Dwarf Best Quotes

Throughout my academic career, I'd given some pretty good talks. But being considered the best speaker in the computer science department is like being known as the tallest of the Seven Dwarfs.

When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.

The Librarian considered matters for a while. So…a dwarf and a troll. He preferred both species to humans. For one thing, neither of them were great readers. The Librarian was, of course, very much in favor of reading in general, but readers in particular got on his nerves. There was something, well, sacrilegious about the way they kept taking books off the shelves and wearing out the words by reading them. He liked people who loved and respected books, and the best way to do that, in the Librarian’s opinion, was to leave them on the shelves where Nature intended them to be.

Throughout my academic career, I'd given some pretty good talks. But being considered the best speaker in the computer science department is like being known as the tallest of the Seven Dwarfs. And right then, I had the feeling that I had more in me, that if I gave it my all, I might be able to offer people something special. "Wisdom" is a strong word, but maybe that was it.

Some Americans appear to believe that there would be no arts in America were it not for the National Endowment for the Arts (NEA), an institution created in 1965. They cannot imagine things being done any other way, even though they were done another way throughout our country's existence, and throughout most of mankind's history. While the government requested $121 million for the NEA in 2006, private donations to the arts totaled $2.5 billion that year, dwarfing the NEA budget. The NEA represents a tiny fraction of all arts funding, a fact few Americans realize. Freedom works after all. And that money is almost certainly better spent than government money: NEA funds go not necessarily to the best artists, but to people who happen to be good at filling out government grant applications. I have my doubts that the same people populate both categories.

So we believe. Leo has to be alive.” “You remember the time in Detroit, when he flattened Ma Gasket with a car engine?” “Or those dwarfs in Bologna. Leo took them down with a homemade smoke grenade made from toothpaste.” “Commander Tool Belt,” Jason said. “Bad Boy Supreme,” Piper said. “Chef Leo the Tofu Taco Expert.” They laughed and told stories about Leo Valdez, their best friend.

Stand out tall amidst challenges! Dwarf all irrelevant voices.

Well," the Marsh King pursed his beak politely, "at any rate, your manliness need only last for a relatively brief period. I have already discussed this in detail with some of the lower Stars—white dwarfs and the like. I shall bundle you up tight as a mitten in a human skin until," and here he cleared his long blue throat dramatically, "the Virgin is devoured, the sea turns to gold, and the saints migrate west on the wings of henless eggs." "In the Stars' name, what does that mean?" I gasped. "I haven't the faintest idea! Isn't it marvelous? Oracles always have the best poetry! I only repeated what I was told—it is rather rude of you to expect magic, prophecy, and interpretation. That's asking quite a lot, even from a King.

Agriculture makes people dependent on a few domesticated crops and animals instead of hundreds of wild food sources, creating vulnerability to droughts and blights and zoonotic diseases. Agriculture makes for sedentary living, leaving humans to do something that no primate with a concern for hygiene and public health would ever do: namely, living in close proximity to their feces. Agriculture makes for surplus and thus almost inevitably, the uneven distribution of surplus generating socio-economic status differences that dwarf anything that other primates cook up with their hierarchies. And from there it's just a hop, skip and a jump until we've got Mr. McGregor persecuting Peter Rabbit and people incessantly singing Oklahoma.

You do fried rat?” said Glod. “Best damn fried rat in the city,” said Gimlet. “Okay. Give me four fried rats.” “And some dwarf bread,” said Imp. “And some coke,” said Lias, patiently. “You mean rat heads or rat legs?” “No. Four fried rats.” “And some coke.” “You want ketchup on those rats?” “No.” “You sure?” “No ketchup.” “And some coke.

The number of innocents killed by Leftist movements dwarfs the numbers killed by any other movement in a comparable period of time at any time in history, and certainly in the modern world. The Church, a favorite target of the Left, hardly competes. For example, in its nearly five hundred years of existence the Inquisition killed approximately five thousand people. And that ended more than five hundred years ago, when barbarity was the norm.

This is the lesson of all great television commercials: They provide a slogan, a symbol or a focus that creates for viewers a comprehensive and compelling image of themselves. In the shift from party politics to television politics, the same goal is sought. We are not permitted to know who is best at being President or Governor or Senator, but whose image is best in touching and soothing the deep reaches of our discontent. We look at the television screen and ask, in the same voracious way as the Queen in Snow White and the Seven Dwarfs, "Mirror, mirror on the wall, who is the fairest one of all?" We are inclined to vote for those whose personality, family life, and style, as imaged on the screen, give back a better answer than the Queen received. As Xenophanes remarked twenty-five centuries ago, men always make their gods in their own image. But to this, television politics has added a new wrinkle: Those who would be gods refashion themselves into images the viewers would have them be.

Moffat's prose is fine: clear and steady, with just enough sweeping statements about destiny and dragons to keep things well inflated. The characters are appealing archetypes: Fernwen the scholarly dwarf is the everynerd, doing his best to live through the adventure. Telemach Half-Blood is the hero you wish you could be. He always has a plan, always has a solution, always has secret allies that he can call upon - pirates and sorcerers whose allegiance he earn with long-ago sacrifices.

The best part of having bad news was being able to tell as many people as possible.

But being considered the best speaker in a computer science department is like being known as the tallest of the Seven Dwarfs.

I ascended, I ascended, I dreamt, I thought,—but everything oppressed me. A sick one did I resemble, whom bad torture wearieth, and a worse dream reawakeneth out of his first sleep.— But there is something in me which I call courage: it hath hitherto slain for me every dejection. This courage at last bade me stand still and say: "Dwarf! Thou! Or I!"— For courage is the best slayer,—courage which attacketh: for in every attack there is sound of triumph. Man, however, is the most courageous animal: thereby hath he overcome every animal. With sound of triumph hath he overcome every pain; human pain, however, is the sorest pain. Courage slayeth also giddiness at abysses: and where doth man not stand at abysses! Is not seeing itself—seeing abysses? Courage is the best slayer: courage slayeth also fellow-suffering. Fellow-suffering, however, is the deepest abyss: as deeply as man looketh into life, so deeply also doth he look into suffering. Courage, however, is the best slayer, courage which attacketh: it slayeth even death itself; for it saith: "Was that life? Well! Once more!

Humans are most imaginative when they need a means of self-destruction. If the world existed in an overflowing amount of happiness; a utopian state, then the suicide rate would dwarf any extinction level threat. Humans cannot be trusted with their own survival. Their minds have been trained to be blindly and unconsciously subjugated. In a time related to Heaven-on-Earth, the smallest amount of worry, will drive a human into the arms of death. This is how weak and fragile the human mind and will is. It's funny, because the best friend of humanity, is none other than Chaos itself.

He was a man who tried to see the best in everybody, but the city had got rather complicated since he was a boy, with dwarfs, and trolls, and golems, and even zombies. He wasn’t sure he liked everything that was happening, but a lot of it was “cultural,” apparently, and you couldn’t object to that, so he didn’t. “Cultural” sort of solved problems by explaining that they weren’t really there.

You should focus relentlessly on something you’re good at doing, but before that you must think hard about whether it will be valuable in the future. For the startup world, this means you should not necessarily start your own company, even if you are extraordinarily talented. If anything, too many people are starting their own companies today. People who understand the power law will hesitate more than others when it comes to founding a new venture: they know how tremendously successful they could become by joining the very best company while it’s growing fast. The power law means that differences between companies will dwarf the differences in roles inside companies. You could have 100% of the equity if you fully fund your own venture, but if it fails you’ll have 100% of nothing. Owning just 0.01% of Google, by contrast, is incredibly valuable (more than $35 million as of this writing).

The dwarf turned to look at him. “So it is true, the boy lives. I could scarce believe it. You Starks are hard to kill.” “You Lannisters had best remember that,” Robb said, lowering his sword. “Hodor, bring my brother here.” “Hodor,” Hodor said,

In reality all of them want a war. It implies a simplification which comes as a relief. Everybody thinks that life is too complicated, and so it is as they live it. In itself life is not at all complicated; on the contrary its salient feature is its great simplicity, but they can never understand that. They do not realize that it is best when it is left as it is; they can never leave it in peace, or refrain from using it for a number of strange ends. But all the same they think that it is wonderful to be alive!

Look, Bob, what part of this don't you understand, eh? It's a matter of style, okay? A proper brawl doesn't just happen. You don't just pile in, not anymore. Now, Oyster Dave here--put your helmet back on, Dave--will be the enemy in front, and Basalt, who, as we know, don't need a helmet, he'll be the enemy coming up behind you. Okay, it's well past knuckles time, let's say Gravy there has done his thing with the Bench Swipe, there's a bit of knife play, we've done the whole Chandelier Swing number, blah blah blah, then Second Chair--that's you, Bob--you step smartly between their Number Five man and a Bottler, swing the chair back over your head, like this--sorry, Pointy--and then swing it right back onto Number Five, bang, crash, and there's a cushy six points in your pocket. If they're playing a dwarf at Number Five, then a chair won't even slow him down, but don't fret, hang on to the bits that stay in your hand, pause one moment as he comes at you, and then belt him across both ears. They hate that, as Stronginthearm here will tell you. Another three points. It's probably going to be freestyle after that but I want all of you, including Mucky Mick and Crispo, to try for a Double Andrew when it gets down to the fist-fighting again. Remember? You back into each other, turn around to give the other guy a thumping, cue moment of humorous recognition, then link arms, swing round and see to the other fellow's attacker, foot or fist, it's your choice. Fifteen points right there if you get it to flow just right. Oh, and remember we'll have an Igor standing by, so if your arm gets taken off do pick it up and hit the other bugger with it, it gets a laugh and twenty points. On that subject, do remember what I said about getting everything tattooed with your name, all right? Igors do their best, but you'll be on your feet much quicker if you make life easier for him and, what's more, it's your feet you'll be on. Okay, positions, everyone, let's run through it again...

Once, during a concert of cathedral organ music, as I sat getting gooseflesh amid that tsunami of sound, I was struck with a thought: for a medieval peasant, this must have been the loudest human-made sound they ever experienced, awe-inspiring in now-unimaginable ways. No wonder they signed up for the religion being proffered. And now we are constantly pummeled with sounds that dwarf quaint organs. Once, hunter-gatherers might chance upon honey from a beehive and thus briefly satisfy a hardwired food craving. And now we have hundreds of carefully designed commercial foods that supply a burst of sensation unmatched by some lowly natural food. Once, we had lives that, amid considerable privation, also offered numerous subtle, hard-won pleasures. And now we have drugs that cause spasms of pleasure and dopamine release a thousandfold higher than anything stimulated in our old drug-free world.

And then, so quickly that no one (unless they knew, as Peter did) could quite see how it happened, Edmund flashed his sword round with a peculiar twist, the Dwarf’s sword flew out of his grip, and Trumpkin was wringing his empty hand as you do after a “sting” from a cricket-bat. “Not hurt, I hope, my dear little friend?” said Edmund, panting a little and returning his own sword to its sheath. “I see the point,” said Trumpkin drily. “You know a trick I never learned.” “That’s quite true,” put in Peter. “The best swordsman in the world may be disarmed by a trick that’s new to him. I think it’s only fair to give Trumpkin a chance at something else. Will you have a shooting match with my sister? There are no tricks in archery, you know.” “Ah, you’re jokers, you are,” said the Dwarf. “I begin to see. As if I didn’t know how she can shoot, after what happened this morning. All the same, I’ll have a try.” He spoke gruffly, but his eyes brightened, for he was a famous bowman among his own people. All five of them came out into the courtyard. “What’s to be the target?” asked Peter. “I think that apple hanging over the wall on the branch there would do,” said Susan. “That’ll do nicely, lass,” said Trumpkin. “You mean the yellow one near the middle of the arch?” “No, not that,” said Susan. “The red one up above--over the battlement.” The Dwarf’s face fell. “Looks more like a cherry than an apple,” he muttered, but he said nothing out loud.

So that’s all right,” said Trumpkin, drawing a deep breath. “They’re not searching the wood. Only sentries, I expect. But it means that Miraz has an outpost down there. Bottles and battledores! though, it was a near thing.” “I ought to have my head smacked for bringing us this way at all,” said Peter. “On the contrary, your Majesty,” said the Dwarf. “For one thing it wasn’t you, it was your royal brother, King Edmund, who first suggested going by Glasswater.” “I’m afraid the D.L.F.’s right,” said Edmund, who had quite honestly forgotten this ever since things began going wrong. “And for another,” continued Trumpkin, “if we’d gone my way, we’d have walked straight into that new outpost, most likely; or at least had just the same trouble avoiding it. I think this Glasswater route has turned out for the best.” “A blessing in disguise,” said Susan. “Some disguise!” said Edmund. “I suppose we’ll have to go right up the gorge again now,” said Lucy. “Lu, you’re a hero,” said Peter. “That’s the nearest you’ve got today to saying I told you so.

Rivers perhaps are the only physical features of the world that are at their best from the air. Mountain ranges, no longer seen in profile, dwarf to anthills; seas lose their horizons; lakes have no longer depth but look like bright pennies on the earth's surface; forests become a thin impermanent film, a moss on the top of a wet stone, easily rubbed off. But rivers, which from the ground one usually sees only in cross sections, like a small sample of ribbon -- rivers stretch out serenely ahead as far as the eye can reach. Rivers are seen in their true stature. They tumble down mountain sides; they meander through flat farm lands. Valleys trail them; cities ride them; farms cling to them; roads and railroad tracks run after them -- and they remain, permanent, possessive. Next to them, man's gleaming cement roads which he has built with such care look fragile as paper streamers thrown over the hills, easily blown away. Even the railroads seem only scratched in with pen-knife. But rivers have carved their way over the earth's face for centuries and they will stay.

These are things you’re not supposed to say on campuses now. But let’s be frank. To begin with, if colleges and universities around the country were in any way serious about policies to prevent sexual assaults, the path is obvious: don’t ban teacher-student romance, ban fraternities. And if we want to limit the potential for sexual favoritism—another rationale often proffered for the new policies—then let’s include the institutionalized sexual favoritism of spousal hiring, with trailing spouses getting ranks and perks based on whom they’re sleeping with rather than CVs alone, and brought in at salaries often dwarfing those of senior and more accomplished colleagues who didn’t have the foresight to couple more advantageously.

We rode for perhaps an hour with the snow tapping at our cheeks before we came to a little gully where the mountainside folded itself around a grove of misshapen willows. Even if the changeling hadn't directed us there, I would have taken it for a faerie door of some sort; though there are many sorts of doors, they all have a similar quality which can best---and quite inadequately---be described as unusual. A round ring of mushrooms is the obvious example, but one must additionally be on the lookout for large, hoary trees that dwarf their neighbors; for twisted trunks and gaping hollows; for wildflowers out of sync with the forest's floral denizens; for patterns of things; for mounds and depressions and inexplicable clearings. Anything that does not fit.

Nine months later, on September 1, 1939, Oppenheimer and a different collaborator—yet another student, Hartland Snyder—published a paper titled “On Continued Gravitational Contraction.” Historically, of course, the date is best known for Hitler’s invasion of Poland and the start of World War II. But in its quiet way, this publication was also a momentous event. The physicist and science historian Jeremy Bernstein calls it “one of the great papers in twentieth-century physics.” At the time, it attracted little attention. Only decades later would physicists understand that in 1939 Oppenheimer and Snyder had opened the door to twenty-first-century physics. They began their paper by asking what would happen to a massive star that has begun to burn itself out, having exhausted its fuel. Their calculations suggested that instead of collapsing into a white dwarf star, a star with a core beyond a certain mass—now believed to be two to three solar masses—would continue to contract indefinitely under the force of its own gravity. Relying on Einstein’s theory of general relativity, they argued that such a star would be crushed with such “singularity” that not even light waves would be able to escape the pull of its all-encompassing gravity. Seen from afar, such a star would literally disappear, closing itself off from the rest of the universe. “Only its gravitation field persists,” Oppenheimer and Snyder wrote. That is, though they themselves did not use the term, it would become a black hole. It was an intriguing but bizarre notion—and the paper was ignored, with its calculations long regarded as a mere mathematical curiosity.

The Industrial Revolution brought about dozens of major upheavals in human society. Adapting to industrial time is just one of them. Other notable examples include urbanisation, the disappearance of the peasantry, the rise of the industrial proletariat, the empowerment of the common person, democratisation, youth culture and the disintegration of patriarchy. Yet all of these upheavals are dwarfed by the most momentous social revolution that ever befell humankind: the collapse of the family and the local community and their replacement by the state and the market. As best we can tell, from the earliest times, more than a million years ago, humans lived in small, intimate communities, most of whose members were kin. The Cognitive Revolution and the Agricultural Revolution did not change that. They glued together families and communities to create tribes, cities, kingdoms and empires, but families and communities remained the basic building blocks of all human societies. The Industrial Revolution, on the other hand, managed within little more than two centuries to break these building blocks into atoms. Most of the traditional functions of families and communities were handed over to states and markets.

I stroll to the platform and up under the awning, hands in pockets, stepping lively on my toes as if I'm expecting -- a loved one, a girlfriend, a best friend from college long out of touch. The two trainmen give me the mackerel eye and begin some exclusive talk they've been putting off. But I don't feel the least excluded, since I enjoy this closeness to trains and the great moment they exude, their implacable hissing noise and purpose. I read somewhere it is psychologically beneficial to stand near things greater and more powerful than you yourself, so as to dwarf yourself (and your piddlyass brothers) by comparison. To do so, the writer said, released the spirit from its everyday moorings, and accounted for why Montanans and Sherpas, who live near daunting mountains, aren't much at complaining or nettlesome introspection. He was writing about better "uses" to be made of skyscrapers, and if you ask me the guy was right on the money. All alone now beside the humming train cars, I actually do feel my moorings slacken, and I will say it again, perhaps for the last time: there is mystery everywhere, even in a vulgar, urine-scented, suburban depot such as this. You have only to let yourself in for it. You can never know what's coming next. Always there is the chance it will be -- miraculous to say -- something you want.

Nothing in the period that followed was too good for the Rouge; it had the best blast furnaces, the best machine tools, the best metal labs, the best electrical systems, the most efficient efficiency experts. At its maturity in the mid-twenties, the Rouge dwarfed all other industrial complexes. It was a mile and a half long and three quarters of a mile wide. Its eleven hundred acres contained ninety-three buildings, twenty-three of them major. There were ninety-three miles of railroad track on it and twenty-seven miles of conveyor belts. Some seventy-five thousand men worked there, five thousand of them doing nothing but keeping it clean, using eighty-six tons of soap and wearing out five thousand mops each month. By the standards of the day the Rouge was, in fact, clean and quiet. Little was wasted. A British historian of the time, J. A. Spender, wrote of its systems: “If absolute completeness and perfect adaptation of means to end justify the word, they are in their own way works of art.” Dissatisfied with the supply and quality of the steel he was getting from the steel companies, Ford asked how much it would cost to build a steel plant within the Rouge. About $35 million, Sorensen told him. “What are you waiting for?” said Ford. Equally dissatisfied with both the availability and the quality of glass, he built a glass factory at the Rouge as well. The

Once, during a concert of cathedral organ music, as I sat getting gooseflesh amid that tsunami of sound, I was struck with a thought: for a medieval peasant, this must have been the loudest human-made sound they ever experienced, awe-inspiring in now-unimaginable ways. No wonder they signed up for the religion being proffered. And now we are constantly pummeled with sounds that dwarf quaint organs. Once, hunter-gatherers might chance upon honey from a beehive and thus briefly satisfy a hardwired food craving. And now we have hundreds of carefully designed commercial foods that supply a burst of sensation unmatched by some lowly natural food. Once, we had lives that, amid considerable privation, also offered numerous subtle, hard-won pleasures. And now we have drugs that cause spasms of pleasure and dopamine release a thousandfold higher than anything stimulated in our old drug-free world. An emptiness comes from this combination of over-the-top nonnatural sources of reward and the inevitability of habituation; this is because unnaturally strong explosions of synthetic experience and sensation and pleasure evoke unnaturally strong degrees of habituation.90 This has two consequences. First, soon we barely notice the fleeting whispers of pleasure caused by leaves in autumn, or by the lingering glance of the right person, or by the promise of reward following a difficult, worthy task. And the other consequence is that we eventually habituate to even those artificial deluges of intensity. If we were designed by engineers, as we consumed more, we’d desire less. But our frequent human tragedy is that the more we consume, the hungrier we get. More and faster and stronger. What was an unexpected pleasure yesterday is what we feel entitled to today, and what won’t be enough tomorrow.

All my life I have known such ilders, arrogant, corrupt, full of nothing but vainglorious protection of the right to lives of utter worthlessness, the supreme privilege of doing nothing of any significance from the cradle to the grave. 'But your voice! Ah, your voice, your voice which has become the nightly incubus of my beloved Guido and has driven him mad, that is another matter, your voice! Because had you but half the talent he described to me, but half the holy fire, you could have made dwarfs and monsters of ordinary men! London, Prague, Vienna, Dresden, Warsaw, you give the cities to me, was there not in some forgotten corner of your stinking city a world globe? Did you not know that of Europe, had you never been told? 'And in all those capitals you could have brought them to their knees, thousands upon thousands would have heard you, carrying yout name out of the opera houses and the churches into the very streets. They would have said it like a prayer from one end of the continent to the other, as they speak of rulers, of heroes, of the immortals. 'That is what your voice could have been, had you but let it rise out of the ruin of what you were, had you but forged it out of all your suffering and all your pain to give back to God that which He had given you! 'But you are of the ancient ilk that recognizes no other aristocracy save itself, the gilded maggots feeding on the corpse of the Venetian State, brave champions of the supreme privilege of doing nothing, nothing, nothing! And so you forfeit that one strength with which you could have bested any natural man! 'Well, I will not suffer you under my roof any longer. I have no pity for you now. I cannot help you. You are but a freak of nature without its destined gift, and there is nothing lower! Leave this place, go out of it. You have means to find a habitat for your misery somewhere else.

We’ve been acculturated by fairy tales and rescue fantasies—Sleeping Beauty, the Little Mermaid, Snow White and the Seven Dwarfs, Rapunzel—to believe life begins when a boy chooses us, picks us out of the crowd, anoints us as worthy, redeems us, saves us. These stories present love and marriage but skip right over what happens to get to the baby carriage.[*4]

With a mob trashing his restaurant and scrapping in the street outside?” “That’s right, sir.” “Ah. I get it. There’s none so deaf as those that won’t hear, are you saying?” “Something like that, sir, yes. Look, it’s all over, sir. I don’t think anyone’s seriously hurt. It’ll be for the best, sir. Please?” “Is this one of those private dwarf things, Captain?” “Yes, sir—” “Well, this is Ankh-Morpork, Captain, not some mine in the mountains, and it’s my job to keep the peace, and this, Captain, doesn’t look like it. What’re people going to say about rioting in the streets?

This Home Depot employs several very small people, if I’m not mistaken, and they’re usually the most knowledgeable. Go right for the bearded dwarf with the tool belt if you want the best advice.

I know damn well that raising children is never easy. I know there will be lots of long nights when I’ll have to stay awake worrying, lots of mistakes that I will make on the path and even some disappointments that I will have to live with as they make a few of their own mistakes. I know that sometimes they will shout at me in anger, that sometimes they will think I’m an old fart or an idiot who doesn’t know much and is not fit for their new world, and in that judgement, they will be spot on. I will never match their intelligence, knowledge or speed. Just as every father dreams for his children to do better than he has, they will surpass me. Their successes will dwarf mine and they will blaze forward to do much bigger and better things as they prove they are better than me, and my ego will not be hurt. Instead, I will watch in awe and be full of pride as they fix the mistakes of my generation. I will love them through it all as a good father loves his smelly, noisy, expensive, freedom-limiting, commitment-bringing, defiance-prone, respect-deficient, purpose-defining children. I will love them with no expectations of return but with one hope – that they will grow up to be the best and happiest they can ever be and that – well, that they will love me back, because isn’t that what it’s all about? One hug or one silly mug that says ‘The World’s Best Father’ after all those years. That would be awesome. It would be all that I hope for. That would make my whole life worth living. And like a good parent, I will love all my children equally

Oh, archers,” said Boy Willie, and spat. “Whut?” “He said THEY’RE GOING TO USE ARCHERS, Hamish!” “Heheh, we never let archers stop us at the Battle of Koom Valley!” cackled the antique barbarian. Boy Willie sighed. “That was between dwarfs and trolls, Hamish,” he said. “And you ain’t either. So whose side were you on?” “Whut?” “I said WHOSE SIDE WERE YOU ON?” “I were on the side of being paid money to fight,” said Hamish. “Best side there is.

So can we arrive at a general principle as to why e-books have flopped in developed markets while audio and video streaming have triumphed? The technology commentator and best-selling author Edward Tenner argues that there are several reasons people are sometimes reluctant to abandon an old technology in favor of a new one. The first involves the potential vulnerabilities of the new thing. For instance, the fax machine is now a museum piece, but for a while people continued to prefer it over emailing scanned documents out of security concerns. Another potential reason involves aesthetics and nostalgia. Although dwarfed by music CDs and streaming, vinyl record sales continue to grow within the niche market of music aficionados. And despite improvements in automatic transmissions, certain car lovers prefer stick shifts. Perhaps the key to understanding format resilience is that technologies rise and fall as part of ecosystems, rarely on their own or by themselves. Those ecosystems need to evolve quickly, through open innovation, in order to appeal to new generations of users, transforming the landscape in the process. E-book platforms have remained fundamentally closed to external innovators, especially on the software side. As a result, the functionality of e-books remains limited. Moreover, research indicates that reading a physical book enables the reader to absorb information more efficiently than reading the same book on an e-reader or a tablet. “The implicit feel of where you are in a physical book turns out to be more important than we realized,” argues Abigail Sellen, a scientist and engineer at Microsoft Research Cambridge in England. “Only when you get an e-book do you start to miss it. I don’t think e-book manufacturers have thought enough about how you might visualize where you are in a book.

When I told my Berkeley therapist that I was having panic attacks in the elevator of International House, he asked me why, as if they were voluntary. He cut me off before I could point the finger at childhood beatings, the Holocaust, or the Freudian saga of the dwarf cherry tree from Cooper’s Nursery that turned out to be full-size, outraging my mother, who had me lop the top off every fall. “Here’s why,” he said, tapping the eraser of his pencil against the dome of his conveniently shaven head, high above his eyes. “They’re called frontal lobes.” I laughed but he did not. It was a simple fact, he said, that the brain had evolved in stages and the parts fit together badly. Thinking caused anxiety the way walking upright caused backaches. Our ability to remember the past, imagine the future, and use language, all recent acquisitions, did not mesh well with ancient regions of the brain that had guarded us for eons, knew only the present, and did not distinguish between imaginary fears and real trouble. Fair enough, but why was it my frontal lobes’ fault if the primitive portion of my brain was too drunk on limbic moonshine to distinguish between real and imaginary monsters? Because, he told me, there is no difference between real and imaginary monsters, just as there is no difference between the past and the future: neither exists. Unless I wanted to spend the rest of my life on the elevator floor, I had better realize that the brain isn’t an intellectual, any more than the stomach is a gourmet. The brain is the body, and the body lives in the present, which is all there is.

Aubéron and Alberîch present a complete and isolated type of “dwarf” in the medieval literatures, and they appear at a time when the predominant dwarf type in the Germanic regions was the dwarf knight (of which Laurin is the best example), while in France the predominant types were the dwarf servant or the wily dwarf. Our two figures therefore go against the grain of the literary tendencies of the time, but they are too thorough and complete to not be older in origin. When Alberîch appears in the Nibelungenlied he already has a long history, and the same must be true of Aubéron, who did not just spring up out of nowhere in the thirteenth century. The very fact that both these figures show traces of contamination speaks in favor of their antiquity. In short, everything about them reflects folkloric traditions that we know through the folktales.

False. While imitating best practices of WSC could lower costs, the major cost advantage of WSCs comes from the economies of scale, which today means 100,000 servers, thereby dwarfing most internal datacenters.

Once Lotari reached his mate's side and gently kissed her hand, the crowd began cheering and whooping for them. Bastion the dwarf appeared beside Stitch, a handkerchief extended. "Ye blubbering hoofer. Best keep that with you tonight, I doubt this'll be the first tears you'll be a shedding." Stitch took the cloth and dabbed at his cheeks. "Glad to see you here, Bast." "Never miss a hoofer gathering. There's always meat and grog. Who in their right mind turns a nose up to such a fare, eh?

For man's struggle for existence is to exist in the fullness of his nature,—not by curtailing all that is best in him and dwarfing his existence itself, but by accepting all the responsibilities of his spiritual life, even through death and defeat. I do not for a moment suggest, that Japan should be unmindful of acquiring modern weapons of self-protection. But this should never be allowed to go beyond her instinct of self-preservation. She must know that the real power is not in the weapons themselves, but in the man who wields those weapons; and when he, in his eagerness for power, multiplies his weapons at the cost of his own soul, then it is he who is in even greater danger than his enemies.

half smile, as if he’s enjoying a private joke. I squirm under his gaze. It travels from my face further down. His gaze dwarfs and undresses me at the same time. Squaring my shoulders, I make myself taller. “Where will my office be?” “Next to mine.” Sebastian points with his thumb to the left. “It’s a room we use for small meetings. However, for the four months you’ll be here, it’ll be your office.” “I’ll be on your other side,” Logan says. “It’s best if you’re close to us. Sebastian and I take an active interest in the advertising campaigns.” “We practically did all the marketing in the early days,” Sebastian adds. “Very well, I’ll keep you both informed.” “I will attend the first

By the end of 1897, Westinghouse was nearly bankrupt, and it looked as though Morgan would usurp everything that Tesla and Westinghouse had built together. Westinghouse owed Tesla over $1 million in royalties, an amount that grew daily. When Westinghouse described to Tesla the desperate situation, Tesla replied with the following: “Mr. Westinghouse, you have been my friend, you believed in me when others had no faith; you were brave enough to go ahead when others lacked courage; you supported me when even your own engineers lacked vision. ... Here is your contract, and here is my contract. I will tear them both to pieces, and you will no longer have any troubles from my royalties.” In time, these royalties would’ve made Tesla the world’s first billionaire. Instead, they enabled Westinghouse to save his company. Tesla’s selflessness was a testament not only to his generosity and goodwill, but his belief in his ability to continue to create his future. He was certain that his best work still lay ahead of him, and that he would soon invent machines that would dwarf everything that he had accomplished thus far. This

He settled into the Chelsea apartment as best he could with everything in his life in turmoil — no permanent abode, no publishing agreements, growing difficulties with the police, and what was to happen now with Marianne? — but when he turned on the TV he saw a great wonder that dwarfed what was happening to him. The Berlin Wall was falling, and young people were dancing on its remains. That year, which began with horrors — on a small scale the fatwa, on a much larger scale Tiananmen — also contained great wonders. The magnificence of the invention of the hypertext transfer protocol, the http:// that would change the world, was not immediately evident. But the fall of Communism was. He had come to England as a teenage boy who had grown up in the aftermath of the bloody partition of India and Pakistan, and the first great political event to take place in Europe after his arrival was the building of the Berlin Wall in August 1961. Oh no, he had thought, are they partitioning Europe now? Years later, when he visited Berlin to take part in a TV discussion with Günter Grass, he had crossed the wall on the S-Bahn and it had looked mighty, forbidding, eternal. The western side of the wall was covered in graffiti but the eastern face was ominously clean. He had been unable to imagine that the gigantic apparatus of repression whose icon it was would ever crumble. And yet the day came when the Soviet terror-state was shown to have rotted from within, and it blew away, almost overnight, like sand. Sic semper tyrannis. He took renewed strength from the dancing youngsters’ joy.

As soon as the park opens, ride Seven Dwarfs Mine Train in Fantasyland. 3. Take Peter Pan’s Flight in Fantasyland. 4. In Adventureland, take the Jungle Cruise. 5. Experience Pirates of the Caribbean. 6. Ride Big Thunder Mountain Railroad in Frontierland. 7. Ride Splash Mountain. While you’re in line for Splash Mountain, use mobile ordering to order lunch. The best spot nearby is Pecos Bill Tall Tale Inn & Cafe, also in Frontierland. 8. Eat lunch. 9. Ride The Many Adventures of Winnie the Pooh. 10. Take the It’s a Small World boat ride. 11. Tour The Haunted Mansion around the corner in Liberty Square. 12. See the Country Bear Jamboree in Frontierland. 13. Experience Walt Disney’s Enchanted Tiki Room around the corner in Adventureland. 14. Tour the Swiss Family Treehouse. 15. See Mickey’s PhilharMagic in Fantasyland. 16. Ride Under the Sea: Journey of the Little Mermaid. If you’re staying in the park for dinner, order dinner using mobile ordering. 17. Eat dinner.

Stop daydreaming and listen to the story of how Benjamín lost all his hair. “One spring morning, a circus wagon painted like a carriage from the funeral parlor pulled by two skeletal horses decorated with black plumes passed along our street, heading for the town square. A man wearing a skeleton costume held the reins. Next to him sat a female dwarf dressed as the Angel of the Last Judgment, playing a sad melody on an old trumpet. Attracted by their sinister looks, we ran to see the performance.

I stop thinking that overworking, overmanaging, over-volunteering is necessary for my part of the world to keep running. For everyone I care about to be okay. It turns out that the universe is requesting a much more manageable amount of contribution from me. A kind of spiritual arrogance where I put myself at the center holding things up. In fact, it has happened that when I do less, more good has actually opened up for me. Go figure. Like a spiritual magic trick instead and the best kind. If I’m not spending time trying to figure out how to help, how to make things better, how to get more done by myself, that leaves chunks of time to ponder doing something else. Like – something fun. Suddenly hobbies are possible. Time opens up to sit still on my back deck watching the flowers grow. Reading a good book just because. And the more I let myself try those things, the more fun things I think up to do. Kayaking on the lake, learning to ride a bike again. Yeah, you heard me, learning to ride a bike. Turns out that old cliché is wrong – at least with me. Even better is the payoff I didn’t expect. When things didn’t crash to the ground without me driving the bus, and weirdly even got better, I felt more like I was a part of the universe. I was snugly fit somewhere in the middle as just a piece of everything. I was never meant to try and take on so much. What a relief. I am just a passenger on the bus and I don’t need to know where I’m headed. I didn’t anyway, only raising my anxiety and probably my meddling. I was able to give myself permission to hang back, do less and still know I’d done my part. Go enjoy the rest of life. And that’s exactly what I’m setting out to do. Maybe a little later than most, but all we have is the day we’re in so – it’s never too late. Next week I’ll be sitting among the redwoods listening to the sea far below. More adventures to follow. AUTHOR NOTES - MICHAEL ANDERLE AUGUST 25, 2021 Thank you for not only reading this book, but this entire series and these author notes as well.

Come!’ said Aragorn. ‘If I am still to lead this Company, you must do as I bid. It is hard upon the Dwarf to be thus singled out. We will all be blindfold, even Legolas. That will be best, though it will make the journey slow and dull.

As soon as they entered the forest, Dina felt something stirring in her magic. Normally it lay dormant within her until she needed it for a spell. But now it was thrumming in her blood, reacting to this place. The trees were tall and thick, little sunlight made it to the forest floor, and the narrow pebbled path they walked along twisted out of sight ahead of them. "There's something here," she whispered to Immy. "Like magic?" "Yeah. Like, I don't know how to put it--- like this is an old and powerful place. Like the land is breathing." "Ooh, I'm going to write that phrase down for my next book," Immy said, pulling her phone out of her pocket. As Immy slowed down to make her note, Dina walked on, feeling the power of this ancient wood flooding through her. She felt as if she were walking into the mouth of a great, slumbering goddess. But it didn't scare her; it wasn't meant to. It was just nature, older than history, older than bone. The path curled around to the left, revealing a small cottage in the dappled light, dwarfed by the surrounding oaks. The lights were on inside, illuminating the ivy and wisteria vines that had twined themselves around the outer walls of the cottage. The windows were sashed in dark green wood, complete with window boxes filled with daisies. Daisies that Dina was sure shouldn't have been able to grow in such little light, but this wood seemed to play by its own rules.

Like fans at a rock concert, everyone stands up, but no one gets a better view. That’s the way evolution works: it myopically selects for individual advantage, not the greater good of the species, let alone the good of some other species. From a farmer’s perspective, not only do tall wheat plants waste energy in inedible stalks, but when they are enriched with fertilizer they collapse under the weight of the heavy seedhead. Borlaug took evolution into his own hands, crossing thousands of strains of wheat and then selecting the offspring with dwarfed stalks, high yields, resistance to rust, and an insensitivity to day length. After several years of this “mind-warpingly tedious work,” Borlaug evolved strains of wheat (and then corn and rice) with many times the yield of their ancestors. By combining these strains with modern techniques of irrigation, fertilization, and crop management, Borlaug turned Mexico and then India, Pakistan, and other famine-prone countries into grain exporters almost overnight. The Green Revolution continues—it has been called “Africa’s best-kept secret”—driven by improvements in sorghum, millet, cassava, and tubers.

Thus the Mahānirvāna-Tantra (5.141) has this pertinent verse, spoken by a devotee of the goddess: I worship the primal Kālikā [i.e., Kālī] whose limbs are like a [dark] rain cloud, who has the moon in her crown, is triple-eyed, clothed in red, whose raised hands are [in the gestures of] blessing and dispelling fear, who is seated on an open red lotus with her beautiful smiling face turned toward Mahākāla [i.e., Shiva], who, drunk on sweet wine, is dancing before her. Like Kālī’s grisly image, Shiva’s dance is one of the grand archetypes of Hinduism. The dancing Shiva is known as Natarāja, or “King of Dancers.” His performance extends throughout the universe. His repertoire, or dance steps, include the creation, preservation, and destruction of the world, as well as concealment of the truth and grace by which the ultimate Reality is revealed in its true form. What is not often appreciated outside India is that Shiva’s dance has several forms, each conveying a distinct but related message. Its best known form is that of the tāndava, which Shiva dances in wild abandon in the cemetery and cremation ground. According to Hindu mythology, Shiva once visited a group of sages in their forest huts. Ignorant of his true identity, they began to curse him. When their curses had no effect, they set a ferocious tiger upon him. Shiva skinned the animal alive and put its hide around his waist. Still blinded by their own delusion, the sages next set a monstrous serpent upon him. Shiva simply seized it and draped it around his neck like a harmless necklace.12 Finally, the forest hermits set a vicious black dwarf upon him, but with a single blow Shiva knocked him to the ground and then planted his right foot on the dwarf’s back. The demonic dwarf, named Muyalaka, represents the karmic energies that must be subdued to achieve liberation. Then Shiva started his cosmic dance, attracting even the deities from the highest realms to watch the spectacle. As he danced, he rhythmically beat his drum, which emanated a blinding light. Bit by bit the universe around him started to dissolve. In due course, however, his dance restored the world out of nothingness. The cardinal witness of Shiva’s dance was Kālī, the great Goddess in her fierce form. According to one myth, she was even the cause of his destructive dance. She had hoped to defeat him but ended up worshiping him.

Thus the Mahānirvāna-Tantra (5.141) has this pertinent verse, spoken by a devotee of the goddess: I worship the primal Kālikā [i.e., Kālī] whose limbs are like a [dark] rain cloud, who has the moon in her crown, is triple-eyed, clothed in red, whose raised hands are [in the gestures of] blessing and dispelling fear, who is seated on an open red lotus with her beautiful smiling face turned toward Mahākāla [i.e., Shiva], who, drunk on sweet wine, is dancing before her. Like Kālī’s grisly image, Shiva’s dance is one of the grand archetypes of Hinduism. The dancing Shiva is known as Natarāja, or “King of Dancers.” His performance extends throughout the universe. His repertoire, or dance steps, include the creation, preservation, and destruction of the world, as well as concealment of the truth and grace by which the ultimate Reality is revealed in its true form. What is not often appreciated outside India is that Shiva’s dance has several forms, each conveying a distinct but related message. Its best known form is that of the tāndava, which Shiva dances in wild abandon in the cemetery and cremation ground. According to Hindu mythology, Shiva once visited a group of sages in their forest huts. Ignorant of his true identity, they began to curse him. When their curses had no effect, they set a ferocious tiger upon him. Shiva skinned the animal alive and put its hide around his waist. Still blinded by their own delusion, the sages next set a monstrous serpent upon him. Shiva simply seized it and draped it around his neck like a harmless necklace.12 Finally, the forest hermits set a vicious black dwarf upon him, but with a single blow Shiva knocked him to the ground and then planted his right foot on the dwarf’s back. The demonic dwarf, named Muyalaka, represents the karmic energies that must be subdued to achieve liberation. Then Shiva started his cosmic dance, attracting even the deities from the highest realms to watch the spectacle. As he danced, he rhythmically beat his drum, which emanated a blinding light. Bit by bit the universe around him started to dissolve. In due course, however, his dance restored the world out of nothingness. The cardinal witness of Shiva’s dance was Kālī, the great Goddess in her fierce form. According to one myth, she was even the cause of his destructive dance. She had hoped to defeat him but ended up worshiping him. After her submissive gesture, Shiva explained to her that he had performed the dance not because of her challenge to him but because he wanted to grant a vision of the dance to the sages of the forest.

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