Eagle Related Quotes

We've searched our database for all the quotes and captions related to Eagle Related. Here they are! All 27 of them:

I should add, however, that, particularly on the occasion of Samhain, bonfires were lit with the express intention of scaring away the demonic forces of winter, and we know that, at Bealltainn in Scotland, offerings of baked custard were made within the last hundred and seventy years to the eponymous spirits of wild animals which were particularly prone to prey upon the flocks - the eagle, the crow, and the fox, among others. Indeed, at these seasons all supernatural beings were held in peculiar dread. It seems by no means improbable that these circumstances reveal conditions arising out of a later solar pagan worship in respect of which the cult of fairy was relatively greatly more ancient, and perhaps held to be somewhat inimical.
Lewis Spence (British Fairy Origins)
you never will love art well, till you love what she mirrors better
John Ruskin (The Eagle's Nest (Barnes & Noble Digital Library): Ten Lectures on the Relation of Natural Science to Art)
The way we react to the Indian will always remain this nation’s unique moral headache. It may seem a smaller problem than our Negro one, and less important, but many other sections of the world have had to grapple with slavery and its consequences. There’s no parallel for our treatment of the Indian. In Tasmania the English settlers solved the matter neatly by killing off every single Tasmanian, bagging the last one as late as 1910. Australia had tried to keep its aborigines permanently debased—much crueler than anything we did with our Indians. Brazil, about the same. Only in America did we show total confusion. One day we treated Indians as sovereign nations. Did you know that my relative Lost Eagle and Lincoln were photographed together as two heads of state? The next year we treated him as an uncivilized brute to be exterminated. And this dreadful dichotomy continues.
James A. Michener (Centennial)
to some of the best and wisest artists among ourselves, it may not be always possible to explain what pretty things they are making … the very perfection of their art is in their knowing so little about it
John Ruskin (The Eagle's Nest (Barnes & Noble Digital Library): Ten Lectures on the Relation of Natural Science to Art)
The worst kind of person is the type that goes around minimizing the achievements of other people. If anything at all, I want to maximize whatever achievements and admirable qualities another person has. The better you do, or are, the louder I'll cheer for you. I am into wanting eagles to soar further and higher. I'm not a chicken farmer. There are so many chicken farmers. I cannot stand people who cannot stand in the light of another without trying to diminish it.
C. JoyBell C.
Wars and chaoses and paradoxes ago, two mathematicians between them ended an age d began another for our hosts, our ghosts called Man. One was Einstein, who with his Theory of Relativity defined the limits of man's perception by expressing mathematically just how far the condition of the observer influences the thing he perceives. ... The other was Goedel, a contemporary of Eintstein, who was the first to bring back a mathematically precise statement about the vaster realm beyond the limits Einstein had defined: In any closed mathematical system--you may read 'the real world with its immutable laws of logic'--there are an infinite number of true theorems--you may read 'perceivable, measurable phenomena'--which, though contained in the original system, can not be deduced from it--read 'proven with ordinary or extraordinary logic.' Which is to say, there are more things in heaven and Earth than are dreamed of in your philosophy, Horatio. There are an infinite number of true things in the world with no way of ascertaining their truth. Einstein defined the extent of the rational. Goedel stuck a pin into the irrational and fixed it to the wall of the universe so that it held still long enough for people to know it was there. ... The visible effects of Einstein's theory leaped up on a convex curve, its production huge in the first century after its discovery, then leveling off. The production of Goedel's law crept up on a concave curve, microscopic at first, then leaping to equal the Einsteinian curve, cross it, outstrip it. At the point of intersection, humanity was able to reach the limits of the known universe... ... And when the line of Goedel's law eagled over Einstein's, its shadow fell on a dewerted Earth. The humans had gone somewhere else, to no world in this continuum. We came, took their bodies, their souls--both husks abandoned here for any wanderer's taking. The Cities, once bustling centers of interstellar commerce, were crumbled to the sands you see today.
Samuel R. Delany (The Einstein Intersection)
Where would the would-be “purists” draw the line between native and alien elements? This whole planet was altered by the hand of man. A birder who scorned the alien Sky Larks might stand on San Juan and salute the native eagles . . . but some of those eagles had been released here; and they were living on an unnaturally high population of rabbits, from another continent, introduced here. The rabbits, in turn, were probably feeding on alien plants from other lands that were naturalized here — if the San Juan roadsides were anything like all the other roadsides in North America. And we birders of European descent were introduced here also, a few generations back. Even my Native American friends of the night before could claim to be “native” in only a relative sense; their ancestors had come across the Bering land bridge from Asia. None of us is native here.
Kenn Kaufman (Kingbird Highway: The Biggest Year in the Life of an Extreme Birder)
The identification we feel towards the places where we live or were born can give us an anchor in a chaotic world and strengthen our connections to family, community, and the generations that preceded and will follow us. At their best, such feelings are a celebration of culture and all that comes with it in the form of literature, language, music, food, folktales, and even the wildlife we associate with our homelands--the eagle in America, for instance, or in the Czech Republic what's left of our lions, wolves, and bears. There is, however, a tipping point, where loyalty to one's own tribe curdles into resentment and hatred, then aggression towards others. That's when Fascism enters the picture, trailed by an assortment of woes, up to and including the Holocaust and global war. Because of that history, postwar statesmen established organizations to make it harder for deluded nationalists to trample on the rights of neighbors. These bodies include the United Nations--hence Truman's speech--and regional institutions in Europe, Africa, Asia, and the Americas.
Madeleine K. Albright (Fascism: A Warning)
Liverpool, surreal. Liverpool, sardonic. Liverpool, battered dignity. Liverpool, flotsam of maritime memory. Liverpool, never quite what it was because everything it does changes what it does. Liverpool, the home of Liverpool. Liverpool, welcoming the world. Liverpool, cutting-edge, keeping pace, dropping anchor. Liverpool, lost. Liverpool, as spontaneous as life itself. Liverpool, born. Liverpool, going to sea. Liverpool, set in its ways, at the end of the line, at the beginning of time, with its back to the land, its feet in the water, its head in the clouds, its heart on its sleeve, hearts in its mouth. Liverpool, its being so cheerful that keeps us going. Liverpool, the first city to rock in Britain. Liverpool, boring people to tears. Liverpool, singing for its supper. Liverpool, a long memory for those who aimed kicks when it was down. Liverpool, eagles become seagulls. Liverpool, working. Liverpool, dreaming. Liverpool, a terminus for down and outs. Liverpool, corrupt. Liverpool, uncompromising. Liverpool, playfulness turned to art, and philosophy, and business. Liverpool, a relatively small provincial city plus hinterland with associated metaphysical space as defined by dramatic moments in history, emotional occasions and general restlessness. Liverpool, the rest of the world rubbing off. Liverpool, occupation hard knocks.
Paul Morley (The North (And Almost Everything In It))
Having bested his fear, having control over sobriety, and being able to keep his power in check, the warrior finally comes to that crossroad known as the fourth natural enemy - old age. It depends very much upon each individual's level of personal power as to when they will be confronted by this enemy. For some it comes only towards the end of their lives, because it has taken them this long to vanquish the other three enemies; but for those who have been able to conquer the first three enemies fairly quickly, it can come at a relatively young age.
Théun Mares (Cry of the Eagle: The Toltec Teachings Volume 2)
Someone—Tony or Warner Bros.?—had decided that the grueling schedule and the added tension in the band might be alleviated somewhat by the relative comfort of bus touring versus Old Blue. It was a nice idea. It might have even been a gambit to see if the camaraderie of sharing a luxurious living situation might heal the band’s broken bonds. So we loaded all of our gear into the parking lot behind our apartment and waited for our new accommodations to arrive. Everyone, I think even Jay, was excited about the prospect of spending at least some small part of our lives seeing what it was like to tour in style. That was until he laid eyes on the Ghost Rider. What we were picturing was sleek and non-ostentatious like the buses we had seen parked in front of theaters at sold-out shows by the likes of R.E.M. or the Replacements. Instead, what we got was one of Kiss’s old touring coaches—a seventies-era Silver Eagle decked out with an airbrushed mural in a style I can only describe as “black-light poster–esque,” depicting a pirate ship buffeted by a stormy sea with a screaming skeleton standing in the crow’s nest holding a Gibson Les Paul aloft and being struck by lightning. The look on Jay’s face was tragic. I felt bad for him. This was not a serious vehicle. I’m not sure how we talked him into climbing aboard, and once we did, I have no idea how we got him to stay, because the interior was even worse. White leather, mirrored ceilings, and a purple neon sign in the back lounge informing everyone, in cursive, that they were aboard the “Ghost Rider” lest they forget. So we embarked upon Uncle Tupelo’s last tour learning how to sleep while being shot at eighty miles per hour down the highway inside a metal box that looked like the VIP room at a strip club and made us all feel like we were living inside a cocaine straw. Ghost Rider indeed.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
Healthy relationships are wholesome and inspiring.
Germany Kent
HUMANS & SOCIETY | Cache of eagle claws points to Neandertal jewelry-making Extinct human relative had ability to create symbolic objects 130,000 years ago, researchers argue
Anonymous
found that by copying the distinctive prints and scratches made by other animals we could gain a new power; here was a method of identifying with the other animal, taking on its expressive magic in order to learn of its whereabouts, to draw it near, to make it appear. Tracing the impression left by a deer’s body in the snow, or transferring that outline onto the wall of the cave: these are ways of placing oneself in distant contact with the Other, whether to invoke its influence or to exert one’s own. Perhaps by multiplying its images on the cavern wall we sought to ensure that the deer itself would multiply, be bountiful in the coming season…. All of the early writing systems of our species remain tied to the mysteries of a more-than-human world. The petroglyphs of pre-Columbian North America abound with images of prey animals, of rain clouds and lightning, of eagle and snake, of the paw prints of bear. On rocks, canyon walls, and caves these figures mingle with human shapes, or shapes part human and part Other (part insect, or owl, or elk.) Some researchers assert that the picture writing of native North America is not yet “true” writing, even where the pictures are strung together sequentially—as they are, obviously, in many of the rock inscriptions (as well as in the calendrical “winter counts” of the Plains tribes). For there seems, as yet, no strict relation between image and utterance. In a much more conventionalized pictographic system, like the Egyptian hieroglyphics (which first appeared during the First Dynasty, around 3000 B.C.E. and remained in use until the second century C.E.),4 stylized images of humans and human implements are still interspersed with those of plants, of various kinds of birds, as well as of serpents, felines, and other animals. Such pictographic systems, which were to be found as well in China as early as the fifteenth century B.C.E., and in Mesoamerica by the middle of the sixth century B.C.E., typically include characters that scholars have
David Abram (The Spell of the Sensuous: Perception and Language in a More-Than-Human World)
All the ancient dissimilarities, conflicts and antagonisms were solely due to the fragmentary fashion in which people had been content, until then, to study the universe. When all these divergent rays of thought had found their common focal point in the four-dimensional synthesis, natural variations were no longer anything but harmonic manifestations of a single common thought. And from matter, formerly judged inert, to the noblest speculations of the human mind, the world was now no more than a single soul, living the same life, an emanation of a single diverse thought that was named, in memory of the naïve beliefs of old, the Golden Eagle. This union of minds, of the same time and all times, by the direct path of the fourth dimension—by the subconscious, as one would once have put it—had nothing blissful or passive about it, though, although no one had believed otherwise in the times when humankind still dreamed of naïve celestial sentimentality and eternal paradisal adoration. More than ever, contradiction engendered an intense intellectual life in which opposition alone, as in all the mind’s operations, was able to motivate thought. What ensured that all effort became useful and positive, however, was that each individual action of intelligence concurred with the same continuous whole—just as, in a statue, all the lines, because they are opposed, unite to perfect a single masterpiece—and that love had replaced hatred since the language of the four-dimensional soul had been substituted for the fragmentary hypocrisies of three-dimensional modes of expression: hypocrisies contained in the concrete words of language as in the relative formulas of science. After overturning all human traditions and mores, sincerity, imposed by the direct reading of thoughts, had engendered love and created, in the spiritual domain, a sort of state of nature, this time transcendental, that marked the definitive liberation of the human mind. Every man understood, in the Age of the Golden Eagle, that he was but one fragment of a single statue—whether an eye, nose or finger did not matter—that he was only one act of the same intelligence, and that he desired the beauty of the whole with all his heart, his duty was to devote all his strength to make the part that was confided to him as beautiful as possible. That detail of the whole, his personality, immortal as the whole outside time, was the art-work signed with his name for all eternity within the universal art-work; it was the “I” marking his place in the universal continuum. It was not important whether the act was one of intelligence, faith, revolt or kindness, provided it was worthy of the whole; on the contrary, woe betide the man if his “I” was nothing but a defect, a lack or a fault, forever.
Gaston De Pawlowski (Journey to the Land of the Fourth Dimension)
A static and unyielding divinity is truly incommensurate with the very fabric of existence and is not in fact supported by many biblical stories that indicate a relational God who weeps over a beloved people, a beloved earth, who anguishes and builds, who argues and responds, who watches over creation (like a mother eagle), and who is as steadfast as a rock.
Paul Lakeland (Constructive Theology: A Contemporary Approach To Classical Themes, With Cd-Rom)
In 1935, in the pit of the Depression, when milk was being sold below cost, Merritt’s father had helped write the “milk control” laws, which partly govern California’s milk business (they have since been updated several times), especially the relations between the milk companies and grocery stores. After World War II, these laws increasingly were honored in the breach, as the big creameries and the big supermarket chains cut deals for illegal rebates or illegal financing or both. This is the normal result of quasi-fascist laws that try to regulate the marketplace. But in 1935, Benito Mussolini’s concept of binding state and industry together (the fasces is a Roman symbol, an ax with a bundle of sticks tied around its handle; the sticks represent the industries and the church, the ax represents the state, a one-for-all-and-all-for-one construct) was so popular around the world that Franklin D. Roosevelt tried to copy it with the Blue Eagle National Recovery Administration, until the Supreme Court threw it out in 1937. Relics of Mussolini, however, linger in all the states of the union, sometimes in milk control laws (and always in alcoholic beverage laws).
Joe Coulombe (Becoming Trader Joe: How I Did Business My Way and Still Beat the Big Guys)
Let’s make a promise to each other that if we ever find ourselves in a position where we throw off the shackles of oppression, we’ll leave them off and stay in charge of ourselves. Not just pick some new shackles with Nike on them and get on with our subjugation. This requires diligence. As David Graeber said, any authoritative measures supposedly for our benefit must be resisted. We must insist on total self-governance. The American constitution was designed to keep rich men in charge; the only significant change was the accent and crowns. They swapped a lion for an eagle and crowns for hair cream. The same people that were shafted then are shafted now. Any country that puts the word “United” in its title has got something to hide, and I would suggest that it’s conflict. In the United Kingdom, the Scottish want out, the Welsh want out, even the English want nothing to do with it. The United States is anything but. Descendants of slaves, Europeans of every description, Latino folk, forever condemned for crossing a line that didn’t used to be there. The nation state is a relatively modern idea, and I don’t think we’re getting a lot out of it except for flags and World Cups. It’s odd that those in power condemn people who want change for being whimsical and impractical, but actually what is being demanded is pragmatism, systems that function. People get the resources they need, the resources are managed efficiently, and the conditions required to create resources are respected. None of that happens. It can’t, because they’ve prioritized a bizarre, selfish, and destructive idea over common sense.
Russell Brand (Revolution)
Love, integrity, and goodness are relative qualities for people like me.” Thomas Westbrooke, from the psychological thriller Eagle Bay
Ken Cruickshank (Eagle Bay (McCloud Book 1))
Love, integrity, and goodness are relative qualities for people like me." Antagonist Thomas Westbrooke, Eagle Bay
Ken Cruickshank
If you want to achieve great success, stay away from unproductive people around you (laziness is contagious); stay away from phony friends who are on the constant lookout to bring you down; stay away from negative people who always tell you not to go after your dreams. Never discuss your passions and exchange ideas with those who pointlessly criticize you; and never value people who value less. It is time for you to decide whether you want to soar high like an eagle, or crawl like a rat. Achieve excellence in life is closely related to picking the right associates who share your dreams, passions, and goals; but more importantly, choosing true friends who will be beside you all the way in both prosperity and adversity.
John Taskinsoy
Because it was part of old Gondwana and because it is insular and was isolated for tens of millions of years, New Zealand has a quirky evolutionary history. There seems to have been no mammalian stock from which to evolve on the Gondwanan fragment, and so, until the arrival of humans, there were no terrestrial mammals, nor were there any of the curious marsupials of nearby Australia—no wombats or koalas or kangaroos, no rodents or ruminants, no wild cats or dogs. The only mammals that could reach New Zealand were those that could swim (like seals) or fly (like bats), and even then there are questions about how the bats got there. Two of New Zealand’s three bat species are apparently descended from a South American bat, which, it is imagined, must have been blown across the Pacific in a giant prehistoric storm. Among New Zealand’s indigenous plants and animals are a number of curious relics, including a truly enormous conifer and a lizard-like creature that is the world’s only surviving representative of an order so ancient it predates many dinosaurs. But the really odd thing about New Zealand is what happened to the birds. In the absence of predators and competitors, birds evolved to fill all the major ecological niches, becoming the “ecological equivalent of giraffes, kangaroos, sheep, striped possums, long-beaked echidnas and tigers.” Many of these birds were flightless, and some were huge. The largest species of moa—a now extinct flightless giant related to the ostrich, the emu, and the rhea—stood nearly twelve feet tall and weighed more than five hundred pounds. The moa was an herbivore, but there were also predators among these prehistoric birds, including a giant eagle with claws like a panther’s. There were grass-eating parrots and flightless ducks and birds that grazed like sheep in alpine meadows, as well as a little wren-like bird that scampered about the underbrush like a mouse. None of these creatures were seen by the first Europeans to reach New Zealand, for two very simple reasons. The first is that many of them were already extinct. Although known to have survived long enough to coexist with humans, all twelve species of moa, the Haast’s eagle, two species of adzebills, and many others had vanished by the mid-seventeenth century, when Europeans arrived. The second is that, even if there had still been moas lumbering about the woods, the European discoverers of New Zealand would have missed them because they never actually set foot on shore.
Christina Thompson (Sea People: The Puzzle of Polynesia)
I A. A violent order is a disorder; and B. A great disorder is an order. These Two things are one. (Pages of illustrations.) II If all the green of spring was blue, and it is; If all the flowers of South Africa were bright On the tables of Connecticut, and they are; If Englishmen lived without tea in Ceylon, and they do; And if it all went on in an orderly way, And it does; a law of inherent opposites, Of essential unity, is as pleasant as port, As pleasant as the brush-strokes of a bough, An upper, particular bough in, say, Marchand. III After all the pretty contrast of life and death Proves that these opposite things partake of one, At least that was the theory, when bishops' books Resolved the world. We cannot go back to that. The squirming facts exceed the squamous mind, If one may say so . And yet relation appears, A small relation expanding like the shade Of a cloud on sand, a shape on the side of a hill. IV A. Well, an old order is a violent one. This proves nothing. Just one more truth, one more Element in the immense disorder of truths. B. It is April as I write. The wind Is blowing after days of constant rain. All this, of course, will come to summer soon. But suppose the disorder of truths should ever come To an order, most Plantagenet, most fixed. . . . A great disorder is an order. Now, A And B are not like statuary, posed For a vista in the Louvre. They are things chalked On the sidewalk so that the pensive man may see. V The pensive man . . . He sees the eagle float For which the intricate Alps are a single nest. -Wallace Stevens, "Connoisseur of Chaos
Wallace Stevens
He bared thick teeth. ‘I am Zacchariah. My price will be right. You show me now?’ In that moment, ten generations of horse-traders counted for more than half a lifetime in the legions. I was my father made young again, itching to make a sale. Abandoning the Eagle – I was a horse-trader, what did I care for a gold bird on a stick, however venerated by the Hebrews? – I gathered Pantera and Horgias about me, and trekked back to the inn of the Cedar Tree. Along the way, we collected Zacchariah’s well-muscled younger relatives, three other, unrelated, horse merchants who gazed at him with undisguised venom, a woman who claimed she could more accurately assess the sex of the foal our pregnant mare carried, a bone-setter who set to arguing with Horgias but gave up when his poor Greek met Horgias’ worse Greek – and Nicodemus and his seven zealots who stood about as we conducted our business, obviously waiting for a chance to inflict violence upon us.
M.C. Scott (Rome: The Eagle of the Twelfth (Rome, #3))
Aboriginal people throughout Australia tell stories of the creation of the world by totemic ancestors—marvellous beings, essentially human (yet also superhuman) in form, but often also associated with particular species of animals and plants or other phenomena. These are the kangaroo, eagle, budgerigar, and other Dreamings spoken of by Paddy Japaljarri Stewart. The totemic beings are original in every sense of the term. They were the first to exist in the world and the first to institute a global regime of cause and effect. It was the totemic ancestors who created an ongoing dynamic field relating features of the landscape, the heavenly bodies, all living things, rules of human association, and religious observances. These things are only marginally associated with dreams. Particular ancestors and their creations may well be referred to as ‘Dreamings’, but this term is a gloss on what we might otherwise call ‘totems’ or ‘stories’.
Edward P. Butler (The Way of the Gods : Polytheism(s) Around the World)
JUPITER Jupiter is a planet associated with order, optimistic, fatherly, protective, expansive and insightful wisdom. Jupiter controls the constellations of Pisces the Fish, the Archer Sagittarius and relates to cosmic Justice. Jupiter is associated with the skies and the sea, prosperity and earthly mastery. Tin and Antimony are associated metals as well as gemstones such as Amethyst, Aquamarine, Sapphire, Lapis Lazuli, etc. Animals (mythological and not) include the Eagle, Bull, Centaur, Swan and whale. Jupiter is related to Deific Masks such as Zeus, Marduk, Poseidon, Neptune, Adad, Baal, Indra (Daeva), Minerva, Athena, Maat, Hapi, Amun-Ra are also connected. Semyaza is a Watcher associated with Jupiter.
Michael W. Ford (Fallen Angels: Watchers and the Witches Sabbat)
We should expect the world and our relation to it to be at least as complex as we are. If there is a God, we should expect such a being to be at least as complex again. I say this because people often grumble as soon as a discussion about the meaning of human life, or the possibility of God, moves away from quite simple ideas and becomes more complicated. Any world in which there are such things as music and sex, laughter and tears, mountains and mathematics, eagles and earthworms, statues and symphonies and snowflakes and sunsets—and in which we humans find ourselves in the middle of it all—is bound to be a world in which the quest for truth, for reality, for what we can be sure of, is infinitely more complicated than simple yes-and-no questions will allow.
N.T. Wright (Simply Christian: Step-by-Step Basics of Christian Faith and Practice)