β
Happiness in intelligent people is the rarest thing I know.
β
β
Ernest Hemingway (The Garden of Eden)
β
And now that you don't have to be perfect, you can be good.
β
β
John Steinbeck (East of Eden)
β
Dogs are our link to paradise. They don't know evil or jealousy or discontent. To sit with a dog on a hillside on a glorious afternoon is to be back in Eden, where doing nothing was not boring--it was peace.
β
β
Milan Kundera
β
All great and precious things are lonely.
β
β
John Steinbeck (East of Eden)
β
Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
β
β
Robert Frost
β
I believe a strong woman may be stronger than a man, particularly if she happens to have love in her heart. I guess a loving woman is indestructible.
β
β
John Steinbeck (East of Eden)
β
But the Hebrew word, the word timshelββThou mayestββ that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if βThou mayestββit is also true that βThou mayest not.
β
β
John Steinbeck (East of Eden)
β
Did perpetual happiness in the Garden of Eden maybe get so boring that eating the apple was justified?
β
β
Chuck Palahniuk (Survivor)
β
There's more beauty in truth, even if it is dreadful beauty.
β
β
John Steinbeck (East of Eden)
β
Do you take pride in your hurt? Does it make you seem large and tragic? ...Well, think about it. Maybe you're playing a part on a great stage with only yourself as audience.
β
β
John Steinbeck (East of Eden)
β
And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about.
β
β
John Steinbeck (East of Eden)
β
I dreamed I spoke in another's language,
I dreamed I lived in another's skin,
I dreamed I was my own beloved,
I dreamed I was a tiger's kin.
I dreamed that Eden lived inside me,
And when I breathed a garden came,
I dreamed I knew all of Creation,
I dreamed I knew the Creator's name.
I dreamed--and this dream was the finest--
That all I dreamed was real and true,
And we would live in joy forever,
You in me, and me in you.
β
β
Clive Barker (Abarat: Days of Magic, Nights of War)
β
My imagination will get me a passport to hell one day.
β
β
John Steinbeck (East of Eden)
β
Sometimes a man wants to be stupid if it lets him do a thing his cleverness forbids.
β
β
John Steinbeck (East of Eden)
β
People like you to be something, preferably what they are.
β
β
John Steinbeck (East of Eden)
β
I gasp, and I'm Eve in the Garden of Eden, and he's the serpent, and I cannot resist.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
A man so painfully in love is capable of self-torture beyond belief.
β
β
John Steinbeck (East of Eden)
β
It would be absurd if we did not understand both angels and devils, since we invented them.
β
β
John Steinbeck (East of Eden)
β
I cannot let the fear of the past color the future.
β
β
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
β
I believe that there is one story in the world, and only one. . . . Humans are caughtβin their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity tooβin a net of good and evil. . . . There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done wellβor ill?
β
β
John Steinbeck (East of Eden)
β
But I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed - because 'Thou mayest.
β
β
John Steinbeck (East of Eden)
β
A kind of light spread out from her. And everything changed color. And the world opened out. And a day was good to awaken to. And there were no limits to anything. And the people of the world were good and handsome. And I was not afraid any more.
β
β
John Steinbeck (East of Eden)
β
When a man says he does not want to speak of something he usually means he can think of nothing else.
β
β
John Steinbeck (East of Eden)
β
An unbelieved truth can hurt a man much more than a lie. It takes great courage to back truth unacceptable to our times. There's a punishment for it, and it's usually crucifixion.
β
β
John Steinbeck (East of Eden)
β
We are our own devils; we drive ourselves out of our Edens.
β
β
Johann Wolfgang von Goethe
β
When you start to live outside yourself, it's all dangerous.
β
β
Ernest Hemingway (The Garden of Eden)
β
When a child first catches adults out -- when it first walks into his grave little head that adults do not always have divine intelligence, that their judgments are not always wise, their thinking true, their sentences just -- his world falls into panic desolation. The gods are fallen and all safety gone. And there is one sure thing about the fall of gods: they do not fall a little; they crash and shatter or sink deeply into green muck. It is a tedious job to build them up again; they never quite shine. And the child's world is never quite whole again. It is an aching kind of growing.
β
β
John Steinbeck (East of Eden)
β
A man without words is a man without thought.
β
β
John Steinbeck (East of Eden)
β
June laughs. "I have to say, you look better than most people I see. I've heard a lot about you."
"I hear about you a lot too," Eden replies in a rush, "mostly from Daniel. He thinks you're really hot.
β
β
Marie Lu (Champion (Legend, #3))
β
Perhaps the less we have, the more we are required to brag.
β
β
John Steinbeck (East of Eden)
β
..it's awful not to be loved. It's the worst thing in the world...It makes you mean, and violent, and cruel.
β
β
John Steinbeck (East of Eden)
β
Itβs a hard thing to leave any deeply routine life, even if you hate it.
β
β
John Steinbeck (East of Eden)
β
Perhaps it takes courage to raise children..
β
β
John Steinbeck (East of Eden)
β
Wheresoever she was, there was Eden.
β
β
Mark Twain (The Diaries of Adam and Eve)
β
We have only one story. All novels, all poetry, are built on the neverending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.
β
β
John Steinbeck (East of Eden)
β
Give me the storm and tempest of thought and action, rather than the dead calm of ignorance and faith! Banish me from Eden when you will; but first let me eat of the fruit of the tree of knowledge!
β
β
Robert G. Ingersoll (The Works of Robert G. Ingersoll (3))
β
No one who is young is ever going to be old.
β
β
John Steinbeck (East of Eden)
β
There is such a place as fairyland - but only children can find the way to it. And they do not know that it is fairyland until they have grown so old that they forget the way. One bitter day, when they seek it and cannot find it, they realize what they have lost; and that is the tragedy of life. On that day the gates of Eden are shut behind them and the age of gold is over. Henceforth they must dwell in the common light of common day. Only a few, who remain children at heart, can ever find that fair, lost path again; and blessed are they above mortals. They, and only they, can bring us tidings from that dear country where we once sojourned and from which we must evermore be exiles. The world calls them its singers and poets and artists and story-tellers; but they are just people who have never forgotten the way to fairyland.
β
β
L.M. Montgomery (The Story Girl (The Story Girl, #1))
β
Love is the way back into Eden. It is the way back to life.
β
β
Francine Rivers (Redeeming Love)
β
We all long for Eden, and we are constantly glimpsing it: our whole nature at its best and least corrupted, its gentlest and most human, is still soaked with the sense of exile.
β
β
J.R.R. Tolkien (The Letters of J.R.R. Tolkien)
β
The greatest thing you'll ever learn is just to love and be loved in return.
β
β
Nat King Cole
β
Maybe-- maybe love makes you suspicious and doubting. Is it true that when you love a woman you are never sure-- never sure of her because you aren't sure of yourself?
β
β
John Steinbeck (East of Eden)
β
And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected.
β
β
John Steinbeck (East of Eden)
β
It's a long way back to Eden, Sweetheart, so don't sweat the small stuff.
β
β
Stephen King (Insomnia)
β
Man has a choice and it's a choice that makes him a man.
β
β
John Steinbeck (East of Eden)
β
He never fell,
never slipped back,
never flew.
β
β
John Steinbeck (East of Eden)
β
I'm with you. No matter what else you have in your head I'm with you and I love you.
β
β
Ernest Hemingway (The Garden of Eden)
β
You don't dwell on what you've lost, you just move on."-Allison
β
β
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
β
But I am I. And I won't subordinate my taste to the unanimous judgment of mankind
β
β
Jack London (Martin Eden)
β
There are no ugly questions except those clothed in condescension.
β
β
John Steinbeck (East of Eden)
β
When you are not fed love on a silver spoon, you learn to lick it off knives.
β
β
Lauren Eden (Lioness Awakens)
β
The essence of Christianity is told us in the Garden of Eden history. The fruit that was forbidden was on the tree of knowledge. The subtext is, 'All the suffering you have is because you wanted to find out what was going on. You could be in the Garden of Eden if you had just kept your fucking mouth shut and hadn't asked any questions.
β
β
Frank Zappa
β
Did you ever think we would be anything other than unbelievable?
β
β
Jessica Shirvington (Embrace (The Violet Eden Chapters, #1))
β
You are a monster.β Kaninβs deep voice droned in my head again, as I forced myself to move, to walk away. βYou will always be a monster, there is no turning back from it. But what type of monster you become is entirely up to you.
β
β
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
β
Would you die for her?'
I almost stopped breathing.
I could feel his eyes on me.
'I do. Every day.
β
β
Jessica Shirvington (Emblaze (The Violet Eden Chapters, #3))
β
No story has power, nor will it last, unless we feel in ourselves that it is true and true of us.
β
β
John Steinbeck (East of Eden)
β
Oh, don't mind me," came an extremely sarcastic voice near the wall. βYou two go ahead and make outβI'll just sit here and bleed quietly.
β
β
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
β
I think I love you, Cal." -Abra
I'm not good." -Cal
Because you're not good." -Abra
β
β
John Steinbeck (East of Eden)
β
Everybody has strange things that mean things to them. You couldn't help it.
β
β
Ernest Hemingway (The Garden of Eden)
β
There are no good choices, Allison," Kanin offered in a quiet voice. "There are only those you can live with, and those you can work to change.
β
β
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
β
I have good news and bad news The good news is that the jeep is still where we left it, and I got the damned thing working again."
"What's the bad news?"
"Something took my fuzzy dice.
β
β
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
β
And, of course, people are interested only in themselves. If a story is not about the hearer he will not listen.
β
β
John Steinbeck (East of Eden)
β
The closer you got to someone, the more it would destroy you when they were inevitably gone.
β
β
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
β
I wonder how many people I have looked at all my life and never really seen.
β
β
John Steinbeck (East of Eden)
β
Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man.
β
β
John Steinbeck (East of Eden)
β
Γ, Wanderess, Wanderess
When did you feel your
most euphoric kiss?
Was I the source
of your greatest bliss?
β
β
Roman Payne
β
Don't you dare take the lazy way. It's too easy to excuse yourself because of your ancestry. Don't let me catch you doing it! Now -- look close at me so you will remember. Whatever you do, it will be you who do.
β
β
John Steinbeck (East of Eden)
β
You will always be a monster - there is no turning back from it. But what kind of monster you become is entirely up to you.
β
β
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
β
They're a dark people with a gift for suffering way past their deserving. It's said that without whiskey to soak and soften the world, they'd kill themselves. (Irish)
β
β
John Steinbeck (East of Eden)
β
Youβll ache. And youβre going to love it. It will crush you. And youβre still going to love all of it. Doesnβt it sound lovely beyond belief?
β
β
Ernest Hemingway (The Garden of Eden)
β
I believe that we, that this planet, hasn't seen its Golden Age. Everybody says its finished ... art's finished, rock and roll is dead, God is dead. Fuck that! This is my chance in the world. I didn't live back there in Mesopotamia, I wasn't there in the Garden of Eden, I wasn't there with Emperor Han, I'm right here right now and I want now to be the Golden Age ...if only each generation would realise that the time for greatness is right now when they're alive ... the time to flower is now.
β
β
Patti Smith
β
There is more beauty in truth, even if it is a dreadful beauty. The storytellers at the city gate twist life so that it looks sweet to the lazy and the stupid and the weak, and this only strengthens their infirmities and teaches nothing, cures nothing, nor does it let the heart soar.
β
β
John Steinbeck (East of Eden)
β
Sometimes, a lie is told in kindness. I don't believe it ever works kindly. The quick pain of truth can pass away, but the slow, eating agony of a lie is never lost.
β
β
John Steinbeck (East of Eden)
β
Knowing that you're crazy doesn't make the crazy things stop happening.
β
β
Mark Vonnegut (The Eden Express: A Memoir of Insanity)
β
You can boast about anything if it's all you have. Maybe the less you have, the more you are required to boast.
β
β
John Steinbeck (East of Eden)
β
Perhaps the best conversationalist in the world is the man who helps others to talk.
β
β
John Steinbeck (East of Eden)
β
And sometimes, hope is the only thing that gets us through the day.
β
β
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
β
Violet: "You're an asshole."
Onyx: "Thank you, it's something that took an eternity to perfect.
β
β
Jessica Shirvington (Enticed (The Violet Eden Chapters, #2))
β
He had an idea that even when beaten he could steal a little victory by laughing at defeat.
β
β
John Steinbeck (East of Eden)
β
I'll want to hear,' Samuel said. 'I eat stories like grapes.
β
β
John Steinbeck (East of Eden)
β
The free exploring mind of the individual human is the most valuable thing in the world.
β
β
John Steinbeck (East of Eden)
β
Love will kill us all." He said sadly. "First it makes us lie furiously so we can be what me must in order to appear deserving. Then, it tears us apart with raw truth. Whether we are man, exile or angel - It doesn't matter. For us all, the nature of truth is unforgiving.
β
β
Jessica Shirvington (Emblaze (The Violet Eden Chapters, #3))
β
Fear can be a potent aphrodisiac.
β
β
Kele Moon (Beyond Eden (Eden, #1))
β
Perception s the only reality that matters
β
β
Barry Kirwan (Eden's Endgame (Eden Paradox, #4))
β
Hunger flickered, always there, but I pushed it down. I was a vampire. Nothing would change that. But I didn't have to be a monster.
β
β
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
β
You are a cad,' he told himself. 'A cur. A bounder. A scoundrel. A ... human thesaurus.
β
β
Sarah M. Eden (The Kiss of a Stranger (The Jonquil Brothers, #0))
β
I love you and I always will and I am sorry. What a useless word.
β
β
Ernest Hemingway (The Garden of Eden)
β
The total amount of suffering per year in the natural world is beyond all decent contemplation. During the minute that it takes me to compose this sentence, thousands of animals are being eaten alive, many others are running for their lives, whimpering with fear, others are slowly being devoured from within by rasping parasites, thousands of all kinds are dying of starvation, thirst, and disease. It must be so. If there ever is a time of plenty, this very fact will automatically lead to an increase in the population until the natural state of starvation and misery is restored. In a universe of electrons and selfish genes, blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won't find any rhyme or reason in it, nor any justice. The universe that we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but pitiless indifference.
β
β
Richard Dawkins (River Out of Eden: A Darwinian View of Life)
β
Words define us,' Mom continued, as I struggled to make my clumsy marks look like her elegant script. 'We must protect our knowledge and pass it on whenever we can. If we are ever to become a society again, we must teach others how to remain human.
β
β
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
β
In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted shortcuts to love...We have only one story. All novels, all poetry, are built on the neverending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.
β
β
John Steinbeck (East of Eden)
β
Time interval is a strange and contradictory matter in the mind. It would be reasonable to suppose that a routine time or an eventless time would seem interminable. It should be so, but it is not. It is the dull eventless times that have no duration whatever. A time splashed with interest, wounded with tragedy, crevassed with joy - that's the time that seems long in the memory. And this is right when you think about it. Eventlessness has no posts to drape duration on. From nothing to nothing is no time at all.
β
β
John Steinbeck (East of Eden)
β
Perhaps everybody has a garden of Eden, I don't know; but they have scarcely seen their garden before they see the flaming sword. Then, perhaps, life only offers the choice of remembering the garden or forgetting it. Either, or: it takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare.
β
β
James Baldwin
β
This royal throne of kings, this scepterβd isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in the silver sea,
Which serves it in the office of a wall
Or as a moat defensive to a house,
Against the envy of less happier lands,
This blessed plot, this earth, this realm, this England,
This nurse, this teeming womb of royal kings,
Fearβd by their breed and famous by their birth,
Renowned for their deeds as far from home,
For Christian service and true chivalry,
As is the sepulchre in stubborn Jewry
Of the worldβs ransom, blessed Maryβs Son,
This land of such dear souls, this dear dear land,
Dear for her reputation through the world,
Is now leased out, I die pronouncing it,
Like to a tenement or pelting farm:
England, bound in with the triumphant sea,
Whose rocky shore beats back the envious siege
Of watery Neptune, is now bound in with shame,
With inky blots and rotten parchment bonds:
That England, that was wont to conquer others,
Hath made a shameful conquest of itself.
Ah, would the scandal vanish with my life,
How happy then were my ensuing death!
β
β
William Shakespeare (Richard II)
β
The church and the whorehouse arrived in the Far West simultaneously. And each would have been horrified to think it was a different facet of the same thing. But surely they were both intended to accomplish the same thing: the singing, the devotion, the poetry of the churches took a man out of his bleakness for a time, and so did the brothels.
β
β
John Steinbeck (East of Eden)
β
Just as there are physical monsters, can there not be mental or psychic monsters born? The face and body may be perfect, but if a twisted gene or malformed egg can produce physical monsters, may not the same process produce a malformed soul?
Monsters are variations from the accepted normal to a greater or a less degree. As a child may be born without an arm, so one may be born without kindness or the potential of conscience. A man who loses his arms in an accident has a great struggle to adjust himself to the lack, but one born without arms suffers only from people who find him strange. Having never had arms, he cannot miss them. To a monster the norm must seem monstrous, since everyone is normal to himself. To the inner monster it must be even more obscure, since he has no visible thing to compare with others. To a criminal, honesty is foolish. You must not forget that a monster is only a variation, and that to a monster the norm is monstrous.
β
β
John Steinbeck (East of Eden)
β
We are vampires, Kanin had told me, on one of our last nights together. It makes no difference who we are, where we came from. Princes, Masters and rabids alike, we are monsters, cut off from humanity. They will never trust us. They will never accept us. We hide in their midst and walk among them, but we are forever separate.
Damned. Alone. You donβt understand now, but you will. There will come a time when the road before you splits, and you must decide your path. Will you choose to become a demon with a human face, or will you fight your demon until the end of time, knowing you will forever struggle alone?
β
β
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
β
Sometimes a kind of glory lights up the mind of a man. It happens to nearly everyone. You can feel it growing or preparing like a fuse burning toward dynamite. It is a feeling in the stomach, a delight of the nerves, of the forearms. The skin tastes the air, and every deep-drawn breath is sweet. Its beginning has the pleasure of a great stretching yawn; it flashes in the brain and the whole world glows outside your eyes. A man may have lived all of his life in the gray, and the land and trees of him dark and somber. The events, even the important ones, may have trooped by faceless and pale. And then -the glory- so that a cricket song sweetens his ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished. And I guess a man's importance in the world can be measured by the quality and number of his glories. It is a lonely thing but it relates us to the world. It is the mother of all creativeness, and it sets each man separate from all other men.
β
β
John Steinbeck (East of Eden)
β
Cathy's lies were never innocent. Their purpose was to escape punishment, or work, or responsibility, and they were used for profit. Most liars are tripped up either because they forget what they have told or because the lie is suddenly faced with an incontrovertible truth. But Cathy did not forget her lies, and she developed the most effective method of lying. She stayed close enough to the truth so that one could never be sure. She knew two other methods also -- either to interlard her lies with truth or to tell a truth as though it were a lie. If one is accused of a lie and it turns out to be the truth, there is a backlog that will last a long time and protect a number of untruths.
β
β
John Steinbeck (East of Eden)
β
After a while you'll think no thought the others do not think. You'll know no word the others can't say. And you'll do things because the others do them. You'll feel the danger in any difference whatever-a danger to the crowd of like-thinking, like-acting men...Once in a while there is a man who won't do what is demanded of him, and do you know what happens? The whole machine devotes itself coldly to the destruction of his difference. They'll beat your spirit and your nerves, your body and your mind, with iron rods until the dangerous difference goes out of you. And if you can't finally give in, they'll vomit you up and leave you stinking outside--neither part of themselves, nor yet free...They only do it to protect themselves. A thing so triumphantly illogical, so beautifully senseless as an army can't allow a question to weaken it.
β
β
John Steinbeck (East of Eden)
β
The way you move is incredible.β Ren drew me back to press against him. His fingers slid down to the curve of my hips, rocking our bodies in rhythm with the heavy bass. The sensation of being molded against the hard narrow line of his hips threatened to overwhelm me. We were hidden in the mass of people, right? The Keepers couldnβt see?
I tried to steady my breath as Ren kept us locked together in the excruciatingly slow pulse of the music. I closed my eyes and leaned back into his body; his fingers kneaded my hips, caressed my stomach. God, it felt good.
My lips parted and the misty veil slipped between them, playing along my tongue. The taste of flower buds about to burst into bloom filled my mouth. Suddenly I wanted nothing more than to melt into Ren. The surge of desire terrified me. I had no idea if the compulsion to draw him more tightly around my body emerged from my own heart or from the succubiβs spellcraft. This couldnβt happen!
I started to panic when he bent his head, pressing his lips against my neck. My eyes fluttered and I struggled to focus despite the suffocating heat that pressed down all around me. His sharpened canines traced my skin, scratching but not breaking the surface. My body quaked and I pivoted in his arms, pushing against his chest, making space between us.
βIβm a fighter, not a lover,β I gasped.
βYou canβt be both?β His smile made my knees buckle.
β
β
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))