Dusk Sunset Quotes

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Twilight fell: The sky turned to a light, dusky purple littered with tiny silver stars.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Dusk is just an illusion because the sun is either above the horizon or below it. And that means that day and night are linked in a way that few things are there cannot be one without the other yet they cannot exist at the same time. How would it feel I remember wondering to be always together yet forever apart?
Nicholas Sparks (The Notebook (The Notebook, #1))
Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgandy red, the fields the color of love and Spanish mysteries.
Jack Kerouac (On the Road)
A sunset is the sun’s fiery kiss to the night.
Crystal Woods (Write like no one is reading 3)
Why did dusk and fir-scent and the afterglow of autumnal sunsets make people say absurd things?
L.M. Montgomery (Emily's Quest (Emily, #3))
A large drop of sun lingered on the horizon and then dripped over and was gone, and the sky was brilliant over the spot where it had gone, and a torn cloud, like a bloody rag, hung over the spot of its going. And dusk crept over the sky from the eastern horizon, and darkness crept over the land from the east.
John Steinbeck (The Grapes of Wrath)
The pale stars were sliding into their places. The whispering of the leaves was almost hushed. All about them it was still and shadowy and sweet. It was that wonderful moment when, for lack of a visible horizon, the not yet darkened world seems infinitely greater—a moment when anything can happen, anything be believed in.
Olivia Howard Dunbar (The Shell of Sense)
That evening, rowing on the quiet river as sunset turned to dusk, I saw an occasional smoky smudge on the towpath, always slightly ahead of me, like a dark star guiding me home.
Deborah Harkness (A Discovery of Witches (All Souls, #1))
This is my favorite time of the day. Light and dark touch for a few moments. [...] I used to wish dusk would last longer, but its quickness seems to add to making it special.
Regina McBride (The Nature of Water and Air)
Dawn and dusk are mutual friends of the sun; one opens the door for him to a brand new day and the other one has to shut it to embrace the darkness of night.
Munia Khan
This picnic will soon depart Real life, I'm sad to see you go I'll miss you with all my heart But I'd rather be alone 'Cause I couldn't live without Sunsets that dazzle in the dusk So I'll drag the anchor up And rest assured, 'cause dreams don't turn to dust.
Owl City
Sunsets are never simple. Twilight is refracted and reflected But never true. Eventide is a disguise Covering tracks, Covering lies. “We don’t care That dusk deceives. We see brilliant colors, And never learn The sun has dropped Beneath the earth By the time we see the burn. “Sunsets are in disguise, Covering truths, covering lies. “A.H.
Delia Owens (Where the Crawdads Sing)
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind.
Edith Grossman (Don Quixote)
Meanwhile the sunsets are mad orange fools raging in the gloom....
Jack Kerouac (Desolation Angels)
The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.
H. Rider Haggard (She: A History of Adventure (She, #1))
Moon in the sky, stars out, the wide-open expanse of nothing: it made him feel free and alive as the daytime never did.
Chuck Wendig (Wanderers (Wanderers, #1))
A time when sky blue love bids farewell to the day and before dusk falls, the sunset ignites the smouldering embers of the moonlit soul...
Virginia Alison
The sun had set, but a faint pastel haze lingered in the mid-summer sky.
R.J. Lawrence (The Fortunate Only)
The setting sun had turned the blue sky a brilliant orange, then soft pink merging to pearl; the plum velvet of night had come out of the east, spangled with stars.
Paul Gallico (Ludmila: A Story Of Liechtenstein)
It's that time between day and night when the sky looks like it's on fire and mosquitoes are on the hunt.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
The afternoon slipped away while we talked -- she talked brightly when any subject came up that interested her -- and it was the last hour of day -- that grave, still hour when the movement of life seems to droop and falter for a few precious minutes -- that brought us the thing I had dreaded silently since my first night in the house.
Ellen Glasgow (The Shadowy Third)
The dusk here does not arrive on the shoulders of golden sunsets any more, but on the heels of long, encroaching shadows of untraceable trees in the distance, gloomy parallel patterns that cascade over the undulating landscape of unevenly dispersed corpses and other things.
Mirza Waheed (The Collaborator)
Long before the stars died the birds began to sing - cool rippling doves, loud cheery starlings, the long lilting trills of warblers and thrushes.
Mike Bond (The Last Savanna)
As the station wagon pulled back onto the highway, the sun was slowly sinking below the horizon like a leaky boat. Well, except for that fact that boats are not generally round, orange and on fire. Hmm. Come to think of it, in no way whatsoever did the sun, in this instance, resemble a leaky boat. My apologies. That was a dreadful attempt at simile. Please allow me to try again. As the station wagon pulled back onto the highway, the sun was slowly sinking below the horizon like a self-luminous, gaseous sphere comprised mainly of of hydrogen and helium.
Cuthbert Soup (A Whole Nother Story)
The sun was still out, wouldn’t even start to set for an hour, but the early evening still had that “magic hour” feeling. The air was warm and breezy. The houses looked sparkling with windows reflecting the still bright sun.
Victoria Kahler (Luisa Across the Bay)
Dusk had fallen, While the sky was gray, Red flowers bloomed, And the yellow fade away, Night was to fall, But the sun had to stay, Moon of fourteen, For the lover had to pray, Life gave up hope, Yet the heart had to say, Lover wrote a letter, But the pigeon lost it's way.
Neymat Khan
It was dusk, on a Friday. The battered skeletons of trees tapered against the fresh starlight in No Man's Land. The sky offered curious glimpses of beauty, from time to time. The men wrote about it in their letters, describing sunsets in painstaking detail to their families, as if there was nothing to see at the front but crimson clouds and dusted rays of golden light.
Alice Winn (In Memoriam)
There was still an hour or two of daylight - even though clouds admitted only a greyish light upon the world, and his Uncle Timothy's house was by nature friendly to gloom. ("Out Of The Deep")
Walter de la Mare (Great Tales of Terror and the Supernatural (Modern Library))
Scarcely has night arrived to undeceive, unfurling her wings of crepe (wings drained even of the glimmer just now dying in the tree-tops); scarcely has the last glint still dancing on the burnished metal heights of the tall towers ceased to fade, like a still glowing coal in a spent brazier, which whitens gradually beneath the ashes, and soon is indistinguishable from the abandoned hearth, than a fearful murmur rises amongst them, their teeth chatter with despair and rage, they hasten and scatter in their dread, finding witches everywhere, and ghosts. It is night... and Hell will gape once more.
Charles Nodier (Smarra & Trilby)
Sunsets are never simple. Twilight is refracted and reflected But never true. Eventide is a disguise Covering tracks, Covering lies. “We don’t care That dusk deceives. We see brilliant colors, And never learn The sun has dropped Beneath the earth By the time we see the burn. “Sunsets are in disguise, Covering truths, covering lies. “A.H.” 36.
Delia Owens (Where the Crawdads Sing)
The pleasures of my life here are simple – simple, inexpensive and democratic. A warm hill of Marmande tomatoes on a roadside vendor’s stall. A cold beer on a pavement table of the Café de France – Marie Thérèse inside making me a sandwich au camembert. Munching the knob of a fresh baguette as I wander back from Sainte-Sabine. The farinaceous smell of the white dust raised by a breeze from the driveway. A cuckoo sounding the perfectly silent woods beyond the meadow. A huge grey, cerise, pink, orange and washed-out blue of a sunset seen from my rear terrace. The drilling of the cicadas at noon – the soft dialing-tone of the crickets at dusk slowly gathers. A good book, a hammock and a cold, beaded bottle of blanc sec. A rough red wine and steak frites. The cool, dark, shuttered silence of my bedroom – and, as I go to sleep, the prospect that all this will be available to me again, unchanged, tomorrow.
William Boyd (Any Human Heart)
You know that great pause that comes upon things before the dusk? Even the breeze stops in the trees. To me there is always an air of expectation about that evening stillness. The sky was clear, remote, and empty save for a few horizontal bars far down in the sunset. Well, that night the expectation took the colour of my fears.
H.G. Wells (The Time Machine)
Stories never told, disappeared in the dawn mist and sunset blaze. Like a movie kiss, not real, but still overwhelms and entices lustfulness, turns me into pleasure and a connoisseur of love. Flying to the heavens above followed by the yearning hope that you will always be close to me, that you will not disperse when we revel in​ one another. Secrets to be kept in one of these terracotta walls that fade away through the dusk, feeling the scented candles of musk, just you and I, two rebels of love, that challenge the logic, the meaning, ​and sense.
Tatjana Ostojic (Baghdad Nights)
The faint laughter of winds was always about them and the colors of Mistawis, imperial and spiritual, under the changing clouds, were something that cannot be expressed in mere words. Shadows, too. Clustering in the pines until a wind shook them out and pursued them over Mistawis. They lay all day along the shores, threaded by ferns and wild blossoms. They stole around the headlands in the glow of the sunset, until twilight wove them all into one great web of dusk.
L.M. Montgomery (The Blue Castle)
As the day drains out the window, I become more and more the focus of my own gaze.
Emily Pittinos
Not all goodbye's are painful. Sometimes, it is the most beautiful one.
Verliza Gajeles
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind.
Miguel de Cervantes Saavedra (Don Quixote)
As the darkness deepened, the sky was streaked with veins of red, the last low beats of a dying sun. Against this scarlet canopy the hulk of the Rust Road's twin peaks stood tall, mountains of metal, unnaturally jagged. Their sharp pinnacles pierced the sky, and Jacob could not help but wonder if that explained the blood there.
Dean F. Wilson (Worldwaker (The Great Iron War, #5))
My birthday is in March, and that year it fell during an especially bright spring week, vivid and clear in the narrow residential streets where we lived just a handful of blocks south of Sunset. The night-blooming jasmine that crawled up our neighborhood's front gate released its heady scent at dusk, and to the north, the hills rolled charmingly over the horizon, houses tucked into the brown. Soon, daylight savings time would arrive, and even at early nine, I associated my birthday with the first hint of summer, with the feeling in classrooms of open windows and lighter clothing and in a few months no more homework. My hair got lighter in spring, from light brown to nearly blond, almost like my mother's ponytail tassel. In the neighborhood gardens, the agapanthus plants started to push out their long green robot stems to open up to soft purples and blues.
Aimee Bender (The Particular Sadness of Lemon Cake)
There's something about old houses at sunset...they are ghosts made of wood, softening in the dusk that comes upon them like a tide.
Scott Thomas (The Sea of Ash)
Outside, the air filled with cricket noise, as the sun reddened in its descent.
R.J. Lawrence (The Fortunate Only)
The long, green, seaward-looking glen was filled with dusk, and beyond it were meadows of sunset. The harbour was radiant, purple here, azure there, opal elsewhere. The maple grove was beginning to be misty green. Rilla looked about her with wistful eyes. Who said that spring was the joy of the year? It was the heart-break of the year. And the pale-purply mornings and the daffodil stars and the wind in the old pine were so many separate pangs of the heart-break. Would life ever be free from dread again?
L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
I always imagine them at nightfall, in the dusk of a slum or a vacant lot, in that long, quiet moment when things are gradually left alone, with their backs to the sunset, and when colors are like memories or premonitions of other colors. We must not be too prodigal with our angels; they are the last divinities we harbor, and they might fly away.
Jorge Luis Borges
It was raining when Amarelle Parathis went out just after sunset to find a drink, and there was strange magic in the rain. It came down in pale lavenders and coppers and reds, soft lines like liquid dusk that turned luminescent mist on the warm pavement. The air itself felt like champagne bubbles breaking against the skin. Over the dark shapes of distant rooftops, blue-white lightning blazed, and stuttering thunder chased it.
Scott Lynch (Rogues)
My dog, Willy, died a few years ago, but one of my great memories of him is watching him play in the front yard of our house at dusk. He was a puppy then, and in the early evenings he would contract a case of the zoomies. He ran in delighted circles around us, yipping and jumping at nothing in particular, and then after a while, he'd get tired, and he'd run over to me and lie down. And then he would do something absolutely extraordinary: He would roll over onto his back, and present his soft belly. I always marveled at the courage of that, his ability to be so absolutely vulnerable to us. He offered us the place ribs don't protect, trusting that we weren't going to bite or stab him. It's hard to trust the world like that, to show it your belly. There's something deep within me, something intensely fragile, that is terrified of turning itself to the world. I’m scared to even write this down, because I worry that having confessed this fragility, you know now where to punch. I know that if I’m hit where I am earnest, I will never recover.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
They rode on through sunset, and slow dusk, and gathering night.
J.R.R. Tolkien
And then somewhere along the shore of a distant Sunset, she tumbled across her soul, and gently Life walked in.
Debatrayee Banerjee
You brought me back to life when I hadn’t realized I was just existing from one day to the next. You brought me color when I had no idea I was living in black and white.
J.J. Arias (Sunset Fallen (Dusk Queen, #2))
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind. His
Miguel de Cervantes Saavedra (Don Quixote)
Nuit Blanche" A music coaxed from humming strings would please; Not plucked, but drawn in creeping cadences Across a sunset wall where some Marquise Picks a pale rose amid strange silences. Ghostly and vaporous her gown sweeps by The twilight dusking wall, I hear her feet Delaying on the gravel, and a sigh, Briefly permitted, touches the air like sleet And it is dark, I hear her feet no more. A red moon leers beyond the lily-tank. A drunken moon ogling a sycamore, Running long fingers down its shining flank. A lurching moon, as nimble as a clown, Cuddling the flowers and trees which burn like glass. Red, kissing lips, I feel you on my gown— Kiss me, red lips, and then pass—pass. Music, you are pitiless to-night. And I so old, so cold, so languorously white.
Amy Lowell (The Complete Poetical Works of Amy Lowell)
The sun has disappeared, and the light there still is, is left in the atmosphere enclosed by the gloomy mist as pools are left by the receding tide. Through the sand the water slips, and through the mist the light glides away. (Haunts of the Lapwing: I. Winter)
Richard Jefferies (Jefferies' England: Nature Essays by Richard Jefferies)
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind. His fantasy filled with everything he had read in his books, enchantments as well as combats, battles, challenges, wounds, courtings, loves, torments, and other impossible foolishness, and he became so convinced in his imagination of the truth of all the countless grandiloquent and false inventions he read that for him no history in the world was truer.
Miguel de Cervantes Saavedra (Don Quixote)
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind. His fantasy filled with everything he had read in his books, enchantments as well as combats, battles, challenges, wounds, courtings, loves, torments, and other impossible foolishness, and he became so convinced in his imagination of the truth of all the countless grandiloquent and false inventions he read that for him no history in the world was truer. He would say that El Cid Ruy Díaz4 had
Miguel de Cervantes Saavedra (Don Quixote)
Sunsets are never simple. Twilight is refracted and reflected but never true. Eventide is a disguise covering tracks, covering lies. We don't care that dusk deceives. We see brilliant colors, and never learn the sun has dropped beneath the earth by the time we see the burn. Sunsets are in disguise, covering truths, covering lies.
Delia Owens (Where the Crawdads Sing)
Sunsets are never simple. Twilight is refracted and reflected But never true. Eventide is a disguise Covering tracks, Covering lies. “We don’t care That dusk deceives. We see brilliant colors, And never learn The sun has dropped Beneath the earth By the time we see the burn. “Sunsets are in disguise, Covering truths, covering lies.
Delia Owens (Where the Crawdads Sing)
My legs almost feel normal, except my shins feel like someone is squeezing them hard, like I'm in the middle of a river and water is rushing around me. My headaches are almost completely gone. Just one more day. One more walk. We leave tomorrow at dusk, Ramón said. Always at dusk in the desert. Sunrises, sunsets, I'm starting to hate them both.
Javier Zamora (Solito)
Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew’s grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight— ‘a haunt of ancient peace.’ There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne’s heart, and she gratefully opened the gates of her soul to it.
L.M. Montgomery (Anne of Green Gables)
It is the difference between a man who quits his job to become a fishing guide on Lake Big Trout, and who one day as he is paddling his canoe into the dock at dusk, stops paddling to admire the sunset and realizes how much he wants to be a fishing guide on Lake Big Trout; and another man who has made the same decision, stopped paddling at the same time, felt how glad he was, but also thought he could probably be a guide on Windigo Lake if he decided to, and might also get a better deal on canoes.
Richard Ford (The Sportswriter)
His chief duty (it seems just now) is to get the king new wives and dispose of the old. His days are long and arduous, packed with laws to be drafted and ambassadors to beguile. He goes on working by candlelight through summer dusks, through winter sunsets when it is dark by half past three. Even his nights are not his to waste. Often he sleeps in a chamber near the king and Henry wakes him in the small hours and asks him questions about treasury receipts, or tells him his dreams and asks what they mean.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
It had all begun on the elevated. There was a particular little sea of roots he had grown into the habit of glancing at just as the packed car carrying him homeward lurched around a turn. A dingy, melancholy little world of tar paper, tarred gravel, and smoky brick. Rusty tin chimneys with odd conical hats suggested abandoned listening posts. There was a washed-out advertisement of some ancient patent medicine on the nearest wall. Superficially it was like ten thousand other drab city roofs. But he always saw it around dusk, either in the normal, smoky half-light, or tinged with red by the flat rays of a dirty sunset, or covered by ghostly windblown white sheets of rain-splash, or patched with blackish snow; and it seemed unusually bleak and suggestive, almost beautifully ugly, though in no sense picturesque; dreary but meaningful. Unconsciously it came to symbolize for Catesby Wran certain disagreeable aspects of the frustrated, frightened century in which he lived, the jangled century of hate and heavy industry and Fascist wars. The quick, daily glance into the half darkness became an integral part of his life. Oddly, he never saw it in the morning, for it was then his habit to sit on the other side of the car, his head buried in the paper. One evening toward winter he noticed what seemed to be a shapeless black sack lying on the third roof from the tracks. He did not think about it. It merely registered as an addition to the well-known scene and his memory stored away the impression for further reference. Next evening, however, he decided he had been mistaken in one detail. The object was a roof nearer than he had thought. Its color and texture, and the grimy stains around it, suggested that it was filled with coal dust, which was hardly reasonable. Then, too, the following evening it seemed to have been blown against a rusty ventilator by the wind, which could hardly have happened if it were at all heavy. ("Smoke Ghost")
Fritz Leiber (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
He lifted one bottle into the light. " 'GREEN DUSK FOR DREAMING BRAND PUREE NORTHERN AIR,' " he read. " 'Derived from the atmosphere of the white Arctic in the spring of 1900, and mixed with the wind from the upper Hudson Valley in the month of April, 1910, and containing particles of dust seen shining in the sunset of one day in the meadows around Grinnell, Iowa, when a cool air rose to be captured from a lake and a little creek and a natural spring.' "Now the small print," he said. He squinted. " 'Also containing molecules of vapor from menthol, lime, papaya, and watermelon and all other water-smelling, cool-savored fruits and trees like camphor and herbs like wintergreen and the breath of a rising wind from the Des Plaines River itself. Guaranteed most refreshing and cool. To be taken on summer nights when the heat passes ninety.' " He picked up the other bottle. "This one the same, save I've collected a wind from the Aran Isles and one from off Dublin Bay with salt on it and a strip of flannel fog from the coast of Iceland." He put the two bottles on the bed. "One last direction." He stood by the cot and leaned over and spoke quietly. "When you're drinking these, remember: It was bottled by a friend. The S.J. Jonas Bottling Company, Green Town, Illinois- August, 1928. A vintage year, boy... a vintage year.
Ray Bradbury (Dandelion Wine)
Finally, I have come to realise that an imperfect Life is actually the most perfect Life. I have come to see how Life is beautiful in all its colours, more so because the shades of grey bind them and paint them with even more radiance. A clear sky is always beautiful but what if we never have rain or storm? Sunshine is always wonderful but what if we never have the soothing dusk or the cold night to coil in our own misty self? Storms that come to jolt us often leave us with more courage as we sail along the gust to chase a silver lining. The scorching heat that chokes us often makes us wait more eagerly for that balm of rain. So is Life, in all those moments of sunset we have the hope of the following sunrise, and if we may wait and absorb all that crumbling ray of that sunset we would be able to paint our sunrise with even more crimson smile. Because just like a story, nothing in Life is really concrete without patience. We cannot skip pages of a book because each line contains just so much to seep in, and to have the story fully lived inside our heart and soul we have to keep reading until the very end to feel that sense of peaceful happiness, that always clutches us no matter how the ending is drafted. In the same manner, we have to keep walking through Life, as each and every step of ours leads us to the destination of our Life, the destination of peace, the destination of knowledge of self. The best part of this walk is that it is never a straight line, but is always filled with curves and turns, making us aware of our spirit, laughing loud at times while mourning deep at times. But that is what Life is all about, a bunch of imperfect moments to smile as perfect memories sailing through the potholes of Life, because a straight line even in the world of science means death, after all monotony of perfection is the most cold imperfection. So as we walk through difficult times, may we realise that this sunset is not forever's and that the winter often makes us more aware of the spring. As we drive through a dark night, may we halt for a moment and watch for the stars, the smile of the very stars of gratitude and love that is always there even in the darkest sky of the gloomiest night. As we sail along the ship of Life, may we remember that the winds often guide us to our destination and the storms only come to make our voyage even more adventurous, while the rain clears the cloud so that we may gaze at the full glory of the sky above, with a perfect smile through a voyage of imperfect moments of forever's shine. And so as we keep turning the pages of Life, may we remember to wear that Smile, through every leaf of Life, for Life is rooted in the blooming foliage of its imperfect perfection.
Debatrayee Banerjee
When the Sunrise clutches my soul, I often wonder what if our souls are made in grayscale, only to soak in the colours of the day, every single day walking through every single moment of each passing day. What if every ray that paints the horizon is but a bunch of souls ornate in different shades of white only to find the different shades of black to melt away in a Sunset Sky, in a Smile of embracing a day anew or in a mellow cry of a day's passing by. Perhaps the Dawn has the answer, or perhaps there's a whisper in the Dusk! All while, let me search away for the pieces of my soul in the grayscale of Time's hue. And I know, Life will put the colours back again, one more time, at Time's cue. Love & Light, always - Debatrayee
Debatrayee Banerjee
The muggy afternoon rallied mosquitoes. No boat; no Tate. At dusk, she stood straight and still and silent as a stork, staring at the empty-quiet channel. Breathing hurt. Stepping out of the dress, she eased into the water and swam in the dark coolness, the water sliding over her skin, releasing heat from her core. She pulled from the lagoon and sat on a mossy patch of the bank, nude until she dried, until the moon slipped beneath the earth. Then, carrying her clothes, walked inside. She waited the next day. Each hour warmed until noon, blistered after midday, throbbed past sunset. Later, the moon threw hope across the water, but that died, too. Another sunrise, another white-hot noon. Sunset again. All hope gone to neutral. Her eyes shifted listlessly, and though she listened for Tate’s boat, she was no longer coiled.
Delia Owens (Where the Crawdads Sing)
The fall of dusk upon the Egyptian scene is an unforgettable event, an event of unearthly beauty. Everything is transformed in colour and the most vivid contrasts come into being between sky and earth. I sat alone on the yielding yellow sand before the stately, regal figure of the crouching Sphinx, a little to one side, watching with fascinated eyes the wonderful play of ethereal colours which swiftly appear and as swiftly pass when the dying sun no longer covers Egypt with golden glory. For who can receive the sacred message which is given him by the beautiful, mysterious afterglow of an African sunset, without being taken into a temporary paradise? So long as men are not entirely coarse and spiritually dead, so long will they continue to love the Father of Life, the sun, which makes these things possible by its unique sorceries. They were not fools, those ancients, who revered Ra, the great light, and took it into their hearts as god.
Paul Brunton (A Search in Secret Egypt)
The bast, dispersing in shreds in the sunset whispered "Time has begun." The son, Adam, stripped naked, descended into the Old Testament of his native land and arrayed himself in bast; a wreath of roadside field grass he placed upon his brow, a staff, not a switch, he pulled from the ground, flourishing the birch branch like a sacred palm. On the road he stood like a guard. The dust-gray road ran into the sunset. And a crow perched there, perched and croaked, there where the celestial fire consumed the earth. There were blind men along the dust-gray road running into the twilight. Antique, crooken, they trailed along, lonely and sinister silhouettes, holding to one another and to their leader's cane. They were raising dust. One was beard-less, he kept squinting. Another, a little old man with a protruding lip, was whispering and praying. A third, covered with red hair, frowned. Their backs were bent, their heads bowed low, their arms extended to the staff. Strange it was to see this mute procession in the terrible twilight. They made their way immutable, primordial, blind. Oh, if only they could open their eyes, oh if only they were not blind! Russian Land, awake! And Adam, rude image of the returned king, lowered the birch branch to their white pupils. And on them he laid his hands, as, groaning and moaning they seated themselves in the dust and with trembling hands pushed chunks of black bread into their mouths. Their faces were ashen and menacing, lit with the pale light of deadly clouds. Lightning blazed, their blinded faces blazed. Oh, if only they opened their eyes, oh, if only they saw the light! Adam, Adam, you stand illumined by lightnings. Now you lay the gentle branch upon their faces. Adam, Adam, say, see, see! And he restores their sight. But the blind men turning their ashen faces and opening their white eyes did not see. And the wind whispered "Thou art behind the hill." From the clouds a fiery veil began to shimmer and died out. A little birch murmured, beseeching, and fell asleep. The dusk dispersed at the horizon and a bloody stump of the sunset stuck up. And spotted with brilliant coals glowing red, the bast streamed out from the sunset like a striped cloak. On the waxen image of Adam the field grass wreaths sighed fearfully giving a soft whistle and the green dewy clusters sprinkled forth fiery tears on the blind faces of the blind. He knew what he was doing, he was restoring their sight. ("Adam")
Andrei Bely (Silver Age of Russian Culture (An Anthology))
But what he liked above all was to cycle in the dusk along a certain path skirting meadows. There, he would sit on a fence looking at the wispy salmon-pink clouds turning to a dull copper in the pale evening sky and think about things. What things? That cockney girl with her soft hair still in plaits whom he once followed across the common, and accosted and kissed, and never saw again? The form of a particular cloud? Some misty sunset beyond a Black Russian fir-wood (o, how much I would give for such a memory coming to him!)? The inner meaning of grass-blade and star? The unknown language of silence? The terrific weight of a dew-drop? The heartbreaking beauty of a pebble among millions and millions of pebbles, all making sense, but what sense? The old, old question of Who are you? To one’s own self grown strangely evasive in the gloaming, and to God’s world around to which one has never been really introduced. Or perhaps, we shall be nearer the truth in supposing that while Sebastian sat on that fence, his mind was a turmoil of words and fancies, incomplete fancies and insufficient words, but already he knew that this and only this was the reality of his life, and that his destiny lay beyond that ghostly battlefield which he would cross in due time.
Vladimir Nabokov (The Real Life of Sebastian Knight)
And now this mofiient also had come and gone. The dark- red sun still hung, round as a ball, above the blue snowdrifts on the skyline, and the snowy plain greedily sucked in its juicy pineapple light, when the sleigh swept into sight and vanished. “ Good-bye, Lara, until we meet in the next world, AGAIN YARYKINO 441 good-bye, my Icwe, my inexhaustible, everlasting joy. I’ll never see you again. I’ll never, never see you again.’* It was getting dark. Swiftly the bronze-red patches of sunset on the ^low faded and went out. The soft, ashy dis- tance filled with lilac dusk turning to deep mauve, and its smoky haze smudged the fine tracery of the roadside birch^ lightly hand-drawn on the pink sky, pale as thou^ it had sudd^y grown shallow. Grief had sharpened Yury’s vision and quickened his per- ception a hundredfold. The very air surrounding him seemed unique. The evening breathed witness of all that had befallen him. As if there had never been such a dusk before and evening were falling now for the first time in order to console him in his loneliness and bereavement. As if the valky were not always girded by woods growing on the surrounding hills and facing away from the horizon, but the trees had only taken up their places now, rising out of the ground on purpose to offer their condolences. He almost waved away the tangible beauty of the hour like a crowd of persistent friends, almost said to the lingering afterglow: “Thank you, thank you, I’ll be all right.” Still standing on the veranda, he turned his face to the closed door, his back to the world. “ My bri^t sun has set something was repeating this inside him, as if to learn it by heart. He had not the strength to say these words out loud
Boris Pasternak (Doctor Zhivago)
And when the sun sets, it doesn't even matter. In a canopy of shadows, the life inside a soul never fails to peep through, as if a spark, a flicker holding on to that tunnel of hope, that bird of chained gallows. Yet in the shadows, a muffling voice keeps murmuring a tune that holds the chord of a surreal dream. They scream of scars yet each scar shines in the redolence of a fumed melody. And each time the breeze touches by, the setting sun smiles with a sketch of a dawn, a dusk that kisses the symphony of a crimson morn. And there in a sky of shadows lurks a setting dream, in a mirage of a rainbow, a rainbow of scattered stars, all along a setting sun. And when the sun sets, it doesn't even matter.
Debatrayee Banerjee
And then at last it happened—just after sunset on the third night, a dark spot flitted through the trees, so quick and small that I doubted my eyes, but then it came again, and dozens more with it. Thinking on it now, I am surprised I was not somewhat disappointed, for there was little to observe. In the dusk, especially to my inexperienced eyes, the bats could have been barn swallows or oversized moths. Yet for all that, it was marvelous—the nights of anticipation and then, in the sky above me, the fleeting silhouettes of their wings. That is the excitement. We catch only glimpses, a burst of movement, a flap of wings, yet it is life itself beating at shadow’s edge.
Eowyn Ivey (To the Bright Edge of the World)
Why would you call for me to save you?" He led her out of the coffee shop. "Saving you would be Faroz's job." "I don't know." She looked out over the bay, taking in the soft glow of the golden hour, that magical, romantic, fleeting moment between daylight and dusk when the sun began to dip below the horizon, enveloping everything in shimmering gold. "I think it's maybe because you made me feel safe when Faroz was flashing his gun and telling us stories about being tortured. My subconscious must have figured you were my best bet for a happy Bollywood ending." "You think I could protect you?" He looked so bewildered that Layla had to laugh. "Of course I do. It's who you are. You might be trying to kick me out of the office, but you've been protecting me since the day we met.
Sara Desai (The Marriage Game (Marriage Game, #1))
常记溪亭日暮,沉醉不知归路。兴尽晚回舟,误入藕花深处。争渡,争渡,惊起一滩鸥鹭。
李清照 (李清照诗词全集(作家榜经典文库))
The penumbra of dusk moves slowly westward. The owls of Europe are already hunting. The zoo owls will be waking now as the light declines and the grey Victorian brickwork glows with evening gold. Trees drift in the wind above the roar of traffic in the road outside. White mice lie dead on the floor of the cage. The eagle owl will not feed till dusk. He is waking as the people watch him, stretching his neck and uttering a soft call. His sunset-coloured eyes are kindling, the light coming slowly forward from within. The owl looks outward, beyond the watching faces. They have no significance for him. He is waking to his own world, to glooms of spruce or desert rock. He does not see the dull metallic chains that fence us in. His mind is still unscalable, a crag from which he can look down at the captives gazing up at him.
J.A. Baker (The Peregrine: The Hill of Summer & Diaries: The Complete Works of J. A. Baker)
Circadian lighting, in essence, follows a "sunrise to sunset" cycle, according to which lights should be brighter and bluer in the morning (blue makes us feel alert), and warmer orange light that mimics dusk to facilitate sleep should be used in the evening.
Oliver Heath (Design A Healthy Home: 100 ways to transform your space for physical and mental wellbeing)
Sam would stand on the beach at dusk for long periods of time staring at the particles reflectively glisten across trillions of tiny explosion points watching sunsets of the Aegean Sea fade out. Sam would change his visible spectrum across wider ranges allowing the elements and their cascade of radiance to repeat and dance in vibratory field mechanisms unimaginable. The waves would crash glowing with blue bioluminescence but on the opposite ends of the spectrum creating red shift tides that grew and shrank on black sand while the sun burned in turquoise.
Corey Laliberte (Quantum Dawn - 'A Journey of Human Evolutionary Paths')
DESERT SAFARI DUBAI IN SUMMER Desert Safari Dubai is a popular, highly visited, and exciting area for knocking the thrills. It offers a variety of activities and games full of fun and memorable adventures. If you are looking for the best desert safari Dubai experience with thrill, a lot of fun, and ultimate outdoor entertainment, you have come to the right place. Desert Safari Dubai is all this and much more. You might think that Dubai as a desert country will be scorching warm and hot, but when you actually visit you’ll be surprised to discover the climate and weather not just pleasant, but cozy, even during summertime. If you’re visiting Dubai in the summer months (i.e.. the months of July through September) then you should take the evening desert safari. Our highly-trained and experienced driver will pick you up from your hotel and drop you into the vast desert and are joined by other tourists in a small number of jeeps that are 4X4. After traveling for a long distance, the jeeps pull over for a break to refuel and for desert activities such as quad biking. After a refreshing ride, the desert safari will take passengers on an exciting dune bashing crisscross, and when you arrive at the camp in the desert take part in fun activities such as camel rides, and sand-boarding, taking a picture with a falcon. It is also possible to enjoy traditional rituals such as having a Mehndi tattoo or puffing on a Shisha and being enthralled by the belly dancing and the Tanura dance, all taking in the traditional Arabian food. The battle between the massive red dunes and the rolling Land Cruiser is only experienced and appreciated when you are there and taking care of your precious life. The guide on safari keeps you on the edge, yet you’re safe. The thrilling safari will have its supporters screaming and shouting for the next exciting adventure. Experience the desert safari with friends or family members in Dubai’s sprawling and captivating desert. Sand, sun, as well as 4×4, bring thrilling adventures for the entire family and friends. Desert Safari Dubai is something you cannot miss or forget. You will also enjoy the Desert Safari Dubai, which is a never-ending experience. So join us today! We’ll provide you with many deals so you can take advantage of them when they definitely work for you. You can dine in Morning Desert Safari according to your schedule. Evening Desert Safari Deals are perfect for those who love sunsets and enjoy relaxing at dusk. The Overnight Desert Safari is another exciting activity that we offer for night camping lovers. Enjoy the incredible Overnight Desert Safari with morning and evening combo for a lifetime memorable adventure.
ArabianDesertsafari
Perhaps she too would see the sunset and pause for a moment, turning, remembering, before he faded with her sleep into the past. This night's dusk would cover up forever the sun and the trees and the flowers and laughter of his young world.
F. Scott Fitzgerald (The Sensible Thing)
once more, I am flat out on a slab of oolitic limestone, absorbing the dusk leaking blue through its tall net of branches
Sarah Maguire (The Florists At Midnight)
But leave me a little love, A voice to speak to me in the day end, A hand to touch me in the dark room Breaking the long loneliness. In the dusk of day-shapes Blurring the sunset, One little wandering, western star Thrust out from the changing shores of shadow. Let me go to the window, Watch there the day-shapes of dusk And wait and know the coming Of a little love. —Carl Sandburg, from “At the Window,” Chicago Poems (Dover Publications, 1994)
Carl Sandburg (Chicago Poems)
It was seven o'clock but still light, a drowsy early evening on a warm summer's day, the sky starting to soften into the pink, purple, and gold folds of dusk, and the lower reaches of the garden just beginning to darken and cool. The colors and smells, the quality of the light, were visceral. Jess could feel them in the rhythm of her heartbeat, deep in her lungs, in the cells of her skin. She knew them as one can't help but know the cadence of their mother tongue.
Kate Morton (Homecoming)
She was glad of a moment without talk. For this, after all, was the time she loved Waikiki best. So brief, this tropic dusk, so quick the coming of the soft alluring night. The carpet of the waters, apple-green by day, crimson and gold at sunset, was a deep purple now. On
Earl Derr Biggers (The House Without a Key (Charlie Chan #1))
Before Instagram, you could be a loser but not feel it, because the winners weren’t always in your face. But now even the most mundane post of avocado toast in a hipster coffee shop sends the message “I’m having fun and you’re not. Enjoy your Cup O’ Noodles, loser.” Social media tells you everyone is having more fun with more toys and more friends than you. They’re always in Saint Kitts having mai tais at sunset, while you’re in Canoga Park selling your plasma at dusk. YOLO! We used to wake up, read the paper, see all the terrible things in the world and say, “Well, at least my life is better than those poor slobs’ ”—but now it’s the opposite.
Bill Maher (What This Comedian Said Will Shock You)
the cows home from the back pasture by way of Lover's Lane. It was a September evening and all the gaps and clearings in the woods were brimmed up with ruby sunset light. Here and there the lane was splashed with it, but for the most part it was already quite shadowy beneath the maples, and the spaces under the firs were filled with a clear violet dusk like airy wine. The winds were out in their tops, and there is no sweeter music on earth than that which the wind makes in the fir trees at evening.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables Complete Series Book 1))
Arthur was six years old when I left the family. Due to my infrequent stays at home, we did not form a strong bond. Occasionally, I longed for the lost fatherhood. Did he long for his lost childhood? I did not have a chance to tell him about the sea in which the stars float, about the red, fiery sunrises and sunsets, about the storm that tosses a ship like a nutshell, about flocks of screeching seagulls, schools of fish, and picturesque islets. I wanted to spin a tale about life in the desert, about the scorching sand burning the feet and the hot air shimmering with strange mirages. About wild, freedom-loving people, bizarre customs, and exotic beasts. I remember him squatting over a puddle at dusk.
Dariusz Radziejewski (Adieu, Rimbaud!)
Dusk settled down into this neck of the great valley. Coyotes barked out in the open. From the heights pealed down the mournful blood-curdling, yet beautiful, bay of a wolf. The rosy afterglow of sunset lingered a long time. The place was shut in, closed about by brushy steeps, redolent of sage. A tiny stream of swift water sang faintly down over rocks. And before darkness had time to enfold hollow and slope and horizon, the moon slid up to defeat the encroaching night and blanch the hills with silvery light.
Zane Grey (Valley of Wild Horses)
This drink is an Elixandria. It's named after our sun, that's why it's this nice orange color. The brown liquid on top is dark rum, and we pour it over to represent a setting sun. Little bit of rum? 'Dawn'. Little more rum? 'Dusk'. You looking to get drunk? 'Dark'.
Mandy Ashcraft (Small Orange Fruit)
At dusk, hens seek their coop. So reliable is this, there’s even a saying, an adage: Chickens come home to roost. It’s for warmth. It’s for protection. It’s hardwired. But our first shipment of nine hundred mature birds, just purchased from a commercial operation, stands on the field staring. They tilt and turn their heads to better align us with their side-placed eyes, as though await- ing instructions. Then, as darkness quiets the pasture, I get it. My hand on my lips, I mumble, “Oh, God.” These hens are out of sync with sunset because until today, they have NEVER SEEN THE SUN. While I’ve worried about many things going wrong with our unlikely egg startup, CHICKENS not knowing HOW TO BE CHICKENS was not one of them.
Lucie Amundsen
Marabela didn’t just wake up one morning and think she wanted to leave; she simply realized the time had finally arrived. their marriage didn’t change from night to day; there were sunrises, and sunsets, and times when the sky was neither dark nor light, when the dawns and the dusks became indistinguishable from the constant fog they tried to ignore.
Anonymous
Marabela didn’t just wake up one morning and think she wanted to leave; she simply realized the time had finally arrived. their marriage didn’t change from night to day; there were sunrises, and sunsets, and times when the sky was neither dark nor light, when the dawns and the dusks became indistinguishable from the constant fog they tried to ignore.
Natalia Sylvester (Chasing the Sun)
Now it was growing late again, and cooler, which the nurse found disorienting. It felt as though her entire life had been lived from dusk to dawn ever since she learned of Phillip, only tiptoeing around the edges of sunset or sunrise, and sleeping or traveling all day.
Cherie Priest (Dreadnought (The Clockwork Century, #2))
Sunrise Sunset by Maisie Aletha Smikle Dusk or Dawn Morning or Evening Night or Noon Summer or Winter The sun is at its best And never takes a rest Delivering Fahrenheit and Kilowatt No matter what From the beginning of time Till the end of time The sun shines Astoundingly divine It captivates your mind Heat like a ball of fire That neither consumes or depletes And requires no ignition From whence does this ball of fire come Extending in the universe Shining from the sky Hotter than volcanic lava Nested up above Stronger than gravity The sun stands Untouchable... Unanchored.... Setting not the heavens or the skies ablaze Ever kindled and never unkindled Its fiery furnace requires no wood Its fiery furnace requires no fuel It cannot be extinguish It requires not human intervention Nor interruption Sunrise or Sunset The sun never takes a rest Nighttime or noontime The sun withstands the test of time Ever shining Ever sending its warmth To a globe that has grown cold To melt the frigid hearts of an ice cold nation
Maisie Aletha Smikle
With sunset came a premonition of beauty: The pre-dusk sky already had so many stars in it. Before he activated the lens, he sat there for a few minutes, staring up at them, at the deep blue of the sky that framed them. At such moments, he felt as if he really did live on the edge of the known world. As if he was alone, in the way he wanted to be alone: when he chose to be and not when the world imposed it on him.
Jeff VanderMeer (Acceptance (Southern Reach, #3))
At a Window Give me hunger, O you gods that sit and give The world its orders. Give me hunger, pain and want, Shut me out with shame and failure From your doors of gold and fame, Give me your shabbiest, weariest hunger! But leave me a little love, A voice to speak to me in the day end, A hand to touch me in the dark room Breaking the long loneliness. In the dusk of day-shapes Blurring the sunset, One little wandering, western star Thrust out from the changing shores of shadow. Let me go to the window, Watch there the day-shapes of dusk And wait and know the coming Of a little love.
Carl Sandburg
Under Two Windows" I. AUBADE The dawn is here—and the long night through I have never seen thy face, Though my feet have worn the patient grass at the gate of thy dwelling-place. While the white moon sailed till, red in the west, it found the far world edge, No leaflet stirred of the leaves that climb to garland thy window ledge. Yet the vine had quivered from root to tip, and opened its flowers again, If only the low moon's light had glanced on a moving casement pane. Warm was the wind that entered in where the barrier stood ajar, And the curtain shook with its gentle breath, white as young lilies are; But there came no hand all the slow night through to draw the folds aside, (I longed as the moon and the vine-leaves longed!) or to set the casement wide. Three times in a low-hung nest there dreamed his five sweet notes a bird, And thrice my heart leaped up at the sound I thought thou hadst surely heard. But now that thy praise is caroled aloud by a thousand throats awake, Shall I watch from afar and silently, as under the moon, for thy sake? Nay—bold in the sun I speak thy name, I too, and I wait no more Thy hand, thy face, in the window niche, but thy kiss at the open door! II. NOCTURNE My darling, come!—The wings of the dark have wafted the sunset away, And there's room for much in a summer night, but no room for delay. A still moon looketh down from the sky, and a wavering moon looks up From every hollow in the green hills that holds a pool in its cup. The woodland borders are wreathed with bloom—elder, viburnum, rose; The young trees yearn on the breast of the wind that sighs of love as it goes. The small stars drown in the moon-washed blue but the greater ones abide, With Vega high in the midmost place, Altair not far aside. The glades are dusk, and soft the grass, where the flower of the elder gleams, Mist-white, moth-like, a spirit awake in the dark of forest dreams. Arcturus beckons into the east, Antares toward the south, That sendeth a zephyr sweet with thyme to seek for thy sweeter mouth. Shall the blossom wake, the star look down, all night and have naught to see? Shall the reeds that sing by the wind-brushed pool say nothing of thee and me? —My darling comes! My arms are content, my feet are guiding her way; There is room for much in a summer night, but no room for delay! Petry. (November 1912)
Mrs. Schuyler Van Rensselaer