East Of Eden Lee Quotes

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It set him free,” said Lee. “It gave him the right to be a man, separate from every other man.” “That’s lonely.” “All great and precious things are lonely.” “What is the word again?” “Timshel—thou mayest.
John Steinbeck (East of Eden)
Do you think it's funny to be so serious when I'm not even out of high school?' she asked. 'I don't see how it could be any other way,' said Lee. 'Laughter comes later, like wisdom teeth, and laughter at yourself comes last of all in a mad race with death, and sometimes it isn't in time.
John Steinbeck (East of Eden)
…this was the gold from our mining: 'Thou mayest.' The American Standard translation orders men to triumph over sin (and you can call sin ignorance). The King James translation makes a promise in 'Thou shalt,' meaning that men will surely triumph over sin. But the Hebrew word timshel—'Thou mayest'—that gives a choice. For if 'Thou mayest'—it is also true that 'Thou mayest not.' That makes a man great and that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.
Jo A. Lee
But this—this is a ladder to climb to the stars.” Lee’s eyes shone. “You can never lose that. It cuts the feet from under weakness and cowardliness and laziness.
John Steinbeck (East of Eden)
Thou mayest rule over sin,’ Lee. That’s it. I do not believe all men are destroyed. I can name you a dozen who were not, and they are the ones the world lives by. It is true of the spirit as it is true of battles — only the winners are remembered. Surely most men are destroyed, but there are others who like pillars of fire guide frightened men through the darkness. ‘Thou mayest, Thou mayest!’ What glory!
John Steinbeck (East of Eden)
Will you stay to dinner?" Adam asked. "I will not be responsible for the murder of more chickens," said Samuel. "Lee's got a pot roast." "Well, in that case--
John Steinbeck (East of Eden)
Thou mayest rule over sin,’ Lee. That’s it. I do not believe all men are destroyed. I can name you a dozen who were not, and they are the ones the world lives by. It is true of the spirit as it is true of battles—only the winners are remembered. Surely most men are destroyed, but there are others who like pillars of fire guide frightened men through the darkness. ‘Thou mayest, Thou mayest!’ What glory! It is true that we are weak and sick and quarrelsome, but if that is all we ever were, we would, millenniums ago, have disappeared from the face of the earth. A few remnants of fossilized jawbone, some broken teeth in strata of limestone, would be the only mark man would have left of his existence in the world. But the choice, Lee, the choice of winning! I had never understood it or accepted it before. Do you see now why I told Adam tonight? I exercised the choice. Maybe I was wrong, but by telling him I also forced him to live or get off the pot. What is that word, Lee?” “Timshel,” said Lee.
John Steinbeck (East of Eden)
Seems to me you put too much stock in the affairs of children. It probably didn’t mean anything.” “Yes, it meant something.” Then he said, “Mr. Trask, do you think the thoughts of people suddenly become important at a given age? Do you have sharper feelings or clearer thoughts now than when you were ten? Do you see as well, hear as well, taste as vitally?” “Maybe you’re right,” said Adam. “It’s one of the great fallacies, it seems to me,” said Lee, “that time gives much of anything but years and sadness to a man.” “And memory.” “Yes, memory. Without that, time would be unarmed against us.
John Steinbeck (East of Eden)
I remember clearly the deaths of three men. One was the richest man of the century, who, having clawed his way to wealth through the souls and bodies of men, spent many years trying to buy back the love he had forfeited and by that process performed great service to the world and, perhaps, had much more than balanced the evils of his rise. I was on a ship when he died. The news was posted on the bulletin board, and nearly everyone recieved the news with pleasure. Several said, "Thank God that son of a bitch is dead." Then there was a man, smart as Satan, who, lacking some perception of human dignity and knowing all too well every aspect of human weakness and wickedness, used his special knowledge to warp men, to buy men, to bribe and threaten and seduce until he found himself in a position of great power. He clothed his motives in the names of virtue, and I have wondered whether he ever knew that no gift will ever buy back a man's love when you have removed his self-love. A bribed man can only hate his briber. When this man died the nation rang with praise... There was a third man, who perhaps made many errors in performance but whose effective life was devoted to making men brave and dignified and good in a time when they were poor and frightened and when ugly forces were loose in the world to utilize their fears. This man was hated by few. When he died the people burst into tears in the streets and their minds wailed, "What can we do now?" How can we go on without him?" In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, mo matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror....we should remember our dying and try so to live that our death brings no pleasure to the world.
John Steinbeck (East of Eden)
Mr. Trask, do you think the thoughts of people suddenly become important at a given age? Do you have sharper feelings or clearer thoughts now than when you were ten? Do you see as well, hear as well, taste as vitally?” “Maybe you’re right,” said Adam. “It’s one of the great fallacies, it seems to me,” said Lee, “that time gives much of anything but years and sadness to a man.” “And memory.” “Yes, memory. Without that, time would be unarmed against us.
John Steinbeck (East of Eden)
Is it responsibility or blame that bothers you?" "I don't want blame." "Sometimes responsibility is worse. It doesn't carry any pleasant egotism." "I was thinking about that time when Sam Hamilton and you and I had a long discussion about a word," said Adam. "What was that word?" "Now I see. The word was timshel." "Timshel-and you said-" "I said that word carried a man's greatness if he wanted to take advantage of it." "I remember Sam Hamilton felt good about it." "It set him free," said Lee. "It gave him the right ot be a man, seperate from every other man." "That's lonely." "All great and precious things are lonely.
John Steinbeck (East of Eden)
Lee, I’m not good enough for him.” “Now, what do you mean by that?” “I’m not being funny. He doesn’t think about me. He’s made someone up, and it’s like he put my skin on her. I’m not like that—not like the made-up one.” “What’s she like?” “Pure!” said Abra. “Just absolutely pure. Nothing but pure—never a bad thing. I’m not like that.” “Nobody is,” said Lee. “He doesn’t know me. He doesn’t even want to know me. He wants that—white—ghost.
John Steinbeck (East of Eden)
Old Sam Hamilton saw this coming. He said there couldn’t be any more universal philosophers. The weight of knowledge is too great for one mind to absorb. He saw a time when one man would know only one little fragment, but he would know it well.” “Yes,” Lee said from the doorway, “and he deplored it. He hated it.” “Did he, now?” Adam asked... “Now you question it, I don’t know,” he said. “I don’t know whether he hated it or I hate it for him... Maybe the knowledge is too great and maybe men are growing too small... Maybe kneeling down to atoms, they’re becoming atom-sized in their souls. Maybe a specialist is only a coward, afraid to look out of his little cage. And think what any specialist misses! The whole world over his fence!” “We’re only talking about making a living.” “A living? Or money?” Lee said excitedly. “Money’s easy to make if it’s money you want. But with a few exceptions people don’t want money. They want luxury, and they want love, and they want admiration.
John Steinbeck (East of Eden)
No story has power, nor will it last, unless we feel in ourselves that it is true and true of us. What a great burden of guilt men have!' Samuel said to Adam, 'And you have tried to take it all.' Lee said, 'So do I, so does everyone. We gather our arms full of guilt as though it were precious stuff. It must be that we want it that way.
John Steinbeck (East of Eden)
Ah!' said Lee. 'I’ve wanted to tell you this for a long time. I even anticipated your questions and I am well prepared. Any writing which has influenced the thinking and the lives of innumerable people is important. Now, there are many millions in their sects and churches who feel the order, ‘Do thou,’ and throw their weight into obedience. And there are millions more who feel predestination in ‘Thou shalt.’ Nothing they may do can interfere with what will be. But ‘Thou mayest’! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.
John Steinbeck (East of Eden)
Lee put his arm around the broad shoulders to comfort him. "You're growing up. Maybe that's it," he said softly. "Sometimes I think the world tests us most sharply then, and we turn inward and watch ourselves with horror. But that's not the worst. We think everybody is seeing into us. The dirt is very dirty and purity is shining white. Aron, it will be over. That's not much relief to you because you don't believe it, but it's the best I can do for you. Try to believe that things are neither so good nor so bad as they seem to you now.
John Steinbeck (East of Eden: Curriculum Unit (Center for Learning Curriculum Units))
I think I can,” Lee answered Samuel. “I think this is the best-known story in the world because it is everybody’s story. I think it is the symbol story of the human soul. I’m feeling my way now—don’t jump on me if I’m not clear. The greatest terror a child can have is that he is not loved, and rejection is the hell he fears. I think everyone in the world to a large or small extent has felt rejection. And with rejection comes anger, and with anger some kind of crime in revenge for the rejection, and with the crime guilt—and there is the story of mankind. I think that if rejection could be amputated, the human would not be what he is. Maybe there would be fewer crazy people. I am sure in myself there would not be many jails. It is all there—the start, the beginning. One child, refused the love he craves, kicks the cat and hides his secret guilt; and another steals so that money will make him loved; and a third conquers the world—and always the guilt and revenge and more guilt. The human is the only guilty animal. Now wait! Therefore I think this old and terrible story is important because it is a chart of the soul—the secret, rejected, guilty soul. Mr. Trask, you said you did not kill your brother and then you remembered something. I don’t want to know what it was, but was it very far apart from Cain and Abel? And what do you think of my Oriental patter, Mr. Hamilton? You know I am no more Oriental than you are.
John Steinbeck (East of Eden)
Suppose it were true—Adam, the most rigidly honest man it was possible to find, living all his life on stolen money. Lee laughed to himself—now this second will, and Aron, whose purity was a little on the self-indulgent side, living all his life on the profits from a whorehouse. Was this some kind of joke or did things balance so that if one went too far in one direction an automatic slide moved on the scale and the balance was re-established?
John Steinbeck (East of Eden)
I'm wondering whether I can explain," said Lee. "Where there is no likeness of experience it's very difficult. I understand you were not born in America." "No, in Ireland." "And in a few years you can almost disappear; while I, who was born in Grass Valley, went to school and several years to the University of California, have no chance of mixing." "If you cut your queue, dressed and talked like other people?" "No. I tried it. To the so-called whites I was still a Chinese, but an untrustworthy one; and at the same time my Chinese friends steered clear of me. I had to give it up.
John Steinbeck (East of Eden)
Lee’s hand shook as he filled the delicate cups. He drank his down in one gulp. “Don’t you see?” he cried. “The American Standard translation orders men to triumph over sin, and you can call sin ignorance. The King James translation makes a promise in ‘Thou shalt,’ meaning that men will surely triumph over sin. But the Hebrew word, the word timshel—‘Thou mayest’—that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if ‘Thou mayest’—it is also true that ‘Thou mayest not.’ Don’t you see?” “Yes, I see. I do see. But you do not believe this is divine law. Why do you feel its importance?” “Ah!” said Lee. “I’ve wanted to tell you this for a long time. I even anticipated your questions and I am well prepared. Any writing which has influenced the thinking and the lives of innumerable people is important. Now, there are many millions in their sects and churches who feel the order, ‘Do thou,’ and throw their weight into obedience. And there are millions more who feel predestination in ‘Thou shalt.’ Nothing they may do can interfere with what will be. But “Thou mayest’! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.” Lee’s voice was a chant of triumph. Adam said, “Do you believe that, Lee?” “Yes, I do. Yes, I do. It is easy out of laziness, out of weakness, to throw oneself into the lap of deity, saying, ‘I couldn’t help it; the way was set.’ But think of the glory of the choice! That makes a man a man. A cat has no choice, a bee must make honey. There’s no godliness there. And do you know, those old gentlemen who were sliding gently down to death are too interested to die now?” Adam said, “Do you mean these Chinese men believe the Old Testament?” Lee said, “These old men believe a true story, and they know a true story when they hear it. They are critics of truth. They know that these sixteen verses are a history of humankind in any age or culture or race. They do not believe a man writes fifteen and three-quarter verses of truth and tells a lie with one verb. Confucius tells men how they should live to have good and successful lives. But this—this is a ladder to climb to the stars.” Lee’s eyes shone. “You can never lose that. It cuts the feet from under weakness and cowardliness and laziness.” Adam said, “I don’t see how you could cook and raise the boys and take care of me and still do all this.” “Neither do I,” said Lee. “But I take my two pipes in the afternoon, no more and no less, like the elders. And I feel that I am a man. And I feel that a man is a very important thing—maybe more important than a star. This is not theology. I have no bent toward gods. But I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed—because ‘Thou mayest.
John Steinbeck (East of Eden)
Lee sighed. He had worked so hard, so tenderly, and his work seemed to have succeeded. He said softly, “We’re a violent people, Cal. Does it seem strange to you that I include myself? Maybe it’s true that we are all descended from the restless, the nervous, the criminals, the arguers and brawlers, but also the brave and independent and generous. If our ancestors had not been that, they would have stayed in their home plots in the other world and starved over the squeezed-out soil.
John Steinbeck (East of Eden)
Lee said, “Remember, Mr. Hamilton, I told you I was trying to translate some old Chinese poetry into English? No, don’t worry. I won’t read it. Doing it, I found some of the old things as fresh and clear as this morning. And I wondered why. And, of course, people are interested only in themselves. If a story is not about the hearer he will not listen. And I here make a rule—a great and lasting story is about everyone or it will not last. The strange and foreign is not interesting—only the deeply personal and familiar.
John Steinbeck (East of Eden)
Lee carried a tin lantern to light the way, for it was one of those clear early winter nights when the sky riots with stars and the earth seems doubly dark because of them.
John Steinbeck (East of Eden)
Thou mayest rule over sin, Lee. That’s it. I do not believe all men are destroyed. I can name you a dozen who were not, and they are the ones the world lives by. It is true of the spirit as it is true of battles--only the winners are remembered. Surely most men are destroyed, but there are others who like pillars of fire guide frightened men through the darkest. ’Thou mayest, thou mayest!’ What glory! It is true that we are weak and sick and quarrelsome, but if that is all we ever were, we would, millenniums ago, have disappeared from the face of the earth. A few remnants of fossilized jawbone, some broken teeth in strata of limestone, would be the only mark man would have left of his existence in the world. But the choice, Lee, the choice of winning!
John Steinbeck (East of Eden)
Didn’t know anyone could see it,” Samuel said. “You know, Lee, I think of my life as a kind of music, not always good music but still having form and melody. And my life has not been a full orchestra for a long time now. A single note only—and that note unchanging sorrow. I’m not alone in my attitude, Lee. It seems to me that too many of us conceive of a life as ending in defeat.
John Steinbeck (East of Eden)
Once Adam had remarked on the quiet splendor of Lee’s clothes, and Lee had grinned at him. “I have to do it,” he said. “One must be very rich to dress as badly as you do. The poor are forced to dress well.
John Steinbeck (East of Eden)
I don't know whether I can accept things or not," Lee said "I've never had a chance to try. I've always found myself with some - not less uncertain but less able to take care of uncertainty. I've had to do my weeping - alone.
John Steinbeck (East of Eden)
Lee asked, “How does Mrs. Hamilton feel about the paradoxes of the Bible?” “Why, she does not feel anything because she does not admit they are there.” “But—” “Hush, man. Ask her. And you’ll come out of it older but not less confused.” Adam
John Steinbeck (East of Eden)
I didn’t know anyone could see it,” Samuel said. “You know, Lee, I think of my life as a kind of music, not always good music but still having form and melody. And my life has not been a full orchestra for a long time now. A single note only—and that note unchanging sorrow. I’m not alone in my attitude, Lee. It seems to me that too many of us conceive of a life as ending in defeat.” Lee said, “Maybe everyone is too rich. I have noticed that there is no dissatisfaction like that of the rich. Feed a man, clothe him, put him in a good house, and he will die of despair.
John Steinbeck (East of Eden)
Maybe the knowledge is too great and maybe men are growing too small,” said Lee. “Maybe, kneeling down to atoms, they’re becoming atom-sized in their souls. Maybe a specialist is only a coward, afraid to look out of his little cage. And think what any specialist misses—the whole world over his fence.
John Steinbeck (East of Eden)
Don’t you see?” he cried. “The American Standard translation orders men to triumph over sin, and you can call sin ignorance. The King James translation makes a promise in ‘Thou shalt,’ meaning that men will surely triumph over sin. But the Hebrew word, the word timshel—‘Thou mayest’— that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if ‘Thou mayest’—it is also true that ‘Thou mayest not.’ Don’t you see?” “Yes, I see. I do see. But you do not believe this is divine law. Why do you feel its importance?” “Ah!” said Lee. “I’ve wanted to tell you this for a long time. I even anticipated your questions and I am well prepared. Any writing which has influenced the thinking and the lives of innumerable people is important. Now, there are many millions in their sects and churches who feel the order, ‘Do thou,’ and throw their weight into obedience. And there are millions more who feel predestination in ‘Thou shalt.’ Nothing they may do can interfere with what will be. But ‘Thou mayest’! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.” Lee’s voice was a chant of triumph. Adam said, “Do you believe that, Lee?” “Yes, I do. Yes, I do. It is easy out of laziness, out of weakness, to throw oneself into the lap of deity, saying, ‘I couldn’t help it; the way was set.’ But think of the glory of the choice! That makes a man a man. A cat has no choice, a bee must make honey. There’s no godliness there. And do you know, those old gentlemen who were sliding gently down to death are too interested to die now?
John Steinbeck (East of Eden)
...and God accepted Abel and rejected Cain. I never thought that was a just thing. I never understood it. Do you?” “Maybe we think out of a different background,” said Lee. “I remember that this story was written by and for a shepherd people. They were not farmers. Wouldn’t the god of shepherds find a fat lamb more valuable than a sheaf of barley? A sacrifice must be the best and most.
John Steinbeck (East of Eden)
Lee went on, “That’s why I include myself. We all have that heritage, no matter what old land our fathers left. All colors and blends of Americans have somewhat the same tendencies. It’s a breed—selected out by accident. And so we’re overbrave and overfearful—we’re kind and cruel as children. We’re overfriendly and at the same time frightened of strangers. We boast and are impressed. We’re oversentimental and realistic. We are mundane and materialistic—and do you know of any other nation that acts for ideals? We eat too much. We have no taste, no sense of proportion. We throw our energy about like waste. In the old lands they say of us that we go from barbarism to decadence without an intervening culture. Can it be that our critics have not the key or the language of our culture? That’s what we are, Cal—all of us. You aren’t very different.
John Steinbeck (East of Eden)
Seems to me you put too much stock in the affairs of children. It probably didn’t mean anything.” “Yes, it meant something.” Then he said, “Mr. Trask, do you think the thoughts of people suddenly become important at a given age? Do you have sharper feelings or clearer thoughts now than when you were ten? Do you see as well, hear as well, taste as vitally?” “Maybe you’re right,” said Adam. “It’s one of the great fallacies, it seems to me,” said Lee, “that time gives much of anything but years and sadness to a man.
John Steinbeck (East of Eden)
read slowly, moving his lips over the words. “Everything is only for a day, both that which remembers and that which is remembered. “Observe constantly that all things take place by change, and accustom thyself to consider that the nature of the universe loves nothing so much as to change things which are and to make new things like them. For everything that exists is in a manner the seed of that which will be.” Lee glanced down the page. “Thou wilt die soon and thou are not yet simple nor free from perturbations, nor without suspicion of being hurt by external things, nor kindly disposed towards all; nor dost thou yet place wisdom only in acting justly.” Lee looked up from the page, and he answered the book as he would answer one of his ancient relatives. “That is true,” he said. “It’s very hard. I’m sorry. But don’t forget that you also say, ‘Always run the short way and the short way is the natural’—don’t forget that.” He let the pages slip past his fingers to the fly leaf where was written with a broad carpenter’s pencil, “Sam’l Hamilton.
John Steinbeck (East of Eden)
Lee went quickly out of the kitchen. He sat in his room, gripping his hands tightly together until he stopped choking. He got up and took a small carved ebony box from the top of his bureau. A dragon climbed toward heaven on the box. He carried the box to the kitchen and laid it on the table between Abra’s hands. “This is for you,” he said, and his tone had no inflection. She opened the box and looked down on a small, dark green jade button, and carved on its surface was a human right hand, a lovely hand, the fingers curved and in repose. Abra lifted the button out and looked at it, and then she moistened it with the tip of her tongue and moved it gently over her full lips, and pressed the cool stone against her cheek. Lee said, “That was my mother’s only ornament.” Abra got up and put her arms around him and kissed him on the cheek, and it was the only time such a thing had ever happened in his whole life. Lee laughed. “My Oriental calm seems to have deserted me,” he said. “Let me make the tea, darling. I’ll get hold of myself that way.” From the stove he said, “I’ve never used that word—never once to anybody in the world.
John Steinbeck (East of Eden)
Any writing which has influenced the thinking and the lives of innumerable people is important. Now, there are many millions in their sects and churches who feel the order, ‘Do thou,’ and throw their weight into obedience. And there are millions more who feel predestination in ‘Thou shalt.’ Nothing they may do can interfere with what will be. But ‘Thou mayest’! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.” Lee’s voice was a chant of triumph.
John Steinbeck (East of Eden)
...“I’m not being funny. He doesn’t think about me. He’s made someone up, and it’s like he put my skin on her. I’m not like that—not like the made-up one.” “What’s she like?” “Pure!” said Abra. “Just absolutely pure. Nothing but pure—never a bad thing. I’m not like that.” “Nobody is,” said Lee. “He doesn’t know me. He doesn’t even want to know me. He wants that—white—ghost.” Lee rubbled a piece of cracker. “Don’t you like him? You’re pretty young, but I don’t think that makes any difference.” “ ’Course I like him. I’m going to be his wife. But I want him to like me too. And how can he, if he doesn’t know anything about me? I used to think he knew me. Now I’m not sure he ever did”.
John Steinbeck (East of Eden)
Samuel showed no sign of having observed any change. “I can understand the first two,” he said thoughtfully, “but the third escapes me.” Lee said, “I know it’s hard to believe, but it has happened so often to me and to my friends that we take it for granted. If I should go up to a lady or a gentleman, for instance, and speak as I am doing now, I wouldn’t be understood.” “Why not?” “Pidgin they expect, and pidgin they’ll listen to. But English from me they don’t listen to, and so they don’t understand it.” “Can that be possible? How do I understand you?” “That’s why I’m talking to you. You are one of the rare people who can separate your observation from your preconception. You see what is, where most people see what they expect.
John Steinbeck (East of Eden)
In Cal the process had been so long and so slow that he felt no strangeness. He had built a wall of self-sufficiency around himself, strong enough to defend him against the world. If his wall had any weak places they may have been on the sides nearest Aron and Lee, and particularly nearest Adam. Perhaps in his father's very unawareness Cal had felt safety. Not being noticed at all was better than being noticed adversely. When he was quite small Cal had discovered a secret. If he moved very quietly to where his father was sitting and if he leaned very lightly against his father's knee, Adam's hand would rise automatically and his fingers would caress Cal's shoulder. It is probable that Adam did not even know he did it, but the caress brought such a raging flood of emotion to the boy that he saved this special joy and used it only when he needed it. It was a magic to be depended on. It was the ceremonial symbol of a dogged adoration. Things do not change with a change of scene. In Salinas, Cal had no more friends than he had in King City. Associates he had, and authority and some admiration, but friends he did not have. He lived alone and walked alone.
John Steinbeck (East of Eden)
Abra wanted to tell Lee only true things even when she wasn’t quite sure what was true.
John Steinbeck (East Of Eden)
Lee watched him for a while before he went back to his kitchen. He lifted the breadbox and took out a tiny volume bound in leather, and the gold tooling was almost completely worn away—The Meditations of Marcus Aurelius in English translation.
John Steinbeck (East Of Eden)
We’re a violent people, Cal. Does it seem strange to you that I include myself? Maybe it’s true that we are all descended from the restless, the nervous, the criminals, the arguers and brawlers, but also the brave and independent and generous. If our ancestors had not been that, they would have stayed in their home plots in the other world and starved over the squeezed-out soil.” Cal turned his head toward Lee, and his face had lost its tightness. He smiled, and Lee knew he had not fooled the boy entirely. Cal knew now it was a job—a well-done job—and he was grateful. Lee went on, “That’s why I include myself. We all have that heritage, no matter what old land our fathers left. All colors and blends of Americans have somewhat the same tendencies. It’s a breed—selected out by accident. And so we’re overbrave and overfearful—we’re kind and cruel as children. We’re overfriendly and at the same time frightened of strangers. We boast and are impressed. We’re oversentimental and realistic. We are mundane and materialistic—and do you know of any other nation that acts for ideals? We eat too much. We have no taste, no sense of proportion. We throw our energy about like waste. In the old lands they say of us that we go from barbarism to decadence without an intervening culture. Can it be that our critics have not the key or the language of our culture? That’s what we are, Cal—all of us. You aren’t very different.
John Steinbeck (East of Eden)
Yes, it meant something.” Then he said, “Mr. Trask, do you think the thoughts of people suddenly become important at a given age? Do you have sharper feelings or clearer thoughts now than when you were ten? Do you see as well, hear as well, taste as vitally?” “Maybe you’re right,” said Adam. “It’s one of the great fallacies, it seems to me,” said Lee, “that time gives much of anything but years and sadness to a man.
John Steinbeck (East of Eden)
There was no subject she could not discuss with Lee. And the few things she could talk about to her father and mother were thin and pale and tired and mostly not even true. There Lee was different also, Abra wanted to tell Lee only true things even when she wasn't quite sure what was true.
John Steinbeck (East of Eden)
Maybe the knowledge is too great and maybe men are growing too small,” said Lee. “Maybe, kneeling down to atoms, they’re becoming atomsized in their souls. Maybe a specialist is only a coward, afraid to look out of his little cage. And think what any specialist misses—the whole world over his fence.
John Steinbeck (East of Eden)
Adam started. He sighed deeply. "Isn't it too simple?" he asked. "I'm always afraid of simple things." "It isn't simple at all," said Lee. "It's desperately complicated. But at the end there's light.
John Steinbeck (East of Eden)
Even thin they were moon-faced. Lee should have liked that kind best since beauty must be somewhat like ourselves, but he didn’t. When he thought of Chinese beauty the iron predatory faces of the Manchus came to his mind, arrogant and unyielding faces of a people who had authority by unquestioned inheritance.
John Steinbeck (East of Eden)
It’s one of the great fallacies, it seems to me,” said Lee, “that time gives much of anything but years and sadness to a man.
John Steinbeck (East Of Eden)
And are you taking pleasure from this whipping you’re giving yourself? Are you enjoying your despair?” “Lee!” “You’re pretty full of yourself. You’re marveling at the tragic spectacle of Caleb Trask—Caleb the magnificent, the unique. Caleb whose suffering should have its Homer.
John Steinbeck (East Of Eden)
Can you imagine? said Adam. 'He'll know so many new things. I wonder if he'll talk different. You know, Lee, in the East a boy takes on the speech of his school. You can tell a Harvard man from a Princeton man. At least that's what they say.' 'I'll listen,' said Lee. 'I wonder what dialect they speak at Stanford.
John Steinbeck (East of Eden)
Mr. Trask, do you think the thoughts of people suddenly become important at a given age? Do you have sharper feelings or clearer thoughts now than when you were ten? Do you see as well, hear as well, taste as vitally?” “Maybe you’re right,” said Adam. “It’s one of the great fallacies, it seems to me,” said Lee, “that time gives much of anything but years and sadness to a man.” “And memory.
John Steinbeck (East of Eden (Original Classic Editions))
Maybe you've tumbled a world for me. And I don't know what I can build in my world's place. Lee said softly, "Couldn't a world be built around accepted truth? Couldn't some pains and insanities be rooted out if the causes were known?
John Steinbeck (East of Eden)
In John Steinbeck’s East of Eden, Lee, a brilliant mind, well versed in Stoic philosophy, is asked why he demeans himself with the lowly profession of being a servant. He retorts that being a servant is actually the perfect profession for a philosopher: It’s quiet. It’s easy. It lets him study people. It gives him time to think. It is an opportunity, like any other job, for excellence and mastery.
Ryan Holiday (Lives of the Stoics: The Art of Living from Zeno to Marcus Aurelius)
Lee said softly, “Couldn’t a world be built around accepted truth? Couldn’t some pains and insanities be rooted out if the causes were known?
John Steinbeck (East of Eden)
And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is. Chapter 35 [ 1 ] LEE HELPED ADAM and the two boys move to Salinas, which is to say he did it all, packed the things to be taken, saw them on the train, loaded the back seat of the Ford, and, arriving in Salinas, unpacked and saw the family settled in Dessie’s little house.
John Steinbeck (East of Eden)
Samuel sepete eğilip parmağını ikizlerden birinin minik avcuna koydu, parmaklar kapanıp parmağını kavradı. "Bir adamın en son vazgeçeceği kötü alışkanlık herhalde öğüt vermektir." "Ben öğüt istemiyorum." "Kimse öğüt istemez. Öğüdü veren armağan eder. Rol yap Adam." "Ne rolü?" "Yaşıyormuşsun rolü yap, sahnede olduğunu farzet. Bir süre sonra, uzun bir süre sonra doğru olacaktır." "Niye yapayım ki?" diye sordu Adam. Samuel ikizlere bakıyordu. "Sen ne yaparsan yap, istersen hiçbir şey yapma, gene de bir şeyler aktaracaksın. Kendini nadasa bıraksan bile zararlı otlar, dikenli çalılar yetişecek. Bir şeyler yetişecek." Adam cevap vermeyince Samuel ayağa kalktı. "Tekrar geleceğim," dedi. "Tekrar tekrar geleceğim. Rol yap Adam." Ahırın arkasında Lee Doxology'yi tutarken Samuel bindi. "Kitapçı dükkanına güle güle de Lee," dedi. "Neyse," dedi Çinli, "zaten o kadar istemiyordum galiba.
John Steinbeck (East of Eden)
Hah!" dedi Lee. "Bunu size uzun zamandır söylemek istiyorum. Hatta sorularınızı öngördüm, hazırlıklıyım. Sayısız insanın düşünüşünü ve hayatını etkilemiş olan her yazı önemlidir. Tarikatların, kiliselerin milyonlarca üyesi 'hükmet'teki emri hissedip vargüçleriyle itaat ediyorlar. Milyonlarca başka kişi ise 'hükmedeceksin'deki yazgıyı hissediyor. Onlar ne yaparsa yapsın olacakları hiçbir şey değiştiremez. Bir de 'hükmedebilirsin'i düşünün! Bu insanı zaafına, pisliğine, kardeşini katletmesine rağmen hâlâ büyük tercih hakkı onun elinde. Yolunu seçip mücadele edebilir ve kazanabilir." "Buna inanıyor musun Lee?" dedi Adam. "Evet, inanıyorum. İnanıyorum, evet. Tembellikten, zayıflıktan ötürü kendini tanrıların kucağına atıp, 'Elimden bir şey gelmezdi, yol önceden çizilmişti' demek kolay. Oysa tercihin ihtişamını düşünsenize! İnsanı insan yapan şey.
John Steinbeck (East of Eden)
It's one of the great fallacies, it seems to me," said Lee, "that time gives much of anything but years and sadness to a man." "And memory." "Yes, memory. Without that, time would be unarmed against us.
John Steinbeck (East of Eden)
SPOILER ALERT - DO NOT READ UNLESS YOU'VE FINISHED THE BOOK. THIS IS NOT SO MUCH A QUOTE AS IT IS A MEMORY FOR MY PERSONAL ENJOYMENT LATER. Lee said, "Thank you, Adam. I know how hard it is. I'm going to ask you to do a much harder thing. Here is your son -- Caleb -- your only son. Look at him, Adam!" The pale eyes looked until they found Cal. Cal's mouth moved dryly and made no sound. Lee's voice cut in, "I don't know how long you will live, Adam. Maybe a long time. Maybe an hour. But your son will live. He will marry and his children will be the only remnant left of you," Lee wiped his eyes with his fingers. "He did a thing in anger, Adam, because he thought you had rejected him. The result of his anger is that his brother and your son is dead." Cal said, "Lee -- you can't." "I have to," said Lee. "If it kills him I have to. I have the choice," and he smiled sadly and quoted, "'If there's blame, it's my blame.'" Lee's shoulders straightened. He said sharply, "Your son is marked with guilt out of himself -- out of himself -- almost more than he can bear. Don't crush him with rejection. Don't crush him, Adam." Lee's breath whistled in his throat, "Adam, give him your blessing. Don't leave him alone with his guilt. Adam, can you hear me? Give him your blessing!" A terrible brightness shone in Adam's eyes and he closed them and kept them closed. A wrinkle formed between his brows. Lee said, "Help him, Adam -- help him. Give him the chance. Let him be free. That's all a man has over the beasts. Free him! Bless him!" The whole bed seemed to shake under the concentration. Adam's breath came quick with the effort and then, slowly, his right hand lifted -- lifted an inch and then fell back. Lee's face was haggard. He moved to the head of the bed and wiped the sick man's damp face with the edge of the sheet. He looked down at the closed eyes. Lee whispered, "Thank you, Adam -- thank you, my friend. Can you move your lips? Make your lips form his name." Adam looked up with sick weariness. His lips parted and failed and he tried again. Then his lungs filled. He expelled the air and his lips combed the rushing sigh. His whispered word seemed to hang in the air: "Tishmel!" His eyes closed and he slept.
John Steinbeck (East of Eden)
I think of my life as a kind of music, not always good music but still having form and melody. And my life has not been a full orchestra for a long time now. A single note only - and that note unchanging sorrow. I'm not alone in my attitude, Lee, It seems to me that too many of us conceive of a life as ending in defeat.
John Steinbeck (East of Eden)
Lee’s voice said, “I know that sometimes a lie is used in kindness. I don’t believe it ever works kindly. The quick pain of truth can pass away, but the slow, eating agony of a lie is never lost. That’s a running sore.
John Steinbeck (East of Eden)