Eclectic Person Quotes

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Black, white, homosexual, heterosexual, Christian, Jew, Englishman, Afrikaner, adult, child, man, woman: we were all there together, but somehow that eclectic jumble of labels was overwritten by the one classification that applied to every person there: “friend.
Bianca Marais (Hum If You Don't Know the Words)
Almost everyone who mattered most to me was in the same room...Black, white, homosexual, heterosexual, Christian, Jew, Englishman, Afrikaner, adult, child, man, woman; we were all there together; but somehow that eclectic jumble of labels was overwritten by the one classification that applied to every person there: "friend".
Bianca Marais (Hum If You Don't Know the Words)
In this way, each of us has unique neural networks, which are formed, reinforced, and constantly updated by the eclectic circumstances of our lives. Once circuits are formed, that increases the chances the same circuits will fire in the future. The neural networks embody our experiences and in turn guide future action. They contain the unique way each of us carries himself in the world, the way we walk, talk, and react. They are the grooves down which our behavior flows. A brain is the record of a life. The networks of neural connections are the physical manifestation of your habits, personality, and predilections. You are the spiritual entity that emerges out of the material networks in your head.
David Brooks (The Social Animal: The Hidden Sources Of Love, Character, And Achievement)
Aspire to become a phantom, drifting through eclectic dwellings.
@sherixxan
I pity those reviewers above, and people like them, who ridicule authors like R.A. Boulay and other proponents of similar Ancient Astronaut theories, simply for putting forth so many interesting questions (because that's really what he often throughout openly admits is all he does does) in light of fascinating and thought-provoking references which are all from copious sources. Some people will perhaps only read the cover and introduction and dismiss it as soon as any little bit of information flies in the face of their beliefs or normalcy biases. Some of those people, I'm sure, are some of the ones who reviewed this book so negatively without any constructive criticism or plausible rebuttal. It's sad to see how programmed and indoctrinated the vast majority of humanity has become to the ills of dogma, indoctrination, unverified status quos and basic ignorance; not to mention the laziness and conformity that results in such acquiescence and lack of critical thinking or lack of information gathering to confirm or debunk something. Too many people just take what's spoon fed to them all their lives and settle for it unquestioningly. For those people I like to offer a great Einstein quote and one of my personal favorites and that is: "Condemnation without investigation is the highest form of ignorance" I found this book to be a very interesting gathering of information and collection of obscure and/or remote antiquated information, i.e. biblical, sacred, mythological and otherwise, that we were not exactly taught to us in bible school, or any other public school for that matter. And I am of the school of thought that has been so for intended purposes. The author clearly cites all his fascinating sources and cross-references them rather plausibly. He organizes the information in a sequential manner that piques ones interest even as he jumps from one set of information to the next. The information, although eclectic as it spans from different cultures and time periods, interestingly ties together in several respects and it is this synchronicity that makes the information all the more remarkable. For those of you who continue to seek truth and enlightenment because you understand that an open mind makes for and lifelong pursuit of such things I leave you with these Socrates quotes: "True wisdom comes to each of us when we realize how little we understand about life, ourselves, and the world around us.
Socrates
Books are the mind's ballast, for so many of us--the cargo that makes us what we are, a freight that is ephemeral and indelible, half-forgotten but leaving an imprint. They are nutrition, too. My old age fear is not being able to read--the worst deprivation. Or no longer having my books around me: the familiar, eclectic, explanatory assemblage that hitches me to the wide world, that has freed me from the prison of myself, that has helped me to think, and to write.
Penelope Lively (Ammonites And Leaping Fish: A Life In Time)
Though she looked like an updated sixties hippie straight out of Haight Ashbury, she was more Princeton than Berkeley — more Microsoft than Apple. But there was a softer side to her personality. She had eclectic tastes as was evident in how she decorated her home, making it feel old and new, comfortable and chic.
Camilla Ochlan (The Werewolf Whisperer (The Werewolf Whisperer, #1))
His inventory is eclectic; there's no evidence of pattern or purpose other than, I suppose, his own personal taste. So, no teenage wizards or vampire police here. That's a shame, because this is exactly the kind of store that makes you want to buy a book about a teenage wizard. This is the kind of store that makes you want to be a teenage wizard.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
Many of the NSA’s ISTJs were eclectic geeks just this side of Rain Man. One was known to park his car in exactly the same spot in the agency parking lot every day—no matter whether the lot was empty—and then walk precisely the same steps from that parking spot to his office. Another would buy secondhand pants, wear them every day to work for two weeks, and then throw them out and buy another pair, so that he never had to do laundry. In addition to this disarming weirdness, there was a dark side to the predominance of this singular personality type within the agency. The introverts at the NSA never questioned authority. They kept to themselves and remained silent about the agency’s secrets, for good or ill. Many NSA employees were married to other NSA employees, and often their children came to work there as well, reinforcing the agency’s insular nature, enhanced by its geographic isolation at Fort Meade in suburban Maryland, far from the rest of official Washington.
James Risen (Pay Any Price: Greed, Power, and Endless War)
The Personal Job Advertisement These two activities are likely to have encouraged some clearer ideas about genuine career possibilities, but you should not assume that you are necessarily the best judge of what might offer you fulfilment. Writing a Personal Job Advertisement allows you to seek the advice of other people. The concept behind this task is the opposite of a standard career search: imagine that newspapers didn’t advertise jobs, but rather advertised people who were looking for jobs. You do it in two steps. First, write a half-page job advertisement that tells the world who you are and what you care about in life. Put down your talents (e.g. you speak Mongolian, can play the bass guitar), your passions (e.g. ikebana, scuba diving), and the core values and causes you believe in (e.g. wildlife preservation, women’s rights). Include your personal qualities (e.g. you are quick-witted, impatient, lacking self-confidence). And record anything else that is important to you – a minimum salary or that you want to work abroad. Make sure you don’t include any particular job you are keen on, or your educational qualifications or career background. Keep it at the level of underlying motivations and interests. Here comes the intriguing part. Make a list of ten people you know from different walks of life and who have a range of careers – maybe a policeman uncle or a cartoonist friend – and email them your Personal Job Advertisement, asking them to recommend two or three careers that might fit with what you have written. Tell them to be specific – for example, not replying ‘you should work with children’ but ‘you should do charity work with street kids in Rio de Janeiro’. You will probably end up with an eclectic list of careers, many of which you would never have thought of yourself. The purpose is not only to give you surprising ideas for future careers, but also to help you see your many possible selves. After doing these three activities, and having explored the various dimensions of meaning, you should feel more confident about making a list of potential careers that offer the promise of meaningful work. What should you do next? Certainly not begin sending out your CV. Rather, as the following chapter explains, the key to finding a fulfilling career is to experiment with these possibilities in that rather frightening place called the real world. It’s time to take a ‘radical sabbatical’.
Roman Krznaric (How to Find Fulfilling Work (The School of Life))
HANDLING DESIRE—THREE STRATEGIES: DHARANAS 73, 74 AND 75 This set of three dharanas on desire is useful for sadhana and illustrates the Vijnanabhairava’s universal and eclectic approach. Dharana 73: Having observed a desire that has sprung up, the aspirant should put an end to it immediately. It will be absorbed in that very place from which it arose. Here, a desire, having arisen, is renounced by the aspirant. This is the yogic approach of cutting off unwanted vikalpas. It is effective if you have a strong mind or a weak desire. Dharana 74: When desire or knowledge (or activity) has not arisen in me, then what am I in that condition? In verity, I am (in that condition) that Reality Itself (i.e., Consciousness-bliss). (Therefore the aspirant should always contemplate ‘I am Consciousness-bliss’.) Thus, he will be absorbed in that Reality and will become identified with it. Here, the meditator observes his condition before desire, knowledge or activity has arisen. He identifies with the transcendental and not the personal reality. This is the Vedantic approach. Dharana 75: When a desire or knowledge (or activity) appears, the aspirant should, with the mind withdrawn from all objects (of desire, knowledge, etc.) fix his mind on it (desire, knowledge, etc.) as the very Self, then he will have the realisation of the essential Reality. Here is the Shaivite or Tantric approach. Instead of getting rid of the desire (as in 73) or focussing on the reality prior to desire (74), he focuses on the desire itself, seeing it as the Self, as Chiti. He turns his mind away from the thing that is desired to focus on the feeling of desire itself. Through contemplative awareness he will experience that desire as a wave or pulsation of Consciousness. In comparison, in the yogic approach, the desire is seen as a problem to be chopped off. In the Vedantic approach it is seen as an illusory superimposition on the underlying reality. In the Shaivite approach, the desire is fully entertained and honoured as Chiti Itself. While I am clearly enchanted by the Shaivite approach, all three of these weapons should be in the arsenal of a great meditator.
Shankarananda (Consciousness Is Everything: The Yoga of Kashmir Shaivism)
You can't fire up the crematory to solve personal problems, sweetheart.
Molly Harper (Peachy Flippin' Keen (Southern Eclectic, #1.5))
The artist is the master of his universe, often choosing his own themes, colors, shapes, materials, and images. The art therapist encourages individuals not to judge themselves, to let their work flow. Participants learn that self-expression becomes the most important aspect of creative work. The art doesn’t have to be perfect; each person’s designs are unique. The concept, that we are allowed to experiment and make mistakes, is crucial in the development of self-esteem. When individuals acknowledge that they don’t have to be perfect, they are better able to accept their perceived flaws and “themselves as a whole.” They are often able to identify and focus on strengths instead of weaknesses.
Susan Buchalter (Raising Self-Esteem in Adults: An Eclectic Approach with Art Therapy, CBT and DBT Based Techniques)
...an astonishing blend of cultural history, multi-arts criticism, and memoir, moving with dazzling fluency across the hybrid worlds of visual and performance art, dance and music-theater, and experimental just-about-everything... Coe celebrates the mad pioneers of America’s most surreal cultural era in a gorgeous, insightful prose that matches their marvels.”        - Todd London, This Is Not My Memoir (with Andre Gregory, FSG) “...Compiled from published and unpublished writings, this volume reflects Coe’s extraordinary ability to craft smart journalistic profiles of epochal theater and dance artists with the Olympian sweep of an academic researcher and more than a streak of gonzo memoirist.”       - Don Shewey, Critic and Writer “...a truly personal opus and one that captivates as well as inspires... brimming with imagery and rich pathos that never seem over-indulgent or forced... Coe's book is certain to delight anyone who picks it up."        - Robert Buccellato, the US Review of Books "...a bit of Norman Mailer with a splash of Joan Didion, but all in all, the book has an eclectic style all its own. It’s postmodernism with a smirk and a twinkle. If you were there, you’ll be glad to go back again. If you weren’t there, you’re going to feel as if you were."        - Des McAnuff, Playwright, Songwriter, Director
London, Shewey, Buccellato, McAnuff
I’d define my current décor style as eclectic/modern/Moroccan/rustic. But a soulful and balanced home can certainly be all one style. It’s the gathering and meaning behind it all, combined with the predominant energy of what occurs there, that helps usher in a feeling of warmth, personalization, and soul.
Laura Benko (The Holistic Home: Feng Shui for Mind, Body, Spirit, Space)
Anthony Resetarits, the music lover, finds harmony both on land and at sea. From belting out sea shanties to learning piano chords, he's immersed himself in the world of music. With diverse tastes ranging from classical to EDM, Anthony's playlists reflect his eclectic personality.
Anthony Resetarits
A person can only see their shadow if they awaken their eclectic soul. Self-understanding commences by admitting to the shadowy presence of the primordial unconsciousness. The unconscious mind is a magical concoction of logical and irrational thoughts and feelings.
Kilroy J. Oldster (Dead Toad Scrolls)
If you put a stake in the ground at Kepler’s, an eclectic bookstore run by pacifist Roy Kepler that was located on El Camino Real in Menlo Park beginning in the 1950s, and drew a five-mile circle around it, you would have captured Engelbart’s Augment research group at SRI, McCarthy’s Stanford Artificial Intelligence Laboratory, and Xerox’s Palo Alto Research Center, as well as the hobbyists who made up the People’s Computer Company and the Homebrew Computer Club. It
John Markoff (What the Dormouse Said: How the Sixties Counterculture Shaped the Personal Computer Industry)
Teachers of philosophy tie their dewy-eyed students in knots attempting to answer the elusive riddle, ‘What is the meaning of life?’ It is a classic example of the trick question since there is no pat answer to this timeless paradox that we colloquially refer to as 'life.' No man, woman, or child is identical. Similar to other animals, we each are the product of our entire womb of bodily cravings and comprised of the communal filament of the human mind’s eccentric gyrations. In order to take stock of who we are we must take into account the sensory ingredients of innumerable occurrences that create the tapestry of interwoven sensations making up a rooted way of living. Life is a chummed collection of eclectic personal incidents.
Kilroy J. Oldster (Dead Toad Scrolls)
Their association with the hearth, from the legendary birth of Servius Tullius onward, kept these gods close both to the women who managed the household and to the slaves who prepared the food. By contrast, the grander shrines in the public rooms of the house (especially but not exclusively the atrium) only very rarely featured paintings of the lares, genius, or snakes so typical of kitchen cults. Instead, these shrines contained small statues of the gods (either of bronze or rendered in a variety of other materials) cultivated by the family, deities known collectively as the penates, which is to say gods worshipped by a kin group.12 These deities included an eclectic mixture of the gods of local public cults (such as Venus the patron deity of Pompeii or Mercury the god of trade) with others of personal or gentilicial significance to the family.13 While small statues of lares could frequently be found here, their religious function was different than their role in the kitchen. In other words, the main focus of the shrines in the atrium was not on lares, although these familiar gods were usually invited to every religious occasion in the house.
Harriet I. Flower (The Dancing Lares and the Serpent in the Garden: Religion at the Roman Street Corner)
The room was a deep purple and accented with an eclectic blend of antiques and comfortable furnishings. It was the kind of room that made a person long to grab a book and cozy into the oversized couch for a several hours.
Kelly Risser (Never Forgotten (Never Forgotten, #1))
The kitchen colors were bland, but the living room echoed Eric’s personality. Though it wasn’t often reflected in his clothing, Eric harbored a love of deep colors. The first time I’d been to his house, the living room had surprised the hell out of me. The walls were a sapphire blue, the crown molding and baseboards a pure, gleaming white. The furniture was an eclectic collection of pieces that had appealed to him, all upholstered in jewel tones, some intricately patterned—deep red, blue, the yellow of citrine, the greens of jade and emerald, the gold of topaz. Since Eric is a big man, all the pieces were big: heavy, sturdy, and strewn with pillows.
Charlaine Harris (Dead in the Family (Sookie Stackhouse, #10))