Edge Of Seventeen Quotes

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A number of years ago, when I was a freshly-appointed instructor, I met, for the first time, a certain eminent historian of science. At the time I could only regard him with tolerant condescension. I was sorry of the man who, it seemed to me, was forced to hover about the edges of science. He was compelled to shiver endlessly in the outskirts, getting only feeble warmth from the distant sun of science- in-progress; while I, just beginning my research, was bathed in the heady liquid heat up at the very center of the glow. In a lifetime of being wrong at many a point, I was never more wrong. It was I, not he, who was wandering in the periphery. It was he, not I, who lived in the blaze. I had fallen victim to the fallacy of the 'growing edge;' the belief that only the very frontier of scientific advance counted; that everything that had been left behind by that advance was faded and dead. But is that true? Because a tree in spring buds and comes greenly into leaf, are those leaves therefore the tree? If the newborn twigs and their leaves were all that existed, they would form a vague halo of green suspended in mid-air, but surely that is not the tree. The leaves, by themselves, are no more than trivial fluttering decoration. It is the trunk and limbs that give the tree its grandeur and the leaves themselves their meaning. There is not a discovery in science, however revolutionary, however sparkling with insight, that does not arise out of what went before. 'If I have seen further than other men,' said Isaac Newton, 'it is because I have stood on the shoulders of giants.
Isaac Asimov (Adding a Dimension: Seventeen Essays on the History of Science)
They weren’t a centuries old hunter and a seventeen year old girl, sitting here at the edge of the world. They were just two people, Bonnie and Damon.
L.J. Smith (Dark Reunion (The Vampire Diaries, #4))
She wasn’t afraid of him anymore. They weren’t a centuries-old hunter and a seventeen-year-old human girl, sitting here at the edge of the world. They were just two people, Damon and Bonnie, who had to do the best they could.
L.J. Smith
A uniform cordoned off the area with crime scene tape. The M.E. pulled in and parked. There were two EMT trucks idling at the edge of the lot. I’d stayed close to the back door, and one of the Rangeman guys had taken a position two feet from me, standing at parade rest. No doubt in my mind he’d take a bullet for me rather than face Ranger over a dead Stephanie.
Janet Evanovich (Smokin' Seventeen (Stephanie Plum, #17))
All will be well. Seventeen years later, I knew her meaning. You will find the courage to walk through whatever life gives you.
Christina Haag (Come to the Edge)
Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle. Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?
Nicole Krauss (The History of Love)
I'm not sure I'll ever know the meaning of life or what comes for us after death, but I know it's more than the hysteria people make it out to be. It's about freeing your soul when no one else can; turning thirty and still feeling like you're seventeen. It's about taking chances on a whim, embracing the rain during the storm, and smiling so damn much that you start to cry. It's never regretting, never forgetting, and always being. It's kissing underwater and touching in the dark. Loving even when you think it's emotionally impossible and surviving someway and somehow. It's about living life with a full heart and an overflowing glass. I live life on the edge. I dream, I care, and I belong. I know there's a here and now. I know that I want it.
Nadège Richards (5 Miles (Breathe, #1))
I remember being on the edge of seventeen, that dangerous time between childhood and young adult when the cement is still wet in your mind. That part of your life where things get stuck and form who you are forever, liked or not. Offhand comments, distant laughter, anything a boy’s fragile ego could mistake for a slight on the kind of man he will one day become. There is never a time in your life when love is so sweet, or pain cuts so deep, or when memory is so undeniably carved in stone.
John Goode (The Boy Behind the Red Door)
Now you can look at the idea of a unified world system, what the Bible refers to as the future ‘Babylon,’ like a three-legged stool. Global Government, Global Economy, and Global Religion. In the Bible, each of those are prophesied to be world powers at the end of the age. And by the way, each of them will be destroyed by God according to biblical prophecy. You can read it for yourself in last book in the Bible, Revelation, chapters seventeen and eighteen.
Tim LaHaye (Edge of Apocalypse (The End, #1))
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
When a daughter loses a mother, the intervals between grief responses lengthen over time, but her longing never disappears. It always hovers at the edge of her awareness, ready to surface at any time, in any place, in the least expected ways. This isn’t pathological. It’s normal. It’s why you find yourself, at twenty-four, or thirty-five or forty-three, unwrapping a present or walking down an aisle or crossing a busy street, doubled over and missing your mother because she died when you were seventeen.
Hope Edelman (Motherless Daughters: The Legacy of Loss)
Are you falling asleep before midnight?" Cassie leaned over the edge of the couch to look at Jack. He was stretched out on the floor, his head resting against a pillow near the center of the couch, his eyes closed. She was now wide awake and headache free. He wasn't in so good a shape. "The new year is eighteen minutes away." "Come kiss me awake in seventeen minutes." She blinked at that lazy suggestion, gave a quick grin, and dropped Benji on his chest. He opened one eye to look up at her as he settled his hand lightly on the kitten. "That's a no?" She smiled. She was looking forward to dating him, but she was smart enough to know he'd value more what he had to work at. He sighed. "That was a no. How much longer am I going to be on the fence with you?" "Is that a rhetorical question or do you want an answer?" If this was the right relationship God had for her future, time taken now would improve it, not hurt it. She was ready to admit she was tired of being alone. He scratched Benji under the chin and the kitten curled up on his chest and batted a paw at his hand. "Rhetorical. I'd hate to get my hopes up." She leaned her chin against her hand, looking down at him. "I like you, Jack." "You just figured that out?" "I'll like you more when you catch my mouse." "The only way we are going to catch T.J. is to turn this place into a cheese factory and help her get so fat and slow that she can no longer run and hide." Or you could move your left hand about three inches to the right right and catch her." Jack opened one eye and glanced toward his left. The white mouse was sitting motionless beside the plate he had set down earlier. "Let her have the cheeseburger. You put mustard on it." "You're horrible." He smiled. "I'm serious." "So am I." Jack leaned over, caught Cassie's foot, and tumbled her to the floor. "Oops." "That wasn't fair. You scared my mouse." Jack set the kitten on the floor. "Benji, go get her mouse." The kitten took off after it. "You're teaching her to be a mouser." "Working on it. Come here. You owe me a kiss for the new year." "Do I?" She reached over to the bowl of chocolates on the table and unwrapped a kiss. She popped the chocolate kiss into his mouth. "I called your bluff." He smiled and rubbed his hand across her forearm braced against his chest. "That will last me until next year." She glanced at the muted television. "That's two minutes away." "Two minutes to put this year behind us." He slid one arm behind his head, adjusting the pillow. She patted his chest with her hand. "That shouldn't take long." She felt him laugh. "It ended up being a very good year," she offered. "Next year will be even better." "Really? Promise?" "Absolutely." He reached behind her ear and a gold coin reappeared. "What do you think? Heads you say yes when I ask you out, tails you say no?" She grinned at the idea. "Are you cheating again?" She took the coin. "This one isn't edible," she realized, disappointed. And then she turned it over. "A real two-headed coin?" "A rare find." He smiled. "Like you." "That sounds like a bit of honey." "I'm good at being mushy." "Oh, really?" He glanced over her shoulder. "Turn up the TV. There's the countdown." She grabbed for the remote and hit the wrong button. The TV came on full volume just as the fireworks went off. Benji went racing past them spooked by the noise to dive under the collar of the jacket Jack had tossed on the floor. The white mouse scurried to run into the jacket sleeve. "Tell me I didn't see what I think I just did." "I won't tell you," Jack agreed, amused. He watched the jacket move and raised an eyebrow. "Am I supposed to rescue the kitten or the mouse?
Dee Henderson (The Protector (O'Malley, #4))
Some weeks later Anji’s life has met its deadline, liberating laughter leading her every step to the grave, never losing her edge for an instant, bearing sadness with dignity, and always explaining herself so well, at peace with death as she was with life, the black earth of Haslingden entombing seventeen years of best endeavor and generosity. I see her now – peeling potatoes in the sun and laughing her head off.
Morrissey (Autobiography)
Some secret of nurture withered a generation or two before I arrived, if it had ever existed before among the poor, marginalized people on the edges of Europe from whom I descend. Both my parents grew up with a deep sense of poverty that was mostly emotional but that they imagined as material long after they clambered into the middle class, and so they were more like a pair of rivalrous older siblings than parents who see their children as extensions of themselves and their hopes. They were stuck in separateness. I didn't realize anything was odd until I was already on my own and found out that not everyone's parents cut them off financially as soon as the law allowed. I tried to leave home unsuccessfully at fourteen and fifteen and sixteen and did so successfully at seventeen, heading off to another country, as far away as I could go, and once I got there I realized I was more on my own than I had anticipated: I was henceforth entirely repsonsible for myself and thus began a few years of poverty.
Rebecca Solnit (The Faraway Nearby)
Just beyond the edge of our property in 1985 a farmer crossing a field found a rare, impossible-to-misconstrue Roman phallic pendant. To me this was, and remains, an amazement: the idea of a man in a toga, standing on what is now the edge of my land, patting himself all over, and realizing with consternation that he has lost his treasured keepsake, which then lay in the soil for seventeen or eighteen centuries - through endless generations of human activity; through the rise of the English language, the birth of the English nation, the development of continuous monarch and all the rest - before finally being picked up by a late-twentieth-century farmer, presumably with a look of consternation of his own.
Bill Bryson (At Home: A Short History of Private Life)
Work" I laid telephone line, then cable when it came along. I pulled T-shirts off a silk-screen press. I cleaned offices in buildings thirty-five floors high. I filed the metal edges of grease fryers hot off a welding line. I humped sod in townhouse complexes, and when it became grass I cut it. I sorted mail. I washed police cars, and then I changed their oil. I installed remotes on gas meters so a truck could simply drive down the street and get the readings. I set posts and put up fences, wood and chain link. Five a.m. at the racetrack, I walked hot horses after their exercise. I bathed them. I mopped and swept aisles in a grocery store. Eventually, I stocked shelves. I corrected errors on mortgage papers for a bank. I racked tables in a pool hall. There’s more I’m not telling you. All of this befell me as an adult. As a kid, I cut neighbors’ lawns and delivered newspapers, and I watched after little kids while their parents worked. I painted houses. I collected frogs from ponds and sold them to pet stores. And so on. At fifteen, I went for a busboy position at an all-night diner, but they told me to come back when I turned sixteen. I did. Sometimes, on top of one, I took a second job. It gave me just enough time to sleep between the two. And eat. My father worked, harder than I did, and then he died. Then I worked harder. My mother said, “You’re the man of the house now.” I was seventeen. She kept an eye on me, to make sure I worked. I did. You've just read about all that. Eventually she died, too. I watched my social security numbers grow. I have a pretty good lump. I could leave it to somebody, a spouse or dependent. But there's no one. I have no plan to spend it, but I’ve paid into it. Today I quit my job, my jobs. I had them all written down, phone numbers too, and I called them. You should have seen me, dialing and dialing, crossing names off the list as I went. Some of them I called sounded angry. Some didn’t remember me, and a few didn’t answer. Others had answering machines, but I told the machines I quit anyway. I think about my father. How he worked. I sit by the phone now, after quitting all my jobs, and wish he could see this. A blank calendar on the wall. A single bulb hanging over my head, from a single cord, like the one he wrapped around his neck just before he died.
Michael Stigman
His world turned on its head for the second time at precisely ten eighteen p.m. He’d been taken into custody a little under ninety minutes earlier, but that had nothing to do with it. They did the job efficiently, boxing him in, two in front and two behind. Four men, swift and grim, clearly plainclothes law enforcement officers. One of the men in front of him stepped close, said something. He shook his head. ‘Non parlo Croato. Solo Italiano.’ The man nodded as if unsurprised, tipped his head: come with us. He followed the front pair to the unmarked saloon parked up on the kerb ahead. Before he got in the back he glimpsed the glitter of light off the restless water of the bay, the masts of the boats shifting in the embrace of the marina at the bottom of the hill. He glanced at his watch. Five past nine. Fifty-five minutes to go. * The room was a cliché: ivory linoleum curling at the edges, dusty fluorescent lighting strips with one bulb flickering like an eyelid with a tic, cheap wooden tabletop with metal legs bolted to the floor. The smell was of tobacco and sour sweat. He sat facing the door, alone. After seventeen minutes, at nine forty-four by the clock on the wall, the door opened. A woman came in, dark-haired, with glasses like an owl’s eyes. Two of the men who had picked him up followed her in. One seated himself in the chair. The other leaned against the wall, arms folded. She stood across the table from him, his passport grasped loosely between her fingertips like a soiled rag. Without introduction she said, her Italian accented but fluent, ‘Alberto Manta, of Lugano, Switzerland. Arrived in Zagreb on September second. Checked in at Hotel Neboder here in Rijeka the same day.
Tim Stevens (Ratcatcher (John Purkiss, #1))
Twenty years? No kidding: twenty years? It’s hard to believe. Twenty years ago, I was—well, I was much younger. My parents were still alive. Two of my grandchildren had not yet been born, and another one, now in college, was an infant. Twenty years ago I didn’t own a cell phone. I didn’t know what quinoa was and I doubt if I had ever tasted kale. There had recently been a war. Now we refer to that one as the First Gulf War, but back then, mercifully, we didn’t know there would be another. Maybe a lot of us weren’t even thinking about the future then. But I was. And I’m a writer. I wrote The Giver on a big machine that had recently taken the place of my much-loved typewriter, and after I printed the pages, very noisily, I had to tear them apart, one by one, at the perforated edges. (When I referred to it as my computer, someone more knowledgeable pointed out that my machine was not a computer. It was a dedicated word processor. “Oh, okay then,” I said, as if I understood the difference.) As I carefully separated those two hundred or so pages, I glanced again at the words on them. I could see that I had written a complete book. It had all the elements of the seventeen or so books I had written before, the same things students of writing list on school quizzes: characters, plot, setting, tension, climax. (Though I didn’t reply as he had hoped to a student who emailed me some years later with the request “Please list all the similes and metaphors in The Giver,” I’m sure it contained those as well.) I had typed THE END after the intentionally ambiguous final paragraphs. But I was aware that this book was different from the many I had already written. My editor, when I gave him the manuscript, realized the same thing. If I had drawn a cartoon of him reading those pages, it would have had a text balloon over his head. The text would have said, simply: Gulp. But that was twenty years ago. If I had written The Giver this year, there would have been no gulp. Maybe a yawn, at most. Ho-hum. In so many recent dystopian novels (and there are exactly that: so many), societies battle and characters die hideously and whole civilizations crumble. None of that in The Giver. It was introspective. Quiet. Short on action. “Introspective, quiet, and short on action” translates to “tough to film.” Katniss Everdeen gets to kill off countless adolescent competitors in various ways during The Hunger Games; that’s exciting movie fare. It sells popcorn. Jonas, riding a bike and musing about his future? Not so much. Although the film rights to The Giver were snapped up early on, it moved forward in spurts and stops for years, as screenplay after screenplay—none of them by me—was
Lois Lowry (The Giver)
I woke up as the first light began to bring an orange glow to the tops of the whispering pines (and sky) above me at 5:43 but lay still to avoid waking Hope for another half-hour. She had suffered through a tough and mostly sleepless night, and I wanted to give her every second I could as the next week promised to be very stressful for her (and me), and that was if everything went according to plan. At a few minutes after six, she either sensed the growing light or my wakefulness and shifted to give me a wet kiss. We both moved down towards the slit in the bottom of my Hennessy hammock and dropped out and down onto the pine needles to explore the morning. Both of us went a ways into the woods to take care of early morning elimination, and we met back by the hammock to discuss breakfast. I shook out some Tyler kibble (a modified GORP recipe) for me and an equal amount of Hope’s kibble for her. As soon as we had scarfed down the basic snack, we picked our way down the sloping shore to the water’s edge, jumped down into the warm water (relative to the cool morning air at any rate) for a swim as the sun came up, lighting the tips of the tallest pines on the opposite shore. Hope and I were bandit camping (a term that I had learned soon after arriving in this part of the world, and enjoyed the feel of), avoiding the established campsites that ringed Follensby Clear Pond. We found our home for the last seventeen days (riding the cooling August nights from the full moon on the ninth to what would be a new moon tonight) near a sandy swimming spot. From there, we worked our way up (and inland) fifty feet back from the water to a flat spot where some long-ago hunter had built/burned a fire pit. We used the pit to cook some of our meals (despite the illegality of the closeness to the water and the fire pit cooking outside an approved campsite … they call it ‘bandit camping’ for a reason). My canoe was far enough up the shore and into the brush to be invisible even if you knew to look for it, and nobody did/would/had. After we had rung a full measure of enjoyment out of our quiet morning swim, I grabbed the stringer I had anchored to the sandy bottom the previous afternoon after fishing, pulled the two lake trout off, killed them as quickly/painlessly/neatly as I could manage, handed one to Hope, and navigated back up the hill to our campsite. I started one of the burners on my Coleman stove (not wanting to signal our position too much, as the ranger for this area liked morning paddles, and although we had something of an understanding, I didn’t want to put him in an uncomfortable position … we had, after all, been camping far too long in a spot too close to the water). Once I had gutted/buttered/spiced the fish, I put my foil-wrapped trout over the flame (flipping and moving it every minute or so, according to the sound/smell of the cooking fish); Hope ate hers raw, as is her preference. It was a perfect morning … just me and my dog, seemingly alone in the world, doing exactly what we wanted to be doing.
Jamie Sheffield (Between the Carries)
recent survey indicated that people who’ve had plastic surgery appeared to have shed only three years on average off of their age. Which three years, I wonder? Fourteen to seventeen were relatively breezy but I barely slept for the first three years of my son’s life and if I could reverse that damage, it might be worth it.
Annabelle Gurwitch (I See You Made an Effort: Compliments, Indignities, and Survival Stories from the Edge of 50)
I grip the edge of the table. It’s not fair that I have to upend my life because Yaqui is bloodthirsty. But so what? Think of how unfairly things turned out or Ma with my father – and how she survived anyway. And how about Joey and his mom? Is it fair to be seventeen and on a bus by yourself to get away from your family? Run away if you have to, he told me.
Meg Medina (Yaqui Delgado Wants to Kick Your Ass)
I was seventeen and on the edge of an eighteen that seemed terrifying to a young man not sure of his sexuality. I knew I liked guys but was still under the delusion that an attraction to guys didn't make you gay just like drowning didn't mean you were breathing water. it just made you different, and as we all know, in high school there is nothing worse than being different.
John Goode
Another badass Gurkha in recent memory was Sergeant Dipprasad Pun of the Royal Gurkha Rifles. In 2010, while serving as the lone on-duty guard patrolling a small one-room outpost on the edge of the Afghan province of Helmand, Pun was suddenly ambushed by somewhere between fifteen and thirty Taliban warriors armed with RPGs and assault rifles. During his Ultimate Mega Gurkha Freakout Limit Break Mode, the five-foot-seven-inch sergeant fired off four hundred rounds of machine gun ammunition (every bullet he had), chucked seventeen grenades, detonated a remote mine, and then took an enemy soldier down by chucking a twenty-pound machine gun tripod into the dude’s face.
Ben Thompson (Badass: Ultimate Deathmatch: Skull-Crushing True Stories of the Most Hardcore Duels, Showdowns, Fistfights, Last Stands, Suicide Charges, and Military Engagements of All Time (Badass Series))
Lucy glanced at him, sidelong. “Mr. Peretz, do I look any older now?” Pitar busied himself with the links of the necklace. He knew what he was hearing. One of those notorious female jabs that made male life so hazardous. This provocation had no proper answer. To say “no” was to accuse Lucy of still being a callow girl of seventeen. This meant that ten years of their marriage were capped with an insult. But to reply “yes” to Lucy, was to state that she had, yes, visibly aged – what a crass mis-step that would be! Lucy would swiftly demand to know what dark threat had wilted her beauty. Arsenical rock-dust fever? A vitamin imbalance in her skin?
Jonathan Strahan (Edge of Infinity)
Joshua and Caleb had been anticipating for forty years. They stood side by side with the people of Israel behind them. They followed Yahweh’s very specific directions in how they would cross the river and enter into Canaan. They watched the priests carry the Ark of the Covenant to the water’s edge and step their feet just into the bank, waiting for a miracle. The miracle would have to deal with the fact that this was the springtime, when the river was flooded with a stronger current. At this location it was about one hundred and fifty feet wide and about twelve feet deep. Crossing thousands of people in riverboats would take many days. But Yahweh had promised a sign that he would be true to his word that he would not fail to drive out the inhabitants of the land before them. That sign began seventeen miles north of their location near the city of Adam. An earthquake shook the earth mounds around the river and a large landslide of debris tumbled down causing a temporary damming of the Jordan river. The water stopped flowing southward and dried up the riverbed where the Israelites were standing with the Ark.
Brian Godawa (Caleb Vigilant (Chronicles of the Nephilim Book 6))
I’m eighteen, you’re seventeen. I’m not sure forever talk even makes sense at our age. But right now, you are everything to me.
Rysa Walker (Time's Edge (The Chronos Files, #2))
Being a good girl, a perfect girl, can kill you fast, or it can kill you slow, flattening everything precious inside you, the best dreams of your one life, into drab homogeneity. At seventeen I decided to make a stab at a different kind of life, and it was scary, and too much, and it still is, but so is staying at home with a painted-on smile. I see women making that choice every day, in their teens and twenties and sixties and seventies, and in this brave new world where empowerment means expensive shoes and the choice to bend over for your boss, it’s the only choice that really matters. Those who make it get called selfish bitches, freaks and sluts and cunts and whores, and sometimes we get called rebels and degenerates and troublemakers, and sometimes we are known to the police. We’re the ones who laugh too loud and talk too much and reach too high and work for ourselves and see a new world just out of reach, at the edge of language, struggling to be spoken. And sometimes, in the narrow hours of the night, we call ourselves feminists.
Laurie Penny (Unspeakable Things: Sex, Lies and Revolution)
After dinner one night, me and the boys are on the edge of camp, tossing rocks over the barbed wire. There’s plenty to throw. Rocks are maybe the only thing that’s plentiful here besides dust and anger. For maybe the hundredth time, I think about leaping that fence. It’s only about three feet high, and kids like Yum-yum’s brother, Fred, sneak through all the time to catch scorpions in the desert. I could go running out there, out with the wild horses they say roam this part of Utah, free as the goddamn wind. But I’d never abandon Mas and the boys, or my uncle Yas, who took me in when my parents shipped me out to California. The whole camp’s buzzing with the news today. Everyone seventeen and up has gotta do this questionnaire to see who’s loyal and who’s not. If you’re loyal, you can volunteer for Roosevelt’s combat unit. It’s Nisei-only, which is a shit idea, if you ask me. If Uncle Sam sends ’em to the Pacific, the other battalions are gonna mistake them for the enemy. “They won’t get sent to the Pacific,” Mas says, pitching a stone so far into the desert, it disappears from sight.
Traci Chee (We Are Not Free)
Samuel Clemens, who used the celebrated pen name Mark Twain and was the author of such nineteenth-century classics as Tom Sawyer and Adventures of Huckleberry Finn, had many telepathic experiences. He dubbed them “mental telegraphy” because the telegraph was the fanciest long-distance communication technology in his day. Twain was concerned about his reputation as a serious author if he reported his experiences, so for years he kept quietly adding his experiences to an unpublished manuscript. Finally, after British scientists began to show serious interest in this topic in 1882 with the formation of the Society for Psychical Research, Twain decided to publish an article in Harper’s New Monthly Magazine in 1891. It began: Note to the Editor.—By glancing over the enclosed bundle of rusty old manuscript, you will perceive that I once made a great discovery: the discovery that certain sorts of thing which, from the beginning of the world, had always been regarded as merely “curious coincidences”—that is to say, accidents—were no more accidental than is the sending and receiving of a telegram an accident. I made this discovery sixteen or seventeen years ago, and gave it a name—“Mental Telegraphy.” It is the same thing around the outer edges of which the Psychical Society of England began to group (and play with) four or five years ago, and which they named “Telepathy.” Within the last two or three years they have penetrated toward the heart of the matter, however, and have found out that mind can act upon mind in a quite detailed and elaborate way over vast stretches of land and water. And they have succeeded in doing, by their great credit and influence, what I could never have done—they have convinced the world that mental telegraphy is not a jest, but a fact, and that it is a thing not rare, but exceedingly common. They have done our age a service—and a very great service, I think.238
Dean Radin (Supernormal: Science, Yoga and the Evidence for Extraordinary Psychic Abilities)
I tried to imagine her in my grandfather’s clothes. Everything about her was feminine and tailored and perfect. Everything about her felt the opposite of me. I could imagine me in my grandfather’s clothes. But not her. I wanted you. I wanted you growing in my body, I wanted you in my arms, I wanted you over my shoulder— She got quiet. And then the wanting was gone, wasn’t it? She shook her head. More time passed before she spoke again. It wasn’t gone. Just different. You’re going to learn this. I mean, I hope you learn this. Love changes and changes. Then it changes again. Today, the love is me wanting to see you in that dress, she said. I want to see me in you because Me in that dress was over a long time ago. Sixteen was gone. Then seventeen, eighteen—all of it. I pulled the dress closer to me—lace over silk and satin, tea length, mandarin collared. A tailor had cinched the waist and let out the hips. He’d lifted the hem to see if there was extra fabric there to lengthen it. When there was only just enough, he used satin binding over the raw edge to squeeze the last of the length from it. My grandmother was so proud of his work. As I stood in his shop turning for the two of them, the tailor nodded approvingly and my grandmother dabbed at her eyes.
Jacqueline Woodson (Red at the Bone)
Only words cede, those spoken and delivered by hand, and friendships, and cells, and shoes with leopard spots and Sunday lunches of long ago, and passions in adolescence and in adulthood, and stores that sell knives and small appliances, parental worries, children's voices, clamshells on the edge of your plate. A few regrets endure. I still wait to be forgiven by my husband, and to say, when I'm seventeen, to a tortured and fearless boy, that I love him too.
Jhumpa Lahiri (Roman Stories)
The spire stood at the center of the world, watching everything, presiding over the birth of babies and the death of old men. Wes Cervos looked toward it, across the city of Whitespire, as he crested the craggy gray ridge. He should have been waiting for his two companions—a Witness by the name of Odrigh, this time from Galeharbor, and his own Deermaster—but he had gone on ahead. It was a special place. He needed to look upon it alone, even if only for a moment. They would reach him soon, their ascent up the mountain burdened by the vast amount of wealth they carried in gold and jewel, but it was enough. Wes had been making the journey to the only overground city in Umrym once a season for as long as he could remember, but it never lost its magic. For a moment, just a breath or two, standing there at the edge of divine things, the slightly pudgy boy of seventeen felt himself the hero that an Envoy was supposed to be.
Stefanie Lozinski (Magnify (Storm & Spire #1))
Welcome to the bedroom of your average seventeen-year-old. Gaze in awe at the mountain of make-up piled on the dresser. Gasp in amazement at the huge pile of clothes that lies just outside the largely empty wardrobe. Look doubtfully at the precarious position the iPad is in, teetering on the edge of the bedside cabinet. Worry somewhat about the safety of the tangle of electrical charger cords erupting from the plug socket to one side of it.
Nick Spalding (Dry Hard)
On the edge of town, I had promptly lost my way, and, meaning to ask for directions to the little station guard post, I had walked into a tiny cottage that stood there all by itself. Living there, I found, all alone, as her father had lately died, was a seventeen-year-old girl by the name of Jeanne. When she gave me directions, she laughed and when I asked what was so funny, she said: 'Vous êtes bien jeune, je voudrais avoir votre devenir.' (You're so young, I wish I could have your future) pg; 67-68
Ernst Jünger (Storm of Steel)
I’ve never seen another love like Scarlett and Jameson’s. It was one of those fated lightning strikes, miraculous to see up close, to feel the energy between the two when they were in the same room. That is the love that lives in your veins. I’ve never seen another love like I had for Edward—we were twin flames. But I’ve also never seen another love like I had for Brian—deep and calm and true. Or another love like William’s for Hannah—achingly sweet. But I have seen the same love that I had for William the day I stepped onto that plane. It lives in you. You are the culmination of every lightning strike and twist of fate. Do not settle for the love that hones your edges and turns you brittle and cold, Georgia. Not when there are so many other kinds of love waiting for you. And don’t wait like I did, wasting seventeen years because I’d left one bitter foot in my past. We’re all entitled to our mistakes. When you recognize them for what they are, don’t live there. Life is too short to miss the lightning strike and too long to live it alone. This is where my story ends. I’ll be watching over you to see where yours leads.
Rebecca Yarros (The Things We Leave Unfinished)
down instead of from Twenty-Third Street looking up—things look quite a bit different. From that angle, the annoyed, hustling and bustling, highly important people angling their way through the obstacle course of onlookers seem insignificant. Our sun and moon and eight planets are just one little neighborhood among an estimated 200 billion neighborhoods that make up our universe.19 If we think of the Milky Way galaxy as being the size of the entire continent of North America, our solar system would fit into a coffee cup.20 Two Voyager spacecrafts are cruising toward the edge of the solar system at a rate of more than 35,000 miles per hour. They’ve been doing that for more than forty years and have traveled more than 11 billion miles, with no end in sight.21 When NASA sends communication to one of those Voyagers traveling at that velocity, it takes about seventeen hours to get there.22 That data has led scientists to estimate that to send a “speed of light” message to the edge of the universe would take more than 15 billion years to arrive.23 “So, yes, Chelsea art dealer, you are very important. But when we think about what we’re all gazing at while you make your agitation known through grunts and mumbles, you’re also impossibly young, urgently expiring, and unbelievably small.” You and I see the world with our own two eyes, and from that minuscule perspective, we tend to convince ourselves that we are (or at least should be) in control, directing our own lives, and scripting our future. We come back again to the truth that Philip Yancey reminded us of earlier in the chapter: “Prayer is the act of seeing reality from God’s point of view.” God is the one who calls us to “be still, and know that I am God.” Psalm 8 marvels at this very wonder:
Tyler Staton (Praying Like Monks, Living Like Fools: An Invitation to the Wonder and Mystery of Prayer)