Dusk Before Dawn Quotes

I began to know that each morning reasserted the problems of night before, that sleep suspended all but changed nothing, that you couldn’t make yourself over between dawn and dusk.

The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.

A man does not need to be a wizard to know truth from falsehood, not if he has eyes. You need only learn to read a face. Look at the eyes. The mouth. The muscles here, at the corners of the jaw, and here, where the neck joins the shoulders." He touched her lightly with two fingers. "Some liars blink. Some stare. Some look away. Some lick their lips. Many coer their mouths just before they tell a lie, as if to hide their deceit. Other signs may be more subtle, but they are always there. A false smile and a true one may look alike, but they are as different as dusk from dawn.

Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.

If you don't look before the dusk and beyond the dawn, you won't be able to see the sun. (Soar)

You'd be surprised how difficult it is to ask alms of a stranger when you've never done it before, what a psychological barrier separates the honest man from the panhandler. ("Dusk To Dawn")

Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room. But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.

Twilight, the only time of the day when the light and dark meet and become one. The bright powerful light of the day, calmly surrenders before the engulfing duskiness of the night. And the dense whelming darkness of the night yields before the surreal dawning saffron of the morning. The only two moments of the day that absolve the difference between ‘dark and light’. (Page 71)

He traced the constellations as they slid their way across the roof of the world from dusk till dawn. The precision of it, the quiet orderliness of the stars, gave him a sense of freedom. There was nothing he was going through that the stars had not seen before, somewhere, some time on this earth. Given enough time, their memory would close over his life like healing a wound. All would be forgotten, all suffering erased.

Twilight ... Say, who you are !! The dusk before the night Or the dawn before the light (Page 73)

Homeward bound I suddenly noticed before me my own shadow as I had seen the shadow of the other war behind the actual one. During all this time it has never budged from me, that irremovable shadow, it hovers over every thought of mine by day and by night; perhaps its dark outline lies on some pages of this book, too. But, after all, shadows themselves are born of light. And only he who has experienced dawn and dusk, war and peace, ascent and decline, only he has truly lived.

Wake and sleep and wake again, every night was broken into pieces by the rough hands of her tormentors, and every night was colder and crueler than the night before. The hour of the owl, the hour of the wolf, the hour of the nightingale, moonrise and moonset, dusk and dawn, they staggered past like drunkards.

The melody drifted into an aching silence. Austin lifted his head, and she saw his tears, trailing along his cheeks, glistening in the moonlight. She slipped from beneath the blankets, her bare feet hitting the cold floor. "What were you playing?" she asked reverently, not wanting to disturb the ambiance that remained in the room. "That was my heart breaking," he said, his voice ragged. She felt as though her own heart might shatter as she took a step toward him. "Austin—" "Don't stop loving me, Loree. You want me to learn what those little black bugs on those pieces of paper mean, I'll learn. You want me to play the violin from dawn until dusk, hell, I'll play till midnight, just don't stop loving me." She flung her arms around his neck and felt his arms come around her back, the violin tapping against her backside. "Oh, Austin, I couldn't stop loving you if I wanted." "I do know how to love, Loree. I just don't know how to keep a woman loving me." "I'll always love you, Austin," she said trailing kisses over his face. "Always." She felt a slight movement away from her as he set the violin aside, and then his arms came around her, tighter than before. "Let me love you, Loree. I need to love you." -Austin and Loree

Now, in this winter of snow and crutches with Phineas, I begin to know that each morning reasserted the problems of the night before, that sleep suspended all but changed nothing, that you couldn’t make yourself over between dawn and dusk. Phineas however did not believe this. I’m sure that he looked down at his leg every morning first thing, as soon as he remembered it, to see if it had not been totally restored while he slept. When he found on this first morning back at Devon that it happened still to be crippled and in a cast, he said in his usual self-contained way, “Hand me my crutches, will you?

Until now, in spite of everything, I had welcomed each new day as though it were a new life, where all past failures and problems were erased, and all future possibilities and joys open and available, to be achieved probably before night fell again. Now, in this winter of snow and crutches with Phineas, I began to know that each morning reasserted the problems of the night before, that sleep suspended all but changed nothing, that you couldn't make yourself over between dawn and dusk.

Thought is uncontrollable but controllable. Thought is the pivot of life and the epitome of good or bad living. A controlled thought is a controlled life and an uncontrolled life is an uncontrolled living. Our first and last thoughts from dawn to dusk are of great essence to living a purposeful life. They form a catalyst for a progressive or retrogressive life. What do you think of most before you sleep? What do you ponder upon most upon waking up from bed? The distinctive boundaries to your purposeful day are your first and last thoughts of the day. Remember! the first and the last thoughts.

On a long journey to Glen-Stone Isailed into its shade there before me she proudly shone my decision was already made. A lass who bore the light of the town her fur of ivory thread how she danced is stuck in my crown and back to this glen my boat led. Twenty some seasons have since passed since her eyes and mine both met through lands unnamed and wildly vast my blade slaying every threat Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break, but not today. Living in blackness wrought with fright my steel shattered facing the foes dusks and dawns darker than night my fallen companions in rows Life spilled past me staining the ground mylimbs growing ever so cold above villians let out a cackiling sound telling me i'd never grow old One dance and one mouse played in my mind calling me back from the doom the courage to carry on i did find to raise me out of my tomb Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break though not today Battered and bruised i stood to my paws raised what little i owned predators growled caring not for my cause of the mouse that shone light off Glen-stone Wolf, hawk, fox, and snake can't tand in my way my body is weak and it may break though not today. -The Ballad Of The Ivory Lass

This is my delight, thus to wait and watch at the wayside where shadow chases light and the rain comes in the wake of the summer. Messengers, with tidings from unknown skies, greet me and speed along the road. My heart is glad within, and the breath of the passing breeze is sweet. From dawn till dusk I sit here before my door, and I know that of a sudden the happy moment will arrive when I shall see. In the meanwhile I smile and I sing all alone. In the meanwhile the air is filling with the perfume of promise.

“Yuan, what if death is the key? Will we know everything, all secrets, all answers after we die?” “Maybe,” Yuan replied then, wanting to avoid the topic, not admitting he’d been thinking the same thing for a while. At that time, everyone thought of death, at least several times a day, just as people pray at every dawn and dusk. “Give me your word, Yuan,” Ruem then said, suddenly. “What word?” “That if you die before me, you’ll try your best to send me signs or a message. You’ll tell me what’s beyond.” Yuan only stared after what Ruem had said. He couldn’t say what if there was no beyond, what if it’s all empty, what if it’s just a dark void after death. He couldn’t answer, seeing Ruem’s blue eyes. Now that he remembers, the Mesmerizer had blue eyes then, before they turned red. “I give my word, Yagmur. If I die first, I will tell you everything I find, even if it requires me to come back after death,” Ruem promised. “If the beyond exists, that is,” he added. That day, Yuan gave his word too, and the word still remains. Someone truly evolved never breaks his word. Not even in death.

There’s language to the woods and it’s speaking to those capable of listening, to ears taught to decode meanings mild or malignant. Geese flying, bees buzzing. Howl of a wolf, height of the clouds, face of the moon, colour of the night and the morning sky, movement of game, snowfall heavy or light — things mostly lost on most people. Where others heard the winds in the maples, the trapper smelled the sap on the breeze. A wind veered northerly and where another might think the evening cold, he knew frost was coming early and the temperatures would stay cold for a week and the bears would feed heavily before the berry bushes died and the deer would be more active at dusk, at dawn. Inflections of the forest, cadence of the wilderness, language of the North.

Gosh, it's easy!' he marveled, open-mouthed. 'I never knew before how easy it is to kill anyone! Twenty years to grow 'em, and all it takes is one little push!' He was suddenly drunk with some new kind of power, undiscovered until this minute. The power of life and death over his fellowmen! Everyone had it, everyone strong enough to raise a violent arm, but they were afraid to use it. Well, he wasn't! And here he'd been going around for weeks living from hand to mouth, without any money, without enough food, when everything he wanted lay within his reach all the while! He had been green all right, and no mistake about it! Death had become familiar. At seven it had been the most mysterious thing in the world to him, by midnight it was already an old story. ("Dusk To Dawn")

Ryan and Jethá propose that our ancestors, at least from 200,000 years ago, were living in a world of plenty where the resources of food and sex were in abundance but were choosing to stay hungry. After a couple of hundred thousand years of this ‘Eden’ we apparently forgot who we were, got our appetites back, and before we knew it we were drowning under babies we no longer chose to dispose of at birth.

THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.

On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma

It had been an early start. Dawn and dusk had always been the best times to catch pike but these days it was a rare occasion when he got out of bed much before 9.00am at the weekend. This morning his alarm had gone off at 5.00am. It was still dark. He had made a thermos flask of coffee and had stopped at the petrol station to get some sandwiches and chocolate. He had put his fishing tackle in the car the night before and had arrived at Gold Corner Pumping Station before sunrise.

Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about. They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three. There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters. They'll stop you at the river, he says. The second corporal looks past his comrades. Are you talking to me? At the river. Be told. They'll jail you to a man. Who will? The United States Army. General Worth. They hell they will. Pray that they will. He looks at his comrades. He leans toward the Mennonite. What does that mean, old man? Do ye cross that river with yon filibuster armed ye'll not cross it back. Don't aim to cross it back. We goin to Sonora. What's it to you, old man? The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs. But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be? How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call. There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.

These Memoirs have been composed at different dates and in different countries. For this reason, I have been obliged to add some prefatory passages which describe the places that I had before my eyes and the feelings that were in my heart when the thread of my narrative was resumed. The changing forms of my life are thus intermingled. It has sometimes happened that, in my moments of prosperity, I have had to speak of times when I was poor, and in my days of tribulation, to retrace days when I was happy. My childhood entering into my old age, the gravity of experience weighing on the lightness of youth, the rays of my sun mingling and merging together, from its dawn to its dusk, have produced in my stories a kind of confusion, or, if you will, a kind of ineffable unity.

He heard the back door open and close. Carol, of course. Smelled her before he could see her. He’d never asked them when the affair began but always presumed it ran along invisible tracks parallel to his parents’ marriage. Mum had the painting and he had Carol. Truce. /It’s hard being born here, breathing this air. It becomes part of you, whether you want it to or not. Those lights become dawn and dusk. Mum used to say that. Did she? We were friends once. I never knew that. In the early days, we were. But the she seemed to withdraw. Rarely went out with your dad anymore. Maybe it was being a new mum. I reckon you were enough for her. Lucky Dora, we used to say. Ellis put his arm around her shoulder./ It was hard for us, wasn’t it? Getting to know each other? We know each other now, said Ellis. Yeah. And you know you’re too good for him. I know, said Carol, and they laughed. Do you think he’s alright? said Ellis, looking back to the house. Course he is. He’s just used to being a bastard. He’s one of them men who discovered later on that he’s got a heart.

Christmas In India Dim dawn behind the tamerisks -- the sky is saffron-yellow -- As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they're making merry 'neath the white and scarlet berry -- What part have India's exiles in their mirth? Full day begind the tamarisks -- the sky is blue and staring -- As the cattle crawl afield beneath the yoke, And they bear One o'er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly -- Call on Rama -- he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid "good Christian men rejoice!" High noon behind the tamarisks -- the sun is hot above us -- As at Home the Christmas Day is breaking wan. They will drink our healths at dinner -- those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap -- wherefore we sold it. Gold was good -- we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks -- the parrots fly together -- As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how'er so far we roam. Hard her service, poor her payment -- she is ancient, tattered raiment -- India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple's shrine we enter, The door is hut -- we may not look behind. Black night behind the tamarisks -- the owls begin their chorus -- As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors -- let us feast with friends and neighbors, And be merry as the custom of our caste; For if "faint and forced the laughter," and if sadness follow after, We are richer by one mocking Christmas past.

Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals

Lew had never seen a dead man before. He just stood there, and looked and looked. Then he went a step closer, and looked some more. 'So that's what it's like!' he murmured inaudibly. Finally Lew reached out slowly and touched him on the face, and cringed as he met the clammy feel of it, pulled his hand back and whipped it down, as though to get something off it. The flesh was still warm and Lew knew suddenly he had no time alibi. He threw something over that face and that got rid of the awful feeling of being watched by something from the other world. After that Lew wasn't afraid to go near him; he just looked like a bundle of old clothes. The dead man was on his side, and Lew fiddled with the knife-hilt, trying to get it out. It was caught fast, so he let it alone after grabbing it with his fingers from a couple of different directions. Next he went through his pockets, thinking he'd be helping to identify him. The man was Luther Kemp, forty-two, and he lived on 79th Street. But none of that was really true any more, Lew thought, mystified; he'd left it all behind. His clothes and his home and his name and his body and the show he'd paid to see were here. But where the hell had he gone to, anyway? Again that weird feeling came over Lew momentarily, but he brushed it aside. It was just that one of the commonest things in life - death - was still strange to him. But after strangeness comes familiarity, after familiarity, contempt. ("Dusk To Dawn")

We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.

Wheat did it by manipulating Homo sapiens to its advantage. This ape had been living a fairly comfortable life hunting and gathering until about 10,000 years ago, but then began to invest more and more effort in cultivating wheat. Within a couple of millennia, humans in many parts of the world were doing little from dawn to dusk other than taking care of wheat plants. It wasn’t easy. Wheat demanded a lot of them. Wheat didn’t like rocks and pebbles, so Sapiens broke their backs clearing fields. Wheat didn’t like sharing its space, water and nutrients with other plants, so men and women laboured long days weeding under the scorching sun. Wheat got sick, so Sapiens had to keep a watch out for worms and blight. Wheat was attacked by rabbits and locust swarms, so the farmers built fences and stood guard over the fields. Wheat was thirsty, so humans dug irrigation canals or lugged heavy buckets from the well to water it. Sapiens even collected animal faeces to nourish the ground in which wheat grew. The body of Homo sapiens had not evolved for such tasks. It was adapted to climbing apple trees and running after gazelles, not to clearing rocks and carrying water buckets. Human spines, knees, necks and arches paid the price. Studies of ancient skeletons indicate that the transition to agriculture brought about a plethora of ailments, such as slipped discs, arthritis and hernias. Moreover, the new agricultural tasks demanded so much time that people were forced to settle permanently next to their wheat fields. This completely changed their way of life. We did not domesticate wheat. It domesticated us. The word ‘domesticate’ comes from the Latin domus, which means ‘house’. Who’s the one living in a house? Not the wheat. It’s the Sapiens. How did wheat convince Homo sapiens to exchange a rather good life for a more miserable existence? What did it offer in return? It did not offer a better diet. Remember, humans are omnivorous apes who thrive on a wide variety of foods. Grains made up only a small fraction of the human diet before the Agricultural Revolution. A diet based on cereals is poor in minerals and vitamins, hard to digest, and really bad for your teeth and gums.

a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table knitting a stocking. ASTROFF is walking up and down near her. MARINA. [Pouring some tea into a glass] Take a little tea, my son. ASTROFF. [Takes the glass from her unwillingly] Somehow, I don't seem to want any. MARINA. Then will you have a little vodka instead? ASTROFF. No, I don't drink vodka every day, and besides, it is too hot now. [A pause] Tell me, nurse, how long have we known each other? MARINA. [Thoughtfully] Let me see, how long is it? Lord—help me to remember. You first came here, into our parts—let me think—when was it? Sonia's mother was still alive—it was two winters before she died; that was eleven years ago—[thoughtfully] perhaps more. ASTROFF. Have I changed much since then? MARINA. Oh, yes. You were handsome and young then, and now you are an old man and not handsome any more. You drink, too. ASTROFF. Yes, ten years have made me another man. And why? Because I am overworked. Nurse, I am on my feet from dawn till dusk. I know no rest; at night I tremble under my blankets for fear of being dragged out to visit some one who is sick; I have toiled without repose or a day's freedom since I have known you; could I help growing old? And then, existence is tedious, anyway; it is a senseless, dirty business, this life, and goes heavily. Every one about here is silly, and after living with them for two or three years one grows silly oneself. It is inevitable. [Twisting his moustache] See what a long moustache I have grown. A foolish, long moustache. Yes, I am as silly as the rest, nurse, but not as stupid; no, I have not grown stupid. Thank God, my brain is not addled yet, though my feelings have grown numb. I ask nothing, I need nothing, I love no one, unless it is yourself alone. [He kisses her head] I had a nurse just like you when I was a child. MARINA. Don't you want a bite of something to eat? ASTROFF. No. During the third week of Lent I went to the epidemic at Malitskoi. It was eruptive typhoid. The peasants were all lying side by side in their huts, and the calves and pigs were running about the floor among the sick. Such dirt there was, and smoke! Unspeakable! I slaved among those people all day, not a crumb passed my lips, but when I got home there was still no rest for me; a switchman was carried in from the railroad; I laid him on the operating table and he went and died in my arms under chloroform, and then my feelings that should have been deadened awoke

In the uncertain hour before the morning Near the ending of interminable night At the recurrent end of the unending After the dark dove with the flickering tongue Had passed below the horizon of his homing While the dead leaves still rattled on like tin Over the asphalt where no other sound was Between three districts whence the smoke arose I met one walking, loitering and hurried As if blown towards me like the metal leaves Before the urban dawn wind unresisting. And as I fixed upon the down-turned face That pointed scrutiny with which we challenge The first-met stranger in the waning dusk I caught the sudden look of some dead master Whom I had known, forgotten, half recalled Both one and many; in the brown baked features The eyes of a familiar compound ghost Both intimate and unidentifiable. So I assumed a double part, and cried And heard another's voice cry: 'What! are you here?' Although we were not. I was still the same, Knowing myself yet being someone other— And he a face still forming; yet the words sufficed To compel the recognition they preceded. And so, compliant to the common wind, Too strange to each other for misunderstanding, In concord at this intersection time Of meeting nowhere, no before and after, We trod the pavement in a dead patrol. I said: 'The wonder that I feel is easy, Yet ease is cause of wonder. Therefore speak: I may not comprehend, may not remember.' And he: 'I am not eager to rehearse My thoughts and theory which you have forgotten. These things have served their purpose: let them be. So with your own, and pray they be forgiven By others, as I pray you to forgive Both bad and good. Last season's fruit is eaten And the fullfed beast shall kick the empty pail. For last year's words belong to last year's language And next year's words await another voice. But, as the passage now presents no hindrance To the spirit unappeased and peregrine Between two worlds become much like each other, So I find words I never thought to speak In streets I never thought I should revisit When I left my body on a distant shore. Since our concern was speech, and speech impelled us To purify the dialect of the tribe And urge the mind to aftersight and foresight, Let me disclose the gifts reserved for age To set a crown upon your lifetime's effort. First, the cold friction of expiring sense Without enchantment, offering no promise But bitter tastelessness of shadow fruit As body and soul begin to fall asunder. Second, the conscious impotence of rage At human folly, and the laceration Of laughter at what ceases to amuse. And last, the rending pain of re-enactment Of all that you have done, and been; the shame Of motives late revealed, and the awareness Of things ill done and done to others' harm Which once you took for exercise of virtue. Then fools' approval stings, and honour stains. From wrong to wrong the exasperated spirit Proceeds, unless restored by that refining fire Where you must move in measure, like a dancer.' The day was breaking. In the disfigured street He left me, with a kind of valediction, And faded on the blowing of the horn. -T.S. Eliot, "Little Gidding

Each day had the same bloody rhythm: mortars at dawn, car bombs by 11: 00 a.m., drive-by shootings before tea, and mortars again at dusk. At night the death squads went to work.

Death is a friend we have not met, a voice we have not heard, a face we have not seen. Death is a slipping away, a going beyond a stepping through. It is a fading, as light slips from the sky at dusk, tenderly, and with a silent beauty. It is a leaf caught in the current, too far for us to reach from shore. It is a ship setting sail at dawn, to lands we do not know, and with friends we cannot follow. It is a bird set free from a cage, flying one last flight across our horizon before we lose it to the clouds. Death is the fall of a rose, the drop of a sparrow, the sigh of a barren bough. It is a letting go, a quieting of fear, and a haven from pain. Death is a coming home after a long journey. It is a safe harbor after many storms, and a sweet quiet rest after great labor. Death is a road we have not walked. a place we have not seen, a friend we have not met. It is a going and a coming, a departure, and an arrival. an end and a beginning.

In his lifetime, Stalin will murder millions of people. Some will be shot, others will be denied food and ultimately die of starvation, millions will be sent to die in the deep winter snows of Siberia, and many will be tortured to death. Already, during one infamous murder spree in April and May of 1940, some twenty-two thousand Polish nationals were shot dead. What began as an attempt to execute every member of the Polish officer corps soon expanded to include police officers, landowners, intelligence agents, lawyers, and priests. The shootings were conducted for nights on end, often beginning at dusk and continuing until dawn. Some were mass killings carried out in the Katyn Forest, while others were individual executions inside the Kalinin and Kharkiv prisons. Mikhailovich Blokhin, chief executioner at Kalinin, personally shot seven thousand men in the back of the head as they knelt before him. Those killings took place inside a cell whose walls were lined with sandbags to deaden the sound. As soon as a victim fell dead, he was dragged from the room and thrown onto a truck for delivery to the burial site, while another handcuffed prisoner was marched before Blokhin and told to kneel. Noting that Russian pistols had so much recoil that his hand hurt after just a dozen killings, Blokhin opted for the smoother feel of the German Walther PPK.

To pray,” he continued, “is so beautiful. It means looking to heaven and to our heart. We know that we have a good Father who is God.” Looking to heaven and to our heart. This brief definition of the meaning of prayer sums up the mind of the new pope, which moves from the most sublime things—heaven, the eternal, the absolute, the true, the good, the beautiful—to the most simple, down-to-earth things—the things in the human heart. The first is the realm that transcends all that we do, the realm that is not yet here but that we long for, hope for. The second is the realm of our most intimate privacy, the core of our being, the source of our identity, and of our hopes. And for Pope Francis, prayer connects these two realms. The furthest out, and the furthest in. And to pray, to bring about this “communion” between what is furthest out and furthest in, is radiant, he tells us. It is an aesthetic judgment. To pray, he is telling us, before it is good, or true, or effective, or powerful, is “beautiful.” And he says this because he knows the human heart, the human soul, is made to be drawn toward the beautiful, as a sunflower turns toward the sun, following it from dawn until dusk.

Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark.

planning a dusk-till-dawn end-of-exams celebration in the common room. Harry barely heard them. He scrambled through the portrait hole while they were still arguing about how many black-market Butterbeers they would need and was climbing back out of it, the Invisibility Cloak and Sirius’s knife secure in his bag, before they noticed he had left them. ‘Harry, d’you want to chip in a couple of Galleons? Harold Dingle reckons he could sell us some Firewhisky –’ But Harry was already tearing away back along the corridor, and a couple of minutes later was jumping the last few stairs to join Ron, Hermione, Ginny

Where is the time when people placed the broken object in front of their door at dusk in the hopes that the dwarfs would repair it before dawn? What have become of the offerings, the food or clothing that people once placed beneath the tree in the yard, in the barn, or in the stable? It was another time, a time when the dwarfs—who forged splendid armor and swords that could not be blunted, as well as jewelry inlaid with sparkling gems and possessed of marvelous properties—still frequented the company of humans. In this distant past, the dwarfs set the knight who had gone astray back on the right road or, conversely, mocked and humiliated him. They would come seek the aid of the valiant in ridding themselves of a giant or dragon who was making their lives unbearable. In this far-off time, Berthe spun, Charlemagne dreaded the prospect of meeting fairies, the Queen Pedauque hid her goose foot in the folds of her robe, and Saint Brendan set off in search of the earthly paradise. This was the Middle Ages. The fields, forests, shores, waters, and mountains all teemed with hidden life; nature was inhabited by thousands of creatures, quite frequently nocturnal visitors, among whom we find the dwarfs.

Not all clothing had to wait for its aristocratic owner’s demise to be sold on to playhouses. Fashion at court changed rapidly, and that which had cost the equivalent of a large town house to buy could appear upon the back of the most ambitious only a handful of times before appearing passé. For those like Robert Dudley, patron of one of the acting companies, handing on such clothes could form part of his financial support package, perhaps in lieu of cash for private performances. It was also possible for such public display of his recently worn clothing to be seen as advertising and promoting his standing among the populace. The stage was a fashion show and a window on to the rarefied world of court and courtiers. It held much the same appeal as the Hollywood glamour films of the 1930s and the more modern celebrity lifestyle shows. The

Red Elephant" When am I supposed to say so long? When am I supposed to say so long? When I fall in love 'fore dusk is dawn When you take my hand across the lawn With the eyes so sweet they're like a fawn Red elephant is wet & long... How am I supposed to wash you off? Rungs of bad poems I've hacked & coughed But I have to spare a breath for you Which I'll take, before we make anew Our hearts will take a stroll for two Our feet will take the avenue & Walk in unison, so cute Red elephant is turning blue Why am I here when you're over there? Let's meet at the fountains In Dundas Square Who am I supposed to be with you? I'll wait 'til you say & pretend I knew Because if it's true that walls can talk How mine would brag of tears I've sobbed When thinking of the way we walked Along the paths of sideway chalk Forever under ticking clock Where you & I are free to flock What can I write when I know it's wrong? Slapping my knee to my own damn song Where can we go when the sinking stops? To the pit of my chest As it drops and drops... Put your head upon my chest, it breathes & My fingers through your hair they weave & Your shoulders are the perfect sea In which I get lost invariably Oh the elephant is up to sea If it meets the peach fish underneath & When I am you and you are me We are stirred as spoons in lover's tea

continuous nights from dusk to dawn! The ardor that Hera demonstrated for copulation was responded to in kind by Michael. His youthfulness, vitality and strong libido were thoroughly tested, and he passed. When the normal seven-day procreation period reached its end, Hera was completely sated and ready to give Michael up. If a pregnancy did not result, then another seven-day period would be assigned later. During the seven nights, Michael realized that he had connected with Hera in more than just a carnal fashion. They had become joined in other ways too. He wouldn’t have said that he had fallen in love with her, but he would agree that he had developed tender feelings that he did not have before. He sensed that Hera felt much the same. After a fashion she had fallen in love with him. Then her logic and sense entered into the equation and she reasoned that a true romantic relationship was not workable. There were just too many differences between them in terms of age, experience, and their stations in life. She would have had to give him up even if she hadn’t wanted to. The Procreation Duty with Hera had triggered one more important event. Michael and Athena’s love and attraction for one another had been brought out into the open. It was another aspect of the Procreation Directive that Michael struggled with. Yet, Athena seemed to be just fine with the matter. They had shared their first intimacy together. Then they had been forced to be apart while Michael was required to inseminate Athena’s own Mother for six full nights. The moral and ethical conflict it

Like most species, we have come to expect that we shall wake up more or less where we fell asleep. We associate the night with being static, becalmed. We might toss and turn a bit, and some may even sleepwalk. But as a rule it is the one period in each 24-hour shift when our frenzied movements hither and yon come to a halt. Hence there is something indefinably sneaky about popping up somewhere in the morning at a location that bears little relation to the one we were inhabiting the night before. It is perhaps the nearest most of us come to performing a magic trick.

Back when I started ColorComm, I was living in a small DC apartment with slow dial up Internet, so I spent two hours before work and two hours after work using the free Wi-Fi at the hotel across the street. It was a lot of long days, too little sleep, morning workouts and evening drinks missed in favor of doing more work - but it was worth it to me because I knew my dream was to one day leave my firm and run ColorComm full-time. I was willing to put in the exra hours. But if reading this makes you cringe with dread, or if you just don't want to spend that much time working, that's okay! It is not necessary to work from dawn to dusk every single day in order to have a successful career. But that reaction also means you probably shouldn't plan to make your side hustle your full time job anytime soon, because you may not be passionate enough or hungry enough to make it happen.

first spring ramble a wedge of geese pries the sky open shrew such a small death the certainty in the blackbird’s voice dark before dawn venturing into the impossible oriole’s voice summer afternoon the salamander basking in inattention shimmering lake how unimportant what’s important the scent of her unsent letters the ringing of faraway bells dusk in a field homeless among the skyscrapers autumn moon ever since we lost touch her cold hands northerly wind the runes of gulls’ footprints in the damp sand winter morning a sleepy genie rises from the coffee

You probably guessed the rationale behind the pink glasses, the filter sheets, and the special light bulbs. After dusk and before dawn, they aimed to shield Gerry and Barbara from that part of the light spectrum that reaches our timing system most effectively (the blue parts of the light spectrum).

West Ham was founded at the A. F. Hills shipyard and went by the name of Thames Ironworks; and of course Arsenal was a club set up by the workers at the Woolwich Arsenal factory complex. The surprising thing was that none of these clubs had in common the rules of the game. Could you pick up the ball and run with it? How big was the goal? How many players should there be to a side? These were all questions that had to be settled, or argued about, before the start of a game.

How doth the city sit solitary that was full of people, and that the steeples and minarets canopied, and that the stone saints guarded where the flute was heard in the dawn-light and the cradle song lowed at dusk, and the marketplace full of made things, the first fruits bending the tables and the pledges and signatures of honor, honored—how is she become tributary and her people bounded by gates. She weepeth sore in the night and the tears are on her cheeks; her face is shrouded in fear and all her beauty is departed. The guilds and the clans are gone, gone the pity of the nurses and teachers. The scavenger dogs roam the fallow gardens and run without strength before their pursuers. How the walls are stained with a brother's blood and the night brings sickness to the longing.

Yahweh to Urset I pray that you are kept safe throughout this day, that you live as wholly as you can, that you see things that you have not seen before and that more of them are beautiful than not, more of them delightful than not. I pray that you hold easily in your hands the balance of the earth and sky, that you laugh and cry, know freedom and restraint, some joy and some sorrow, pleasure and pain, much of life and a little of death. I pray that you are grateful for the gift of your being, and I pray that you celebrate your life in the proper way, with grace and humility, wonder and contentment, in the strong, deep current of your spirit’s voice. I pray that you are happily in love with the dawn and that you are more deeply in love in the dusk.

His eyes hold a quiet smile, His face, a paper soaked red With unspoken emotions. He might have cried with silence, But they never knew. The longest of nights Had dried the wetness On his face to dust. Before the dawn, and the rebirth Let’s wait, conspiracies of dusk His eyes hold a quiet smile, His face, a paper soaked red.

All things brown are steeped in soul, as though echoing the depths of your stare chocolate dissolving in wistful warmth, coffee swirling in the hush of dawn, or the antique table, scarred with ink, where your name lingers in silent requiem. Like the archaic soil of Jupiter, obscure yet eerily familiar, your gaze is an abyss of unspoken lore, somber as shadows enwreathed in autumn’s last light, where the sun, in solemn retreat, bequeaths its gold to the encroaching dusk. Oh, the tyranny of such beaut your sepia eyes, vast and immutable, a twilight whisper before the night descends, drowning the world in hush and longing.