Dye Hard Quotes

We've searched our database for all the quotes and captions related to Dye Hard. Here they are! All 45 of them:

Secrets and lies, they eat your insides until all you have left is a hard thin skin that covers you like the shell of one of those eggs you poke a little hole in and draw out its eggy contents before you dye it for Easter.
Russell Banks (Lost Memory of Skin)
To burn always with this hard, gem-like flame, to maintain this ecstasy, is success in life. In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes two persons, things, situations, seem alike. While all melts under our feet, we may well grasp at any exquisite passion, or any contribution to knowledge that seems by a lifted horizon to set the spirit free for a moment, or any stirring of the sense, strange dyes, strange colours, and curious odours, or work of the artist’s hands, or the face of one’s friend. Not to discriminate every moment some passionate attitude in those about us, and in the very brilliancy of their gifts some tragic dividing on their ways, is, on this short day of frost and sun, to sleep before evening. With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch. What we have to do is to be for ever curiously testing new opinions and courting new impressions, never acquiescing in a facile orthodoxy, of Comte, or of Hegel, or of our own. Philosophical theories or ideas, as points of view, instruments of criticism, may help us to gather up what might otherwise pass unregarded by us. “Philosophy is the microscope of thought.” The theory or idea or system which requires of us the sacrifice of any part of this experience, in consideration of some interest into which we cannot enter, or some abstract theory we have not identified with ourselves, or of what is only conventional, has no real claim upon us.
Walter Pater
Maharajji would quote Kabir: “It is easy to dye your cloth, but it is hard to dye your heart.
Ram Dass (Miracle of Love: Stories about Neem Karoli Baba)
You and McNab sat around talking about women and sports." "I don't believe we got to sports. He had a woman on his mind." Eve's sneer vanished. "You talked to him about Peabody? Damn it, Roarke." "I could hardly slap him back. He's so pitifully smitten." "Oh." She winced. "Don't use that word." "It fits. In fact, if he took my advice ..." He turned his wrist, glanced at the unit fastened there. "They should be well into their first date by now." "Date? Date? Why did you do that? Why did you go and do something like that? Couldn't you leave it alone? They'd have had sex until they burned out on it, and everything would go back to normal." He angled his head. "That didn't work for us, did it?" "We don't work together." Then, when his eyes brightened with pure amusement, she showed her teeth. "Officially. You start mixing cops and romance and case files and gooey looks at briefings, you've got nothing but a mess. Next thing you know, Peabody will be wearing lip dye and smelly girl stuff and dragging body skimmers under her uniform." She dropped her head in her hands. "Then they'll have tiffs and misunderstandings that have nothing whatsoever to do with the job. They'll come at me from both sides, and before you know it, they'll be telling me things I absolutely do not want to know. And when they break it off and decide they hate each other down to the guts, I'll have to hear about that, too, and why they can't possibly work together, or breathe the same air, until I have no choice, absolutely no choice, but to kick both of their asses." "Eve, your sunny view on life never fails to lift my spirits." "And -- " She poked him in the chest. "It's all your fault." He grabbed her finger, nipped it, not so gently. "If that's the case, I'm going to insist they name their first child after me.
J.D. Robb (Witness in Death (In Death, #10))
Jacob: 'So have you heard that in seventy years there won't be any gingers left on Earth?' Jules: 'Really? Huh. Nature. Awesome.' Sam: 'Actually, it's not true. It was some bogus report cooked up by a hair-dye company to get some extra press.' Jacob: 'Sure it was, Fanta-pants.' Ava: 'He's right. The recessive gene that causes red hair is totally able to skip generations, so redheads won't die out due to genetics.' Sam: 'Thank you, Ava. It's nice to know that someone around here is sensible.' Ava: 'Of course, redheads might become extinct because they find it so hard to get laid...
Lili Wilkinson (Pink)
I know a flower that grows in the valley, none knows it but I. It has purple leaves, and a star in its heart, and its juice is as white as milk. Should’st thou touch with this flower the hard lips of the Queen, she would follow thee all over the world. Out of the bed of the King she would rise, and over the whole world she would follow thee. And it has a price, pretty boy, it has a price. What d’ye lack? What d’ye lack? I can pound a toad in a mortar, and make broth of it, and stir the broth with a dead man’s hand. Sprinkle it on thine enemy while he sleeps, and he will turn into a black viper, and his own mother will slay him. With a wheel I can draw the Moon from heaven, and in a crystal I can show thee Death. What d’ye lack? What d’ye lack? Tell me thy desire, and I will give it thee, and thou shalt pay me a price, pretty boy, thou shalt pay me a price.
Oscar Wilde (A House of Pomegranates)
Mama takes Vera in her arms, holding her so hard that neither can breathe. There is only silence between them; in that silence, memories pass back and forth like dye in water, moving and fluid, and when they pull back and look at each other, Vera understands. They will not speak of Olga again, not for a long time, not until the sharp pain rounds into something that can be handled.
Kristin Hannah (Winter Garden)
You tried so hard to give your kid food that was healthy, she thought. The soy cheese pizza. The organic peas and broccoli and baby carrots. The smoothies. The hormone-free milk. The leafy greens. You kept processed food to a minimum, threw Halloween candy out after a week. Never let him eat the icies they sold in the park, because they had red and yellow dye in them. And then you gave him this?
Sharon Guskin (The Forgetting Time)
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
We’re sending ye tae Wapping, ye soft English nancies, and if ye wairk very, very hard and if ye doonae git on ma tits, then mebbe I’ll not cut off yer knackers and put them in ma Christmas pudding. D’ye have any problems with tha’?
Bill Bryson (Notes from a Small Island)
Dixon, our, um, Lives? are in Danger?” “Hardly enough to interrupt a perfectly good—” Here he is silenc’d by an immense Thunder-Bolt from directly overhead, as their frail Prism is bleach’d in unholy Light. “— Saturday Night for, is it I ask you . . . ?” his Head emerging at last from beneath a Blanket, “Mason? Say, Mason,— are thee . . . ?” Mason, now outside, pushes aside the Tent-flap with his head, but does not enter. “Dixon. I will now seek Shelter beneath that Waggon out there, d’ye see it? If you wish to join me, there’s room.” “Bit too much Iron there for me, thanks all the same.
Thomas Pynchon (Mason & Dixon)
The fact is, women aren’t having cosmetic surgery to stay beautiful. As Naomi Wolf wrote in The Beauty Myth more than twenty years ago, many women who undergo surgery are fighting to stay loved, relevant, employed, admired; they’re fighting against time running out. If they simply age naturally, don’t diet or dye their hair, we feel they’ve “let themselves go.” But if they continue to dress youthfully we feel they’re “trying too hard” or brand them as “slappers.” Poor Madonna, who has dared to be in her fifties. In order not to look like a woman in her sixth decade of life she exercises furiously, and is sniggered at by trashy magazines for having overly muscular arms and boytoy lovers. When Demi Moore’s marriage to Ashton Kutcher, fifteen years her junior, recently broke down, the media reaction was almost gleeful. Of course, it was what they had been waiting for all along: how long could a forty-eight-year-old woman expect to keep a thirty-three-year-old man? As allegations of his infidelity emerged, the Internet was flooded with images of Demi looking gaunt and unhappy—and extremely thin. Sometimes you want to say: just leave them alone. Then again, it’s mostly women who buy these magazines, and women who write the editorials and online comments and gossip columns, so you could say we’re our own worst enemies. There is already plenty of ageism and sexism out there—why do we add to the body hatred?
Emma Woolf (An Apple a Day: A Memoir of Love and Recovery from Anorexia)
I smell something.” “What d’ye say you smell?” “Something nice.” “What’s it like?” asked Dick, sniffing hard. “I don’t smell anything.” Emmeline sniffed again to make sure. “Flowers,” said she. The breeze, which had shifted several points since midday, was bearing with it a faint, faint odour: a perfume of vanilla and spice so faint as to be imperceptible to all but the most acute olfactory sense.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
And Jukes heard the voice of his commander hardly any louder than before, but nearer, as though, starting to march athwart the prodigious rush of the hurricane, it had approached him, bearing that strange effect of quietness like the serene glow of a halo. “D’ye know where the hands got to?” it asked, vigorous and evanescent at the same time, overcoming the strength of the wind, and swept away from Jukes instantly.
Joseph Conrad (Joseph Conrad: The Complete Novels)
I became expert at making myself invisible. I could linger two hours over a coffee, four over a meal, and hardly be noticed by the waitress. Though the janitors in Commons rousted me every night at closing time, I doubt they ever realized they spoke to the same boy twice. Sunday afternoons, my cloak of invisibility around my shoulders, I would sit in the infirmary for sometimes six hours at a time, placidly reading copies of Yankee magazine ('Clamming on Cuttyhunk') or Reader's Digest (Ten Ways to Help That Aching Back!'), my presence unremarked by receptionist, physician, and fellow sufferer alike. But, like the Invisible Man in H. G. Wells, I discovered that my gift had its price, which took the form of, in my case as in his, a sort of mental darkness. It seemed that people failed to meet my eye, made as if to walk through me; my superstitions began to transform themselves into something like mania. I became convinced that it was only a matter of time before one of the rickety iron steps that led to my room gave and I would fall and break my neck or, worse, a leg; I'd freeze or starve before Leo would assist me. Because one day, when I'd climbed the stairs successfully and without fear, I'd had an old Brian Eno song running through my head ('In New Delhi, 'And Hong Kong,' They all know that it won't be long...'), I now had to sing it to myself each trip up or down the stairs. And each time I crossed the footbridge over the river, twice a day, I had to stop and scoop around in the coffee-colored snow at the road's edge until I found a decent-sized rock. I would then lean over the icy railing and drop it into the rapid current that bubbled over the speckled dinosaur eggs of granite which made up its bed - a gift to the river-god, maybe, for safe crossing, or perhaps some attempt to prove to it that I, though invisible, did exist. The water ran so shallow and clear in places that sometimes I heard the dropped stone click as it hit the bed. Both hands on the icy rail, staring down at the water as it dashed white against the boulders, boiled thinly over the polished stones, I wondered what it would be like to fall and break my head open on one of those bright rocks: a wicked crack, a sudden limpness, then veins of red marbling the glassy water. If I threw myself off, I thought, who would find me in all that white silence? Might the river beat me downstream over the rocks until it spat me out in the quiet waters, down behind the dye factory, where some lady would catch me in the beam of her headlights when she pulled out of the parking lot at five in the afternoon? Or would I, like the pieces of Leo's mandolin, lodge stubbornly in some quiet place behind a boulder and wait, my clothes washing about me, for spring?
Donna Tartt (The Secret History)
Iron had long been reduced from ore and purified with wood charcoal rather than mineral coal—pit coal—because the sulfur in coal embrittles iron. But the continuing scarcity of wood had begun to restrict the growth of British industry. At the same time, the market was glutted with coal because industrial coal use was limited to boiling operations such as salt boiling and cloth dyeing. As British industry expanded, there simply wasn’t enough wood in all of Britain to meet the demand for iron.45 Cracking the hard nut of smelting iron with coal had challenged British inventors and entrepreneurs for a hundred years.
Richard Rhodes (Energy: A Human History)
And damn you, too, Claire Randall Fraser, while I'm at it!" he said. "Damn right I begrudge! I grudge every memory of yours that doesna hold me, and every tear ye've shed for another, and every second you've spend in another man's bed! Damn you!" He knocked the brandy class from my hand - accidentally, I think - pulled me to him and kissed me hard. He drew back enough to shake me again. "You're mine, damn ye, Claire Fraser! Mine, and I wilna share ye, with a man or a memory, or anything whawtever, so long as we both shall live. You'll no mention the man's name to me again. D'ye hear?" He kissed me fiercely to emphasize the point.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
That is why the real problem of the Christian life comes where people do not usually look for it. It comes the very moment you wake up each morning. All your wishes and hopes for the day rush at you like wild animals. And the first job each morning consists simply in shoving them all back; in listening to that other voice, taking that other point of view, letting that other larger, stronger, quieter life come flowing in. And so on, all day. Standing back from all your natural fussings and frettings; coming in out of the wind. We can only do it for moments at first. But from those moments the new sort of life will be spreading through our system: because now we are letting Him work at the right part of us. It is the difference between paint, which is merely laid on the surface, and a dye or stain which soaks right through. He never talked vague, idealistic gas. When He said, ‘Be perfect,’ He meant it. He meant that we must go in for the full treatment. It is hard; but the sort of compromise we are all hankering after is harder—in fact, it is impossible. It may be hard for an egg to turn into a bird: it would be a jolly sight harder for it to learn to fly while remaining an egg. We are like eggs at present. And you cannot go on indefinitely being just an ordinary, decent egg. We must be hatched or go bad.
C.S. Lewis (Mere Christianity)
Her oldest son was two or three years old when his eczema got really bad. “Since I do work in the health-care field, I started doing research in my free time. And I noticed that eczema is increasing. It led me down this path to think about what else is increasing in our modern-day world.” Her conclusion? Chemicals. She switched her family to fragrance-free soaps and nontoxic cleaning products like baking soda and vinegar, and cut dairy out of their diet, concerned about what cows are being fed. After baths, they would do something called “soak and smear,” where they would cover their son head to toe in creams and Vaseline. “Everything we tried did not help,” she said. The steroid cream he was prescribed irritated his skin more. Open wounds developed on his hands and behind his knees, and they got infected. “It was so hard to look at as a parent,” she said. Then, she started thinking about his clothing. “He’s a really sweet, nice, low-key kid. And every morning getting dressed was a nightmare, just screaming tantrums.” Like any parent on a budget, Karly had been buying cheap clothing from mass-market brands, including polyester athletic clothes. “I’m going to sound like a bad parent. But just anything I could find that was gonna be wallet friendly,” she told me. As her son got older, he finally had the words to describe what was bothering him. First it was the tags, and the seams. Then, she finally realized, it was the clothing. All of it.
Alden Wicker (To Dye For: How Toxic Fashion Is Making Us Sick--and How We Can Fight Back)
OCCUPATIONAL SAFETY I don’t know of people who do everything from going to school, learning different skills and basically develop themselves so that they stay at home. It’s ingrained in every kid that they should study hard and excel so that they can get good jobs and live well. With that said, working is what makes us build nations and fulfill some our dreams so it’s important to ensure that the work environment is kept safe and comfortable for workers so that they can remain productive for the longest time. However as long as we are living there will SWMS always be greedy employers who will take short cuts or fail to protect their employees and this is where OSHA(occupational safety and health administration)comes in to rectify these issues. Occupational safety is ensuring that employees work in danger free environment. There are many industries of different nature and hence the possible hazards vary. For example in the textile and clothing industry, employees deal with dyes, chemicals and machines that spin , knit and weave to ensure production. In some countries there have been cases of sweatshops where people make clothes in poorly ventilated places for long hours. The tools of trade in all industries are still the ones that cause hazards e.g. machines can cut people, chemicals emit poisonous fumes or burn the skin and clothes etc. Its therefore the mandate of employers to ensure work places are safe for workers and incase the industry uses chemicals or equipments that may harm the workers in any way, they should provide protective gear. Employers can also seek the services of occupational safety specialists who can inspect their companies to ensure they adhere to the set health and safety standards. These specialists can also help formulate programs that will prevent hazards and injuries. Workers should report employers to OSHA if they fail to comply. As a worker you now know it’s partly your duty to hold your employer accountable so do not agree to work in a hazardous environment.
Peter Gabriel
Don't believe that, dear. Don't ever believe that. Nobody's bad just because of the way they look. It's what's inside a person that counts.' 'But, Ma, what's inside a person? When people look different are they different inside, too?' Ma didn't answer, she was looking at her hands now, kneading a ball of dough. Saroj thought she had forgotten her and so she said, 'Ma?' Ma turned her eyes back to Saroj. 'I'll show you in a moment, dear. I'll just finish making these.' Saroj watched the stack of dhal puris grow into a flat round tower and then Ma said she was finished and covered them with a cloth and washed her hands. Then she opened the cupboard where she kept her spare jars and bottles and took out six jars and placed them on the kitchen counter. 'Do you see these jars, Saroj? Are they all the same?' Saroj shook her head. 'No, Ma.' The glasses were all different. There was a short flat one and a tall thin one and a medium-sized one, and other shapes in between. Some were different colours: green or brown or clear. 'All right. Now, just imagine these jars are people. People with different shapes of bodies and colours of skin. Can you do that?' Saroj nodded. 'Right. Well, now the bodies are empty. But look…’ Ma picked up a big glass jug, filled it at the tap and poured water into all the jars. 'See, Saroj? Now all the glasses are filled. All the bodies are alive! They have what we call a spirit. Now, is that spirit the same in all the glasses, or different?' 'It's the same, Ma. So people are —' But Ma broke in. 'Now, can you run into the pantry and get the tin where I keep my dyes? You know it, don't you?' Saroj was back even before Ma had finished speaking. Ma opened the tin and picked up one of the tiny bottles of powdered dye. It was cherry-coloured. Ma held the bottle over one of the jars and tipped a little of the powder into the water. Immediately, the water turned pink-red. Ma returned the cap to the bottle and picked up another one. The water turned lime-green. She did that six times and each time the water turned a different colour so that in the end Ma had six different shaped jars of six different colours. 'So, Saroj, now you answer me. Are these people here all the same inside, or are they all different?' Saroj took her time before answering. She puckered her brow and thought hard. Finally she said, 'Well, Ma, really they're all the same but the colours make them different.' 'Yes, but what is more real, the sameness or the differences?' Saroj thought hard again. Then she said: 'The sameness, Ma. Because the sameness holds up the differences. The differences are only the powders you put in.' 'Exactly. So think of all these people as having a spirit which is the same in each one, and yet each one is also different — that is because each person has a different personality. A personality is made up of thoughts, and everyone has different kinds of thoughts. Some have loving thoughts, some have angry thoughts, some have sad thoughts, some have mean thoughts. Most people have jumbles of thoughts — but everybody's thoughts are different, and so everybody is different. Different outside and different inside. And they see those differences in each other and they squabble and fight, because everyone thinks the way he is, is right. But if they could see through the differences to the oneness beyond, linking them all, then…’ 'Then what, Ma?' 'Then we would all be so wise, Saroj, and so happy!
Sharon Maas (Of Marriageable Age)
Chatting to the gossip of flames waking from the slumber of our flesh-drunk night together— it’s only when I step out to pee do I notice— how far, burgundy-dark, the moon has risen…. On four paws the shepherd- dogs bound, lightly though the trees they hardly touch on earth— we saw it from far sunk here in an always-ache…. Dyeing paling twilight woods— a pair of wasps, spiraling, writhe…. Wetted lips of hers and mine, just-parted, move over each other with tongues just-coming but refuse— like mists of evening they've no place to settle…. Just-here though she's singing she’s in some song from long ago— poised on the brink of twilight longing three thousand miles rush through my heart…. Under undulating curtains— I hover above her the tips of me brushing the tips of her— breathing back and forth a column of air we share our breath slowly asphyxiating…. From burning wood campfire sparks dart off extinguishing in the wet blue dark… how you blow your long wind across my embers, through my soul, she pleads me, take away the pain— I dip a branch in blue water and plunge it into coals…. *** In pre-dawn dark, against a leaping inferno of flames black monolith of wood in the cast iron compartment softens, and—gradually— fractures to cells, warping upward, until from the top a shard splinters: pearls of flame string a fiber and leap in little tongues while the log, glowing, engulfed, is consumed by the inferno contained…. A shadow daunts me, haunts and taunts me now reaching far, now recoiling, now growing bold…. I once sang eruptions and the wind— then appeared you it took my whole life singing only the songs of you and still I sing for you what other refuge can stay me from this torment? So— my doppelganger has arrived no one said it would happen this way but the way his hands fold like mine, the style of his humor, broadness of his smile— even the way he walks…. Licking and lapping these lashings of grasses are in tongues at my feet smoldering's the fury within me— I have seen my fields of daylight warp to noxious-air infernos but still to the clean blue of the flame I take rest in her breast…. His songs I mouth, and in my head is his voice— I cannot hear my own…. in my mind I see myself— thin, stupid— my arms too weak, my own chest too frail— and besides I prefer him more…. Along spiral lines, seed-heads decay— swept away they whirl and writhe in the hot blue fire of evening…. Stuck in a mural of sticky flesh— the family… I am locked-in-arms with brothers and sisters, drooping at the thighs with nieces and nephews, grafted to parents at the scalp, and pasted with toddlers all over… hived, sapped, black I sit, subject to the flavors and aromas of your abuse…. Then— be wrapped in his presence… crescendo to his warmth the cascade of your laughter search in his wrinkles for the boy inside him… I’m just biding here, bragless, trying to admit these rival-streams that flow in one latticework of blood…. Halves of flesh and bosomy hips, lips like dark ripe fruits they're chasing— I chased them… full-feathered was their hair like floss in the sunshine fine-fingered was their style like laces cut to curves: and then there was you, returning one, just there like the midnight moon in my sky at noontime….
Mark Kaplon
I no longer require your services." With her head held high, she strode for the door. Hell and blazes, he wouldn't let her do this! Now when he knew what was at stake. "You don't want to hear my report?" he called out after her. She paused near the door. "I don't believe you even have a report." "I certainly do, a very thorough one. I've only been waiting for my aunt to transcribe my scrawl into something decipherable. Give me a day, and I can offer you names and addresses and dates, whatever you require." "A day? Just another excuse to put me off so you can wreak more havoc." She stepped into the doorway, and he hurried to catch her by the arm and drag her around to face him. He ignored the withering glance she cast him. "The viscount is twenty-two years your senior," he said baldly. Her eyes went wide. "You're making that up." "He's aged very well, I'll grant you, but he's still almost twice your age. Like many vain Continental gentlemen, he dyes his hair and beard-which is why he appears younger than you think." That seemed to shake her momentarily. Then she stiffened. "All right, so he's an older man. That doesn't mean he wouldn't make a good husband." "He's an aging roué, with an invalid sister. The advantages in a match are all his. You'd surely end up taking care of them both. That's probably why he wants to marry you." "You can't be sure of that." "No? He's already choosing not to stay here for the house party at night because of his sister. That tells me that he needs help he can't get from servants." Her eyes met his, hot with resentment. "Because it's hard to find ones who speak Portuguese." He snorted. "I found out this information from his Portuguese servants. They also told me that his lavish spending is a façade. He's running low on funds. Why do you think his servants gossip about him? They haven't been paid recently. So he’s definitely got his eye on your fortune.” “Perhaps he does,” she conceded sullenly. “But not the others. Don’t try to claim that of them.” “I wouldn’t. They’re in good financial shape. But Devonmont is estranged from his mother, and no one knows why. I need more time to determine it, though perhaps your sister-in-law could tell you, if you bothered to ask.” “Plenty of people don’t get along with their families,” she said stoutly. “He has a long-established mistress, too.” A troubled expression crossed her face. “Unmarried men often have mistresses. It doesn’t mean he wouldn’t give her up when he marries.” He cast her a hard stare. “Are you saying you have no problem with a man paying court to you while he keeps a mistress?” The sigh that escaped her was all the answer he needed. “I don’t think he’s interested in marriage, anyway.” She tipped up her chin. “That still leaves the duke.” “With his mad family.” “He’s already told me about his father, whom I knew about anyway.” “Ah, but did you know about his great-uncle? He ended his life in an asylum in Belgium, while there to receive some special treatment for his delirium.” Her lower lip trembled. “The duke didn’t mention that, no. But then our conversation was brief. I’m sure he’ll tell me if I ask. He was very forthright on the subject of his family’s madness when he offered-“ As she stopped short, Jackson’s heart dropped into his stomach. “Offered what?” She hesitated, then squared her shoulders. “Marriage, if you must know.” Damn it all. Jackson had no right to resent it, but the thought of her in Lyons’s arms made him want to smash something. “And of course, you accepted his offer,” he said bitterly. “You couldn’t resist the appeal of being a great duchess.” Her eyes glittered at him. “You’re the only person who doesn’t see the advantage in such a match.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Party time Part 1 After school, we go to Maddie’s. When we were little, like freshman year and even some of the sophomore year, we would sometimes stay in her room and put on x-out and pluck out eyebrows into that fine little line, and color our hair with highlights, and order pizza, cramming down as much as we could eat. Those days are going, we can’t get fat. Now Jenny hardly eats anything, and if she does, she can hardly keep it down. I think maybe that’s what I get so lightheaded, I only eat like once a day now. Jenny back then had a little extra around the middle, and now you can see her ribs, she even has that two-defined line on her tummy that goes into her underwear. I remember sneaking around late at night in her hose stealing a cookie from the jar on the top shelf in the old wood cabinet, that is also where her mom would hide her cigarettes that Jenny loved also, and the condoms were in a trinity box on top of the fridge, I sorry but I find that hilarious. At that time, we would stretch out on one of her, old enormous worn-out couches and watch, TV or movies until we fell asleep in our nightshirts’-the TV in Maddie’s living room is like 80 inches it’s like being in a movie theater our legs tangled together under an enormous fleece blanket. Maddie and liv are always entangled more passionately than Jenny and me on the loveseat! Maddie has an ancient TV in her room from the 1990s. It sucks and is small, it’s one of those with the big back on it, and the color is green, like looking into a fish tank. It’s funny her mom and dad don’t have money blinds on the windows, yet they have a big ass TV. You can sometimes see the people in the next condo overlooking us like we can see them get busy in their room! Yet nothing beats the hot guy taking a leak in room 302, he looks to be in his late twenties. He takes the boxes off at 10 pm and we get a free show. He knows we can see him because he makes it look inflexible and you are no more personable. Jenny and we girls love to press upon the glass, and just have fun and be a little crazy, like lifting our nighties and flashing the goods. Facebook stocking gets boring quickly anymore, so some nights the webcam comes out too. After her mom and dad are asleep… I like it’s more fun to be bad! Like we all have profiles and fake names because none of us are eighteen yet. Any- how’s mine is ‘Angel Pink Wings 01’ Maddie goes by: ‘Mad kitty 69’ Jenny goes by: ‘Ms. Little Lover 14’ Liv goes by: ‘Olivia O 123’ Yet everyone knows her by Liv so that name is okay- I guess. We make good money- ‘Double Clicking the Mouse.’ You would not believe all the pervs on this cam. the site, just wanting to see us doing it. Like old guys like our PE teacher! Man- that I didn’t even think about how to turn on a computer. Just like him, I guess they need too to see more of us close up. We have our checks mailed to Jenny's college boyfriend’s PO Box. Me this is what I do and yes- I come for you all, I just put in fake blue hair dye in, and have fake long lashes, and put in my blue contacts, and you don’t even know me. And then pen in more eyebrows. Fake, fake, fake, fake FAKE! Boys don’t like it when you fake it or do, they look at me, that's why I am Bi.
Marcel Ray Duriez (Young Taboo (Nevaeh))
Party time Part 1 After school, we go to Maddie’s. When we were little, like freshman year and even some of the sophomore year, we would sometimes stay in her room and put on x-out and pluck out eyebrows into that fine little line, and color our hair with highlights, and order pizza, cramming down as much as we could eat. Those days are going, we can’t get fat. Now Jenny hardly eats anything, and if she does, she can hardly keep it down. I think maybe that’s what I get so lightheaded, I only eat like once a day now. Jenny back then had a little extra around the middle, and now you can see her ribs, she even has that two-defined line on her tummy that goes into her underwear. I remember sneaking around late at night in her hose stealing a cookie from the jar on the top shelf in the old wood cabinet, that is also where her mom would hide her cigarettes that Jenny loved also, and the condoms were in a trinity box on top of the fridge, I sorry but I find that hilarious. At that time, we would stretch out on one of her, old enormous worn-out couches and watch, TV or movies until we fell asleep in our nightshirts’-the TV in Maddie’s living room is like 80 inches it’s like being in a movie theater our legs tangled together under an enormous fleece blanket. Maddie and liv are always entangled more passionately than Jenny and me on the loveseat! Maddie has an ancient TV in her room from the 1990s. It sucks and is small, it’s one of those with the big back on it, and the color is green, like looking into a fish tank. It’s funny her mom and dad don’t have money blinds on the windows, yet they have a big ass TV. You can sometimes see the people in the next condo overlooking us like we can see them get busy in their room! Yet nothing beats the hot guy taking a leak in room 302, he looks to be in his late twenties. He takes the boxes off at 10 pm and we get a free show. He knows we can see him because he makes it look inflexible and you are no more personable. Jenny and we girls love to press upon the glass, and just have fun and be a little crazy, like lifting our nighties and flashing the goods. Facebook stocking gets boring quickly anymore, so some nights the webcam comes out too. After her mom and dad are asleep… I like it’s more fun to be bad! Like we all have profiles and fake names because none of us are eighteen yet. Any- how’s mine is ‘Angel Pink Wings 01’ Maddie goes by: ‘Mad kitty 69’ Jenny goes by: ‘Ms. Little Lover 14’ Liv goes by: ‘Olivia O 123’ Yet everyone knows her by Liv so that name is okay- I guess. We make good money- ‘Double Clicking the Mouse.’ You would not believe all the pervs on this cam the site, just wanting to see us doing it. Like old guys like our PE teacher! Man- that I didn’t even think about how to turn on a computer. Just like him, I guess they need too to see more of us close up. We have our checks mailed to Jenny's college boyfriend’s PO Box. Me this is what I do and yes- I come for you all, I just put in fake blue hair dye in, and have fake long lashes, and put in my blue contacts, and you don’t even know me. And then pen in more eyebrows. Fake, fake, fake, fake FAKE! Boys don’t like it when you fake it or do, they look at me, that's why I am Bi.
Marcel Ray Duriez (Young Taboo (Nevaeh))
Angie had never needed to dye her jet-black hair during her high school goth phase, and she still didn’t dye it now, wearing her silver streaks with pride. I envied the way they’d grown in stripy, giving her a dramatic, witchy look. I envied a lot about Angie: her creativity, her colorful personality, her fearless fashion sense. Her absolute confidence in who she was and where she belonged in the world. Ever since I could remember, Angie had been who I wanted to be when I grew up. Bright, colorful, loud. Irrepressibly herself. Only I hadn’t grown up to be Angie, of course. I’d grown up to be me. Dull, predictable, humdrum Dawn, who tried a little too hard to be exactly who everyone expected her to be.
Susannah Nix (Mad About Ewe (Common Threads, #1))
Have you ever played with a hoop before?” “Rolled a hoop? Of course! My daddy and I used to do it in Memphis.” “Have you ever rolled a hoop up a hill?” Felicia nodded. “There was a big hill not too far from where I lived.” “What happened if you started up the hill with the hoop and then quit pushing it?” Felicia looked at her with something akin to pity. “You can’t quit pushing the hoop when you’re going uphill, Miss Abby.” “Really? Why not?” “Because if you do,” Felicia said patiently, “it will start to roll back downhill.” Abby let Felicia’s response hang in the air, recognizing the moment the girl understood her point. “That’s what you mean by not taking things for granted,” she exclaimed. “You can’t ever stop fighting for what you want.” She stared into the fire, deep in thought. “Is that true for everyone or just for women?” “The principle is true for everyone,” Abby responded, “but it is truer for women because there are so many people that want to see us fail.” “That’s not right!” Felicia cried. “Right or not, that is the way it is,” Abby said. “It’s hard for me as a woman, and it’s going to be harder for you as a black woman. There are many times you are going to be very tired. You’re going to want to quit fighting and take a seat, but you can’t…” “…Because I will go downhill and lose what I worked so hard for.” Silence
Ginny Dye (Walking Into the Unknown: 1867-1868 (The Bregdan Chronicles, #10))
Supply and demand is always the root problem in business. It’s been true since Phoenician traders raced to bring Rome the coveted purple dye that colored the clothing of royals and rich people; there was never enough purple to go around. It’s hard enough to invent and manufacture and market a product, but then the logistics, the mechanics, the hydraulics of getting it to the people who want it, when they want it—this is how companies die, how ulcers are born.
Phil Knight (Shoe Dog)
He was an exotic animal I wanted to pet but feared it might bite me, hard. I
Aimee Nicole Walker (Dyeing to be Loved)
We called him Mr. Cold. A name, I think, Zeke made up. Anyway, Zeke was the first one I heard say it during third-period art one day, and my laughter turned from tittering to inconsolable, if laughter can be called inconsolable. Mr. Coles had a young, elfin face with tidily groomed hair on his cheeks and chin, none on his upper lip. He was handsome. Impossibly, even freakishly, handsome—strong cheekbones and a smooth dark complexion—a fact I had to reluctantly admit and one that most of the girls never let anyone forget. Hair all black while most of his peers sported grays and bad dye jobs. And Mr. Coles always smiled, even when angry and trying to be stern, especially when angry and trying to be stern. All of this is why we treated him poorly and why he overcompensated, first attempting to come across as a pal, a trustworthy big brother, and when that failed turning into a hard-ass for a time, though he was a phony hard-ass, one we could see clear through. Rarely, if ever, did we tremble in fear at his silly yelling and stiff pointing finger. Marshall, Mr. Coles called to me as I choked on laughter after he grew upset from Zeke’s taunting. Marshall, it’s funny, but that’s enough. This just caused us to laugh more. The warmest man in the school, Mr. Cold, then sent Ezekiel into the hallway as his mentor, Mr. Drayton, probably advised him to do. Damn, that’s cold-blooded, Mr. Cold, a proud and smiling Zeke said on his way out to another rise in laughter. The next time we saw Mr. Coles, he was stiff and stern. Even his movements changed to reflect the new him.
Rion Amilcar Scott (Insurrections)
Well,“ I said, attempting a smile, “at least we know Frank is safe, after all.” Jamie glowered down at me, ruddy brows nearly touching each other. “Damn Frank!” he said ferociously. “Damn all Randalls! Damn Jack Randall, and damn Mary Hawkins Randall, and damn Alex Randall—er, God rest his soul, I mean,” he amended hastily, crossing himself. “I thought you didn’t begrudge—” I started. He glared at me. “I lied.” He grabbed me by the shoulders and shook me slightly, holding me at arm’s length. “And damn you, too, Claire Randall Fraser, while I’m at it!” he said. “Damn right I begrudge! I grudge every memory of yours that doesna hold me, and every tear ye’ve shed for another, and every second you’ve spent in another’s man bed! Damn you!” He knocked the brandy glass from my hand—accidentally, I think—pulled me to him and kissed me hard. He drew back enough to shake me again. “You’re mine, damn ye, Claire Fraser! Mine, and I wilna share ye, with a man or a memory, or anything whatever, so long as we both shall live. You’ll no mention the man’s name to me again. D'ye hear?” He kissed me fiercely to emphasize the point. “Did ye hear me?” he asked, breaking off. “Yes,” I said, with some difficulty. “If you’d ….stop…shaking me, I might…answer you.” Rather sheepishly, he released his grip on my shoulders. “I’m sorry, Sassenach. It’s only…God, why did ye….well, aye, I see why…but did you have to—" I interrupted this incoherent sputtering by putting my hand behind his head and drawing him down to me. "Yes,” I said firmly, releasing him. “I had to. But it’s over now.” I loosened the ties of my cloak and let it fall back off my shoulders to the floor. He bent to pick it up, but I stopped him. “Jamie,” I said. “I’m tired. Will you take me to bed?
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
The Garden I You are clear O rose, cut in rock, hard as the descent of hail. I could scrape the colour from the petals like spilt dye from a rock. If I could break you I could break a tree. If I could stir I could break a tree— I could break you. II O wind, rend open the heat, cut apart the heat, rend it to tatters. Fruit cannot drop through this thick air— fruit cannot fall into heat that presses up and blunts the points of pears and rounds the grapes. Cut the heat— plough through it, turning it on either side of your path.
H.D.
time.” “We better,” Carrie replied. “Clifton assured me that all cavalrymen have been pulled away from Richmond for a while. He received word from the captain that we shouldn’t have any trouble. I hope he was right.” Carrie glanced back with satisfaction at the crates of herbs stacked securely in the wagon. She knew Pemberton had been hard-pressed to keep his men from destroying them. They had been eager
Ginny Dye (Dark Chaos (Bregdan Chronicles, #4))
D’ye see the sky?” he said, a little later. It was a pure deep violet at the horizon, fading into a blue-black immensity overhead, and the early stars burned like distant lamps. “Hard to miss,” I said. “Aye.” He sat with his head tilted back, looking up, and I admired the clean line of his long, straight nose, his soft wide mouth and long throat, as though seeing them for the first time. “Is it not a void there?” he said quietly, still looking up. “And yet we’re no afraid to look.” “There are lights,” I said. “It makes a difference.” My voice was hoarse, and I swallowed. “Though I suppose even the stars are burning out, according to the Second Law.” “Mmphm. Well, I suppose men can make all the laws they like,” he said, “but God made hope. The stars willna burn out.” He turned and, cupping my chin, kissed me gently. “And nor will we.
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
Josefina had grown up hearing tales of treasures hidden by thieves, gold mines with secret entrances, jars of coins buried by old men afraid of being robbed. She’d always enjoyed these legends, shared by good storytellers when shadows were long and imaginations ran high. She’d never heard of anyone actually finding lost treasure. But she’d never seen a map marked with landmarks and strange sketches, either. Josefina tried to push the image of the map from her mind so that she could go to sleep, but it was no use. Finally, afraid she might wake her sisters, she got up. Wrapping her rebozo around her shoulders against the cool night breeze, she tiptoed out of the sala. She lit a candle and crept to the storeroom where she and Teresita kept their remedios and dyes. Josefina loved the musty-spicy smells of the plant bundles hanging from poles overhead. She loved seeing bins and gourds and baskets filled with supplies that might help ward off illness or cure disease. Sitting on a banco, she savored the peaceful stillness. She could feel her muscles relaxing. Soon she would be ready for sleep. Then an unexpected sound jerked Josefina upright. The candle fell to the hard earthen floor and snuffed out. In the sudden darkness, Josefina strained to hear the sound that had disturbed her. There it was again! A faint crying sound. Was one of her sisters awake? Was Francisca in the courtyard, weeping for Ramón? Josefina cocked her head, but when she heard the sound again, she was sure it came from outside the house. Josefina stepped closer to the window, carefully avoiding a basket of pumpkin stems. Pressing a palm against the wall, she held her breath. And the sound came again, drifting through the open window above her head—a woman’s sob, low and full of anguish. Josefina’s bones turned to ice. Only one woman roamed at night, weeping and wailing: the ghost, La Llorona!
Kathleen Ernst (Secrets in the Hills: A Josefina Mystery (American Girl))
That’s how many attacked us tonight. What’s stranger is that they all wore identical light blue shirts. Where did they get all that dye? Well, some wore mismatched armor, like all gold over a pair of those hideous-looking chain boots. No class, man. No class. With gear like that, it was hard to take them seriously. What kind of army is Herobrine sending at us? I thought. A bunch of swordless zombies rolling around in chain boots? Really? It’s, like, an insult, man!
Cube Kid (Diary of an 8-Bit Warrior: Path of the Diamond (8-Bit Warrior, #4))
Supply and demand is always the root problem in business. It’s been true since Phoenician traders raced to bring Rome the coveted purple dye that colored the clothing of royals and rich people; there was never enough purple to go around. It’s hard enough to invent and manufacture and market a product, but then the logistics, the mechanics, the hydraulics of getting it to the people who want it, when they want it – this is how companies die, how ulcers are born.
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
Introduction This book is devoted to the blessed Father, Son, Holy Spirit. Daily working together as unified Godhead for our best interest. Would be incomplete without Jesus direct love bestowed upon me, through a perpetual act of faith in God. Fully trusting Jesus to lead me into a carefully laid-out plan. Dedicating this book to my children: Faith is 6, Christian 11, Christina 12 years old. Izzabella, my niece, is also featured in the story, Sally Saved Three Times. These Children are the inspiration for the characters in the stories. Added some personal experiences acquired during my childhood. Appreciate the support of my Mom, Dad, brother, Jacob, for being here for me the last five years. They helped me through hard circumstances when I needed them the most. Thank You! My second family is at the Erie Wesleyan Methodist Church on the corner of 29th and Liberty. They covered my life with prayer; great friends from the Lord; Supporting me on my journey towards my heavenly home. I am also thankful for Mike Lawrence who encouraged me to keep writing. Thanks, brother! This spectacular close friend of mine wrote the Forward of this book. He is God-given for moral support and prayer. Friends forever from Erie, Pennsylvania! There are scripture references, along with Bible lessons featured in each story. These short stories are ideal for devotions or bedtime stories. Suitable for parents and grandparents to read to children, grandchildren. Forward It is rare today to find Christians who are in love with doing the Lord's service. Many would sit to the side and let others bush-wack the path, but Bryan has always been the one who delights in making the way clear for others. His determination, commitment to producing these writings was encouraging to watch come to fruition. Take time now see for yourself how God is directing these works to provide something sincere, pure, innocent for families to enjoy. A pleasant respite from a sin-sick world. So, please, feel free to find a quiet place today and enjoy them alone or with your family. This body of work calls upon us to take time to be holy. I believe with all my heart that this is the authors intent, the Lord's plan, my hearts prayer that they bless you as much as they have blessed me. May God bless the time and energies sacrificed by the author in its production. Sincerely in Christ, Michael Lawrence. When writing with Shirley Dye on messenger about editing the book, she commented that this book would be a blessing to many people. That is my solemn humble prayer. Short Story Content 1. Mr. B.G. (My Testimony) 2. Trevor Wins Three Times 3. Winning The Man ON Rock-Hill 4. Sally Saved Three Times 5. Jonathan and Family Find God 6. Upright and Prideful Key Text, (Matthew 18:3), “And (Jesus) said, Verily I say unto you, Except ye be converted, and become as little children, ye shall not enter into the kingdom of heaven.
Bryan Guras (Kids Following Jesus: One Step At A Time)
We do not see the grey working day, the cap and gown, the note-books, the feet burning from the pavements of picture galleries, but things ' that set the spirit free for a moment,' ' stirring of the senses/ ' strange dyes,' ' strange colours and curious odours,' ' work of the artist's hands,' ' passionate attitudes.' It is not the style of ecstasy such as can be seen in Jefferies' Story of My Heart, or Sterne's Journal to Eliza, or Keats' last letter to Fanny Brawne. Hardly does it appear to be the style of remembered ecstasy as in Traherne's Centuries of Meditation or Wordsworth's Tintern Abbey. It is free from traces of experience. All is subtilised, intellectualised, ' casting off all debris.' It is a polished cabinet of collections from history, nature, and art ; objects detached from their settings but almost never without being integrated afresh by Pater's careful arrangement, whether they are pictures, books, landscapes or personalities. It fulfils Pater's own condition of art by putting its own ' happy world ' in place of ' the meaner world of our common days.
Edward Thomas (Walter Pater)
That's how many attacked us tonight. That's how many. What I found strange is how they all wore identical light blue shirts. Where did they get all that dye? Well, some wore mismatched armor, like all gold over a pair of those hideous-looking chain boots. No class, man. No class. With gear like that, it was hard to take them seriously. What kind of army is Herobrine sending at us? I thought. A bunch of swordless zombies rolling around in chain boots? Really? It's like an insult, man!
Cube Kid (Minecraft: Wimpy Villager: Book 12 (An unofficial Minecraft book))
I have you. Settle…easy.” She stiffened at the feel of being clasped firmly, his muscles working around her, his breath at her ear. “This will teach you to bring baskets to ailing neighbors,” he said. “I hope you realize that all the selfish people are safe and dry at home.” “Why did you come after me?” she managed to ask, trying to calm the little shocks that kept reverberating through her. “Lady Helen was worried.” Once assured of her seat, Devon reached up with his left hand, tugged at her veil and headpiece, and tossed them to the ground. “Sorry,” he said before she could protest. “But that dye smells like the floor of an East End tavern. Here, slide your leg to the other side of the saddle.” “I can’t, it’s caught in my skirts.” The horse’s weight shifted beneath them. Unable to find purchase on the smooth, flat saddle, Kathleen fumbled and accidentally gripped Devon’s thigh, the surface hard as stone. Gasping, she drew her hand back. It seemed that no matter how much air she took in, it wasn’t enough. Temporarily transferring the reins to his left hand, Devon removed his felt hat and pushed it over Kathleen’s head. He proceeded to pull at the twisted, bunched layers of her skirts until she was able to unbend her knee enough to slide her leg over the horse’s withers. In childhood she had ridden double with the Berwicks’ daughters when they had gone on pony rides. But there was no possible comparison with this, the feeling of a powerfully built man right behind her, his legs bracketing hers.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
change is hard for people because they overestimate the value of what they have, and they underestimate the value of what they may gain by changing
Ginny Dye (Carried Forward by Hope: April-December 1865 (The Bregdan Chronicles, #6))
Philosophiren, says Novalis, ist dephlegmatisiren vivificiren. The service of philosophy, of speculative culture, towards the human spirit is to rouse, to startle it into sharp and eager observation. Every moment some form grows perfect in hand or face; some tone on the hills or the sea is choicer than the rest; some mood of passion or insight or intellectual excitement is irresistibly real and attractive for us,—for that moment only. Not the fruit of experience, but experience itself, is the end. A counted number of pulses only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses? How shall we pass most swiftly from point to point, and be present always at the focus where the greatest number of vital forces unite in their purest energy? To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life. In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes any two persons, things, situations, seem alike. While all melts under our feet, we may well catch at any exquisite passion, or any contribution to knowledge that seems by a lifted horizon to set the spirit free for a moment, or any stirring of the senses, strange dyes, strange colours, and curious odours, or work of the artist's hands, or the face of one's friend. Not to discriminate every moment some passionate attitude in those about us, and in the brilliancy of their gifts some tragic dividing of forces on their ways, is, on this short day of frost and sun, to sleep before evening. With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch. What we have to do is to be for ever curiously testing new opinions and courting new impressions, never acquiescing in a facile orthodoxy of Comte, or of Hegel, or of our own. Philosophical theories or ideas, as points of view, instruments of criticism, may help us to gather up what might otherwise pass unregarded by us. "Philosophy is the microscope of thought." The theory or idea or system which requires of us the sacrifice of any part of this experience, in consideration of some interest into which we cannot enter, or some abstract theory we have not identified with ourselves, or what is only conventional, has no real claim upon us.
Walter Pater (The Renaissance: Studies in Art and Poetry)
My reflection--- or Zelda's reflection--- stared back at me. Technically speaking, my body and my face were essentially the same as they'd always been. I still had the same smattering of freckles across the bridge of my nose, that same star-shaped birthmark just beneath my right ear that no amount of concealer--- or magic--- had ever been able to completely hide. I'd stopped dyeing my hair garish colors a few years back to let my natural auburn shine through, but my hair itself was the still the same wavy texture and thickness it had been in the seventeenth century and every decade since. Yet despite everything about me that had not changed, the person I used to be would hardly recognize the person staring back at her now.
Jenna Levine (Road Trip With a Vampire (My Vampires, #3))
Of the possible shades of indigo dyeing, a deep navy blue was employed most frequently. As a result, ko-ya, the name of the dyers who used it, became a kind of synonym for the whole hand-dyeing industry. The demand for navy blue kept ko-ya so busy that they hardly had time to dye their own clothing; this gave rise to the phrase “a ko-ya who wears white,” which referred in general to anyone too busy attending to the needs of others to attend to his own.
Sadao Hibi (The Colors of Japan: Background, Characteristics and Creation)