scheduling, WordPress fixes, editing, etc. Scheduling/ batching: I’d also like to batch things like writing blog posts and creating videos. But I tend to do them randomly when the urge takes me, which isn’t productive at all. Social media: It’s a huge time suck that I wrestle with all day, every day. Boundaries: I try to switch off each evening around 3pm (school days) or 6pm (work days). But I often find myself logging in again. (It doesn’t help that Netflix is on my laptop, which makes it all too easy to flick over to my work email or business Facebook groups every two seconds.) Bravery: Because I’m willing to give things a go, I sometimes launch them without thinking things through!

photograph by David Burnett Cover copyright © 2015 by Hachette Book Group, Inc. All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at permissions@ hbgusa.com. Thank you for your support of the author’s rights. Little, Brown and Company Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 littlebrown.com twitter.com/ littlebrown facebook.com/ littlebrownandcompany First ebook edition: April 2015

comparable to TV advertising than it is to searching on Google for something specific. People can still comment on content in Facebook, but it’s not the same as going to Google and seeking out information—that shows a much more active level of interest.

When Wimdu launched, the Samwers reached out to Airbnb to discuss combining forces, as they had done with Groupon and eBay to facilitate a speedy exit. Discussions ensued between Airbnb and Wimdu cofounders and investors—meeting multiple times, touring the Wimdu offices, and checking with other founders like Andrew Mason from Groupon to best understand the potential outcome. In the end, Airbnb chose to fight. Brian Chesky described his thought process: My view was, my biggest punishment, my biggest revenge on you is, I’m gonna make you run this company long term. So you had the baby, now you gotta raise the child. And you’re stuck with it for 18 years. Because I knew he wanted to sell the company. I knew he could move faster than me for a year, but he wasn’t gonna keep doing it. And so that was our strategy. And we built the company long term. And the ultimate way we won is, we had a better community. He couldn’t understand community. And I think we had a better product.82 To do this, the company would mobilize their product teams to rapidly improve their support for international regions. Jonathan Golden, the first product manager at Airbnb, described their efforts: Early on, Airbnb’s listing experience was basic. You filled out forms, uploaded 1 photo—usually not professional—and editing the listing after the fact was hard. The mobile app in the early days was lightweight, where you could only browse but not book. There were a lot of markets in those days with just 1 or 2 listings. Booking only supported US dollars, so it catered towards American travelers only, and for hosts, they could get money out via a bank transfer to an American bank via ACH, or PayPal. We needed to get from this skeleton of a product into something that could work internationally if we wanted to fend off Wimdu. We internationalized the product, translating it into all the major languages. We went from supporting 1 currency to adding 32. We bought all the local domains, like airbnb.co.uk for the UK website and airbnb.es for Spain. It was important to move quickly to close off the opportunity in Europe.83 Alongside the product, the fastest way to fight on Wimdu’s turf was to quickly scale up paid marketing in Europe using Facebook, Google, and other channels to augment the company’s organic channels, built over years. Most important, Airbnb finally pulled the trigger on putting boots on the ground—hiring Martin Reiter, the company’s first head of international, and also partnering with Springstar, a German incubator and peer of Rocket Internet’s, to accelerate their international expansion.

My feeling about social media is that Instagram and Facebook should be sources of pleasure. Use them in ways that suit you, but also know people will be aware of how you use them. Social media is a way we present ourselves to the world. Like dressing, it’s not the most important thing, but it does imply how you see yourself.    Don’t get mad if people don’t engage with every single thing you do. It’s online. It’s not real life.    There are endless things I don’t like on Instagram: pictures of food, of cats, of watches, of cars. There are sites devoted to just those things and people love them. That’s just not for me. I like pictures of travel and architecture, usually without people in them, what my friend calls “boring pictures.” Let people have their cult ramen and I’ll have Scottish coastlines. There’s room for everybody.    However, if you do start sharing your fabulous life people will take your measure by it. So don’t misrepresent things. Naturally Instagram can become a fine edit, but try not to brag. The same way you wouldn’t in your analog life.    Be aware of how your interaction with your phone and Instagram is affecting those around you. Do you want to delay every meal, every course, with your art-directed overhead shot? Get one shot if you must, then put the phone away and enjoy dinner!

El experimento Facebook sobre contagio emocional mostró que los estados emocionales, positivos o negativos, pueden transferirse a otras personas inconscientemente y a escala masiva por redes sociales digitales

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During the Vietnam War, a new generation of scholars such as William Appleman Williams and Gabriel Kolko challenged long-standing legends about the workings of US foreign policy. Social and cultural historians in the 1970s and 1980s wrote new histories of the nation from the bottom up, expanding our view to include long-overlooked perspectives on gender, race, and ethnic identities and, in the process, showing that narrow narratives focused solely on political leaders at the top obscured more than they revealed. Despite the fact that the term revisionist history is often thrown around by nonhistorians as an insult, in truth all good historical work is at heart “revisionist” in that it uses new findings from the archives or new perspectives from historians to improve, to perfect—and, yes, to revise—our understanding of the past. Today, yet another generation of historians is working once again to bring historical scholarship out of academic circles, this time to push back against misinformation in the public sphere. Writing op-eds and essays for general audiences; engaging the public through appearances on television, radio, and podcasts; and being active on social media sites such as Facebook, Twitter, and Substack, hundreds if not thousands of historians have been working to provide a counterbalance and corrections to the misinformation distorting our national dialogue. Such work has incredible value, yet historians still do their best work in the longer written forms of books, articles, and edited collections that allow us both to express our thoughts with precision in the text and provide ample evidence in the endnotes. This volume has brought together historians who have been actively engaging the general public through the short forms of modern media and has provided them a platform where they might expand those engagements into fuller essays that reflect the best scholarly traditions of the profession.

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A platform is a raised, level surface on which people or things can stand. A platform business works in just that way: it allows users—producers and consumers of goods, services, and content— to create, communicate, and consume value through the platform. Amazon, Apple’s App Store, eBay, Airbnb, Facebook, LinkedIn, Pay- Pal, YouTube, Uber, Wikipedia, Instagram, etsy, Twitter, Snapchat, Hotel Tonight, Salesforce, Kickstarter, and Alibaba are all platform businesses. While these businesses have done many impressive things, the most relevant to us is that they have created an oppor- tunity for anyone, even those with limited means, to share their thoughts, ideas, creativity, and creations with millions of people at a low cost. Today, if you create a product or have an idea, you can sell that product or share that idea with a substantial audience quickly and cost-effectively through these platforms. Not only that, but the platforms arguably give more power to individuals than corporations since they’re so efficient at identifying ulterior motives or lack of authenticity. The communities on these platforms, many of whom are millennials, know when they’re being sold to rather than shared with, and quickly eliminate those users from their con- sciousness (a/k/a their social media feeds). Now, smaller organizations and less prosperous individuals are able to sell to or share their products, services, or content with more targeted demographics of people. That’s exactly what the modern consumer desires: a more personalized, connected experience. For example, a Brooklyn handbag designer can sell her handbags to a select group of customers through one of the multitude of fashion or shopping platforms and create an ongoing dialogue with her audience through a communication platform such as Instagram. Or an independent filmmaker from Los Angeles can create a short film using a GoPro and the editing software on their Mac and then instantly share it with countless people through one of a dozen video platforms and get direct feedback. Or an author can write a book and sell it directly from his or her website and social channels to anyone who’s excited about it. The reaction to standardization and globalization has been enabled by these platforms. Customers can get what they want, from whomever they want, whenever they want it. It’s a revised and personalized version of globalization that allows us to maintain and enhance the cultural connections that create the meaning we crave in our lives.

El secreto para avanzar es comenzar.” - Mark Twain

Magazines and newspapers used to think of themselves as something coherent--an issue, an edition, an institution. Not as the publisher of dozens of discrete pieces to be trafficked each day on Facebook, Twitter, and Google.

YouTube did make efforts to take down terrorist propaganda, but like Facebook it did not want to assume the role that journalists play in editing or take responsibility for the material that was posted.

Self-image can be improved by gaining new hobbies and skills. The basis of this is: in order to love oneself, one must be someone worth loving. It is easy to feel upset about one’s body if one spends all their time watching Netflix or cruising Facebook. To feel good about oneself, one must improve themselves and take their focus and apply it to things outside themselves.

[Following is an official OnlineBookClub.org review of "Building Insurance Your Guide" by michael a.n.p. cretikos.] ________________________________________ 5 out of 5 stars ________________________________________ Share This Review FacebookTwitterLinkedInPinterestShare ________________________________________ Building Insurance: How to Select the Correct Building Sum Insured Value for Low-Rise and High-Rise Structures authored by Michael A. N. P. Cretikos is a comprehensive guide on how to select the best policy and factors to consider to avoid being in a situation of underinsurance. According to the author, he filled in the gap that exists in knowledge by introducing the Building Sum Insured Value (BSI) based on current rental value, and according to him, this method is the most accurate that there is. The author highlighted situations in which underinsurance is inevitable and underlined ways to avoid such situations. Taxes such as stamp duties on insurance could be disincentives, and the author discouraged it. He advised the readers to always opt for 100% coverage so that the loss can be fully catered for and the insured reinstated back to their previous position. Several acts and policies were stated, and the authors made suggestions for innovations; the ICA code wasn’t left out; he highlighted the fault in it and gave feasible solutions. This book was very informative, and I enjoyed reading it. The author's in-depth research shines through and adds a layer of authenticity to the book. I loved the fact that as much as the author criticized the already existing policies, he made suggestions for improvement. I equally appreciated the fact that there were so many quotations backed up with references so the readers can verify at their will. The step-by-step calculations and clearly outlined tables also enhanced my understanding of how numerical values are arrived at, and I absolutely loved it. As much as I enjoyed reading this book, I found some parts overly repetitive, and I also found the consistent use of bold texts quite distracting. I loved the keypoints outlined in every section; it made the important information very easy to grasp. Overall, this book was an enlightening read and would keep readers eager to learn more. I rate this book five out of five stars because of its informative contents and the fact that my dislikes weren’t enough to remove a star. I didn't find any errors while reading, which implies that the book was perfectly edited. I’d recommend this book to people who are interested in the workings of building insurance.