Eclipse Surround With Quotes

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Let's make no mistake about this: The American Dream starts with the neighborhoods. If we wish to rebuild our cities, we must first rebuild our neighborhoods. And to do that, we must understand that the quality of life is more important than the standard of living. To sit on the front steps--whether it's a veranda in a small town or a concrete stoop in a big city--and to talk to our neighborhoods is infinitely more important than to huddle on the living-room lounger and watch a make-believe world in not-quite living color. ... And I hardly need to tell you that in the 19- or 24-inch view of the world, cleanliness has long since eclipsed godliness. Soon we'll all smell, look, and actually be laboratory clean, as sterile on the inside as on the out. The perfect consumer, surrounded by the latest appliances. The perfect audience, with a ringside seat to almost any event in the world, without smell, without taste, without feel--alone and unhappy in the vast wasteland of our living rooms. I think that what we actually need, of course, is a little more dirt on the seat of our pants as we sit on the front stoop and talk to our neighbors once again, enjoying the type of summer day where the smell of garlic travels slightly faster than the speed of sound.
Harvey Milk
The earth together with its surrounding waters must in fact have such a shape as its shadow reveals, for it eclipses the moon with the arc of a perfect circle. 1543 AD
Nicolaus Copernicus
The earth together with its surrounding waters must in fact have such a shape as its shadow reveals, for it eclipses the moon with the arc of a perfect circle." 1543 AD
Nicolaus Copernicus
The earth together with its surrounding waters must in fact have such a shape as its shadow reveals, for it eclipses the moon with the arc of a perfect circle. Nicolaus Copernicus, 1543 AD
Nicolaus Copernicus
An astoundingly perfect black void sat where the sun had been, surrounded by a jagged white nimbus of light that nearly brought me to tears. This was the solar corona, the hot outer edges of the sun's atmosphere that drive a flood of particles into space and generate a phenomenon known as a stellar wind, a key property of how our sun and other stars evolve. I had studied this particular aspect of stars for almost my entire life, using a dozen of the best telescopes in the world, but this was the first time I could see a star's wind with my own naked-eye. Around us, the sky was a strangely uniform dome of sunsets in every direction, and the warmth of sunlight had been replaced by an almost primal up-the-neck chill. It felt like the planet itself had been put on pause at this particular place and moment in time, a frozen moment of "look.
Emily M. Levesque (The Last Stargazers: The Enduring Story of Astronomy's Vanishing Explorers)
As melancholia replaced the jarring of my invention, I sat. Unable to breathe in the smog I had created, unable to stand on my betraying legs, unable to howl at the heavens over my sordid soul. In this inferno, I became paroxysmic, my self-hatred, superparamount, numbness dulling the agony of such a devilish act, An iron curtain fell upon the surrounding world, or at least what I had left of it to be owned by the laconic eclipse. All the angels fled, disowning my prayers, the lurid world backed away, leaving me forsaken and detached, I could no longer hear the bombings, hear them fall, my own fabrication, only the dead air that came after, the intense silence. Cynical and paralyzed, I realized I had purloined a portion of Hell and given it to the unwilling Earth, Punishing those I had no right to punish, judging those I had no reason to condemn, destroying cities I had never set foot in. This is how I became Death, the destroyer of Worlds.
Moonie
Drowning in guilt and fear and desire, she tried to push his caressing hand away from her throat. His fingers delved into her hair with a grip just short of painful. His mouth was close to hers. He was surrounding her, all the strength and force and maleness of him, and she closed her eyes as her senses went quiet and dark in helpless waiting. "I'll make you tell me," she heard him mutter. And then she was kissing her. Somehow, Beatrix thought hazily, Christopher seemed to be under the impression she would find his kisses so objectionable that she would confess anything to make him desist. She couldn't think how he had come by such a notion. In fact, she couldn't really think at all. His mouth moved over hers in supple, intimate angles, until he found some perfect alignment that made her weak all over. She reached around his neck to keep from dropping bonelessly to the floor. Gathering her closer into the hard support of his body, he explored her slowly, the tip of his tongue stroking, tasting. Her body listed more heavily against his as her limbs became weighted with pleasure. She sensed the moment when his anger was eclipsed by passion, desire changing to white-hot need. Her fingers sank into his beautiful hair, the shorn locks heavy and vibrant, his scalp hot against her palms. With each inhalation, she drew in more of his fragrance, the trace of sandalwood on warm male skin. His mouth slid from hers and dragged roughly along her throat, crossing sensitive places that made her writhe. Blindly turning her face, she rubbed her lips against his ear. He drew in a sharp breath and jerked his head back. His hand came to her jaw, clamping firmly. "Tell me what you know," he said, his breath searing her lips. "Or I'll do worse than this. I'll take you here and now. Is that what you want?" As a matter of fact ...
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
And like many lies, this one revealed a wish. How lovely it would have been, I thought, to have had some time just to sink into misery. To not have to deal with family or school. To be surrounded by people whose job it was to keep you safe from your suicidal hand. And to have the circumstances of your life truly reflect what had happened to it. A mental hospital seemed to make a lot more sense than neat rows of chairs and desks, than football bleachers, than that white-lined running track.
Sarah Perry (After the Eclipse: A Mother's Murder, a Daughter's Search)
With the absence of subsidized childcare, paid federal parental leave, and rampant pregnancy discrimination, young women who have had a healthy amount of class advantages are left to ask themselves if they want to effectively lose them—because that’s what parenthood in the United States will ultimately entail: If they want to partake in a different kind of labor that will offer them fewer legal protections, limited pay, increased hours, increased personal financial burdens, and with zero support from the institutions to which they have dedicated expanding days and increased workloads. In this increasing neoliberal cultural terrain, where everyone is encouraged to optimize themselves for the best employment, the strongest partnerships, the most successful path, what strategically middle-class, somewhat self-aware woman wants to do more work for less money? If it wasn’t parenthood we were talking about but a white-collar job, Sheryl Sandberg would tell these young women to lean out. The pragmatics of having a baby are fundamentally incompatible with the dominant cultural messages surrounding economic security, class ascension, and performance aimed at women of these particular socioeconomic backgrounds. This is the tension that underlies many of these waffling motherhood essays and, I think, what young, professional, child-curious people are looking to reconcile when they click on these “Should I, a Middle-Class Woman Who Went to NYU, Have a Baby and Fuck Up This Good Thing?” headlines. But what often awaits them is a contemplation of “choice” and very seldom an expanded structural critique. They are placated into the numbing mantra that having children is “a personal choice,” encouraging increased individual reflection on what is actually a raging systemic failure that relies on women’s free labor. But structuring the conversation of having children around personal autonomy and lone circumstances also successfully eclipses the identification of parenthood as labor in the first place.
Koa Beck (White Feminism)
Suddenly the sky collapsed into darkness and a dozen bright stars appeared. In their midst hung an awful, black ball, rimmed in ruby red and surrounded by the doomsday glow of the gray corona. No photograph can do justice to this appalling sight: The dynamic range from bright to dark is too great, and the colors are literally unearthly. (The ionized gas of the solar corona is hotter than anything gets on Earth except, momentarily, in the detonation of a hydrogen bomb, and is thinner than a laboratory vacuum.) I staggered back a few steps, like a drunken man—or like the Medes and Lydians, who stopped fighting and made peace when a solar eclipse interrupted their battle in 585 B.C. Observers more disciplined than myself have taken leave of their senses at just this moment. The astronomer Charles A. Young of Princeton University berated himself for falling into a trance during the 1869 solar eclipse in Iowa and failing to carry out his scientific tasks: “I cannot describe the sensation of surprise and mortification, of personal imbecility and wasted opportunity that overwhelmed me when the sunlight flashed out,” he recalled.
Timothy Ferris (Seeing in the Dark: How Amateur Astronomers Are Discovering the Wonders of the Universe)
She remembers the last perfect evening before everything happened, perfect even though she didn’t know everything was about to change. Karaoke night. A bunch of kids from choir cheering each other on. When it was her turn, Hallelujah belted out “Total Eclipse of the Heart.” She went for every melodramatic note, closing her eyes and beating her chest. She got the whole group to sing along. She remembers Jonah taking the stage next. When he sang the opening lines to Garth Brooks’s “Friends in Low Places,” the room went nuts. He put on a cowboy drawl and sent the low notes reverberating through the wooden floorboards. She remembers him tipping an imaginary Stetson at her when he was done. In a week, Hallelujah would get caught making out with Luke Willis. He would humiliate her and start spreading lies about her. She would become someone quiet and sad and resentful. But right then, performance-flushed and surrounded by friends, she couldn’t stop smiling.
Kathryn Holmes
In recent decades, national communities have been increasingly eclipsed by tribes of customers who do not know one another intimately but share the same consumption habits and interests, and therefore feel part of the same consumer tribe – and define themselves as such. This sounds very strange, but we are surrounded by examples. Madonna fans, for example, constitute a consumer tribe. They define themselves largely by shopping. They buy Madonna concert tickets, CDs, posters, shirts and ring tones, and thereby define who they are. Manchester United fans, vegetarians and environmentalists are other examples. They, too, are defined above all by what they consume. It is the keystone of their identity. A German vegetarian might well prefer to marry a French vegetarian than a German carnivore.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
member of royalty—and his beauty eclipses his surroundings. I’ve only been in the presence of one other Imperial Fae before, but that was a very long time ago. And whether he was beautiful was the last thing on my mind.
Nisha J. Tuli (Trial of the Sun Queen (Artefacts of Ouranos, #1))
I WOULD NEVER FORGET the day you slipped away. A small lift of your chin and our eyes met. I only saw emptiness in a place where a wistful vulnerability used to collide with wonder. Now, a hollowness of a bottomless pit. In your eyes, I’d never seen your shade of green so dim. It caused my stomach to fall into the same somber eclipse, spiraling faster and faster with no end, no walls, only darkness. And then you averted your gaze. The flesh from my bones, the blood in my veins, the oxygen in my lungs, all of it crumbled, breaking into small pieces yet still holding on by a thread—the thread was my heart. It pumped on auto-pilot as if it couldn’t associate with the rest of my body. It’s thumping sounded in my ears, and I wished it would stop, but my heart was not ready to let go. It continued with the same steady beat, refusing to give up what was right in front of me. Maybe your eyes will return to mine, I thought—well, prayed. And I waited. Two seconds passed. Then three—waiting as my body weakened from your disconnection, and my heart continued to pump. Four. And then your back was to me. Whatever we’d had no longer existed, but I remembered everything clearly, and it wasn’t fair. Could I have accepted the hollow look in your eyes over the wonder? Surely, anything you had to offer would be better than nothing. If only you had turned back around. Had you even noticed me? And then you took a step in the opposite direction. You were gone, left in obscurity and I couldn’t bring you back, but my heart still maintained a steady beat, pumping along to a rhythm of crimson hope. “Stay with me,” you had said over and over. Who would have thought you would be the one to take a step into oblivion? I’m screaming now, can you hear me?Why didn’t you stay with me? I didn’t get to kiss you goodbye. You were gone, and even though you were only twenty feet away, I missed you. It was entirely possible you’d wake up and turn back around, or I’d wake up. Either way, it was a nightmare. I forced my eyes closed. I couldn’t watch you walk away, each step drawing more distance and less of a chance of you coming back. The darkness was better, anyway, and if I held my lids closed tight, I could see stars. I focused on the yellow and orange horizon behind my eyelids, pretending it was a sunset through the bitterness. The only warmth was the water gathering in the corners of my eyes. The tears struggled for a moment, fighting the same lie as my beating heart. I wished I could switch places with you, because I didn’t deserve a world once blessed by your light, and you didn’t deserve this at all. But this is what I deserved. In the beginning, I’d thought you’d be fun, and I’d thought I could leave you effortlessly. It was me who ripped hearts out, but now mine was the one bleeding. The walls surrounding me had been durable, indestructible, before you. And with no more walls, and no more you, I was slowly suffocating. When it came down to you and me, I’d never thought you’d be the one to slip away.
Nicole Fiorina, Stay With Me