Earrings Love Quotes

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When we lose people we love, we should never disturb their souls, whether living or dead. Instead, we should find consolation in an object that reminds you of them, something...I don't know...even an earring
Orhan Pamuk (The Museum of Innocence)
Hopefully as you get older, you start to learn how to live with your demon. It’s hard at first. Some people give their demon so much room that there is no space in their head or bed for love. They feed their demon and it gets really strong and then it makes them stay in abusive relationships or starve their beautiful bodies. But sometimes, you get a little older and get a little bored of the demon. Through good therapy and friends and self-love you can practice treating the demon like a hacky, annoying cousin. Maybe a day even comes when you are getting dressed for a fancy event and it whispers, “You aren’t pretty,” and you go, “I know, I know, now let me find my earrings.” Sometimes you say, “Demon, I promise you I will let you remind me of my ugliness, but right now I am having hot sex so I will check in later.
Amy Poehler (Yes Please)
What I've found about it is that there are some folks you can talk to until you're blue in the face--they're never going to get it and they're never going to change. But every once in a while, you'll run into someone who is eager to listen, eager to learn, and willing to try new things. Those are the people we need to reach. We have a responsibility as parents, older people, teachers, people in the neighborhood to recognize that.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
Great earrings would be little speakers, so she can hear better. Or maybe she just wasn’t listening all those times I told her I loved her.
Jarod Kintz (This Book is Not for Sale)
As I shut the door and started to walk away, I heard him say, "Hey. Sydney." "Yeah?" "You had on a shirt with mushrooms on it, and your hair was pulled back. Silver earrings. Pepperoni slice. No lollipop." I just looked at him, confused. Layla was walking toward us now. "The first time you came into Seaside," he said. "You weren't invisible, not to me. Just so you know.
Sarah Dessen (Saint Anything)
And I left the aspirin next to the phone with a tall glass of water. Figured you weren’t going to be able to make it to the coffeepot. Take three, turn your ringer off, and sleep. If anything exciting happens, I’ll come and get you.” “I love you, honey.” “So buy me a mink and a nice pair of earrings for our anniversary.” “You got it.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
He immediately started charming my mom until she was nothing but a gooey puddle in the middle of the foyer. He loved her new haircut.She got one?I guessed her hair did look different.Like she’d washed it or something.Daemon told her that the diamond earrings were beautiful.The rug below the steps was really nice.And that leftover scent of mystery dinner—because I still hadn’t figured out what she fed me—smelled divine.He admired nurses worldwide,and by that point,I couldn’t keep my eye rolls to a minimum. Daemon was ridiculous.
Jennifer L. Armentrout (Opal (Lux, #3))
Well, I always tried to look nice and be feminine even in the worst tragedies and crisis, there's no reason to add to everyone's misery by looking miserable yourself. That's my philosophy. This is why I always wore makeup and jewelry into the jungle-nothing too extravagant, but maybe just a nice gold bracelet and some earrings, a little lipstick, good perfume. Just enough to show that I still had my self-respect.
Elizabeth Gilbert (Eat, Pray, Love)
...when you put on your shortest dress, please leave some mystery in it. That's the difference between a miniskirt and a ho-skirt. A ho-skirt shows your Frisbee. A miniskirt shows just enough to cause some mystery. What these young women lack is mystery.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course. “Christian, this is beautiful. Thank you. It’s yar.” He grins. My favorite is the heart. It’s a locket. “You can put a picture or whatever in that.” “A picture of you.” I glance at him through my lashes. “Always in my heart.” He smiles his lovely, heartbreakingly shy smile. I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to use his first name. I smile at the thought. And finally, there’s a key. “To my heart and soul,” he whispers.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
we didn't have much, but we had love.
Tyler Perry
Remember when we told each other no distractions? Yes. He runs a blazing finger over my earrings, touching each one in turn. Distract me.
Victoria Aveyard (King's Cage (Red Queen, #3))
This is who I am, Rachel . Accept it or not. The tattoos won’t wash off. The earrings will never change. I am who I am and nothing more. I’m loyal to a chosen few, I always keep my word and I’ll protect you with my life. “I scare the hell out of most people, but you will never have anything to fear from me. Choose. Love me or don’t. But tell me now.” Because I can’t leave my heart open for her to rip out later. If I belong to her, then I do, and nothing will stand in our way.
Katie McGarry (Crash into You (Pushing the Limits, #3))
I put a thong on a few months ago trying to be sexy. I've been looking for it but ain't seen it since.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
Don't make a black woman take off her earrings".
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
Some make their worlds without knowing it. Their universes are just sesame seeds and three-day weekends and dial tones and skinned knees and physics and driftwood and emerald earrings and books dropped in bathtubs and holes in guitars and plastic and empathy and hardwood and heavy water and high black stockings and the history of the Vikings and brass and obsolescence and burnt hair and collapsed souffles and the impossibility of not falling in love in an art museum with the person standing next to you looking at the same painting and all the other things that just happen and are.
Jonathan Safran Foer
You can borrow my two-carat diamond stud earrings," Aphrodite said. I stopped and looked back at her. "Huh?" She shrugged. "That's as close to a declaration of love as you're gonna get from me.
P.C. Cast (Destined (House of Night, #9))
Gabriel noticed with satisfaction the way Julia intentionally fingered one of her diamond earrings, as if she understood his revelations and received them gladly. As if she knew he was revealing his love for her through art. His heart swelled.
Sylvain Reynard (Gabriel's Rapture (Gabriel's Inferno, #2))
Why can't people love one another and still remain free?" Althea demanded suddenly. Amber paused to rub her eyes, then tug thoughtfully at her earring. "One can love that way," she conceded regretfully. "But the price on that kind of love may be the highest of all." She strung her words together as carefully as she strung her beads. "To love another person like that, you have to admit that his life is as important as yours. Harder still, you have to admit to yourself that perhaps he has needs you cannot fill, and that you have tasks that will take you far away from him. It costs loneliness and longing and doubt and...
Robin Hobb (The Mad Ship (Liveship Traders, #2))
Shinji slowly fell forward onto his face. Debris bounced up on impact. It took less than thirty seconds for the rest of his body to die. The memento of his beloved uncle--the earring worn by the woman he loved--was now stained with the blood running down Shinji's left ear, reflecting the glow from the red flames of the farm building. And so the boy known as the Third Man, Shinji Mimura, was dead.
Koushun Takami (Battle Royale)
You know, people don't want their intelligence insulted. They don't want to be preached to. They don't want to be degraded. All they want to do is sit, laugh, have a good time, love one another, forget about what's going on in the world, and find something out so they can be useful in this life. Do this and you have common sense.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
I'd sit around dreaming that the boys I saw at shows or at work - the boys with silver earrings and big boots - would tell me I was beautiful, take me home and feed me Thai food or omelets and undress me and make love to me all night with the palm trees whispering windsongs about a tortured gleaming city and the moonlight like flame melting our candle bodies.
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.
Jandy Nelson (The Sky Is Everywhere)
Pawn Shop Blues" Well, I didn't know it would come to this But that's what happens when you're on your own And you're alright letting nice things go Well, I pawned the earrings that you gave me Gold and made of flowers dangling And I almost cried as I sold them all I don't mind living on bread and oranges, no no But I gotta get to and from where I come And it's gonna take money to go Oh no, oh oh, oh oh... In the name of higher consciousness I let the best man I knew go 'Cause it's nice to love and be loved But it's better to know all you can know I said it's nice to love and be loved But I'd rather know what God knows Oh no, oh no, oh no... I can do this once more No man can keep me together Been broken since I was born Well, I didn't know it would come to this But that's what happens when you're on your own And you're alright letting nice things go
Lana Del Rey
My friend Madea has "attitude" that comes with wisdom. Back in our teens and twenties, we thought we knew everything and made all those foolish mistakes. Then, when we got a little older, at thirty, we started getting these flashes of light, revelations of what a great and lucky thing it is that we didn't get caught doing those stupid things back then. Around forty, if we are lucky, we stop lying to ourselves. Fifty and above, we've run out of patience for foolishness. Take me to the bottom line.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
All I could do was escape from reality, but every time I tried to escape from the pain, that same pain told me that I had probably been falling in love with him.
Hitomi Kanehara (Snakes And Earrings)
The early dew-falls that did a pristine coating, over the woods with its finest transparency, glazed as like its wet white-glassy earrings that hung on the ears of wild flowers—unlatched my fancy.
Nithin Purple (Venus and Crepuscule)
She wears a freedom ring in one ear, you know, the earring that Chalcedean freed-slaves must purchase and wear to prove they have been granted their freedom. I asked her once if she had bought her freedom, or if it had belonged to her mother. She was quiet for a time, and then said it was a gift from her one true love.
Robin Hobb (Ship of Destiny (Liveship Traders, #3))
So that night after Wyatt goes to bed, I can't sleep. And I see this piece of paper with this song he's writing and it's clearly about me. It says something about a redhead and mentioned the hoop earrings that I was wearing all the time. And then he had this chorous about me having a big heart but no love in it. I kept looking at the words, thinking, This isn't right. He didn't understand me at all. So I thought about it for a little while and got out a pen and paper. I wrote some things down. When he woke up, I said, "Your chorus should be more like 'Big eyes, big soul/big heart, no control/but all she got to give is tiny love.'" Wyatt grabbed a pen and paper and he said, "Say that again?" I said, "It was just an example. Write your own goddamn song." Simone: "Tiny Love"was the Breeze's biggest hit. And Wyatt pretended he wrote the whole thing.
Taylor Jenkins Reid (Daisy Jones & The Six)
A dam inside my own heart opened up, and the feelings of heaviness and unease lifted like wind against the winter sky. I loved him. I loved his slow wit and his gruff demeanor and his tender disposition. I loved his endless empathy and his world-weary cynicism and his innocence. I loved that he was a walking, breathing paradox. I loved his lank hair and his iron earring and the tooth missing at the back of his mouth. I loved the way he laughed, music incomparable to any song, and the way he smiled, like you could see the child in him and the animal in him and the man in him all at once. I loved that he listened to crappy music, the kind that made me want to put my head through a wall, and I loved the charcoal stains on his knuckles and the pencils he tucked behind his ears. I loved that he told me to shut up as though I could actually say anything. I loved that he made me feel as though I could. I loved his short fingers and his rough palms and his long legs and his flat belly. I loved that he liked to read Kerouac but didn't know how to pronounce Kerouac. I loved his brown skin and his blue tattoos and his tempestuous blue eyes. I loved that he loved the land. I loved him. I loved him. Oh, God. I loved him.
Rose Christo (Looks Over (Gives Light, #2))
I ain't going to talk to you until I am blue in the face trying to make you change. I'm going to tell you what's on my mind and hope you get it and I'm going to move on. That's what we have to do sometimes--move on. Try to help others, extend your hand, and then help the next. If they don't want to accept it, keep moving on. Don't let them discourage you. Never stop doing what you're doing because of somebody else's unwillingness to learn.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
Dani had threatened to kill him. This must be the way she planned to do it. Her dark hair was down around her shoulders and she was wearing earrings that glittered in the sunlight. The purple dress she had on showed off her toned legs and hugged her curves. The supply of oxygen to his brain cut off, and he was pretty sure his heart had stopped a couple of beats ago.
Cindi Madsen (Falling for Her Fiance (Accidentally in Love, #1))
When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.
David Lehman (When a Woman Loves a Man: Poems)
I cross the street and walk into the Printemps. I go to the counter with necklaces and bracelets and earrings, which dazzle me always. I stand like a fascinated savage. Glitter. Amethyst. Turquoise. Shell pink. Irish green. I would like to be naked and cover myself in cold crystal jewelry. Jewelry and perfume.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
He loved me and I would rather have him become one with me than disappear from my life. Then I'd never have to be away from him ever again. He said I was important to him. So why did he leave me? How could he leave me?
Hitomi Kanehara (Snakes And Earrings)
George Burns tells a wonderful story about the one time in his life (so he says) he cheated on his beloved Gracie. He was so disgusted and ashamed of himself that he went out and bought her the most beautiful diamond necklace he could find. Gracie was pretty sure she knew what was wrong, but she accepted the necklace and said nothing. Several years passed. One night, she and George were out to dinner and an acquaintance complimented her on her lovely necklace. As George stood there, aghast, she replied, 'Thank you. I wish George would cheat on me again so I could get the matching earrings.
Sydney Biddle Barrows (Just Between Us Girls: Secrets About Men From The Madam Who Knows)
Darling Daddy, This is Rose. Very good news. Caddy is going to marry Micheal. In case you have forgotten because you have not been home for so long he is the one with the ponytail and the earring that you do not like. And Caddy says she will have a white lace dress and three bridesmaids, Saffron and Sarah and me, and a big party for everyone, all her old boyfriends too. Fireworks. A band. A big tent called a marquee. But where will we put it? Carriages with white horses for us all to go to the church. Afterward Caddy and Micheal will go for a holiday to Australia to visit the Great Barrier Reef. Caddy has it all worked out and Mummy says Yes She Can Of Course You Can Darling Of Course You Must Do That. Saffron said That Will Cost a Few Weeks Housekeeping and Mummy said Yes But We Do Not Need to Worry About That. DADDY WILL PAY. Love, Rose.
Hilary McKay (Indigo's Star (Casson Family, #2))
I read because the women that I liked when I was a teenager lived down in Greenwich Village and they all had those black clothes. The Jules Feiffer women with the black leather bags and the blonde hair and the silver earrings and they all had read Proust and Kafka and Nietzche. And so when I said, ‘No, the only thing I’ve ever read were two books by Mickey Spillane,’ they would look at their watch and I was out. So in order to be able to carry on a conversation with these women who I thought were so beautiful and fascinating, I had to read. So I read. But it wasn’t something I did out of love. I did it out of lust.
Woody Allen
Gate C22 At gate C22 in the Portland airport a man in a broad-band leather hat kissed a woman arriving from Orange County. They kissed and kissed and kissed. Long after the other passengers clicked the handles of their carry-ons and wheeled briskly toward short-term parking, the couple stood there, arms wrapped around each other like he’d just staggered off the boat at Ellis Island, like she’d been released at last from ICU, snapped out of a coma, survived bone cancer, made it down from Annapurna in only the clothes she was wearing. Neither of them was young. His beard was gray. She carried a few extra pounds you could imagine her saying she had to lose. But they kissed lavish kisses like the ocean in the early morning, the way it gathers and swells, sucking each rock under, swallowing it again and again. We were all watching– passengers waiting for the delayed flight to San Jose, the stewardesses, the pilots, the aproned woman icing Cinnabons, the man selling sunglasses. We couldn’t look away. We could taste the kisses crushed in our mouths. But the best part was his face. When he drew back and looked at her, his smile soft with wonder, almost as though he were a mother still open from giving birth, as your mother must have looked at you, no matter what happened after–if she beat you or left you or you’re lonely now–you once lay there, the vernix not yet wiped off, and someone gazed at you as if you were the first sunrise seen from the Earth. The whole wing of the airport hushed, all of us trying to slip into that woman’s middle-aged body, her plaid Bermuda shorts, sleeveless blouse, glasses, little gold hoop earrings, tilting our heads up.
Ellen Bass (The Human Line)
To her, love was impure. I, on the other hand, have had so little love that it seems to me like a delicate jewel, and I’m terrified of losing it. My fear is not just that I’ll misplace it, like an earring on a night of sex or sweaty dancing, it’s that it will evaporate and vanish like alcohol. I
Mariana Enríquez (Our Share of Night)
California, Labor Day weekend...early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Fricso, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur...The Menace is loose again, the Hell's Angels, the hundred-carat headline, running fast and loud on the early morning freeway, low in the saddle, nobody smiles, jamming crazy through traffic and ninety miles an hour down the center stripe, missing by inches...like Genghis Khan on an iron horse, a monster steed with a fiery anus, flat out through the eye of a beer can and up your daughter's leg with no quarter asked and non given; show the squares some class, give em a whiff of those kicks they'll never know...Ah, these righteous dudes, they love to screw it on...Little Jesus, the Gimp, Chocolate George, Buzzard, Zorro, Hambone, Clean Cut, Tiny, Terry the Tramp, Frenchy, Mouldy Marvin, Mother Miles, Dirty Ed, Chuck the Duck, Fat Freddy, Filthy Phil, Charger Charley the Child Molester, Crazy Cross, Puff, Magoo, Animal and at least a hundred more...tense for the action, long hair in the wind, beards and bandanas flapping, earrings, armpits, chain whips, swastikas and stripped-down Harleys flashing chrome as traffic on 101 moves over, nervous, to let the formation pass like a burst of dirty thunder...
Hunter S. Thompson (Hell's Angels)
All I wanted was to be part of an underground world where the sun doesn't shine, there are no love songs, and the sound of children's laughter is never, ever heard.
Hitomi Kanehara
I also love shopping for earrings, because they always fit - even if I occasionally "forget" to work out.
Tammara Webber
But even as she was going through with it she knew it was useless, just as it was useless to save a single earring when the other half of the pair was lost
Jhumpa Lahiri (The Lowland)
People often say that the truth hurts. Hell no, it hurts even more if you do a whole bunch of foolishness to try to avoid it.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
She was a Home Counties, Kate-loving, Jaeger-shopping, Lean In-feminist who arranged animal-welfare fundraisers at the weekends and bought handmade earrings from Etsy.
Natasha Brown (Assembly)
Our job as mothers is to do the best we can to teach our children that life is better and friendships are richer when we treat others with kindness, when we remember to share, and when we use nice words. To remember that every person we come in contact with may have a few cracks in their hearts even if we can’t see them and that love is always the best response. But
Melanie Shankle (Sparkly Green Earrings)
Nonsense. And don’t you go marrying just anybody, for love,” she said. “Remember that love cannot last; it never, never does; but if you marry all this it’s for your life. One day, don’t forget, you’ll be middle-aged and think what that must be like for a woman who can’t have, say, a pair of diamond earrings. A woman of my age needs diamonds near her face, to give a sparkle.
Nancy Mitford (Love in a Cold Climate)
Miss Destiny said, “there is a God, and He is one hell of a joker. Just—look—” and she indicates her lovely green satin dress and then waves her hand over the entire room. “Trapped! . . . But one day, in the most lavish drag youve evuh seen—heels! and gown! and beads! and spangled earrings!—Im going to storm heaven and protest! Here I am!!!!! I’ll yell—and I’ll shake my beads at Him. . . . And God will cringe!
John Rechy (City of Night)
The entire room turns and stares. There’s no doubt what they see—ripped jeans, a black T-shirt, tattoos and earrings. I don’t care what they see. All I care about is what she sees: a person unwelcomed or the guy she loves. A tear flows down her face, and the hand wrapped at her waist tells me she’s paralyzed. In a long gold ball gown that’s more skirt than dress, Rachel is truly the angel I believe her to be. A man in a tuxedo stands. “Son, I think you have the wrong room.” “No. I don’t.” I stride between the tables, keeping my eyes locked with hers. The closer I get, the more she straightens. Her hand falls from her stomach, and the tear clears from her face. Rachel gazes at me as if I’m a dream. I extend my hand, palm out. “I need help.” Her blue eyes lose their glaze, and the hue of violet I love so much returns. “So do I.”
Katie McGarry (Crash into You (Pushing the Limits, #3))
She’d been given gifts before. Earrings, necklaces, bracelets. Weekend trips to the Bahamas or a day at the spa. Expensive—but meaningless—trinkets that showed Dax didn’t have a clue what to give her, that he didn’t listen to her. Things that could be meant for any woman. Nothing that said she was special, that what she thought and wanted mattered. A set of aluminum bleachers full of teenage boys meant more than any of those things combined.
Jeanette Murray (The Game of Love)
Save your biggest smiles for the shitheads, and don’t take your eyes off theirs. The women will think you love their earrings. The men will think you’re smitten with them. None of them will know that you’re actually watching their every move.
Stephen King (Gwendy's Final Task (The Button Box #3))
It was silly to remember the stories of us not getting along. The melodrama of any couple breaking apart. My feelings for the man who stayed for a month in the neighboring apartment who made jewelry. He lay earrings on the bedspread and let me pick a pair. Feathers I picked and even wore. Mistaking the relief from loneliness that meeting another fragile soul can bring about, mistaking that for love, but who's to say it wasn't love, or what I felt for Richard, that it was love. Who's to say.
Sara Majka (Cities I've Never Lived In)
Should you fall into the error of thinking the lover can be the owner and the beloved a possession, know that this is a great error indeed. Because genuine love places a collar of honour around the beloved's neck and removes the ear-ring of slavery. For the beloved can never become a possession.
Ahmad Ghazali
Make for yourself a world you can believe in. It sounds simple, I know. But it’s not. Listen, there are a million worlds you could make for yourself. Everyone you know has a completely different one—the woman in 5G, that cab driver over there, you. Sure, there are overlaps, but only in the details. Some people make their worlds around what they think reality is like. They convince themselves that they had nothing to do with their worlds’ creations or continuations. Some make their worlds without knowing it. Their universes are just sesame seeds and three-day weekends and dial tones and skinned knees and physics and driftwood and emerald earrings and books dropped in bathtubs and holes in guitars and plastic and empathy and hardwood and heavy water and high black stockings and the history of the Vikings and brass and obsolescence and burnt hair and collapsed souffles and the impossibility of not falling in love in an art museum with the person standing next to you looking at the same painting and all the other things that just happen and are. But you want to make for yourself a world that is deliberately and meticulously personalized. A theater for your life, if I could put it like that. Don’t live an accident. Don’t call a knife a knife. Live a life that has never been lived before, in which everything you experience is yours and only yours. Make accidents on purpose. Call a knife a name by which only you will recognize it. Now I’m not a very smart man, but I’m not a dumb one, either. So listen: If you can manage what I’ve told you, as I was never able to, you will give your life meaning.
Jonathan Safran Foer (A Convergence of Birds: Original Fiction and Poetry Inspired by Joseph Cornell)
Pippa’s hair was down and fell over her shoulders. Beneath her jersey dress, her body was easy to imagine, and I reached forward, sliding a hand around her waist to pull her just a little closer. I wanted to kiss her. I knew that in part it was the wine, and the beer, and the heady sense of freedom in a small town where I knew no one, but I also knew that in no part was that feeling about Becky. Pippa bounced against me, singing terribly into the mic—perfect for the song, really. Her earrings cascaded down from her ears, nearly touching her shoulders. Her bracelets clanged on her wrist. Her lipstick stained her lips a seductive fire-red, and it made her happy smile seem boundless.
Christina Lauren (Beautiful (Beautiful Bastard, #5))
You can make sure I look better than Celia, better than all of ’em, in the dailies.” “That’s not what I mean.” “But it’s all you can do.” “Evelyn…” I kept my upper lip stiff. “There’s no move here, Harry.” He understood what I meant. I couldn’t leave Don Adler. “I could talk to Ari.” “I love him,” I said, turning away and clipping my earrings on. It was the truth. Don and I had problems, but so did a lot of people. And he was the only man who had ever ignited something in me. Sometimes I hated myself for wanting him, for finding myself brightening up when his attention was on me, for still needing his approval. But I did. I loved him, and I wanted him in my bed. And I wanted to stay in the spotlight. “End of discussion.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Their eyes, warm not only with human bond but with the shared enjoyment of the art objects he sold, their mutual tastes and satisfactions, remained fixed on him; they were thanking him for having things like these for them to see, pick up and examine, handle perhaps without even buying. Yes, he thought, they know what sort of store they are in; this is not tourist trash, not redwood plaques reading Muir Woods, Marin County, PSA, or funny signs or girly rings or postcards or views of the Bridge. The girl’s eyes especially, large, dark. How easily, Childan thought, I could fall in love with a girl like this. How tragic my life, then; as if it weren’t bad enough already. The stylish black hair, lacquered nails, pierced ears for the long dangling brass handmade earrings. “Your
Philip K. Dick (The Man in the High Castle)
printed with blue flowers, love-in-a-mist, it’s mine. She’s lifting up her face, she’s holding out her hands to me for mercy; in her ears are the little gold earrings I used to envy, but I no longer begrudge them, Nancy can keep them, because this time it will all be different, this time I will run to help, I will lift her up and wipe away the blood with my skirt, I will tear a bandage from my petticoat and none of it will have happened.
Margaret Atwood (Alias Grace)
Mary.” Turning at the soft sound of her name, she glanced behind herself. Then frowned. “Lassiter?” “I’m over here.” “Where?” She looked all around. “Why is your voice echoing?” “Chimney.” “What?” “I’m stuck in the fucking chimney.” She raced over to the fireplace and got on her hands and knees. Looking up into the dark flue, she shook her head. “Lass? What the hell are you doing up there?” His voice emanated from somewhere above her. “Don’t tell anyone, okay?” “What are you—” An arm came down. A very sooty arm that was encased in a red sleeve that had white trim. Or what had been white trim and which was now smudged with ash. “You’re stuck!” she exclaimed. “And thank God no one lit this fire!” “You’re telling me,” he muttered in his disembodied voice. “I had to blow out Fritz’s match like a hundred times before he gave up. Fuck, that sounds dirty. Anyway, just remind me never to try to be Santa for your kid, okay? I’m not doing this again, even for her.” Mary stretched a little farther in, but the logs on the hearth stopped her. “Lassiter. Why can’t you free yourself by dematerializing—” “I’m impaled on a hook that’s iron. I can’t go ghost. And will you just take this?” “What?” “This.” He turned his hand toward her and there was…a box…in it? A small navy blue box. “Open it. And before you ask, I already cleared it with your pinheaded hellren. He’s not jel or anything.” Mary sat back and shook her head. “I’m more worried about you—” “Justopenthefuckingthingalready.” Taking off the top, she found a slightly smaller box inside. That was velvet. “What is this?” As she lifted the lid, she…gasped. It was a pair of diamond earrings. A pair of perfectly matched, sparkly, diamond… “A mother’s tears,” Lassiter’s slightly echo-y voice said softly. “So hard, so beautiful. I told you everything was going to be all right. And those are to remind you of how strong you are, how strong your love for your daughter is…how, even in the worst of times, things have a way of working out as they should.” Blinking away tears, she thought of her crying in the foyer in front of the angel, crying because all had been lost. “They’re just beautiful,” she said hoarsely. -Lassiter & Mary
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
I open the red leather box and examine the earrings. They are beautiful: simple yet elegant, just like the enchanting Miss Steele … who left me this morning because I punished her … because I pushed her too hard. I cradle my head once again. But she let me. She didn’t stop me. She let me because she loves me. The thought is horrifying, and I dismiss it immediately. She can’t. It’s simple: no one can feel like that about me. Not if they know me.
E.L. James (Grey (Fifty Shades as Told by Christian, #1))
Time means succession, and succession, change: Hence timelessness is bound to disarrange Schedules of sentiment. We give advice 570  To widower. He has been married twice: He meets his wives; both loved, both loving, both Jealous of one another. Time means growth, And growth means nothing in Elysian life. Fondling a changeless child, the flax-haired wife Grieves on the brink of a remembered pond Full of a dreamy sky. And, also blond, But with a touch of tawny in the shade, Feet up, knees clasped, on a stone balustrade The other sits and raises a moist gaze 580  Toward the blue impenetrable haze. How to begin? Which first to kiss? What toy To give the babe? Does that small solemn boy Know of the head-on crash which on a wild March night killed both the mother and the child? And she, the second love, with instep bare In ballerina black, why does she wear The earrings from the other’s jewel case? And why does she avert her fierce young face?
Vladimir Nabokov (Pale Fire)
When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? ... One year they broke up seven times and threatened to do it      another nine times. When a woman loves a man, she wants him to meet her at the      airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that      she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.
David Lehman
Katie stood alone... 'They think this is so good,' he thought. 'They think it's good- the tree they got for nothing and their father playing up to them and the singing and the way the neighbors are happy. They think they're mighty lucky that they're living and it's Christmas again. They can't see that we live on a dirty street in a dirty house among people who aren't much good. Johnny and the children can't see how pitiful it is that our neighbors have to make happiness out of this filth and dirt. My children must get out of this. They must come to more than Johnnny or me or all thse people around us. But how is this to come about? Reading a page from those books every day and saving pennies in the tin-can bank isn't enough. Money! Would that make it better for them? Yes, it would make it easy. But no, the money wouldn't be enough. McGarrity owns the saloon standing on the corner and he has a lot of money. His wife wears diamond earrings. But her children are not as good and smart as my children. They are mean and greedy towards others...Ah no, it isn't the money alone... That means there must be something bigger than money. Miss Jackson teaches... and she has no money. She works for charity. She lives in a little room there on the top floor. She only has the one dress but she keeps it clean and pressed. Her eyes look straight into yours when you talk to her... She understands about things. She can live in the middle of a dirty neighborhood and be fine and clean like an actress in a play; someone you can look at but is too fine to touch... So what is this difference between her and this Miss Jackson who has no money?... Education! That was it!...Education would pull them out of the grime and dirt. Proof? Miss Jackson was educated, the McGarrity wasn't. Ah! That's what Mary Rommely, her mother, had been telling her all those years. Only her mother did not have the one clear word: education!... 'Francie is smart...She's a learner and she'll be somebody someday. But when she gets educated, she will grow away from me. Why, she's growing away from me now. She does not love me the way the boy loves me. I feel her turn away from me now. She does not understand me. All she understands is that I don't understand her. Maybe when she gets education, she will be ashamed of me- the way I talk. but she will have too much character to show it. Instead she will try to make me different. She will come to see me and try to make me live in a better way and I will be mean to her because I'll know she's above me. She will figure out too much about things as she grows older; she'll get to know too much for her own happiness. She'll find out that I don't love her as much as I love the boy. I cannot help that this is so. But she won't understand that. Somethimes I think she knows that now. Already she is growing away from me; she will fight to get away soon. Changing over to that far-away school was the first step in her getting away from me. But Neeley will never leave me, that is why I love him best. He will cling to me and understand me... There is music in him. He got that from his father. He has gone further on the piano than Francie or me. Yes, his father has the music in him but it does him no good. It is ruining him... With the boy, it will be different. He'll be educated. I must think out ways. We'll not have Johnnny with us long. Dear God, I loved him so much once- and sometimes I still do. But he's worthless...worthless. And God forgive me for ever finding out.' Thus Katie figured out everything in the moments it took them to climb the stairs. People looking up at her- at her smooth pretty vivacious face- had no way of knowing about the painfully articulated resolves formulating hin her mind.
Betty Smith
Starla and Conner ambled to his car, knowing each deliberate footstep meant the road to parting was nearer. He leaned his back against the door pulling her within inches of his face, their personal space evaporating like dew steeped in the warmth of the morning sun. She tilted her head sideways, searching his eyes with hers. Straightening the collar of his shirt she said, “If I’m too bold forgive me, but you fill a void in my life . . . you’re like finding that stray earring I’ve been trying to find for ages and now that I have, it scares me.
JoDee Neathery (A Kind of Hush)
Althea leaned back in her chair and crossed her arms stubbornly. ‘I can’t help it. That’s what I want.’ When Amber said nothing, Althea asked, almost angrily, ‘Don’t try to tell me that that is what love is, giving it all up for someone else!’ ‘But for some people, it is,’ Amber pointed out inexorably. She bound another bead into the necklace, then held it up to look at it critically. ‘Others are like two horses in harness, pulling together towards a goal.’ ‘I suppose that wouldn’t be so bad,’ Althea conceded. Her knitted brows said she did not entirely believe it. ‘Why can’t people love one another and still remain free?’ she demanded suddenly. Amber paused to rub her eyes, then tug thoughtfully at her earring. ‘One can love that way,’ she conceded regretfully. ‘But the price on that kind of love may be the highest of all.’ She strung her words together as carefully as she strung her beads. ‘To love another person like that, you have to admit that his life is as important as yours. Harder still, you have to admit to yourself that perhaps he has needs you cannot fill, and that you have tasks that will take you far away from him. It costs loneliness and longing and doubt and –’ ‘Why must love cost anything? Why does need have to be mixed up with love? Why can’t people be like butterflies, coming together in bright sunshine and parting while the day is still bright?’ ‘Because they are people, not butterflies. To pretend that people can come together, love, and then part with no pain or consequences is more false a role than pretending to be a proper Trader’s daughter.
Robin Hobb (The Mad Ship (Liveship Traders, #2))
Perhaps a necklace of tears to weep so that she won't have to? A pin of teeth to bite annoying husbands? No.' He continues to walk through the small space. He lifts a ring. 'To bring on a child?' And then, seeing my face, lifts a pair of earrings, one in the shape of a crescent moon and the other in the shape of a star. 'Ah, yes. Here. This is what you want.' 'What do they do?' I ask. He laughs. 'They are beautiful- isn't that enough?' I give him a skeptical look. 'It would be enough, considering how exquisite they are, but I bet it isn't all.' He enjoys that. 'Clever girl. They are not only beautiful, but they add to beauty. They make someone more lovely than they were, painfully lovely. Her husband will not leave her side for quite some time.' The look on his face is a challenge. He believes I am too vain to give such a gift to my sister. How well he knows the selfish human heart. Taryn will be a beautiful bride. How much more do I, her twin, want to put myself in her shadow? How lovely can I bear her to be? And yet, what better gift for a human girl wedded to the beauty of the Folk? 'What would you take for them?' I ask. 'Oh, any number of little things. A year of your life. The luster of your hair. The sound of your laugh.' 'My laugh is not such a sweet sound as all that.' 'Not sweet, but I bet it's rare,' he says, and I wonder at his knowing that. 'What about my tears?' I ask. 'You could make another necklace.' He looks at me, as though evaluating how often I weep. 'I will take a single tear,' he says finally. 'And you will take an offer to the High King for me.
Holly Black (The Wicked King (The Folk of the Air, #2))
I’m not what you think I am, Aladdin! I will betray you, and I will hurt you, because that is what I am. Why do you think Nardukha rips souls from the living and creates jinnis? Why do you think he sends us into the world? To make your miserable dreams come true? To bring you happiness?” I laugh sourly. “He gives you the thing you want most and uses it to destroy you. Look at yourself. You’re a prince. You have money, power, privilege. The chance to avenge your parents. And you’re miserable.” Aladdin stares at me, and in his eyes is pity. “I’ve been making myself miserable my whole life,” he says softly. “I convinced myself long ago that if I could get revenge on Sulifer, I could finally move on. That I could erase the memory of the day my parents died, when I held their severed heads and watched their blood run in the gutters. But as you say, here I am, a step away from that vengeance—and it has soured on my tongue. I don’t want it anymore.” He sighs and looks up at the sky, as if searching for words among the stars. “You don’t make me miserable, Zahra. I do that to myself, because I’m too weak, too afraid to admit that it isn’t Sulifer I’m angry at—it’s me. My parents were killed because of me. The day before they were executed, I was caught by the guards for stealing an earring, and when they found out who I was, Sulifer had me whipped until I told him where my parents were. And after they were dead, he gave me back the earring as payment for turning my mother and father over to him.” Lowering his gaze to meet mine, he brushes his fingers over the ring in his ear. “I’ve worn it every day since, to remind myself that nothing—nothing—is worth betraying someone you love.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
Serafina had thought Mrs. Coulter beautiful, for a short-life; but Ruta Skadi was as lovely as Mrs. Coulter, with an extra dimension of the mysterious, the uncanny. She had trafficked with spirits, and it showed. She was vivid and passionate, with large black eyes; it was said that Lord Asriel himself had been her lover. She wore heavy gold earrings and a crown on her black curly hair ringed with the fangs of snow tigers. Serafina’s dæmon, Kaisa, had learned from Ruta Skadi’s dæmon that she had killed the tigers herself in order to punish the Tartar tribe who worshiped them, because the tribesmen had failed to do her honor when she had visited their territory. Without their tiger gods, the tribe declined into fear and melancholy and begged her to allow them to worship her instead, only to be rejected with contempt; for what good would their worship do her? she asked. It had done nothing for the tigers. Such was Ruta Skadi: beautiful, proud, and pitiless.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
From the WIP, Behind The Fan... The two women flipped through the pictures as morbid curiosity took hold. The photos all signed by the women; ‘To Nicky with love, Nicky you make me smile, Nicky…Nicky…Nicky.’ They glanced at each other in disgust. The last photo was face down; Kim slowly turned it upright. She questioned why she even cared, what would one more picture of her grandfather’s paramour prove to her. The woman in the photo was stunning, a black and white image someone had hand colored. Her dark brown hair brushed into soft waves; glittering earrings caught the low light of the flash. It was a full body shot; the viewer was to believe she was nude behind two immense Ostridge feather fans. She looked confidently into the camera; standing proudly with her shoulders squared and back erect. Her long legs encased in silky hose attached by the satin straps of the garters. However, it was her eyes, clear crystal bright blue. They stood out in the aged photo engaging the viewer. They were mesmerizing. “Oh dear lord, it’s Grandma!
Caroline Walken
On Claud, though, the look is very cool.) For example, today she was wearing a neon green tank top under a white oversized man’s shirt and fuschia pink stirrup pants. The shirt was rolled at the sleeves and belted with a colorful woven belt. Claud finished the outfit with dangly ceramic-bead earrings she’d made herself in pottery class. She’s super artistic. She paints, sketches, draws, sculpts. You name it! Besides art and cool clothing, Claudia loves junk food. Her parents disapprove of Ho-Ho’s and Twinkies and stuff like that, so she hides them all over her room. You never know when you’re going to pick up a pillow and find a bag of potato chips or something behind it. The other thing she stashes away are her Nancy Drew books. Her parents don’t approve of those, either. They don’t think the mysteries are “intellectual” enough. Claudia couldn’t care less if the books are “intellectual.” One thing Claud is not interested in is school work. Although she can’t spell for anything, she’s definitely not dumb. She just doesn’t like school. And, unfortunately, her grades show it. She’s the complete
Ann M. Martin (Jessi and the Awful Secret (The Baby-Sitters Club, #61))
crazy touches. She loves art and sometimes makes herself jewelry, especially big earrings. (Claudia, of course, has pierced ears, which Mal and I want desperately but are not allowed to have yet. All we’re going to get is braces on our teeth.) Anyway, Claudia doesn’t just love art, she’s a really good artist. Unfortunately, she’s a terrible student. Being a poor student is bad enough, but when you have an older sister who is a genius, like Claudia’s sister, Janine, it’s really tough. Claudia manages, though. She does as well as she can in school, and otherwise concentrates on her art and babysitting. She lives with her parents, her sister, and her grandmother, Mimi. Mary Anne Spier is the club secretary. She’s in charge of keeping the record book in order, except for the money stuff. (That’s Dawn Schafer’s job, since she’s the treasurer.) It’s hard to believe that Mary Anne and Kristy are best friends. This is because in a lot of ways they’re opposites. Oh, they look alike, all right. They’re the two shortest kids in their grade and they both have brown hair and brown eyes, but that’s where the similarities end. Kristy is loud and outgoing, Mary
Ann M. Martin (Jessi's Secret Language (The Baby-Sitters Club, #16))
Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck. There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual. Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming. Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines. Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress. Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.
Patricia MacLachlan (The Facts and Fictions of Minna Pratt)
The boys who have done you harm are surrounded by girls you will choose never to be. girls who are disgusting, who bleed and weep and wail. Girls who spend too much time in the bathroom. Girls who are never ready on time. Girls who titter, who are soft, who wear pretty clothes that are easily dirties, girls in hoop earrings and perfect wings of black eyeliner, girls who don't know what's cool. Girls who read the wrong books, twirl their hair around, are pursued, are hunted. You will remake yourself into something else: a boys' girl, a tough girl, a girl without needs or feelings, a girl who wisecracks and drinks whiskey in the backseat of cars, a girl cool as the first frost in winter, a girl so totally unlike other girls. If you cannot be loved and safe, you will be clever, mean, a girl as vicious as the serrated edge of a hunting knife. If you cannot be pretty, you will disdain beauty and its trappings. If you cannot be heard, you will be silent on purpose. You will find your knights again, a different set of boys, this time united against a common enemy: the softness and fragility of girls, of anything girlish within you, of anything girlish in any other girl. Against girls who are sad and silly and weeping (you don't cry), girls who complain (you protest nothing), girls who make demands (you never ask). This time, however, you will not be queen. Some of these boys will never even know your name.
Sarah McCarry (Here We Are)
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)
Montreal October 1704 Temperature 55 degrees Eben was looking at Sarah in the way every girl prays some boy will one day look at her. “I will marry you, Sarah,” said Eben. “I will be a good husband. A Puritan husband. Who will one day take us both back home.” Wind shifted the lace of Sarah’s gown and the auburn of one loose curl. “I love you, Sarah,” said Eben. “I’ve always loved you.” Tears came to Sarah’s eyes: she who had not wept over her own family. She stood as if it had not occurred to her that she could be loved; that an English boy could adore her. “Oh, Eben!” she whispered. “Oh, yes, oh, thank you, I will marry you. But will they let us, Eben? We will need permission.” “I’ll ask my father,” said Eben. “I’ll ask Father Meriel.” They were not touching. They were yearning to touch, they were leaning forward, but they were holding back. Because it is wrong? wondered Mercy. Or because they know they will never get permission? “My French family will put up a terrible fuss,” said Sarah anxiously. “Pierre might even summon his fellow officers and do something violent.” Eben grinned. “Not if I have Huron warriors behind me.” The Indians rather enjoyed being French allies one day and difficult neighbors the next. Lorette Indians might find this a fine way to stab a French soldier in the back without drawing blood. They would need Father Meriel. He could arrange anything if he chose; he had power among all the peoples. But he might say no, and so might Eben’s Indian family. Mercy translated what was going on for Nistenha and Snow Walker. “They want to get married,” she told them. “Isn’t it wonderful?” She couldn’t help laughing from the joy and the terror of it. Ransom would no longer be the first word in Sarah’s heart. Eben would be. Mercy said, “Eben asked her right here in the street, Snow Walker. He wants to save her from marriage to a French soldier she doesn’t want. He’s loved Sarah since the march.” The two Indians had no reaction. For a moment Mercy thought she must have spoken to them in English. Nistenha turned to walk away and Snow Walker turned with her. If Nistenha was not interested in Sarah and Eben’s plight, no Indian would be. Mercy called on her memory of every speech in every ceremony, every dignified phrase and powerful word. “Honored mother,” she said softly. “Honored sister. We are in need and we beg you to hear our petition.” Nistenha stopped walking, turned back and stared at her in amazement. Sarah and Eben and Snow Walker stared at her in amazement. Sam can build canoes, thought Mercy. I can make a speech. “This woman my sister and this man my brother wish to spend their lives together. My brother will need the generous permission of his Indian father. Already we know that my sister will be refused the permission of her French owners. We will need an ally to support us in our request. We will need your strength and your wisdom. We beseech you, Mother, that you stand by us and help us.” The city of Montreal swirled around them. Eben, property of an Indian father in Lorette; Sarah, property of a French family in Montreal; and Mercy, property of Tannhahorens, awaited her answer. “Your words fill me with pride, Munnunock,” said Nistenha softly. She reached into her shopping bundle. Slowly she drew out a fine French china cup, undoubtedly meant for the feast of Flying Legs. She held it for a moment, and then her stern face softened and she gave it to Eben. Indians sealed a promise with a gift. She would help them. From her bundle, Snow Walker took dangling silver earrings she must have bought for Mercy and handed them to Sarah. Because she knew that Sarah’s Mohawk was not good enough and that Eben was too stirred to speak, Mercy gave the flowery thanks required after such gifts. “God bless us,” she said to Sarah and Eben, and Eben said, “He has.
Caroline B. Cooney (The Ransom of Mercy Carter)
Patches of hair stuck to his wet cheekbones. His ears were threaded with tiny little wampum earrings, except at the cartilage, where the rings were turquoise. His stubby nose ended abruptly at the bottom of a short bridge. His face tapered with a round chin, a white birthmark under his jaw. He was my favorite picture. He burned into the backs of my eyes.
Rose Christo (The Dogs of Balboa)
Shortly before Christmas that year, Patrick, now seven, came along with me to work at our church’s annual Christmas bazaar. As he wandered around, he spotted a small handcrafted necklace and earring set. He thought of Diana’s recent letter and remembered our visit in Washington. As a result, he bought the little jewelry set with his saved-up allowance. We sent it to Diana for Christmas, accompanied by notes from Patrick and me. Later the following January, 1987, Diana wrote to “Dearest Patrick,” telling him she was “enormously touched to be thought of in this wonderful way.” Then she drew a smiley face. “I will wear the necklace and earrings with great pride and they will be a constant reminder of my dear friend in America. This comes with a big thank you and a huge hug, and as always, lots of love from Diana.” Could one imagine a more precious letter? I just felt chills of emotion when I rediscovered it after her death. Diana wrote to me at the same time. Now that the holidays were over, Diana had to return to her official duties--“It’s just like going back to school!” Prince William loved his new school. Diana felt he was ready for “stimulation from a new area and boys his own age…” She described taking William to school the first day “in front of 200 press men and quite frankly I could easily have dived into a box of Kleenex as he look incredibly grown-up--too sweet!” Diana noticed that Patrick and Caroline looked very much alike in our 1987 Christmas photograph. “But my goodness how they grow or maybe it’s the years taking off and leaving us mothers behind!” Diana was a young twenty-six when she wrote that observation. I wonder if she knew then that less than four years later, Prince William would be off to boarding school, truly leaving his mother behind. Again she extended a welcoming invitation. If we could manage a trip to London, “I’d love to introduce you to my two men!” By then, she meant her two sons. She also repeated that our letters “mean a great deal to me…
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Jessica lived on Tremont Avenue, on one of the poorer blocks in a very poor section of the Bronx. She dressed even to go to the store. Chance was opportunity in the ghetto, and you had to be prepared for anything. She didn’t have much of a wardrobe, but she was resourceful with what she had—her sister’s Lee jeans, her best friend’s earrings, her mother’s T-shirts and perfume. Her appearance on the streets in her neighborhood usually caused a stir. A sixteen-year-old Puerto Rican girl with bright hazel eyes, a huge, inviting smile, and a voluptuous shape, she radiated intimacy wherever she went. You could be talking to her in the middle of the bustle of Tremont and feel as if lovers’ confidences were being exchanged beneath a tent of sheets. Guys in cars offered rides. Grown men got stupid. Women pursed their lips. Boys made promises they could not keep.
Adrian Nicole LeBlanc (Random Family: Love, Drugs, Trouble, and Coming of Age in the Bronx)
I am The Black Book. Between my top and my bottom, my right and my left, I hold what I have seen, what I have done, and what I have thought. I am everything I have hated: labor without harvest; death without honor; life without land or law. I am a black woman holding a white child in her arms singing to her own baby lying unattended in the grass. I am all the ways I have failed: I am the black slave owner, the buyer of Golden Peacock Bleach Crème and Dr. Palmer’s Skin Whitener, the self- hating player of the dozens; I am my own nigger joke. I am all the ways I survived: I am tun-mush, hoecake cooked on a hoe; I am Fourteen black jockeys winning the Kentucky Derby. I am the creator of hundreds of patented inventions; I am Lafitte the pirate and Marie Laveau. I am Bessie Smith winning a roller-skating contest; I am quilts and ironwork, fine carpentry and lace. I am the wars I fought, the gold I mined, The horses I broke, the trails I blazed. I am all the things I have seen: The New York Caucasian newspaper, the scarred back of Gordon the slave, the Draft Riots, darky tunes, and mer- chants distorting my face to sell thread, soap, shoe polish coconut. And I am all the things I have ever loved: scuppernong wine, cool baptisms in silent water, dream books and number playing. I am the sound of my own voice singing “Sangaree.” I am ring-shouts, and blues, ragtime and gospels. I am mojo, voodoo, and gold earrings. I am not complete here; there is much more, but there is no more time and no more space . . . and I have journeys to take, ships to name, and crews.
Middleton A. Harris (The Black Book)
Find the Stickers Materials: Use commercially bought stickers. Children love stickers, which make wonderful, surprise gifts. Preparation and Instructions: Before you see the child, take four or five of the stickers and hide them on your head. At the beginning, make sure the stickers can be easily found. You may want to put one sticker on each earlobe, like earrings, and one sticker on your forehead, under your hair if possible. Be creative! The Game: Begin the game by saying to the child, “I have hidden four stickers on my face. See if you can find them.” As the child begins to look for them, use the skill of tracking. (Tracking is simply saying out loud what the child is doing. It is similar to the radio announcer at a ball game. You may say, “You are looking over by my ears, Aha! You found one. Now you are taking it off very gently and handing it to me.”) As the child hands you the stickers, put one sticker on each finger of one hand as a holding place. From this holding place you are ready to play the game again or to play a variation of the game. Variations: Once the child has located all the stickers, you can begin to play the “sticker-swap game” by saying, “I am going to take this sticker off my thumb and put it on my chin.” You proceed to do so. Then tell the child, “Take the sticker off my chin and put it on your nose.” From this point, you begin a turn-taking game in which you remove the sticker from the child’s face and place it on your face. The child then removes the sticker from your face and puts it on his or her face. Each movement of the sticker is noted out loud. You speak for yourself and for the child, unless the child catches on and begins to speak for himself or herself. Your observations may sound like this: “I am going to take the sticker off your chin and put it on my nose. Now you are taking it off my nose and putting it on your [wait for the child’s selection] ear.” Find
Becky A. Bailey (I Love You Rituals)
She snuck in another stroke. “Was it a just-because? I love just-because presents the best. Last month McNab gave me the cutest pair of earrings—like chains of hearts—just because. You know a guy’s stuck on you if he springs for just-because jewelry of any kind.
J.D. Robb (Celebrity in Death (In Death #34))
Joy is an incredible emotion that is available to all of us! It isn’t found in skinny jeans, trips to Mexico, fancy dinner reservations, a thrilling Netflix series, or even a sparkly pair of earrings; rather, Joy is a deep happiness that comes from within.
Rachel Wilshusen (Emancipated Love Junkie: Liberating Myself From Anorexia-An Eating Disorder Memoir)
them, she could see them. But for once it didn’t seem to matter. She was in costume, among welcoming hearts. At least for this little stretch of time, it felt safe to stop thinking about how she looked to the world. For once it felt like she could just be. Zenobia July took in and blew out three long breaths. She smiled at herself in the mirror, then smiled more at how pretty the smile was. She checked her costume one more time. She reached up and gently touched the beautiful old earrings her grandmother had given her. Then she put her shoulders back, lifted her chin, turned to the door, opened it, and stepped back out among the people she loved, to be with them and one of them, into the warmth and music and joy of what was starting to feel very much like a family.
Lisa Bunker (Zenobia July)
Norm Zuckerman was approaching seventy and as CEO of Zoom, a megasize sports manufacturing conglomerate, he had more money than Trump. He looked, however, like a beatnik trapped in a bad acid trip. Retro, Norm had explained earlier, was cresting, and he was catching the wave by wearing a psychedelic poncho, fatigue pants, love beads, and an earring with a dangling peace sign. Groovy, man. His black-to-gray beard was unruly enough to nest beetle larvae, his hair newly curled like something out of a bad production of Godspell. Che
Harlan Coben (One False Move (Myron Bolitar, #5))
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys...loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much.
Ta-Nehisi Coates (Between the World and Me)
Beth changed her ensemble five times that morning, switching out her shoes, her necklaces, her earrings. I understood. Had I owned more than one suit, I would have done the same thing. As it was, I just sat in a battered old chair in our bedroom and watched her. She was beautiful to me. I could see that she had shaved her legs, supple and taut above the easy grip of her heels. She mussed her hair and pursed her lips at the mirror. “What do you think?” she said finally, turning to me. I stood and went to her, understanding right then that we were already growing older, that we would grow old together. “I think you’re beautiful,” I said. I kissed her. “Hey—watch the lipstick,” she said, swatting me away playfully before pulling me in close again. She set her chin on my shoulder and we slow danced that way, there in our bedroom, the worn carpeting beneath our best scuffed shoes. “I love you,” she said, “even if you’re not a rock star.” “I love you,” I said, “even though you’re not a movie star.” We kissed again and held hands as we walked downstairs, our garments good enough. The
Nickolas Butler (Shotgun Lovesongs)
The night she met Safiye she stole her earrings right out of her earlobes and, having retired to a quiet corner of the mansion to inspect them, found that the gems were paste. Then she discovered that her base metal bangle was missing and quickly realized that she could only have lost it to the person she was stealing from; she’d been distracted by the baubles and the appeal of those delicate earlobes. Cornered by a banker whose false memory of having been in love with her since matriculation day might prove profitable, Lucy wavered between a sensible decision and a foolhardy one. Ever did foolhardiness hold the upper hand with Lucy; she found Safiye leaning against an oil lantern and saw for herself that she wasn’t the only foolish woman in the world, or even at that party, for Safiye had Lucy’s highly polished bangle in her hand and was turning it this way and that in order to catch fireflies in the billowing, transparent left sleeve of her gown. All this at the rise of being set alight, but then from where Lucy stood Safiye looked as if she was formed of fire herself, particles of flame dancing the flesh of her arm into existence. That or she was returning to fire.
Helen Oyeyemi (What Is Not Yours Is Not Yours)
This book is to help you understand that life is sometimes hard, and you have to laugh your way through it.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
Half the time, the very thing you think that’s going to destroy you or ruin you is the very thing that nobody cares about. My advice to anybody with skeletons is dust them off every now and then—as long as your closet ain’t full of them. It’s not good to have more than two or three.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
What I have learned in this life is that you can never be ashamed of where you come from.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
There ain’t no man going to do something for you that you can’t do for yourself. Get out there and make it happen for yourself.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
You got to go get that stuff for yourself. You got to wake up every day and say, “I’m good enough, I deserve to be happy, I deserve to have all this good stuff coming my way.” You can’t depend on that to come from nobody else.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
Hell, sit back and work on yourself. How are you going to offer something to somebody else if you ain’t been to visit you yet?
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
Everything that happens to you in this life, if you conquer it, if you beat it, you’ve won. Embrace every day you get.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
You know, people don’t want their intelligence insulted. They don’t want to be preached to. They don’t want to be degraded. All they want to do is sit, laugh, have a good time, love one another, forget about what’s going on in the world, and find something out so they can be useful in this life. Do this and you have common sense.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
Everybody is dealt a different hand, but you have to do what you have with your hand.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
I think we have the power to change. You don’t have any choice of who you’re born to or where you come from. But you do have a choice of where you go from there. I think that we have the power, each and every one of us, every day, to change our lives.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
But what I found out, the longer you sit there and feel bad about yourself, the longer you’re going to stay depressed.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)
But God ain’t going to do a thing until you get up and do something yourself. Everything starts with you.
Tyler Perry (Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life)