Dutch House Quotes

We've searched our database for all the quotes and captions related to Dutch House. Here they are! All 100 of them:

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There are a few times in life when you leap up and the past that you'd been standing on falls away behind you, and the future you mean to land on is not yet in place, and for a moment you're suspended knowing nothing and no one, not even yourself.
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Ann Patchett (The Dutch House)
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I see the past as it actually was," Maeve said. She was looking at the trees. "But we overlay the present onto the past. We look back through the lens of what we know now, so we're not seeing it as the people we were, we're seeing it as the people we are, and that means the past has been radically altered.
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Ann Patchett (The Dutch House)
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We had made a fetish out of our misfortune, fallen in love with it.
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Ann Patchett (The Dutch House)
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But we overlay the present onto the past. We look back through the lens of what we know now, so we’re not seeing it as the people we were, we’re seeing it as the people we are, and that means the past has been radically altered.
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Ann Patchett (The Dutch House)
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And so I made the decision to change. It might seem like change was impossible, given my nature and my age, but I understood exactly what there was to lose. It was chemistry all over again. The point wasn’t whether or not I liked it. The point was it had to be done.
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Ann Patchett (The Dutch House)
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Do you think it’s possible to ever see the past as it actually was?
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Ann Patchett (The Dutch House)
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You have to serve those who need to be served, not just the ones who make you feel good about yourself.
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Ann Patchett (The Dutch House)
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Disappointment comes from expectation,
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Ann Patchett (The Dutch House)
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There would never been an end to all the things I wished I'd asked my father. After so many years I thought less about his unwillingness to disclose and more about how stupid I'd been not to try harder.
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Ann Patchett (The Dutch House)
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Fluffy always said there was no greater luxury for a woman than to have a window over the sink.
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Ann Patchett (The Dutch House)
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Thinking about the past impeded my efforts to be decent in the present.
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Ann Patchett (The Dutch House)
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We were all so young, you know. We were still our best selves.
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Ann Patchett (The Dutch House)
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We had stepped into the river that takes you forward.
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Ann Patchett (The Dutch House)
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Our childhood was a fire. There had been four children in the house and only two of them had gotten out.
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Ann Patchett (The Dutch House)
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The dinner was a huge production, with kids stashed in the den to eat off card tables like a collection of understudies who dreamed of one day breaking into the dining room.
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Ann Patchett (The Dutch House)
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There would never been an end to all the things I wished I'd asked my father.
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Ann Patchett (The Dutch House)
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We had made a fetish out of our misfortune, fallen in love with it. I was sickened to realize we’d kept it going for so long, not that we had decided to stop.
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Ann Patchett (The Dutch House)
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Maeve, speak up. Don't expect that anyone will do you the favor of listening if you don't trouble yourself to use your voice.
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Ann Patchett (The Dutch House)
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The biggest lie in business is that it takes money to make money, remember that. You gotta be smart, have a plan, pay attention to what's going on around you. None of that costs a dime.
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Ann Patchett (The Dutch House)
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That night in my sister’s bed I stared at the ceiling and felt the true loss of our father. Not his money or his house, but the man I sat next to in the car. He had protected me from the world so completely that I had no idea what the world was capable of. I had never thought about him as a child. I had never asked him about the war. I had only seen him as my father, and as my father I had judged him. There was nothing to do about that now but add it to the catalog of my mistakes.
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Ann Patchett (The Dutch House)
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It’s like you don’t want to be dislodged from your suffering.
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Ann Patchett (The Dutch House)
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Like swallows, like salmon, we were the helpless captives of our migratory patterns. We pretended that what we has lost was the house, not our mother, not our father. We pretended that what we had lost has been taken from us by the person who still lived inside…
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Ann Patchett (The Dutch House)
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There are a few times in life when you leap up and the past that you'd been standing on falls away behind you, and the future you mean to lean on is not yet in place, and for a moment you are suspended, knowing nothing and no one, not even yourself.
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Ann Patchett (The Dutch House)
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Because I was fifteen and generally an idiot, I thought that the feeling of home I was experiencing had to do with the car and where it was parked, instead of attributing it wholly and gratefully to my sister.
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Ann Patchett (The Dutch House)
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You don't have to like your work to be good at it.
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Ann Patchett (The Dutch House)
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She was a magnificent child, and the whole world was laid out in front of her, covered in stars.
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Ann Patchett (The Dutch House)
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Women had read about their liberation in books but not many of them had seen what it looked like in action.
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Ann Patchett (The Dutch House)
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And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors' eyes--a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby's house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.
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F. Scott Fitzgerald (The Great Gatsby)
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I had a mother who left when I was a child. I didn’t miss her. Maeve was there, with her red coat and her black hair, standing at the bottom of the stairs, the white marble floor with the little black squares, the snow coming down in glittering sheets in the windows behind her, the windows as wide as a movie screen, the ship in the waves of the grandfather clock rocking the minutes away.
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Ann Patchett (The Dutch House)
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One of us was sleeping and I didn't know which one of us it was.
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Ann Patchett (The Dutch House)
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The fact that I had never wanted to be a doctor was nothing more than a footnote to a story that interested no one. You wouldn’t think a person could succeed in something as difficult as medicine without wanting to do it, but it turned out I was part of a long and noble tradition of self-subjugation.
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Ann Patchett (The Dutch House)
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Celeste and I had made a few halfhearted attempts to get the kids to church when they were young, and then we gave up and left them in bed. In the city of constant stimulation, we had failed to give them the opportunity to develop strong inner lives for those occasions when they would find themselves sitting through the second act of The Nutcracker.
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Ann Patchett (The Dutch House)
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She took it all in, and as the stories of the past unfolded she had nothing but sympathy for me. Celeste wasn’t wondering why I had taken so long to tell her about my life, she took the fact that I was telling her now as proof of my love.
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Ann Patchett (The Dutch House)
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Mothers were the measure of safety, which meant that I was safer than Maeve. After our mother left, Maeve took up the job on my behalf but no one did the same for her.
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Ann Patchett (The Dutch House)
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The madder Maeve got, the more thoughtful she became. In this way she reminded me of our father -- every word she spoke came individually wrapped.
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Ann Patchett (The Dutch House)
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...her big, wandering brain was underutilized, and would often turn itself against my sister.
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Ann Patchett (The Dutch House)
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Don’t let yourself get upset. People who get upset only make more work.
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Ann Patchett (The Dutch House)
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I leaned over and kissed them both on the forehead, one and then the other. It cost me nothing.
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Ann Patchett (The Dutch House)
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Sandy shook her head. β€œBoys,” she said, and with that single word excused me from all responsibility.
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Ann Patchett (The Dutch House)
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You have to serve those who need to be served. Not just the ones who make you feel good about yourself.
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Ann Patchett (The Dutch House)
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I just want her to be one of us, but when you think about saints, I don't imagine any of them made their families happy.
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Ann Patchett (The Dutch House)
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To grow up with a mother who had run off to India, never to be heard from again, that was one thing β€” there was closure in that, its own kind of death. But to find out she was fifteen stops away on the Number One train to Canal and had failed to be in touch was barbaric. Whatever romantic notions I might have harbored, whatever excuses or allowances my heart had ever made on her behalf, blew out like a match.
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Ann Patchett (The Dutch House)
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Until that minute I never realized the extent to which I carried this fear with me everywhere, every minute of my life.
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Ann Patchett (The Dutch House)
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After years of living in response to the past, we had somehow miraculously become unstuck, moving forward in time
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Ann Patchett (The Dutch House)
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Back then I didn’t know you weren’t supposed to give your whole heart to a baby that isn’t yours.
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Ann Patchett (The Dutch House)
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It sounded so nostalgic when he said it, the three of us, as if we had once been a unit instead of just a circumstance.
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Ann Patchett (The Dutch House)
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You are my sister, my only relation. Do not put your face in the fucking fire.
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Ann Patchett (The Dutch House)
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But we overlay the present onto the past. We look back through the lens of what we know now, so we’re not seeing it as the people we were, we’re seeing it
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Ann Patchett (The Dutch House)
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Boys at Columbia went to class and boys in Harlem went to war, a reality not suspended for a friendly Saturday pick-up game.
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Ann Patchett (The Dutch House)
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The kitchen was at the back of the house and there was a window over the sink. Fluffy always said there was no greater luxury for a woman than to have a window over the sink. β€œMy
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Ann Patchett (The Dutch House)
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The point wasn't whether or not I liked it. The point was it had to be done.
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Ann Patchett (The Dutch House)
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No anger could survive this, at least no anger I'd ever had.
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Ann Patchett (The Dutch House)
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The only way to really understand what money means is to have been poor,
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Ann Patchett (The Dutch House)
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Then I remembered what my father had told me, that the things we could do nothing about were best put out of our minds.
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Ann Patchett (The Dutch House)
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The problem, I wanted to say, was that I was asleep to the world. Even in my own house I had no idea what was going on.
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Ann Patchett (The Dutch House)
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leaving your children meant leaving them to chance.
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Ann Patchett (The Dutch House)
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Even the stupidest ideas have resonance once they’ve happened
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Ann Patchett (The Dutch House)
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Though I had been a doctor for only a short time, I knew the havoc the well could unleash upon the sick.
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Ann Patchett (The Dutch House)
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I had only seen him as my father, and as my father I had judged him. There was nothing to do about that now but add it to the catalog of my mistakes.
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Ann Patchett (The Dutch House)
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It is nice that what eventually became the late British Empire has not been ruled by an 'English' dynasty since the early eleventh century: since then a motley parade of Normans (Plantagenets), Welsh (Tudors), Scots (Stuarts), Dutch (House of Orange) and Germans (Hanoverians) have squatted on the imperial throne. No one much cared until the philological revolution and a paroxysm of English nationalism in World War I. House of Windsor rhymes with House of SchΓΆnbrunn or House of Versailes.
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Benedict Anderson (Imagined Communities: Reflections on the Origin and Spread of Nationalism)
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There are a few times in life when you leap up and the past that you'd been standing on falls away behind you, and the future you mean to land on is not yet in place, and for a moment you're suspended, knowing nothing and no one, not even yourself.
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Ann Patchett (The Dutch House)
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Mrs. Almond lived much farther up town, in an embryonic street with a high numberβ€”a region where the extension of the city began to assume a theoretic air, where poplars grew beside the pavement (when there was one), and mingled their shade with the steep roofs of desultory Dutch houses, and where pigs and chickens disported themselves in the gutter. These elements of rural picturesqueness have now wholly departed from New York street scenery; but they were to be found within the memory of middle-aged persons, in quarters which now would blush to be reminded of them.
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Henry James (Washington Square (Signet Classics))
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Most of the big shore places were closed now. And there were hardly any lights except the shadowy, moving glow of the ferryboat across the sound. And as the moon rose higher, the inessential houses began to melt away till gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes, A fresh green breast of the new world. Its vanished trees had once pandered in whispers to the last and greatest of all human dreams. For a transitory, enchanted moment man must have held his breath in the presence of this continent. Face to face, for the last time in history, with something commensurate to its capacity for wonder.
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F. Scott Fitzgerald (The Great Gatsby)
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Most of the big shore places were closed now and there were hardly any lights except the shadowy, moving glow of a ferryboat across the Sound. And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes β€” a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder. And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter β€” to-morrow we will run faster, stretch out our arms farther… . And one fine morning β€”β€” So we beat on, boats against the current, borne back ceaselessly into the past.
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F. Scott Fitzgerald (The Great Gatsby)
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Men!” Maeve said, nearly shouting. β€œMen leave their children all the time and the world celebrates them for it. The Buddha left and Odysseus left and no one gave a shit about their sons. They set out on their noble journeys to do whatever the hell they wanted to do and thousands of years later we’re still singing about it. Our mother left and she came back and we’re fine. We didn’t like it but we survived it. I don’t care if you don’t love her or if you don’t like her, but you have to be decent to her, if for no other reason than I want you to. You owe me that.
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Ann Patchett (The Dutch House)
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There are a few times in life, when you leap up, and the past that you've been standing on falls away behind you. And the future you mean to land on is not yet in place. And for a moment you're suspended, knowing nothing and no one, not even yourself.
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Ann Patchett (The Dutch House)
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I had been to Amsterdam a couple of times with Eric; we loved the museums and the Concertgebouw (it was here that I first heard Benjamin Britten’s Peter Grimes, in Dutch). We loved the canals lined with tall, stepped houses; the old Hortus Botanicus and the beautiful seventeenth-century Portuguese synagogue; the Rembrandtplein with its open-air cafΓ©s; the fresh herrings sold in the streets and eaten on the spot; and the general atmosphere of cordiality and openness which seemed peculiar to the city.
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Oliver Sacks (On the Move: A Life)
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Yes,' he said. 'That's it. They'd kick him and beat him with a switch. Then if the youngster was really bad, they'd put him in a sack and take him back to Spain.' 'Saint Nicholas would kick you?' 'Well, not anymore,' Oscar said. 'Now he just pretends to kick you.' He considered this to be progressive, but in a way I think it's almost more preverse than the original punishment.'I'm going to hurt you but not really.' How many times have we fallen for that line? The fake slap invariably makes contact, adding the elements of shock and betrayal to what had previously been plain old-fashioned fear. What kind of a Santa spends his time pretending to kick people before stuffing them into a canvas sack? Then, of course, you've got the six to eight former slaves who could potentially go off at any moment. This, I think, is the greatest difference between us and the Dutch. While a certain segment of our population might be perfectly happy with the arrangement, if you told the average white American that six to eight nameless black men would be sneaking into his house in the middle of the night, he would barricade the doors and arm himself with whatever he could get his hands on. 'Six to eight, did you say?
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David Sedaris
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I felt a quick gust of annoyance and I let it turn to anger, anger being infinitely preferable to guilt.
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Ann Patchett (The Dutch House)
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We pretended that what we had lost was the house, not our mother, not our father. We pretended that what we had lost had been taken from us by the person who still lived inside.
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Ann Patchett (The Dutch House)
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At the time I didn’t hate her, so why do I scrub out every memory of kindness, or even civility, in favor of the memories of someone being awful?
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Ann Patchett (The Dutch House)
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when you think about saints, I don’t imagine any of them made their families happy.
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Ann Patchett (The Dutch House)
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He saw Mr. Otterson as the Willy Wonka of produce.
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Ann Patchett (The Dutch House)
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I'd never been in the position of getting my head around what I'd been given. I only understood what I'd lost.
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Ann Patchett
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I only understood what I’d lost.
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Ann Patchett (The Dutch House)
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His grief was a river as deep and as wide as my own. I knew that I should have gone to him later, I should have tried to comfort him, but there was no comfort in me.
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Ann Patchett (The Dutch House)
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Then I remembered what my father had told me, that the things we could do nothing about were best put out of our minds. I gave it a try and found that it was easier than I imagined.
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Ann Patchett (The Dutch House)
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We look back through the lens of what we know now, so we're not seeing it as the people we were, we're seeing it as the people we are, and that means the past has been radically altered.
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Ann Patchett (The Dutch House)
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There is a finite amount of time,” Maeve said. β€œMaybe I understand that better now. I’ve wanted my mother back since I was ten years old, and now she’s here. I can use the time I’ve got to be furious, or I can feel like the luckiest person in the world.” β€œThose are the two choices?
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Ann Patchett (The Dutch House)
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There was nothing wrong with the house really, other than it was too small: tiny closets, one bathroom. β€œI don’t care how rich you are, you can only use one bathroom at a time,” Maeve said.
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Ann Patchett (The Dutch House)
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You'd push a towel under the door so none of the light got out," Maeve said. "It's funny, but somehow I had it in my mind that light was rationed, everything was rationed so we couldn't let the light we weren't using just pour out on the floor. We had to keep it all in the closet with us.
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Ann Patchett (The Dutch House)
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Crucial to Lee’s plan was the defense of that part of Long Island directly across the East River and particularly the imposing river bluffs near the tiny hamlet called Brooklyn, which was also spelled Breucklyn, Brucklyn, Broucklyn, Brookland, or Brookline, and amounted to no more than seven or eight houses and an old Dutch church that stood in the middle of the Jamaica Road, the main road inland from the Brooklyn ferry landing.
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David McCullough (1776)
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but New York City was a wild card. Every hour was made up of a series of chances, and choosing to walk down one street instead of another had the potential to change everything: whom you met, what you saw or were spared from seeing.
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Ann Patchett (The Dutch House)
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We could sit here all night talking about cancer. I'm just telling you it's unsettling. There are thousands of ways your body can go off the rails for no reason whatsoever and chances are you won't know about any of it until it's too late.
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Ann Patchett (The Dutch House)
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There are a few times in life when you leap up and the past that you’d been standing on falls away behind you, and the future you mean to land on is not yet in place, and for a moment you’re suspended, knowing nothing and no one, not even yourself.
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Ann Patchett (The Dutch House)
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There are a few times in life when you leap up and the past that you'd been standing on falls away behind you, and the future you mean to land on is not yet in place, and for a moment you're suspended, knowing nothing and no one, not even yourself. It was an almost unbearably vivid present I found myself in that winter when Maeve drove me to Connecticut in the Oldsmobile.
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Ann Patchett (The Dutch House)
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Celeste was plenty happy in those days, though in retrospect she was the ultimate victim of bad timing, thinking that because she was good in chemistry she should marry a doctor instead of becoming a doctor herself. Had she come along a few years later she might have missed that trap altogether.
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Ann Patchett (The Dutch House)
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I see the past as it actually was,” Maeve said. She was looking at the trees. β€œBut we overlay the present onto the past. We look back through the lens of what we know now, so we’re not seeing it as the people we were, we’re seeing it as the people we are, and that means the past has been radically altered.
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Ann Patchett (The Dutch House)
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What kind of person leaves their kids?" I felt like I'd been holding those words in my mouth since the moment I walked into the waiting room of the coronary care unit and saw our mother there. "Men!" Maeve said, nearly shouting. "Men leave their children all the time and the world celebrates them for it. The Buddha left and Odysseus left and no one gave a shit about their sons. They set out on their noble journeys to do whatever the hell they wanted to do and thousands of years later we're still singing about it.
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Ann Patchett (The Dutch House)
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She shrugged. β€œI gave up caring where I lived a long time ago, and anyway, I think it’s good for me. It teaches me humility. She teaches me humility.” She tipped her head backwards the way Maeve would do. β€œYou have to serve those who need to be served, not just the ones who make you feel good about yourself. Andrea’s my penance for all the mistakes.
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Ann Patchett (The Dutch House)
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So you’ll get a job, right? That’s what people do after college.” But as soon as I said it I understood that I was supposed to be Celeste’s job. The poetry courses and the senior thesis on Trollope were all well and good but I was what she’d been studying. She meant to keep the tiny apartment clean and make dinner and eventually have a baby. Women had read about their liberation in books but not many of them had seen what it looked like in action. Celeste had no idea what she was supposed to do with a life that was entirely her own.
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Ann Patchett (The Dutch House)
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had been different in 1959 when Maeve went to Barnard. Girls and their dates still got dressed up to go to the Apollo for amateur night, but by 1968 pretty much every representation of hope in the country had been put up against a wall and shot. Boys at Columbia went to class and boys in Harlem went to war, a reality not suspended for a friendly Saturday pick-up game.
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Ann Patchett (The Dutch House)
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The fact that I had never wanted to be a doctor was nothing more than a footnote to a story that interested no one. You wouldn’t think a person could succeed in something as difficult as medicine without wanting to do it, but it turned out I was part of a long and noble tradition of self-subjugation. I would guess at least half the students in my class would rather have been anywhere else. We were fulfilling the expectations that had been set for us: the sons of doctors were expected to become doctors so as to honor the tradition; the sons of immigrants were expected to become doctors in order to make a better life for their families; the sons who had been driven to work the hardest and be the smartest were expected to become doctors because back in the day medicine was still where the smart kids went.
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Ann Patchett (The Dutch House)
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Too Loud a Solitude, by Bohumil Hrabel Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haine Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada
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Louise Erdrich (The Sentence)
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(The dining room ceiling was painted a shade of blue both deep and intense, and was covered in intricate configurations of carved leaves that had been painted gold, or, more accurately, the leaves had been gilded. The gilt leaves were arranged in flourishes which were surrounded by circles of gilt leaves within squares of gilt leaves. The ceiling was more in keeping with Versailles than Eastern Pennsylvania, and when I was a child I found it mortifying. Maeve and my father and I made a point of keeping our eyes on our plates during dinner.)
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Ann Patchett (The Dutch House)
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Another of his sources of fearful pleasure was, to pass long winter evenings with the old Dutch wives, as they sat spinning by the fire, with a row of apples roasting and spluttering along the hearth, and listen to their marvelous tales of ghosts and goblins, and haunted fields, and haunted brooks, and haunted bridges, and haunted houses, and particularly of the headless horseman, or galloping Hessian of the Hollow, as they sometimes called him. He would delight them equally by his anecdotes of witchcraft, and of the direful omens and portentous sights and sounds in the air, which prevailed in the earlier times of Connecticut; and would frighten them woefully with speculations upon comets and shooting stars; and with the alarming fact that the world did absolutely turn round, and that they were half the time topsy-turvy!
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Washington Irving (The Legend of Sleepy Hollow)
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Max raised the mallet. He stared into her face and wished he could say he was sorry, that he didn't want to do it. When he slammed the mallet down, with an echoing bang, he heard a high, piercing scream and almost screamed himself, believing for an instant it was her, still somehow alive; then realized it was Rudy. Max was powerfully built, with his, deep water-buffalo chest and Dutch farmer's shoulders. With the first blow he had driven the stake over two-thirds of the way in. He only needed to bring the mallet down once more. The blood that squelched up around the wood was cold and had a sticky, viscous consistency. Max swayed, his head light. His father took his arm. 'Goot,' Abraham whispered into his ear, his arms around him, squeezing him so tightly his ribs creaked. Max felt a little thrill of pleasure - an automatic reaction to the intense, unmistakable affection of his father's embrace - and was sickened by it. 'To do offense to the house of the human spirit, even after its tenant depart, is no easy thing, I know.' ("Abraham's Boys")
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Joe Hill (20th Century Ghosts)
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Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason
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Louise Erdrich (The Sentence)
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The consequences of the regulation regarding the use of footpaths were rather serious for me. I always went out for a walk through President Street to an open plain. President Kruger’s house was in this street – a very modest, unostentatious building, without a garden and not distinguishable from other houses in its neighbourhood. The houses of many of the millionaires in Pretoria were far more pretentious, and were surrounded by gardens. Indeed President Kruger’s simplicity was proverbial. Only the presence of a police patrol before the house indicated that it belonged to some official. I nearly always went along the footpaths past this patrol without the slightest hitch or hindrance. Now the man on duty used to be changed from time to time. Once one of these men, without giving me the slightest warning, without even asking me to leave the footpath, pushed and kicked me into the street. I was dismayed. Before I could question him as to his behaviour, Mr Coates, who happened to be passing the spot on horseback, hailed me and said: β€˜Gandhi, I have seen everything. I shall gladly be your witness in court if you proceed against the man. I am very sorry you have been so rudely assaulted.’ β€˜You need not be sorry,’ I said. β€˜What does the poor man know? All coloured people are the same to him. He no doubt treats Negroes just as he has treated me. I have made it a rule not to go to court in respect of any personal grievance. So I do not intend to proceed against him.’ β€˜That is just like you,’ said Mr Coates, β€˜but do think it over again. We must teach such men a lesson.’ He then spoke to the policeman and reprimanded him. I could not follow their talk, as it was in Dutch, the policeman being a Boer. But he apologized to me, for which there was no need. I had already forgiven him. But I never again went through this street. There would be other men coming in this man’s place and, ignorant of the incident, they would behave likewise. Why should I unnecessarily court another kick? I therefore selected a different walk. The incident deepened my feeling for the Indian settlers. I discussed with them the advisability of making a test case, if it were found necessary to do so, after having seen the British Agent in the matter of these regulations. I thus made an intimate study of the hard condition of the Indian settlers, not only by reading and hearing about it, but by personal experience. I saw that South Africa was no country for a self-respecting Indian, and my mind became more and more occupied with the question as to how this state of things might be improved.
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Mahatma Gandhi (Gandhi: An Autobiography)
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Life is a hospital, in which every patient is possessed by the desire to change his bed. This one would prefer to suffer in front of the stove, and that one believes he would get well if he were placed by the window. It seems to me that I should always be happier elsewhere than where I happen to be, and this question of moving is one that I am continually talking over with my soul. "Tell me, my soul, poor chilled soul, what do you say to living in Lisbon? It must be very warm there, and you would bask merrily, like a lizard. It is by the sea; they say that it is built of marble, and that the people have such a horror of vegetation that they uproot all the trees. There is a landscape that would suit you -- made out of light and minerals, with water to reflect them." My soul does not answer. "Since you love tranquillity, and the sight of moving things, will you come and live in Holland, that heavenly land? Perhaps you could be happy in that country, for you have often admired pictures of Dutch life. What do you say to Rotterdam, you who love forests of masts, and ships anchored at the doors of houses?" My soul remains silent. Perhaps Batavia seems more attractive to you? There we would find the intellect of Europe married to the beauty of the tropics. Not a word. Can my soul be dead? "Have you sunk into so deep a stupor that only your own torment gives you pleasure? If that be so, let us flee to those lands constituted in the likeness of Death. I know just the place for us, poor soul! We will leave for Torneo. Or let us go even farther, to the last limits of the Baltic; and if possible, still farther from life. Let us go to the Pole. There the sun obliquely grazes the earth, and the slow alternations of light and obscurity make variety impossible, and increase that monotony which is almost death. There we shall be able to take baths of darkness, and for our diversion, from time to time the Aurora Borealis shall scatter its rosy sheaves before us, like reflections of the fireworks of Hell!" At last my soul bursts into speech, and wisely cries to me: "Anywhere, anywhere, as long as it be out of this world!
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Charles Baudelaire