Duvet Quotes

We've searched our database for all the quotes and captions related to Duvet. Here they are! All 100 of them:

Can't you treat yourself with a bit more consideration?' 'Why should I?' Mordion said, hugging the duvet round himself. 'Because you're a person, of course!' Ann snapped at him. 'One person ought to treat another person properly even if the person's himself!
Diana Wynne Jones (Hexwood)
Sometimes, a girl just has to dive under the duvet and regroup.
Jody Gehrman (Confessions of a Triple Shot Betty (Triple Shot Bettys, #1))
I miss the way he used to kiss my shoulder whenever it was bare and he was nearby. I miss how he cleared his throat before he took a sip of water and scratched his left arm with his right hand when he was nervous. I miss how he tucked my hair behind my ear when it came loose and took my temperature when I was sick or when he was bored. I miss his glasses on my nightstand. I miss watching him take Sunday afternoon naps on my couch, with the newspaper resting on his stomach like a blanket. How his hands stayed clasped, fingers intertwined, while he slept. I miss the cadence of his speech and the stupidity of his puns. I miss playing doctor when we made love, and even when we didn't. I miss his smell, like fresh laundry and honey (because of his shampoo) at his place. Fresh laundry and coconut (because of my shampoo) at mine. I miss that he used to force me to listen to French rap and would sing along in a horrible accent. I miss that he always said "I love you" when he hung up the phone with his sister, never shy or embarassed, regardless of who else was around. I miss that his ideal Friday night included a DVD, eating Chinese food right out of the carton, and cuddling on top of my duvet cover. I miss that he reread books from his childhood and then from mine. I miss that he was the only man that I have ever farted on, and with, freely. I miss that he understood that the holidays were hard for me and that he wanted me to never feel lonely.
Julie Buxbaum (The Opposite of Love)
Alcohol units: 5. Drowning sorrows. Cigarettes: 23. Fumigating sorrows. Calories: 3,856. Smothering sorrows in fat duvet.
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
Criticizing people, winding them up, making idiots of them or fooling them doesn't make people with autism laugh. What makes us smile from the inside is seeing something beautiful, or a memory makes us laugh. This generally happens when there's nobody watching us. And at night, on our own, we might burst out laughing underneath the duvet, or roar with later in an empty room ... When we don't need to think about other people or anything else, that's when we wear our aural expressions.
Naoki Higashida (The Reason I Jump: the Inner Voice of a Thirteen-Year-Old Boy with Autism)
Not only was Miss Cribbe bearded, and always trying to get chummy with us like we we're her real children or something, but she had a disgusting incontinent springer spaniel called Misty, who was constantly sneaking in to the dorms and weeing on our duvets
Tyne O'Connell (Pulling Princes (Calypso Chronicles, #1))
Abruptly, she yanked the covers over her crippled one, hiding it from him. Tohr marched right back over to her, and resolutely pulled the duvet back where it had been. Tracing the badly healed wounds with his fingertips, he met her squarely in the eye. "You're beautiful. Every inch of you. Don't think for a moment there's anything wrong with you. We clear?" "But-" "Nope. I'm not hearing that." Bending down he pressed his lips to her shin, her calf, her ankle, tracing the scars, caressing them. "Beautiful. All of you." "How can you say that," she whispered blinking back tears. "Because it's the truth."Straightening, he gave her a final squeeze. "No hiding from me, okay. And after I feed you, I think I'm going to have to show you just how serious I am." That made her smile....then laugh a little. "That's my girl." he murmured.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
I can't believe it's actually happening. This is independent adulthood, this is what it feels like. Shouldn't there be some sort of ritual? In certain remote African tribes there'd be some incredible four day rites of passage ceremony involving tattooing and potent hallucinogenic drugs extracted from tree-frogs, and village elders smearing my body with monkey blood, but here,rites of passage is all about three new pairs of pants and stuffing your duvet in a bin-liner.
David Nicholls (Starter for Ten)
Now, watching her sleep, and closing his eyes, he felt, in this particular intimacy - stowed beneath her duvet - that he was intruding. At the same time, he knew, settling down, you couldn´t dislike anyone you'd seen sleep
Hanif Kureishi (The Black Album)
Le dessin de Man Ray : toujours le désir, non le besoin. Pas un duvet, pas un nuage, mais des ailes, des dents, des griffes. [...] Man Ray dessine pour être aimé.
Paul Éluard (Les Mains Libres)
I flung the duvet off and flailed and swung and spat at you but you were elsewhere and I had to fall asleep crushed between what you'd said and what I thought.
Max Porter (Grief Is the Thing with Feathers)
I love being single. It's my choice, not a sentence. It's not a state that I'm in until someone better comes along. Don't feel sorry for me. I love my life." "Don't you want someone to snuggle up to at night?" "No. this way, I never have to fight for the duvet, I can sleep diagonally across the bed and I can read until four in the morning." "A book can't take the place of a man!" "I disagree. A book can give you most things a relationship can. It can make you laugh, it can make you cry, it can transport you to different worlds and teach you things. You can even take it out to dinner. And if it bores you, you can move on. Which is pretty much what happens in real life.
Sarah Morgan (Sunset in Central Park (From Manhattan with Love, #2))
So I'm back again to the eternal question, the one that has plagued me all my life: How Do Other People Do It? How come they were given life's rule book and I missed out? Where was I when God was dispensing capability and cop on? Looking at shoes, probably.
Marian Keyes (Further Under the Duvet)
The queen-size bed has a wooden frame and a dark-orange duvet cover and pillows. The bedside tables on both sides are identically stocked: three books, a lamp and a glasses case. I wonder if this allows my parents to swap sides during the night. I turn on one of the lamps, lighting the room like a sexy library.
Joe Dunthorne (Submarine)
Thursday morning. I usually let my Mum wake me up but today I have set my alarm for seven. Even from under my duvet, I can hear it bleating on the other side of my room. I hid it inside my plastic crate for faulty joysticks so that I would have to get out of bed, walk across the room, yank it out of the box by its lead and, only then, jab the snooze button. This was a tactical manoeuvre by my previous self. He can be very cruel.
Joe Dunthorne (Submarine)
They found Lauren fully submerged in a duvet fort on the bed, the only sign of her existence a splay of ginger hair poking out from the bottom.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
The landscape rose and fell like a honeymoon duvet,
Terry Pratchett (Sourcery (Discworld, #5))
Dear Fran I'm watching you sleep. You are sucking your thumb. (We're going to need to talk about this.)  I can't pretend you look like a delicately slumbering princess, because you don't. Apart from the thumb business you are twitching around like a ferret and about ten minutes ago you pulled the entire duvet over yourself and left me with nothing. But I've never loved you more than I do right now.  I love you so much. I hope we can have a life together. There's so much I want to say to you. Please wake up soon. Freddy x
Lucy Robinson (The Greatest Love Story of All Time)
Grisaille let go of Ruthven and flopped face downward onto the duvet, with a creak of springs. 'I am never leaving this bed again,' he said, muffled by the covers. 'I am amalgamated with this bed. This bed and I have achieved spiritual oneness. I am it and it is me.
Vivian Shaw (Grave Importance (Dr. Greta Helsing #3))
So she way awake at night and at times there was a curious peacefulness to this, the darkness warm as though the deep violet duvet held its color unseen, wrapping around Pam some soothing aspect of her youth, as her mind wandered over a life that felt puzzingly long; she experienced a quiet surprise that so many lifetimes could be fit into one.
Elizabeth Strout (The Burgess Boys)
He walked over the arched stone bridge, enjoying the silence of the village. Snow did that. It laid down a simple, clean duvet that muffled all sound and kept everything beneath alive. Farmers and gardeners in Quebec wished for two things in winter: lots of snow and continuous cold. An early thaw was a disaster. It tricked the young and vulnerable into exposing themselves, only to be nipped in the root. A killing frost.
Louise Penny (A Fatal Grace (Chief Inspector Armand Gamache, #2))
What makes us smile from the inside is seeing something beautiful, or a memory that makes us laugh. This generally happens when there’s nobody watching us. And at night, on our own, we might burst out laughing underneath the duvet, or roar with laughter in an empty room … when we don’t need to think about other people or anything else, that’s when we wear our natural expressions.
Naoki Higashida (The Reason I Jump: The Inner Voice of a Thirteen-Year-Old Boy with Autism)
Around them, the dawn gently wakes Borg like someone breathing into the ear of someone they love. With sun and promises. Tickling light falls over warm duvets, like the smell of freshly brewed coffee and toasted bread. It shouldn't be doing this. It's the wrong day to be beautiful, but the dawn doesn't care.
Fredrik Backman (Britt-Marie Was Here)
He headed for the door but stopped halfway. “I love you, Sophie. I love you with my soul.” Her bare arms held up the duvet. “Don’t ruin this, Banallt, please.” “I’m not a villain from one of your novels, Sophie.” She stared at him, wide-eyed. “Unlike them, I can change. I have changed.” Unfortunately, she didn’t believe him.
Carolyn Jewel (Scandal)
When I opened my case in the hotel, he gestured excitedly at my snakeskin sandals, turquoise suede wedges and silver-speckled jellies. “But you’ve loads of shoes,” he bellowed joyfully. I shook my head sadly. Men just don’t get it, do they? They’re definitely missing the shoe chromosome.
Marian Keyes (Under the Duvet: Shoes, Reviews, Having the Blues, Builders, Babies, Families and Other Calamities)
It felt safe under the duvet. The world couldn’t reach Patricia now she was hiding under a thick layer of polyester.
Emily Organ (The Last Day)
rather than hanging around like a fart under a duvet.
Ian Rankin (Even Dogs in the Wild (A Rebus Novel Book 20))
Milly likes Josh fine, it’s just that she’s hungry and it’s pretty cold when they’re not under the duvet and she’d kill for a cup of tea.
Sarah Moss (Summerwater)
She was the child with the flashlight under the duvet late into every night. She would breeze through a book in a day and a half, then read it six more times.
Jane Green (Falling)
Tickling light falls over warm duvets, like the smell of freshly brewed coffee and toasted bread. It shouldn't be doing this. It's the wrong day to be beautiful, but the dawn doesn't care.
Fredrik Backman (Britt-Marie Was Here)
I love Prada. Not so much the clothes, which are for malnourished thirteen-year-olds, but I covet, with covety covetousness, the shoes and handbags. Like, I LOVE them. If I was given a choice between world peace and a Prada handbag, I'd dither. (I'm not proud of this, I'm only saying.)
Marian Keyes (Further Under the Duvet)
I like staying home, thank-you-very-much, where I know I can always find a plug point for my laptop, I'm never ten steps from a kettle to boil for tea, and I can go to sleep wrapped up in the comfort of my own duvet.
Amy Alward (Madly (Potion, #1))
Or, you know, instead of revenge plots, we could focus our energy on going off to university in a few weeks,’ he said brightly. ‘You haven’t even picked out a new duvet set; I’m told that’s a very important milestone.
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
In the dark behind the glare of the television, like a mannequin behind it, I could see a silhouette and it wasn’t moving. It was maybe six foot high with its shoulders hunched and I blinked to make sure it was real. The TV fuzzed grey and white and black and I had a lump in my throat that I couldn’t swallow away. “Rory” I whispered. Clawing out gently beneath the duvet cover, reaching for his hand. But I couldn’t find it. And he didn’t answer.
Kate Chisman (Creep)
My friend Kathy is the only person who'll be halfway honest with me. 'Did you ever see a cowboy film, where someone has been caught by the Indians and tied between two wild stallions, each pulling in opposite directions?' she asked. I nodded mutely. 'That's a bit what giving birth is like.
Marian Keyes (Under the Duvet: Shoes, Reviews, Having the Blues, Builders, Babies, Families and Other Calamities)
Our health is our wealth.
Marian Keyes (Under the Duvet: Shoes, Reviews, Having the Blues, Builders, Babies, Families and Other Calamities)
You can't tell that the coffin holds the body of a boy. He wasn't even sixteen but his coffin's the same size as a man's would be. It's not just that he was young, but because it was so sudden. No one should die the way he did; that's what the faces here say. I think about him, in there, with all that space, and I want to stop them. I want to open the box and climb in with him. To wrap him up in a duvet. I can't bear the thought of him being cold. And all the time the same question flails around my head, like a hawkmoth round a light-bulb: Is it possible to keep loving somebody when they kill someone you love?
C.J. Flood (Infinite Sky (Infinite Sky, #1))
For a moment I was dizzied by the impulse to leave her there: shove the techs' hands away, shout at hovering morgue men to get the hell out. We had taken enough toll on her. All she had left was her death and I wanted to leave her that, that at least. I wanted to wrap her up in soft blankets, stroke back her clotted hair, pull up a duvet of falling leaves and little animals' rustles. Leave her to sleep, sliding away forever down her secret underground river, while breathing seasons spun dandelion seeds and moon phases and snowflakes above her head. She had tried so hard to live.
Tana French (In the Woods (Dublin Murder Squad, #1))
How did you know, she asks him, later. They have eaten dinner, showered, are lying in bed with the duvet folded around them. Know what, Will says, into her hair. She is pressed into him, her back curved along his stomach, his knees tucked alongside her calves. What I needed, she says. Will is not sure this is a real question. He thinks it might be her way of simply telling him what everything has meant to her. Not just the piano, but all that time apart, the months where they did not speak, gave each other space, tried to heal in their own, separate, fruitless ways. How he never forgot her. He never knew they would find their way back to one another; never dared hope it would happen. But life continued, and there she was, and here he is, for her.
Claire Daverley (Talking at Night)
A few minutes later, John got up, put his clothes back on, palmed his liquor bottle, and left. As the door clicked shut, Xhex pulled the duvet over herself. She did nothing to try to control the shakes that rattled her body, and didn't attempt to stop herself from crying. Tears left both of her eyes at the far corners, slipping out and flowing over her temples. Some landed in her ears. Some eased down her neck and were absorbed by the pillow. Others clouded her vision, as if they didn't want to leave home. Feeling ridiculous, she put her hands to her face and captured them as best she could, wiping them on the duvet. She cried for hours. Alone.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
On the roof, on the duvet under the steam vent, with the planets overhead, he let her scream all she wished. She screamed into the night. To the stars. At one point, with his lying atop her, he said, “Look over my left shoulder. Venus is visible tonight.” Then he pulled the covers away from her, wrestling her for the duvet, as he called, “Here she is, all you Venusians”—he lifted out his arm, using it to span the celestial horizon-—“and the rest of you planets out there: the most beautiful woman on Earth, spread-eagled for your pleasure!” He laughed. “At my disposal, mm-m-m!” He bent down, nibbling, kissing her neck with his teeth, his lips, his mouth.
Judith Ivory (Untie My Heart)
The old Chinese proverb springs to mind - No pain, no gain.
Marian Keyes (Under the Duvet: Shoes, Reviews, Having the Blues, Builders, Babies, Families and Other Calamities)
Below him, his city spread in soft mounds and hollows, like a duvet dropped into a well. The breeze and the elevation made
Lisa McInerney (The Glorious Heresies)
My white duvet is like an avalanche of blanket.

Jarod Kintz (Brick)
We cannot avoid things going wrong. Even when we’ve prepared brilliantly, Fate can still vomit on our duvet.
Ben Hunt-Davis (Will It Make The Boat Go Faster?- Olympic-winning strategies for everyday success)
Who the fuck manages to do this in one go? You’d need the intellect of fucking Einstein to get this massive fucking duvet into this cover.
Lily Morton (The Mysterious and Amazing Blue Billings (Black and Blue #1))
They say that men marry their mothers.’ ‘I’ll remind you of that comparison the next time you’re begging for a fumble under the duvet. I’ll even let you call me Mum if you like.
John Marrs (Keep It in the Family)
After locking the door firmly behind her, then checking it just to make sure, she placed Sam’s heels by the bed and fell onto a pink duvet.
K.F. Breene (Warrior Fae Trapped (Warrior Fae, #1; Demon Days, Vampire Nights, #7))
And, at the end of a long night, as you crawl under the duvet, there is a sense of quiet satisfaction in knowing that the rest of the working world is just setting out on the morning commute. *
John Sutherland (Blue: A Memoir – Keeping the Peace and Falling to Pieces)
She threw the duvet off and tiptoed across the landing to Josh’s room. He was sound asleep, his face lit up by his nightlight. Pip crept over to the foot of his bed and climbed under the covers beside him. She lay there, listening to his deep breaths, letting his warmth thaw her. Her eyes crossed as she stared ahead, transfixed by the soft blue light. Josh would be safe, if she was here to watch him.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
They’re idiots,” he said, prowling over to recline beside her on the bed. “All of them.” “Everyone’s an idiot,” Parisa replied, tracing mindless patterns on her duvet. “You should know that as well as anyone.
Olivie Blake (The Atlas Six (The Atlas, #1))
We invited each other into our spaces when parents would allow – girls only in these altars of beauty. We were christened into girlhood, not by holy water or the consumption of Christ’s body and blood, but with these rituals – painting each other’s faces, playing with each other’s hair, making each other over, doing our worst because we were allowed and laughing until we lost all control of our limbs, collapsing in a heavy pile of happy tears. There was an intimacy that was so pure, as deep as if we were real sisters. Our lips frosted with sugar, giggling under duvets, talking about kisses and crushes and trying our hardest not to fall asleep – fighting to keep the night alive.
Ellen Atlanta (Pixel Flesh: How Toxic Beauty Culture Harms Women)
The second hugely seductive move is to signal that we view the other person with a mixture of tenderness and realism. It’s often imagined that it’ll be seductive to convey an air of adoration, to hint that the other strikes us as exceptionally attractive or accomplished. But surprisingly, it is deeply worrying to be obviously adored, because everyone, from the inside, knows very well that they don’t deserve intense acclaim, are often disappointing and sometimes quite simply pitiful. So seduction involves suggesting both that one likes the other person a lot – and yet can see their frailty quite clearly, that one cope with it and forgive it with gentle indulgence. One might, towards the end of the evening drop in a small warm tease that alludes to our understanding of some less than perfect side of them: ‘I suppose you stayed under the duvet feeling a bit sorry for yourself after that?’ we might ask, with a benign smile. Such a gesture implies that we like another person not under a mistaken notion that they are flawless but with a full and unfrightened appreciation of their frailties. That ends up being powerfully seductive because it is, first and foremost, reassuring. It suggests the ideal way that we would like someone to view us within the testing conditions of a real relationship. We crave not admiration, but to be properly known and yet still liked and forgiven.
Alain de Botton
I’d rather be a beggar than be with the wrong king—not the queen of slaves, but the slave of bravery. I lay me on rocks, cover me with the darkness of the nights—not the king’s poisonous soft duvets that won’t let me meet I at dawn.
Maria I.I.A. (Ena)
Today is one of the days when Ma is Gone. She won't wake up properly. She's here but not really. She stays in Bed with the pillows on her head. Silly Penis is standing up, I squish him down. I eat my hundred cereal and I stand on my chair to wash the bowl and Meltedy Spoon. It's very quiet when I switch off the water. I wonder did Old Nick come in the night. I don't think he did because the trash bag is still by Door, but maybe he did only he didn't take the trash? Maybe Ma's not just Gone. Maybe he squished her neck even harder and now she's - I go up really close and listen till I hear breath. I'm just one inch away, my hair touches Ma's nose and she puts her hand up over her face so I step back. I don't have a bath on my own, I just get dressed. There's hours and hours, hundreds of them. Ma gets up to pee but not talking, with her face all blank. I already put a glass of water beside Bed but she just gets back under Duvet.
Emma Donoghue (Room)
40, not a bad run in the history of human existence but she’d really rather it all kept going, water in the taps, whales in the oceans, fruit and duvets, the whole sumptuous parade, she was into it thanks, she’d like that show to run and run.
Olivia Laing (Crudo)
Sometimes I found it strange that you had to pray in the dark, although maybe it was like my glow-in-the-dark duvet: the stars and the planets only emitted light and protected you from the night when it was dark enough. God must work the same way.
Lucas Rijneveld (The Discomfort of Evening)
Her eyes stung from crying for so long and having some tears dry on them. Her body was weak from the exercise but she did not feel better. While she was crying she had wanted someone, anyone to come and hold her. She had crawled into her closet, hoisted herself up onto the shelf that had duvets and bedsheets and curled herself among those. Now she knew that no hug could erase her pain, no sort of embrace could bind up her heart. She needed a new heart it seemed, her old heart was beyond repair.
Roxanna A Kazibwe
How many late dinners of ham and pickled anchovies? How many arguments over the sock drawer—blacks mixing with navy blues—until they decided at last to have separate drawers? Separate duvets, as in Germany? Separate brands of coffee and tea? Separate vacations
Andrew Sean Greer (Less (Arthur Less, #1))
Ditching the demon drink means walking away from the endless cycle of negativity and bashing of self – the mornings filled with recriminations and self-hatred, when the only option appears to be hiding under the duvet and wishing the world would disappear, will
Sarah Turner (The Sober Revolution - Calling Time on Wine O'Clock)
Sophie opened one sleepy eye. A chink of light had found its way through a gap in the bedroom curtains and was falling on her face. She felt her husband slide his cold body down under the duvet and raised her head. She spotted a steaming mug of tea on her beside cabinet.
Michael Hambling (Secret Crimes (DCI Sophie Allen #3))
Yes, I thought, as I wiggled my toes under the duvet, each of us has in our mouths the incomparable taste of our own lives. We roll it around with our tongues, over and under, above and below. We hold it in or else we spit it out. And sometimes, sometimes we choke on it.
Sarah Bernstein (The Coming Bad Days)
Tyler: Do you know what a duvet is? Narrator: A comforter. Tyler: It’s a blanket. Just a blanket. Why do guys like you and I know what a duvet is? Is this essential to our survival in the hunter-gatherer sense of the word? No. What are we, then? Narrator: I don’t know. Consumers?
Chuck Palahniuk (Fight Club)
It’s not about over-the-top gestures to me,” he finally says almost shyly. “It’s all the tiny moments that go to make a real love story. The funny things that go wrong like when one of you forgets your anniversary or does something silly. They all become part of your story. And you add to it with every argument or slammed door that you have. Every birthday or Christmas that you mould into a thing that only the two of you recognise. It’s taking care of each other when you’re throwing up or have a cold, it’s huddling under the duvet together laughing so hard your ribs hurt. It’s holding the other one when they’re frightened, knowing you will do anything to make them feel better again. It’s like being two pebbles on a beach. You start off individual shapes and then the weather and proximity means you rub the rough spots off so in the end you’re smooth with a patina that only echoes one other person.
Lily Morton (Best Man (Close Proximity, #1))
Picking me up, Frank carries me like they do in the movies to the back of the loft, pushing aside a gauzy scrim on rollers to reveal a king-size bed with Gothic-looking wooden posts jutting out from each corner. This is not the innocent white-sun-dappled bed of my dorm room fantasy. The sheets and duvet are a manly gray, and those posts recall certain scenes in Dracula and Wuthering Heights. Placing me on top of it, he pulls of his sweatshirt, revealing his pale, hairless chest. His disheveled hair hangs limply above his shoulders. He looks a little Klaus Kinski-ish- in need of blood, yet sexy, vulnerable, yet ready to please.
Hannah Mccouch (Girl Cook: A Novel)
His bed was made with a beige duvet. A neat desk with an elaborate computer set up on it. Three large screens and a keypad and wireless mouse in the middle. There was a tiny dog bed next to the desk and a potted plant in the corner. Artwork on the walls. It was a nice apartment—minus the view. He was obviously clean and had good enough taste.
Abby Jimenez (Just for the Summer)
La solitude est une chose bien étrange. Elle vous envahit, tout doucement et sans faire de bruit, s’assoit à vos côtés dans le noir, vous caresse les cheveux pendant votre sommeil. Elle s’enroule autour de vous, vous serre si fort que vous pouvez à peine respirer, que vous n’entendez presque plus la pulsation du sang dans vos veines, tandis qu’elle file sur votre peau et effleure de ses lèvres le fin duvet de votre nuque. Elle s’installe dans votre cœur, s’allonge près de vous la nuit, dévore comme une sangsue la lumière dans le moindre recoin. C’est une compagne de chaque instant, qui vous serre la main pour mieux vous tirer vers le bas quand vous luttez pour vous redresser. Vous vous réveillez le matin et vous vous demandez qui vous êtes. Vous n’arrivez pas à vous endormir le soir et tremblez comme une feuille. Vous doutez vous doutez vous doutez. je dois je ne dois pas je devrais pourquoi je ne vais pas Et même quand vous êtes prêt à lâcher prise. Quand vous êtes prêt à vous libérer. Quand vous êtes prêt à devenir quelqu’un de nouveau. La solitude est une vieille amie debout à votre côté dans le miroir ; elle vous regarde droit dans les yeux, vous met au défi de mener votre vie sans elle. Vous ne pouvez pas trouver les mots pour lutter contre vous-même, lutter contre les mots qui hurlent que vous n’êtes pas à la hauteur, que vous ne le serez jamais vraiment, jamais vraiment. La solitude est une compagne cruelle, maudite. Parfois, elle ne veut simplement pas vous abandonner
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Ma soeur a mis le feu à sa chambre en lisant la nuit avec une lampe de poche sous son duvet pour que mon père ne voie pas de lumière passer sous la porte. Mais elle l'a éteint toute seule, en battant l'édredon contre le mur, et en ouvrant la fenêtre pour évacuer la fumée. Quand ma mère entre le matin dans sa chambre, elle trouve tout cramé. Mes parents n'ont plus la force de rosser ma soeur, elle résiste trop dignement à leurs coups.
Hervé Guibert (My Parents (Masks))
It was colder that winter than I knew cold could be, even though the girl from Minnesota down the hall declared it “nothing.” Out in Oregon, snow had been a gift, a two-day dusting earned by enduring months of gray, dripping sky. But the wind whipping up the Hudson from the city was so vehement that even my bone marrow froze. Every morning, I hunkered under my duvet, unsure of how I’d make it to my 9:00 a.m. Latin class. The clouds spilled endless white and Ev slept in.
Miranda Beverly-Whittemore (Bittersweet)
All-out. Thaumaturgical. War. And there were of course no alliances, no sides, no deals, no mercy, no cease. The skies twisted, the seas boiled. The scream and whizz of fireballs turned the night into day, but that was all right because the ensuing clouds of black smoke turned the day into night. The landscape rose and fell like a honeymoon duvet, and the very fabric of space itself was tied in multidimensional knots and bashed on a flat stone down by the river of Time.
Terry Pratchett (Sourcery (Discworld, #5))
You apologized last night, don’t worry about it.” “I did?” “Yeah, about thirty times. Then you tried to seduce me, which I politely rejected—sorry. You were far too drunk to be doing anything other than sleeping.” Sinking farther into the duvet, I feel the heat creep to my cheeks. “Doesn’t sound like me. You sure?” He hums a “Yep,” smirking to himself. “You were very graphic with what you wanted to do to me. Told me my dick is the prettiest you’ve ever seen.” Peeking over my duvet shield, he looks so happy. “It is, to be fair.
Hannah Grace (Icebreaker)
About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..
Philippe Delerm
urge to jump up straight away. He lay unmoving and alert, listening out for the slightest sound. The cottage was old and there were often noises —creaks and bangs and scratchings —that he knew were not ghosts but just the normal sounds an old house makes. The waiting was torture. Finally, at ten past midnight Zak kicked his duvet aside and swung his legs over the side of the bed. He was already fully clothed. He retrieved a bag from under his bed, a small backpack that he’d packed earlier for his night-time excursion. It contained a torch, a pair of gloves and his mobile phone.
Janice Frost (Her Husband's Secret (DS Ava Merry and DI Jim Neal, #3))
I snapped my teeth at him making him retract his fingers to a safe distance away from my choppers. I grinned as I turned around and made a move to grab my duvet so I could shake it out and make my bed, only to find I couldn't because Storm was lying on top of it. I didn't even hear him come in. “Hello, my baby boy,” I cooed. Alec gasped from behind me. “How does he fucking do that?” I smiled as I leaned over and scratched behind Storm's ears. “Because he is a cool dog.” “This is not funny, he doesn't make a fucking sound... it's not right, not right at all!” I grinned. “I told you,” I said as I turned around to face Alec again. “He is a ninja dog.
L.A. Casey (Keela (Slater Brothers, #2.5))
It was good to be gay on Top of the Pops years before it was good to be gay in Parliament, or gay in church, or gay on the rugby pitch. And it’s not just gay progress that happens in this way: 24 had a black president before America did. Jane Eyre was a feminist before Germaine Greer was born. A Trip to the Moon put humans on the Moon in 1902. This is why recent debates about the importance of the arts contain, at core, an unhappy error of judgment. In both the arts cuts—29 percent of the Arts Council’s funding has now gone—and the presumption that the new, “slimmed down” National Curriculum will “squeeze out” art, drama and music, there lies a subconscious belief that the arts are some kind of . . . social luxury: the national equivalent of buying some overpriced throw pillows and big candle from John Lewis. Policing and defense, of course, remain very much “essentials”—the fridge and duvets in our country’s putative semi-detached house. But art—painting, poetry, film, TV, music, books, magazines—is a world that runs constant and parallel to ours, where we imagine different futures—millions of them—and try them out for size. Fantasy characters can kiss, and we, as a nation, can all work out how we feel about it, without having to involve real shy teenage lesbians in awful sweaters, to the benefit of everyone’s notion of civility.
Caitlin Moran (Moranthology)
When I woke up, sunlight was streaming through the windows in my suite. There was a lipstick-smeared drool stain on the Frette linens. And someone was . . . shouting. Wait, what? I turned my heavy head. The Vice President of Marketing was in my room—yelling at me! “AHHHHH!” I was nearly naked! I fumbled for the duvet. “You missed breakfast!” The Vice President of Marketing was bugging. Behind her was a male hotel employee with a key card. “We’ve been calling and calling!” “I overslept!” I cried. “Why are you in my room? Can you give me some fucking privacy? You can’t just bust in on people!” I knew I shouldn’t talk to one of Lucky’s biggest advertisers this way, but I was pissed. I may have been a drug addict, but I had my dignity! You know?
Cat Marnell (How to Murder Your Life)
the air veined with balancings in the rootless spaces where endless worlds are formed and dissolve snow duvet dancing in the night beating in the heart’s ear of a language so close to being here — memory of snow on the skin melted flakes of past images edgeless night on the edge of memory clouds assemble and dilate the straw thrown into the light bright plovers turning under the wind I listen again to what ear throat fingers and brain extract in a moment from the endless flowing stream of things a water that transports friable words which we pass from hand to hand from mouth to ear, bits of mourning and clarity — low voices and the footsteps become clear the embers of a life roll on without brakes red of a morning, of another sunset in the gorges, on the broken stonefields someone within me listens relentlessly to the inaudible beating in things. from " Nuits
Lorand Gaspar
remarqua que si on laisse refroidir de la résine qui a été fondüe, & que, si, avant qu'elle soit tout-à-fait refroidie, on en approche du cuivre en feüilles, elle l'attire à la distance d'un pouce ou deux, sans aucun frottement précédent. M. Gray continua avec succès les recherches électriques de Boyle & de Hauksbée; ayant voulu éprouver s'il y avoit quelque différence dans l'attraction du tube lorsqu'il étoit bouché par les deux bouts & lorsqu'il ne l'étoit pas, il n'en apperçut aucune; mais comme il tenoit une plume ou duvet au-dessus du bouchon de liége dont le bout supérieur du tube étoit bouché, il remarqua que cette plume étoit attirée & ensuite repoussée par le liége de la même manière qu'elle a coutume de l'être par le tube. Cette observation le confirma dans une pensée qu'il avoit euë autrefois, que, comme le tube frotté dans l'obscurité communique de la lumière aux autres corps
Benjamin Franklin (Experiments and observations on electricity. French (French Edition))
(Romance is) not about over-the-top gestures to me,” he finally says almost shyly. “It’s all the tiny moments that go to make a real love story. The funny things that go wrong like when one of you forgets your anniversary or does something silly. They all become part of your story. And you add to it with every argument or slammed door that you have. Every birthday or Christmas that you mould into a thing that only the two of you recognise. It’s taking care of each other when you’re throwing up or have a cold, it’s huddling under the duvet together laughing so hard your ribs hurt. It’s holding the other one when they’re frightened, knowing you will do anything to make them feel better again. It’s like being two pebbles on a beach. You start off individual shapes and then the weather and proximity means you rub the rough spots off so in the end you’re smooth with a patina that only echoes one other person.
Lily Morton
He curled his arms, popped his biceps. "The Hulk is no match for the power of these pythons." "I see another python is also proud of the fact that my room is destroyed." Liam cupped his semi-erect length and gave a manly tug. "The desk is next. Or should we do it on your dresser? You've got a weapon of mass destruction at your beck and call. Just point me in the right direction." Laughter bubbled up in her chest. She loved this playful, joyful side of Liam. Maybe he'd never really had a chance to embrace that part of his personality when he was growing up, but he was definitely making up for it now. "Are you seriously comparing yourself to a weapon of mass destruction?" "Look at this room." He opened his arms wide. "We rocked the fucking world." Daisy made her way across the broken shambles of the bed. It didn't look girlie anymore. They'd managed to knock off the pink duvet, and all the fluffy pillows, and tangle the delicately flowered sheets in a heap. Definitely time for a change. "Where are you going"----he growled----"wiggling that sexy little ass at me?" Daisy looked back over her shoulder and smiled. "You said something about a desk?
Sara Desai (The Dating Plan (Marriage Game, #2))
He was taller than Kay, which gave him just the geometric extent to wholly wrap her back. He could honestly say that he could not remember ever lying around her, beside her, or intertwined with her in a position that was slightly uncomfortable—that was, in fact, anything short of sumptuous. The earthy tones of his wife’s natural scent hit a descant note of sweetness, and featured the same subtle complexity that Kay savoured in red wine; thus he loved nothing better than nestling a cheek on her shoulder to inhale at the base of her neck, where the heady smell was distilled. She didn’t snore, but she did have an endearing habit of talking as she dreamt, which helped convey that the shifting and realigning of their bodies during the night were a form of conversation. Their sleep was best in winter and constituted the most winning aspect of the season (in comparison, sod Christmas), when they lowered the thermostat to 12°C and doubled the duvets, the air sharp and fresh in their lungs, their bodies in due course so indolently warm that it felt almost criminal. An instep cooled outside the duvet would slip bracingly against his calf; a hand warmed under the pillow would cup the side of his neck, making him feel not only safe and beloved, but more profoundly and perfectly present in the single beating moments of his life than he ever felt during the day.
Lionel Shriver (Should We Stay or Should We Go)
I picked her up and carried her down the hall to the bathroom, just a pitiful skeleton with skin stretched over the top and a great red scar across her chest. She sank onto the plastic seat we had got from the hospital and closed her eyes as I washed her, leaning her poor bald head back exhaustedly against the back of the shower cubicle. "I'll just change the sheets," I said, "I won't be a minute - would you rather sit under the water, or shall I turn it off and wrap you up in a towel ?" "Under the water," she whispered. I had to strip the bed entirely, and two of the pillows were saturated. I replaced them with pillows from my bed, and while I was at it my duvet as well. Then I propped the poor woman up against the bathroom sink to dry and dress her, picked her up and carried her back to bed. Never have I been so grateful to be, after all, a strapping wench rather than a delicate wisp of a girl. As I pulled the covers up under her chin she opened her eyes, looked at me sternly and said with nearly her old decision, "This is not the way I wish to be remembered, Josephine." "I know," I whispered, the tears spilling unchecked down my cheeks. Nurses are supposed to be bright and matter-of-fact about these things: my bracing professional manner left a lot to be desired. "I'll get you some dinner." "No," she said. "Just my pills, love." Back in the kitchen I stood for a moment in a trance of indecision, wondering where the hell to start. It didn't really matter - when you're overcome with lethargy you just have to do something. And then the next thing, and then the next, and eventually, although you'd have sworn you were far too tired and depressed to accomplish anything, you're finished. I turned on the tap about the big concrete sink by the back door and began to scrub sheets and blankets.
Danielle Hawkins (Dinner at Rose's)
So you hook up with strangers?" Liam asked in a hushed whisper as the cashier rang up their order. "Were you with someone last night?" "Yes. His name is Max." She pulled out her phone. "I have a selfie of us together." She held it up for the cashier to see, keeping the screen away from Liam's line of vision. "Oh, he's gorgeous," the cashier said. "He's got the nicest eyes." "Let me see." Liam felt his protective instincts rise. "Who is he? Max who?" "He doesn't have a last name." "Jesus Christ, Daisy," he spluttered. "Does Sanjay know you do this? What about your dad?" "They know all about Max," Daisy said. "In fact, my dad took a picture of us cuddled together in bed the night before he left on his trip, and the cutest one of Max on my pillow. I bought some pajamas but he refused to wear them. He likes to sleep au naturel." Bile rose in Liam's throat. "And your dad took... pictures?" "Photography is his new hobby. He took some great shots when I was giving Max a bath..." "Stop." Liam held up a hand. "Just... I can't. I don't know what's happened to you, but it ends now. We're engaged and that means no more random hookups, no pornographic pictures, and no flashing pictures of strangers in the nude." "Amina doesn't mind. She's my second cousin." Daisy introduced them before turning her phone around. "And this is Max." Liam was a heartbeat away from shutting his eyes when his brain registered the picture of a fluffy white dog on a pink duvet. His tension left him in a rush. "Max is a dog." "He's a Westie. Layla got him for me as an emotional support dog at a bad time in my life." Liam bit back the urge to ask Daisy about a time so bad she'd needed extra love. It was her business, and he could only hope she would tell him when she was ready so he could offer his support. "That wasn't funny." "Amina and I were amused." "I heard you were engaged." Amina's gaze flicked to Liam and she blushed. "He's almost as cute as Max.
Sara Desai (The Dating Plan (Marriage Game, #2))
banquet oifert à un député par ses électeurs reconnaissants. La cheminée est ornée d’une pendule d’un goût atrocement troubadour, représentant le templier Bois-Guilbert enlevant une Rébecca dorée sur un cheval argenté. A droite et à gauche de cette odieuse horloge sont placés deux flambeaux de plaqué sous un globe. Ces magnificences sont l’objet de la secrète envie de plus d’une ménagère de Pont-de-Arche, et la servante elle-même ne les essuie qu’en tremblant. Je ne parle pas de quelques caniches en verre filé, d’un petit saint Jean en pâte de sucre, d’un Napoléon en chocolat, d’un cabaret chargé de porcelaines communes et pompeusement installé sur une table ronde, de gravures représentant les Adieux de Fontainebleau, Souvenirs et regrets, la Famille du marin, les Petits Braconniers et autres vulgarités du même genre. — Concevez-vous rien de pareil ? Je n’ai jamais su comprendre, pour ma part, cet amour du commun et du laid. Je conçois que tout le monde n’ait pas pour logement des Alhambras, des Louvres ou des Parthénons ; mais il est toujours si facile de ne pas avoir de pendule ! de laisser les murailles nues, et de se priver de lithographies de Maurin ou d’aquatintes de Jazet ! Les gens qui remplissaient ce salon me semblaient, à force de vulgarité, les plus étranges du monde ; ils avaient des façons de parler incroyables, et s’exprimaient en style fleuri, comme feu Prudhomme, élève de Brard et Saint-Omer. Leurs têtes, épanouies sur leurs cravates blanches, et leurs cols de chemise gigantesques faisaient penser à certains produits de la famille des cucurbitacés. Quelques hommes ressemblent à des animaux, au lion, au cheval, à l’âne ; ceux-ci, tout bien considéré, avaient l’air encore plus végétal que bestial. Des femmes, je n’en dirai rien, m’étant promis de ne jamais tourner en ridicule ce sexe charmant. Au milieu de ces légumes humains, Louise faisait l’effet d’une rose dans un carré de choux. Elle portait une simple robe blanche serrée à la taille par un ruban bleu ; ses cheveux, séparés en bandeaux, encadraient harmonieusement son front pur. Une grosse natte se tordait derrière sa nuque, couverte de cheveux follets et d’un duvet de pêche. Une quakeresse n’aurait rien trouvé à redire à cette mise, qui faisait paraître d’un grotesque et d’un ridicule achevés les harnais et les plumets de corbillard. des autres femmes ; il était impossible d’être de meilleur goût. J’avais peur que mon infante ne profitât de la circonstance pour déployer quelque toilette excessive et prétentieuse, achetée d’occasion. Cette pauvre robe de mousseline qui n’a jamais vu l’Inde, et qu’elle a probablement faite elle-même, m’a touché et séduit ; je ne tiens pas à la parure. J’ai eu pour maîtresse une gitana grenadine qui n’avait pour tout vêtement que des pantoufles bleues et un collier de grains d’ambre ; mais rien ne me contrarie comme un fourreau mal taillé et d’une couleur hostile. Les dandies bourgeois préférant de
Théophile Gautier (La Croix de Berny: Roman steeple-chase (French Edition))
The poor soul would have been 100 - if he'd lived another twelve years. Apparently he asked to be scattered over the place where he spent his happiest moments - but Bridget wasn't keen no having ash all over her duvet.
Bridget Golightly (Bridget and Joan's Diary)
Quand j'avais quatre ans, un jour où je regardais les flocons tomber, j'avais demandé à mon père pourquoi la neige était blanche. Il m'avait répondu que c'étaient les cygnes qui survolaient le ciel et qui, en se heurtant aux nuages, perdaient un peu de leur duvet. À cette époque, mon père incarnait pour moi le savoir absolu et, pendant longtemps, cette image s'est imposée à moi dès que je me trouvais face à un paysage enneigé : je songeais à ces milliers de cygnes qui avaient sacrifié une partie de leurs plumes pour le bonheur de mes yeux.
Aurelia Demarlier (Le garçon bleu)
As he ran out of the door, Jessica rolled sideways, keeping her grip on Flora but trying not to either hurt the other woman or get clattered herself. She slipped off the bed, avoided Flora’s flailing foot, wrenched up the bottom of the duvet – and then threw it forward until the thrashing woman was entirely covered. Then she sat on her.
Kerry Wilkinson (For Richer, For Poorer (Jessica Daniel #10))
As he drove on, the sense that they were not on the same page –that they needed different things at this crucial time –entered the car like a discomfiting presence. He’d thought –he’d felt –that yesterday morning had been their proper leavetaking, and that this trip to the airport was just . . . a postscript, almost. Yesterday morning had been so right. They’d finally worked their way to the bottom of their ‘To Do’list. His bag was already packed. Bea had the day off work, they’d slept like logs, they’d woken up to brilliant sunshine warming the yellow duvet of their bed. Joshua the cat had been lying in a comical pose at their feet; they’d nudged him off and made love, without speaking, slowly and with great tenderness.
Michel Faber (The Book of Strange New Things)
But apparently it was the bed linen that changed her mind. Cool blue silk and cotton patchwork. When Dad laid the stitched pillowcase and duvet out for her on the sofa, the colours reminded her of something she’d never seen. She said to us, “Imagine everyone in the house—even people we don’t know—all wrapped up safe in blue, like fishes. What fun . . .
Helen Oyeyemi (White Is for Witching)
But the ground shakes, as if something's trying to push up from below, and I think of other people's mothers shaking out their duvets or even God shaking out the fabric of space-time.
Scarlett Thomas (The End of Mr. Y)
Ever cried when you don’t know what you’re crying about? It’s intense, and it’s miserable, but oddly soothing at the same time. You’re curled up in your bed, huddled under the duvet, and you’re silently sobbing in the safety of your cocoon. That’s
Claire Hennessy (Stereotype)
I spent more time than was strictly necessary in the plush red corridors of the Hotel Metropole in Hanoi. For some reason, I had convinced myself that I needed to see the inside of suite 228, which was otherwise referred to in the voluminous hotel literature as "the Graham Greene Suite." Greene, whom I had been mildly fixated on for some time, had stayed there during the fifties. I was staying next door in suite 226, and after several days of wondering how I was going to get into his room, I noticed the maid's cart outside. When she finally ducked out to refill her stash of aloe shampoo and little almond soaps, I slipped through the half-opened door. Inside was a bare mahogany desk, a brass lamp, a king-size bed with a modern, striped duvet, and several spindly French sofas, also striped. I couldn't help feeling vastly let down. The setting was devoid of both Greene's seediness - he later regretted popularising the word "seedy" - and his elegance, which should not, of course, have come as a surprise. The Metropole was gutted after the war and rebuilt. And even if it hadn't been, I knew from experience that this sort of literary pilgrimage is always anticlimactic: the writer is dead and what remains of him is in his books.
Katie Roiphe (In Praise of Messy Lives: Essays)
out and started again? Well, she hated cold tea, so she tipped it onto the grass, holding her breath. No complaint, so she began again. ‘Milk?’ Hannah studied him from under her hair. ‘Yes, please, just a small amount. Lapsang is a very delicate tea and too much milk kills the flavour.’ ‘I’ll need lots of milk then.’ Balancing the cup, saucer and spoon carefully, she offered it. ‘Thank you, Miss Hollis.’ ‘Hannah.’ She poured her own tea, wondering if it would taste like the ashtray it smelled like. With cup only in hand, she leaned against the back of the wooden chair then threw a leg over the side arm. ‘So, Miss Hollis, what brings you to Cornwall?’ ‘Call me Hannah. Miss Hollis makes me sound like some old school marm.’ ‘Is that a problem? Most old school marms, as you call them, of my acquaintance are delightful people.’ ‘Sure, but boring I bet.’ ‘Not at all.’ ‘Right. Not to you, maybe.’ Hannah braved a sip and winced. ‘Back to the question: what has brought you to Cornwall?’ ‘Bloody bad luck,’ she said, frowning at her tea. ‘No need to swear,’ he said. ‘I didn’t swear.’ ‘You did,’ he said. ‘What? Are you talking about bloody?’ she asked. ‘Yes. It is a curse.’ ‘No,’ she said. ‘Yes.’ ‘Well, maybe in the dark ages it was, but it isn’t now.’ She began to wonder if she’d walked through a time machine when she’d come through the gate earlier. It was a nice one, though. The orchard was beautifully laid out and the table and chairs were a lovely weathered blue. ‘Who advised you of this?’ he asked. Hannah sat up and put her empty cup on the table, not quite sure when she had drunk it. ‘Look, it’s a word that’s used every day.’ ‘Yes, but does that change its meaning?’ he asked. ‘No, but no one takes it like that any more.’ ‘Who is no one?’ he asked. ‘I mean no one who hasn’t lived in the dark ages.’ She looked at his wrinkled skin and tried to guess his age. ‘You mean anyone over the age of, say, sixty?’ he suggested. ‘Yeah, sort of.’ ‘Well, as I fit that category, could you refrain from using it?’ ‘Yeah, I guess. If it bothers you that much.’ ‘Thank you. Would you be kind enough to pour more tea?’ Old Tom leaned back into his chair. The sun wasn’t coming through the east window when Maddie opened her eyes for the second time that day; instead, she found Mark standing at the end of the bed with a tray. She blinked. When she last peered at the bedside clock, it had been eight a.m. and she’d thought that if she slept for another hour, she would begin to feel human. What a wasted day. What had Hannah been up to? Had she come into the room and seen her like this? Well, it was a lesson in what not to do in life. The end of last night, no, this morning, was more than fuzzy; in fact, she didn’t remember coming up to her room. The last clear memory was saying goodbye to Tamsin and Anthony. She and Mark had gone back into the kitchen and had another glass of wine or two. ‘Good evening,’ he said. ‘It’s not that late?’ ‘Almost time for a drink.’ He smiled. She winced. ‘Oh, don’t.’ ‘Would a bit of tea and toast help?’ ‘It might.’ Maddie eased herself onto her elbows and then slipped back down again. She was only wearing knickers. Mark’s eyes widened. ‘Could you hand me that shirt on the end of the bed?’ she asked. ‘Certainly.’ She wrestled with it under the duvet. ‘Sorry. I couldn’t find your pyjamas last night.’ ‘What?’ Maddie
Liz Fenwick (The Cornish House)
They lay side by side, the duvet cover pulled up to their necks as though it offered protection. Very little sleep followed.
Chris Botragyi (Blurred Vision: Seven billion voices about to be silenced)
The white duvet is peppered with the copper-and-white hairs that incessantly fall from my dog, and when he lies down, a cloud of them fly into the air.
Meghan Scott Molin (The Frame-Up (The Golden Arrow #1))
And you – you get to swan off every day to your precious little studio, and make your pretty little necklaces with your lovely daddy at the end of the fucking line ready to bail you out every time you go into the red and your lovely little mortgage-free apartment and – and your youth and you have no idea, you literally have no idea about anything, Rachel. You’re a fucking child.’ Michael ripped the duvet away from himself and stalked to the bathroom.
Lisa Jewell (The Family Remains (The Family Upstairs, #2))
A duvet is no match for Led Zeppelin. He was caught red-handed undercover.
Andrew Penman (Thick As Thieves : Hilarious Tales of Ridiculous Robbers, Bungling Burglars and Incompetent Conmen)
Growing up in the late 1970s, coorie at my gran's house meant to keep warm and cuddle in. No double glazing or duvets then.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
Les godillots de ma mère J’ignorais tout des godillots de Van Gogh. Je connaissais les godillots de ma mère. Je savais combien de fois ils avaient été réparés, Je connaissais les semelles usées, le nombre de nœuds qu’avaient les lacets, la pointe d’un clou qui, une fois, était entrée dans mon talon droit. Maman travaillait un jour sur deux, c’est-à-dire qu’un jour elle travaillait et un jour elle restait à la maison. Ils étaient ainsi ses horaires. Le jour où elle restait à la maison j’allais à l’école. Avec ses godillots. Maman mettait à l’intérieur, tout au bout des boulettes de finette faites avec de vieux pyjamas. Elle choisissait toujours des motifs floraux, et seulement de la finette blanche. Elle mettait aussi sur les semelles amincies des godillots, d’autres morceaux de finette blanche pour que je ne sente pas les fines couches de glace. C’est ainsi que j’allais à l’école. Avec ses godillots. Le bâtiment de l’école était un ange. L’ange se penchait et attachait mieux mes lacets puis il essuyait la boue sur les godillots avec une boule de duvet et des plumes d’ange. De ses ailes. Puis il se levait et me regardait. Il commençait à pleurer. Moi, je ne pleurais pas. L’ange me conduisait jusqu’à la porte de la classe. C’est comme ça que j’ai appris pour les godillots de Van Gogh. Mais aujourd’hui, je n’ai plus les godillots de ma mère. L’ange les a pris pour les porter lui-même. (Ghetele mamei, traduit du roumain par Gabrielle Danoux)
Clelia Ifrim
At any rate, there were no women in my apartment." "Porn?" I question with a snort. "Figures." "Non, it was an actress I asked to do me a favor. A phone call. It was my way to get you back for spilling wine on my duvet and all your stomping around." "Oh my god," I say, sitting back in my chair, shaking my head with disbelief. After I got over the initial shock of his deception, my lips twist into an awkward smile. "So, the other night---" "I just placed my iPhone by the vent---" "She's a really good actress," I say with a snort. "Really good.
Samantha Verant (The Spice Master at Bistro Exotique)