Ed Abbey Quotes

We've searched our database for all the quotes and captions related to Ed Abbey. Here they are! All 88 of them:

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A crowded society is a restrictive society; an overcrowded society becomes an authoritarian, repressive and murderous society.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Ah yes, the head is full of books. The hard part is to force them down through the bloodstream and out through the fingers.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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When guns are outlawed, only the Government will have guns. The Government - and a few outlaws. If that happens, you can count me among the outlaws.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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I took the other road, all right, but only because it was the easy road for me, the way I wanted to go. If I've encountered some unnecessary resistance that's because most of the traffic is going the other way.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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A house built on greed cannot long endure.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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The one thing ... that is truly ugly is the climate of hate and intimidation, created by a noisy few, which makes the decent majority reluctant to air in public their views on anything controversial. ... Where all pretend to be thinking alike, it's likely that no one is thinking at all.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Anyone not paranoid in this world must be crazy. . . . Speaking of paranoia, it's true that I do not know exactly who my enemies are. But that of course is exactly why I'm paranoid.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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If it's knowledge and wisdom you want, then seek out the company of those who do real work for an honest purpose.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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I am hopeful, though not full of hope, and the only reason I don't believe in happy endings is because I don't believe in endings.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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In the land of bleating sheep and braying jackasses, one brave and honest man is bound to create a scandal.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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I now find the most marvelous things in the everyday, the ordinary, the common, the simple and tangible.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Saving the world is only a hobby. Most of the time I do nothing.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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A world without huge regions of total wilderness would be a cage; a world without lions and tigers and vultures and snakes and elk and bison would be - will be - a human zoo. A high-tech slum.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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But of the seven deadly sins, wrath is the healthiest - next only to lust.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Walking is the only form of transportation in which a man proceeds erect - like a man - on his own legs, under his own power. There is immense satisfaction in that.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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The ugliest thing in America is greed, the lust for power and domination, the lunatic ideology of perpetual Growth - with a capital G. 'Progress' in our nation has for too long been confused with 'Growth'; I see the two as different, almost incompatible, since progress means, or should mean, change for the better - toward social justice, a livable and open world, equal opportunity and affirmative action for all forms of life. And I mean all forms, not merely the human. The grizzly, the wolf, the rattlesnake, the condor, the coyote, the crocodile, whatever, each and every species has as much right to be here as we do.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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I think it is far more important to save one square mile of wilderness, anywhere, by any means, than to produce another book on the subject.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Why can't we simply borrow what is useful to us from Buddhism, Hinduism, Taoism, especially Zen, as we borrow from Christianity, science, American Indian traditions and world literature in general, including philosophy, and let the rest go hang? Borrow what we need but rely principally upon our own senses, common sense and daily living experience.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Simply because humankind have the power now to meddle or 'manage' or 'exercise stewardship' in every nook and cranny of the world does not mean that we have a right to do so. Even less, the obligation.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Anarchism? You bet your sweet betsy. The only cure for the ills of democracy is more democracy. Much more.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Instant communication is not communication at all but merely a frantic, trivial, nerve-wracking bombardment of cliches, threats, fads, fashions, gibberish and advertising.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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And the so-called 'political process' is a fraud: Our elected officials, like our bureaucratic functionaries, like even our judges, are largely the indentured servants of the commercial interests.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Readers, not critics, are the people who determine a book's eventual fate.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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The love of a man for his wife, his child, of the land where he lives and works, is for me the real meaning of mystical experience.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Yes, there are plenty of heroes and heroines everywhere you look. They are not famous people. They are generally obscure and modest people doing useful work, keeping their families together and taking an active part in the health of their communities, opposing what is evil (in one way or another) and defending what is good. Heroes do not want power over others.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Not all questions can be answered.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Philosophy without action is the ruin of the soul. One brave deed is worth a hundred books, a thousand theories, a million words. Now as always we need heroes. And heroines! Down with the passive and the limp.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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I suppose each of us has his own fantasy of how he wants to die. I would like to go out in a blaze of glory, myself, or maybe simply disappear someday, far out in the heart of the wilderness I love, all by myself, alone with the Universe and whatever God may happen to be looking on. Disappear - and never return. That's my fantasy.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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How could anything non-controversial be of intellectual interest to grown-ups?
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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One of the pleasant things about small town life is that everyone, whether rich or poor, liked or disliked, has some kind of a role and place in the community. I never felt that living in a city -- as I once did for a couple of years.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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What is the essence of the art of writing? Part One: Have something to say. Part Two: Say it well.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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And if the computer gives you any back talk, pour some well-sugared office coffee into its evil little silicon brain.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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I would like to evoke the sense of wonder and magic in the reader but without invoking the mystical, the supernatural or the transcendent.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Those who have no sense of posterity or any concern for future generations are the ones who are really dead. I mean, they are dead right now. Walking zombies.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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As for writing, that's a cruel hard business. Unless you're very lucky it'll break your heart.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Hard times are a-coming, and people without useful, practical skills are going to suffer. Or suffer most.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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In the first place, you can't see anything from a car.
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Edward Abbey
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But it is a writer's duty to write and speak and record the truth, always the truth, no matter whom may be offended.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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I would not sacrifice a single living mesquite tree for any book ever written. One square mile of living desert is worth a hundred 'great books' - and one brave deed is worth a thousand.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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There is a certain animal vitality in most of us which carries us through any trouble but the absolutely overwhelming. Only a fool has no sorrow, only an idiot has no grief - but then only a fool and an idiot will let grief and sorrow ride him down into the grave.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Vonnegut is one of America's basic artists, a true and worthy heir to the grand tradition of Thoreau, Whitman, Twain, Dreiser, Traven, Tom Wolfe (the real Tom Wolfe, I mean) and Steinbeck. In other words, he writes out of a concern for justice, love, honesty, and hope.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Devoted though we must be to the conservation cause, I do not believe that any of us should give it all of our time or effort or heart. Give what you can, but do not burn yourselves out -- or break your hearts. Let us save at least half of our lives for the enjoyment of this wonderful world which still exists. Leave your dens, abandon your cars and walk out into the great mountains, the deserts, the forests, the seashores. Those treasures still belong to all of us. Enjoy them to the full, stretch your legs, expand your lungs, enliven your hearts -- and we will outlive the greedy swine who want to destroy it all in the name of what they call GROWTH. God bless America -- let's save some of it. Long live the weeds and the wilderness yet!
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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When I want to write something I just sit down (or stand up) and do it. Scribble, scribble, nothing could be easier. It helps, naturally, to have something to say.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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To the Technocrats: Have mercy on us. Relax a bit, take time out for simple pleasures. For example, the luxuries of electricity, indoor plumbing, central heating, instant electronic communication and such, have taught me to relearn and enjoy the basic human satisfactions of dipping water from a cold clear mountain stream; of building a wood fire in a cast-iron stove; of using long winter nights for making music, making things, making love; of writing long letters, in longhand with a fountain pen, to the few people on this earth I truly care about.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Certainly, I want to capture the reader's attention from the beginning and hold it until the end: that is half the purpose of my art. The other half must be to tell my story in the most honest way that I can.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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There are only two living American authors fully deserving of the Nobel Prize. One is Lewis Mumford. The other is Wallace Stegner, whose novels and essays provide us a comprehensive portrait of industrial society in all its glittering corruption and radiant evil.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Our institutions are too big; they represent not the best but the worst characteristics of human beings. By submitting to huge hierarchies of power, we gain freedom from personal responsibility for what we do and are forced to do - the seduction of it - but we lose the dignity of being real men and women. Power corrupts; attracts the worst and corrupts the best. ... Refuse to participate in evil; insist on taking part in what is healthy, generous, and responsible. Stand up, speak out, and when necessary fight back. Get down off the fence and lend a hand, grab a-hold, be a citizen - not a subject.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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I doubt that my sense of personal freedom is any stronger than anybody else's. I'm happy to respect authority when it's genuine authority, based on moral or intellectual or even technical superiority. I'm eager to follow a hero if we can find one. But I tend to resist or evade any kind of authority based merely on the power to coerce. Government, for example. The Army tried to train us to salute the uniform, not the man. Failed. I will salute the man, maybe, if I think he's worthy of it, but I don't salute uniforms anymore.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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My friends and I live in the American SW because we love it, and love it for its own sake - not merely because it's the last region of the forty-eight states to be buried under asphalt and greed.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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In demonstrating that humans behave with justice, tolerance, reason, love toward other forms of life, we are doing no more than demanding that humans be human -- that is, be true to the best aspects of human nature. Humans being human, therefore, cannot consider themselves morally superior to, say, bears being bear-like, eagles being eagle-like, etc.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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The weather here is windy, balmy, sometimes wet. Desert springtime, with flowers popping up all over the place, trees leafing out, streams gushing down from the mountains. Great time of year for hiking, camping, exploring, sleeping under the new moon and the old stars. At dawn and at evening we hear the coyotes howling with excitement - mating season. And lots of fresh rabbit meat hopping about to feed the young ones with.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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[I]t is the writer's duty to write fiction which promotes virtue, the good, the beautiful, and above all, the true. ... It is the writer's duty to hate injustice, to defy the powerful, and to speak for the voiceless. To be ... the severest critics of our own societies.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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I hate and fear violence myself, have always avoided barroom brawls, and tho' I'm a bit of a gun-nut, and a member of the NRA, I never shoot at anything but beer cans and mule deer. (In season.) And seldom hit either, except by accident.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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The children are innocent until proven guilty. For their sake, not ours, we must soldier on, muddling our way toward frugality, simplicity, liberty, community, until some kind of sane and rational balance is achieved between our ability to love and our cockeyed ambition to conquer and dominate everything in sight. No wonder the galaxies recede from us in every direction, fleeing at velocities that approach the speed of light. They are frightened. We humans are the Terror of the Universe.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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There is this to be said for walking: it is the one method of human locomotion by which a man or woman proceeds erect, upright, proud and independent, not squatting on the haunches like a frog. Little boys love machines. Grown-up mean and women like to walk.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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But hell, I do like to write letters. Much easier than writing books.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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How become a writer? Naturally.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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In this respect the differences between the USA and the USSR are those of evangelical dinosaurs competing for domination on one small planet: the first deifies Jesus Christ, the other Karl Marx. Neither has much practical interest in what those two sincere and hard-working fellows actually preached.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Perhaps I shouldn't call it shit. That's a bit crude. I don't really despise Christianity or even the Roman Church, and certainly not the incontrovertible glory of the Middle Ages. What I do despise is the contemporary inclination to flop to the knees and crawl back into the past, to shy from what seem like impossible problems in order to bury the head, asshole aloft and twitching, in the Sands of Time. Cowardice, I calls it. Illusion-seeking. Womb-crawling. And treason. Desertion in the face of the enemy. Strong words indeed. But I've always been rather a blunt, tough, plain-spoken type . . .
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Should a writer have a social purpose? Any honest writer is bound to become a critic of the society he lives in, and sometimes, like Mark Twain or Kurt Vonnegut or Leo Tolstoy or Francois Rabelais, a very harsh critic indeed. The others are sycophants, courtiers, servitors, entertainers. Shakespeare was a sychophant; however, he was and is also a very good poet, and so we continue to read him.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Most every charge you level at American capitalism applies with equal force to communism, with this nice difference, that the Reds make no pretense at such frivolities as civil liberties or environmentalism. The differences in degree are so great that they result in a radical difference in kind.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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[R]eality and real people are too subtle and complicated for anybody's typewriter, even Tolstoy's, even yours, even mine.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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I'd like to see North America become a dry, sunny, sandy region inhabited mainly by lizards, buzzards and a modest human population - about 25 million would be plenty - of pastoralists and prospectors (prospecting for truth), gathering once a year in the ruins of ancient, mysterious cities for great ceremonies of music, art, dance, poetry, joy, faith and renewal. That's my dream of the American future. Like most such dreams, it will probably come true. That is why I'm still an optimist.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Let's have some precision in language here: terrorism means deadly violence -- for a political and/or economical purpose -- carried out against people and other living things, and is usually conducted by governments against their own citizens (as at Kent State, or in Vietnam, or in Poland, or in most of Latin America right now), or by corporate entities such as J. Paul Getty, Exxon, Mobil Oil, etc etc., against the land and all creatures that depend upon the land for life and livelihood. A bulldozer ripping up a hillside to strip mine for coal is committing terrorism; the damnation of a flowing river followed by the drowning of Cherokee graves, of forest and farmland, is an act of terrorism. Sabotage, on the other hand, means the use of force against inanimate property, such as machinery, which is being used (e.g.) to deprive human beings of their rightful work (as in the case of Ned Ludd and his mates); sabotage (le sabot dropped in a spinning jenny) -- for whatever purpose -- has never meant and has never implied the use of violence against living creatures.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Me, I'm living under a sword too, as Jack may have told you. An old wino's disease, which could lay me in the grave most anytime. Not that I mind too much; I've done everything I ever wanted to do. But ... as you know, one would like to continue doing the good things over and over again, so long as there's pleasure in it.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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What I am really writing about, what I have always written about, is the idea of human freedom, human community, the real world which makes both possible, and the new technocratic industrial state which threatens the existence of all three. Life and death, that's my subject, and always has been - if the reader will look beyond the assumptions of lazy critics and actually read what I have written. Which also means, quite often, reading between the lines: I am a comic writer and the generation of laughter is my aim.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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If you hope for any sort of dialogue and unity with all factions on the vaguely leftist or radical side of politics, you must cease from silly verbal abuse. If you don't want it, then we go on as we are, fractious and impotent.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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In any nation but the USA, it is taken for granted that a man of distinction, ability, wealth or power will keep a mistress and a few girlfriends on the side. Only in America, still suffering from its grotesque, hypocritical Puritan heritage, do we persist in attempting to deny and repeal a million years of basic primate biology.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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It is vital that we avoid any hint of moral superiority in our dealings with one another in the environmental movement; if it developed into factionalism it would destroy us, as factionalism has destroyed so many other progressive movements in America.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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The gross evil of our time defies all labels.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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The more we learn of outer space and inner space, of quasars and quarks, of Big Bangs and Little Blips, the more remote, abstract and intellectually inconsequential it all becomes.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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Ed Abbey, the chief wilderness sage of his day, reminded us that β€œthe indoor life is the next best thing to premature burial.
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Mark Kenyon (That Wild Country: An Epic Journey through the Past, Present, and Future of America's Public Lands)
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People who think that love, sex, marriage, work, play, life and death are serious matters are urged NOT to read this book. Buy it, yes, but don't read it. [Regarding "The Fool's Progress"]
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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So I write mainly for the fun of it, the hell of it, the duty of it. I enjoy writing and will probly be a scribbler on my dying day, sprawled on some stony trail halfway between two dry waterholes.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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I believe that the military-industrial state will eventually collapse, possibly even in our lifetime, and that a majority of us (if prepared) will muddle through to a freer, more open, less crowded, green and spacious agrarian society. (Maybe; of course it may be only a repeat of the middle ages.)
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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The novel should tell the truth, as I see the truth, or as the novelist persuades me to see it. And one more demand: I expect the novelist to aspire to improve the world. ... As a novelist, I want to be more than one more dog barking at the other dogs barking at me. Not out of any foolish hope that one novelist, or all virtuous novelists in chorus, can make much of a difference for good, except in the long run, but out of the need to prevent the human world from relaxing into something worse. To maintain the tension between truth and falsity, beauty and ugliness, good and evil. ... I believe the highest duty of the serious novelist is, whatever the means or technique, to be a critic of his society, to hold society to its own ideals, or if these ideals are unworthy, to suggest better ideals.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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I suppose this is a trivial matter but I do want to object to the maddening fuss-fidget punctuation which one of your editors is attempting to impose on my story. I said it before but I'll say it again, that unless necessary for clarity of meaning I would prefer a minimum of goddamn commas, hyphens, apostrophes, quotation marks and fucking (most obscene of all punctuation marks) semi-colons. I've had to waste hours erasing that storm of flyshit on the typescript. [Regarding "The Monkey Wrench Gang"]
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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In fact, I suspect that our only hope is disaster. Cruel tho' it is to say it, there has got to be a vast die-off in the human population -- likely including us and our families -- before the survivors find themselves in a world where a new and humble and 'religious' adaptation with nature is possible. Disaster is not necessary; the better world could be achieved through reason and common sense and a sense of fellowship -- but most of the present human world is dead set against us. Thus I was forced to the disagreeable resolutions (not solutions) which I attempted to sketch out in the novel 'Good News.' The title is of course deliberately ambiguous.
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Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
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A lot of us are like thatβ€”I’m like that, Ed Abbey was like that, and it sounds like this McCandless kid was like that: We like companionship, see, but we can’t stand to be around people for very long. So we go get ourselves lost, come back for a while, then get the hell out again.
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Jon Krakauer (Into the Wild)
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few days later, the doctors broke the news to Clarke that Abbey had cancer of the liver and pancreas and that he would die within months. When Abbey heard the news, his first words, according to Jack Loeffler’s book Adventures with Ed, were, β€œAt least I don’t have to floss anymore.
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Sean Prentiss (Finding Abbey: The Search for Edward Abbey and His Hidden Desert Grave)
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ED ABBEY’S FBI file was a thick one, and makes for engrossing reading. The file begins in 1947, when Abbey, just twenty and freshly back from serving in the Army in Europe, posts a typewritten notice on the bulletin board at the State Teachers College in Pennsylvania. The note urges young men to send their draft cards to the president in protest of peacetime conscription, exhorting them to β€œemancipate themselves.” It is at that point that Abbey becomes β€œthe subject of a Communist index card” at the FBI, and from then until the end of his life the Bureau will keep track of where Abbey is residing, following his many moves. They will note when he heads west and, as acting editor of the University of New Mexico’s literary magazine, The Thunderbird, decides to print an issue with a cover emblazoned with the words: β€œMan will never be free until the last king is strangled with the entrails of the last priest!” The quote is from Diderot, but Abbey thinks it funnier to attribute the words to Louisa May Alcott. And so he quickly loses his editorship while the FBI adds a few more pages to his file. The Bureau will become particularly intrigued when Mr. Abbey attends an international conference in defense of children in Vienna, Austria, since the conference, according to the FBI, was β€œinitiated by Communists in 1952.” Also quoted in full in his files is a letter to the editor that he sends to the New Mexico Daily Lobo, in which he writes: β€œIn this day of the cold war, which everyday [sic] shows signs of becoming warmer, the individual who finds himself opposed to war is apt to feel very much out of step with his fellow citizens” and then announces the need to form a group to β€œdiscuss implications and possibilities of resistance to war.
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David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
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DeVoto shared with Stegner an ability to see the big picture. But he shared plenty with Abbey, too: a tendency toward overstatement, a willingness to bloody noses, a love of tweaking the overly proper and accepted. Stegner once called DeVoto the β€œLone Ranger,” and one can easily imagine DeVoto standing alone in the 1940s and ’50s, keeping a mob of vigilantes (politicians, developers, ranchers, oil men) at bay as they clamored on about taking back β€œtheir” land. Stegner joined DeVoto in the fight, but it wasn’t until Ed Abbey came along that anyone took to the fight with anywhere near the same cantankerous spirit.
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David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
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One thing her trip taught, and that is apparent to scientists studying the pronghorn, is the vital importance of β€œconnectivity.” It is a lesson being learned, and preached, by innovative environmental thinkers all over the West, and it applies to many of the region’s threatened species. It comes down to a simple point: wild animals need to roam. It’s true that putting land aside for our national parks may be, to paraphrase Stegner paraphrasing Lord Bryce, the best idea our country ever had, and it’s also true that at this point we have put aside more than 100 million acres of land, a tremendous accomplishment that we should be proud of. But what we are now learning is that parks are not enough. By themselves they are islandsβ€”particularly isolated and small islandsβ€”the sort of islands where many conservation biologists say species go to die. That would change if the parks were connected, and connecting the parks, and other wild lands, is the mission of an old friend of Ed Abbey’s, Dave Foreman. Foreman, one of the founders of Earth First!, eventually soured on the politics of the organization he helped create. In recent years he has focused his energy on his Wildlands Project, whose mission is the creation of a great wilderness corridor from Canada to Mexico, a corridor that takes into account the wider ranges of our larger predators. Parks alone can strand animals, and leave species vulnerable, unless connected by what Foreman calls β€œlinkages.” He believes that if we can connect the remaining wild scraps of land, we can return the West to being the home of a true wilderness. He calls the process β€œrewilding.” Why go to all this effort? Because dozens of so-called protected species, stranded on their eco-islands, are dying out. And because when they are gone they will not return. A few more shopping malls, another highway or gas patch, and there is no more path for the pronghorn. But there is an even more profound reason for trying to return wildness to the West. β€œWe finally learned that wilderness is the arena of evolution,” writes Foreman. Wilderness is where change happens.
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David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
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What Ed and I knew, on some fundamental level, is that once you’ve been out in it long enough, it becomes the top priority,” he told us as we settled into the study. β€œWhen you’re out in it fully, you recognize it’s where you belong. We concluded that it took a good ten days in the wilderness until you began to change. You need to live in the spirit of nature, so that it’s totally and intuitively in your system. Then you don’t have any choice but to defend it.
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David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
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Everett was a loner, but he liked people too damn much to stay down there and live in secret the rest of his life. A lot of us are like thatβ€”I’m like that, Ed Abbey was like that, and it sounds like this McCandless kid was like that: We like companionship, see, but we can’t stand to be around people for very long. So we go get ourselves lost, come back for a while, then get the hell out again. And that’s what Everett was doing. β€œEverett was strange,” Sleight concedes. β€œKind of different. But him and McCandless, at least they tried to follow their dream. That’s what was great about them. They tried. Not many do.
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David Roberts (Finding Everett Ruess: The Life and Unsolved Disappearance of a Legendary Wilderness Explorer)
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One thing he did more responsibly than almost any Fellow I remember. We had a practice then of having the current Fellows act as preliminary readers on the applications of people wanting to come the next year. Among the manuscripts that he got to read was one by Ken Kesey, then still at Oregon. The manuscript was a football novel all about homosexual quarterbacks and corrupt coaches. Ed’s comment (we asked only for a rating: Good, possible, or impossible) was one sentence: β€œFootball has found its James Jones.” And that’s about all I know. I never saw Ed Abbey after he left here, though I read his books with pleasure
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David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
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Terry Tempest Williams’s koan came to me in an e-mail, which reads: β€œI loved both these men. I still feel their hands on my shoulder, wondering what they would be saying, writing, now. In so many ways, Ed was the conservative, Wally, forever the radical.
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David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
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Ed Abbey, one of the most influential pro-public-lands voices of the sixties and seventies, said that walking "stretches time and prolongs life. Life is already too short to waste on speed.
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Mark Kenyon (That Wild Country: An Epic Journey through the Past, Present, and Future of America's Public Lands)