Dumping Ground Quotes

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My own view is that this planet is used as a penal colony, lunatic asylum and dumping ground by a superior civilization, to get rid of the undesirable and unfit. I can't prove it, but you can't disprove it either.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
Your body is a temple, not a daily dumping ground for another person’s pain, anger, betrayal, judgment, hypocrisy, denial, games, jealousy or blame. When you are being psychologically, spiritually or emotionally abused by a person, and they don’t care how it hurts you, then it is time to leave what is polluting your relationship with God.
Shannon L. Alder
Do not make your mind a dumping ground for other people's garbage.
Ezra Taft Benson
Tennessee's a hillbilly dumping ground, and Georgia's a lousy state too.
Flannery O'Connor
She felt as if the mosaic she had been assembling out of life's little shards got dumped to the ground, and there was no way to put it back together.
Anne Lamott (Crooked Little Heart)
The works of the roots of the vines, of the trees, must be destroyed to keep up the price, and this is the saddest, bitterest thing of all. Carloads of oranges dumped on the ground. The people came for miles to take the fruit, but this could not be. How would they buy oranges at twenty cents a dozen if they could drive out and pick them up? And men with hoses squirt kerosene on the oranges, and they are angry at the crime, angry at the people who have come to take the fruit. A million people hungry, needing the fruit- and kerosene sprayed over the golden mountains. And the smell of rot fills the country. Burn coffee for fuel in the ships. Burn corn to keep warm, it makes a hot fire. Dump potatoes in the rivers and place guards along the banks to keep the hungry people from fishing them out. Slaughter the pigs and bury them, and let the putrescence drip down into the earth. There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate- died of malnutrition- because the food must rot, must be forced to rot. The people come with nets to fish for potatoes in the river, and the guards hold them back; they come in rattling cars to get the dumped oranges, but the kerosene is sprayed. And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered with quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.
John Steinbeck (The Grapes of Wrath)
The Salpêtriére is a dumping ground for women who disturb the peace. An asylum for those whose sensitivities do not tally what is expected of them. A prison for women guilty of possessing an opinion.
Victoria Mas (The Mad Women's Ball)
Dumping the tent onto the ground, I studied it fiercely. All right, I can do this. How hard can it be, really? Kneeling, I picked up a long metal spike, frowning. What in the world? Are you supposed to stab someone with these? Do tents come with vampire-slaying kits?
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
Everything has a spirit and it's all connected. If you think about that, if you live your life by it, then you're less likely to cause any hurt. It's like how our bodies go back into the ground when we die, so that connects us to the earth. If you dump trash, you're dumping it on your and my ancestors. Or to bring it down to its simplest level: treat everything and everybody the way you want to be treated, because when you hurt someone, you're only hurting yourself.
Charles de Lint (The Onion Girl (Newford, #8))
But his eyes, dimmed by many paintless days under sun and rain, brood on over the solemn dumping ground.
F. Scott Fitzgerald (The Great Gatsby)
Halfway home, the sky goes from dark gray to almost black and a loud thunder snap accompanies the first few raindrops that fall. Heavy, warm, big drops, they drench me in seconds, like an overturned bucket from the sky dumping just on my head. I reach my hands up and out, as if that can stop my getting wetter, and open my mouth, trying to swallow the downpour, till it finally hits me how funny it is, my trying to stop the rain. This is so funny to me, I laugh and laugh, as loud and free as I want. Instead of hurrying to higher ground, I jump lower, down off the curb, splashing through the puddles, playing and laughing all the way home. In all my life till now, rain has meant staying inside and not being able to go out to play. But now for the first time I realize that rain doesn't have to be bad. And what's more, I understand, sadness doesn't have to be bad, either. Come to think of it, I figure you need sadness, just as you need the rain. Thoughts and ideas pour through my awareness. It feels to me that happiness is almost scary, like how I imagine being drunk might feel - real silly and not caring what anybody else says. Plus, that happy feeling always leaves so fast, and you know it's going to go before it even does. Sadness lasts longer, making it more familiar, and more comfortable. But maybe, I wonder, there's a way to find some happiness in the sadness. After all, it's like the rain, something you can't avoid. And so, it seems to me, if you're caught in it, you might as well try to make the best of it. Getting caught in the warm, wet deluge that particular day in that terrible summer full of wars and fires that made no sense was a wonderful thing to have happen. It taught me to understand rain, not to dread it. There were going to be days, I knew, when it would pour without warning, days when I'd find myself without an umbrella. But my understanding would act as my all-purpose slicker and rubber boots. It was preparing me for stormy weather, arming me with the knowledge that no matter how hard it seemed, it couldn't rain forever. At some point, I knew, it would come to an end.
Antwone Quenton Fisher (Finding Fish)
Now you'll sing a song of liberty for blacks and Paks and Jocks And they'll take you from this dump you're in and stick you in a box Then they'll take you to Cloughprior and shove you in the ground But you'll stick your head back out and shout "We'll have another round!
Shane MacGowan (Poguetry)
People thought he was a glutton for punishment, that he liked getting dumped. But it wasn't like that. He could just never see anything coming, and as he lay on the solid, uneven ground with Hassan pressing too hard on his forehead, Colin Singleton's distance from his glasses made him realize the problem: myopia. He was nearsighted. The future lay before him, inevitable but invisible.
John Green (An Abundance of Katherines)
Emily.” He looks at me, and the flashlight strapped to his forehead shines in my eyes. “I smell like a toxic dumping ground of bug poison, and I have never felt so unsexy in my entire life. I wouldn’t be surprised if my dick has been poisoned off like a weed.
T.L. Swan (The Stopover (The Miles High Club #1))
One can see now how the idea of heaven takes hold of men's consciousness, how it gains ground even when all the props have been knocked from under it. There must be another world beside this swamp in which everything is dumped pell-mell. It's hard to imagine what it can be like, this heaven that men dream about.
Henry Miller (Tropic of Cancer (Tropic, #1))
And yet no one trusted [Dazai]. Because the darkness lurking within his eyes was deeper than the ink black nights that hung over the dumping ground he inhabited.
Kafka Asagiri (文豪ストレイドッグス STORM BRINGER)
Invisible corners are those areas that have become dumping grounds for random crap for so long that you fail to really register them when you look around.
Rachel Hoffman (Unf*ck Your Habitat: You're Better Than Your Mess)
Because Earth has been a dumping ground for so many creative souls, your world is one giant pot of creative talent, all buried and suppressed under political, patriarchal power.
James Carwin (Pleiadian Prophecy 2020: The New Golden Age)
History is biology's dumping ground
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
American colonies were as much a dumping ground as an escape, a forgetting place.
Neil Gaiman (American Gods)
Between what we know and what we cannot hope to know about how we come to be as we are lies an emotional dumping ground into which exceptional writers pour all the art they are capable of making.
Vivian Gornick (Unfinished Business: Notes of a Chronic Re-reader)
When the bones of prehistoric animals began to be discovered and scrutinized in the nineteenth century, there were those who said that the fossils had been placed in the rock by god, in order to test our faith. This cannot be disproved. Nor can my own pet theory that, from the patterns of behavior that are observable, we may infer a design that makes planet earth, all unknown to us, a prison colony and lunatic asylum that is employed as a dumping ground by far-off and superior civilizations. However, I was educated by Sir Karl Popper to believe that a theory that is unfalsifiable is to that extent a weak one.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
Communal living had proved quite impossible for me. It gave me chills just to hear such words as “the ardor of youth” or “youthful pride”: I could not by any stretch of the imagination soak myself in “college spirit.” The classrooms and the dormitory seemed like the dumping grounds of distorted sexual desires, and even my virtually perfected antics were of no use there.
Osamu Dazai (No Longer Human)
He kissed me like I was the empire he was sworn to protect and would die a thousand deaths to keep secure. He kissed me like I was a woman with a deep dark wildness that needed to be fed and he knew just how to do it. He kissed me like he was dying and this was the last kiss he would ever taste. Then his kiss changed and his tongue was velvet and silk as he kissed me like I was fine bone china that needed exacting care and gentleness. Then the storm built in both of us and I ground myself against him, and he was searching with his kiss and his hands sliding down to my ass for the part of me that was a savage animal and so was he and we were going to forget the world and “become two primal, uncomplicated beasts fucking as if the universe depended on our passion to fuel it. And I was pretty sure we could. I felt something building in me, a hunger that was exhilarated to be alive and knew it could come out and play as hard as it wanted, because I could never break this man. Not even with all my superpowers. I could dump every bit of myself on him and never have to worry about giving him a heart attack or breaking a bone or giving him a black eye by accident. He could handle anything. My high temper, my need for adventure and stimulation, my intellect, rages, and rants, my sheer physical strength, even the darkness of my shadow-self. He was a broad-shouldered beast. He was hard and capable and permanent and had an immortal heart. A frenzy of lust exploded inside me and I met the savagery of his kiss with all the savagery in my soul, and there is one fuck of a lot of it.
Karen Marie Moning (Feversong (Fever, #9))
It’s okay to kill a man if someone else deems him unfit to live. What I really want to say is who the hell are you and who are you to decide who gets to die. Who are you to decide who should be killed. Who are you to tell me which father I should destroy and which child I should orphan and which mother should be left without her son, which brother should be left without a sister, which grandmother should spend the rest of her life crying in the early hours of the morning because the body of her grandchild was buried in the ground before her own. What I really want to say is who the hell do you think you are to tell me that it’s awesome to be able to kill a living thing, that it’s interesting to be able to ensnare another soul, that it’s fair to choose a victim simply because I’m capable of killing without a gun. I want to say mean things and angry things and hurtful things and I want to throw expletives in the air and run far, far away; I want to disappear into the horizon and I want to dump myself on the side of the road if only it will bring me toward some semblance of freedom but I don’t know where to go. I have nowhere else to go.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
My name’s Gloria Dump,” she said. “Ain’t that a terrible last name? Dump?” “My last name is Buloni,” I said. “Sometimes the kids at school back home in Watley called me ‘Lunch Meat.’” “Hah!” Gloria Dump laughed. “What about this dog? What you call him?” “Winn-Dixie,” I said. Winn-Dixie thumped his tail on the ground. He tried smiling, but it was hard with his mouth all full of peanut butter. “Winn-Dixie?” Gloria Dump said. “You mean like the grocery store?” “Yes ma’am,” I said. “Whooooeee,” she said. “That takes the strange-name prize, don’t it?” “Yes ma’am,” I said. “I was just fixing to make myself a peanut-butter sandwich,” she said. “You
Kate DiCamillo (Because of Winn-Dixie)
Letting rich countries buy their way out of meaningful changes in their own wasteful habits reinforces a bad attitude—that nature is a dumping ground for those who can afford it.
Michael J. Sandel (What Money Can't Buy: The Moral Limits of Markets)
To try to make sense of sentencing is to roam directionless in the expansive dumping ground of the criminal law.
The Secret Barrister (The Secret Barrister: Stories of the Law and How It's Broken)
Thank you for inviting me here today " I said my voice sounding nothing like me. "I'm here to testify about things I've seen and experienced myself. I'm here because the human race has become more powerful than ever. We've gone to the moon. Our crops resist diseases and pests. We can stop and restart a human heart. And we've harvested vast amounts of energy for everything from night-lights to enormous super-jets. We've even created new kinds of people, like me. "But everything mankind" - I frowned - "personkind has accomplished has had a price. One that we're all gonna have to pay." I heard coughing and shifting in the audience. I looked down at my notes and all the little black words blurred together on the page. I just could not get through this. I put the speech down picked up the microphone and came out from behind the podium. "Look " I said. "There's a lot of official stuff I could quote and put up on the screen with PowerPoint. But what you need to know what the world needs to know is that we're really destroying the earth in a bigger and more catastrophic was than anyone has ever imagined. "I mean I've seen a lot of the world the only world we have. There are so many awesome beautiful tings in it. Waterfalls and mountains thermal pools surrounded by sand like white sugar. Field and field of wildflowers. Places where the ocean crashes up against a mountainside like it's done for hundreds of thousands of years. "I've also seen concrete cities with hardly any green. And rivers whose pretty rainbow surfaces came from an oil leak upstream. Animals are becoming extinct right now in my lifetime. Just recently I went through one of the worst hurricanes ever recorded. It was a whole lot worse because of huge worldwide climatic changes caused by... us. We the people." .... "A more perfect union While huge corporations do whatever they want to whoever they want and other people live in subway tunnels Where's the justice of that Kids right here in America go to be hungry every night while other people get four-hundred-dollar haircuts. Promote the general welfare Where's the General welfare in strip-mining toxic pesticides industrial solvents being dumped into rivers killing everything Domestic Tranquility Ever sleep in a forest that's being clear-cut You'd be hearing chain saws in your head for weeks. The blessings of liberty Yes. I'm using one of the blessings of liberty right now my freedom of speech to tell you guys who make the laws that the very ground you stand on the house you live in the children you tuck in at night are all in immediate catastrophic danger.
James Patterson (The Final Warning (Maximum Ride, #4))
She had to get a hold of herself. She had to run. Did she have a chance of making it out alive? Something told her “no.” Definitely no. The chamber exit, a narrow doorway, led to an even narrower passage that would dump her back into the dark jungle. She wouldn’t make it two feet before he barreled down on her with those powerful thighs. Yes, powerful thighs. Ummm. She ground her palm into her forehead. Tramp! Get a hold of yourself.
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
People still die even if no one intends to kill them, and once they're dead they can't be brought back. If they were to come back to life, that would be a miracle. That's what this story is about. As I wrote it, this story became the dumping ground for so much anger I've felt throughout my life. But I think anger and hatred and envy and scorn and love and pity and apathy are all mirrors. I never want to give up on trying to be a good person.
Tomoko Yamashita (ひばりの朝 2 (Hibari no asa, #2))
and it bothers me that psychiatric hospitals have become a dumping ground for polluted minds. Stowing them away like rat poison for the safety of the community isn’t the answer. Furthering their psychological torment isn’t the answer, either.
Andrew E. Kaufman (Twisted)
Angela had been the first of us. She’d been found on a park bench by some dawn jogger or dog walker, her throat slit, her sandals lined up next to her bare feet. And did you ever notice how these are the people who are always discovering the bodies, these people whose lives are so orderly that they can rise early enough to find a whole other human being dumped on the ground?
Katie Williams (My Murder)
He told me the crooks used this place for more than just a dumping ground for undesirables. He said they also had a lot of food stored here in case there was ever a nuclear war. That way they could insure that in the future there would still be criminals.
John Swartzwelder (The Time Machine Did It)
Treading water, a little dog-paddling—it’s a lot like writing a novel, Clark,” the dump reader told his former student. “It feels like you’re going a long way, because it’s a lot of work, but you’re basically covering old ground—you’re hanging out in familiar territory.
John Irving (Avenue of Mysteries)
Kirie didn’t know that he was a frog stuck at the bottom of a well. He didn’t even comprehend the nature of this dumping ground in which he vented his excessive passions. He grasped only the illusions crawling out of the bottom of a bottle of stout as he gasped for air.
Rieko Yoshihara (Ai no Kusabi Vol. 1: Stranger)
We must find new lands from which we can easily obtain raw materials and at the same time exploit the cheap slave labour that is available from the natives of the colonies. The colonies would also provide a dumping ground for the surplus goods produced in our factories.2
Vandana Shiva (Oneness vs. the 1%: Shattering Illusions, Seeding Freedom)
(And did I mention how in summer the streets of Smyrna were lined with baskets of rose petals? And how everyone in the city could speak French, Italian, Greek, Turkish, English, and Dutch? And did I tell you about the famous figs, brought in by camel caravan and dumped onto the ground, huge piles of pulpy fruit lying in the dirt, with dirty women steeping them in salt water and children squatting to defecate behind the clusters? Did I mention how the reek of the fig women mixed with pleasanter smells of almond trees, mimosa, laurel, and peach, and how everybody wore masks on Mardi Gras and had elaborate dinners on the decks of frigates? I want to mention these things because they all happened in that city that was no place exactly, that was part of no country because it was all countries, and because now if you go there you'll see modern high-rises, amnesiac boulevards, teeming sweatshops, a NATO headquarters, and a sign that says Izmir...)
Jeffrey Eugenides (Middlesex)
I stared out the window and watched the land change like it had a mental illness. Dead and barren became spinach, chard and cabbage glittering with the pulsing spray from long-wheeled irrigators, and then a dead stockyard with knocked down fence posts and a collapsed ramp and then a dumping ground for junk cars and raw garbage with turkey buzzards circling overhead and then sudden low orchards, peaches it looked like, with migrants reaching into scraggly trees with dirty pick-sacks slung over their shoulders. And then it was barren again, looking quite scorched, and then we arrived.
Lynda Barry (Cruddy)
Crayfish,” I said. I dumped out a tin of water. “Really?” I nodded. “Big ones?” “Not these. You can find them, though.” “Can I see?” She dropped down off the bank just like a boy would, not sitting first, just putting her left hand to the ground and vaulting the three-foot drop to the first big stone in the line that led zigzag across the water. She studied the line a moment and then crossed to the Rock. I was impressed. She had no hesitation and her balance was perfect. I made room for her. There was suddenly this fine clean smell sitting next to me. Her eyes were green. She looked around. To all of us back then the Rock was something special. It sat smack in the middle of the deepest part of the brook, the water running clear and fast around it.
Jack Ketchum (The Girl Next Door)
Having used you as their emotional dumping ground, they are prepared to return to school and play the part of the good citizen. Indeed, they may be able to act as a good citizen at school precisely because they are spending some of their time imagining the colorful complaints they will share once their school day has ended.
Lisa Damour (Untangled: Guiding Teenage Girls Through the Seven Transitions into Adulthood)
Publishers, theatrical managers, and critics ask not for the quality inherent in creative art, but will it meet with a good sale, will it suit the palate of the people? Alas, this palate is like a dumping ground; it relishes anything that needs no mental mastication. As a result, the mediocre, the ordinary, the commonplace represents the chief literary output.
Emma Goldman (Anarchism and Other Essays)
The important thing to understand about American history... is that it is fictional. It is a fine fiction... that America was founded by pilgrims, seeking the freedom to believe as they wished, that they came to the Americas, spread and bred and filled the empty land. In truth, the American colonies were as much a dumping ground as an escape, a forgetting place.
Neil Gaiman (American Gods)
Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me. But in the main, I feel like a brown bag of miscellany propped against a wall. Against a wall In company with other bags, white, red and yellow. Pour out the contents, and there is discovered a jumble of small, things priceless and worthless. A first water diamond, an empty spool bits of broken glass, lengths of string, a key to a door long since crumbled away, a rusty knife-blade, old shoes saved for a road that never was and never will be, a nail bent under the weight of things too heavy for any nail, a dried flower or two still a little fragrant. in your hand is the brown bag. On the ground before you is the jumble it held so much like the jumble in the bags could they be emptied that all might be dumped in a single heap and the bags refilled without altering the content of any greatly. A bit of colored glass more or less would not matter. Perhaps that is how the Great Stuffer of Bags filled them in the first place, who knows?
Zora Neale Hurston (How it Feels to be Colored Me (American Roots))
This is the tragedy of the postmodern age. The things that matter most in life, that are necessary for a humane society—ideals like moral freedom, human dignity, even loving our own children—have been reduced to nothing but useful fictions. They are tossed into the attic, which becomes a convenient dumping ground for anything that a materialist paradigm cannot explain.
Nancy R. Pearcey (Finding Truth: 5 Principles for Unmasking Atheism, Secularism, and Other God Substitutes)
When the bones of prehistoric animals began to be discovered and scrutinized in the nineteenth century, there were those who said that the fossils had been placed in the rock by god, in order to test our faith. This cannot be disproved. Nor can my own pet theory that, from the patterns of behavior that are observable, we may infer a design that makes planet earth, all unknown to us, a prison colony and a lunatic asylum that is employed as a dumping ground by far-off and superior civilizations.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
The eyes of Doctor T. J. Eckleburg are blue and gigantic—their retinas are one yard high. They look out of no face but, instead, from a pair of enormous yellow spectacles which pass over a nonexistent nose. Evidently some wild wag of an oculist set them there to fatten his practice in the borough of Queens, and then sank down himself into eternal blindness or forgot them and moved away. But his eyes, dimmed a little by many paintless days under sun and rain, brood on over the solemn dumping ground.
F. Scott Fitzgerald (The Great Gatsby)
They growled a response and went on digging. For some time there was no noise but the grating sound of the spades discharging their freight of mould and gravel. It was very monotonous. Finally a spade struck upon the coffin with a dull woody accent, and within another minute or two the men had hoisted it out on the ground. They pried off the lid with their shovels, got out the body and dumped it rudely on the ground. The moon drifted from behind the clouds and exposed the pallid face. The barrow was got ready and the corpse placed on it, covered with a blanket, and bound to its place with the rope. Potter took out a large spring-knife and cut off the dangling end of the rope and then said: “Now the cussed thing’s ready, Sawbones, and you’ll just out with another five, or here she stays.
Mark Twain (The Complete Tom Sawyer)
Unscrupulous vendors turn the situation to their advantage. In China, nouveau-riche status-seekers are spending small fortunes on counterfeit Bordeaux. A related scenario exists here vis-à-vis olive oil. “The United States is a dumping ground for bad olive oil,” Langstaff told me. It’s no secret among European manufacturers that Americans have no palate for olive oils. The Olive Center—a recent addition to the Robert Mondavi Institute for Wine and Food Science, on the campus of the University of California at Davis—aims to change that.
Mary Roach (Gulp: Adventures on the Alimentary Canal)
Nine years later, Britain’s Parliament began canvassing sites for a convict settlement to replace the rebellious American colonies, which had long provided a dumping ground for prisoners sentenced to “transportation.” Parliament sought a “distant part of the Globe, from whence [convicts’] Escape might be difficult,” and where they would be able to “maintain themselves…with little or no aid from the Mother Country.” Joseph Banks recommended Botany Bay, which he said enjoyed a gentle Mediterranean climate and could support “a very large Number of People.
Tony Horwitz (Blue Latitudes: Boldly Going Where Captain Cook Has Gone Before)
Goodwill receives a billion pounds of clothing every year. Ultimately, they use less than half of the clothing they get. Clothing is cheap, and the cost of sorting, cleaning, storing, and transporting the clothes is higher than their value. If you wouldn’t give an article to a family member, it’s probably not good enough for charity. Sure, it’s great to get the tax deduction and it makes you feel like you didn’t waste money buying the clothes, but if you’re truly charitable, be sensitive to the needs of the organization. Charities aren’t dumping grounds for your trash.
Peter Walsh (It's All Too Much: An Easy Plan for Living a Richer Life with Less Stuff)
Reaching up to a shelf, she grabbed a sack labeled “C8H10N4O2,” dumped some into a mortar, ground it with a pestle, overturned the resulting dirtlike substance onto a strange little scale, then dumped the scale’s contents into a 6- x 6-inch piece of cheesecloth and tied the small bundle off.
Bonnie Garmus (Lessons in Chemistry)
This is the tragedy of the postmodern age. The things that matter most in life, that are necessary for a humane society—ideals like moral freedom, human dignity, even loving our own children—have been reduced to nothing but useful fictions. They are tossed into the attic, which becomes a convenient dumping ground for anything that a materialist paradigm cannot explain. The Bible teaches that, without God, people are morally lost. But they are also intellectually lost because they are trying to live within the limits of a worldview that is too cramped and narrow to account for their own humanity.
Nancy R. Pearcey (Finding Truth: 5 Principles for Unmasking Atheism, Secularism, and Other God Substitutes)
Dennis White has asked me to write a letter recommending him to the Emanuel Lutheran Seminary (Master of Divinity Program), and I am happy to grant his modest request. Four years ago Mr. White enrolled as a dewy-eyed freshman in one of my introductory literature courses (Cross-cultural Readings in English, or some such dumping ground of a title); he returned several years later for another dose of instruction, this time in the Junior/Senior Creative Writing Workshop—a particularly memorable collection of students given their shared enthusiasm for all things monstrous and demonic, nearly every story turned in for discussion involving vampires, werewolves, victims tumbling into sepulchers, and other excuses for bloodletting. I leave it to professionals in your line of work to pass judgment on this maudlin reveling in violence. A cry for help of some sort? A lack of faith — given the daily onslaught of news about melting ice caps, hunger, joblessness, war — in the validity or existence of a future? Now in my middle fifties, an irrelevant codger, I find it discomfiting to see this generation dancing to the music of apocalypse and carrying their psychic burdens in front of them like infants in arms.
Julie Schumacher (Dear Committee Members)
There used to be a rubbish heap under the great tree in Dhoby Ghaut with a sarabat stall parked next to it. It was a low, sprawling rubbish heap made up of the usual things—refuse from dustbins, paper, old tins and slippers and leaves from the tree above. Then one day, people forgot about it. They found a new dumping place and the old rubbish heap settled low on the ground. Time passed and its contents became warm and rich and fertile and people living in the area would take away potfuls of it to plant flowers in. Somehow, a rose cutting, slim as a cheeping chicken’s leg and almost brown, appeared on the rubbish heap one day.
Gregory Nalpon (The Wayang at Eight Milestone: Stories & Essays)
The task of self-cultivation might be compared to the task of building up a mountain: if I stop even one basketful of earth short of completion, then I have stopped completely. It might also be compared to the task of leveling ground: even if I have only dumped a single basketful of earth, at least I am moving forward.
Confucius (The Analects)
Back when we lived together, we had a couch in the room, which played a central role in our marriage. Two roles, actually, that became foundational bricks. For Karan, it was a dumping ground - for the damp towel, dirty socks, smelly t-shirts, laptop bag, and the resentments he had against me, which he buried under the cushion. For me, it was a sounding board - I would sit on it and write in my journal all the things I chose not to say out loud to Karan. I would hide the journal under the cushion, along with Karan’s pile of resentments. Now that the marriage was over, there was no room for his grudges and my confessions. And no room for a couch in the bedroom.
Prachi Gangwani (Together Again?: A Lockdown Love Story (Lockdown Love Stories Book 3))
Psychoanalysis overturned. Instead of the dream being the fulfilment of desires unsatisfied in real life, real life would be the site where desires born of dreams were fulfilled. Instead of being the dumping-ground of the unconscious, dreams would be the matrices of real events - thus becoming like the 'dream' of the Aborigines, for whom a child has to be dreamt before he can be begotten, 'real' paternity being merely the fulfilment of the dream.
Jean Baudrillard (Cool Memories IV, 1995-2000)
 I find myself humming as I reach the top of the steps, but then I halt. “Really now, Kearan,” I say. He’s facedown on the ground. Likely passed out in his own vomit, yet again. This can’t continue. I’ll have to think of some fitting punishment for him. I couldn’t care less what he does in his free time, but when he’s on duty, he’d better be ready to perform at his best. Suddenly his whole body jerks upward, and I take a step back in case he’s having some sort of sleeping fit. “Three,” he says on a raspy breath before leaning down to the ground again. Is he sleep talking? He’s been known to do that even with his eyes open. No, wait—“Are you doing push-ups?” I ask. “F-f-four,” he says as he rises again. “Sweet stars, you are. What’s gotten into you?” After five, he lies on the ground and rolls onto his back, breathing heavily. “Just passing the time, is all. We’ve a long journey ahead of us.” Yes, but he usually passes the time with drink. He reaches into one of his pockets. Ah, there he is. But what he pulls out isn’t a flask. It’s a canteen. The kind we use on the ship for storing water. He sits up and takes a few sips. “What’s in that?” He holds the canteen out to me, and I take a sniff. It’s water. “She dumped all of my flasks into the sea while I slept,” Kearan says. “Didn’t realize she cared so much.” He searches across the ship for Sorinda, but she must be belowdecks because he focuses on me once more. “Any more questions, Captain?” His tone sounds bored. “Are we headed in the right direction?” “Course, I’m keeping her steady.” “Good,” I say before moving on quickly. Lest Kearan break into song or sprout wings.
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
Con jerked to a halt in the entryway to his and Leilani’s bedroom. It looked as if their entire closet had been dumped onto the bed. Or at least her half of the closet. “Leilani?” She stepped out of the bathroom wearing only panties and the giant cerulean-colored jewel around her neck that he’d given her a week ago to commemorate their official mating. Part of him still couldn’t believe she’d said yes. She was everything to him and he loved seeing the physical statement around her neck. Everyone knew she was his but still, his most primitive side liked claiming her publicly. She held up two long-sleeved tunics, both a similar blue color. “Which one should I wear tonight?” They looked almost the same but the slightly wild look in her dark eyes told him that would be the dumbest answer possible. He pointed to the one on the left. It was cut lower than the other and he liked to see the soft swell of her breasts as often as possible. “That’s what I thought too.” Grinning, she tossed the other to the ground and disappeared back into the bathroom. The female was a whirlwind of activity sometimes.
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
McCormack and Richard Tauber are singing by the bed There's a glass of punch below your feet and an angel at your head There's devils on each side of you with bottles in their hands You need one more drop of poison and you'll dream of foreign lands When you pissed yourself in Frankfurt and got syph down in Cologne And you heard the rattling death trains as you lay there all alone Frank Ryan brought you whiskey in a brothel in Madrid And you decked some fucking blackshirt who was cursing all the Yids At the sick bed of Cuchulainn we'll kneel and say a prayer And the ghosts are rattling at the door and the Devil's in the chair And in the Euston tavern you screamed it was your shout But they wouldn't give you service so you kicked the windows out They took you out into the street and kicked you in the brains So you walked back in through a bolted door and did it all again At the sick bed of Cuchulainn we'll kneel and say a prayer And the ghosts are rattling at the door and the Devil's in the chair You remember that foul evening when you heard the banshees howl There was lousy drunken bastards singing Billy in the Bowl They took you up to midnight mass and left you in the lurch So you dropped a button in the plate and spewed up in the church Now you'll sing a song of liberty for blacks and Paks and Jocks And they'll take you from this dump you're in and stick you in a box Then they'll take you to Cloughprior and shove you in the ground But you'll stick your head back out and shout "We'll have another round" At the gravesite of Cuchulainn we'll kneel around and pray And God is in his heaven, and Billy's down by the bay "The Sick Bed of Cuchulainn
Shane MacGowan
While this dump was reviled by humans, to Shadow it was a magical place of the most succulent fragrances . . . of rotting meat and fermenting apples. He braved the ravaging moths and the mad hornets to romp among the piles of garbage, intoxicated by the smells of life on earth—of brine in the pick-ling vat, coffee grounds, blackened toast, the flat, moist plug of apple tobacco, decaying books, broken hens’ eggs, sawdust shavings, and the whiff of the cold metal in the mattress springs. His nose trembled in the flutter of his nostrils. The odor of metal was so potent he could taste the steel in his mouth.
Steven James Taylor (the dog)
What the hell is that?' Cassian was grinning that next evening as he waved a hand toward the pile of pine boughs dumped on the ornate red rug in the centre of the foyer. 'Solstice decorations. Straight from the market.' Snow clung to his broad shoulders and dark hair, and his tan cheeks were flushed with cold. 'You call that a decoration? He smirked. 'A heap of pine in the middle of the floor is Night Court tradition.' I crossed my arms. 'Funny.' 'I'm serious.' I glared, and he laughed. 'It's for the mantels, the banister, and whatever else, smartass. Want to help?' He shrugged off his heavy coat, revealing a black jacket and shirt beneath, and hung it in the hall closet. I remained where I was and tapped my foot. 'What?' he said, brows rising. It was rare to see Cassian in anything but his Illyrian leathers, but the clothes, while not as fine as anything Rhys or Mor usually favoured, suited him. 'Dumping a bunch of trees at my feet is really how you say hello these days? A little time in that Illyrian camp and you forget all your manners.' Cassian was on me in a second, hoisting me off the ground to twirl me until I was going to be sick. I beat at his chest, cursing at him. Cassian set me down at last. 'What did you get me for Solstice?' I smacked his arm. 'A heaping pile of shut the hell up.' He laughed again, and I winked at him. 'Hot cocoa or wine?' Cassian curved a wing around me, turning us toward the cellar door. 'How many good bottles does little Rhysie have left?
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
We had little money but didn’t think of ourselves as poor. Our vision, if I can call it that, was not materialistic. If we had a concept about ourselves, it was egalitarian, although we would not have known what that word meant. We spoke French entirely. There was a bond between Cajuns and people of color. Cajuns didn’t travel, because they believed they lived in the best place on earth. But somehow the worst in us, or outside of us, asserted itself and prevailed and replaced everything that was good in our lives. We traded away our language, our customs, our stands of cypress, our sugarcane acreage, our identity, and our pride. Outsiders ridiculed us and thought us stupid; teachers forbade our children to speak French on the school grounds. Our barrier islands were dredged to extinction. Our coastline was cut with eight thousand miles of industrial channels, destroying the root systems of the sawgrass and the swamps. The bottom of the state continues to wash away in the flume of the Mississippi at a rate of sixteen square miles a year. Much of this we did to ourselves in the same way that a drunk like me will destroy a gift, one that is irreplaceable and extended by a divine hand. Our roadsides are littered with trash, our rain ditches layered with it, our waterways dumping grounds for automobile tires and couches and building material. While we trivialize the implications of our drive-through daiquiri windows and the seediness of our politicians and recite our self-congratulatory mantra, laissez les bons temps rouler, the southern rim of the state hovers on the edge of oblivion, a diminishing, heartbreaking strip of green lace that eventually will be available only in photographs.
James Lee Burke (The New Iberia Blues (Dave Robicheaux #22))
Your future refuses to behave.” Coo-yôn yanked off the jacket he’d sourced for me. Up was down. Then he stepped back. And released me— I toppled over, falling out of my seat onto the ground. Was the sosie dumping me on the side of the road? ’Cause I was about to die? “Now, let’s just talk . . . ’bout this, coo-yôn.” He caught hold of my good ankle, then dragged me farther away from the truck. He’d hauled me into . . . a bank of snow. Jack and I had marveled at the snow. I spun in circles as flakes fell, dizziness overwhelming me. I’d known this was going to send me spiraling. Gasping for breath, I collapsed, tears streaking down my face. I lay in the snow and lifted my hand to the sky. Flakes landed on my damp face. Each one was a cool kiss good-bye. Lying in that bank of snow, I gazed up at the falling flakes. They drifted over my face. Soft, soft. Like Evie’s lips. With effort, I lifted my scarred hand to the sky. I closed my eyes and pretended my Evangeline was caring for me. J’ai savouré. I savored each cold kiss. . . .
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
Deep underground, microbes turn half a century's worth of city waste into methane. The gases and leachate are extracted through an extensive network of subterranean pipes and then used to power 22,000 nearby homes. While 150 million tons of garbage gradually decomposes unseen below the surface, above ground, the former dump reverts to meadows, woodland and saltwater marshes, providing a haven for wildlife and a massive park for the people of New York. This is Fresh Kills in the 2020s. In 2001, the infamous landfill received its last, and saddest, consignments - the charred debris of the World Trade Center. Since then, it has been transformed into a 2,315-acre public park. Three times bigger than Central Park, it is the largest new green public space created within New York City for over a century, a mixture of wildlife habitats, bike trails, sports fields, art exhibits and playgrounds. This is poisoned land: fifty years' worth of landfill has killed for ever one of the city's most productive wetland ecosystems. Restoration is impossible. Instead, a brand new ecosystem is emerging on top of the toxic garbage
Ben Wilson (Urban Jungle: The History and Future of Nature in the City)
The day after you pop up at your distillery alive and kicking, someone will come to finish you off." "Let them try," Keir shot back. "I can defend myself." The duke arched a mocking brow. "Impressive. Only a matter of days ago, we were celebrating that you were able to drink through a straw. And now apparently you're well enough for an alley fight." Keir was instantly hostile. "I know how to keep up my guard." "That doesn't matter," Kingston replied. "As soon as your arm muscles fatigue, your elbows will drift outward, and he'll find an opening." "What would a toff like you know about fighting? Even with my ribs cracked, you couldn't take me down." The older man's stare was that of a seasoned lion being challenged by a brash cub. Calmly he picked up a small open pepper cellar from the table and dumped a heap of ground black pepper in the center of Keir's plate. Perplexed, Keir glanced down at it, as a puff of gray dust floated upward. His nose stung, and in the next breath, he sneezed. A searing bolt of agony shot through his rib cage. "Aghhh! He turned away from his plate and doubled over. "Devil take your sneakit arse!" he managed to gasp.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
About a mile beyond Tumbleweed he parked in a grove of willow trees beside a narrow stream. The grounds were set with many long wooden tables and benches, and overhead were strings of small electric lights. “Come on, gals,” said Tex. “We’re goin’ to put on a big feed!” He led them toward a long serving table. Four men passed by, each carrying a shovel bearing a big burlap-wrapped package. These were dumped onto the table. “There goes the meat,” said Bud. “It’s been buried in the barbecue pit since last night.” “Cookin’ nice an’ slow over hot stones,” Tex added. “When the burlap fell away, the fragrance of the steaming meat was irresistible. All the girls enjoyed generous servings, with a spicy relish and potato salad. By the time they had finished their desserts of ice cream and Nancy’s chocolate cake, the colored lights overhead came on. A stout middle-aged man mounted the dance platform in the center of the grove and announced that he was master of ceremonies. Seeing Bud’s guitar, he called on him for some cowboy songs. Bud played “I’m a Lonesome Cowboy,” and everyone joined in enthusiastically. He followed with a number of other old favorites. Finally he strummed some Gold Rush songs, including “Sweet Betsy from Pike.
Carolyn Keene (The Secret of Shadow Ranch (Nancy Drew, #5))
she picked up a jug of distilled water and poured it into a flask, plugging the flask with a stopper outfitted with a tube wriggling from its top. Next, she clipped the flask onto one of two metal stands that stood between two Bunsen burners and struck a strange metal gadget that sparked like flint striking steel. A flame appeared; the water began to heat. Reaching up to a shelf, she grabbed a sack labeled “C8H10N4O2,” dumped some into a mortar, ground it with a pestle, overturned the resulting dirtlike substance onto a strange little scale, then dumped the scale’s contents into a 6- x 6-inch piece of cheesecloth and tied the small bundle off. Stuffing the cheesecloth into a larger beaker, she attached it to the second metal stand, clamping the tube coming out of the first flask into the large beaker’s bottom. As the water in the flask started to bubble, Mrs. Sloane, her jaw practically on the floor, watched as the water forced its way up the tube and into the beaker. Soon the smaller flask was almost empty and Elizabeth shut off the Bunsen burner. She stirred the contents of the beaker with a glass rod. Then the brown liquid did the strangest thing: it rose up like a poltergeist and returned to the original flask. “Cream and sugar?” Elizabeth
Bonnie Garmus (Lessons in Chemistry)
The next day we booked a three-hundred pound sow for a most unusual photoshoot. She was chauffeured to Hollywood from a farm in Central Valley, and arrived in style at the soundstage bright and early, ready for her close-up. She was a perfect pig, straight from the animal equivalent of Central casting: pink, with gray spots and a sweet disposition. Like Wilbur from Charlotte's Web, but all grown up. I called her "Rhonda." In a pristine studio with white walls and a white floor, I watched as Rhonda was coaxed up a ramp that led to the top of a white pedestal, four feet off the ground. Once she was situated, the ramp was removed, and I took my place beside her. It was a simple setup. Standing next to Rhonda, I would look into the camera and riff about the unsung heroes of Dirty Jobs. I'd conclude with a pointed question: "So, what's on your pedestal?" It was a play on that credit card campaign: "What's in your wallet?" I nailed it on the first take, in front of a roomful of nervous executives. Unfortunately, Rhonda nailed it, too. Just as I asked, "What's on your pedestal?" she crapped all over hers. It was an enormous dump, delivered with impeccable timing. During the second take, Rhonda did it again, right on cue. This time, with a frightful spray of diarrhea that filled the studio with a sulfurous funk, blackening the white walls of the pristine set, and transforming my blue jeans into something browner. I could only marvel at the stench, while the horrified executives backed into a corner - a huddled mass, if you will, yearning to breath free. But Rhonda wasn't done. She crapped on every subsequent take. And when she could crap no more, she began to pee. She peed on my cameraman, She peed on her handler. She peed on me. Finally, when her bladder was empty, we got the take the network could use, along with a commercial that won several awards for "Excellence in Promos." (Yes, they have trophies for such things.) Interestingly, the footage that went viral was not the footage that aired, but the footage Mary encouraged me to release on YouTube after the fact. The outtakes of Rhonda at her incontinent finest. Those were hysterical, and viewed more times than the actual commercial. Go figure. Looking back, putting a pig on a pedestal was maybe the smartest thing I ever did. Not only did it make Rhonda famous, it established me as the nontraditional host of a nontraditional show. One whose primary job was to appear more like a guest, and less like a host. And, whenever possible, not at all like an asshole.
Mike Rowe (The Way I Heard It)
The mundus: a sacred or accursed place in the middle of the italiot township. A pit, originally-a dust hole, a public rubbish dump. Into it were cast trash and filth of every kind, along with those condemned to death, and any newborn baby whose father declined to "raise" it (that is, an infant which he did not lift from the ground and hold up above his head so that he might be born a second time, born as a social as well as biological sense). A pit, then, 'deep' above all in meaning. It connected the city, the space above ground, land-as-soil and land-as-territory, to the hidden, clandestine, subterranean spaces which were those of fertility and death, of the beginning and the end, of birth and burial. (Later, in Christian times, the cemetery would have a comparable function). The pit was also a passageway through which dead souls would return to the bosom of the earth and then reemerge reborn. As locus of time, of births and tombs, vagina of the nurturing earth-as-mother, dark corridor emerging from the depths, cavern opening to the light, estuary of hidden forces and mouth of the realm of shadows, the mundus terrified as it glorified. In its ambiguity it encompassed the greatest foulness and the greatest purity, life and death, fertility and destruction, horror and fascination. 'Mundus es immundus'. -
Henri Lefebvre
Guy was going to self-terminate for any reason, he’d have finished putting his pajamas on and gotten into bed nice and comfy first. So means are foul. Where’s Sommers?” “I don’t know why they bother to keep me around here.” But he was grinning as he slid the brain into a tray for scan and analysis. “I expect the tox eval will verify both our suspicions shortly. Sommers is done, and in a cold box. Her family and boyfriend came in together this morning. I was able to block them from seeing her, though it wasn’t easy. I had to use official grounds.” “The eyes aren’t public yet, and I don’t want them to be, not even to next of kin. Even family and lovers can leak to the media. More so if they’re grieving or pissed. No access outside of need-to-know to any of the vics in this investigation.” “You want to see her again.” “Yeah.” “Let me clean up a bit. Our gentleman friend will hold.” He went to the sink to scrub blood, matter, and sealant from his hands. “Her body was more traumatized than the others.” “Violence is escalating. I know.” “So is his pace.” Morris dried his hands, then removed his protective gear, dumping it in a hamper. “We’re closer. Every minute, we’re closer.” “I have no doubt. Well.” He stepped over in his pristine blue shirt and red necktie, offered his arm. “Shall we?” She laughed, as only he could make her in the company of the
J.D. Robb (Visions in Death (In Death, #19))
He carried the hot mug, which was tiny in his hand, over to Cisi, who dumped the vial of sleep elixir in it and sauntered over to the guard. Without a word of explanation. “I doubt he speaks Thuvhesit,” Teka said. Cisi’s posture relaxed, and a smile spread over her face as she greeted the guard. At first the man looked like he would yell at her, but then he got that sleepy look, the same one both Jorek and Jyo had given Cisi yesterday. “She could be speaking Ogran,” he said. “It wouldn’t matter.” He’d seen the effects of Cisi’s gift before, but only when she wasn’t really trying. He had no idea how potent the effect would be when she actually put effort into it. The guard was leaning back against the amphitheater wall, a little smile curling his lips, and when she offered him the mug, he cradled it in both hands. And sipped. Akos hustled through the crowd, quick. If the guard was going to topple, he wanted it to happen as discreetly as possible. And sure enough, by the time he made it to his sister’s side, the guard was swaying on his feet, the rest of the Othyrian drink splashing on the packed dirt. Akos caught him by the shoulders and lowered him to the ground, slow. Teka was already crouched over the man’s body, searching his pockets. She turned up the key quickly, checked over her shoulder, and crammed it into the lock. “Okay,” Isae said to Cisi. “That was downright alarming.” Cisi just grinned.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
The Hunter: “Your future refuses to behave.” Coo-yôn yanked off the jacket he’d sourced for me. Up was down. Then he stepped back. And released me— I toppled over, falling out of my seat onto the ground. Was the sosie dumping me on the side of the road? ’Cause I was about to die? “Now, let’s just talk . . . ’bout this, coo-yôn.” He caught hold of my good ankle, then dragged me farther away from the truck. He’d hauled me into . . . a bank of snow. _______________ The Empress: I’d thought the sight of snow—and all the emotions it brought—would make me less likely to be with Aric. Just the opposite; because I could see my future so clearly. If he died before I did, some symbol—like snow—would mark the end of his existence. Later I would experience that waypoint (because everything was connected) and wish to God I’d taken a different path. I decided then that I would map my own journey and mark my own waypoints. The snow would symbolize both the end of one story and the beginning of another. A new slate. But not a blank one. The red ribbon would be a cherished remembrance, but I wouldn’t keep it with me at all times. I lay in the snow and lifted my hand to the sky. Flakes landed on my damp face. Each one was a cool kiss good-bye. _____________ The Hunter Lying in that bank of snow, I gazed up at the falling flakes. They drifted over my face. Soft, soft. Like Evie’s lips. With effort, I lifted my scarred hand to the sky. I closed my eyes and pretended my Evangeline was caring for me. J’ai savouré. I savored each cold kiss. . . .
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
Nope- it was not! Ava and her girls that day went, and they cut a class at some point in the day and broke into my baby. Then Ava- ‘Rubbed one out!’ that means that she masturbated, and squirted her lady- juices all over the inside of my car. Yes- and I mean it went all over. It was on my seat on the dash, on the floor, and Ava smeared what creaminess that was on her two fingers on the windows, and driver’s side vent. As her clan, sisters pissed all over the carpet on the floor, and took their dumps on the seat, and left their thongs behind. Alison, she wrote a note on her undies saying- ‘Now you have some pairs to wear!’ It was so nasty! Plus- the outside was covered and wrapped with toilet paper as well as littered with Ava and her sisters used feminine products. What is wrong with these girls? What did I do to deserve this one? Likewise, the other kids thought it was the most humorous thing, which they ever witnessed at the end of the school day. When I discovered it- You know, I was utterly sick to my stomach. I think I screamed so loudly it echoed throughout the land, and started to cry and ran while being pushed around bouncing around off their bodies, I cannot remember- I was so upset, and then the kids were all around me kicking, and pushing me from one place to another. I was just like a hacky sack for them, until I passed out, and dropped to the hard ground. That gave them time for them to spit on me, and dump things like glue in my hair or whatever that shit was. Then what gets me is that she signed her name- Ava on the dashboard with a black permanent sharpie marker, and It reads, ‘Suck on this- Nevaeh- lick, what I gave you all up!’ and she drew a heart, with a line through it also. She wanted me to know because there was not a thing I could do about it. Depressed- to say that her juicy sprays were more yellowish, and a thick sticky white, then clear on my blue and white cloth seats. Yet, Hope had the car towed and cleaned for me inside and out, she could not believe what kids do these days. Therefore, that was the first time that I drove my car to school and the last. That whole thing cost me a lot. I guess it is back to the bus. That is what everyone wants is it not. This completely sucked; I have a car that I cannot drive anywhere other than at home or have locked up in the barn- with the other rust bucket car.
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
Niobe earned the ire of the gods by bragging about her seven lovely daughters and seven “handsome sons—whom the easily offended Olympians soon slaughtered for her impertinence. Tantalus, Niobe’s father, killed his own son and served him at a royal banquet. As punishment, Tantalus had to stand for all eternity up to his neck in a river, with a branch loaded with apples dangling above his nose. Whenever he tried to eat or drink, however, the fruit would be blown away beyond his grasp or the water would recede. Still, while elusiveness and loss tortured Tantalus and Niobe, it is actually a surfeit of their namesake elements that has decimated central Africa. There’s a good chance you have tantalum or niobium in your pocket right now. Like their periodic table neighbors, both are dense, heat-resistant, noncorrosive metals that hold a charge well—qualities that make them vital for compact cell phones. In the mid-1990s cell phone designers started demanding both metals, especially tantalum, from the world’s largest supplier, the Democratic Republic of Congo, then called Zaire. Congo sits next to Rwanda in central Africa, and most of us probably remember the Rwandan butchery of the 1990s. But none of us likely remembers the day in 1996 when the ousted Rwandan government of ethnic Hutus spilled into Congo seeking “refuge. At the time it seemed just to extend the Rwandan conflict a few miles west, but in retrospect it was a brush fire blown right into a decade of accumulated racial kindling. Eventually, nine countries and two hundred ethnic tribes, each with its own ancient alliances and unsettled grudges, were warring in the dense jungles. Nonetheless, if only major armies had been involved, the Congo conflict likely would have petered out. Larger than Alaska and dense as Brazil, Congo is even less accessible than either by roads, meaning it’s not ideal for waging a protracted war. Plus, poor villagers can’t afford to go off and fight unless there’s money at stake. Enter tantalum, niobium, and cellular technology. Now, I don’t mean to impute direct blame. Clearly, cell phones didn’t cause the war—hatred and grudges did. But just as clearly, the infusion of cash perpetuated the brawl. Congo has 60 percent of the world’s supply of the two metals, which blend together in the ground in a mineral called coltan. Once cell phones caught on—sales rose from virtually zero in 1991 to more than a billion by 2001—the West’s hunger proved as strong as Tantalus’s, and coltan’s price grew tenfold. People purchasing ore for cell phone makers didn’t ask and didn’t care where the coltan came from, and Congolese miners had no idea what the mineral was used for, knowing only that white people paid for it and that they could use the profits to support their favorite militias. Oddly, tantalum and niobium proved so noxious because coltan was so democratic. Unlike the days when crooked Belgians ran Congo’s diamond and gold mines, no conglomerates controlled coltan, and no backhoes and dump trucks were necessary to mine it. Any commoner with a shovel and a good back could dig up whole pounds of the stuff in creek beds (it looks like thick mud). In just hours, a farmer could earn twenty times what his neighbor did all year, and as profits swelled, men abandoned their farms for prospecting. This upset Congo’s already shaky food supply, and people began hunting gorillas for meat, virtually wiping them out, as if they were so many buffalo. But gorilla deaths were nothing compared to the human atrocities. It’s not a good thing when money pours into a country with no government.
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
In 1835 the Academy of Sciences began publishing its weekly bulletin (the Comptes rendus). Here was a virgin dumping ground for Cauchy, and he began swamping the new publication with notes and lengthy memoirs- sometimes more than one a week. Dismayed at the rapidly mounting bill for printing, the Academy passed a rule, in force today, prohibiting the publication of an article over four pages long. This cramped Cauchy’s luxuriant style, and his longer memoirs, including a great one of 300 pages on the theory of numbers, were published elsewhere.
Eric Temple Bell (Men of Mathematics)
Your clothing and environment are also extensions of your physical boundaries. Not only does clothing affect how others see and, therefore, treat you, but also various textures and colors determine the shape and frequency of your physical boundary. • Wear red if you want to kick other people’s energies out of your energy field. • Wear earth tones, including russet, citrine, olive, goldenrod, or brown if you want to fill in boundary holes, repel negative environmental energies, and feel more grounded in your own unique energy. • Wear gray or black if you want to hide yourself, thus avoiding those who want to dump their energies onto you or slide their work onto you. • Try purple. In feng shui, purple is a sign of workplace success. Small touches of it on or around you will encourage your field to open only to growth and to eliminate or reject negative influences. • For interviews, consider soft touches of pink, yellow, or blue. These colors open your physical energetic field. Pink guarantees that you will fit in and get along with coworkers. Yellow reflects intelligence, and blue soothes jagged edges of your physical energetic field, leaving you seamless and calm.
Cyndi Dale (Energetic Boundaries: How to Stay Protected and Connected in Work, Love, and Life)
The four lights mounted on the roof of his open cab threw harsh white light on the matted grass in front of the machine. He dropped the outriggers on both sides of the backhoe and triggered the stabilizers. They bit into the soil with a hydraulic hiss and he could feel the backhoe sit back on its haunches and settle in. He placed his gloved hands on the two tall lollypop sticks between his knees. The left stick maneuvered the hinged hydraulic arm and the right stick controlled the bucket curl. The scarred steel teeth of the bucket plunged into the soft soil and the motor strained as he lifted the first big mouthful and dumped it to the left of the backhoe. The ground was dark and moist with a few large rocks, and he should be able to dig a square pit that was fifteen feet long, twelve feet wide, and six feet deep within a couple of hours. He knew this because it wasn’t the first excavation he’d performed in the narrow valley. In fact, if one looked closely, the valley floor was riddled with them. *
C.J. Box (The Highway (Highway Quartet #2))
These people whose lives are so orderly that they can rise early enough to find a whole other human body just dumped on the ground...
Katie Williams
Why do you hurt me? I LOVE YOU. You’re incapable of love. NOTHING EXCEEDS MY ABILITIES. I AM ALL. You’re a book. Pages with binding. You weren’t born. You don’t live. You’re no more than the dumping ground for everything that was wrong with a selfish king. I AM EVERYTHING THAT WAS RIGHT WITH A WEAK KING. HE FEARED POWER. I KNOW NO FEAR. What do you want from me? OPEN YOUR EYES. SEE ME. SEE YOURSELF. My eyes are open. I’m good. You’re evil. CONVERSATIONS WITH THE SINSAR DUBH
Karen Marie Moning (Shadowfever (Fever, #5))
What else dwells here other than kelpies?” “Some say witches,” he murmured. “Not the human kind,” he added when she raised a brow. “The kind that used to be something else and then their thirst for magic and power turned them into wretched creatures, banished here by various High Lords.” “They don’t sound so bad.” “They drink young blood to fill the coldness the magic left in them.” Nesta winced. Cassian went on as she scanned the bog, “There are lightsingers: lovely, ethereal beings who will lure you, appearing as friendly faces when you are lost. Only when you’re in their arms will you see their true faces, and they aren’t fair at all. The horror of it is the last thing you see before they drown you in the bog. But they kill for sport, not food.” “And all these horrible creatures are just left here, untended?” “The Middle lies under no High Lord’s jurisdiction. It’s long been the dumping ground for any unwanteds.” “Not the Prison?” “Their crimes are ones of nature. A kelpie is designed to lure and kill, just as a wolf is designed to hunt its prey. The Middle keeps them separate from us without punishing them for what they were made to be.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
The stone in her hand glimmered. They made another loop upward, and just as they reached the fourth level, that presence—that sensation of something at their backs—eased. They waited until they’d reached Nesta’s cart before Gwyn dumped her books on the ground and flung herself into the nearest tufted armchair. Her hands trembled, but the blue stone had gone dormant again. Nesta had to swallow twice before she could say, “What is that?” “It’s an Invoking Stone.” Gwyn unfurled her fingers, revealing the gem within her hand. “Similar to the Siphons of the Illyrians, except that the power of the Mother flows through it. We cannot use it for harm, only healing and protection. It was shielding us.” “No—I mean, that darkness.” Gwyn’s eyes matched her stone almost perfectly, right down to the shadows that now veiled her expression. “They say the being that dwelled down there is gone. But I believe some piece of it might have lingered. Or at the very least altered the darkness itself.” “It didn’t feel like that. It felt … older.” Gwyn’s brows rose. “Are you an adept in such things?” There was no condescension in the words, only curiosity. “I …” Nesta blinked. “Do you not know who I am?” “I know you are the High Lady’s sister. That you slew the King of Hybern.” Gwyn’s face grew solemn, haunted. “That you, like Lady Feyre, were once mortal. Human.” “I was Made by the Cauldron. At the King of Hybern’s order.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
The technicians added links in the neural network, dumped data, waited for the AI to respond. It looked uncannily lifelike, from the waist up; sitting behind that table as if they were reporting to it. He always walked the other way, behind the thing’s back, so he could see the mess of wires and glinting microchips. He wondered if that disturbed it, if it was capable of feeling the same uncanny itch down its spine as a human with their back unprotected.
Sara Barkat (The Shivering Ground & Other Stories)
And the machine felt nothing. As far as it was concerned, the whole world was a math problem. A formula pitting revenue vs. costs. It plugged the numbers in for the variables and went with the cost-effective plan. If it were more profitable to dump toxic sludge into the ground and pay the EPA fines later, so be it. If it were a better deal to spend $3 million to lobby congress so they could bend the law in the company’s favor, the machine paid up. If it cost too much to recall the faulty accelerators, it left them and settled with the families of the dead out of court. The costs to the environment, the human costs, these things did not compute, did not matter. Just the raw dollars, please, the only things that possessed real value in our society. This was business. This was America.
L.T. Vargus (Bad Blood (Violet Darger #4))
You know that every year in the western part of the United States there are fruits and grains produced that never find a market; bananas and oranges rot on the ground, whole skiffs of fruits are dumped into the ocean. Not because people do not need these foods and couldn't make good use of them in the big cities of the east, but because the employing class prefer to destroy a large percentage of the production in order to keep the price up in cities like New York, Chicago, Baltimore and Boston. If they sent all the bananas that they produce into the eastern part of the United States we would be buying bananas at probably three for a cent.
Elizabeth Gurley Flynn (Sabotage)
The foundation appears to see the Global South as both a dumping ground for drugs deemed too unsafe for the developed world and a testing ground for drugs not yet determined to be safe enough for the developed world.”121
Robert F. Kennedy Jr. (The Real Anthony Fauci: Bill Gates, Big Pharma, and the Global War on Democracy and Public Health)
But then, on a brisk February evening my junior year, I attended a free yoga class at the Harvard Divinity School Andover Chapel. I came in fully expecting to do cat, cow, and child’s pose. Our instructor, Nicholas, who was also a graduate student there, had us on our backs with taut abs, legs held in the air in a ninety-degree position, neck lifted off the ground, hands stretched above our heads. I had become the sleeping dragon. One minute in, my body was trembling. You can’t. I told myself I could. You can’t. I opened my eyes and saw everyone else peacefully holding their pose. This voice yelling at me wasn’t my own. So where was it coming from? You can’t. It was Hang telling me to dump my elementary school best friends who still played with toy horses at thirteen. He said I needed to be more strategic about my social ranking. You can’t be friends with them. My sister excluding me from her life when we became teenagers. You can’t hang out with us. Ba calling me pathetic when I told him I wasn’t pursuing med school. You can’t even try because you’re too dumb. I screamed, You can’t, right back inside of my head, telling all of them what I never had the courage to say. My body shuddered as the rage escaped my body like bats flying out from a cave. Hot tears fell from the sides of my eyes into the chapel carpet floor. And then I heard a clear voice inside of me speak. It was not mine, it was someone else’s. “All those times you’ve felt unloved or alone, you weren’t. God, through the presence of the body, has always been there for you.” Who was this voice? And how could my body be the key to loving myself? My body was always something I had seen as an inconvenience, a detached thing I had to fix. But tonight, I felt welcome to get to know my body.
Susan Lieu (The Manicurist's Daughter)
One night, Hayes went home after work and decided he would cook dinner for them. Ainsworth, stuck at work on a conference call, was running late. When she finally got home, dinner was nearly ready, but Ainsworth was wiped out and declared that she wanted to decompress in a bath. “Give me ten minutes,” she said. After a while, Hayes went upstairs to the bathroom to see what was taking so long. Ainsworth was still soaking in the tub. Hayes was hungry. He’d prepared a shepherd’s pie, a casserole-style combination of ground beef, mashed potatoes, and peas, and he wanted to eat it before it got cold. Ainsworth asked for a few more minutes. Ten minutes passed. Hayes marched back upstairs and dumped the pie into the water. Ainsworth, stunned, sat in the bath, peas bobbing around her. At work the next day, Davies asked Hayes how his night had been. Hayes took the casual question literally, and without reserve or the slightest sense of faux pas told Davies what had happened. Within days, the pie-in-the-bath story had bounced all over the City’s trading and brokerage floors. It would continue to circulate for more than a decade.
David Enrich (The Spider Network: How a Math Genius and a Gang of Scheming Bankers Pulled Off One of the Greatest Scams in History)
Once upon a time, in Palestine, people had made human sacrifices in the valley of Hinnon, later using the valley as a dumping ground for dead animals and executed prisoners. Cremation fires could be seen burning there night and day. With time Hinnon became Gehenna, which became the Hebrew name for the land of the dead.
Jeff Long (The Descent)
Readers of these pages will learn how in exalting patented medicine Dr. Fauci has, throughout his long career, routinely falsified science, deceived the public and physicians, and lied about safety and efficacy. Dr. Fauci’s malefactions detailed in this volume include his crimes against the hundreds of Black and Hispanic orphan and foster children whom he subjected to cruel and deadly medical experiments and his role, with Bill Gates, in transforming hundreds of thousands of Africans into lab rats for low-cost clinical trials of dangerous experimental drugs that, once approved, remain financially out of reach for most Africans. You will learn how Dr. Fauci and Mr. Gates have turned the African continent into a dumping ground for expired, dangerous, and ineffective drugs, many of them discontinued for safety reasons in the US and Europe.
Robert F. Kennedy Jr. (The Real Anthony Fauci: Bill Gates, Big Pharma, and the Global War on Democracy and Public Health)
Insurance companies are nothing more than a dumping ground for risk; for an appropriate fee, you can have them assume a risk for you.
Charles Seife (Proofiness: The Dark Arts of Mathematical Deception)
Jerry finally yelled, “Jim! We need your help.” “I’m behind you,” I said, trying to keep the impatience out of my voice.  Jerry spun around, spotting us.  From his new vantage point, there was a tree and a bush in the way.  All he could see was part of my head and Badgelor’s tail.  “Oh, you were taking a dump,” he said.  Apparently, my exasperated face and my dropping-a-deuce face were similar.  Good to know.  “Nope, just standing here,” I ground out.  Jerry rushed through the bush, tripped again, and landed in the only mud puddle in the area.  Globs of mud flew toward us. like a claymore mine.  Several splattered over my clean armor.  One large chunk flew right into Badgelor’s nose. An instant later, Badgelor sneezed in a most unheroic fashion.  The sudden bucking motion caused me to fall off my steed and land in a heap, directly in front of Jerry.  I got to my feet an instant before he managed to look up.  Badgelor had turned away to paw at his nose desperately.  Shart was, as usual, laughing hysterically. “Did he just sneeze?” asked Jerry. “No, that is an ancient War Badger Battle Cry,” I replied evenly.  “Badgelor senses trouble.” Jerry paused, turning to face Badgelor in wonder.  “Amazing.  So, he knows that someone is attacking Lorraine’s estate?” “We suspected it,” I nodded sagely, which was true.
Ryan Rimmel (Noob Game Plus (Noobtown, #5))
down their road, each way, wid a flag,” directed O’Brien to Casey, “and thin tear up their track. Cut off the rails six inches inside the highway line. Don’t ye get off the road on to the company’s ground, av ye value yer life. Get the thrack out av the way, an’ thin start the plows an’ scrapers. Dump the dirt in a long pile in the middle av the sthreet; don’t cover up anny av the Dubskys or Polowskys, but kape the dirt movin’.
Wallace D. Wattles (Wallace D. Wattles Master Collection: 84 Rare Books and Articles by Wallace D. Wattles, Author of The Science of Getting Rich)
I only ever come here to sleep off the cycles,” Merlin admitted, running about to do a lightning round of tidying. “It’s become a bit of a dumping ground for things that came to me over the ages. Though I swear I did clean it up after Arthur 28. Or was it Arthur 29? Please don’t judge!” “Too late,” Val said. I just saw the little crystal bed where you sleep. The collection of nightcaps? Merlin, you have two hundred.” “Have you ever slept for a decade?” Merlin asked. “It requires extreme comfort.
Cori McCarthy & Amy Rose Capetta (Sword in the Stars (Once & Future, #2))
New York’s attack, dubbed “The Gang That Couldn’t Shoot Straight” by Sports Illustrated’s Jack McCallum, was the NBA’s most predictable. “Windshield wipers offer more variety than the Knicks’ offense,” mused New York magazine writer Chris Smith. For many years, their possessions often went something like this: a guard would dribble down to the wing and dump an entry pass into Ewing on the block. The center, forced to deal with the spacing of a crowded Twister mat, would turn and face the basket, deciding instantly whether he had enough time to get off a shot before a second and third defender could swarm. If he didn’t have a good look, he would kick the ball out to reset the offense, or, in what was often a victory for the defense, set up a wide-open perimeter try for a shooting-deficient teammate. “If this were football, every time [his teammates] shoot, they’d be accused of intentional grounding,” New York Post columnist Peter Vecsey wrote. Every now and then, there was a pick-and-roll mixed in, or a cross screen to shake things up. When the universe allowed, a Ewing kick-out would lead to a made jumper by one of the guards. But even when players misfired, Ewing was often there to corral the miss, then gracefully put it back for a score. If his teammates were leaving messes, the 7-footer was the Bounty paper towel cleaning up after them.
Chris Herring (Blood in the Garden: The Flagrant History of the 1990s New York Knicks)
I believe alcohol might take us to a mystical dream world, but it’ll always end up on a dumping ground of broken dreams
Snehil Niharika (That’ll Be Our Song)
Internalizers are so perceptive and sensible that even people they’ve never met before may instinctively trust them in a stressful situation. My client Martine described it this way: “I’m the go-to person for support and an ear—the voice of calm and wisdom. People don’t get that kind of response much, so they flock to me like I’m a dumping ground for their problems.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
I find myself by the tunnel as the guys head for the locker room. I’ve just tucked away my cameras so I can grab some water when Jake and I make eye contact as he trots by. I’m so caught up in the excitement of the game, I run up to him and leap up into his arms to kiss him. “Great game! You’re killing it.” “Thanks, cupcake.” He laughs, kisses me again, before he pats my ass and rejoins the team. I touch my lips, which pull up in a huge smile. Life has never felt so good. Coming to Lone Star was the best decision I ever made. I’m busy thanking my lucky stars for Jake and our new school and all of the blessings we’ve had when I pause. Did someone just call my name? There it is again. It came from the stands. I grab my camera bag and look up, still smiling. Splash. That’s when I’m doused with a huge container of soda. I flinch as the cold liquid and ice hits my face and shoulders, but the debris keeps coming. More soda and some food. A hot dog with mustard and relish smacks my shirt and slowly slides to the ground. I gasp, afraid more crap will rain down on me. Someone must have tripped and accidentally dumped their food over the railing. When I look up, though, there are two girls in the stands, glaring down at me. I have a hard time making out their faces because they’re covered in face paint, but one yells, “Hey, skank! How does it feel to get Dakota’s sloppy seconds?” Horrified, I’m frozen stiff. I don’t see the soda can until it’s too late. 36 JAKE When we make it back onto the field, there’s a weird energy on the sidelines.
Lex Martin (Second Down Darling (Varsity Dads #4))