Dylan Severance Quotes

... Veronique and Dylan having the mother of all arguments. I mean, it had a plot and a subplot and several walk-on parts....

from the Basement tapes Eric outdid Dylan with the apologies. To the untrained eye, he seemed sincere. The psychologists on the case found Eric less convincing. They saw a psychopath. Classic. He even pulled the stunt of self-diagnosing to dismiss it. "I wish I was a fucking sociopath so I didn't have any remorse," Eric said. "But I do." Watching that made Dr. Fuselier angry. Remorse meant a deep desire to correct a mistake. Eric hadn't done it yet. He excused his actions several times on the tapes. Fuselier was tough to rattle, but that got to him. "Those are the most worthless apologies I've ever heard in my life," he said. It got more ludicrous later, when Eric willed some of his stuff to two buddies, "if you guys live." "If you live?" Fuselier repeated. "They are going to go in there and quite possibly kill their friends. If they were the least bit sorry they would not do it!

One such individual was Amos Tutuola, who was a talented writer. His most famous novels, The Palm-Wine Drinkard, published in 1946, and My Life in the Bush of Ghosts, in 1954, explore Yoruba traditions and folklore. He received a great deal of criticism from Nigerian literary critics for his use of “broken or Pidgin English.” Luckily for all of us, Dylan Thomas, the Welsh poet and writer, was enthralled by Tutuola’s “bewitching literary prose” and wrote glowing reviews that helped Tutuola’s work attain international acclaim. I still believe that Tutuola’s critics in Nigeria missed the point. The beauty of his tales was fantastical expression of a form of an indigenous Yoruba, therefore African, magical realism. It is important to note that his books came out several decades before the brilliant Gabriel García Márquez published his own masterpieces of Latin American literature, such as One Hundred Years of Solitude.

There's no question winter here can take a chunk out of you. Not like the extreme cold of the upper Midwest or the round-the-clock darkness of Alaska might, but rather the opposite. Here, it's a general lack of severity - monotonous flat gray skies and the constant drip-drip of misty rain - that erodes the spirit.

if MLK and Gandhi and Bob Dylan can all be conscripted as neoliberal shills, then absolutely anything and anyone can be severed from their contexts and made to mean their precise opposite. The story beneath the story was the normalization of the disassociation between words from reality, which could only usher in the era of irony and flat detachment, because those seemed like the only self-respecting postures to adopt in a world in which everyone was lying all the time. And from there we were all primed to dive headlong into the sea of social media non sequiturs, the scroll that scrambles the narrative structures of argument and story in favor of a never-ending thought confetti of “this” and “this” and “this” and “look over there.

There’s a tap on my shoulder. I turn around and get lost in a sea of blue. A Jersey-accented voice says, “It’s about time, kid,” and Frank Sinatra rattles the ice in his glass of Jack Daniel’s. Looking at the swirling deep-brown liquid, he whispers, “Ain’t it beautiful?” This is my introduction to the Chairman of the Board. We spend the next half hour talking Jersey, Hoboken, swimming in the Hudson River and the Shore. We then sit down for dinner at a table with Robert De Niro, Angie Dickinson and Frank and his wife, Barbara. This is all occurring at the Hollywood “Guinea Party” Patti and I have been invited to, courtesy of Tita Cahn. Patti had met Tita a few weeks previous at the nail parlor. She’s the wife of Sammy Cahn, famous for such songs as “All The Way,” “Teach Me Tonight” and “Only the Lonely.” She called one afternoon and told us she was hosting a private event. She said it would be very quiet and couldn’t tell us who would be there, but assured us we’d be very comfortable. So off into the LA night we went. During the evening, we befriend the Sinatras and are quietly invited into the circle of the last of the old Hollywood stars. Over the next several years we attend a few very private events where Frank and the remaining clan hold forth. The only other musician in the room is often Quincy Jones, and besides Patti and I there is rarely a rocker in sight. The Sinatras are gracious hosts and our acquaintance culminates in our being invited to Frank’s eightieth birthday party dinner. It’s a sedate event at the Sinatras’ Los Angeles home. Sometime after dinner, we find ourselves around the living room piano with Steve and Eydie Gorme and Bob Dylan. Steve is playing the piano and up close he and Eydie can really sing the great standards. Patti has been thoroughly schooled in jazz by Jerry Coker, one of the great jazz educators at the Frost School of Music at the University of Miami. She was there at the same time as Bruce Hornsby, Jaco Pastorius and Pat Metheny, and she learned her stuff. At Frank’s, as the music drifts on, she slips gently in on “My One and Only Love.” Patti is a secret weapon. She can sing torch like a cross between Peggy Lee and Julie London (I’m not kidding). Eydie Gorme hears Patti, stops the music and says, “Frank, come over here. We’ve got a singer!” Frank moves to the piano and I then get to watch my wife beautifully serenade Frank Sinatra and Bob Dylan, to be met by a torrent of applause when she’s finished. The next day we play Frank’s eightieth birthday celebration for ABC TV and I get to escort him to the stage along with Tony Bennett. It’s a beautiful evening and a fitting celebration for the greatest pop singer of all time. Two years later Frank passed away and we were generously invited to his funeral. A

After several courses, Dylan looked at the menu, noting that "Cheeseburger" was next up. "Okay, this is something I recognize," he said with relief. "Don't get too excited," said Grace knowingly as she sipped the last of a bright and barnyard funky Romanee-Saint-Vivant from a big-bowled burgundy stem. The waiter stepped out of the shadows and set two servings of the next course on the table simultaneously. Another server placed two very large Bordeaux stems on the table, and then carefully filled each with just one and a half ounces of wine. "This is Chef's cheeseburger," the waiter said. "Paired with the '70 Latour." The waiter and other server then backed away. Dylan and Grace leaned forward, examining the strange creation. It smelled amazing, though it looked much more like something from a science class than from a Michelin-starred restaurant-- a tiny piece of freeze-dried cheese on a teaspoon of bison tartare, lying atop a small lettuce pillow that had been filled with Vidalia onion smoke. It sat on a small warm open-face wheat bun, and the whole thing was presented on a miniature plate on which was a little pool of foamed heirloom tomato, and another of foamed mustard seed. And it was all topped with a few droplets of pureed brined Japanese cucumber. Dylan just stared at it. "I feel like it belongs in a museum." "I know. It's almost too beautiful to eat," Grace said. They were both captivated by the variety of scents coming from the presentation. It did, indeed, smell like an amazing cheeseburger. "Well, I'm gonna try," said Dylan, putting the little top bun on. Grace watched as he picked it all up with his thumb and forefinger, dapped it in the foamed tomato and mustard, and popped it in his mouth. Dylan's mouth and nose were filled to bursting with all the expected flavors and scents of a great cheeseburger-- bread, meat and cheese, ketchup and mustard, lettuce and pickle. Oh, wow, it was good. And as he chewed, he popped the lettuce pillow, adding just the right touch of sweet onion scent and flavor to the mouthful.

After several hours of preparing, cooking, eating, and laughing together, the kitchen was now lit by the glow of candlelight, and the entire house filled with the glorious aroma of freshly roasted heritage turkey. While Dylan had readied the bird with a few sprigs of chopped rosemary, ground black peppercorn, and a splash of maple syrup, Grace and Carter gathered fall beans and bush squash and a few little sugar pie pumpkins, and cooked the vegetables along with the sweet corn that Carter had brought home.

And don’t imagine for a second when Dylan recites her narrative of abuse or watching the train go ’round, that I’m accusing her of deliberately lying. Like several doctors I have spoken to about this awful story, I am convinced she believes what was suggested to her and drummed into her for so many years. She and her brother Satchel were innocent kids, with Dylan particularly vulnerable. As one former prosecutor stated, doing this to her is the real crime.

Except for a handful, chess players don’t have such illusions. The game has a severe analytic quality that makes self-deception difficult. Unlike the undiscovered poet who, despite the harsh criticism of his peers, lives on his fantasies for the day that he will be recognized as the next Dylan Thomas, even a young chess player can usually gauge his talent. When Josh was six, he played several games against a pudgy thirteen-year-old who was the top player on his high school team. He beat Josh every time, but a couple of the games were close, and afterwards the boy seemed gloomy about his performance. He explained that if he didn’t make significant improvement during the next year, he would wind up as just another wood-pusher. Despite his celebrity in school, he seemed to know that he didn’t have it. While

Then the human race will suffer another setback at the hands of its own ignorance. I, however, will not be party to such ignorance. Humans need to face the truth, and we are in a position to act as a catalyst in that quest.”       For several seconds, Romulus did not answer. When he finally did, his voice was edged with a confidence Remus had never heard before.

But there was a bigger picture that I didn’t quite see, and that was the all-out war on meaning that this new stage of progressive-cloaked capitalism represented. In the end, what mattered most about those campaigns was the boldness with which they were broadcasting that, from here on out, nothing means anything anymore: if MLK and Gandhi and Bob Dylan can all be conscripted as neoliberal shills, then absolutely anything and anyone can be severed from their contexts and made to mean their precise opposite.

I did love her. A lot. But… just because you love someone, just because you want them, doesn’t mean that you should be together. Doesn’t mean it’s right. Emily wasn’t…” He stops at the mention of her name and I see his throat bob several times as he regains his composure. My hands are clasped together in my lap, the remnants of my food forgotten on the table as I watch him with rapt attention, wanting so desperately to hear this.  “She didn’t like my world, Baby Girl. But I didn’t wanna let her go. And when she turned to drink as a way to deal, depression hit her hard. I didn’t know what the fuck to do… so I just turned a blind eye to it, hoping that as time passed, everything would somehow work out. But it didn’t.