Edinburgh City Quotes

This is a city of shifting light, of changing skies, of sudden vistas. A city so beautiful it breaks the heart again and again.

If London was an alien city, Edinburgh was another planet

Half a capital and half a country town, the whole city leads a double existence; it has long trances of the one and flashes of the other; like the king of the Black Isles, it is half alive and half a monumental marble.

Studies have found that creative people have an especially high tolerance for ambiguity. I suspect this holds true for places of genius as well. Cities such as Athens and Florence and Edinburgh created atmospheres that accepted, and even celebrated, ambiguity.

In no particular order: baked goods, Colin Farrell's eyebrows, and the thighs of rugby players everywhere. And to the city of Edinburgh, where a love story was born.

Edinburgh suited Ann; she liked the tall, dignified buildings of grey stone, the short days that sank into street-lamped evenings at five o'clock, and the dual personality of the city's main street, which on one side had glittering shops and on the other the green sweep of Princes Street Gardens.

Into no other city does the sight of the country enter so far; if you do not meet a butterfly, you shall certainly catch a glimpse of far-away trees upon your walk; and the place is full of theatre tricks in the way of scenery.  You peep under an arch, you descend stairs that look as if they would land you in a cellar, you turn to the back-window of a grimy tenement in a lane:—and behold! you are face-to-face with distant and bright prospects.  You turn a corner, and there is the sun going down into the Highland hills.  You look down an alley, and see ships tacking for the Baltic.

Edinburgh is a great big black bastard of a city where there are ghosts of all kinds.

I haven’t even been here an hour and already, Edinburgh is the city of my dreams.

Edinburgh, the first city we went to for the show, was damp and gray, a city of old stones and hidden paths, it's history right on the surface.

I need a list of every den of iniquity in the city of Edinburgh,” I blurt out.

Edinburgh seduces with her ancient buildings. She pours alcohol or food down the throats of anyone passing, dangles her trinkets, leaves pockets bare. She's a pickpocket. The best kind of thief, one you think of - most fondly.

After walking the Royal Mile, we visit Edinburgh Castle. Overlooking the city from the grassy hilltop of the Castle Rock, the fortress itself looks as though it has been carved from the very stone upon which it sits. It is powerful yet elegant, lavish yet wholly inviting to anyone fortunate enough to find themselves standing at the castle gate. These are doors and walls and windows that have seen kings and queens, saints and sinners, voyagers from all corners of the world. And now us.

From this height the sleeping city seems like a child's construction, a model which has refused to be constrained by imagination. The volcanic plug might be black Plasticine, the castle balanced solidly atop it a skewed rendition of crenellated building bricks. The orange street lamps are crumpled toffee-wrappers glued to lollipop sticks.

Something smells off in the barns. Even in this city of olfactory tragedy, this scent’s more pungent and desperate than anything I’ve encountered before.

The drinking dens are spilling out There's staggering in the square There's lads and lasses falling about And a crackling in the air Down around the dungeon doors The shelters and the queues Everybody's looking for Somebody's arms to fall into And it's what it is It's what it is now There's frost on the graves and the monuments But the taverns are warm in town People curse the government And shovel hot food down The lights are out in the city hall The castle and the keep The moon shines down upon it all The legless and asleep And it's cold on the tollgate With the wagons creeping through Cold on the tollgate God knows what I could do with you And it's what it is It's what it is now The garrison sleeps in the citadel With the ghosts and the ancient stones High up on the parapet A Scottish piper stands alone And high on the wind The highland drums begin to roll And something from the past just comes And stares into my soul And it's cold on the tollgate With the Caledonian Blues Cold on the tollgate God knows what I could do with you And it's what it is It's what it is now What it is It's what it is now There's a chink of light, there's a burning wick There's a lantern in the tower Wee Willie Winkie with a candlestick Still writing songs in the wee wee hours On Charlotte Street I take A walking stick from my hotel The ghost of Dirty Dick Is still in search of Little Nell And it's what it is It's what it is now Oh what it is What it is now

Sandy felt warmly towards Miss Brodie at these times when she saw how she was misled in her idea of Rose. It was then that Miss Brodie looked beautiful and fragile, just as dark heavy Edinburgh itself could suddenly be changed into a floating city when the light was a special pearly white and fell upon one of the gracefully fashioned streets. In the same way Miss Brodie's masterful features became clear and sweet to Sandy when viewed in the curious light of the woman's folly, and she never felt more affection for her in her later years than when she thought upon Miss Brodie silly.

Once I had a wild fling on an otherwise boring weekend holiday in Edinburgh, with a guy I met who turned out to be a psychiatrist. He agreed with me, after hours and hours of our naked cavorting in a hotel, that I was a sex addict; although he did stress he wouldn’t change me for the world. It turned him on that I was so sexual, and we turned a dull weekend in a grey city into something wonderful for the two of us. So, what was the problem?

Edinburgh was the first designed city in the world. The birth of the Enlightenment. The whole idea that we could plan our futures for ourselves, that we were not dependent on the whims of God, that we could conquer our animal natures, find our place in the world. That from this jumbled”—he swept his arm around at the jammed-together old houses on the up-and-down cobbled streets of the Old Town—“thrown-together world, you could have beauty, order, fresh air. The New Town is philosophy made stone.

...Pat wondered what inspiration an artist might find in the attempts of twenty-first-century architects to impose their phallic triumphs on the cityscape. Had any artist ever painted a contemporary glass block, for instance, or any other product of architectural brutalism that had laid its crude hands here and there upon the city?...If a building did not lend itself to being painted, then surely that must be because it was inherently ugly, whatever its claims to utility. And if it was ugly, then what was it doing in this delicately beautiful city?

God help us you full of talk of a city called Edinburgh and me in silence so very deep we were so very much in love. And the burns and sikes and streams though shallow were deep music to us. You trout-tickler, you flower-picker, climber in willow trees, me laughing below as best I could laugh, though you never thought it ugly. Indeed the word you used was the word beautiful, pinning cowslips behind my ears, you patting and running fingers through our beckwashed hair. Lying by the marigold beds bare toes entwined, then dancing under branches before the elms ever died. But our mutual hearts never did. Bar it is 7 and your raining rage must cease under my morning moon. In my dawn shawl looking dawndown upon you in your foot-striding fellhighhighupuptopheavyrainbeatingrainrain. We have always walked together so long. In the long grass we walked and walked forever so long so very language long and I could say so once you had the slate in my lap. My tongue blank - FOREVER, word we wrote on a slate, remember when you taught me? - only my hands and eyes moving now - two daughters we could have had - but I am looking kindly and lovingly on you 'Please do it' - cool your raging fire lovelorn heart - for me. And love me - forever.

Little Nicky heads to the Badlands to see the show for himself. The Western Roads are outside his remit as a U.S. Treasury agent, but he knows the men he wants are its denizens. Standing on the corner of the Great Western and Edinburgh Roads, a sideshow, a carnival of the doped, the beaten, and the crazed. He walks round to the Avenue Haig strip and encounters the playground of Shanghai’s crackpots, cranks, gondoos, and lunatics. He’s accosted constantly: casino touts, hustling pimps, dope dealers; monkeys on chains, dancing dogs, kids turning tumbles, Chinese ‘look see’ boys offering to watch your car. Their numbers rise as the Japs turn the screws on Shanghai ever tighter. Half-crazy American missionaries try to sell him Bibles printed on rice paper—saving souls in the Badlands is one tough beat. The Chinese hawkers do no better with their porno cards of naked dyed blondes, Disney characters in lewd poses, and bare-arsed Chinese girls, all underage. Barkers for the strip shows and porno flicks up the alleyways guarantee genuine French celluloid of the filthiest kind. Beggars abound, near the dealers and bootleggers in the shadows, selling fake heroin pills and bootleg samogon Russian vodka, distilled in alleyways, that just might leave you blind. Off the Avenue Haig, Nicky, making sure of his gun in its shoulder holster, ventures up the side streets and narrow laneways that buzz with the purveyors of cure-all tonics, hawkers of appetite suppressants, male pick-me-ups promising endless virility. Everything is for sale—back-street abortions and unwanted baby girls alongside corn and callus removers, street barbers, and earwax pickers. The stalls of the letter writers for the illiterate are next to the sellers of pills to cure opium addiction. He sees desperate refugees offered spurious Nansen passports, dubious visas for neutral Macao, well-forged letters of transit for Brazil. He could have his fortune told twenty times over (gypsy tarot cards or Chinese bone chuckers? Your choice). He could eat his fill—grilled meat and rice stalls—or he could start a whole new life: end-of-the-worlders and Korean propagandists offer cheap land in Mongolia and Manchukuo.

It has been said that a Scotchman has not seen the world until he has seen Edinburgh; and I think I may say that an American has not seen the United States until he has seen… New Orleans. Mark Twain

Pitt arrived at the Broad Street Station of the Great Northern Railway just in time to catch his train to Lincolnshire. He slammed the carriage door as the engine started to belch forth steam and the fireman stoked the furnace, and with a roar and a clash of iron they moved out of the vast, grimy dome into the sunlight and began the long journey past the factories and houses and through the suburbs of the largest, wealthiest, and most populous city in the world. Within its bounds lived more Scots than in Edinburgh, more Irish than in Dublin, and more Roman Catholics than in Rome.

Donaldson's Hospital in Edinburgh, of which great things were expected, fails to excite even a passing remark; while the High School, the fragments of the National Monument, Dugald Stewart's Monument, Surgeon's Hall, and the Institution on the Mound, continue to illuminate their respective localities with the light of truth and beauty, giving to our northern metropolis an air of refinement which no other city in the kingdom possesses.

Edinburgh For those who like walking, Edinburgh reigns supreme. The Royal Mile runs through the centre of the tourist area connecting Edinburgh Castle with Holyrood Palace. It’s a little over a mile and, in addition to passing old Edinburgh historic sites, it is lined with independent shops, cafes and pubs along the way. For this is Edinburgh’s Old Town, all cobbled streets beneath the lofty castle. The New Town is less than ten minutes walk away and it’s far from new. Instead New Town is Georgian, built by the wealthy residents in the 18th century. Its wide streets and perfect proportions create a visual joy for walking. It’s tough to name Edinburgh’s main sites, but here goes: the castle, continuously occupied for more than 1000 years; Holyrood Palace, the Queen’s official residence in Scotland; Mary King’s Close, a preserved 18th century tenement on the Royal Mile and; the Grassmarket, a network of cobbled lanes with independent shops and cafes. I could go on. Edinburgh is particularly busy during the festival that takes place from August to early September. It began as a military tattoo, developed into a fairly high brow arts festival and has expanded to host off‐stage events from the clever to the bizarre. Edinburgh also hosts a massive Hogmanay, or New Year, celebration with music and dancing in the streets all through the night and often into the next day. The city is at its busiest during the August festival and again at New Year. Public transport by bus and tram is available from the airport to the city centre. Downside: It is an expensive place to visit at peak periods and it can be tough to find a place to stay. Your first visit should be at quieter times. To read: Edinburgh is a literary city and so many novels have

I lied to you,” she said with a belligerent edge. He hid a smile. “I lied to you.” “I’m domineering and used to getting my own way.” “I like a woman who knows her own mind.” “I’m stubborn and opinionated.” “If I’m contemplating a lifetime with a lassie, I want her to show a bit of spirit.” “I have no society polish. A countess should be sophisticated, whereas I’ve never had a season. I’ve never even been to London.” “Aye, you’ll settle into the Highlands well, then. My home is a long journey from the bright lights of Edinburgh—a wee wife who pines for city life would never be happy with me.” She narrowed her eyes. “I kissed you like there’s no tomorrow.” “Are you trying to convince me for or against?” Her lips twisted in self-denigration. “I’m clearly a woman of wayward morals.” He couldn’t contain his laughter. “Is that right?” Her cheeks were fiery now. “You don’t want to marry a flirt.” “If I’m the only laddie my wife flirts with, I have no objection.” Her expression was a mixture of defiance and shame. “How do you know I don’t kiss every gentleman the way I…I kissed you?” He smiled gently. “Have you ever kissed anyone else like that?” “No.” Her long eyelashes, darker honey than her hair, flickered down. “But that doesn’t mean I won’t.” She was bewitching. He’d admitted to being besotted. Every moment in her company only deepened his enchantment. “I’ll take my chances.” “Surely you want a wife you can trust.” “Apart from your…waywardness and propensity for impersonating fairytale characters, I believe you’re an admirable creature.” “Hardly.” The compliment didn’t please her. “I let you take liberties.” “As your future husband, I’d like to place it on record that I intend to take liberties at every opportunity.” He paused. “Scotland’s a gey chilly place, especially in the winter. I don’t want a cold marriage bed.” She stiffened. “There remains one insurmountable obstacle.” “What’s that?” Her delicate jaw set in an obstinate line. “I don’t want to marry you.” With

Edinburgh was, at the beginning of George III's reign, a picturesque, odorous, inconvenient, old-fashioned town of about seventy thousand inhabitants. A stranger approaching the city, seeing it piled 'close and massy, deep and high' - a series of towers, rising from a palace of the plain to a castle in the air - would have thought it a truly romantic place; and the impression would not have subsided much on a near inspection, when he would have found himself admitted by a fortified gate through an ancient wall, still kept in repair.

skyline reveals a city’s purpose and character. Oxford had its dreaming spires; Manhattan its glittering towers; Edinburgh its eccentric spikes.

An excellent example of what Beaumont meant involves the Scottish city of Edinburgh. A detailed investigation into this ancient city’s history and significance reveals it to be a place mentioned, albeit cryptically, in the Bible. According to Beaumont, Edinburgh (Din Eidyn), capital city of Scotia or Scotland, was the original Zion or Jerusalem. As far back as 1640,

It was then that Miss Brodie looked beautiful and fragile, just as dark, heavy Edinburgh itself could suddenly be changed into a floating city when the light was a special pearly white and fell upon one of the gracefully fashioned streets. In the same way Miss Brodie's masterful features became clear and sweet to Sandy when viewed in the curious light of the woman's folly, and she never felt more affection for her in her later years than when she thought upon Miss Brodie silly.

The housing stock along the broad Edinburgh Road was a linear map of a century of social housing, from scrubby squares of muddy grass around garden city dreams, to high-rise machines for living. Occasionally they passed a wall of undemolished tenements, the old housing design that had worked in the city for centuries.

RAYNAL, ABBE. Philosophical and Political History of the British Settlements and Trade in North America. Translated from the French. (Dependence of Great Britain upon colonies and Discussion of taxation. Colonies held as "Shackled in their Industry and Commerce," etc.) 2 Vols. Edinburgh: 1776. Record of Indentures, Individuals Bound Out as Apprentices, Servants, etc., and of German and Other Redemptioners in the ofice of the Mayor of the City of Philadelphia. October 3, 1771 to October 5, 1773. Before Mayors John Gibson and William Fisher. MS. Presented to American Phil. Society by Thos. P. Roberts, 1835. Reproduced in publications of Pennsylvania Germany Society, Vol. XVI, Lancaster, Pa., 1907. 321 closely printed pages averaging about twenty-two names to each double page or above 3,500 names recorded; both recently arrived and transfers recorded. Full description of terms, considerations, previous place of residence, etc. RECORD BEFORE THE MAYOR. (1745.) James Hamilton, Register. MS. contributed by George W. Neifle, Chester, Pa. Pa. Mag. Hist. and Biog., Vols. 30, 31 and 32. REDEMPTIONERS, REGISTRY OF THE "Book A" Germans, etc. (1785-1804); "Book C" (1817-1831). MSS. Library Historical Society of Pennsylvania. RICHARDS, ML H. "German Emigration from New York Province into Pennsylvania," Pennsylvania-German Society Proceedings, Vol. VII Lancaster: 1899.

Town-planning," Geddes once wrote, "is not mere place-planning, nor even work-planning. If it is to be successful it must be folk-planning. This means that its task is . . . to find the right places for each sort of people; places where they will really flourish." These places, of course, are not really to be found, but have to be made. From his earliest designs for a botanical school garden and urban renewal work in Edinburgh to his latest building initiatives in Montpelier in southern France, Geddes pursued the creation of such places. He perceived himself as a gardener ordering the environment for the benefit of life.

The whole city of Edinburgh poured down upon Leith, to see the colony depart, amidst the tears, and prayers, and praises of relations and friends, and of their countrymen. Many seamen and soldiers, whose services had been refused, because more had offered themselves than were needed, were found hid in the ships, and, when ordered ashore, clung to ropes and timbers, imploring to go, without reward, with their companions.

In 1907, the 33-year-old John Duncan Fergusson arrived in Paris from Edinburgh in search of a studio. He found one in the Boulevard Edgar Quinet in Montparnasse, a quartier which had usurped Montmartre as the destination for painters, sculptors, dancers, writers and musicians. Paris was an artistic and international maelstrom, where not being French was no disadvantage for an aspiring artist - Picasso, Gris, Modigliani, Chagall were just a few of the émigrés who settled in the city. There was also soon to be a coterie of British and American artists - including Jesssie King and her husband E.A. Taylor, Jessica Dismorr, Anne Estelle Rice, and Fergusson's Edinburgh friend S.J. Peploe - who seemed to find in Fergusson a natural spokesman, even leader.

All Fergusson's verses, indeed all humanist verse, has within it an eligiac seam; always present beneath the surface is the assumption that the world is imperfect, that it has fallen from grace. As with the disintegrating Tory ideal in the country, there is in Fergusson's poetry an ideal, imagined city of the past, hopelessly toppling as the new Babylon lays down its foundations: city of chaos, dirt, noise, broken communication, luxury, disorder. In essence the poet follows in his representation the timeless humanist imperative, attempting 'to create order out of disorder, and to make sense of life'. Hallow-Fair and Leith Races to a degree make just such a clear demarcation between the two cities of past and present in their thesis - antithesis structures. The two cities embody two different Scottish cultures: Auld Reekie, the pastoral, civilised, humanist culture; and Edina, the Athens of the North, but more often, Babylon, the counter-pastoral, brutal, Whig culture. Hallow-Fair, Leith Races, The Election, The King's Birth-Day in Edinburgh, satirise the new Babylon; the poems of this group celebrate an older Scotland, and Auld Reekie, in the same eligiac vein as The Daft Days. Yet, as we have seen, the poet, at times, undermines too rigorous a humanist position: demarcations are not all that clear; ideals don't always elevate the human codition; the endless wheel of change and creativity, diversity and unrest, may be forging themselves into a new order.

Great Drummond improveth what nature doth send, To country and city he's always a friend. Regardless of juntos, his lordship pursues The weal of the public in all that he does; Unwearied he studies the good of the town. And success his labours for ever must crown.

Addie Macrae’s internal compass was irreparably damaged. For all the traveling she did, and the relative ease of navigating a city with English street signs, Edinburgh’s jigsaw puzzle of gray-toned buildings and twisting streets left her head spinning. Under different

UBIQUITOUS SCOTS As the British Empire grew, Scots found themselves scattered to the corners of the Earth – an experience which often profoundly changed them. Few changed as much as Thomas Keith. Born in Edinburgh, he enlisted in the 78th (Highlanders) Regiment of Foot and was sent to Egypt as part of the Alexandria expedition of 1807. Captured near Rosetta, he was bought as a slave by Ahmad Aga, and he and his compatriot, William Thompson, decided to convert to Islam. Thomas became Ibrahim Aga and William, Osman. After fighting a duel with an Egyptian soldier, Thomas sought the protection of the wife of a powerful figure, Muhammad Ali Pasha, and she sent him into the service of her son, Tusun Pasha. In 1811 he joined an expedition to fight the Wahhabis of what is now Saudi Arabia, and four years later he was appointed Acting Governor of the holy city of Medina, the burial place of the Prophet Mohammed.

Her scholarly time was now largely spent on freelance editing for a number of anthropological journals, occasional lectures, and work on a project that she had long nurtured–a study of the networks and customs of Watsonians, the graduates of George Watson’s College who played an important part in Edinburgh life and whose influence extended into the furthest reaches of the capital city. This research was different from that which she conducted on the Crocodile People of New Guinea, but it had risks of its own. It was also a project that would require far more time to be completed–Domenica was thinking of years, rather than months–as access was an issue and the layers of association and meaning in Watsonian affairs required a great deal of semiotic analysis.

Still, the 1745 revolt left behind a sobering question for the Enlightenment to ponder. Why do some societies like England and France and cities like Edinburgh become polite and commercial, while so many others do not—even when they are right next door?

Still, the 1745 revolt left behind a sobering question for the Enlightenment to ponder. Why do some societies like England and France and cities like Edinburgh become polite and commercial, while so many others do not—even when they are right next door? Unlocking that mystery became the next great goal for the Enlightenment, and the Scottish Enlightenment in particular.

When we aren’t aiming to be either precise or conclusive, it can be easy to agree on what a beautiful man-made place might look like. Attempts to name the world’s most attractive cities tend to settle on some familiar locations: Edinburgh, Paris, Rome, San Francisco. A case will occasionally be made for Siena or Sydney. Someone may bring up St Petersburg or Salamanca. Further evidence of our congruent tastes can be found in the patterns of our holiday migrations. Few people opt to spend the summer in Milton Keynes or Frankfurt. Nevertheless, our intuitions about attractive architecture have always proved of negligible use in generating satisfactory laws of beauty. We might expect that it would, by now, have grown as easy to reproduce a city with the appeal of Bath as it is to manufacture consistent quantities of blueberry jam. If humans were at some point adept at creating a masterwork of urban design, it should have come within the grasp of all succeeding generations to contrive an equally successful environment at will. There ought to be no need to pay homage to a city as to a rare creature; its virtues should be readily fitted to the development of any new piece of meadow or scrubland. There should be no need to focus our energies on preservation and restoration, disciplines which thrive on our fears of our own ineptitude. We should not have to feel alarmed by the waters that lap threateningly against Venice’s shoreline. We should have the confidence to surrender the aristocratic palaces to the sea, knowing that we could at any point create new edifices that would rival the old stones in beauty.