Earthquake Sad Quotes

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I’ve never told anyone this, but anytime that I’ve felt sad or alone or angry or upset, I would pray to God to just make you come back. That I would do anything He wanted me to do if only you would walk through my door. You were the only thing that made me feel safe when the earthquakes threatened to break me. I needed you to come home because when you’re not here, I don’t have a home.
T.J. Klune
There comes a day in every man's life when he stops looking forward and starts looking back. Because of my father's circumstances, I had a sad commentary on life, but I now understood that he was offering me his own gift, one that only time can provide. He was offering me the gift of perspective. My father was telling me that while we tend to remember the dramatic incidents that change history---Armstrong's walk on the moon, Nixon's resignation, and the Loma Prieta earthquake---we live for the quiet, intimate moments that mark not our calendars, but our hearts: The day we marry. The days our children are born. Their first step. Their first word. Their first day of school. And when our children grow, we remember those moments with a touch of melancholy: the day they get their driver's license, the day we drive them to college, the day they marry, and the day they have their children. And the cycle begins anew. We realize it is in those quiet moments that each of us has the ability to make our lives extraordinary.
Robert Dugoni (The Extraordinary Life of Sam Hell)
I've made a discovery, and it's that grief isn't like sadness at all. Sadness is only something that's part of you. Grief becomes you, it wraps you up and changes you and makes everything--every little thing--different than it was before. I remember the me before we got the telegram saying he was gone, but it's like I'm remembering someone else. It feels like an earthquake has gone through me...
Jodi Lynn Anderson (Midnight at the Electric)
Dying is only one thing to be sad about, Mitch. Living unhappily is something else”—
Mitch Albom (Finding Chika: A Little Girl, an Earthquake, and the Making of a Family)
I think about the earthquake kiss in the alcove and want to cry again. This time because I am sad. And scared. And because my skin has never fit this badly before.
Jandy Nelson (I'll Give You the Sun)
We’re petal people. I think about the earthquake kiss in the alcove and want to cry again. This time because I am sad. And scared. And because my skin has never fit this badly before.
Jandy Nelson (I'll Give You the Sun)
She left our Gdańsk-Morena apartment with same haste as Tata, gone in a mad dash. She must have prepared for it , trained hard and practised. Everything that fast is slow in planning. An earthquake that takes seconds to wreck everything is a result of billions of years of slipping and shoving of tectonic plates. Those plates have no choice but to live side by side, often on top of one another. They hate this setup. They push each other around, siblings vying for the top bunk, to the point of eruption, ruin and exhaustion. After the quake: calm. A sad empty calm, with too much time to think...
Aga Maksimowska
When I heard about the ease with which the Four had been removed, I felt a wave of sadness. How could such a small group of second-rate tyrants ravage 900 million people for so long? But my main feeling was joy. The last tyrants of the Cultural Revolution were finally gone. My rapture was widely shared. Like many of my countrymen, I went out to buy the best liquors for a celebration with my family and friends, only to find the shops out of stock there was so much spontaneous rejoicing. There were official celebrations as well exactly the same kinds of rallies as during the Cultural Revolution, which infuriated me. I was particularly angered by the fact that in my department, the political supervisors and the student officials were now arranging the whole show, with unperturbed self-righteousness. The new leadership was headed by Mao's chosen successor, Hua Guofeng, whose only qualification, I believed, was his mediocrity. One of his first acts was to announce the construction of a huge mausoleum for Mao on Tiananmen Square. I was outraged: hundreds of thousands of people were still homeless after the earthquake in Tangshan, living in temporary shacks on the pavements. With her experience, my mother had immediately seen that a new era was beginning. On the day after Mao's death she had reported for work at her depas'uuent. She had been at home for five years, and now she wanted to put her energy to use again. She was given a job as the number seven deputy director in her department, of which she had been the director before the Cultural Revolution. But she did not mind. To me in my impatient mood, things seemed to go on as before. In January 1977, my university course came to an end. We were given neither examinations nor degrees. Although Mao and the Gang of Four were gone, Mao's rule that we had to return to where we had come from still applied. For me, this meant the machinery factory. The idea that a university education should make a difference to one's job had been condemned by Mao as 'training spiritual aristocrats.
Jung Chang (Wild Swans: Three Daughters of China)
Do not be sad. Or think Adieu. Never Adieu. We will watch the sun set again - many times, and perhaps we'll see the Emerald Drop, the green flash that brings good fortune. And you must laugh and chatter as you used to do - telling me about the battle off the Saints or the picnic at Marie Galante - that famous picnic that turned into a fight. Or the pirates and what they did between voyages. For every voage might be their last. Sun and sangoree's a heady mixture. Then - the earthquake. Oh yes, people say that god was angry at the things they did, woke from his sleep, one breath and they were gone.
Jean Rhys
I noticed that volcanoes, earthquakes and floods, though are not good events, they are better than the silence of good people when bad people take the podium. The latter are to an extent uncontrollable, but the former can be stopped.
Israelmore Ayivor (Leaders' Frontpage: Leadership Insights from 21 Martin Luther King Jr. Thoughts)
I think of the beauty in the obvious, the way it forces us to admit how it exists, the way it insists on being pointed out like a bloody nose, or how every time it snows there is always someone around to say, “It’s snowing.” But the obvious isn’t showing off, it’s only reminding us that time passes, and that somewhere along the way we grow up. Not perfect, but up and out. It teaches us something about time, that we are all ticking and tocking, walking the fine line between days and weeks, as if each second speaks of years, and each month has years listening to forever but never hearing anything beyond centuries swallowed up by millenniums, as if time was calculating the sums needed to fill the empty belly of eternity. We so seldom understand each other. But if understanding is neither here nor there, and the universe is infinite, then understand that no matter where we go, we will always be smack dab in the middle of nowhere. All we can do is share some piece of ourselves and hope that it’s remembered. Hope that we meant something to someone. My chest is a cannon that I have used to take aim and shoot my heart upon this world. I love the way an uncurled fist becomes a hand again, because when I take notes, I need it to underline the important parts of you: happy, sad, lovely. Battle cry ballistic like a disaster or a lipstick earthquaking and taking out the monuments of all my hollow yesterdays. We’ll always have the obvious. It reminds us who, and where we are, it lives like a heart shape, like a jar that we hand to others and ask, “Can you open this for me?” We always get the same answer: “Not without breaking it.” More often than sometimes, I say go for it.
Shane L. Koyczan (Remembrance Year)
I walked the halls that day, seeing life in a new scary light. My world, which had seemed so solid and comfortable, felt as if it had been hit by an earthquake. My emotions flipped from sadness to fear to despair as I realized that, if someone as wonderful as Amelia could be taken from us this way, so could anyone. At any moment. And for no reason. When the last bell had finally rung, and I’d said good-bye to Logan and Kristy and my other friends, I trudged home feeling like the oldest person on the planet.
Ann M. Martin (Mary Anne and the Memory Garden (The Baby-Sitters Club, #93))
For countless centuries, magic gripped the ordinary world in a vise of terror. Fairies used to steal children away and leave sickly changelings in their stead. House cats would rob their masters. a forest was just as likely to eat you as shelter you. When you offended a beggar crone, she did not sue you in a court of law - instead, she cursed you and your children and your children's children. People ate fairy fruit and went mad with hunger. Djinni granted wishes designed to trap you in your own desires. When there was an earthquake or blizzard or hurricane, you could be be sure it was due to some king or queen feeling sad - the amount of destruction caused by lovesick royalty is incalculable!
Jonathan Auxier (Sophie Quire and the Last Storyguard (Peter Nimble, #2))
To the friends I have abandoned: 
I am so sorry for cutting you off.
 Anxiety has found a home deep within my bones. 
I shake in marrow earthquakes; tremors send fissures through my soul.
 A love for you still exists; I feel it when I am most alone.
 This island I’ve become, it is not a permanent home.
It’s just hard to be around other people
 when I can hardly stand being in my own skin.
Faraway Poetry (Sad Birds Still Sing)
The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
this thing—his thing—still well and alive inside me. # I dreamed of clawed hooks and sexual abandon. Faces covered in leather masks and eyeliner so dark I could only see black. Here the monsters would come alive, but not the kind you have come to expect. I watched myself as if I were outside my own flesh, free from the imprisonment of bone and conscience. Swollen belly stretch-marked and ugly; my hair tethered and my skin vulnerable. Earthquake beats blared from the DJ booth as terrible looking bodies thrashed, moshed and convulsed. Alone, so alone. Peter definitely gone, no more tears left but the ones that were to come from agony. She was above me again, Dark Princess, raging beauty queen, and I was hers to control. The ultimate succession into human suspension. Like I’d already learned: the body is the final canvas. There is no difference between love and pain. They are the same hopeless obsession. The hooks dived, my legs opened and my back arched. Blood misted my face; pussy juice slicked my inner thigh as my water suddenly broke. # The next night I had to get to the club. 4 A.M. is a time that never lets me down; it knows why I have nightmares, and why I want to suspend myself above them. L train lunacies berated me once again, but this time I noticed the people as if under a different light. They were all rather sad, gaunt and bleary. Their faces were to be pitied and their hands kept shaking, their legs jittering for another quick fix. No matter how much the deranged governments of New York City have cleaned up the boroughs, they can’t rid us of our flavor. The Meatpacking District was scarily alive. Darkness laced with sizzling urban neon. Regret stitched up in the night like a black silk blanket. The High Line Park gloomed above me with trespassers and graffiti maestros. I was envious of their creative freedom, their passion, and their drive. They had to do what they were doing, had to create. There was just no other acceptable life than that. I was inside fast, my memories of Peter fleeting and the ache within me about to be cast off. Stage left, stage right, it didn’t matter. I passed the first check point with ease, as if they already knew the click of my heels, the way my protruding stomach curved through my lace cardigan. She found me, or I found her, and we didn’t exchange any words, any warnings. It was time. Face up, legs open, and this time I’d be flying like Superman, but upside down. There were many hands, many faces, but no
Joe Mynhardt (Tales from The Lake Vol. 1)
I will not forget the last time he looked at me. The morning light filled the room, reminding me of so many mornings and of the morning I had first come there. Giovanni sat on the bed, completely naked, holding a glass of cognac between his hands. His body was dead white, his face was wet and grey. I was at the door with my suitcase. With my hand on the knob, I looked at him. Then I wanted to beg him to forgive me. But this would have been too great a confession; any yielding at that moment would have locked me forever in that room with him. And in a way this was exactly what I wanted. I felt a tremor go through me, like the beginning of an earthquake, and felt, for an instant, that I was drowning in his eyes. His body, which I had come to know so well, glowed in the light and charged and thickened the air between us. Then something opened in my brain, a secret, noiseless door swung open, frightening me: it had no occurred to me until that instant that, in fleeing from his body, I confirmed and perpetuated his body's power over me. Now, as though I had been branded, his body was burned into my mind, into my dreams. And all this time he did not take his eyes from me. He seemed to find my face more transparent than a shop-window. He did not smile, he was neither grave, nor vindictive, nor sad; he was still. He was waiting, I think, for me to cross that space and take him in my arms again - waiting, as one waits at a death-bed for the miracle one dare not disbelieve, which will not happen. I had to get out of there for my face showed too much, the war in my body was dragging me down. My feet refused to carry me over to him again. The wind of my life was blowing me away.
James Baldwin (Giovanni’s Room)
Robinson's discussion with God: "Tell me what it's like." "What what's like?" "To be God." "Like, how do you mean?" "Like, how does it make you feel to know you've created the planet earth and all its inhabitants. Do you feel proud? Sad? Embarrassed? Humbled? Mortified?" "The truth? I feel imposed upon. I feel like an exhausted father whose needy children never grew up. Do you know what I'd like to see? Honest to me, this would make me the happiest guy on earth. I'd like to see everyone just take responsibility for themselves. Stop seeking my favor with your expensive churches, synagogues, mosques and temples. And quit wasting your time expecting me to solve all your problems. Am I the numbskull who created all your stupid problems? No, all I ever did was plant a handful of seeds. I'm not the one who cheats, lies, plunders, steals, hoodwinks, bribes, and scratches and claws his backward way through the unfaithful to his loving spouse or who is disrespectful to his parents. And I'm not the one who rapes and pollutes oceans, mountains, valleys, rivers, lakes, deserts, and mesas. I'm not the one who's slaughtering all the whales in the seas, and I'm certainly not the one who's spreading AIDS, shooting innocent people with handguns and assault rifles, or overpopulating the planet. I'm not even responsible for acts of God. So what of the forest fires, earthquakes, hurricanes and tornados? You can thank dear Mother Nature for these so-called acts of me. All these disaster are completely out of my hands. Don't you see? I'm just me, God, and no more or less. Yes, I'm willing to give advice here and there, but even then , you will discover than my advice is no better than the advice you'd give yourself. And why? Because I am you. I was never anything else. I never claimed to be anything else, So, you get down on your knees and say you have faith in me? Try having some faith in yourself and leave me the hell out of it. I'm a busy man. There are books I would like to read, music I'd like to listen to, art I would like to see, and some good shows on TV I really don't want to miss.
Mark Lages (Robinson's Dream)
Another dangerous neoliberal word circulating everywhere that is worth zooming in on is the word ‘resilience’. On the surface, I think many people won’t object to the idea that it is good and beneficial for us to be resilient to withstand the difficulties and challenges of life. As a person who lived through the atrocities of wars and sanctions in Iraq, I’ve learnt that life is not about being happy or sad, not about laughing or crying, leaving or staying. Life is about endurance. Since most feelings, moods, and states of being are fleeting, endurance, for me, is the common denominator that helps me go through the darkest and most beautiful moments of life knowing that they are fleeing. In that sense, I believe it is good for us to master the art of resilience and endurance. Yet, how should we think about the meaning of ‘resilience’ when used by ruling classes that push for wars and occupations, and that contribute to producing millions of deaths and refugees to profit from plundering the planet? What does it mean when these same warmongers fund humanitarian organizations asking them to go to war-torn countries to teach people the value of ‘resilience’? What happens to the meaning of ‘resilience’ when they create frighteningly precarious economic structures, uncertain employment, and lay off people without accountability? All this while also asking us to be ‘resilient’… As such, we must not let the word ‘resilience’ circulate or get planted in the heads of our youth uncritically. Instead, we should raise questions about what it really means. Does it mean the same thing for a poor young man or woman from Ghana, Ecuador, Afghanistan vs a privileged member from the upper management of a U.S. corporation? Resilience towards what? What is the root of the challenges for which we are expected to be resilient? Does our resilience solve the cause or the root of the problem or does it maintain the status quo while we wait for the next disaster? Are individuals always to blame if their resilience doesn’t yield any results, or should we equally examine the social contract and the entire structure in which individuals live that might be designed in such a way that one’s resilience may not prevail no matter how much perseverance and sacrifice one demonstrates? There is no doubt that resilience, according to its neoliberal corporate meaning, is used in a way that places the sole responsibility of failure on the shoulders of individuals rather than equally holding accountable the structure in which these individuals exist, and the precarious circumstances that require work and commitment way beyond individual capabilities and resources. I find it more effective not to simply aspire to be resilient, but to distinguish between situations in which individual resilience can do, and those for which the depth, awareness, and work of an entire community or society is needed for any real and sustainable change to occur. But none of this can happen if we don’t first agree upon what each of us mean when we say ‘resilience,’ and if we have different definitions of what it means, then we should ask: how shall we merge and reconcile our definitions of the word so that we complement not undermine what we do individually and collectively as people. Resilience should not become a synonym for surrender. It is great to be resilient when facing a flood or an earthquake, but that is not the same when having to endure wars and economic crises caused by the ruling class and warmongers. [From “On the Great Resignation” published on CounterPunch on February 24, 2023]
Louis Yako
Dylan wondered where he stored the anger and sadness—the helplessness he witnessed each day. Because she knew there was only so much one person could handle, and a small part of her often worried he might be close to bursting. But maybe he was like an earthquake—there would be no way of knowing it was coming until it was already there.
Liz Fenton (The Good Widow)
Pliny the Elder, writing not long afterwards, noted sadly that too many people undermine nature with the sole purpose of self-enrichment; it should hardly come as a surprise, therefore, that the earth should occasionally show its displeasure, through disasters such as earthquakes.
Peter Frankopan (The Earth Transformed: An Untold History)
Glory!' he continued, 'don't you see how the moon goes after the sun and cannot come to him? She is his proper mate and double, and the sun don't know, and won't have it, and so day and night, and winter and summer, and waxing and waning goes on and on. But that won't go on for ever. The sun will grow sad at heart, and wane for want of the moon some day, and then there will be a great flare and blaze and glory, and they will be in heaven. And now the two poles of the earth are apart, and so long as they keep apart, the world rolls on in misery and pain, and that is what makes earthquakes, and volcanoes, and great plagues—the poles are apart which ought to be together.
Sabine Baring-Gould (Mehalah: A story of the salt marshes (The Landmark library))
Grief is funny like that, how it ebbs and flows from you, it’s not corked like champagne, a bottle that bursts open, fizzes all out until it’s empty. It’s more like a kind of weather. A kind of wind. Sometimes it’s these horrible gusts that you feel undeniably, hurts your ears, makes you close your eyes, chills you right down to your bones, some days it’s a pleasant breeze that blows across your face and it’s neither sad or bad, it’s just some kind of unspeakable tenderness. Some days you feel no breeze, that’s started happening to me—I don’t know how I feel about it yet—not that I don’t think of her, I sort of think I’ll think of her every day for forever, but more that, when I do, it doesn’t necessarily feel like someone’s dropping a crystal vase inside my chest. That’s not to say I don’t still have days where I’m a glassware shop situated somewhere along the San Andreas Fault and there’s an earthquake and things are falling and breaking everywhere, but there was a time where every day felt like the big one California’s waiting for—just total demolition. I suppose it doesn’t feel like total destruction anymore.
Jessa Hastings (Magnolia Parks: Into the Dark (Magnolia Parks Universe, #5))
Death is sad, but to those closest to the deceased it is greater than that, it is a catastrophe, an off-the-Richter-scale, ground-shaking earthquake, a gale force fuck hurricane, a three-story-high rolling tsunami that knocks you flat, sweeps you away and strips you bare.
John Bowen (Where the Dead Walk)
Death is sad, but to those closest to the deceased it is greater than that, it is a catastrophe, an off-the-Richter-scale, ground-shaking earthquake, a gale force fuck hurricane, a three-story-high rolling tsunami that knocks you flat, sweeps you away and strips you bare.
Anonymous
As the sun dipped below Twin Peaks, Jones wandered toward Castro and Market and saw the huge crowd starting to gather. “It was the most amazingly beautiful, heart-wrenchingly sad, magnificent example of what San Francisco is. It was gay people, straight people, white people, Filipinos, Chinese, African Americans, men and women of all ages, children, the poor and well dressed, people in fur coats next to people in rags. We estimated there were between thirty thousand and forty thousand people. We marched in almost total silence down Market Street to city hall and filled Civic Center Plaza, a sea of people holding candles. I remember standing there and thinking, ‘This isn’t the end of anything. This is the beginning.’ And I was right. “I think every city has a soul, every city is unique and special. But for San Franciscans, I don’t think there could ever be another place to call home. And a lot of it has to do with what I saw that night: with this ability to suffer horrible and dreadful events, earthquakes, civil turmoil, assassinations, and to not only endure but to create something beautiful from it.
David Talbot (Season of the Witch: Enchantment, Terror and Deliverance in the City of Love)
I feel the rage and hatred take over my sadness and settle into righteous anger. At the moment my anger is like calm water, a light breeze with no protection. But do we have any other choice than to accept the showers and the torrential rains, the earthquakes, when everything changes place and season?
Evelyne Trouillot (The Infamous Rosalie)
Ten days later, coming north from Sicily, I passed through the farming country south of Naples, from which large numbers of emigrants go every year to the United States. It is a sad and desolate region. Earthquakes, malaria, antiquated methods of farming, and the general neglect of the agricultural population have all contributed to the miseries of the people. The land itself—at least such portion of it as I saw—looks old, wornout, and decrepit; and the general air of desolation is emphasized when, as happened in my case, one comes suddenly, in the midst of the desolate landscape, upon some magnificent and lonely ruin representing the ancient civilization that flourished here two thousand years ago.
Booker T. Washington (The Man Farthest Down: A Record of Observation and Study in Europe: Exploring Social Inequality: European Perspectives and African American Insights)
Because of my father’s circumstances, I had thought it a sad commentary on life, but I now understood that he was offering me his own gift, one that only time can provide. He was offering me the gift of perspective. My father was telling me that while we tend to remember the dramatic incidents that change history—Armstrong’s walk on the moon, Nixon’s resignation, and the Loma Prieta earthquake—we live for the quiet, intimate moments that mark not our calendars but our hearts: The day we marry. The days our children are born. Their first step. Their first word. Their first day of school. And when our children grow, we remember those moments with a touch of melancholy: the day they get their driver’s license, the day we drive them to college, the day they marry, and the day they have their children. And the cycle begins anew.
Robert Dugoni (The Extraordinary Life of Sam Hell)
But one person’s more-sad doesn’t cancel out another person’s less-sad. The fact that an earthquake took out a whole city block
Mary Laura Philpott (I Miss You When I Blink: Essays)
To maximize pleasure and to minimize pain - in that order - were characteristic Enlightenment concerns. This generally more receptive attitude toward good feeling and pleasure would have significant long-term consequences. It is a critical difference separating Enlightenment views on happiness from those of the ancients. There is another, however, of equal importance: that of ambition and scale. Although the philosophers of the principal classical schools sought valiantly to minimize the role of chance as a determinant of human happiness, they were never in a position to abolish it entirely. Neither, for that matter, were the philosophers of the eighteenth century, who, like men and women at all times, were forced to grapple with apparently random upheavals and terrible reversals of forture. The Lisbon earthquake of 1755 is an awful case in point. Striking on All Saints' Day while the majority of Lisbon's inhabitants were attending mass, the earthquake was followed by a tidal wave and terrible fires that destroyed much of the city and took the lives of tens of thousands of men and women. 'Quel triste jeu de hasard que le jeu de la vie humaine,' Voltaire was moved to reflect shortly thereafter: 'What a sad game of chance is this game of human life.' He was not alone in reexamining his more sanguine assumptions of earlier in the century, doubting the natural harmony of the universe and the possibilities of 'paradise on earth'; the catastrophe provoked widespread reflection on the apparent 'fatality of evil' and the random occurrence of senseless suffering. It was shortly thereafter that Voltaire produced his dark masterpiece, Candide, which mocks the pretension that this is the best of all possible worlds. And yet, in many ways, the incredulity expressed by educated Europeans in the earthquake's aftermath is a more interesting index of received assumptions, for it demonstrates the degree to which such random disasters were becoming, if not less common, at least less expected. Their power to shock was magnified accordingly, but only because the predictability and security of daily existence were increasing, along with the ability to control the consequences of unforeseen disaster. When the Enlightened Marquis of Pombal, the First Minister of Portugal, set about rebuilding Lisbon after the earthquake, he paid great attention to modern principles of architecture and central planning to help ensure that if such a calamity were to strike again, the effects would be less severe. To this day, the rebuilt Lisbon of Pombal stands as an embodiment of Enlightened ideas. Thus, although eighteenth-century minds did not - and could not - succeed in mastering the random occurrences of the universe, they could - and did - conceive of exerting much greater control over nature and human affairs. Encouraged by the examples of Newtonian physics, they dreamed of understanding not only the laws of the physical universe but the moral and human laws as well, hoping one day to lay out with precision what the Italian scholar Giambattista Vico described as a 'new science' of society and man. It was in the eighteenth century, accordingly, that the human and social sciences were born, and so it is hardly surprising that observers turned their attention to studying happiness in similar terms. Whereas classical sages had aimed to cultivate a rarified ethical elite - attempting to bring happiness to a select circle of disciples, or at most to the active citizens of the polis - Enlightenment visionaries dreamed of bringing happiness to entire societies and even to humanity as a whole.
Darrin M. McMahon (Happiness: A History)
John Noa moved slowly toward the window. Old age had not been kind to him, and though he could still sit a horse, his rigid joints grew more painful by the day. Looking down from his lofty vantage point, he could see the town below on the cusp of waking. A lone wolf stood in the square, his head tilted to one side. The old man smiled. He had always loved animals and none more than the gray wolf. Before the Melting, they had been almost eradicated, hunted to extinction. Extinction: the saddest word of all. Using science and with great care and attention, they had bred five pairs of wolves in captivity, producing fifteen new cubs, and then released them into the wild. Since then, the wolves had thrived. Amid all the destruction, it had seemed like a miracle to him. He loved the view from the high window at this time of day. The workers not yet awake and only the comforting sound of the water bubbling in the great tank. He sighed. Sadly, he couldn’t stay. He had work to do. Work! Always work. Problems to be solved, plans to be made. He had never expected it to be this difficult. On his bad days, he wondered if it had been worth it at all. Another glance at the wolf brought a smile to his lips. Yes. It was all worth it. He firmly believed that it was his passion for Ark that had kept him alive when so many had been lost. The images of death and destruction were always with him. Floods, earthquakes, famine, as livid in daylight as they were in his nightmares. Images of the past. But there were nightmares in the present too. Bandits. Desecrators. Tintown. People intent on destroying what he had built. People intent on going their own way regardless of the price. He felt the old rage stir in his heart. They would be dealt with. In the end, they would find
Patricia Forde (The List)
I am a wreck destroyed by an earthquake in this city that has been bombed for years.
Cengiz Sinan ÖNDER
Your fortune is yet doubtful: when I examined your face, one trait contradicted another. Chance has meted you a measure of happiness: that I know. I knew it before I came here this evening. She has laid it carefully on one side for you. I saw her do it. It depends on yourself to stretch out your hand, and take it up: but whether you will do so, is the problem I study. Kneel again on the rug." "Don't keep me long; the fire scorches me." I knelt. She did not stoop towards me, but only gazed, leaning back in her chair. She began muttering, — "The flame flickers in the eye; the eye shines like dew; it looks soft and full of feeling; it smiles at my jargon: it is susceptible; impression follows impression through its clear sphere; where it ceases to smile, it is sad; an unconscious lassitude weighs on the lid: that signifies melancholy resulting from loneliness. It turns from me; it will not suffer further scrutiny; it seems to deny, by a mocking glance, the truth of the discoveries I have already made, — to disown the charge both of sensibility and chagrin: its pride and reserve only confirm me in my opinion. The eye is favourable. "As to the mouth, it delights at times in laughter; it is disposed to impart all that the brain conceives; though I daresay it would be silent on much the heart experiences. Mobile and flexible, it was never intended to be compressed in the eternal silence of solitude: it is a mouth which should speak much and smile often, and have human affection for its interlocutor. That feature too is propitious. "I see no enemy to a fortunate issue but in the brow; and that brow professes to say, — 'I can live alone, if self-respect, and circumstances require me so to do. I need not sell my soul to buy bliss. I have an inward treasure born with me, which can keep me alive if all extraneous delights should be withheld, or offered only at a price I cannot afford to give.' The forehead declares, 'Reason sits firm and holds the reins, and she will not let the feelings burst away and hurry her to wild chasms. The passions may rage furiously, like true heathens, as they are; and the desires may imagine all sorts of vain things: but judgment shall still have the last word in every argument, and the casting vote in every decision. Strong wind, earthquake-shock, and fire may pass by: but I shall follow the guiding of that still small voice which interprets the dictates of conscience.' Well said, forehead; your declaration shall be respected.
Charlotte Brontë (Jane Eyre)