β
It takes courage to grow up and become who you really are.
β
β
E.E. Cummings
β
If the world were merely seductive, that would be easy. If it were merely challenging, that would be no problem. But I arise in the morning torn between a desire to improve the world and a desire to enjoy the world. This makes it hard to plan the day.
β
β
E.B. White
β
Creativity is knowing how to hide your sources
β
β
C.E.M. Joad
β
I lie to myself all the time. But I never believe me.
β
β
S.E. Hinton (The Outsiders)
β
Everything can be taken from a man but one thing: the last of the human freedomsβto choose oneβs attitude in any given set of circumstances, to choose oneβs own way.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
When we are no longer able to change a situation, we are challenged to change ourselves.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
If you have two friends in your lifetime, you're lucky. If you have one good friend, you're more than lucky.
β
β
S.E. Hinton
β
Don't touch any of my weapons without my permission."
"Well, there goes my plan for selling them all on eBay," Clary muttered.
"Selling them on what?"
Clary smiled blandly at him. "A mythical place of great magical power.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
It isn't possible to love and part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal.
β
β
E.M. Forster (A Room with a View)
β
Why did you do all this for me?' he asked. 'I don't deserve it. I've never done anything for you.' 'You have been my friend,' replied Charlotte. 'That in itself is a tremendous thing.
β
β
E.B. White (Charlotteβs Web)
β
- "Why don't you like to be touched?"
- "Because I'm fifty shades of fucked-up, Anastasia
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Trust your heart if the seas catch fire, live by love though the stars walk backward.
β
β
E.E. Cummings
β
To be nobody but
yourself in a world
which is doing its best day and night to make you like
everybody else means to fight the hardest battle
which any human being can fight and never stop fighting.
β
β
E.E. Cummings
β
Somewhere over the rainbow, skies are blue, and the dreams that you dare to dream really do come true.
β
β
E.Y. Harburg
β
I'd rather die on an adventure than live standing still.
β
β
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
β
Unbeing dead isn't being alive.
β
β
E.E. Cummings
β
Books are no more threatened by Kindle than stairs by elevators.
β
β
Stephen Fry
β
Children learn more from what you are than what you teach.
β
β
W.E.B. Du Bois
β
I will take the sun in my mouth
and leap into the ripe air
Alive
with closed eyes
to dash against darkness
β
β
E.E. Cummings (Poems, 1923-1954)
β
Writing is a socially acceptable form of schizophrenia.
β
β
E.L. Doctorow
β
Be a little kinder than you have to.
β
β
E. Lockhart (We Were Liars)
β
Laters, baby.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
I arise in the morning torn between a desire to improve (or save) the world and a desire to enjoy (or savor) the world. This makes it hard to plan the day.
β
β
E.B. White
β
You have to kiss a lot of frogs before you find your prince
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
This is me, Ana. All of me...and I'm all yours. What do I have to do to make you realize that? To make you see that I want you any way I can get you. That I love you.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
But there was no need to be ashamed of tears, for tears bore witness that a man had the greatest of courage, the courage to suffer.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
Stay gold, Ponyboy. Stay gold . . .β The pillow seemed to sink a little, and Johnny died.
β
β
S.E. Hinton (The Outsiders)
β
When someone tells me "no," it doesn't mean I can't do it, it simply means I can't do it with them.
β
β
Karen E. Quinones Miller
β
Books, she has found, are a way to live a thousand lives--or to find strength in a very long one.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
For whatever we lose (like a you or a me),
It's always our self we find in the sea.
β
β
E.E. Cummings (100 Selected Poems)
β
We do not believe in ourselves until someone reveals that deep inside us something is valuable, worth listening to, worthy of our trust, sacred to our touch. Once we believe in ourselves we can risk curiosity, wonder, spontaneous delight or any experience that reveals the human spirit.
β
β
E.E. Cummings
β
The tattoo is just setting below his hp bone.
H e l l i s e m p t y
a n d a l l t h e d e v i l s a r e h e r e
I kiss my way across the words.
Kissing away the devils.
Kissing away the pain.
β
β
Tahereh Mafi (Ignite Me (Shatter Me, #3))
β
I carry your heart with me (I carry it in my heart)I am never without it (anywhere
I go you go,my dear; and whatever is done by only me is your doing,my darling)
I fear no fate (for you are my fate,my sweet)I want no world (for beautiful you are my world,my true)
and it's you are whatever a moon has always meant and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart
I carry your heart (I carry it in my heart)
β
β
E.E. Cummings
β
Those who have a 'why' to live, can bear with almost any 'how'.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
There is nothing more luxurious than eating while you readβunless it be reading while you eat. Amabel did both: they are not the same thing, as you will see if you think the matter over.
β
β
E. Nesbit (The Magic World)
β
Truthfully, Professor Hawking? Why would we allow tourists from the future muck up the past when your contemporaries had the task well in Hand?"
Brigadier General Patrick E Buckwalder 2241C.E.
β
β
Gabriel F.W. Koch (Paradox Effect: Time Travel and Purified DNA Merge to Halt the Collapse of Human Existence)
β
What is a person, if not the marks they leave behind?
β
β
V.E. Schwab (The Invisible Life of Addie LaRue)
β
Sometimes I wonder if there's something wrong with me. Perhaps I've spent too long in the company of my literary romantic heroes, and consequently my ideals and expectations are far too high.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
So itβs true, when all is said and done, grief is the price we pay for love.
β
β
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
β
God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players [i.e. everybody], to being involved in an obscure and complex variant of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Nobody gets everything in this life. You decide your priorities and you make your choices. I'd decided long ago that any cake I had would be eaten.
β
β
Donald E. Westlake (Two Much)
β
Whenever you think or you believe or you know, you're a lot of other people: but the moment you feel, you're nobody-but-yourself.
β
β
E.E. Cummings
β
Yours is the light by which my spirit's born: - you are my sun, my moon, and all my stars.
β
β
E.E. Cummings
β
Non est ad astra mollis e terris via" - "There is no easy way from the earth to the stars
β
β
Seneca
β
Any intelligent fool can make things bigger, more complex, and more violent. It takes a touch of genius β and a lot of courage to move in the opposite direction.
β
β
Ernst F. Schumacher
β
I have done it," she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. A C H I L L E S, it reads. And beside it, P A T R O C L U S.
"Go," she says. "He waits for you."
In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.
β
β
Madeline Miller (The Song of Achilles)
β
The three saddest things are the ill wanting to be well, the poor wanting to be rich, and the constant traveler saying 'anywhere but here'.
β
β
E.E. Cummings
β
Na razrusha'ya.ο»Ώ I am not ruined. ο»ΏE'ya razrushostο»Ώ. I am ruination.
β
β
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
β
The worker must work for the glory of his handiwork, not simply for pay; the thinker must think for truth, not for fame.
β
β
W.E.B. Du Bois
β
You love me,β I whisper.
His eyes widen further and his mouth opens. He takes a huge breath as if winded. He looks torturedβvulnerable.
βYes,β he whispers. βI do.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
I loved you, so I drew these tides of men into my hands/and wrote my will across the sky in stars
β
β
T.E. Lawrence (Seven Pillars of Wisdom: A Triumph)
β
I'd like to bite that lip.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
It seemed funny to me that the sunset she saw from her patio and the one I saw from the back steps was the same one. Maybe the two different worlds we lived in weren't so different. We saw the same sunset.
β
β
S.E. Hinton (The Outsiders)
β
I'm not going to die," she said. "Not till I've seen it."
"Seen what?"
Her smile widened. "Everything.
β
β
V.E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
β
The so-called βpsychotically depressedβ person who tries to kill herself doesnβt do so out of quote βhopelessnessβ or any abstract conviction that lifeβs assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fireβs flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. Itβs not desiring the fall; itβs terror of the flames. And yet nobody down on the sidewalk, looking up and yelling βDonβt!β and βHang on!β, can understand the jump. Not really. Youβd have to have personally been trapped and felt flames to really understand a terror way beyond falling.
β
β
David Foster Wallace
β
Spoon feeding in the long run teaches us nothing but the shape of the spoon.
β
β
E.M. Forster
β
You wanted hearts and flowers,β he murmurs.
I blink at him, not quite believing what Iβm seeing.
βYou have my heart.β And he waves toward the room.
βAnd here are the flowers,β I whisper, completing his sentence. βChristian, itβs lovely.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Ultimately, man should not ask what the meaning of his life is, but rather must recognize that it is he who is asked. In a word, each man is questioned by life; and he can only answer to life by answering for his own life; to life he can only respond by being responsible.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
Love is the voice under all silences, the hope which has no opposite in fear; the strength so strong mere force is feebleness: the truth more first than sun, more last than star...
β
β
E.E. Cummings
β
All that I hope to say in books, all that I ever hope to say, is that I love the world.
β
β
E.B. White
β
Christian, you are the state lottery, the cure for cancer, and the three wishes from Aladdin's lamp all rolled into one
β
β
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
β
Lovers alone wear sunlight.
β
β
E.E. Cummings
β
...it is sad, of course, to forget.
But it is a lonely thing, to be forgotten.
To remember when no one else does.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
listen: thereβs a hell
of a good universe next door; letβs go
β
β
E.E. Cummings
β
I apologize for anything I might have done. I was not myself.β
βI apologize for shooting you in the leg.β said Lila. βI was myself entirely.
β
β
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
β
Because time is cruel to all, and crueler still to artists. Because visions weakens, and voices wither, and talent fades.... Because happiness is brief, and history is lasting, and in the end... everyone wants to be remembered
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
The one thing you canβt take away from me is the way I choose to respond to what you do to me. The last of oneβs freedoms is to choose oneβs attitude in any given circumstance.
β
β
Viktor E. Frankl
β
Do not accept an evil you can change.
β
β
E. Lockhart (We Were Liars)
β
When your rage is choking you, it is best to say nothing.
β
β
Octavia E. Butler (Fledgling)
β
Once we believe in ourselves, we can risk curiosity, wonder, spontaneous delight, or any experience that reveals the human spirit
β
β
E.E. Cummings
β
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you
β
β
E.E. Cummings
β
Love and loss,β he said, βare like a ship and the sea. They rise together. The more we love, the more we have to lose. But the only way to avoid loss is to avoid love. And what a sad world that would be.
β
β
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
β
We aim to please Miss Steele
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Unless you love someone, nothing else makes sense.
β
β
E.E. Cummings
β
She bent most of the rules. She broke the rest.
β
β
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
β
Life is just action and reaction, rationalizations are added later on
β
β
Ibn-e-Safi
β
Youβre the only person Iβd fly three thousand miles to see.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
All that you touch
You Change.
All that you Change
Changes you.
The only lasting truth
is Change.
God
is Change.
β
β
Octavia E. Butler
β
Between stimulus and response there is a space. In that space is our power to choose our response. In our response lies our growth and our freedom.
β
β
Viktor E. Frankl
β
Don't aim at success. The more you aim at it and make it a target, the more you are going to miss it. For success, like happiness, cannot be pursued; it must ensue, and it only does so as the unintended side effect of one's personal dedication to a cause greater than oneself or as the by-product of one's surrender to a person other than oneself. Happiness must happen, and the same holds for success: you have to let it happen by not caring about it. I want you to listen to what your conscience commands you to do and go on to carry it out to the best of your knowledge. Then you will live to see that in the long-runβin the long-run, I say!βsuccess will follow you precisely because you had forgotten to think about it
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
Blink and youβre twenty-eight, and everyone else is now a mile down the road, and youβre still trying to find it, and the irony is hardly lost on you that in wanting to live, to learn, to find yourself, youβve gotten lost.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
I'd rather learn from one bird how to sing
than teach ten thousand stars how not to dance
β
β
E.E. Cummings
β
I want you sore, baby,β he murmurs, and he continues his sweet, leisurely torment, backward, forward. βEvery time you move tomorrow, I want you to be reminded that Iβve been here. Only me. You are mine.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Never trust a man who can dance.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
It is not often that someone comes along who is a true friend and a good writer.
β
β
E.B. White (Charlotteβs Web)
β
Civilized men are more discourteous than savages because they know they can be impolite without having their skulls split, as a general thing.
β
β
Robert E. Howard
β
Always do what you're afraid to do.
β
β
E. Lockhart (We Were Liars)
β
Three words, large enough to tip the world. I remember you.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
Donβt leave me,β he whispers.
βOh, for crying out loudβno! I am not going to go!β I shout and itβs cathartic. There, Iβve said it. I am not leaving.
βReally?β His eyes widen.
βWhat can I do to make you understand I will not run? What can I say?β
He gazes at me, revealing his fear and anguish again. He swallows. βThere is one thing you can do.β
βWhat?β I snap.
βMarry me,β he whispers.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
In some ways suffering ceases to be suffering at the moment it finds a meaning, such as the meaning of a sacrifice.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body. i like what it does,
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over parting flesh ... And eyes big love-crumbs,
and possibly i like the thrill
of under me you so quite new.
β
β
E.E. Cummings
β
I'm not a sucker for happily ever afters, but if these two characters don't get theirs I might climb inside this e-reader and lock them both inside that damn garage forever.
β
β
Colleen Hoover (Hopeless (Hopeless, #1))
β
Believe in life! Always human beings will progress to greater, broader, and fuller life.
β
β
W.E.B. Du Bois
β
What is it about elevators?
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
[Writing is] like driving a car at night: you never see further than your headlights, but you can make the whole trip that way.
β
β
E.L. Doctorow
β
L'amor che move il sole e l'altre stelle.
"It means that love is the most powerful force in the world. That love can do anything.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
Don't you remember, she told him then, when you were nothing but shadow and smoke?
Darling, he'd said in his soft, rich way, I was the night itself.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
There's a very fine line between pleasure and pain. They are two sides of the same coin, one not existing without the other.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
So live as if you were living already for the second time and as if you had acted the first time as wrongly as you are about to act now!
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
Being forgotten, she thinks, is a bit like going mad. You begin to wonder what is real, if you are real. After all, how can a thing be real if it cannot be remembered?
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
A dreamer,β scorns her mother.
βA dreamer,β mourns her father.
βA dreamer,β warns Estele.
Still, it does not seem such a bad word.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
I would feel more optimistic about a bright future for man if he spent less time proving that he can outwit Nature and more time tasting her sweetness and respecting her seniority.
β
β
E.B. White (Letters of E. B. White)
β
See the world as it is, not as you wish it would be
β
β
E. Lockhart (We Were Liars)
β
I thank you God for this most amazing day, for the leaping greenly spirits of trees, and for the blue dream of sky and for everything which is natural, which is infinite, which is yes.
β
β
E.E. Cummings
β
Someone once wrote that a novel should deliver a series of small astonishments. I get the same thing spending an hour with you.
β
β
E. Lockhart (We Were Liars)
β
Don't get your panties in such a twist... and give me back mine.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
The snow doesn't give a soft white damn whom it touches.
β
β
E.E. Cummings
β
We are liars. We are beautiful and privileged. We are cracked and broken.
β
β
E. Lockhart (We Were Liars)
β
It's not the changes that will break your heart; it's that tug of familiarity.
β
β
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
β
There is a defiance in being a dreamer
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
Here I am frozen, when I deserve to burn.
β
β
E. Lockhart (We Were Liars)
β
All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake up in the day to find it was vanity, but the dreamers of the day are dangerous men, for they may act their dreams with open eyes, to make it possible.
β
β
T.E. Lawrence (Seven Pillars of Wisdom: A Triumph)
β
I suggest that the only books that influence us are those for which we are ready, and which have gone a little further down our particular path than we have yet gone ourselves.
β
β
E.M. Forster
β
Can you see the sunset real good on the West side? You can see it on the East side too.
β
β
S.E. Hinton (The Outsiders)
β
Do you know how to live three hundred years?β she says. And when he asks how, she smiles. βThe same way you live one. A second at a time.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
I do not forget any good deed done to me & I do not carry a grudge for a bad one.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
It's hard to lead a cavalry charge if you think you look funny on a horse.
β
β
Adlai E. Stevenson II
β
But these words people threw around - humans, monsters, heroes, villains - to Victor it was all just a matter of semantics. Someone could call themselves a hero and still walk around killing dozens. Someone else could be labeled a villain for trying to stop them. Plenty of humans were monstrous, and plenty of monsters knew how to play at being human.
β
β
Victoria Schwab (Vicious (Villains, #1))
β
Sixteen years on the streets and you can learn a lot. But all the wrong things, not the things you want to learn. Sixteen years on the streets and you see a lot. But all the wrong sights, not the things you want to see.
β
β
S.E. Hinton (The Outsiders)
β
There is not even a Scrabble word for how bad I feel.
β
β
E. Lockhart (We Were Liars)
β
For the first time in my life I saw the truth as it is set into song by so many poets, proclaimed as the final wisdom by so many thinkers. The truth - that Love is the ultimate and highest goal to which man can aspire. Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of man is through love and in love.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
I've kissed a prince, Mom. I hope it doesn't turn into a frog.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
He was contemplation and enthusiasm. Ambition and strong coffee. I could have looked at him forever.
β
β
E. Lockhart (We Were Liars)
β
She is sugar, curiosity, and rain.
β
β
E. Lockhart (We Were Liars)
β
Love is the only way to grasp another human being in the innermost core of his personality. No one can become fully aware of the very essence of another human being unless he loves him. By his love he is enabled to see the essential traits and features in the beloved person; and even more, he sees that which is potential in him, which is not yet actualized but yet ought to be actualized. Furthermore, by his love, the loving person enables the beloved person to actualize these potentialities. By making him aware of what he can be and of what he should become, he makes these potentialities come true.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
may came home with a smooth round stone
as small as a world and as large as alone.
β
β
E.E. Cummings
β
Love is the strangest, most illogical thing in the world.
β
β
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
β
Always be on the lookout for the presence of wonder.
β
β
E.B. White
β
Is it better to have had a good thing and lost it, or never to have had it?
β
β
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
β
The universe is seeming really huge right now. I need something to hold on to.
β
β
E. Lockhart (We Were Liars)
β
I don't know whether to worship at your feet or spank the living shit out of you.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Falling in love is very real, but I used to shake my head when people talked about soul mates, poor deluded individuals grasping at some supernatural ideal not intended for mortals but sounded pretty in a poetry book. Then, we met, and everything changed, the cynic has become the converted, the sceptic, an ardent zealot.
β
β
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
β
Oh, fuck the paperwork
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Blink, and the years fall away like leaves.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
What if we could stop being different colors, different backgrounds, and just be in love?
β
β
E. Lockhart (We Were Liars)
β
life's not a paragraph
And death i think is no parenthesis
β
β
E.E. Cummings
β
I am going to have coffee with Christian Grey... and I hate coffee.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Happiness cannot be pursued; it must ensue.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
Silence is a protective coating over pain.
β
β
E. Lockhart (We Were Liars)
β
We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm - yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine.
β
β
E.M. Forster (A Room with a View)
β
They grew up on the outside of society. They weren't looking for a fight. They were looking to belong.
β
β
S.E. Hinton (The Outsiders)
β
So top grade's O for 'Outstanding,'" Hermione was saying, "and then there's A-"
"No, E," George corrected her, "E for 'Exceeds Expectations.' And I've always thought Fred and I should've got E in everything, because we exceeded expectations just by turning up for the exams.
β
β
J.K. Rowling
β
Heβs like a song she canβt get out of her head. Hard as she tries, the melody of their meeting runs through her mind on an endless loop, each time as surprisingly sweet as the last, like a lullaby, like a hymn, and she doesnβt think she could ever get tired of hearing it.
β
β
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
β
I wasn't aware we were fighting. I thought we were communicating,
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Nothing is all good or all bad,β she says. βLife is so much messier than that.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
After all, what's a life, anyway? We're born, we live a little while, we die.
β
β
E.B. White (Charlotteβs Web)
β
What she needs are stories.
Stories are a way to preserve one's self. To be remembered. And to forget.
Stories come in so many forms: in charcoal, and in song, in paintings, poems, films. And books.
Books, she has found, are a way to live a thousand livesβor to find strength in a very long one.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
The world is mud-luscious and puddle-wonderful.
β
β
E.E. Cummings
β
i carry your heart with me(i carry it in my heart)
β
β
E.E. Cummings (Selected Poems)
β
I thought I'd broken you."
"Broken? Me? Oh no, Ana. Just the opposite."
He reaches out and takes my hand. "You're my lifeline'" he whispers.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
How do I know what I think until I see what I say?
β
β
E.M. Forster
β
For the ones who dream of stranger worlds.
β
β
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
β
Unless you try to do something beyond what you have already mastered, you will never grow.
β
β
Ronald E. Osborn
β
It did not really matter what we expected from life, but rather what life expected from us. We needed to stop asking about the meaning of life, and instead to think of ourselves as those who were being questioned by lifeβdaily and hourly. Our answer must consist, not in talk and meditation, but in right action and in right conduct. Life ultimately means taking the responsibility to find the right answer to its problems and to fulfill the tasks which it constantly sets for each individual.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
I want your world to begin and end with me.
β
β
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
β
One's not half of two; two are halves of one.
β
β
E.E. Cummings
β
If you want to live where people are not afraid of mice, you must give up living in palaces.
β
β
E. Lockhart (We Were Liars)
β
A library is a good place to go when you feel unhappy, for there, in a book, you may find encouragement and comfort. A library is a good place to go when you feel bewildered or undecided, for there, in a book, you may have your question answered. Books are good company, in sad times and happy times, for books are people - people who have managed to stay alive by hiding between the covers of a book."
[Letters of Note; Troy (MI, USA) Public Library, 1971]
β
β
E.B. White
β
He grabs me suddenly and yanks me up against him, one hand at my back holding me to him and the other fisting in my hair.
"You're one challenging woman," He kisses me, forcing my lips apart with his tongue, taking no prisoners.
"It's taking all my self-control not to fuck you on the hood of this car, just to show you that you're mine, and if I want to buy you a fucking car, I'll buy you a fucking car," he growls.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Stories are a way to preserve one's self. To be remembered. And to forget.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
Are you on your own?"
"No. There are six people staring at me right now wondering who the hell i'm talking to."
shit..."Really?" I gasp, panicked.
"Yes. Really. My girlfriend," he announces away from the phone.
holy cow! "They probably all thought you were gay, you know.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
I like my body when it is with your body. It is so quite new a thing. Muscles better and nerves more.
β
β
E.E. Cummings (Selected Poems)
β
I've been thinking about it, and that poem, that guy that wrote it, he meant you're gold when you're a kid, like green. When you're a kid everything's new, dawn. It's just when you get used to everything that it's day. Like the way you dig sunsets, Pony. That's gold. Keep that way, it's a good way to be.
β
β
S.E. Hinton (The Outsiders)
β
Time is your most precious gift because you only have a set amount of it. You can make more money, but you can't make more time. When you give someone your time, you are giving them a portion of your life that you'll never get back. Your time is your life. That is why the greatest gift you can give someone is your time.
It is not enough to just say relationships are important; we must prove it by investing time in them. Words alone are worthless. "My children, our love should not be just words and talk; it must be true love, which shows itself in action." Relationships take time and effort, and the best way to spell love is "T-I-M-E.
β
β
Rick Warren (The Purpose Driven Life: What on Earth Am I Here for?)
β
Sure I do,β countered Lila cheerfully. βThereβs Dull London, Kell London, Creepy London, and Dead London,β she recited, ticking them off on her fingers. βSee? Iβm a fast learner.
β
β
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
β
E.L. Doctorow said once said that 'Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.' You don't have to see where you're going, you don't have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you. This is right up there with the best advice on writing, or life, I have ever heard.
β
β
Anne Lamott (Bird by Bird)
β
You get tough like me and you don't get hurt. You look out for yourself and nothin' can touch you...
β
β
S.E. Hinton (The Outsiders)
β
Scars are not shameful, not unless you let them be. If you do not wear them, they will wear you.
β
β
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
β
As Athera. To grow.
As Pyrata. To burn.
As Illumae. To light.
As Orense. To open.
As Anase. To dispel.
As Hasari. To heal.
As Travars. To Travel.
β
β
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
β
I understand my parents quite well. They think of a wife as a manβs luxury, which he can afford only when he is making a comfortable living. I have a low opinion of this view of the relationship between man and wife, because it makes the wife and the prostitute distinguishable only insofar as the former is able to secure a lifelong contract from the man because of her more favourable social rank .Β .Β . Which
β
β
Robyn Arianrhod (Young Einstein: And the story of E=mcΒ² (Kindle Single))
β
Men aren't really complicated, Ana, honey. They are very simple, literal creatures. They usually mean what they say. And we spend hours trying to analyze what they've said - when really it's obvious. If I were you, I'd take him literally. That might help.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
L'amor che move il sole e l'altre stelle.
β
β
Dante Alighieri (The Divine Comedy: Inferno - Purgatorio - Paradiso)
β
The
Earth would die
If the sun stopped kissing her.
β
β
The Gift
β
Gym should be illegal. It's humiliating.
β
β
Laurie Halse Anderson (Speak)
β
Why don't you like me ?" "Because you never stay with me.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
[E]xceptional claims demand exceptional evidence.
β
β
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
β
It can take years to mold a dream. It takes only a fraction of a second for it to be shattered.
β
β
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
β
Things are rough all over.
β
β
S.E. Hinton (The Outsiders)
β
may my heart always be open to little
birds who are the secrets of living
whatever they sing is better than to know
and if men should not hear them men are old
may my mind stroll about hungry
and fearless and thirsty and supple
and even if it's sunday may i be wrong
for whenever men are right they are not young
and may myself do nothing usefully
and love yourself so more than truly
there's never been quite such a fool who could fail
pulling all the sky over him with one smile
β
β
E.E. Cummings (E.E. Cummings: Complete Poems 1904-1962 (Revised, Corrected, and Expanded Edition))
β
Choose your leaders
with wisdom and forethought.
To be led by a coward
is to be controlled
by all that the coward fears.
To be led by a fool
is to be led
by the opportunists
who control the fool.
To be led by a thief
is to offer up
your most precious treasures
to be stolen.
To be led by a liar
is to ask
to be told lies.
To be led by a tyrant
is to sell yourself
and those you love
into slavery.
β
β
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
β
What are you really studying?"
He leans back to look at her. "The statistical probability of love at first sight."
"Very funny," she says. "What is it really?"
"I'm serious."
"I don't believe you."
He laughs, then lowers his mouth so that it's close to her ear. "People who meet in airports are seventy-two percent more likely too fall for each other than people who meet anywhere else.
β
β
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
β
From his inside jacket pocket he produces a ring and gazes up at me, his eyes bright gray and raw, full of emotion. "Anastasia Steele, I love you. I want to love, cherish and protect you for the rest of my life. Be mine. Always. Share my life with me. Marry me".
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
A person who has not been completely alienated, who has remained sensitive and able to feel, who has not lost the sense of dignity, who is not yet "for sale", who can still suffer over the suffering of others, who has not acquired fully the having mode of existence - briefly, a person who has remained a person and not become a thing - cannot help feeling lonely, powerless, isolated in present-day society. He cannot help doubting himself and his own convictions, if not his sanity. He cannot help suffering, even though he can experience moments of joy and clarity that are absent in the life of his "normal" contemporaries. Not rarely will he suffer from neurosis that results from the situation of a sane man living in an insane society, rather than that of the more conventional neurosis of a sick man trying to adapt himself to a sick society. In the process of going further in his analysis, i.e. of growing to greater independence and productivity,his neurotic symptoms will cure themselves.
β
β
Erich Fromm (The Art of Being)
β
since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a far better fate
than wisdom
lady i swear by all flowers. Don't cry
--the best gesture of my brain is less than
your eyelids' flutter which says
we are for eachother: then
laugh, leaning back in my arms
for life's not a paragraph
And death i think is no parenthesis
β
β
E.E. Cummings
β
No. No!β he says.
βI . . .β He looks wildly around the room. For inspiration? For divine intervention? I donβt know.
βYou canβt go. Ana, I love you!β
βI love you, too, Christian, itβs justββ
βNo . . . no!β he says in desperation and puts both hands on his head. βChristian . . .β
βNo,β he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesnβt move. What?
βChristian, what are you doing?β
He continues to stare down, not looking at me.
βChristian! What are you doing?β
My voice is high-pitched. He doesnβt move.
βChristian, look at me!β I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gazeβheβs almost serene . . . expectant.
Holy Fuck . . . Christian. The submissive.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
And then there was you. You changed everything I believed in. You know that line from Dante that I quoted to you in the park? 'L'amor che move il sole e l'altre stelle'?"
Her lips curled a little at the sides as she looked up at him. "I still don't speak Italian."
"It's a bit of the very last verse from Paradiso - Dante's Paradise. 'My will and my desire were turned by love, the love that moves the sun and the other stars.' Dante was trying to explain faith, I think, as an overpowering love, and maybe it's blasphemous, but that's how I think of the way I love you. You came into my life and suddenly I had one truth to hold on to - that I loved you, and you loved me.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
His head turns fractionally toward me, his eyes darkest slate. I bite my lip.
βOh, fuck the paperwork,β he growls. He lunges at me, pushing me against the wall of the elevator. Before I know it, heβs got both of my hands in one of his in a vice-like grip above my head, and heβs pinning me to the wall using his hips. Holy shit. His other hand grabs my ponytail and yanks down, bringing my face up, and his lips are on mine. Itβs only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Love goes very far beyond the physical person of the beloved. It finds its deepest meaning in his spiritual being, his inner self. Whether or not he is actually present, whether or not he is still alive at all, ceases somehow to be of importance.
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
In Ireland, you go to someone's house, and she asks you if you want a cup of tea. You say no, thank you, you're really just fine. She asks if you're sure. You say of course you're sure, really, you don't need a thing. Except they pronounce it ting. You don't need a ting. Well, she says then, I was going to get myself some anyway, so it would be no trouble. Ah, you say, well, if you were going to get yourself some, I wouldn't mind a spot of tea, at that, so long as it's no trouble and I can give you a hand in the kitchen. Then you go through the whole thing all over again until you both end up in the kitchen drinking tea and chatting.
In America, someone asks you if you want a cup of tea, you say no, and then you don't get any damned tea.
I liked the Irish way better.
β
β
C.E. Murphy (Urban Shaman (Walker Papers, #1))
β
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose
or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands
β
β
E.E. Cummings (Selected Poems)
β
Does this mean youβre going to make love to me tonight, Christian?β Holy shit. Did I just say that? His mouth drops open slightly, but he recovers quickly.
βNo, Anastasia it doesnβt. Firstly, I donβt make love. I fuckβ¦ hard. Secondly, thereβs a lot more paperwork to do, and thirdly, you donβt yet know what youβre in for. You could still run for the hills. Come, I want to show you my playroom.β
My mouth drops open. Fuck hard! Holy shit, that sounds so⦠hot. But why are we looking at a playroom? I am mystified.
βYou want to play on your Xbox?β I ask. He laughs, loudly.
βNo, Anastasia, no Xbox, no Playstation. Come.ββ¦ Producing a key from his pocket, he unlocks yet another door and takes a deep breath.
βYou can leave anytime. The helicopter is on stand-by to take you whenever you want to go, you can stay the night and go home in the morning. Itβs fine whatever you decide.β
βJust open the damn door, Christian.β
He opens the door and stands back to let me in. I gaze at him once more. I so want to know whatβs in here. Taking a deep breath I walk in.
And it feels like Iβve time-traveled back to the sixteenth century and the Spanish Inquisition.
Holy fuck.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
If other people do not understand our behaviorβso what? Their request that we must only do what they understand is an attempt to dictate to us. If this is being "asocial" or "irrational" in their eyes, so be it. Mostly they resent our freedom and our courage to be ourselves. We owe nobody an explanation or an accounting, as long as our acts do not hurt or infringe on them. How many lives have been ruined by this need to "explain," which usually implies that the explanation be "understood," i.e. approved. Let your deeds be judged, and from your deeds, your real intentions, but know that a free person owes an explanation only to himselfβto his reason and his conscienceβand to the few who may have a justified claim for explanation.
β
β
Erich Fromm (The Art of Being)
β
Let me ask you something first. Do you want a regular vanilla relationship with no kinky fuckery at all?"
My mouth drops open. "Kinky fuckery?" I squeak.
"Kinky fuckery."
"I can't believe you said that.'
"Well, I did. Answer me," he says calmly.
I flush. My inner goddess is down on bended knee with her hands clasped in supplication begging me.
"I like your kinky fuckery," I whisper.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Remember He is the artist and you are only the picture. You can't see it. So quietly submit to be painted---i.e., keep fulfilling all the obvious duties of your station (you really know quite well enough what they are!), asking forgiveness for each failure and then leaving it alone.You are in the right way. Walk---don't keep on looking at it.
β
β
C.S. Lewis (The Collected Letters of C.S. Lewis, Volume 3: Narnia, Cambridge, and Joy, 1950 - 1963)
β
Anoshe was a word for strangers in the street, and lovers between meetings, for parents and children, friends and family. It softened the blow of leaving. Eased the strain of parting. A careful nod to the certainty of today, the mystery of tomorrow. When a friend left, with little chance of seeing home, they said anoshe. When a loved one was dying, they said anoshe. When corpses were burned, bodies given back to the earth and souls to the stream, those left grieving said anoshe.
Anoshe brought solace. And hope. And the strength to let go.
β
β
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
β
Take a drink every time you hear youβre not enough.
Not the right fit.
Not the right look.
Not the right focus.
Not the right drive.
Not the right time.
Not the right job.
Not the right path.
Not the right future.
Not the right present.
Not the right you.
Not you.
(Not me?)
Thereβs just something missing.
From us.
What could I have done?
Nothing. Itβs justβ¦
(Who you are.)
I didnβt think we were serious.
(Youβre just tooβ¦
β¦sweet.
β¦soft.
β¦sensitive.)
I just donβt see us ending up together.
I met someone.
Iβm sorry
Itβs not you.
Swallow it down.
Weβre not on the same page.
Weβre not in the same place.
Itβs not you.
We canβt help who we fall in love with.
(And who we donβt.)
Youβre such a good friend.
Youβre going to make the right girl happy.
You deserve better.
Letβs stay friends.
I donβt want to lose you.
Itβs not you.
Iβm sorry.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
let it go -- the
smashed word broken
open vow or
the oath cracked length
wise -- let it go it
was sworn to
go
let them go -- the
truthful liars and
the false fair friends
and the boths and
neithers -- you must let them go they
were born
to go
let all go -- the
big small middling
tall bigger really
the biggest and all
things -- let all go
dear
so comes love
β
β
E.E. Cummings
β
No matter how old you are now. You are never too young or too old for success or going after what you want. Hereβs a short list of people who accomplished great things at different ages
1) Helen Keller, at the age of 19 months, became deaf and blind. But that didnβt stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree.
2) Mozart was already competent on keyboard and violin; he composed from the age of 5.
3) Shirley Temple was 6 when she became a movie star on βBright Eyes.β
4) Anne Frank was 12 when she wrote the diary of Anne Frank.
5) Magnus Carlsen became a chess Grandmaster at the age of 13.
6) Nadia ComΔneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14.
7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15.
8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil.
9) Elvis was a superstar by age 19.
10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961.
11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936.
12) Beethoven was a piano virtuoso by age 23
13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24
14) Roger Bannister was 25 when he broke the 4 minute mile record
15) Albert Einstein was 26 when he wrote the theory of relativity
16) Lance E. Armstrong was 27 when he won the tour de France
17) Michelangelo created two of the greatest sculptures βDavidβ and βPietaβ by age 28
18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world
19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter
20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean
21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind
22) Edmund Hillary was 33 when he became the first man to reach Mount Everest
23) Martin Luther King Jr. was 34 when he wrote the speech βI Have a Dream."
24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics
25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight
26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions.
27) Neil Armstrong was 38 when he became the first man to set foot on the moon.
28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn"
29) Christopher Columbus was 41 when he discovered the Americas
30) Rosa Parks was 42 when she refused to obey the bus driverβs order to give up her seat to make room for a white passenger
31) John F. Kennedy was 43 years old when he became President of the United States
32) Henry Ford Was 45 when the Ford T came out.
33) Suzanne Collins was 46 when she wrote "The Hunger Games"
34) Charles Darwin was 50 years old when his book On the Origin of Species came out.
35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa.
36) Abraham Lincoln was 52 when he became president.
37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels.
38) Dr. Seuss was 54 when he wrote "The Cat in the Hat".
40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived
41) Colonel Harland Sanders was 61 when he started the KFC Franchise
42) J.R.R Tolkien was 62 when the Lord of the Ring books came out
43) Ronald Reagan was 69 when he became President of the US
44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats
45) Nelson Mandela was 76 when he became President
β
β
Pablo
β
The pessimist resembles a man who observes with fear and sadness that his wall calendar, from which he daily tears a sheet, grows thinner with each passing day. On the other hand, the person who attacks the problems of life actively is like a man who removes each successive leaf from his calendar and files it neatly and carefully away with its predecessors, after first having jotted down a few diary notes on the back. He can reflect with pride and joy on all the richness set down in these notes, on all the life he has already lived to the fullest. What will it matter to him if he notices that he is growing old? Has he any reason to envy the young people whom he sees, or wax nostalgic over his own lost youth? What reasons has he to envy a young person? For the possibilities that a young person has, the future which is in store for him?
No, thank you,' he will think. 'Instead of possibilities, I have realities in my past, not only the reality of work done and of love loved, but of sufferings bravely suffered. These sufferings are even the things of which I am most proud, although these are things which cannot inspire envy.
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Viktor E. Frankl (Man's Search for Meaning)
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anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn't he danced his did
Women and men(both little and small)
cared for anyone not at all
they sowed their isn't they reaped their same
sun moon stars rain
children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more
when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone's any was all to her
someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream
stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)
one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was
all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.
Women and men (both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain
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E.E. Cummings (Selected Poems)