Dusk Night Dawn Quotes

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I began to know that each morning reasserted the problems of night before, that sleep suspended all but changed nothing, that you couldn’t make yourself over between dawn and dusk.
John Knowles (A Separate Peace)
Waking At Night The blue river is grey at morning and evening. There is twilight at dawn and dusk. I lie in the dark wondering if this quiet in me now is a beginning or an end.
Jack Gilbert (The Dance Most of All: Poems)
My name is Zak Bagans. I've never believed in ghosts until I came face to face with one. So I set out on a quest to capture what I once saw onto video....With no big camera crews following us around, I am joined only by my fellow investigator Nick Groff and our equipment tech Aaron Goodwin. The three of us will travel to the some of most highly active paranormal locations, where we will spend an entire night, being locked down from dusk until dawn....Raw...Extreme...These are our Ghost Adventures.
Zak Bagans
Dawn and dusk are mutual friends of the sun; one opens the door for him to a brand new day and the other one has to shut it to embrace the darkness of night.
Munia Khan
From dawn to dusk I spent my time in the real world. Only in my dreams at night could I indulge my fantasies.
Edogawa Rampo (The Edogawa Rampo Reader)
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind.
Edith Grossman (Don Quixote)
Oh,to be walking through Leningrad white night after white night, the dawn to dusk all smelting together like platinum ore, Tatiana thought, turning away to the wall, again to the wall, the wall, as ever. Alexander, my nights, my days, my every thought. You will fall away from me in just a while, won't you, and I'll be whole again, and I will go on and feel for someone else, the way everyone does. But my innocence is forever gone.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.
H. Rider Haggard (She (She, #1))
He got out of bed and peeped through the blinds. To the east and opposite to him gardens and an apple-orchard lay, and there in strange liquid tranquility hung the morning star, and rose, rilling into the dusk of night the first grey of dawn. The street beneath its autumn leaves was vacant, charmed, deserted.
Walter de la Mare (The Return)
Nothing is black and white. There may be day and night, but not without the dawn and the dusk.
Hannah Hart
From flame to ashes, dawn to dusk, for the rest of our lives, be mine always... And the mountains may rise and fall, and the sun might wither away, and the sea may claim the land and swallow the sky. But you will always be mine. And the stars might fall from the heavens, and night might cloak the earth, but until darkness dies, I will always be yours. - Callie and Desmond
Laura Thalassa (Rhapsodic (The Bargainer, #1))
He fell in love with Manhattan's skyline, like a first-time brothel guest falling for a seasoned professional. He mused over her reflections in the black East River at dusk, dawn, or darkest night, and each haloed light-in a tower or strung along the jeweled and sprawling spider legs of the Brooklyn Bridge's spans-hinted at some meaning, which could be understood only when made audible by music and encoded in lyrics.
Arthur Phillips (The Song Is You)
In between waking up from bed in the morning and going back in the evening, let something happen. God will bless that “something” for you.
Israelmore Ayivor (Become a Better You)
Dreading dusk, fearing night, praying for dawn.
Gregory J. Saunders
Night is the sleep of seven wax moths Dawn is the singing of five mermaids Noon is the scratching of three field mice Dusk is the shadow of a crow
Xi Chuan (Notes on the Mosquito: Selected Poems)
When people know you too well, they eventually see your damage, your weirdness, carelessness, and mean streak. They see how ordinary you are after all, that whatever it was that distinguished you in the beginning is the least of who you actually are. This will turn out to be the greatest gift we can offer another person: letting them see, every so often, beneath all the trappings and pretense to the truth of us.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room. But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
In short, our gentleman became so immersed in his reading that he spent whole nights from sundown to sunup and his days from dawn to dusk in poring over his books, until, finally, from so little sleeping and so much reading, his brain dried up and he went completely out of his mind. He filled his imagination with everything he had read, with enchantments, knightly encounters, battles, challenges, wounds, with tales of love and its torments, and all sorts of impossible things, and as a result had come to believe that all these fictitious happenings were true; they were more real to him than anything else in the world.
Miguel de Cervantes Saavedra (Don Quixote)
She was a woman with a broom or a dust- pan or a washrag or a mixing spoon in her hand. You saw her cutting piecrust in the morning, humming to it, or you saw her setting out the baked pies at noon or taking them in, cool, at dusk. She rang porcelain cups like a Swiss bell ringer to their place. She glided through the halls as steadily as a vacuum machine, seeking, finding, and setting to rights. She made mirrors of every window, to catch the sun. She strolled but twice through any garden, trowel in hand, and the flowers raised their quivering fires upon the warm air in her wake. She slept quietly and turned no more than three times in a night, as relaxed as a White glove to which, at dawn, a brisk hand will return. Waking, she touched people like pictures, to set their frames straight.
Ray Bradbury (Dandelion Wine)
Forgiveness, I know now, is maturity. Mercy is maturity. It's slow release, like certain medicines. It's incremental, like traveling along the spiral chambers of a nautilus.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Or I would be the rain itself, wreathing over the island, mingling in the quiet of moist places, filling its pores with its saturated breaths. And I would be the wind, whispering through the tangled woods, running airy fingers over the island’s face, tingling in the chill of concealed places, sighing secrets in the dawn. And I would be the light, flinging over the island, covering it with flash and shadow, shining on rocks and pools, softening to a touch in the glow of dusk. If I were the rain and wind and light, I would encircle the island like the sky surrounding earth, flood through it like a heart driven pulse, shine from inside it like a star in flames, burn away to blackness in the closed eyes of its night. There are so many ways I could love this island, if I were the rain.
Richard Nelson (The Island Within)
Twilight, the only time of the day when the light and dark meet and become one. The bright powerful light of the day, calmly surrenders before the engulfing duskiness of the night. And the dense whelming darkness of the night yields before the surreal dawning saffron of the morning. The only two moments of the day that absolve the difference between ‘dark and light’. (Page 71)
Neena Verma (A Mother's Cry... A Mother's Celebration)
The quality it had now, in fresh untempered sunlight, was neither faerie nor austere; the changing shadows of dusk and midnight had vanished with the darkness and the rain, and walls and roof and towers were bathed in the radiance that comes only in the first hours of the day, soft, new-washed, the delicate aftermath of dawn. The people who slept within must surely bear some imprint of this radiance in themselves, must turn instinctively to the light seeping through the shutters, while the ghostly dreams and sorrows of the night slipped away, finding sanctuary in the unwakened forest trees the sun had not yet touched.
Daphne du Maurier (The Scapegoat)
Ivanov: I am a bad, pathetic and worthless individual. One needs to be pathetic, too, worn out and drained by drink, like Pasha, to be still fond of me and to respect me. My God, how I despise myself! I so deeply loathe my voice, my walk, my hands, these clothes, my thoughts. Well, isn't that funny, isn't that shocking? Less than a year ago I was healthy and strong, I was cheerful, tireless, passionate, I worked with these very hands, I could speak to move even Philistines to tears, I could cry when I saw grief, I became indignant when I encountered evil. I knew inspiration, I knew the charm and poetry of quiet nights when from dusk to dawn you sit at your desk or indulge you mind with dreams. I believed, I looked into the future as into the eyes of my own mother... And now, my God, I am exhausted, I do not believe, I spend my days and nights in idleness.
Anton Chekhov (Ivanov (Plays for Performance Series))
Stories never told, disappeared in the dawn mist and sunset blaze. Like a movie kiss, not real, but still overwhelms and entices lustfulness, turns me into pleasure and a connoisseur of love. Flying to the heavens above followed by the yearning hope that you will always be close to me, that you will not disperse when we revel in​ one another. Secrets to be kept in one of these terracotta walls that fade away through the dusk, feeling the scented candles of musk, just you and I, two rebels of love, that challenge the logic, the meaning, ​and sense.
Tatjana Ostojic (Baghdad Nights)
Change should be gradual. Without spring and fall, summer and winter would be too harsh; without dawn and dusk, day and night would be too abrupt.
Vinita Kinra
...this is the work of the Holy Spirit and our operating instructions, to be cooling breezes to sad or worried people, including ourselves, in this sometimes hot stuffy joint [the world].
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind.
Miguel de Cervantes Saavedra (Don Quixote)
I liked the dark. Most people were afraid of the dark, but to me, the dark had always been comforting. You could be yourself, say anything you wanted to say, and trust the night to keep your secrets. What happened in the long, silent hours from dusk until dawn was like a place out of time.
Tiffany Snow (No Turning Back (Kathleen Turner, #1))
Taking kids outside to love God and nature is just about the most Jesus-y thing we can do. Jesus was nearly always outside with his disciples, or alone with the stars. To take kids to a beach, even one that is littered, it to bring them to an altar (a big one) surrounded by the blue-grey ocean billowing outward like a skirt, flecked with sunlight, like foil or diamonds.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Twilight ... Say, who you are !! The dusk before the night Or the dawn before the light (Page 73)
Neena Verma (A Mother's Cry... A Mother's Celebration)
Look around and see whom you can serve.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Homeward bound I suddenly noticed before me my own shadow as I had seen the shadow of the other war behind the actual one. During all this time it has never budged from me, that irremovable shadow, it hovers over every thought of mine by day and by night; perhaps its dark outline lies on some pages of this book, too. But, after all, shadows themselves are born of light. And only he who has experienced dawn and dusk, war and peace, ascent and decline, only he has truly lived.
Stefan Zweig (The World of Yesterday)
Wake and sleep and wake again, every night was broken into pieces by the rough hands of her tormentors, and every night was colder and crueler than the night before. The hour of the owl, the hour of the wolf, the hour of the nightingale, moonrise and moonset, dusk and dawn, they staggered past like drunkards.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
We get to--have to--finally release the perfectionism and expectations, expectations being resentments under construction. We can't get bogged down in this stupid stuff. It's actually a miracle just to be here at all, with a few truly great friends, and to keep muddling through, grateful if not sometimes perplexed.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Somewhere in those weeks Tatiana’s innocence was lost. The innocence of honesty was gone forever, for she knew she would have to live in deceit, every day in verse and prose, in close quarters, in the same bed, every night when her foot touched Dasha’s, she would live in deceit. Because she felt for him. But what Tatiana felt for Alexander was true. What Tatiana felt for Alexander was impervious to the drumbeat of conscience. Oh, to be walking through Leningrad white night after white night, the dawn and the dusk all smelting together like platinum ore, Tatiana thought, turning away to the wall, again to the wall, to the wall, as ever. Alexander, my nights, my days, my every thought. You will fall away from me in just a while, won’t you, and I’ll be whole again, and I will go on and feel for someone else, the way everyone does. But my innocence is forever gone.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Look at the magnificence of love, At this heavenly dusk, Wind is singing the song of joy, The sun is kissing the ocean. Saying goodbye for the night Promising to wake her up At the dawn of life, With the touch of his warmth and light.
Debasish Mridha
Here is what I know of love: Love is the gas station and the fuel, the air and the water. You might as well give up on keeping the gas cap screwed on tight, keeping love at bay, staying armored or buttressed, because love will get in. It will wear you down. Love is ruthless, whether you notice this or not....It will win. It always does, at least in the long term...
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Now, in this winter of snow and crutches with Phineas, I begin to know that each morning reasserted the problems of the night before, that sleep suspended all but changed nothing, that you couldn’t make yourself over between dawn and dusk. Phineas however did not believe this. I’m sure that he looked down at his leg every morning first thing, as soon as he remembered it, to see if it had not been totally restored while he slept. When he found on this first morning back at Devon that it happened still to be crippled and in a cast, he said in his usual self-contained way, “Hand me my crutches, will you?
John Knowles (A Separate Peace)
Until now, in spite of everything, I had welcomed each new day as though it were a new life, where all past failures and problems were erased, and all future possibilities and joys open and available, to be achieved probably before night fell again. Now, in this winter of snow and crutches with Phineas, I began to know that each morning reasserted the problems of the night before, that sleep suspended all but changed nothing, that you couldn't make yourself over between dawn and dusk.
John Knowles (A Separate Peace)
Is the soul damaged by acne, political madness, rigid or unloving parents? I think so, damaged but not mortally so. It becomes callused, barricaded, yet it’s always there for the asking, always ready for hope. Some poet once wrote that we think we are drops in the ocean, but that we are really the ocean in drops, both minute and everything there is.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
The world was not a place of black and white, night and day. It was shades of gray and shadows, dusk and dawn, in-between moments and shifting sands.
Lila Bowen (Wake of Vultures (The Shadow, #1))
Two nights, two months, two years, it doesn't matter. I know in my heart of hearts she's all I'll ever need, and I'll spend the rest of my life proving it.
Erin Noelle (As the Dawn Breaks (Dusk Til Dawn, #1.5))
Goodness and courage are how the divine presents itself so often—whether in drag, as close friends, or as EMTs.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Why am I here? To love this dumb old day. Ugh. If I could only remember this.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
And while everyone has to make a living and show up for family, listening is optional. You have to make a conscious decision to listen harder.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Jesus is big on people evolving. And all organisms have an innate tendency to evolve toward improvement. I seem to be the outlier.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Look around and see whom you can serve. This will fill you.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
The facts of this world will never satisfy the human heart, but what we give each other can, when it holds love.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Love is gentle if sometimes amused warmth for annoying and deeply disappointing people, especially ourselves.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
In recovery, they say there are no victims, only volunteers, […]
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
We are going to save the world by repeatedly busting the dread that looms over us like a blimp, by pushing back our sleeves and distracting it with the next right thing and good works.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
The point was to lean toward goodness, to resist less, to pray for our enemies. The point was to have a spiritual awakening of any sort that would help us live more often in kind awareness.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Sin is not just affairs, or porn shops, or drug cartels. It is also the ignorance and brokenness of the world, extreme self-centeredness, hoarding wealth, using others as objects, not caring.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
I would rarely be in conformity with the Divine's huge, crazy love so I just prayed, "Help me start walking in your general direction," and the greatest prayer, "Help me not be such an asshole.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
hate to be wrong, and I hate that I am wrong so often in so many ways, that my thinking is often defensive, judgmental, and skittish. (I have a thinking disorder. I once took a 20 Questions quiz about drinking but substituted thinking and I got most of them: Do you prefer to think alone? Do you hide your thinking from loved ones? Has thinking begun to impact your health and quality of life?) Anyway,
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
IV REVEILLE Wake: the silver dusk returning Up the beach of darkness brims, And the ship of sunrise burning Strands upon the eastern rims. Wake: the vaulted shadow shaatters, Trampled to the floor it spanned, And the tent of night in tatters Straws the sky-pavilioned land. Up, lad, up, 'tis late for lying: Hear the drums of morning play; Hark, the empty highways crying "Who'll beyond the hills away?" Towns and countries woo together, Forelands beacon, belfries call; Never lad that trod on leather Lived to feast his heart with all. Up, lad: thews that lie and cumber Sunlit pallets never thrive; Morns abed and daylight slumber Were not meant for man alive. Clay lies still, but blood's a rover; Breath's a ware that will not keep Up, lad: when the journey's over There'll be time enough to sleep.
A.E. Housman (A Shropshire Lad)
got dropped off at the airport in a better mood than I had arrived in. In the third third of life, you may become just as miserable and prickly as ever, but you cycle through more quickly. You remember other dark nights of the soul and how by dawn they always broke. You discover that everything helps you learn who you are, and that this is why we are here. You roll your eyes at yourself more gently. You sigh and go make yourself a cup of tea.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
It’s the storms of life that make us strong, and as with all dark nights, sometimes we just have to hang on in there. Doggedly. The dawn will always come. The light will always win. And the fire, in nature, is all powerful.
Bear Grylls
Whether it's Mt. Sinai, a pasture, a library, the creek down the road, a liveness, or whatever you want to call it, the song is above us, around us, within us. We transcend the incessant and wearying yammer of bullshit. Transcendence means you go from judgement, separation from life in yourself, to feeling at one-ish with the universe. We hook into something bigger than we are - truer than the self-serving stories we make up about life and ourselves.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Transcendence means you go from judgment, separation from life and yourself, to feeling at one-ish with the universe. We hook into something bigger than we are, truer than the self-serving stories we make up about life and ourselves.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
So while I do not expect to get over much, I know that my motley, beloved friends and I have only a short time together left on this merry-go-round, as it spins around the sun, rises and falls. At the same time, these friends are all sort of a marvelous mess: perfect and neurotic, driven and gentle, self-centered and crazily generous, fully alive and probably on their way out. They are chipped and slightly faded works of art, and they are the exact horse I’ve longed for, all my life.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Love the phoenix cannot be trapped nor in heaven or earth can it be named; no one has yet discovered its address: its desert holds not a single footprint. The world drains the last drops from its cup though itself it is not outside the glass; dawn and dusk I caress its face, its tresses, though where it is no day or night exists. Morning-breeze, if you pass its lane I have no message for it but this: My repose, who are my very life, without you I can take no single breath at ease.
Fakhruddin 'Iraqi
Towards dawn, as we were making camp, Vancha suddenly burst out laughing. "Look at us!" he hooted, as we stared at him uncertainly. "We've been moping all night like four sad souls at a funeral. What idiots we've been!" "You think it amusing to have a death sentence imposed on us, Sire?" Mr. Crepsley asked archly. "Charna's guts!" Vancha cursed. "The sentence has been there since the start — all that's changed is that we know about it!" "A little knowledge is a... dangerous thing," Harkat muttered.
Darren Shan (Hunters of the Dusk (Cirque Du Freak, #7))
On a long journey to Glen-Stone Isailed into its shade there before me she proudly shone my decision was already made. A lass who bore the light of the town her fur of ivory thread how she danced is stuck in my crown and back to this glen my boat led. Twenty some seasons have since passed since her eyes and mine both met through lands unnamed and wildly vast my blade slaying every threat Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break, but not today. Living in blackness wrought with fright my steel shattered facing the foes dusks and dawns darker than night my fallen companions in rows Life spilled past me staining the ground mylimbs growing ever so cold above villians let out a cackiling sound telling me i'd never grow old One dance and one mouse played in my mind calling me back from the doom the courage to carry on i did find to raise me out of my tomb Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break though not today Battered and bruised i stood to my paws raised what little i owned predators growled caring not for my cause of the mouse that shone light off Glen-stone Wolf, hawk, fox, and snake can't tand in my way my body is weak and it may break though not today. -The Ballad Of The Ivory Lass
David Petersen
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind. His
Miguel de Cervantes Saavedra (Don Quixote)
I had forgotten how disconcerting intimacy can be, how rare and how devastating the potential for loss that's inherent in it. The old adage is that -intimacy- means 'Into me I see'--deeply, with a flashlight--and believe me, we're not trying to avoid seeing the lovely and selfless aspects of ourselves. It's not even the unlikable qualities--narcissism, fraudulence, envy. It's the really disgusting, uncooked-egg parts of us--wanting people to fail, using people, holding on to resentments, our sense of entitlement.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Was this all there was to life, after all? You finished school, found an occupation, got married, became a father, watched your wife die, and then lived through days and nights that seemed to have no sunrises, no dawns and no dusks, nothing but a gray drabness.
Robert Cormier (The Chocolate War)
He's your friend that you get to sleep with and wake up with. That's what married life is at its most basic. A friend, your teammate, a person you trust and look forward to talking to, about anything. Someone who seems to really, really like you, who you like too.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
Letting people know you too well is like the commercial for a telephone company with the hapless person trying to find decent reception: 'Can you hear me now?' Our bitter, hard, screwed-up places spool out over time in a marriage or intimate relationship. Our crazy inside-person shows.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
That night in his room, he searched for signs of something wrong in his sketchbooks old and new. The drawings he’d made of his mother a year ago compared to the ones of now were proof on the page because he knew her face so well. Her eyes were sunken and the light they emitted was dusk not dawn.
Sarah Winman (Tin Man)
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind. His fantasy filled with everything he had read in his books, enchantments as well as combats, battles, challenges, wounds, courtings, loves, torments, and other impossible foolishness, and he became so convinced in his imagination of the truth of all the countless grandiloquent and false inventions he read that for him no history in the world was truer.
Miguel de Cervantes Saavedra (Don Quixote)
I write because there is a night a day dawn dusk shadow and light and because there will always be seasons to dream I write because in the beginning is this planet which welcomes us I write because the heart's swell I have never forgotten the sea's rhythm I also write for love and for the secret place that haunts us
Amina Saïd
In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind. His fantasy filled with everything he had read in his books, enchantments as well as combats, battles, challenges, wounds, courtings, loves, torments, and other impossible foolishness, and he became so convinced in his imagination of the truth of all the countless grandiloquent and false inventions he read that for him no history in the world was truer. He would say that El Cid Ruy Díaz4 had
Miguel de Cervantes Saavedra (Don Quixote)
There’s language to the woods and it’s speaking to those capable of listening, to ears taught to decode meanings mild or malignant. Geese flying, bees buzzing. Howl of a wolf, height of the clouds, face of the moon, colour of the night and the morning sky, movement of game, snowfall heavy or light — things mostly lost on most people. Where others heard the winds in the maples, the trapper smelled the sap on the breeze. A wind veered northerly and where another might think the evening cold, he knew frost was coming early and the temperatures would stay cold for a week and the bears would feed heavily before the berry bushes died and the deer would be more active at dusk, at dawn. Inflections of the forest, cadence of the wilderness, language of the North.
Tom Stewart
During our first months in the house, we hosted a homeless couple we only ever saw slinking off in the dawn: at dusk, they would silently lift off the latticework to the crawl space under our house and then sleep there, their roof our bedroom floor, and when we got up in the middle of the night, we tried to walk softly because it felt rude to step inches above the face of a dreaming person.
Lauren Groff (Florida)
The crews flew from dawn to dusk every day and at night returned to their airfield in Chernigov to decontaminate their machines, discard their uniforms, and scrub radioactive dust from their bodies in a sauna. But it proved almost impossible to entirely remove the radiation from the helicopters, and when they returned each morning to begin a new mission, the airmen found the grass beneath their parked aircraft had turned yellow overnight.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma
Ocean Vuong (On Earth We're Briefly Gorgeous)
It had been an early start. Dawn and dusk had always been the best times to catch pike but these days it was a rare occasion when he got out of bed much before 9.00am at the weekend. This morning his alarm had gone off at 5.00am. It was still dark. He had made a thermos flask of coffee and had stopped at the petrol station to get some sandwiches and chocolate. He had put his fishing tackle in the car the night before and had arrived at Gold Corner Pumping Station before sunrise.
Damien Boyd (As The Crow Flies (DI Nick Dixon #1))
Each act of full forgiveness and even each partial act is not only a miracle, but a prize of redemption, as with books of S&H Green Stamps. But instead of a toaster, you get a unit of peace. Each act of forgiveness gives us more awareness of the beauty that surrounds us and of the friendly light inside, the tiny and usually ignored part that hasn't been faked, cheapened, or exploited. It is an infinitesimally small point of light--like when our ancient TVs were turning off--and eternity, the world in a blade of grass.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
There's not a season set aside for pondering and reveries. It will not les us hesitate or rest; it does not wish us to stand back and comment on its comeliness or devise a song for it. It has no time to listen to our song. It only asks us not to tire in our hard work. It wants to see us leathery, our necks and fore-arms burnt as black as chimney oak; it wants to leave us thinned and sinewy from work. It taxes us from dawn to dusk, and torments us at night; that is the taxing that the thrush complains about. Our great task each and every year is to defend ourselves against hunger and defeat with implements and tools.
Jim Crace (Harvest)
The fox has a long history of magic and cunning associated with it. Because it is a creature of the night, it is often imbued with supernatural power. It is often most visible at the times of dawn and dusk, the “Between Times” when the magical world and the world in which we live intersect. It lives at the edges of forests and open land-the border areas. Because it is an animal of the “Between Times and Places,” it can be a guide to enter the Faerie Realm. Its appearance at such times can often signal that the Faerie Realm is about to open for the individual. In the Orient, it was believed that faxes were capable of assuming human form. In ancient Chinese lore, the fox acquires the faculty to become human at the age of 50, and on its hundredth birthday, it becomes either a wizard or a beautiful maiden who will ultimately destroy any man unlucky enough to fall in love with her. “There are several American Indian tribes that tell tales of hunters who accidentally discovered their wives were foxes.”52 This is very symbolic of the idea of magic being born within the feminine energies, and that unless a male can recognize the magic of the feminine-in himself or others-and learn to use it to shapeshift his own life, it will ultimately lead to destruction.
Ted Andrews (Animal Speak: The Spiritual & Magical Powers of Creatures Great & Small)
On the Gallows Once Kofi Awoonor I crossed quite a few of your rivers, my gods, into this plain where thirst reigns I heard the cry of mourners the long cooing of the African wren at dusk the laughter of the children at dawn had long ceased night comes fast in our land where indeed are the promised vistas the open fields, blue skies, the singing birds and abiding love? History records acts of heroism, barbarism of some who had power and abused it massively of some whose progenitors planned for them the secure state of madness from which no storm can shake them; of some who took the last ships disembarked on some far-off shores and forgot of some who simply laid down the load and went home to the ancestors
Kofi Awoonor
I took the Washington bus; wasted some time there wandering around; went out of my way to see the Blue Ridge, heard the bird of Shenandoah and visited Stonewall Jackson’s grave; at dusk stood expectorating in the Kanawha River and walked the hillbilly night of Charleston, West Virginia; at midnight Ashland, Kentucky, and a lonely girl under the marquee of a closed-up show. The dark and mysterious Ohio, and Cincinnati at dawn. Then Indiana fields again, and St. Louis as ever in its great valley clouds of afternoon. The muddy cobbles and the Montana logs, the broken steamboats, the ancient signs, the grass and the ropes by the river. The endless poem. By night Missouri, Kansas fields, Kansas night-cows in the secret wides, crackerbox towns with a sea for the end of every street; dawn in Abilene. East Kansas grasses become West Kansas rangelands that climb up to the hill of the Western night.
Jack Kerouac (On the Road)
Each one, then, should love his life, even though it be not very attractive, for it is the only life. It is a boon that will never return and that each person should tend and enjoy with care; it is one's capital, large or small, and can not be treated as an investment like those whose dividends are payable through eternity. Life is an annuity; nothing is more certain than that. So that all efforts are to be respected that tend to ameliorate the tenure of this perishable possession which, at the end of every day, has already lost a little of its value. Eternity, the bait by which simple folk are still lured, is not situated beyond life, but in life itself, and is divided among all men, all creatures. Each of us holds but a small portion of it, but that share is so precious that it suffices to enrich the poorest. Let us then take the bitter and the sweet in confidence, and when the fall of the days seems to whirl about us, let us remember that dusk is also dawn.
Remy de Gourmont (Philosophic Nights in Paris (English and French Edition))
Christmas In India Dim dawn behind the tamerisks -- the sky is saffron-yellow -- As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they're making merry 'neath the white and scarlet berry -- What part have India's exiles in their mirth? Full day begind the tamarisks -- the sky is blue and staring -- As the cattle crawl afield beneath the yoke, And they bear One o'er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly -- Call on Rama -- he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid "good Christian men rejoice!" High noon behind the tamarisks -- the sun is hot above us -- As at Home the Christmas Day is breaking wan. They will drink our healths at dinner -- those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap -- wherefore we sold it. Gold was good -- we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks -- the parrots fly together -- As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how'er so far we roam. Hard her service, poor her payment -- she is ancient, tattered raiment -- India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple's shrine we enter, The door is hut -- we may not look behind. Black night behind the tamarisks -- the owls begin their chorus -- As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors -- let us feast with friends and neighbors, And be merry as the custom of our caste; For if "faint and forced the laughter," and if sadness follow after, We are richer by one mocking Christmas past.
Rudyard Kipling
MY HOUSE I have built me a house at the end of the street Where the tall fir trees stand in a row, With a garden beside it where, purple and gold, The pansies and daffodils grow: It has dear little windows, a wide, friendly door Looking down the long road from the hill, Whence the light can shine out through the blue summer dusk And the winter nights, windy and chill To beckon a welcome for all who may roam ... ‘Tis a darling wee house but it’s not yet a home. It wants moonlight about it all silver and dim, It wants mist and a cloak of grey rain, It wants dew of the twilight and wind of the dawn And the magic of frost on its pane: It wants a small dog with a bark and a tail, It wants kittens to frolic and purr, It wants saucy red robins to whistle and call At dusk from the tassels of fir: It wants storm and sunshine as day follows day, And people to love it in work and in play. It wants faces like flowers at the windows and doors, It wants secrets and follies and fun, It wants love by the hearthstone and friends by the gate, And good sleep when the long day is done: It wants laughter and joy, it wants gay trills of song On the stairs, in the hall, everywhere, It wants wooings and weddings and funerals and births, It wants tears, it wants sorrow and prayer, Content with itself as the years go and come ... Oh, it needs many things for a house to be home! Walter Blythe
L.M. Montgomery (The Blythes Are Quoted)
Do you believe in fairytales? I often wonder, why the sun always takes a leap in the dawn and why it always goes down at the dusk so that the night gleam in with the starry halo of stillness. I often wonder, what lies ahead in the horizon right after the periphery of this Universe, no not our Earth but this huge galaxy of stars, made with the minutest particle of dreams. Dreams of stardust. Stars that light our way in the morn and the stars that guide our way in the night. In a void of million chords, an echoing stillness that always clutches our soul, the voice of our pulsating breathing throbbing heart. And all of it, a moment in an illusion of time. And all of it, a thought in a cocoon of time. Time that walks parallely in a magnum of an unimaginable cosmos and then when I close my eye for a fraction of a moment, I see a flash of lightning in a mirage of moments, an illusion of thought, an illusion of reality, where nothing is real yet nothing is meaningless, where nothing is impossible.. And there perhaps fairytales are real after all in a fume of illusions, miracles are fire-laden stars often smiling away in a different world in a different time, waiting to cross paths with our little reality in a camouflaged spectrum of souls and stars. So, don't stop believing in Fairy tales and weave your faith into it, for you never know which part of this wide cosmos catches it to manifest that in your serenade of Life's momentary reality!
Debatrayee Banerjee
I’ll stay with you, Reep,” said Edmund. “And I too,” said Caspian. “And me,” said Lucy. And then Eustace volunteered also. This was very brave of him because never having read of such things or even heard of them till he joined the Dawn Treader made it worse for him than for the others. “I beseech your Majesty--” began Drinian. “No, my Lord,” said Caspian. “Your place is with the ship, and you have had a day’s work while we five have idled.” There was a lot of argument about this but in the end Caspian had his way. As the crew marched off to the shore in the gathering dusk none of the five watchers, except perhaps Reepicheep, could avoid a cold feeling in the stomach. They took some time choosing their seats at the perilous table. Probably everyone had the same reason but no one said it out loud. For it was really a rather nasty choice. One could hardly bear to sit all night next to those three terrible hairy objects which, if not dead, were certainly not alive in the ordinary sense. On the other hand, to sit at the far end, so that you would see them less and less as the night grew darker, and wouldn’t know if they were moving, and perhaps wouldn’t see them at all by about two o’clock--no, it was not to be thought of. So they sauntered round and round the table saying, “What about here?” and “Or perhaps a bit further on,” or “Why not on this side?” till at last they settled down somewhere about the middle but nearer to the sleepers than to the other end.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table knitting a stocking. ASTROFF is walking up and down near her. MARINA. [Pouring some tea into a glass] Take a little tea, my son. ASTROFF. [Takes the glass from her unwillingly] Somehow, I don't seem to want any. MARINA. Then will you have a little vodka instead? ASTROFF. No, I don't drink vodka every day, and besides, it is too hot now. [A pause] Tell me, nurse, how long have we known each other? MARINA. [Thoughtfully] Let me see, how long is it? Lord—help me to remember. You first came here, into our parts—let me think—when was it? Sonia's mother was still alive—it was two winters before she died; that was eleven years ago—[thoughtfully] perhaps more. ASTROFF. Have I changed much since then? MARINA. Oh, yes. You were handsome and young then, and now you are an old man and not handsome any more. You drink, too. ASTROFF. Yes, ten years have made me another man. And why? Because I am overworked. Nurse, I am on my feet from dawn till dusk. I know no rest; at night I tremble under my blankets for fear of being dragged out to visit some one who is sick; I have toiled without repose or a day's freedom since I have known you; could I help growing old? And then, existence is tedious, anyway; it is a senseless, dirty business, this life, and goes heavily. Every one about here is silly, and after living with them for two or three years one grows silly oneself. It is inevitable. [Twisting his moustache] See what a long moustache I have grown. A foolish, long moustache. Yes, I am as silly as the rest, nurse, but not as stupid; no, I have not grown stupid. Thank God, my brain is not addled yet, though my feelings have grown numb. I ask nothing, I need nothing, I love no one, unless it is yourself alone. [He kisses her head] I had a nurse just like you when I was a child. MARINA. Don't you want a bite of something to eat? ASTROFF. No. During the third week of Lent I went to the epidemic at Malitskoi. It was eruptive typhoid. The peasants were all lying side by side in their huts, and the calves and pigs were running about the floor among the sick. Such dirt there was, and smoke! Unspeakable! I slaved among those people all day, not a crumb passed my lips, but when I got home there was still no rest for me; a switchman was carried in from the railroad; I laid him on the operating table and he went and died in my arms under chloroform, and then my feelings that should have been deadened awoke
Anton Chekhov (Uncle Vanya)
In the uncertain hour before the morning Near the ending of interminable night At the recurrent end of the unending After the dark dove with the flickering tongue Had passed below the horizon of his homing While the dead leaves still rattled on like tin Over the asphalt where no other sound was Between three districts whence the smoke arose I met one walking, loitering and hurried As if blown towards me like the metal leaves Before the urban dawn wind unresisting. And as I fixed upon the down-turned face That pointed scrutiny with which we challenge The first-met stranger in the waning dusk I caught the sudden look of some dead master Whom I had known, forgotten, half recalled Both one and many; in the brown baked features The eyes of a familiar compound ghost Both intimate and unidentifiable. So I assumed a double part, and cried And heard another's voice cry: 'What! are you here?' Although we were not. I was still the same, Knowing myself yet being someone other— And he a face still forming; yet the words sufficed To compel the recognition they preceded. And so, compliant to the common wind, Too strange to each other for misunderstanding, In concord at this intersection time Of meeting nowhere, no before and after, We trod the pavement in a dead patrol. I said: 'The wonder that I feel is easy, Yet ease is cause of wonder. Therefore speak: I may not comprehend, may not remember.' And he: 'I am not eager to rehearse My thoughts and theory which you have forgotten. These things have served their purpose: let them be. So with your own, and pray they be forgiven By others, as I pray you to forgive Both bad and good. Last season's fruit is eaten And the fullfed beast shall kick the empty pail. For last year's words belong to last year's language And next year's words await another voice. But, as the passage now presents no hindrance To the spirit unappeased and peregrine Between two worlds become much like each other, So I find words I never thought to speak In streets I never thought I should revisit When I left my body on a distant shore. Since our concern was speech, and speech impelled us To purify the dialect of the tribe And urge the mind to aftersight and foresight, Let me disclose the gifts reserved for age To set a crown upon your lifetime's effort. First, the cold friction of expiring sense Without enchantment, offering no promise But bitter tastelessness of shadow fruit As body and soul begin to fall asunder. Second, the conscious impotence of rage At human folly, and the laceration Of laughter at what ceases to amuse. And last, the rending pain of re-enactment Of all that you have done, and been; the shame Of motives late revealed, and the awareness Of things ill done and done to others' harm Which once you took for exercise of virtue. Then fools' approval stings, and honour stains. From wrong to wrong the exasperated spirit Proceeds, unless restored by that refining fire Where you must move in measure, like a dancer.' The day was breaking. In the disfigured street He left me, with a kind of valediction, And faded on the blowing of the horn. -T.S. Eliot, "Little Gidding
T.S. Eliot
Each day had the same bloody rhythm: mortars at dawn, car bombs by 11: 00 a.m., drive-by shootings before tea, and mortars again at dusk. At night the death squads went to work.
Richard Engel (And Then All Hell Broke Loose: Two Decades in the Middle East)
In his lifetime, Stalin will murder millions of people. Some will be shot, others will be denied food and ultimately die of starvation, millions will be sent to die in the deep winter snows of Siberia, and many will be tortured to death. Already, during one infamous murder spree in April and May of 1940, some twenty-two thousand Polish nationals were shot dead. What began as an attempt to execute every member of the Polish officer corps soon expanded to include police officers, landowners, intelligence agents, lawyers, and priests. The shootings were conducted for nights on end, often beginning at dusk and continuing until dawn. Some were mass killings carried out in the Katyn Forest, while others were individual executions inside the Kalinin and Kharkiv prisons. Mikhailovich Blokhin, chief executioner at Kalinin, personally shot seven thousand men in the back of the head as they knelt before him. Those killings took place inside a cell whose walls were lined with sandbags to deaden the sound. As soon as a victim fell dead, he was dragged from the room and thrown onto a truck for delivery to the burial site, while another handcuffed prisoner was marched before Blokhin and told to kneel. Noting that Russian pistols had so much recoil that his hand hurt after just a dozen killings, Blokhin opted for the smoother feel of the German Walther PPK.
Bill O'Reilly (Killing Patton: The Strange Death of World War II's Most Audacious General)
A fish is smarter than you in water. A bird is cleverer than you in air. A lion is nimbler than you on land. An owl is wiser than you at night. A fox is shrewder than you in the day. A rooster is savvier than you in the morning. A worm is wylier than you in soil. A snake is subtler than you in grass. A monkey is slicker than you in trees. A bat is sharper than you at dusk. A hyena is craftier than you at dawn. A dove is keener than you at midday. A seed is adepter than you in earth. A wolf is slyer than you in forests. A tiger is deadlier than you in jungles.
Matshona Dhliwayo
Remember the Medici tomb with the figures of Night and Day, Dusk and Dawn? Two reclining men and two reclining women. The women modestly fold their legs together. Both men part their legs and, pushing, lift their pelvises, as though waiting for a birth. Not a birth of flesh and blood and not – heaven forbid – of symbols either. The birth they await is of the indescribable and endless mystery which their bodies incarnate,
John Berger (Portraits: John Berger on Artists)
Would you rather be right, or would you rather be happy?
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage (Random House Large Print))
The days continued to pass, marked only with the iridescent shine of happiness. There was no dusk, and there was no dawn. Even her watch stopped - it was something to do with being so close to the North Pole. And with nothing to tell the time, day blended into night and night blended into day. Time was no longer hands on a clock but something endless, infinite and magical. It was summer. And it was the best summer.
Hannah Gold (The Last Bear (The Last Bear #1))
Love Warriors embrace the battlefield at dawn, blaze the banner of hope til dusk then silently splash the waters of joy through our dreams at night.
Cathie Wright-Lewis (Passion's Pride: Return to the Dawning)
We were happy when he first came. We first thought he came from the Light; but he comes like the dusk of the evening now, not like the dawn of the morning. He comes like a day that has passed, and night enters our future with him… Plains Chieftain, c. 1870
Hugh Brogan (The Penguin History of the USA)
Marabela didn’t just wake up one morning and think she wanted to leave; she simply realized the time had finally arrived. their marriage didn’t change from night to day; there were sunrises, and sunsets, and times when the sky was neither dark nor light, when the dawns and the dusks became indistinguishable from the constant fog they tried to ignore.
Natalia Sylvester (Chasing the Sun)